tag:blogger.com,1999:blog-79973987437622342472024-03-14T15:53:59.914-03:00O FALCÃO MALTÊSuma viagem apaixonada pela história do cinemaANTONIO NAHUDhttp://www.blogger.com/profile/09829893001743081676noreply@blogger.comBlogger398125tag:blogger.com,1999:blog-7997398743762234247.post-55078136493081552032024-02-23T21:38:00.016-03:002024-02-24T11:44:10.592-03:00******* 13 CINEASTAS FRANCESES ESQUECIDOS<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto;"><tbody><tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgC8zBiX8hIflU3dvqE8uFd2a5t9ZKv_GgXFa6AhR3x7-h_eqQi3F_GVFI-uEP9GHcE0wGspCMQaVhT2m5IKU_GH3r9uBdSYMhygkMURREYsv2xuTvN8JUm86JEiXvc6WdcIM4P-RiyBinmAVQbIl3XEj1ZQWLNEt7mYDO10q65kOgQqJCxXywBRENb4R4/s1840/HENRI-GEORCES%20CLOUZOT.jpg" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="1080" data-original-width="1840" height="376" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgC8zBiX8hIflU3dvqE8uFd2a5t9ZKv_GgXFa6AhR3x7-h_eqQi3F_GVFI-uEP9GHcE0wGspCMQaVhT2m5IKU_GH3r9uBdSYMhygkMURREYsv2xuTvN8JUm86JEiXvc6WdcIM4P-RiyBinmAVQbIl3XEj1ZQWLNEt7mYDO10q65kOgQqJCxXywBRENb4R4/w640-h376/HENRI-GEORCES%20CLOUZOT.jpg" width="640" /></a></td></tr><tr><td class="tr-caption" style="text-align: center;"><span style="font-family: inherit;"><span style="background-color: black; color: #3d85c6; font-size: large;">henri-georges clouzot</span></span><br /></td></tr></tbody></table><p><br /><!--[if gte mso 9]><xml>
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</p><div style="text-align: justify;"><span style="color: #3d85c6; font-family: inherit; font-size: 14pt; line-height: 107%;">“Sou apenas um artesão que trabalha numa
indústria grande e importante pela influência social e poder na divulgação de
ideias.”</span><span style="color: #3d85c6;"><br /></span><span style="background-color: #274e13; color: white; font-family: inherit; font-size: 14pt; line-height: 107%;">JACQUES FEYDER</span><span style="color: #3d85c6;"><br /><span style="font-family: inherit; font-size: 14pt; line-height: 107%;"> </span><br /><span style="font-family: inherit; font-size: 14pt; line-height: 107%;">“Filmagens são absolutamente horríveis. Eu
chamo isso de formalidade tediosa. Eu odeio filmar. Meu único alívio em todo
esse negócio cansativo são os momentos maravilhosos em que estou dirigindo os atores.”</span><br /></span><span style="background-color: #274e13; color: white; font-family: inherit; font-size: 14pt; line-height: 107%;">JEAN-PIERRE MELVILLE</span><br /><span style="color: black; font-family: inherit; font-size: 14pt; line-height: 107%;"> </span><br /><span style="color: black; font-family: inherit; font-size: 14pt; line-height: 107%;"> </span><br /><span style="color: white; font-family: inherit; font-size: 14pt; line-height: 107%;">A cinematografia francesa clássica foi muitas
vezes rejeitada e maltratada, mas não há dúvidas de sua sofisticação e inovação.
Desde 1895, na ocasião em que os irmãos Lumière projetaram uma imagem em
movimento no Grand Café, em Paris, o cinema se tornou uma paixão nacional, resultando
em </span><span style="color: white; font-family: inherit; font-size: 14pt; line-height: 107%;">obras </span><span style="color: white; font-family: inherit; font-size: 14pt; line-height: 107%;">impactantes</span><span style="color: white; font-family: inherit; font-size: 14pt; line-height: 107%;">.</span><span style="color: white; font-family: inherit; font-size: 14pt; line-height: 107%;"> Essa tradição cinematográfica tem um dos mais ricos
patrimônios do mundo. São filmes reconhecidos pela qualidade técnica, narrativa
complexa, profundidade emocional e ousadia estética. Seus personagens e temas
se tornaram ícones culturais e inspiraram a moda, a música e outras formas de
arte. </span><span style="color: white;"><br /><span style="font-family: inherit; font-size: 14pt; line-height: 107%;"> </span><br /><span style="font-family: inherit; font-size: 14pt; line-height: 107%;">No famoso artigo</span></span><span style="color: black; font-family: inherit; font-size: 14pt; line-height: 107%;"> </span><span style="color: #3d85c6; font-family: inherit; font-size: 14pt; line-height: 107%;">“Uma Certa Tendência do
Cinema Francês</span><span style="color: #3d85c6; font-family: inherit; font-size: 14pt; line-height: 107%;">”</span><span style="color: white; font-family: inherit; font-size: 14pt; line-height: 107%;">, publicado na lendária revista</span><span style="color: black; font-family: inherit; font-size: 14pt; line-height: 107%;"> </span><span style="color: #3d85c6; font-family: inherit; font-size: 14pt; line-height: 107%;">“Cahiers du Cinema”</span><span style="color: black; font-family: inherit; font-size: 14pt; line-height: 107%;"> </span><span style="color: white; font-family: inherit; font-size: 14pt; line-height: 107%;">(n° 31,
janeiro de 1954), o futuro cineasta François Truffaut atacou a</span><span style="color: black; font-family: inherit; font-size: 14pt; line-height: 107%;"> </span><span style="color: #3d85c6; font-family: inherit; font-size: 14pt; line-height: 107%;">“tradição de
qualidade”</span><span style="color: black; font-family: inherit; font-size: 14pt; line-height: 107%;"> </span><span style="color: white; font-family: inherit; font-size: 14pt; line-height: 107%;">desse cinema, desprezando impiedosamente diretores premiados e
poupando apenas alguns eleitos – Jean Renoir, Jacques Becker, Jacques Tati,
Robert Bresson, Jean Cocteau -, considerados </span><span style="color: #3d85c6; font-family: inherit; font-size: 14pt; line-height: 107%;">“autores”</span><span style="color: white; font-family: inherit; font-size: 14pt; line-height: 107%;">. Nada mais do que um
chilique esnobe, possivelmente direcionado para gerar polêmica. Fã de
carteirinha dessa cinematografia, resgato treze cineastas que fizeram história
com preciosos e esquecidos filmes. Confira.</span><br /><span style="color: black; font-family: inherit; font-size: 14pt; line-height: 107%;"> </span><br /><span style="color: #3d85c6; font-family: inherit; font-size: 14pt; line-height: 107%;">01</span><span style="color: #3d85c6;"><br /></span></div><div style="text-align: center;"><span style="background-color: #274e13; color: white; font-family: inherit; font-size: 14pt; line-height: 107%;">GEORGES FRANJU</span><span style="color: #3d85c6;"><br /><span style="font-family: inherit; font-size: 14pt; line-height: 107%;">(1912 – 1987.</span><span style="font-family: inherit; font-size: 14pt; line-height: 107%;"> Fougères,
Ille-et-Vilaine / França)</span></span></div><div style="text-align: justify;"><span style="color: #3d85c6;"><span style="font-family: inherit; font-size: 14pt; line-height: 107%;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjhyphenhyphensmC2nRT8_kue61EVMiImOzUKXi30nIXcd2mzUy7hQbfGcJVfB53VRfEWop_X9BZMGqX8o4uR5xhW6A1jvrAXNQJ9AuSDcSfTxCqEVd_KtFoQfplctRjImPe6Dl5bFAtkHtA0EhvE2Dk64e-X7s-qbLNv5-lPo4_ZqMt1F4msOwBoCXDJvUNzmvDLzk/s1374/georges-franju-cinema-realisateur.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="970" data-original-width="1374" height="283" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjhyphenhyphensmC2nRT8_kue61EVMiImOzUKXi30nIXcd2mzUy7hQbfGcJVfB53VRfEWop_X9BZMGqX8o4uR5xhW6A1jvrAXNQJ9AuSDcSfTxCqEVd_KtFoQfplctRjImPe6Dl5bFAtkHtA0EhvE2Dk64e-X7s-qbLNv5-lPo4_ZqMt1F4msOwBoCXDJvUNzmvDLzk/w400-h283/georges-franju-cinema-realisateur.jpg" width="400" /></a></div></span><br /></span><span style="color: white; font-family: inherit; font-size: 14pt; line-height: 107%;">Cineasta de primeira grandeza, dono de uma filmografia
inventiva, interessante e com influência do surrealismo. Era um respeitável
documentarista antes de fazer longas de ficção. Seu cinema alcança o insólito e
a poesia.</span><span style="color: white;"></span></div><div style="text-align: justify;"><span style="color: white;"><br /></span><span style="color: white;"><span style="background-color: #274e13; font-family: inherit; font-size: 14pt; line-height: 107%;">Três Filmes:</span></span><br /><span style="color: #3d85c6; font-family: inherit; font-size: 14pt; line-height: 107%;">A Cabeça Contra a Parede / La Tête Contre les
Murs (1959)</span><span style="color: #3d85c6;"><br /><span style="font-family: inherit; font-size: 14pt; line-height: 107%;">Os Olhos sem Rosto /</span><span style="font-family: inherit; font-size: 14pt; line-height: 107%;"> Les
Yeux sans Visage (1960)</span><br /><span style="font-family: inherit; font-size: 14pt; line-height: 107%;">Relato Íntimo /</span><span style="font-family: inherit; font-size: 14pt; line-height: 107%;"> Thérèse
Desqueyroux (1962)</span><br /><span style="font-family: inherit; font-size: 14pt; line-height: 107%;"> </span><br /><span style="font-family: inherit; font-size: 14pt; line-height: 107%;">02</span><br /></span></div><div style="text-align: center;"><span style="background-color: #274e13; color: white; font-family: inherit; font-size: 14pt; line-height: 107%;">HENRI-GEORCES CLOUZOT</span><span style="color: #3d85c6;"><br /><span style="font-family: inherit;"><a name="_Hlk159335406"><span style="font-size: 14pt; line-height: 107%;">(1907 – 1977</span>. </a><span style="mso-bookmark: _Hlk159335406;"><span style="font-size: 14pt; line-height: 107%;">Niort, Deux-Sèvres / França)</span></span></span></span></div><div style="text-align: justify;"><span style="color: #3d85c6;"><span style="font-family: inherit;"><span style="mso-bookmark: _Hlk159335406;"><span style="font-size: 14pt; line-height: 107%;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiSNphNRaVFguiy8nKghFL6B3ubYlaTn_1iXqWBzMLkFSQRsdwmhsFULest_X7h2QZB9nsJfZFHR7bIUx8AdOdApPBrPvbRgK1R75V34XHndxsrHXjsRainrlgha8K8Oo7v2vaK1eLCaEYyFCc2dc_InbEOODy_3zKRBuDgmBNO8vQR7ycXFZ1a7NmDou4/s1856/henri-georges-clouzot-3.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1413" data-original-width="1856" height="305" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiSNphNRaVFguiy8nKghFL6B3ubYlaTn_1iXqWBzMLkFSQRsdwmhsFULest_X7h2QZB9nsJfZFHR7bIUx8AdOdApPBrPvbRgK1R75V34XHndxsrHXjsRainrlgha8K8Oo7v2vaK1eLCaEYyFCc2dc_InbEOODy_3zKRBuDgmBNO8vQR7ycXFZ1a7NmDou4/w400-h305/henri-georges-clouzot-3.jpg" width="400" /></a></div></span></span></span></span><br /><span style="color: white; font-family: inherit; font-size: 14pt; line-height: 107%;">Admirado na
sua época,</span><span style="color: white; font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;"> ficou
conhecido como </span></span><span style="color: #3d85c6; font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">“o Hitchcock francês”</span></span><span style="color: white; font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">. Meticuloso e conhecedor dos truques
técnicos da sétima arte, foi um dos mais célebres diretores do cinema europeu
nos anos 40 e 50. Casou-se com a atriz brasileira Vera Amado.</span></span><span style="color: white;"></span></div><div style="text-align: justify;"><span style="color: white;"><br /></span><span style="color: white;"><span style="background-color: #274e13; font-family: inherit; font-size: 14pt; line-height: 107%;">Três Filmes:</span></span><br /><span style="color: #3d85c6; font-family: inherit; font-size: 14pt; line-height: 107%;">Manon, Anjo Perverso / Manon (1949)</span><span style="color: #3d85c6;"><br /><span style="font-family: inherit; font-size: 14pt; line-height: 107%;">O Salário do Medo</span><span style="font-family: inherit;"> / </span><span style="font-family: inherit; font-size: 14pt; line-height: 107%;">Le
Salaire de la Peur (1953)</span><br /><span style="font-family: inherit; font-size: 14pt; line-height: 107%;">As Diabólicas</span><span style="font-family: inherit;"> / </span><span style="font-family: inherit; font-size: 14pt; line-height: 107%;">Les Diaboliques
(1955)</span><br /><span style="font-family: inherit; font-size: 14pt; line-height: 107%;"> </span><br /><span style="font-family: inherit; font-size: 14pt; line-height: 107%;">03</span><br /></span></div><div style="text-align: center;"><span style="background-color: #274e13; color: white; font-family: inherit; font-size: 14pt; line-height: 107%;">JACQUES BECKER</span><span style="color: #3d85c6;"><br /><span style="font-family: inherit; font-size: 14pt; line-height: 107%;">(1906 – 1960. Paris / França)</span></span></div><div style="text-align: justify;"><span style="color: #3d85c6;"><span style="font-family: inherit; font-size: 14pt; line-height: 107%;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi_rg1fe-byUmBK2QPuvnRBSxvprXfGqPx7LfQRzPPzE7uEmLyNjO5IFnXa9IZkjtZzGSwAK4QRizaIcbir9AbPGIJ_Fs3v_luAxRWP9djy454XWDFRLBu9giSrvgIZC4A5au0Pt24qJJNXuplesaLDRex_5TYPPTM_M5QlYlsg6Eql0x3cH98VpCXNVts/s1661/Brody-JacquesBecker.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1661" data-original-width="1595" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi_rg1fe-byUmBK2QPuvnRBSxvprXfGqPx7LfQRzPPzE7uEmLyNjO5IFnXa9IZkjtZzGSwAK4QRizaIcbir9AbPGIJ_Fs3v_luAxRWP9djy454XWDFRLBu9giSrvgIZC4A5au0Pt24qJJNXuplesaLDRex_5TYPPTM_M5QlYlsg6Eql0x3cH98VpCXNVts/w384-h400/Brody-JacquesBecker.jpg" width="384" /></a></div></span></span><br /><span style="color: white; font-family: inherit; font-size: 14pt; line-height: 107%;">Apaixonado pelos seres humanos, seus filmes
impressionam pela autenticidade.<span style="mso-spacerun: yes;"> </span>Foi um
dos poucos realizadores da velha guarda louvado pelos críticos da </span><span style="color: #3d85c6; font-family: inherit; font-size: 14pt; line-height: 107%;">“Cahiers du
Cinéma”</span><span style="color: white; font-family: inherit; font-size: 14pt; line-height: 107%;">, a começar por Truffaut, que encontro</span><span style="background-color: black; color: white; font-family: inherit; font-size: 14pt; line-height: 107%;">u nele fonte de inspiração.</span><span style="background-color: #274e13; color: white;"></span></div><div style="text-align: justify;"><span style="background-color: #274e13; color: white;"><br /><span style="font-family: inherit; font-size: 14pt; line-height: 107%;">Três Filmes:</span></span><br /><span style="color: #3d85c6; font-family: inherit; font-size: 14pt; line-height: 107%;">Amores de Apache /</span><span style="color: #3d85c6; font-family: inherit; font-size: 14pt; line-height: 107%;"> Casque
d'Or (1952)</span><span style="color: #3d85c6;"><br /><span style="font-family: inherit; font-size: 14pt; line-height: 107%;">Grisbi, Ouro Maldito /</span><span style="font-family: inherit; font-size: 14pt; line-height: 107%;"> Touchez
pas au Grisbi (1954)</span><br /><span style="font-family: inherit; font-size: 14pt; line-height: 107%;">Os Amantes de Montparnasse/</span><span style="font-family: inherit; font-size: 14pt; line-height: 107%;"> Les
Amants de Montparnasse (1958)</span><br /><span style="font-family: inherit; font-size: 14pt; line-height: 107%;"> </span><br /><span style="font-family: inherit; font-size: 14pt; line-height: 107%;">04</span><br /></span></div><div style="text-align: center;"><span style="background-color: #274e13; color: white; font-family: inherit; font-size: 14pt; line-height: 107%;">JACQUES DEMY</span><span style="color: #3d85c6;"><br /><span style="font-family: inherit; font-size: 14pt; line-height: 107%;">(1931 – 1990.</span><span style="font-family: inherit; font-size: 14pt; line-height: 107%;"> Pontchâteau,
Loire-Atlantique / França)</span></span></div><div style="text-align: justify;"><span style="color: #3d85c6;"><span style="font-family: inherit; font-size: 14pt; line-height: 107%;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh_XD09ID8QBlJ09kRTNKKbxRwACZ2AUc597uH9STg8h0Y34nSoqa7BgeFYJdydyNMpdfJFrAE9ZD2Mnb-IYmYYxNU7de6QHJvKO0y9nE1njulSZgXLoJ7teqfMon7Nm43igEG8gHpUL0hgtt_IY-PkmzCI0BHNqhM3_nsxIpniyblUV4GG_X6v3dctOKA/s2452/jacques-demy.jpeg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1698" data-original-width="2452" height="278" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh_XD09ID8QBlJ09kRTNKKbxRwACZ2AUc597uH9STg8h0Y34nSoqa7BgeFYJdydyNMpdfJFrAE9ZD2Mnb-IYmYYxNU7de6QHJvKO0y9nE1njulSZgXLoJ7teqfMon7Nm43igEG8gHpUL0hgtt_IY-PkmzCI0BHNqhM3_nsxIpniyblUV4GG_X6v3dctOKA/w400-h278/jacques-demy.jpeg" width="400" /></a></div></span></span><span style="color: white; font-family: inherit; font-size: 14pt; line-height: 107%;">O espaço para a música sempre foi sua
particularidade, e seus longas contam com compositores renomados. O musical </span><span style="color: #3d85c6; font-family: inherit; font-size: 14pt; line-height: 107%;">“Os
Guarda-Chuvas do Amor”</span><span style="color: white; font-family: inherit; font-size: 14pt; line-height: 107%;"> teve enorme sucesso e recebeu a Palma de Ouro (Melhor
Filme) no Festival de Cannes. </span><span style="color: white;"></span></div><div style="text-align: justify;"><span style="color: white;"><br /></span><span style="color: white;"><span style="background-color: #274e13; font-family: inherit; font-size: 14pt; line-height: 107%;">Três Filmes:</span></span><br /><span style="color: #3d85c6; font-family: inherit; font-size: 14pt; line-height: 107%;">Lola, a Flor Proibida / Lola (1961)</span><span style="color: #3d85c6;"><br /><span style="font-family: inherit; font-size: 14pt; line-height: 107%;">A Baia dos Anjos / </span><span style="font-family: inherit; font-size: 14pt; line-height: 107%;">La
Baie des Anges (1963)</span><br /><span style="font-family: inherit; font-size: 14pt; line-height: 107%;">Os Guarda-Chuvas do Amor / Les Parapluies de
Cherbourg (1964)</span><br /><span style="font-family: inherit; font-size: 14pt; line-height: 107%;"> </span><br /><span style="font-family: inherit; font-size: 14pt; line-height: 107%;">05</span><br /></span></div><div style="text-align: center;"><span style="background-color: #274e13; color: white; font-family: inherit; font-size: 14pt; line-height: 107%;">JACQUES FEYDER</span><span style="color: #3d85c6;"><br /><span style="font-family: inherit; font-size: 14pt; line-height: 107%;">(1885 – 1948.</span><span style="font-family: inherit; font-size: 14pt; line-height: 107%;"> Ixelles, Brabant
/ Bélgica)</span></span></div><div style="text-align: justify;"><span style="color: #3d85c6;"><span style="font-family: inherit; font-size: 14pt; line-height: 107%;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhW8F84nYswMYuTI5QNSimKMdss4bhNvf9ZhW5GWnc8x9RMv2BBOQWByuNCoOmmvvx5Rf9x_fPpeojd6V15oYJscOEaAEg_EFDpA_uIlDhwsWNRolt8dSz-fapL_uivJ1xAlq3nNAKNgTnN9xhqMQVFoeg7_i9pzWnH0W6gh85SUGV_uef6INdy83BJznI/s1137/EgvHIAIWsAQypZJJACQUES%20FEYDER.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1137" data-original-width="912" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhW8F84nYswMYuTI5QNSimKMdss4bhNvf9ZhW5GWnc8x9RMv2BBOQWByuNCoOmmvvx5Rf9x_fPpeojd6V15oYJscOEaAEg_EFDpA_uIlDhwsWNRolt8dSz-fapL_uivJ1xAlq3nNAKNgTnN9xhqMQVFoeg7_i9pzWnH0W6gh85SUGV_uef6INdy83BJznI/w321-h400/EgvHIAIWsAQypZJJACQUES%20FEYDER.jpg" width="321" /></a></div></span></span><br /><span style="color: white; font-family: inherit; font-size: 14pt; line-height: 107%;">Realizou grandes filmes tanto no cinema
silencioso quanto no sonoro. Sabia conciliar arte e entretenimento. De origem
belga, tornou-se cidadão francês em 1928. Conheceu a atriz Françoise Rosay </span><span style="color: white; font-family: inherit; font-size: 14pt; line-height: 107%;">no
ambiente teatral e se casou com ela em 1917. </span><span style="color: white;"></span></div><div style="text-align: justify;"><span style="color: white;"><br /></span><span style="color: white;"><span style="background-color: #274e13; font-family: inherit; font-size: 14pt; line-height: 107%;">Três Filmes:</span></span><br /><span style="color: #3d85c6; font-family: inherit; font-size: 14pt; line-height: 107%;">Visões de Criança /</span><span style="color: #3d85c6; font-family: inherit; font-size: 14pt; line-height: 107%;"> Visages
d'Enfants (1925)</span><span style="color: #3d85c6;"><br /><span style="font-family: inherit; font-size: 14pt; line-height: 107%;">A Última Cartada /</span><span style="font-family: inherit; font-size: 14pt; line-height: 107%;"> Le
Grand Jeu (1934)</span><br /><span style="font-family: inherit; font-size: 14pt; line-height: 107%;">Quermesse Heróica / </span><span style="font-family: inherit; font-size: 14pt; line-height: 107%;">La
Kermesse Héroïque (1935)</span><br /><span style="font-family: inherit; font-size: 14pt; line-height: 107%;"> </span><br /><span style="font-family: inherit; font-size: 14pt; line-height: 107%;">06</span><br /></span></div><div style="text-align: justify;"><div style="text-align: center;"><span style="background-color: #274e13; color: white; font-family: inherit; font-size: 14pt; line-height: 107%;">JEAN GRÉMILLON</span><br /></div><div style="text-align: center;"><span style="color: #3d85c6;"><span style="font-family: inherit; font-size: 14pt; line-height: 107%;">(1901 – 1959. Bayeux, Baixa Normandia /
França)</span></span></div></div><div style="text-align: justify;"><span style="color: #3d85c6;"><span style="font-family: inherit; font-size: 14pt; line-height: 107%;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhtkmGsDKps-9VpYOVesRY0L2IpALOOztRwuS3Hg0VYnXxPxuCAv7JKnDth3v89jW_RY7_b_ITsIfHvgM6pdATjZL6NkTRHbb1pUh8XO_7Xoo8yX40Q5DiZkjHYIl9YMzH9wODSBY7Vvcnm9DT_97_fIHmz1uv_D57elgH9EBnj8odMqpo2kem6zB5sg-k/s1103/jean_gremillon_05.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1103" data-original-width="800" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhtkmGsDKps-9VpYOVesRY0L2IpALOOztRwuS3Hg0VYnXxPxuCAv7JKnDth3v89jW_RY7_b_ITsIfHvgM6pdATjZL6NkTRHbb1pUh8XO_7Xoo8yX40Q5DiZkjHYIl9YMzH9wODSBY7Vvcnm9DT_97_fIHmz1uv_D57elgH9EBnj8odMqpo2kem6zB5sg-k/w290-h400/jean_gremillon_05.jpg" width="290" /></a></div></span></span><br /><span style="color: white; font-family: inherit; font-size: 14pt; line-height: 107%;">Nenhum de seus filmes obteve um verdadeiro
sucesso comercial, mas estão entre os mais belos produzidos na França. Discreto
e sensível, sempre interessado nas relações humanas, seus dramas muitas vezes giram
em torno do mar.</span><span style="color: white;"></span></div><div style="text-align: justify;"><span style="color: white;"><br /></span><span style="color: white;"><span style="background-color: #274e13; font-family: inherit; font-size: 14pt; line-height: 107%;">Três Filmes:</span></span><br /><span style="color: #3d85c6; font-family: inherit; font-size: 14pt; line-height: 107%;">Águas Tempestuosas / Remorques (1941)</span><span style="color: #3d85c6;"><br /><span style="font-family: inherit; font-size: 14pt; line-height: 107%;">Mulher Cobiçada /</span><span style="font-family: inherit; font-size: 14pt; line-height: 107%;"> Pattes
Blanches (1949)</span><br /><span style="font-family: inherit; font-size: 14pt; line-height: 107%;">O Amor de uma Mulher / </span><span style="font-family: inherit; font-size: 14pt; line-height: 107%;">L'Amour
d'une Femme (1953)</span><br /><span style="font-family: inherit; font-size: 14pt; line-height: 107%;"> </span><br /><span style="font-family: inherit; font-size: 14pt; line-height: 107%;">07</span><br /></span></div><div style="text-align: center;"><span style="background-color: #274e13; color: white; font-family: inherit; font-size: 14pt; line-height: 107%;">JEAN-PIERRE MELVILLE</span><span style="color: #3d85c6;"><br /><span style="font-family: inherit; font-size: 14pt; line-height: 107%;">(1917 – 1973. Paris / França)</span></span></div><div style="text-align: justify;"><span style="color: #3d85c6;"><span style="font-family: inherit; font-size: 14pt; line-height: 107%;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj8wpdA3OeEdE9q7A9rcLKhA-MomZaeA-rTYy8nAZu4F53ndllS6aBlYKaToT5mJzU4f4qA6oubn3NCw1wJQ25m8jv7d0cVdoW5_luyKXj2KMr4r83TpyQtXgTf-ckhjH6ZFULxFbR4GRwvcUj_s9XDTVQ_i4LJVdqxo29EqyasSZStCHreVq1bDxZx0V4/s1182/field_media_image-40347-jean-pierre-melville_fauteuil.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="769" data-original-width="1182" height="260" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj8wpdA3OeEdE9q7A9rcLKhA-MomZaeA-rTYy8nAZu4F53ndllS6aBlYKaToT5mJzU4f4qA6oubn3NCw1wJQ25m8jv7d0cVdoW5_luyKXj2KMr4r83TpyQtXgTf-ckhjH6ZFULxFbR4GRwvcUj_s9XDTVQ_i4LJVdqxo29EqyasSZStCHreVq1bDxZx0V4/w400-h260/field_media_image-40347-jean-pierre-melville_fauteuil.jpg" width="400" /></a></div></span></span><br /><span style="color: white; font-family: inherit; font-size: 14pt; line-height: 107%;">Admirador da cultura norte-americana, da qual
derivou o seu nome artístico (homenagem ao autor de </span><span style="color: #3d85c6; font-family: inherit; font-size: 14pt; line-height: 107%;">“Moby Dick”</span><span style="color: white; font-family: inherit; font-size: 14pt; line-height: 107%;">, Herman
Melville). Nos seus policiais, uma galeria de solitários </span><span style="color: white; font-family: inherit; font-size: 14pt; line-height: 107%;">e </span><span style="color: white; font-family: inherit; font-size: 14pt; line-height: 107%;">marginais, intensidade
</span><span style="color: white; font-family: inherit; font-size: 14pt; line-height: 107%;">dramática, sobriedade, ritmo lento</span><span style="color: white;">.</span></div><div style="text-align: justify;"><span style="color: white;"><br /></span><span style="color: white;"><span style="background-color: #274e13; font-family: inherit; font-size: 14pt; line-height: 107%;">Três Filmes:</span></span><br /><span style="color: #3d85c6; font-family: inherit; font-size: 14pt; line-height: 107%;">O Samurai / Le Samouraï (1967)</span><span style="color: #3d85c6;"><br /><span style="font-family: inherit; font-size: 14pt; line-height: 107%;">O Exército das Sombras /</span><span style="font-family: inherit; font-size: 14pt; line-height: 107%;"> L'Armée
des Ombres (1969)</span><br /><span style="font-family: inherit; font-size: 14pt; line-height: 107%;">O Círculo Vermelho /</span><span style="font-family: inherit; font-size: 14pt; line-height: 107%;"> Le
Cercle Rouge (1970)</span><br /><span style="font-family: inherit; font-size: 14pt; line-height: 107%;"> </span><br /><span style="font-family: inherit; font-size: 14pt; line-height: 107%;">08</span><br /></span></div><div style="text-align: center;"><span style="background-color: #274e13; color: white; font-family: inherit; font-size: 14pt; line-height: 107%;">JULIEN DUVIVIER</span><span style="color: #3d85c6;"><br /><span style="font-family: inherit; font-size: 14pt; line-height: 107%;">(1896 – 1967. Lille / França)</span></span></div><div style="text-align: justify;"><span style="color: #3d85c6;"><span style="font-family: inherit; font-size: 14pt; line-height: 107%;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjc4VGXR4c-6OMpWImqLqF17y52B4MkX_lAOrWAUMwA9EXQ64zg77CXK7CUAtKkiP9hfepcr8viez4zeVbxV7QehSnGXnoUqX2HWPVtWlsjwKVC0uhWzuBa5IZ4ZyxfZ58xZHARdmluN1RffoGN_EuR88K4VYFMLGLI5XveToim6VmhzUlC1s27l1Cdr0c/s1186/Duvivier-Header.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="720" data-original-width="1186" height="243" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjc4VGXR4c-6OMpWImqLqF17y52B4MkX_lAOrWAUMwA9EXQ64zg77CXK7CUAtKkiP9hfepcr8viez4zeVbxV7QehSnGXnoUqX2HWPVtWlsjwKVC0uhWzuBa5IZ4ZyxfZ58xZHARdmluN1RffoGN_EuR88K4VYFMLGLI5XveToim6VmhzUlC1s27l1Cdr0c/w400-h243/Duvivier-Header.jpg" width="400" /></a></div></span></span><br /><span style="color: white; font-family: inherit; font-size: 14pt; line-height: 107%;">Experimentou diversos gêneros. Com notável
noção de cinema, realizou, com sensibilidade e beleza, filmes marcantes. Admirado
por Ingmar Bergman e Jean Renoir, dirigiu seu primeiro filme em 1919 e filmou
em Hollywood.</span><span style="color: white;"></span></div><div style="text-align: justify;"><span style="color: white;"><br /></span><span style="color: white;"><span style="background-color: #274e13; font-family: inherit; font-size: 14pt; line-height: 107%;">Três Filmes:</span></span><br /><span style="color: #3d85c6; font-family: inherit; font-size: 14pt; line-height: 107%;">O Demônio da Algéria / Pépé le Moko (1937)</span><span style="color: #3d85c6;"><br /><span style="font-family: inherit; font-size: 14pt; line-height: 107%;">Um Carnê de Baile / Un Carnet de Bal (1937)</span><br /><span style="font-family: inherit; font-size: 14pt; line-height: 107%;">Pânico / Panique (1946)</span><br /><span style="font-family: inherit; font-size: 14pt; line-height: 107%;"> </span><br /><span style="font-family: inherit; font-size: 14pt; line-height: 107%;">09</span><br /></span></div><div style="text-align: center;"><span style="background-color: #274e13; color: white; font-family: inherit; font-size: 14pt; line-height: 107%;">MARCEL CARNÉ</span><span style="color: #3d85c6;"><br /><span style="font-family: inherit; font-size: 14pt; line-height: 107%;">(1906 – 1996. Paris / França)</span></span></div><div style="text-align: justify;"><span style="color: #3d85c6;"><span style="font-family: inherit; font-size: 14pt; line-height: 107%;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhBnxld_UzfSct3w6_eHsA6awuwgt_VTXkYHE4E6rms9qFdOhLOenZCi4abCXZoyjbhaIWjpvt2sufjOYzRnR94DPmIBgOkvY03ZiWwDVpRmLVBGWyyRpwF-T1KLJUJnjKw6EFbA3ONdo3BmXF-KYyYHBn1Y2ExtXorBYAmEVZBTOrIhYkOM1MkNDOZ_nU/s1200/marcel-carne-0.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1134" data-original-width="1200" height="378" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhBnxld_UzfSct3w6_eHsA6awuwgt_VTXkYHE4E6rms9qFdOhLOenZCi4abCXZoyjbhaIWjpvt2sufjOYzRnR94DPmIBgOkvY03ZiWwDVpRmLVBGWyyRpwF-T1KLJUJnjKw6EFbA3ONdo3BmXF-KYyYHBn1Y2ExtXorBYAmEVZBTOrIhYkOM1MkNDOZ_nU/w400-h378/marcel-carne-0.jpg" width="400" /></a></div></span></span><br /><span style="color: white; font-family: inherit; font-size: 14pt; line-height: 107%;">Dirigiu seu primeiro filme aos 25 anos. Um
dos mestres do expressivo movimento Realismo Poético Francês, seu clássico </span><span style="color: #3d85c6; font-family: inherit; font-size: 14pt; line-height: 107%;">“O
Boulevard do Crime”</span><span style="color: white; font-family: inherit; font-size: 14pt; line-height: 107%;"> foi eleito no final de 1990 o Melhor Filme Francês do
Século em votação de 600 críticos franceses.</span><span style="color: white;"></span></div><div style="text-align: justify;"><span style="color: white;"><br /></span><span style="color: white;"><span style="background-color: #274e13; font-family: inherit; font-size: 14pt; line-height: 107%;">Três Filmes:</span></span><br /><span style="color: #3d85c6; font-family: inherit; font-size: 14pt; line-height: 107%;">Cais das Sombras / </span><span style="color: #3d85c6; font-family: inherit; font-size: 14pt; line-height: 107%;">Le
Quai des Brumes (1938)</span><span style="color: #3d85c6;"><br /><span style="font-family: inherit; font-size: 14pt; line-height: 107%;">Hotel do Norte /</span><span style="font-family: inherit; font-size: 14pt; line-height: 107%;"> Hôtel
du Nord (1938)</span><br /><span style="font-family: inherit; font-size: 14pt; line-height: 107%;">O Boulevard do Crime / Les Enfants du Paradis (1945)</span><br /><span style="font-family: inherit; font-size: 14pt; line-height: 107%;"> </span><br /><span style="font-family: inherit; font-size: 14pt; line-height: 107%;">10</span><br /></span></div><div style="text-align: center;"><span style="background-color: #274e13; color: white; font-family: inherit; font-size: 14pt; line-height: 107%;">MARCEL L'HERBIER</span><span style="color: #3d85c6;"><br /><span style="font-family: inherit; font-size: 14pt; line-height: 107%;">(1888 – 1979. Paris / França)</span></span></div><div style="text-align: justify;"><span style="color: #3d85c6;"><span style="font-family: inherit; font-size: 14pt; line-height: 107%;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi89k8smJz8QKnAlJJTT32lkFF0pnp2XggcEANgRxjA5S4S12eqIYm1_yygoTNaNCnIeayA6MsizYv7o1yx1HOe7HNR9qvHMW8zhdBMMFDv3QXarNG-DrTy0mNgx-OPNZj5zBTH65zMRfVwKjC6vbM6X3p2YtWzt3eQztk_fa2EpYQY9_gQHVpNQK1WEjY/s2764/30939601030MARCEL%20L'HERBIER.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="2764" data-original-width="2147" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi89k8smJz8QKnAlJJTT32lkFF0pnp2XggcEANgRxjA5S4S12eqIYm1_yygoTNaNCnIeayA6MsizYv7o1yx1HOe7HNR9qvHMW8zhdBMMFDv3QXarNG-DrTy0mNgx-OPNZj5zBTH65zMRfVwKjC6vbM6X3p2YtWzt3eQztk_fa2EpYQY9_gQHVpNQK1WEjY/w311-h400/30939601030MARCEL%20L'HERBIER.jpg" width="311" /></a></div></span></span><br /><span style="color: white; font-family: inherit; font-size: 14pt; line-height: 107%;">Estreou em 1919 com </span><span style="color: #3d85c6; font-family: inherit; font-size: 14pt; line-height: 107%;">“Rose-France”</span><span style="color: white; font-family: inherit; font-size: 14pt; line-height: 107%;">.</span><span style="color: white; font-family: inherit; font-size: 14pt; line-height: 107%;">O
cinema mudo revelou-se o seu período criativo mais fascinante.<span style="mso-spacerun: yes;"> </span>No cinema falado dirigiu incansavelmente
gêneros muito diversos até 1953</span><span style="color: white; font-family: inherit; font-size: 14pt; line-height: 107%;">.</span><span style="color: white; font-family: inherit; font-size: 14pt; line-height: 107%;"> Em filmes notáveis, desenvolveu seu tema favorito, a ilusão.</span><span style="color: white;"></span></div><div style="text-align: justify;"><span style="color: white;"><br /></span><span style="color: white;"><span style="background-color: #274e13; font-family: inherit; font-size: 14pt; line-height: 107%;">Três Filmes:</span></span><br /><span style="color: #3d85c6; font-family: inherit; font-size: 14pt; line-height: 107%;">O Dinheiro / L'Argent (1928)</span><span style="color: #3d85c6;"><br /><span style="font-family: inherit; font-size: 14pt; line-height: 107%;">A Felicidade /</span><span style="font-family: inherit; font-size: 14pt; line-height: 107%;"> Le Bonheur (1934)</span><br /><span style="font-family: inherit; font-size: 14pt; line-height: 107%;">O Colar da Rainha / </span><span style="font-family: inherit; font-size: 14pt; line-height: 107%;">L'Affaire
du Collier de la Reine (1946)</span><br /><span style="font-family: inherit; font-size: 14pt; line-height: 107%;"> </span><br /><span style="font-family: inherit; font-size: 14pt; line-height: 107%;">11</span><br /></span></div><div style="text-align: center;"><span style="background-color: #274e13; color: white; font-family: inherit; font-size: 14pt; line-height: 107%;">MARCEL PAGNOL</span><span style="color: #3d85c6;"><br /><span style="font-family: inherit; font-size: 14pt; line-height: 107%;">(1895 – 1974. Bouches-du-Rhône / França.)</span></span></div><div style="text-align: justify;"><span style="color: #3d85c6;"><span style="font-family: inherit; font-size: 14pt; line-height: 107%;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg_OycS5MmuxaaljVKGVtKNxkUerWcQKkqSuZXlJHqFcm1ZZn5nXJUAK7-1-5uM5ARp1LO4tjWBv81zEfWtdOFT-e9kZOpoZfEh4KHycDkt0U7RQtu5jEwMKdbBFkK15KjtswFJHVVFYMQoilmYMmWAvjxBoZGjLYJ3vgJ5Zyw8Ko1CCNRC35MsKiEdjw8/s793/slide_1MARCEL%20PAGNOL.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="793" data-original-width="604" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg_OycS5MmuxaaljVKGVtKNxkUerWcQKkqSuZXlJHqFcm1ZZn5nXJUAK7-1-5uM5ARp1LO4tjWBv81zEfWtdOFT-e9kZOpoZfEh4KHycDkt0U7RQtu5jEwMKdbBFkK15KjtswFJHVVFYMQoilmYMmWAvjxBoZGjLYJ3vgJ5Zyw8Ko1CCNRC35MsKiEdjw8/w305-h400/slide_1MARCEL%20PAGNOL.jpg" width="305" /></a></div></span></span><br /><span style="color: white; font-family: inherit; font-size: 14pt; line-height: 107%;">Dramaturgo, romancista, roteirista e diretor.
Fundou a influente revista </span><span style="color: #3d85c6; font-family: inherit; font-size: 14pt; line-height: 107%;">“Les Cahier du Film”</span><span style="color: white; font-family: inherit; font-size: 14pt; line-height: 107%;">, em 1931. Tornou-se conhecido
pela representação cômica da vida provinciana no sul de França em diversos
filmes, marcados por diálogos e</span><span style="color: white; font-family: inherit; font-size: 14pt; line-height: 107%;">spirituoso</span><span style="color: white; font-family: inherit; font-size: 14pt; line-height: 107%;">s.</span><span style="color: white;"></span></div><div style="text-align: justify;"><span style="color: white;"><br /></span><span style="color: white;"><span style="background-color: #274e13; font-family: inherit; font-size: 14pt; line-height: 107%;">Três Filmes:</span></span><br /><span style="color: #3d85c6; font-family: inherit; font-size: 14pt; line-height: 107%;">César / Idem (1936)</span><span style="color: #3d85c6;"><br /><span style="font-family: inherit; font-size: 14pt; line-height: 107%;">Colheita / Regain (1937)</span><br /><span style="font-family: inherit; font-size: 14pt; line-height: 107%;">A Mulher do Padeiro / La Femme du Boulanger
(1938)</span><br /><span style="font-family: inherit; font-size: 14pt; line-height: 107%;"> </span><br /><span style="font-family: inherit; font-size: 14pt; line-height: 107%;">12</span><br /></span></div><div style="text-align: center;"><span style="background-color: #274e13; color: white; font-family: inherit; font-size: 14pt; line-height: 107%;">RENÉ CLAIR</span><span style="color: #3d85c6;"><br /><span style="font-family: inherit; font-size: 14pt; line-height: 107%;">(1898 – 1981. Paris / França)</span></span></div><div style="text-align: justify;"><span style="color: #3d85c6;"><span style="font-family: inherit; font-size: 14pt; line-height: 107%;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhCvQIbUhPx7bVX1NcNYfRjyN8xh6bMuZQj-RZr8ef0Fhhg3qVz2k6ZRxwy5Y3WPUuvR0FUWhjpRRCZ9otAAxuKvnv9OMxolMr9sAFDxQ2UEIHuGTHGs7iqFj4R0PCfNTKwaS1gRdojsKveyGqtX8KawZ_XJbWF5nPC0283zOm0ZYO8KADKqEA7NBgOdvI/s1251/rene-clair-alkdjflkadsjf.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="720" data-original-width="1251" height="230" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhCvQIbUhPx7bVX1NcNYfRjyN8xh6bMuZQj-RZr8ef0Fhhg3qVz2k6ZRxwy5Y3WPUuvR0FUWhjpRRCZ9otAAxuKvnv9OMxolMr9sAFDxQ2UEIHuGTHGs7iqFj4R0PCfNTKwaS1gRdojsKveyGqtX8KawZ_XJbWF5nPC0283zOm0ZYO8KADKqEA7NBgOdvI/w400-h230/rene-clair-alkdjflkadsjf.jpg" width="400" /></a></div></span></span><br /><span style="color: white; font-family: inherit; font-size: 14pt; line-height: 107%;">Sua carreira vitoriosa durou mais de cinco
décadas. Após o sucesso na França, realizou filmes na Grã-Bretanha e nos
Estados Unidos, voltando ao seu país natal no final dos </span><span style="color: white; font-family: inherit; font-size: 14pt; line-height: 107%;">anos </span><span style="color: white; font-family: inherit; font-size: 14pt; line-height: 107%;">40.</span><span style="color: white; font-family: inherit; font-size: 14pt; line-height: 107%;"> Ganhou
reputação com sátiras sociopolíticas.</span><span style="color: white;"></span></div><div style="text-align: justify;"><span style="color: white;"><br /></span><span style="color: white;"><span style="background-color: #274e13; font-family: inherit; font-size: 14pt; line-height: 107%;">Três Filmes:</span></span><br /><span style="color: #3d85c6; font-family: inherit; font-size: 14pt; line-height: 107%;">A Nós a Liberdade / À Nous la Liberté (1931)</span><span style="color: #3d85c6;"><br /><span style="font-family: inherit; font-size: 14pt; line-height: 107%;">Quatorze de Julho / Quatorze Juillet (1933)</span><br /><span style="font-family: inherit; font-size: 14pt; line-height: 107%;">As Grandes Manobras / Les Grandes Manoeuvres
(1955)</span><br /><span style="font-family: inherit; font-size: 14pt; line-height: 107%;"> </span><br /></span></div><div style="text-align: justify;"><span style="color: #3d85c6;"><span style="font-family: inherit; font-size: 14pt; line-height: 107%;">13</span><br /></span><div style="text-align: center;"><span style="background-color: #274e13; color: white; font-family: inherit; font-size: 14pt; line-height: 107%;">RENÉ CLÉMENT</span><br /><span style="color: #3d85c6;"><span style="font-family: inherit; font-size: 14pt; line-height: 107%;">(1913 – 1996. Bordeaux, Gironde / França)</span></span></div></div><div style="text-align: justify;"><span style="color: #3d85c6;"><span style="font-family: inherit; font-size: 14pt; line-height: 107%;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjBEAxS70Q_Wjp8O1tuyAdJQcS_ftPAU5tk9ErAgvS8hQiF4T_hUBSZTzOd1BaGuUNUZPKkpbHa4xATqyTY4H0iWsUtuLkclIVi4ToODL1gWX23GTnSnx-lsZdOd1G6XDj9sgGSuLnk8o8rV9gWsUzlUQoOkHMHQzTnyCsFECGhP5YXMy1ZZRD-hkvEgh0/s1093/8f6cbf399c1e3e894d1f832a20a8f87aREN%C3%89%20CL%C3%89MENT.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1093" data-original-width="711" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjBEAxS70Q_Wjp8O1tuyAdJQcS_ftPAU5tk9ErAgvS8hQiF4T_hUBSZTzOd1BaGuUNUZPKkpbHa4xATqyTY4H0iWsUtuLkclIVi4ToODL1gWX23GTnSnx-lsZdOd1G6XDj9sgGSuLnk8o8rV9gWsUzlUQoOkHMHQzTnyCsFECGhP5YXMy1ZZRD-hkvEgh0/w260-h400/8f6cbf399c1e3e894d1f832a20a8f87aREN%C3%89%20CL%C3%89MENT.jpg" width="260" /></a></div></span></span><br /><span style="color: white; font-family: inherit; font-size: 14pt; line-height: 107%;">Depois de uma animação, curtas-metragens e
documentários, levou dois prêmios de Melhor Direção em Cannes e dois
Oscar de Filme Estrangeiro.</span><span style="color: white; font-family: inherit;"> <span style="font-size: 14pt; line-height: 107%;">Foi
um dos principais diretores franceses, dirigindo com originalidade e
virtuosismo técnico excelente filmes. </span></span><span style="color: white;"></span></div><div style="text-align: justify;"><span style="color: white;"><br /></span><span style="color: white;"><span style="background-color: #274e13; font-family: inherit; font-size: 14pt; line-height: 107%;">Três Filmes:</span></span><br /><span style="color: #3d85c6; font-family: inherit; font-size: 14pt; line-height: 107%;">Brinquedo Proibido / </span><span style="color: #3d85c6; font-family: inherit; font-size: 14pt; line-height: 107%;">Jeux
Interdits (1952)</span><span style="color: #3d85c6;"><br /><span style="font-family: inherit; font-size: 14pt; line-height: 107%;">Gervaise - A Flor do Lodo / Gervaise (1956) </span><br /><span style="font-family: inherit; font-size: 14pt; line-height: 107%;">O Sol por Testemunha / Plein Soleil (1960)</span></span></div><div style="text-align: justify;"><span style="color: #3d85c6;"><span style="font-family: inherit; font-size: 14pt; line-height: 107%;"> </span></span></div><div style="text-align: justify;"><span style="color: #3d85c6;"><span style="font-family: inherit; font-size: 14pt; line-height: 107%;"><table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto;"><tbody><tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj1UEy9zWExgSaN0fSKQWB2mvpupGI_zHZgkgISIh8tbUZE82FTj2W0ciby7bI8-LATUx4EM9f6z8qCE8MqTIHvT-OJywQOG658GPW0E9JmTMy0AZij398PgP_H_3P0nd8vDggKQjAA4MvWE5jHvA9WKlPknc403BUgeBMOLb-w3YgEFt4Y8EdQF1vKYPw/s1219/adrc_gremillon_affiche_0remorques.jpg" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="874" data-original-width="1219" height="458" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj1UEy9zWExgSaN0fSKQWB2mvpupGI_zHZgkgISIh8tbUZE82FTj2W0ciby7bI8-LATUx4EM9f6z8qCE8MqTIHvT-OJywQOG658GPW0E9JmTMy0AZij398PgP_H_3P0nd8vDggKQjAA4MvWE5jHvA9WKlPknc403BUgeBMOLb-w3YgEFt4Y8EdQF1vKYPw/w640-h458/adrc_gremillon_affiche_0remorques.jpg" width="640" /></a></td></tr><tr><td class="tr-caption" style="text-align: center;"><span style="font-family: inherit; font-size: large;"><span style="color: #3d85c6;"><span style="background-color: black;">jean gabin e michèle morgan em <span style="line-height: 107%;"> </span><span style="line-height: 107%;">“águas tempestuosas”</span></span></span></span></td></tr></tbody></table></span></span><br /></div>
ANTONIO NAHUDhttp://www.blogger.com/profile/09829893001743081676noreply@blogger.com1tag:blogger.com,1999:blog-7997398743762234247.post-6107212238082836282024-01-28T21:13:00.031-03:002024-01-29T14:21:09.186-03:00******************** O MAGNÍFICO G.W. PABST<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto;"><tbody><tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiOUzgA6jt4cJp6WMjvuRuOT-5yJzxm6RJRpZY1-lurIcUsyfXWpkX0pNeUDjKOjtjsSmghasKuIffQNF3OTadJCwQbFMaucnqLVHc6-TlnKNUWA-F2ill-XpQ1UmerFytsy1eLjtfkthNPhkoNm95dZ07CSxTc4dJAvBOJZs4Ltz9WAG-28m0NJDv2klA/s1280/diary-of-a-lost-girl8.jpg" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="720" data-original-width="1280" height="360" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiOUzgA6jt4cJp6WMjvuRuOT-5yJzxm6RJRpZY1-lurIcUsyfXWpkX0pNeUDjKOjtjsSmghasKuIffQNF3OTadJCwQbFMaucnqLVHc6-TlnKNUWA-F2ill-XpQ1UmerFytsy1eLjtfkthNPhkoNm95dZ07CSxTc4dJAvBOJZs4Ltz9WAG-28m0NJDv2klA/w640-h360/diary-of-a-lost-girl8.jpg" width="640" /></a></td></tr><tr><td class="tr-caption" style="text-align: center;"><span style="font-family: inherit;"><span style="font-size: large;"><span style="color: #3d85c6;"><span style="background-color: black;">louise brooks em <span style="line-height: 107%;">“</span>diário de uma garota perdida<span style="line-height: 107%;">”</span></span></span></span></span></td></tr></tbody></table><p> <br /><!--[if gte mso 9]><xml>
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</p><div style="text-align: justify;"><span style="color: #3d85c6; font-family: inherit; font-size: 14pt; line-height: 107%;">“Antes de
tudo, um filme não deve ser exclusivamente uma diversão. Mesmo numa fita de
opereta, gênero tão apreciado pelo público, pode-se exprimir ideias sociais.”</span><span style="color: #3d85c6; font-family: inherit;"><br /></span><span style="color: white; font-family: inherit;"><span style="background-color: #274e13; font-size: 14pt; line-height: 107%;">G. W.
PABST</span></span></div><div style="text-align: justify;"><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;"> </span><br /><span style="font-size: 14pt; line-height: 107%;"> </span><br /><span style="font-size: 14pt; line-height: 107%;">Estranhíssimo
destino o de <span style="background-color: #274e13; color: white;">GEORG WILHELM PABST</span> <span style="color: #3d85c6;">(1885 – 1967. Raudnitz, Boêmia /
Tchecoslováquia)</span>, entre o considerável renome internacional que conheceu no
cinema mudo e princípios dos anos trinta e o cancelamento depois disso. </span><span style="font-size: 14pt; line-height: 107%;">Um
gigante do cinema alemão, inovador e versátil, apenas rivalizava com Fritz Lang
em popularidade e reconhecimento. O outrora venerado cineasta experimentou o
exílio, a emigração, uma temporada em Hollywood, um regresso fatídico à Europa
e uma tentativa mal sucedida de recuperar o prestígio no pós-guerra. Por fim,
sua obra se tornou subvalorizada e pouco vista.</span><br /><span style="font-size: 14pt; line-height: 107%;"> </span><br /><span style="font-size: 14pt; line-height: 107%;">Nasceu em
Raudnice, na Boêmia, uma província do Império Austro-Húngaro, agora República
Tcheca. Frequentou a escola em Viena, para onde a família se mudou quando ele
era criança. Estudou engenharia até 1902. Em 1904 fez teatro e no ano seguinte
mudou-se para Zurique, na Suíça. Nos quatro anos seguintes, circulou atuando por
Salzburgo, St. Gallen e Danzig. Em 1910, em Nova York, dirigiu e atuou em peças
de língua alemã.</span><span style="font-size: 14pt; line-height: 107%;"> Voltou para a Europa em 1914, ao início da
Primeira Guerra Mundial, quando, então, na França, foi detido como <span style="color: #3d85c6;">“estrangeiro
inimigo”</span>, mantido em um campo de prisioneiros durante a guerra.</span><br /><span style="font-size: 14pt; line-height: 107%;"> <div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg2Avit2lpa5sJdX6-NXScWx0g0C-V1QEEDN6De8hXnCawH5hrlFO07c2vaeMHOgiRrj3V0WSJ-603xRbMmZIomS7hqYg4I-CGVkLzfuvHqK7cx4GT7ylDbbVdT1puC3p1Z4wU9MN34M4svcRHVHsu8OO6p64-xCcAfNkP0yxhIYqZXNdTd7DufCtu5sJA/s585/pierre-ichiac-g.-w.-pabst,-berlin.jpg" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"><img border="0" data-original-height="470" data-original-width="585" height="321" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg2Avit2lpa5sJdX6-NXScWx0g0C-V1QEEDN6De8hXnCawH5hrlFO07c2vaeMHOgiRrj3V0WSJ-603xRbMmZIomS7hqYg4I-CGVkLzfuvHqK7cx4GT7ylDbbVdT1puC3p1Z4wU9MN34M4svcRHVHsu8OO6p64-xCcAfNkP0yxhIYqZXNdTd7DufCtu5sJA/w400-h321/pierre-ichiac-g.-w.-pabst,-berlin.jpg" width="400" /></a></div>Retornou
a Viena depois que o armistício foi assinado em 1918, e se encaixou rapidamente
no teatro de vanguarda. Dirigiu teatro expressionista em Praga, incluindo duas
peças de Frank Wedekind. Em 1919, tornou-se chefe do Novo Palco de Viena, mas
logo teve dúvidas sobre seu futuro artístico teatral e se interessou por cinema.
Em Berlim, colaborou com o diretor Carl Froelich<span style="color: white;"> em </span><span style="color: #3d85c6;">“lm Banne der Kralle” </span><span style="color: white;">(1921). Logo
depois, em 1922, trabalhou como assistente de direção e roteirista de </span><span style="color: #3d85c6;">“Der Taugenichts”</span><span style="color: black; mso-themecolor: text1;">
</span><span style="color: white;">e</span><span style="color: black; mso-themecolor: text1;"> </span><span style="color: #3d85c6;">“Luise Millerin”</span><span style="color: white;">. </span></span><br /><span style="color: black; font-size: 14pt; line-height: 107%;"> </span><br /><span style="font-size: 14pt; line-height: 107%;">Dirigiu
seu primeiro filme<span style="color: white; mso-themecolor: text1;">,</span><span style="color: black; mso-themecolor: text1;"> </span><span style="color: #3d85c6;">“O Tesouro /
Der Schatz”</span><span style="color: white; mso-themecolor: text1;">,</span><span style="color: black; mso-themecolor: text1;"> </span>em 1923, sobre um tesouro enterrado que destrói uma família
feliz. Não foi um sucesso comercial. Em 1924, <span style="background-color: #274e13; color: white;">G.W. PABST</span> se casou com Gertrude
Henning. Em 1925, concluiu seu primeiro grande filme, <span style="color: #3d85c6;">“Rua das Lágrimas”</span>,</span><span style="font-size: 14pt; line-height: 107%;"> estrelado
por Greta Garbo antes de mudar para Hollywood um ano depois. Nele, expressou o desespero
e a resignação durante os anos da
República de Weimar </span></span><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">que dominaram uma Alemanha derrotada</span></span><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">. A abertura cita o <span style="color: #3d85c6;">“Inferno”</span> de Dante, <span style="color: #3d85c6;">“Abandonem a esperança,
todos os que entram aqui”</span>. Na trama, assassinato, prostituição, fome e
infortúnio econômico. Fez sucesso, embora os censores de todo o mundo tenham
cortado cenas. </span><br /><span style="font-size: 14pt; line-height: 107%;"> </span><br /><span style="font-size: 14pt; line-height: 107%;"><span style="color: #3d85c6;">“Rua das
Lágrimas”</span> inaugurou o seu período áureo, marcado por filmes arrojados estética
e tematicamente, e pelo frequente retrato de figuras femininas que se tornaram
memoráveis. Durante esse período, em que rodou produções ambiciosas
comercialmente e artisticamente, admirador de Sigmund Freud, voltou-se para o
psicológico e o surreal <span style="color: white;">em </span><span style="color: #3d85c6;">“Segredos
de uma Alma / Geheimnisse einer Seele”</span><span style="color: black; mso-themecolor: text1;"> </span><span style="color: white;">(1926), um drama sobre ansiedade e </span>impotência
sexual, intercalado com hipnose e sequências de sonhos. Seu próximo filme, <span style="color: #3d85c6;">“O Amor de Jeanne Ney”</span><span style="color: white;">, de 1927, teve
origem no romance do autor russo Ilya Ehrenburg. </span></span><br /><span style="font-size: 14pt; line-height: 107%;"> </span><br /><span style="font-size: 14pt; line-height: 107%;">A seguir,
fez a fita que mais gosto, <span style="color: #3d85c6;">“Crise”</span> (1928). A frustração sexual de uma mulher
casada que procura a companhia de outros homens, na Berlim dos anos loucos que
antecederam o nazismo. Marcada pela expressiva presença de Brigitte Helm no
papel principal, serve de pretexto a uma realização rigorosa, que explica as
relações humanas pelo comportamento, as ações, o ambiente e os rostos. Cada
elemento participa de uma narração visual, cujo ritmo é flexível.</span></span></div><div style="text-align: justify;"><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;"> </span><span style="font-size: 14pt; line-height: 107%;"><br /><table cellpadding="0" cellspacing="0" class="tr-caption-container" style="float: right; margin-left: 1em; text-align: right;"><tbody><tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhIK70oAINnQHRYxXPz1rqLZNul920RIQRMlIuCOIBpbala7R2Q_7i9K5FUQGrV1GHQUP5nWpcGN6em91_x5-KJhfk9GWqE35GpqPNdDdKx6nl7BcOLMRRqzmTredHLuavWkuwpYLrgYG8MYWR_R0PraN1EP1zhBFAKNPFpyeiUnpgcA8dCKBQZ5Nm4zA4/s1900/raetsel-eines-kuenstlerlebens.jpg" style="clear: right; margin-bottom: 1em; margin-left: auto; margin-right: auto;"><img border="0" data-original-height="1455" data-original-width="1900" height="306" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhIK70oAINnQHRYxXPz1rqLZNul920RIQRMlIuCOIBpbala7R2Q_7i9K5FUQGrV1GHQUP5nWpcGN6em91_x5-KJhfk9GWqE35GpqPNdDdKx6nl7BcOLMRRqzmTredHLuavWkuwpYLrgYG8MYWR_R0PraN1EP1zhBFAKNPFpyeiUnpgcA8dCKBQZ5Nm4zA4/w400-h306/raetsel-eines-kuenstlerlebens.jpg" width="400" /></a></td></tr><tr><td class="tr-caption" style="text-align: center;"><span style="font-family: inherit;"><span style="background-color: black; color: #3d85c6; font-size: large;">brigitte helm e pabst</span></span></td></tr></tbody></table></span><span style="font-size: 14pt; line-height: 107%;"> Ao fundir
duas peças de Frank Wedekind, resultou em <span style="color: #3d85c6;">“A Caixa de Pandora”</span>, geralmente
considerada a sua obra-prima (eu prefiro outros). A escolha da norte-americana
Louise Brooks para o papel de Lulu fez da atriz um ícone. Sua Lulu é ao mesmo
tempo uma predadora sexual e uma inocente. Seduz e abandona homens e mulheres e
até comete assassinato, mas permanece leal ao amor, quase é vítima de um
traficante de escravos, se prostitui e termina nas mãos de
Jack, o Estripador. <span style="background-color: #274e13; color: white;">G.W. PABST</span> havia pensado em Marlene Dietrich para o papel,
mas a diva não tinha a inocência necessária. O resultado final é um dos
maiores filmes da era muda.</span><br /><span style="font-size: 14pt; line-height: 107%;"> </span><br /><span style="font-size: 14pt; line-height: 107%;">Louise
Brooks aceitou o convite europeu apenas porque seu amante, George Preston
Marshall, precisava de <span style="color: #3d85c6;">“uma viagem relaxante à Europa”</span>. No set, seu colega de
elenco, Fritz Kortner, não falava com ela, acreditando que ela simplesmente não
sabia atuar. Além do diretor, a única pessoa que simpatizava com a atriz de 22
anos era seu figurinista, que a considerava perdida e <span style="color: #3d85c6;">“a pior atriz do mundo”</span>. Brooks não levava seu trabalho a sério. Na maior
parte do tempo, entregava-se a vida noturna de Weimar e a martinis matinais. Mesmo
assim, rodou outro filme com <span style="background-color: #274e13; color: white;">G.W. PABST</span>, <span style="color: #3d85c6;">“Diário de uma Garota Perdida / </span></span><span style="color: #3d85c6; font-size: 14pt; line-height: 107%;">Tagebuch einer
Verlorenen”</span><span style="color: black; font-size: 14pt; line-height: 107%;">, </span><span style="font-size: 14pt; line-height: 107%;">em 1929. </span><br /><span style="font-size: 14pt; line-height: 107%;"> </span><br /><span style="font-size: 14pt; line-height: 107%;">Também em
1929, o diretor co-dirigiu <span style="color: #3d85c6;">“O Inferno Branco de Pitz Palü”</span><span style="color: black; mso-themecolor: text1;">, </span>em torno de
uma tragédia no alpinismo, protagonizado por Leni Riefenstahl, que ganharia
fama eterna como diretora de talentosos documentários nazistas. Os primeiros
filmes falados de <span style="background-color: #274e13; color: white;">G.W. PABST</span> são conhecidos como <span style="color: #3d85c6;">“trilogia social”</span><span style="color: white;">. Incluem</span><span style="color: black; mso-themecolor: text1;"> </span><span style="color: #3d85c6;">“Guerra, Flagelo de
Deus”</span><span style="color: black; mso-themecolor: text1;"> </span><span style="color: white;">(1930),</span><span style="color: black; mso-themecolor: text1;"> </span><span style="color: #3d85c6;">“A Ópera dos Três Vinténs”</span><span style="color: black; mso-themecolor: text1;"> </span><span style="color: white;">(1931) e</span><span style="color: black; mso-themecolor: text1;"> </span><span style="color: #3d85c6;">“A Tragédia da Mina / Kameradschaft”</span><span style="color: black; mso-themecolor: text1;">
</span><span style="color: white;">(1932). O primeiro é a história de quatro soldados alemães nas trincheiras
durante os meses finais da Primeira Guerra Mundial. Aclamado na época como o
filme anti-guerra mais eficaz já feito e pouco depois proibido pelos nazistas. </span></span><br /><span style="color: black; font-size: 14pt; line-height: 107%;"> </span><br /><span style="color: white; font-size: 14pt; line-height: 107%;">Baseado na opereta de </span><span style="font-size: 14pt; line-height: 107%;">Bertolt
Brecht e Kurt Weill, <span style="color: #3d85c6;">“A Ópera dos Três Vinténs”</span> é um dos filmes mais vistos do
diretor. Já o<span style="color: black; mso-themecolor: text1;"> </span><span style="color: white;">último da trilogia
retrata a amizade entre</span><span style="color: black; mso-themecolor: text1;"> </span>franceses e alemães partindo de um desastre em
uma mina de carvão na fronteira França-Alemanha. Significativamente, utilizou
atores de ambos os países, cada um falando a sua própria língua, aumentando a
tensão e o realismo. No mesmo ano, o governo francês concedeu o diretor com a
Ordem da Legião de Honra.</span><br /><span style="font-size: 14pt; line-height: 107%;"> <div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjoH4YKlrC6xEbl41t5oFYWDSytrTmYQGtBylBqaZp5A39-BEZ70yyGGzntT6H6gORhY_F8T02bd6tFPJCZ-1W4E4RZXt9vkUKkbjGcLDBP7MTreuLMmkvlIkWaxfhX5JFqvW4ub2nsVgTmMH_NSydCYyWvBRSZVNMlRazfCHBI72JNCuCTAEGOgr5LCk4/s765/gettyimages.jpg" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="629" data-original-width="765" height="329" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjoH4YKlrC6xEbl41t5oFYWDSytrTmYQGtBylBqaZp5A39-BEZ70yyGGzntT6H6gORhY_F8T02bd6tFPJCZ-1W4E4RZXt9vkUKkbjGcLDBP7MTreuLMmkvlIkWaxfhX5JFqvW4ub2nsVgTmMH_NSydCYyWvBRSZVNMlRazfCHBI72JNCuCTAEGOgr5LCk4/w400-h329/gettyimages.jpg" width="400" /></a></div></span></span></div><div style="text-align: justify;"><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">Segunda
adaptação ao cinema do romance de Pierre Benoît, depois da bela versão de
Jacques Feyder, em 1921<span style="color: white; mso-themecolor: text1;">,</span><span style="color: black; mso-themecolor: text1;">
</span><span style="color: #3d85c6;">“Atlântida”</span><span style="color: white;"> (1932) é uma</span><span style="color: black; mso-themecolor: text1;"> </span>extravagante narrativa que põe dois oficiais
europeus, que foram à África em busca do mítico reino da Atlântida, diante de
Antineia, a trágica rainha deste reino. Longe dos cenários naturais utilizados
por Feyder, a versão dá à história da civilização perdida nas areias do Saara,
uma atmosfera expressionista, explorando os cenários oníricos de Erno Mutzer
com fotografia de Eugen Schuftan.</span><br /><span style="font-size: 14pt; line-height: 107%;"> </span><br /><span style="font-size: 14pt; line-height: 107%;">No dia em
que Adolf Hitler assumiu o poder na Alemanha como chanceler, o diretor partiu
para França, junto com muitos outros da indústria cinematográfica alemã. Lá
permaneceu <span style="color: white;">por oito anos,
realizando seis filmes. Com um breve interlúdio nos</span><span style="color: black; mso-themecolor: text1;"> </span>Estados Unidos, numa
experiência infeliz em Hollywood<span style="color: white;">, fez</span><span style="color: black; mso-themecolor: text1;">
</span><span style="color: #3d85c6;">“Herói Moderno / A Modern Hero”</span><span style="color: white;">, estrelado por Richard Barthelmess e Jean Muir.
A Warner Brothers reclamou que ele dava</span><span style="color: black; mso-themecolor: text1;"> </span><span style="color: #3d85c6;">“muita liberdade”</span><span style="color: black; mso-themecolor: text1;"> </span><span style="color: white;">à sua atriz
principal. A experiência foi desastrosa, e</span><span style="color: black; mso-themecolor: text1;"> </span><span style="background-color: #274e13; color: white;">G.W. PABST</span><span style="color: black; mso-themecolor: text1;"> </span><span style="color: white;">partiu para Nova York em</span><span style="color: black; mso-themecolor: text1;"> </span>1935,
planejando a versão cinematográfica de <span style="color: #3d85c6;">“Fausto”</span>, que seria estrelada por Greta
Garbo e Louise Brooks, mas isso nunca se materializou. Ele então voltou para a
França.</span><br /><span style="font-size: 14pt; line-height: 107%;"> </span><br /><span style="font-size: 14pt; line-height: 107%;">Em 1939,
cinco meses antes do início da II Guerra Mundial, regressou à Áustria,
agora sob controle nazista. Durante a guerra, Joseph Goebbels o encarregou de
rodar três filmes.</span><span style="font-size: 14pt; line-height: 107%;"> Isso causou danos irreversíveis à sua reputação. </span><span style="font-size: 14pt; line-height: 107%;">Depois
do conflito, o diretor não ajudou sua causa ao não fazer qualquer declaração de
arrependimento. O fato é que nunca mais recuperou o antigo prestígio. Décadas
depois, sua viúva veio com uma história sobre como ficaram presos por
uma série de circunstâncias na Áustria quando a guerra estourou. Poucos
acreditaram, e a verdade sobre os motivos dele permanecer
na Áustria nazista permanece um mistério.</span><br /><span style="font-size: 14pt; line-height: 107%;"> </span><br /><span style="font-size: 14pt; line-height: 107%;">O
primeiro dos filmes que dirigiu para Goebbels foi <span style="color: #3d85c6;">“Comediantes / Komodianten”</span><span style="color: black; mso-themecolor: text1;"> </span><span style="color: white;">(1941), pelo qual ganhou a
medalha de ouro de Melhor Direção no Festival de Cinema de Veneza. Em 1943 foi
a vez de </span><span style="color: #3d85c6;">“Paracelsus / Idem”</span><span style="color: white;">, um drama histórico sobre o metafísico do século
XVI, e em 1944</span><span style="color: black; mso-themecolor: text1;"> </span><span style="color: #3d85c6;">“O Caso de Molander / Der Fall Molander”</span><span style="color: white;">, filmado em Praga
controlada pelos alemães, mas deixado inacabado quando o exército soviético
libertou a cidade. Em 1947, com</span><span style="color: black; mso-themecolor: text1;"> </span><span style="color: #3d85c6;">“O Julgamento / Der Prozess”</span><span style="color: black; mso-themecolor: text1;"> </span><span style="color: white;">ganhou novamente o
prêmio de direção no Festival de Veneza. </span></span></span></div><div style="text-align: justify;"><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;"><span style="color: white;"> </span></span><span style="font-size: 14pt; line-height: 107%;"><br /><table cellpadding="0" cellspacing="0" class="tr-caption-container" style="float: left; margin-right: 1em; text-align: left;"><tbody><tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhPDh4EKXPAwkmLOsyKiHkVd8xpicHk0hURtPbYmJOqIriY96w6BgaEBS8Y_opO9oOHw_OLJ-xo1MdFEigXSXOWpEe508y6fzCgdCslK2DKvuH7zq1NVt6DUzUFfp2olBfVut5O7UcVzyEdlDZTS7QHWHvZ0YI2SOpMMFLUOrFFBD_TTYsGMs6Q5tiSZcQ/s1108/LouiseBrooks-GWPabst-candidST_a.jpg" style="clear: left; margin-bottom: 1em; margin-left: auto; margin-right: auto;"><img border="0" data-original-height="813" data-original-width="1108" height="294" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhPDh4EKXPAwkmLOsyKiHkVd8xpicHk0hURtPbYmJOqIriY96w6BgaEBS8Y_opO9oOHw_OLJ-xo1MdFEigXSXOWpEe508y6fzCgdCslK2DKvuH7zq1NVt6DUzUFfp2olBfVut5O7UcVzyEdlDZTS7QHWHvZ0YI2SOpMMFLUOrFFBD_TTYsGMs6Q5tiSZcQ/w400-h294/LouiseBrooks-GWPabst-candidST_a.jpg" width="400" /></a></td></tr><tr><td class="tr-caption" style="text-align: center;"><span style="font-family: inherit;"><span style="background-color: black; color: #3d85c6; font-size: large;">pabst e louise brooks</span></span><br /></td></tr></tbody></table></span><span style="font-size: 14pt; line-height: 107%;">Antes da
aposentadoria, fez mais sete filmes, incluindo
dois antinazistas<span style="color: white; mso-themecolor: text1;">:</span><span style="color: black; mso-themecolor: text1;"> </span><span style="color: #3d85c6;">“O
Último Ato”</span><span style="color: white; mso-themecolor: text1;"> (1955) e</span><span style="color: black; mso-themecolor: text1;"> </span><span style="color: #3d85c6;">“Aconteceu em 20 de julho”</span><span style="color: black; mso-themecolor: text1;"> </span><span style="color: white; mso-themecolor: text1;">(1955). Considerada sua última
obra-prima,</span><span style="color: black; mso-themecolor: text1;"> </span><span style="color: #3d85c6;">“O Último Ato”</span><span style="color: black; mso-themecolor: text1;"> </span><span style="color: white; mso-themecolor: text1;">retrata a queda final do regime nazista. Já</span><span style="color: black; mso-themecolor: text1;"> </span><span style="color: #3d85c6;">“Aconteceu
em 20 de Julho”</span><span style="color: black; mso-themecolor: text1;">, </span>narra uma tentativa de oficiais do exército alemão de
assassinar Hitler. Depois deles, em 1956, realizou os seus dois últimos filmes:
<span style="color: #3d85c6;">“Rosas para Bettina ou Ballerina
/ Rosen Fur Bettina” </span><span style="color: white; mso-themecolor: text1;">e</span><span style="color: black; mso-themecolor: text1;"> </span><span style="color: #3d85c6;">“Através dos Bosques / Durch Die Walder, Durch Die
Auen”</span><span style="color: white; mso-themecolor: text1;">.</span></span><br /><span style="color: black; font-size: 14pt; line-height: 107%;"> </span><br /><span style="font-size: 14pt; line-height: 107%;">Os
críticos de cinema da sua época não encontraram uma terminologia que o
classificasse dentro dos padrões vigentes, achando que ele oscilava entre o
caligarismo e o naturalismo. Henri Agel, em <span style="color: #3d85c6;">“Les Grands Cinéastes” </span>(1959),
reconheceu se tratar de o mais indefinível entre os realizadores alemães. Por
seu turno, Sifgried Kracauer, teórico e especialista do cinema alemão - autor
de <a name="_Hlk156988330"><span style="color: #3d85c6;">“De Caligari a Hitler – Uma História Psicológica do Cinema Alemão”</span><span style="color: black; mso-themecolor: text1;"> </span></a><span style="color: white; mso-themecolor: text1;">(1947) </span><span style="color: white;">-</span> compara-o com
Pudovkin, no tocante de contextos sociais definidos. <span style="color: #3d85c6;">“É um realista - a vida
real é a sua verdadeira vocação no cinema”</span>, disse. </span><br /><span style="font-size: 14pt; line-height: 107%;"> </span><br /><span style="font-size: 14pt; line-height: 107%;">O próprio
<span style="background-color: #274e13; color: white;">G.W. PABST</span>, numa entrevista, revelou que o problema era ultrapassar o real – <span style="color: #3d85c6;">“o
realismo é um meio, e não um fim; é uma passagem”</span>. E mais: <span style="color: #3d85c6;">“desde os primeiros
filmes, escolhi temas realistas a fim de me manifestar decididamente como um
estilista - o tema não importa”</span>. Parte de sua filmografia implica em adaptações
de romances e peças de teatro. Abordou vários temas, passando pelo intimismo,
pelo espetacular, pela morbidez, pela euforia, pelo drama histórico, pela
comédia e ainda a guerra, o meretrício, o crime, a luxúria. Notável diretor de atores,
procurava imprimi-los na tela com uma adequação física e psicológica aos
personagens e situações. </span><br /><span style="font-size: 14pt; line-height: 107%;"> </span><br /><span style="font-size: 14pt; line-height: 107%;">Ele elogiava
René Clair. Numa entrevista feita em 1933, disse: <span style="color: #3d85c6;">“Sou admirador de Clair. Este
artista de grande talento compreendeu a missão do cinema. Em cada uma de suas
películas, sempre conferindo cuidados às formas estéticas, exprime uma ideia
social”</span>. A respeito de <span style="background-color: #274e13; color: white;">G.W. PABST</span>, assim se manifestou, em 1963, outro magistral
diretor, Jean Renoir: <span style="color: #3d85c6;">“É, entre os mestres, aquele sobre o qual todo mundo está
de acordo. Sabe fazer brotar um universo estranho, com elementos captados da
vida cotidiana. Sabe melhor do que ninguém como dirigir os atores”</span>. </span><br /><span style="font-size: 14pt; line-height: 107%;"> </span><br /><span style="font-size: 14pt; line-height: 107%;">Durante as
últimas décadas de vida, <span style="background-color: #274e13; color: white;">G.W. PABST</span> sofreu de diabetes, e isso se complicou
quando, em 1957, foi diagnosticado com Parkinson. Morreu em Viena em 29 de maio
de 1967. Nos últimos anos, seus filmes voltaram a ser recuperados e reavaliados.
Eu o considero um mestre.</span><br /><span style="font-size: 14pt; line-height: 107%;"> </span><br /></span></div><div style="text-align: center;"><span style="font-family: inherit;"><span style="background-color: #274e13; color: white; font-size: 14pt; line-height: 107%;">FONTES</span><span style="color: white;"><br /></span></span></div><div style="text-align: justify;"><span style="font-family: inherit;"><span style="color: #3d85c6; font-size: 14pt; line-height: 107%;">“O Cinema
Alemão” (1971), de Roger Manvell e Heinrich Fraenkel. </span></span></div><div style="text-align: justify;"><span style="font-family: inherit;"><span style="color: #3d85c6; font-size: 14pt; line-height: 107%;"> </span><span style="color: #3d85c6;"><br /><span style="font-size: 14pt; line-height: 107%;">“De
Caligari a Hitler – Uma História Psicológica do Cinema Alemão” (1947), de Sifgried
Kracauer.</span></span></span></div><div style="text-align: justify;"><span style="font-family: inherit;"><span style="color: #3d85c6;"><span style="font-size: 14pt; line-height: 107%;"> </span><br /><span style="font-size: 14pt; line-height: 107%;">“Os
Filmes de G.W. Pabst: Um Cinema Extraterritorial” (1990), de Eric Rentschler.</span></span></span></div><div style="text-align: justify;"><span style="font-family: inherit;"><span style="color: #3d85c6;"><span style="font-size: 14pt; line-height: 107%;"> </span><br /><span style="font-size: 14pt; line-height: 107%;">“G.W,
Pabst” (1977), de Lee Atwell.</span></span></span></div><div style="text-align: justify;"><span style="font-family: inherit;"><span style="color: #3d85c6;"><span style="font-size: 14pt; line-height: 107%;"> </span><br /><span style="font-size: 14pt; line-height: 107%;">“Les
Grands Cinéastes” (1959), de Henri Agel.</span></span><br /><span style="font-size: 14pt; line-height: 107%;"> </span><br /></span></div><div style="text-align: center;"><span style="font-family: inherit;"><span style="background-color: #274e13; color: white; font-size: 14pt; line-height: 107%;">DEZ
FILMES de PABST</span><br /><span style="color: #3d85c6; font-size: 14pt; line-height: 107%;">(por
ordem de preferência)</span><span style="color: #3d85c6;"><br /></span></span></div><div style="text-align: justify;"><span style="color: #3d85c6; font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;"> </span><br /><span style="font-size: 14pt; line-height: 107%;">01</span><br /></span></div><div style="text-align: center;"><span style="color: white; font-family: inherit;"><span style="background-color: #274e13; font-size: 14pt; line-height: 107%;">CRISE</span></span><span style="color: #3d85c6; font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;"> </span><br /><span style="font-size: 14pt; line-height: 107%;">(Abwege, 1928)</span></span></div><div style="text-align: justify;"><span style="color: #3d85c6; font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;"><div class="separator" style="clear: both; text-align: center;"></div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjuvZto0nBv4H64nCBpyA8893T-0NGDQyVqPGpR_3kpB_6FgyZP6L6Tuzm5y5yslLS-RQHE94uIurpyCC9cNXE4tq6Lh-QHHc8E_RKhdSQa2i4HsUqmtwbc8nVd0YpPf4QIOJLCugWF82KbuoZ7Ua-R_csMUI40pqyBGiuRdXFjQrhUTaC59RE5cL0mfeQ/s1400/MV5BMTc2NTkwNzA0MF5BMl5BanBnXkFtZTgwODc5ODI1MjE@._V1_FMjpg_UX1000_.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1400" data-original-width="945" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjuvZto0nBv4H64nCBpyA8893T-0NGDQyVqPGpR_3kpB_6FgyZP6L6Tuzm5y5yslLS-RQHE94uIurpyCC9cNXE4tq6Lh-QHHc8E_RKhdSQa2i4HsUqmtwbc8nVd0YpPf4QIOJLCugWF82KbuoZ7Ua-R_csMUI40pqyBGiuRdXFjQrhUTaC59RE5cL0mfeQ/w270-h400/MV5BMTc2NTkwNzA0MF5BMl5BanBnXkFtZTgwODc5ODI1MjE@._V1_FMjpg_UX1000_.jpg" width="270" /> </a></div><div class="separator" style="clear: both; text-align: center;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgq9RLPmyegrStbXPtVyw2hqhDUl9sFolk244M0Ypy76dBpOqzbpgrpev0yeIxekoHLuRd84riRXnySJ6nI7zYUfroCFdEGIxh_0qukqszfxGUHWdWu__RPaabunBKoRvX1sHhNea2J94gqXtJWp39haBRfyYQ2-jmu7OGDOFMrH35I2BAWGXPYrta_zWs/s1130/crise%202.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1130" data-original-width="838" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgq9RLPmyegrStbXPtVyw2hqhDUl9sFolk244M0Ypy76dBpOqzbpgrpev0yeIxekoHLuRd84riRXnySJ6nI7zYUfroCFdEGIxh_0qukqszfxGUHWdWu__RPaabunBKoRvX1sHhNea2J94gqXtJWp39haBRfyYQ2-jmu7OGDOFMrH35I2BAWGXPYrta_zWs/w474-h640/crise%202.jpg" width="474" /></a></div> </div></span><span style="font-size: 14pt; line-height: 107%;">elenco: Gustav
Diessl, Brigitte Helm e Hertha von Walther</span><br /><span style="font-size: 14pt; line-height: 107%;"> </span><br /><span style="font-size: 14pt; line-height: 107%;">02</span><br /></span></div><div style="text-align: center;"><span style="color: white; font-family: inherit;"><span style="background-color: #274e13; font-size: 14pt; line-height: 107%;">ATLÂNTIDA</span></span><span style="color: #3d85c6; font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">
</span><br /><span style="font-size: 14pt; line-height: 107%;">(Die
Herrin von Atlantis, 1932) </span></span></div><div style="text-align: justify;"><span style="color: #3d85c6; font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhooWfmLOoHb5X-s5GnUV8t9As9xXNIBRWacmwrry-onuD2gOdHhrlT2GtuuNuHrneycjNtLsHRy4Us_ec5GtqI6FSf2T4hSntsqavJFokJrpW3rDeuRTVdrRP_A9CBvBqFEoWmdsI4okoBY4V-n0QwlVHOgPxjmjwsvAMIq08YDJK5k6-gcoShzH-Broc/s2925/MV5BODZmMDkwNzUtNjEzYi00YjY4LThjYjEtNWRjMDQ5MWI2ODZkXkEyXkFqcGdeQXVyNjg2NjExMzY@._V1_.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="2925" data-original-width="2095" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhooWfmLOoHb5X-s5GnUV8t9As9xXNIBRWacmwrry-onuD2gOdHhrlT2GtuuNuHrneycjNtLsHRy4Us_ec5GtqI6FSf2T4hSntsqavJFokJrpW3rDeuRTVdrRP_A9CBvBqFEoWmdsI4okoBY4V-n0QwlVHOgPxjmjwsvAMIq08YDJK5k6-gcoShzH-Broc/w286-h400/MV5BODZmMDkwNzUtNjEzYi00YjY4LThjYjEtNWRjMDQ5MWI2ODZkXkEyXkFqcGdeQXVyNjg2NjExMzY@._V1_.jpg" width="286" /> </a></div><div class="separator" style="clear: both; text-align: center;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi8OvfoF9mn3-9y-Yyk92VpgdCxFBRrPAbWksrrYtenj3OND8JqTs9nN2B_ECCd_r2AXtK99qSNk_Q0S6kfpFgYDZZkzlq40ijraiRr7YIzGZs5Pod03XMykLc2GmyQ0jX-lTd3cx6v4tMzl4XRxaljEhC-Rv5jmTtuHgIkUVHgIRwkpMyzrK3X8vGW_y4/s1280/image-w.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="720" data-original-width="1280" height="360" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi8OvfoF9mn3-9y-Yyk92VpgdCxFBRrPAbWksrrYtenj3OND8JqTs9nN2B_ECCd_r2AXtK99qSNk_Q0S6kfpFgYDZZkzlq40ijraiRr7YIzGZs5Pod03XMykLc2GmyQ0jX-lTd3cx6v4tMzl4XRxaljEhC-Rv5jmTtuHgIkUVHgIRwkpMyzrK3X8vGW_y4/w640-h360/image-w.jpg" width="640" /></a></div> </div></span><span style="font-size: 14pt; line-height: 107%;">elenco: Brigitte
Helm, Heinz Klingenberg, Gustav Diessl, Vladimir Sokoloff e Florelle</span><br /><span style="font-size: 14pt; line-height: 107%;"> </span><br /><span style="font-size: 14pt; line-height: 107%;">03</span><br /></span></div><div style="text-align: center;"><span style="color: white; font-family: inherit;"><span style="background-color: #274e13; font-size: 14pt; line-height: 107%;">RUA das
LÁGRIMAS</span></span><span style="color: #3d85c6; font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;"> </span><br /><span style="font-size: 14pt; line-height: 107%;">(Die Freudlose
Gasse, 1925) </span></span></div><div style="text-align: justify;"><span style="color: #3d85c6; font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi_ME9pJrEPeJw1rPOHyfNc8GEHHZhIF22m-HgcDPSCY9ZFbFamRCLnkTkorHP_nVpseuvtx9_kpxZQ3b9skCvVUbl5g0qRbS66HFwYDuEXvPtlBqVcgu0AksvzH61QtkJX_tTaiNMXLm6youXSrAxIOQBfXh3Sl5RiT0dlrduvibbFRv9Fl78SVwb4qps/s1280/0011700-die-freudlose-gasse-the-street-of-sorrow-joyless-street-1925-with-switchable-english-subs.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1280" data-original-width="884" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi_ME9pJrEPeJw1rPOHyfNc8GEHHZhIF22m-HgcDPSCY9ZFbFamRCLnkTkorHP_nVpseuvtx9_kpxZQ3b9skCvVUbl5g0qRbS66HFwYDuEXvPtlBqVcgu0AksvzH61QtkJX_tTaiNMXLm6youXSrAxIOQBfXh3Sl5RiT0dlrduvibbFRv9Fl78SVwb4qps/w276-h400/0011700-die-freudlose-gasse-the-street-of-sorrow-joyless-street-1925-with-switchable-english-subs.jpg" width="276" /> </a></div><div class="separator" style="clear: both; text-align: center;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhKfMJ22RFg5BKZMSYMcDvs9H79bpNNHNvs7m43DhOjOKD4yMEn78wyOfMpxm12Ll50ZaMDX_eSaDQW3CJzzM-p3H6nmNWrrSwXQOBOw7FQ6Xavo5irllCB8O5QVQvxILW-moS1pDxp2MQNNVZAH1QFzXCbCdBR74fkaA1-SbWDuEh2Z1OKK3eyAc1_t20/s1000/61g2XwM2qAL.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="798" data-original-width="1000" height="510" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhKfMJ22RFg5BKZMSYMcDvs9H79bpNNHNvs7m43DhOjOKD4yMEn78wyOfMpxm12Ll50ZaMDX_eSaDQW3CJzzM-p3H6nmNWrrSwXQOBOw7FQ6Xavo5irllCB8O5QVQvxILW-moS1pDxp2MQNNVZAH1QFzXCbCdBR74fkaA1-SbWDuEh2Z1OKK3eyAc1_t20/w640-h510/61g2XwM2qAL.jpg" width="640" /></a></div><br /></div></span><span style="font-size: 14pt; line-height: 107%;">elenco: Asta
Nielsen, Greta Garbo, Ágnes Eszterházy e Werner Krauss</span><br /><span style="font-size: 14pt; line-height: 107%;"> </span><br /><span style="font-size: 14pt; line-height: 107%;">04</span><br /></span></div><div style="text-align: center;"><span style="color: white; font-family: inherit;"><span style="background-color: #274e13; font-size: 14pt; line-height: 107%;">A CAIXA
de PANDORA</span></span><span style="color: #3d85c6; font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;"> </span><br /><span style="font-size: 14pt; line-height: 107%;">(Die
Büchse der Pandora, 1929) </span></span></div><div style="text-align: justify;"><span style="color: #3d85c6; font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgeNRnkggnOazZ7tMXrUypy0TNxE7QijlOdpJGQ1wqtjCtpm4FAKsAHGBdmingRqn0TCKf1ymbeR4vvj7EwJLja_PANwEaRF3RXJRKt7LYzWyGCYAr_Sw9gUTzRheHs8sYHh0BbQlEdkC5Fyu4vvNhnawa0W8JBK-mwbaHQAeOJxPwTEBakw-W1EarOX94/s1084/Buechse_der_Pandora_Cover.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1084" data-original-width="800" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgeNRnkggnOazZ7tMXrUypy0TNxE7QijlOdpJGQ1wqtjCtpm4FAKsAHGBdmingRqn0TCKf1ymbeR4vvj7EwJLja_PANwEaRF3RXJRKt7LYzWyGCYAr_Sw9gUTzRheHs8sYHh0BbQlEdkC5Fyu4vvNhnawa0W8JBK-mwbaHQAeOJxPwTEBakw-W1EarOX94/w295-h400/Buechse_der_Pandora_Cover.jpg" width="295" /> </a></div><div class="separator" style="clear: both; text-align: center;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiRXI-e2fv95BhJ44-VF3JgmFa19URAXKPLvb15dbP_O55Ed1nh1En_63Roqu263Da03ZF1zQuJgqbMMqYWIGvnD_FmSmpyUpGm5E_4pV8J_Df2dQ4EpYDVTNLTndZItrtLuW46kAu8Cls8lUj0yy9yrgcHnl9KhnL9JMoOclJ8ZLwzvXZm_Zb_gMCOHhg/s1600/pandorasbox.webp" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1234" data-original-width="1600" height="494" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiRXI-e2fv95BhJ44-VF3JgmFa19URAXKPLvb15dbP_O55Ed1nh1En_63Roqu263Da03ZF1zQuJgqbMMqYWIGvnD_FmSmpyUpGm5E_4pV8J_Df2dQ4EpYDVTNLTndZItrtLuW46kAu8Cls8lUj0yy9yrgcHnl9KhnL9JMoOclJ8ZLwzvXZm_Zb_gMCOHhg/w640-h494/pandorasbox.webp" width="640" /></a></div> </div></span><span style="font-size: 14pt; line-height: 107%;">elenco: Louise
Brooks, Fritz Kortner, Francis Lederer, Carl Goetz, Alice Roberts, Gustav
Diessl e Sig Arno</span><br /><span style="font-size: 14pt; line-height: 107%;"> </span><br /><span style="font-size: 14pt; line-height: 107%;">05</span><br /></span></div><div style="text-align: center;"><span style="color: white; font-family: inherit;"><span style="background-color: #274e13; font-size: 14pt; line-height: 107%;">GUERRA,
FLAGELO de DEUS </span></span><span style="color: #3d85c6; font-family: inherit;"><br /><span style="font-size: 14pt; line-height: 107%;">(Westfront
1918: Vier von der Infanterie, 1930) </span></span></div><div style="text-align: justify;"><span style="color: #3d85c6; font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjgJQ9INE89G3dIaFPZ7nv9VFhfmDkNEXw2FSrFh0G6bTmS56G5hyphenhyphenhw34r0xNSTsHK36wJN7RSlOFHFoGxc_ZsRBcAQB_oPnwQv6C71dlkgc6ysy8OZu9_XGWgKrtzjRYtecP8E6ncpp4pd9ccjdM4PkCtrsWDHqSModIjnm_JVNvNh3KLoxmi6ITEOcKA/s1431/MV5BODAwODg5MWQtYmJkOC00Mjk1LWJkZmQtNzVjMTM1MjZkODRhXkEyXkFqcGdeQXVyMTUzMDUzNTI3._V1_FMjpg_UX1000_.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1431" data-original-width="1000" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjgJQ9INE89G3dIaFPZ7nv9VFhfmDkNEXw2FSrFh0G6bTmS56G5hyphenhyphenhw34r0xNSTsHK36wJN7RSlOFHFoGxc_ZsRBcAQB_oPnwQv6C71dlkgc6ysy8OZu9_XGWgKrtzjRYtecP8E6ncpp4pd9ccjdM4PkCtrsWDHqSModIjnm_JVNvNh3KLoxmi6ITEOcKA/w280-h400/MV5BODAwODg5MWQtYmJkOC00Mjk1LWJkZmQtNzVjMTM1MjZkODRhXkEyXkFqcGdeQXVyMTUzMDUzNTI3._V1_FMjpg_UX1000_.jpg" width="280" /> </a></div><div class="separator" style="clear: both; text-align: center;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjygmutboy4DQ1CT-WCxi7bCGb4__UFh0xY9JHS1TDSYQqOi9l9gcdALVBn7zoFSFYktU3E3Rvm80uoefikA5Oh6MXW7qB40JQdTK6R9o5cyetAFPUzMFhyphenhyphenzQQz-uFhKP3y_sDIZXSQqY7ST77V-MH4i1U8O2yHl4PwoFZHxkgG-s5b-xC4xJJtUVjDNPU/s822/maxresdefault.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="605" data-original-width="822" height="472" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjygmutboy4DQ1CT-WCxi7bCGb4__UFh0xY9JHS1TDSYQqOi9l9gcdALVBn7zoFSFYktU3E3Rvm80uoefikA5Oh6MXW7qB40JQdTK6R9o5cyetAFPUzMFhyphenhyphenzQQz-uFhKP3y_sDIZXSQqY7ST77V-MH4i1U8O2yHl4PwoFZHxkgG-s5b-xC4xJJtUVjDNPU/w640-h472/maxresdefault.jpg" width="640" /></a></div> </div></span><span style="font-size: 14pt; line-height: 107%;">elenco: Fritz
Kampers, Gustav Diessl e Hans-Joachim Möbis</span><br /><span style="font-size: 14pt; line-height: 107%;"> </span><br /><span style="font-size: 14pt; line-height: 107%;">06</span><br /></span></div><div style="text-align: center;"><span style="color: white; font-family: inherit;"><span style="background-color: #274e13; font-size: 14pt; line-height: 107%;">A ÓPERA
dos TRÊS VINTÉNS</span></span><span style="color: #3d85c6; font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;"> </span><br /><span style="font-size: 14pt; line-height: 107%;">(Die 3
Groschen-Oper, 1931) </span></span></div><div style="text-align: justify;"><span style="color: #3d85c6; font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEha7TIjafGwQZ05oLVtkDDM0GD_VeITbO0xFtsPyc1ljUqjZObpINgEoGgymJgYHymOxsxwTpgC11tWpxKfrKB_A58Cjqst998MV0sn-G0HyzlozzIRgkMHJYgi7cmb8h5UTXPVveMWE9ypbWRolwEikTUwn39Tvhnzyp4gQ5Xbb64ZTtcM08aIdlpi1zs/s1698/4011742.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1698" data-original-width="1200" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEha7TIjafGwQZ05oLVtkDDM0GD_VeITbO0xFtsPyc1ljUqjZObpINgEoGgymJgYHymOxsxwTpgC11tWpxKfrKB_A58Cjqst998MV0sn-G0HyzlozzIRgkMHJYgi7cmb8h5UTXPVveMWE9ypbWRolwEikTUwn39Tvhnzyp4gQ5Xbb64ZTtcM08aIdlpi1zs/w283-h400/4011742.jpg" width="283" /> </a></div><div class="separator" style="clear: both; text-align: center;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh4gjREKOMiRAL07c0s2Wew8srNTqTd9a-_nlXK_pQ6vgeGdyMFxjD9R7ru1LKYMWv66draxLznfeSBwy53pRAAuBZpmHLQl8BIl2iKeI1zc7c708FjLiUE7fybq1NqbveavOhlxPVW6EMcdfqMjdD8D5ywwmSusu9zLeqwVl4LsD4QpxyGoaFkd_8MvE4/s1024/polly-mackieDie%203%20Groschen-Oper,%201931.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="768" data-original-width="1024" height="480" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh4gjREKOMiRAL07c0s2Wew8srNTqTd9a-_nlXK_pQ6vgeGdyMFxjD9R7ru1LKYMWv66draxLznfeSBwy53pRAAuBZpmHLQl8BIl2iKeI1zc7c708FjLiUE7fybq1NqbveavOhlxPVW6EMcdfqMjdD8D5ywwmSusu9zLeqwVl4LsD4QpxyGoaFkd_8MvE4/w640-h480/polly-mackieDie%203%20Groschen-Oper,%201931.jpg" width="640" /></a></div> </div></span><span style="font-size: 14pt; line-height: 107%;">elenco: Rudolf
Forster, Albert Préjean, Florelle, Margo Lion, Fritz Rasp, Valeska Gert, Vladimir
Sokoloff, Lotte Lenya e Antonin Artaud</span><br /><span style="font-size: 14pt; line-height: 107%;"> </span><br /><span style="font-size: 14pt; line-height: 107%;">07</span><br /></span></div><div style="text-align: center;"><span style="color: white; font-family: inherit;"><a name="_Hlk157000997"><span style="background-color: #274e13; font-size: 14pt; line-height: 107%;">O INFERNO BRANCO do PIZ PALÜ</span></a></span><span style="color: #3d85c6; font-family: inherit;"><a name="_Hlk157000997"><span style="font-size: 14pt; line-height: 107%;"> </span></a><br /><span style="font-size: 14pt; line-height: 107%;">(Die
weiße Hölle vom Piz Palü, 1929) </span></span></div><div style="text-align: justify;"><span style="color: #3d85c6; font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjiHvtXpKJYZL0v4swKyYBbh0ehNWWk2RThnsRhd_Vl_fnMa3NOKCzY5z37Ew0vBoGTSflX18RRzyREQKJ7EDpDXH29oHFHpVPl1rLM9Zcy4tvWyuoH3yC29D2fmDwz0tmVxaoQMcjFW-Y_bHuwROyQhL9yXm2__UEiqu98Zq3U1P3M3bhFZqCJVYHqFKk/s1000/s-l1200pppp.webp" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="845" data-original-width="1000" height="338" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjiHvtXpKJYZL0v4swKyYBbh0ehNWWk2RThnsRhd_Vl_fnMa3NOKCzY5z37Ew0vBoGTSflX18RRzyREQKJ7EDpDXH29oHFHpVPl1rLM9Zcy4tvWyuoH3yC29D2fmDwz0tmVxaoQMcjFW-Y_bHuwROyQhL9yXm2__UEiqu98Zq3U1P3M3bhFZqCJVYHqFKk/w400-h338/s-l1200pppp.webp" width="400" /> </a></div><div class="separator" style="clear: both; text-align: center;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhMQzrjLKZ3zgvuq79GytXOlNhvMgdxWagvPbzfim0UQPeIhWUc2U5zq995IE3t5hkUV81MlEn6UuK9D0tbi7kCrjuwkTfRgpAvpQTTFED9D4-IK0GRgQXqelmgHAGRu7W3TGiDFefi9iPa_ojj3VgPWD6JTFHobMgHw_M-aZ-8_tdc95KsxSyE1mi3X8s/s900/228982.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="812" data-original-width="900" height="578" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhMQzrjLKZ3zgvuq79GytXOlNhvMgdxWagvPbzfim0UQPeIhWUc2U5zq995IE3t5hkUV81MlEn6UuK9D0tbi7kCrjuwkTfRgpAvpQTTFED9D4-IK0GRgQXqelmgHAGRu7W3TGiDFefi9iPa_ojj3VgPWD6JTFHobMgHw_M-aZ-8_tdc95KsxSyE1mi3X8s/w640-h578/228982.jpg" width="640" /></a></div> </div></span><span style="font-size: 14pt; line-height: 107%;">elenco: Gustav
Diessl, Leni Riefenstahl, Ernst Petersen e Kurt Gerron</span><br /><span style="font-size: 14pt; line-height: 107%;"> </span><br /><span style="font-size: 14pt; line-height: 107%;">08</span><br /></span></div><div style="text-align: center;"><span style="color: white; font-family: inherit;"><span style="background-color: #274e13; font-size: 14pt; line-height: 107%;">O AMOR de
JEANNE NEY</span></span><span style="color: #3d85c6; font-family: inherit;"><br /><span style="font-size: 14pt; line-height: 107%;"><span style="mso-spacerun: yes;"> </span>(Die Liebe der Jeanne Ney, 1927) </span></span></div><div style="text-align: justify;"><span style="color: #3d85c6; font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjdig3H0NxrSGditlOBqut8vPSfHvprPdqTRdH1hcnVDDIqBNFiqpnRUl7cWlXt9wmFs6rnqP0PZhC3gKn7lJjNsO6XV_PEwlJOzp99PtJKSBrDCDq92b9KNvivv8nBLUdi0q1ln_ARC1M9nhlF_R2t-v4UCstAlhBsM8MMEg80w6VmWqgqiPLJAtPeJVs/s1500/ffsp251kyeCAUM3AHW65fFkYXbc.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1500" data-original-width="1000" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjdig3H0NxrSGditlOBqut8vPSfHvprPdqTRdH1hcnVDDIqBNFiqpnRUl7cWlXt9wmFs6rnqP0PZhC3gKn7lJjNsO6XV_PEwlJOzp99PtJKSBrDCDq92b9KNvivv8nBLUdi0q1ln_ARC1M9nhlF_R2t-v4UCstAlhBsM8MMEg80w6VmWqgqiPLJAtPeJVs/w266-h400/ffsp251kyeCAUM3AHW65fFkYXbc.jpg" width="266" /> </a></div><div class="separator" style="clear: both; text-align: center;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhUDKh1jSSO0xqemAveDuF6kiwIpzTuIOKHWrLSgU1rZIbn7QoIPVyBdERY7774V2YDdWUkTVywsMXTndTD10cjzbb-fY8-_RtLNmwdRm4rXwmJSP1sdD85D_wD-r5XEIlcIWRaUyRKygrGAe3Txtc4aK5zkykdSOV0nLoM81esZ4aRCD3WTuXCruhHe7o/s1000/Die-Liebe-der-Jeanne-Ney-02.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="953" data-original-width="1000" height="610" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhUDKh1jSSO0xqemAveDuF6kiwIpzTuIOKHWrLSgU1rZIbn7QoIPVyBdERY7774V2YDdWUkTVywsMXTndTD10cjzbb-fY8-_RtLNmwdRm4rXwmJSP1sdD85D_wD-r5XEIlcIWRaUyRKygrGAe3Txtc4aK5zkykdSOV0nLoM81esZ4aRCD3WTuXCruhHe7o/w640-h610/Die-Liebe-der-Jeanne-Ney-02.jpg" width="640" /></a></div> </div></span><span style="font-size: 14pt; line-height: 107%;">elenco: Édith
Jéhanne, Uno Henning, Brigitte Helm, Sig Arno e Vladimir Sokoloff</span><br /><span style="font-size: 14pt; line-height: 107%;"> </span><br /><span style="font-size: 14pt; line-height: 107%;">09</span><br /></span></div><div style="text-align: center;"><span style="color: white; font-family: inherit;"><span style="background-color: #274e13; font-size: 14pt; line-height: 107%;">O ÚLTIMO
ATO</span></span><span style="color: #3d85c6; font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;"> </span></span></div><div style="text-align: center;"><span style="color: #3d85c6; font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">(Der Letzte Akt, 1955)</span></span></div><div style="text-align: justify;"><span style="color: #3d85c6; font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj9NoPP8BUtXjtJRSvOEekv_pwT0jOgxP5wzH5Qjnb0GU_mRLXIu7msTWwmS8xH1dMA7e_p0wXlZtk0uvqxbJOa6dQyucGDvRr9BANPhLid6qGjmTHw9b9a67vyd1jMEz21uC5dIBHOvT5XjbuiaFcW3hjuQA1OzOx_O8KlnW-C-T9T2-ip_8zzL00oGSU/s1397/MV5BNjQxMDBiNjEtZDkyMi00YjhhLWIwMjctZjQ5ZDFiYjA3MTFiXkEyXkFqcGdeQXVyMzg1ODEwNQ@@._V1_FMjpg_UX1000_.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1397" data-original-width="1000" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj9NoPP8BUtXjtJRSvOEekv_pwT0jOgxP5wzH5Qjnb0GU_mRLXIu7msTWwmS8xH1dMA7e_p0wXlZtk0uvqxbJOa6dQyucGDvRr9BANPhLid6qGjmTHw9b9a67vyd1jMEz21uC5dIBHOvT5XjbuiaFcW3hjuQA1OzOx_O8KlnW-C-T9T2-ip_8zzL00oGSU/w286-h400/MV5BNjQxMDBiNjEtZDkyMi00YjhhLWIwMjctZjQ5ZDFiYjA3MTFiXkEyXkFqcGdeQXVyMzg1ODEwNQ@@._V1_FMjpg_UX1000_.jpg" width="286" /> </a></div><div class="separator" style="clear: both; text-align: center;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgWGiomF01hHZhQFTg8SFLza30x_ufbUg4iqyJDcG89XUhd0affojABknBDnBoSUDFsuGgrgD7Z43WmcpkFMnUts-xH82OfVCFmuUr_YDZmEBCqKD13SZCvVYI6T31OBh35tdImmDNxLL8Mx04QVCMg1vAKwEY0pjFyJwDCw-TyivAS7_V44XEUOynu1MA/s1400/l-ultimo-atto-1955-der-letzte-akt-the-last-ten-days-georg-wilhelm-pabst-recensione.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="788" data-original-width="1400" height="360" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgWGiomF01hHZhQFTg8SFLza30x_ufbUg4iqyJDcG89XUhd0affojABknBDnBoSUDFsuGgrgD7Z43WmcpkFMnUts-xH82OfVCFmuUr_YDZmEBCqKD13SZCvVYI6T31OBh35tdImmDNxLL8Mx04QVCMg1vAKwEY0pjFyJwDCw-TyivAS7_V44XEUOynu1MA/w640-h360/l-ultimo-atto-1955-der-letzte-akt-the-last-ten-days-georg-wilhelm-pabst-recensione.jpg" width="640" /></a></div> </div></span><span style="font-size: 14pt; line-height: 107%;">elenco:
Albin Skoda, Oskar Werner, Lotte Tobisch e Willy Krause</span><br /><span style="font-size: 14pt; line-height: 107%;"> </span><br /></span></div><div style="text-align: justify;"><span style="color: #3d85c6; font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">10</span><br /></span><div style="text-align: center;"><span style="color: white; font-family: inherit;"><span style="background-color: #274e13; font-size: 14pt; line-height: 107%;">ACONTECEU
em 20 de JUNHO</span></span><span style="color: #3d85c6; font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;"> </span></span><br /><span style="color: #3d85c6; font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">(Es
Geschah am 20. Juli, 1955) </span></span></div></div><div style="text-align: justify;"><span style="color: #3d85c6; font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj3koYP4CZkkATjyf6HXQFjYOm1qwx2UaAaUct7Ix4Et8oyvrJirTnjz2vfcISZLIYniW-jfiAcVg65qZGKxrQL2c8BjK6OOLgNH9VjyDGG4oL-TtbGWkTb86lF0z14FujZfIu5THYNwfUb7UIr48Ykg9STBIfZhYxI1qEtyhoqXqarJOfeBtBK3f9P9ek/s1495/MV5BMTY5MzQwMjk1NF5BMl5BanBnXkFtZTcwMDQ3NTkyMQ@@._V1_FMjpg_UX1000_.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1495" data-original-width="1000" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj3koYP4CZkkATjyf6HXQFjYOm1qwx2UaAaUct7Ix4Et8oyvrJirTnjz2vfcISZLIYniW-jfiAcVg65qZGKxrQL2c8BjK6OOLgNH9VjyDGG4oL-TtbGWkTb86lF0z14FujZfIu5THYNwfUb7UIr48Ykg9STBIfZhYxI1qEtyhoqXqarJOfeBtBK3f9P9ek/w268-h400/MV5BMTY5MzQwMjk1NF5BMl5BanBnXkFtZTcwMDQ3NTkyMQ@@._V1_FMjpg_UX1000_.jpg" width="268" /> </a></div><div class="separator" style="clear: both; text-align: center;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgBRZ5PxzQzD3PburZWRZtLzXlWujyjAv_-KYQceWa18Zq5zhbb6_RxIsvw5ZQXcLqGsIXpG8n9PI8CIHWGd-3_vIJFv8UzMVwpzhakeonUtavSKt9Q3jj2Z7rkNdxBYU-PcN_OL_N_6fxgwJkvflQ5i0okbw2307IU2qPvE2dNpO8AjZPmORmj_3wC9kE/s1200/1200x675Es%20Geschah%20am%2020.%20Juli,%201955.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="675" data-original-width="1200" height="360" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgBRZ5PxzQzD3PburZWRZtLzXlWujyjAv_-KYQceWa18Zq5zhbb6_RxIsvw5ZQXcLqGsIXpG8n9PI8CIHWGd-3_vIJFv8UzMVwpzhakeonUtavSKt9Q3jj2Z7rkNdxBYU-PcN_OL_N_6fxgwJkvflQ5i0okbw2307IU2qPvE2dNpO8AjZPmORmj_3wC9kE/w640-h360/1200x675Es%20Geschah%20am%2020.%20Juli,%201955.jpg" width="640" /></a></div> </div></span><span style="font-size: 14pt; line-height: 107%;">elenco:
Bernhard Wicki, Karl Ludwig Diehl, Carl Wery e Erik Frey</span><br /><span style="font-size: 14pt; line-height: 107%;"> </span></span><br /></div>
ANTONIO NAHUDhttp://www.blogger.com/profile/09829893001743081676noreply@blogger.com2tag:blogger.com,1999:blog-7997398743762234247.post-1944920321337087712024-01-06T20:23:00.023-03:002024-01-07T12:53:58.401-03:00**** Os MELHORES FILMES ASSISTIDOS em 2023<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto;"><tbody><tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhVuiWaEOB1kdu5dN2VTMx2jG8VTOp5JGoOylm9KM46VwJMWctpGVG06O_9ANraNkx8oIezBKWa8D8Vlpd2UyrsfS1QECBSXFlodEw-M417HEoJzbGAmQ92tpOAa4HGolgL0MFpQhikhrgLdpRUooHvsOUfDcSbftuZveOixxQb7MDF1j3e8Ue7PZdewBw/s1703/Vignette_2_Marienbad.jpg" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="1083" data-original-width="1703" height="406" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhVuiWaEOB1kdu5dN2VTMx2jG8VTOp5JGoOylm9KM46VwJMWctpGVG06O_9ANraNkx8oIezBKWa8D8Vlpd2UyrsfS1QECBSXFlodEw-M417HEoJzbGAmQ92tpOAa4HGolgL0MFpQhikhrgLdpRUooHvsOUfDcSbftuZveOixxQb7MDF1j3e8Ue7PZdewBw/w640-h406/Vignette_2_Marienbad.jpg" width="640" /></a></td></tr><tr><td class="tr-caption" style="text-align: center;"><span style="font-family: inherit;"><span style="font-size: large;"><span style="color: #3d85c6;"><span style="background-color: black;">delphine seyrig em <span><span style="line-height: 107%;"><span>“</span></span></span>o ano passado em marienbad<span><span style="line-height: 107%;"><span>”</span></span></span></span></span></span></span></td></tr></tbody></table><p> <br /></p><span style="font-family: inherit;"></span><div style="text-align: justify;"><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">Alguns
filmes ganharam o coração do público em 2023. Vi <span style="color: #3d85c6;">“Som da Liberdade / Sound of
Freedom”</span>, de Alejandro Monteverde; <span style="color: #3d85c6;">“<a name="_Hlk155269755">Oppenheimer</a> /
Idem”</span>, de Christopher Nolan; <span style="color: #3d85c6;">“O Assassino / The Killer”</span>, de David Fincher,
<span style="color: #3d85c6;">“Assassinos da Lua das Flores / Killers of the Flower Moon”</span>, de Martin Scorsese;
<span style="color: #3d85c6;">“Novembro – Paris Atacado / Novembre”</span>, de Cédric Jimenez; e<span style="color: #3d85c6;"> “Missão Impossível
– Acerto de Contas Parte 1 / Mission: Impossible - Dead Reckoning Part One”</span>, de
Christopher McQuarrie. E outros menos populares:<span style="color: #3d85c6;"> “A Sombra de Caravaggio /
L'ombra di Caravaggio”</span>, de Michele Placido;<span style="color: #3d85c6;"> “Estranha Forma de Vida / Extraña Forma de Vida”</span>, de Pedro Almodóvar, etc.</span></span><br /><span style="font-family: inherit;"></span><span style="font-family: inherit; font-size: 14pt; line-height: 107%;"> </span><span style="font-family: inherit;"></span><br /><span style="font-family: inherit;"></span><span style="font-family: inherit; font-size: 14pt; line-height: 107%;">Dessas
estreias, considero o thriller francês <span style="color: #3d85c6;">“Novembro – Paris Atacado”</span> e a
cinebiografia norte-americana/inglesa <span style="color: #3d85c6;">“Oppenheimer”</span>, as melhores. Mas como de
costume, a lista anual do <span style="color: #3d85c6;">“O Falcão Maltês”</span> é diferente dos veículos de
comunicação tradicionais. Competem os filmes que assisti no ano passado, pouco
importando a data de produção. Separei um ranking dos 12 melhores — e suas
respectivas críticas. Foram considerados como parâmetro para essa seleção extrema,
direção, roteiro, elenco, fotografia, trilha sonora, edição, cenografia e vestuário.
Finalizo listando todos os filmes que vi em 2023, com nota de 1 a 5, ou seja, 388
fitas. Confira:</span><span style="font-family: inherit;"></span><br /><span style="font-family: inherit;"></span><span style="font-family: inherit; font-size: 14pt; line-height: 107%;"> </span><span style="font-family: inherit;"></span><br /></div><div style="text-align: center;"><span style="font-family: inherit;"></span><span style="background-color: #274e13; color: white; font-family: inherit; font-size: 14pt; line-height: 107%;"><br />Os 12
MELHORES FILMES ASSISTIDOS em 2023</span><span style="font-family: inherit;"></span><br /><span style="font-family: inherit;"></span><span style="color: #3d85c6; font-family: inherit; font-size: 14pt; line-height: 107%;">(por
ordem de preferência)</span><span style="color: #3d85c6; font-family: inherit;"></span><span style="color: #3d85c6;"><br /></span></div><div style="text-align: justify;"><span style="color: #3d85c6; font-family: inherit;"></span><span style="color: #3d85c6; font-family: inherit; font-size: 14pt; line-height: 107%;"> </span><span style="color: #3d85c6; font-family: inherit;"></span><span style="color: #3d85c6;"><br /><span style="font-family: inherit;"></span><span style="font-family: inherit; font-size: 14pt; line-height: 107%;">01</span><span style="font-family: inherit;"></span><br /></span></div><div style="text-align: center;"><span style="color: white;"><span style="background-color: #274e13; font-family: inherit; font-size: 14pt; line-height: 107%;">O
BOULEVARD do CRIME</span></span><span style="color: #3d85c6;"><span style="font-family: inherit; font-size: 14pt; line-height: 107%;"> </span><br /><span style="font-family: inherit; font-size: 14pt; line-height: 107%;">(Les
Enfants du Paradis, 1945, França)</span></span></div><div style="text-align: justify;"><span style="color: #3d85c6;"><span style="font-family: inherit; font-size: 14pt; line-height: 107%;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgzOC07PGww-k3jbcGkP6G-hRz48tklckvrun02yjG0cBXmCrNw05KnecHzXwYgRjwCbjR123AJ9PnAEw__dqJ48Wy2Eb7CQlvTsGKz4i4_vF590WCrdW-mP4cvP6gyyeTGHc67rFNatsWMldMOJwLZfTOGOgloQ57jMVZO6mbStEAHoIVgxaXFW68bQgg/s966/les%20enf.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="723" data-original-width="966" height="300" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgzOC07PGww-k3jbcGkP6G-hRz48tklckvrun02yjG0cBXmCrNw05KnecHzXwYgRjwCbjR123AJ9PnAEw__dqJ48Wy2Eb7CQlvTsGKz4i4_vF590WCrdW-mP4cvP6gyyeTGHc67rFNatsWMldMOJwLZfTOGOgloQ57jMVZO6mbStEAHoIVgxaXFW68bQgg/w400-h300/les%20enf.jpg" width="400" /></a></div></span><br /><span style="font-family: inherit; font-size: 14pt; line-height: 107%;">Direção:
Marcel Carné.</span><br /><span style="font-family: inherit; font-size: 14pt; line-height: 107%;">Elenco: Arletty,
Jean-Louis Barrault, Pierre Brasseur, Pierre Renoir e María Casares </span></span><br /><span style="font-family: inherit;"></span><span style="font-family: inherit; font-size: 14pt; line-height: 107%;"> </span><span style="font-family: inherit;"></span><br /><span style="font-family: inherit; font-size: 14pt; line-height: 107%;">Na Paris
do século 19, quatro homens se apaixonam por atriz livre e audaciosa. Uma
homenagem ao teatro. Ele é a própria razão de ser do filme - o
teatro como arte da representação. O roteiro, a direção de arte e o elenco são
sublimes, com destaque para a enigmática diva Arletty. Um dos maiores filmes de
todos os tempos.</span><br /><span style="font-family: inherit;"></span><span style="font-family: inherit; font-size: 14pt; line-height: 107%;"> </span><span style="font-family: inherit;"></span><br /><span style="font-family: inherit;"></span><span style="font-family: inherit; font-size: 14pt; line-height: 107%;">Nota: *****
(ótimo)</span><span style="font-family: inherit;"></span><br /><span style="font-family: inherit;"></span><span style="font-family: inherit; font-size: 14pt; line-height: 107%;"> </span><span style="font-family: inherit;"></span><br /></div><div style="text-align: justify;"><span style="color: #3d85c6; font-family: inherit; font-size: 14pt; line-height: 107%;">02</span><span style="color: #3d85c6;"><br /></span><div style="text-align: center;"><span style="color: white;"><span style="background-color: #274e13; font-family: inherit; font-size: 14pt; line-height: 107%;">A PALAVRA</span></span><span style="color: #3d85c6;"><span style="font-family: inherit; font-size: 14pt; line-height: 107%;">
</span></span><br /><span style="color: #3d85c6;"><span style="font-family: inherit; font-size: 14pt; line-height: 107%;">(Ordet,
1955, Dinamarca)</span></span></div></div><div style="text-align: justify;"><span style="color: #3d85c6;"><span style="font-family: inherit; font-size: 14pt; line-height: 107%;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj9pRGVzG6wDZWKT8jepe5aecPxUc0aEUbYQ16AA5cEaKAy9uOa4nod7dFHfjfSZFI8ccGmJlx4dW5hfmug9agg2uv3E6oFoTBWccteQPtjDGnwZGDT_gGCSTuzObLW5J5e0E27rZlwe7FB3dQv1iqO8RUFy7ILQaFEzsSoMe6gktSV3HbBNZJkofhfUAI/s1096/Ordet_The_Word-916192052-large.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1096" data-original-width="800" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj9pRGVzG6wDZWKT8jepe5aecPxUc0aEUbYQ16AA5cEaKAy9uOa4nod7dFHfjfSZFI8ccGmJlx4dW5hfmug9agg2uv3E6oFoTBWccteQPtjDGnwZGDT_gGCSTuzObLW5J5e0E27rZlwe7FB3dQv1iqO8RUFy7ILQaFEzsSoMe6gktSV3HbBNZJkofhfUAI/w293-h400/Ordet_The_Word-916192052-large.jpg" width="293" /></a></div></span><br /><span style="font-family: inherit; font-size: 14pt; line-height: 107%;">Direção:
Carl Th. Dreyer.</span><br /><span style="font-family: inherit; font-size: 14pt; line-height: 107%;">Elenco: Henrik
Malberg, Emil Hass Christensen e Preben Lerdorff Rye</span></span><br /><span style="font-family: inherit;"></span><span style="font-family: inherit; font-size: 14pt; line-height: 107%;"> </span><span style="font-family: inherit;"></span><br /><span style="font-family: inherit;"></span><span style="font-family: inherit; font-size: 14pt; line-height: 107%;">O
confronto religioso entre duas famílias com linhas diferentes do cristianismo e
o cotidiano dramático de uma delas. Filme desconcertante. Com toda a sua
beleza, fotografia, excelentes interpretações e alegoria sobre a fé que nos faz
refletir. De ritmo lento, vai nos conquistando aos poucos. Obra-prima absoluta.</span><span style="font-family: inherit;"></span><br /><span style="font-family: inherit;"></span><span style="font-family: inherit; font-size: 14pt; line-height: 107%;"> </span><span style="font-family: inherit;"></span><br /><span style="font-family: inherit;"></span><span style="font-family: inherit; font-size: 14pt; line-height: 107%;">Nota: *****
(ótimo)</span><span style="font-family: inherit;"></span><br /><span style="font-family: inherit;"></span><span style="font-family: inherit; font-size: 14pt; line-height: 107%;"> </span><span style="font-family: inherit;"></span><br /><span style="font-family: inherit;"></span><span style="color: #3d85c6; font-family: inherit; font-size: 14pt; line-height: 107%;">03</span><span style="color: #3d85c6; font-family: inherit;"></span><span style="color: #3d85c6;"><br /></span></div><div style="text-align: center;"><span style="color: white;"><span style="background-color: #274e13; font-family: inherit; font-size: 14pt; line-height: 107%;">MOUCHETTE,
a VIRGEM POSSUÍDA</span></span><span style="color: #3d85c6;"><span style="font-family: inherit; font-size: 14pt; line-height: 107%;"> </span><br /><span style="font-family: inherit; font-size: 14pt; line-height: 107%;">(Mouchette,
1967, França)</span></span></div><div style="text-align: justify;"><span style="color: #3d85c6;"><span style="font-family: inherit; font-size: 14pt; line-height: 107%;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEicv04KTzaPaX2TsM5nmgTnjGW59XiPvpRC0dJo3kuWGoUSsIbL6Fgzy5Z2rV7zmd-tfK6-_HaxaRI_tIHDaKBSfcku8MGsj6Uonov3CEHbpRU8d5Yz_MvWEjVtNhuQ6km3vksTdi3x4qHb10aKCIKCVcDg0-4_shSsh2mY5xOQCfsjm6SOaWe4cDXn9wg/s1219/MV5BM2UwZDEzOWYtOTA5ZC00OTMwLTgyMDctZmIzYmRkODczZDI0XkEyXkFqcGdeQXVyNzQxNDExNTU@._V1_FMjpg_UX1000_.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1219" data-original-width="886" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEicv04KTzaPaX2TsM5nmgTnjGW59XiPvpRC0dJo3kuWGoUSsIbL6Fgzy5Z2rV7zmd-tfK6-_HaxaRI_tIHDaKBSfcku8MGsj6Uonov3CEHbpRU8d5Yz_MvWEjVtNhuQ6km3vksTdi3x4qHb10aKCIKCVcDg0-4_shSsh2mY5xOQCfsjm6SOaWe4cDXn9wg/w291-h400/MV5BM2UwZDEzOWYtOTA5ZC00OTMwLTgyMDctZmIzYmRkODczZDI0XkEyXkFqcGdeQXVyNzQxNDExNTU@._V1_FMjpg_UX1000_.jpg" width="291" /></a></div></span><br /><span style="font-family: inherit; font-size: 14pt; line-height: 107%;">Direção:
Robert Bresson.</span><br /><span style="font-family: inherit; font-size: 14pt; line-height: 107%;">Elenco: Nadine
Nortier, Jean-Claude Guilbert, Marie Cardinal e Paul Hébert</span><br /><span style="font-family: inherit; font-size: 14pt; line-height: 107%;"> </span></span><br /><span style="font-family: inherit; font-size: 14pt; line-height: 107%;">Garota
solitária passa sua existência infeliz em uma vila rural francesa, Drama
pessimista e sem sentimentalismo sobre infância interrompida e inocência
corrompida. Num ambiente hostil, o retrato da dor em poético preto e branco e
performances sinceras de amadores. Profundo, cruel e, certamente,
inesquecível.</span><br /><span style="font-family: inherit;"></span><span style="font-family: inherit; font-size: 14pt; line-height: 107%;"> </span><span style="font-family: inherit;"></span><br /><span style="font-family: inherit;"></span><span style="font-family: inherit; font-size: 14pt; line-height: 107%;">Nota: *****
(ótimo)</span><span style="font-family: inherit;"></span><br /><span style="font-family: inherit;"></span><span style="font-family: inherit; font-size: 14pt; line-height: 107%;"> </span><span style="font-family: inherit;"></span><br /><span style="font-family: inherit;"></span><span style="color: #3d85c6; font-family: inherit; font-size: 14pt; line-height: 107%;">04</span><span style="color: #3d85c6; font-family: inherit;"></span><span style="color: #3d85c6;"><br /></span></div><div style="text-align: center;"><span style="color: white;"><span style="background-color: #274e13; font-family: inherit; font-size: 14pt; line-height: 107%;">ERVAS
FLUTUANTES</span></span><span style="color: #3d85c6;"><span style="font-family: inherit; font-size: 14pt; line-height: 107%;"> </span><br /><span style="font-family: inherit; font-size: 14pt; line-height: 107%;">(Ukigusa,
1959, Japão)</span></span></div><div style="text-align: justify;"><span style="color: #3d85c6;"><span style="font-family: inherit; font-size: 14pt; line-height: 107%;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEheqBRvrVbjJShEF5nGdKiui0Eh-7KkhT2dsqjfPlfZRJu-G7kUGtDqGvf0luPL03VK6pIq2lVkvysj3_I_6AHLI1GtpAGTfIjJxkfw-dtiyliyZdtF_QWiEQ1JbCNrXoXS9R6U6p7ATlsaLiGQJtbXay4ecWfbQIXEVZzzx6NqrOvdKxcftBqDQpwTbEc/s266/Sem%20t%C3%ADtulo.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="266" data-original-width="189" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEheqBRvrVbjJShEF5nGdKiui0Eh-7KkhT2dsqjfPlfZRJu-G7kUGtDqGvf0luPL03VK6pIq2lVkvysj3_I_6AHLI1GtpAGTfIjJxkfw-dtiyliyZdtF_QWiEQ1JbCNrXoXS9R6U6p7ATlsaLiGQJtbXay4ecWfbQIXEVZzzx6NqrOvdKxcftBqDQpwTbEc/w284-h400/Sem%20t%C3%ADtulo.jpg" width="284" /></a></div></span><br /><span style="font-family: inherit; font-size: 14pt; line-height: 107%;">Direção:
Yasujiro Ozu.</span><br /><span style="font-family: inherit; font-size: 14pt; line-height: 107%;">Elenco: Ganjirô
Nakamura, Machiko Kyô, Ayako Wakao e Hiroshi Kawaguchi</span><br /><span style="font-family: inherit; font-size: 14pt; line-height: 107%;"> </span></span><br /><span style="font-family: inherit; font-size: 14pt; line-height: 107%;">Companhia
itinerante de teatro kabuki se apresenta numa pequena ilha de pescadores. O
primeiro filme que vejo do lendário Ozu. Deixou-me impressionado. Intenso,
delicado, poético e dramático. Espetacular fotografia, trilha sonora
encantadora. A versatilidade e o talento de Machiko Kyo impressionam.
Maravilhoso.</span><br /><span style="font-family: inherit;"></span><span style="font-family: inherit; font-size: 14pt; line-height: 107%;"> </span><span style="font-family: inherit;"></span><br /><span style="font-family: inherit;"></span><span style="font-family: inherit; font-size: 14pt; line-height: 107%;">Nota: *****
(ótimo)</span><span style="font-family: inherit;"></span><br /><span style="font-family: inherit;"></span><span style="font-family: inherit; font-size: 14pt; line-height: 107%;"> </span><span style="font-family: inherit;"></span><br /><span style="font-family: inherit;"></span><span style="color: #3d85c6; font-family: inherit; font-size: 14pt; line-height: 107%;">05</span><span style="color: #3d85c6; font-family: inherit;"></span><span style="color: #3d85c6;"><br /></span></div><div style="text-align: center;"><span style="color: white;"><span style="background-color: #274e13; font-family: inherit; font-size: 14pt; line-height: 107%;">O
GABINETE do Dr. CALIGARI</span></span><span style="color: #3d85c6;"><span style="font-family: inherit; font-size: 14pt; line-height: 107%;"> </span><br /><span style="font-family: inherit; font-size: 14pt; line-height: 107%;">(Das
Kabinett des Doktor Caligari, 1919, Alemanha)</span></span></div><div style="text-align: justify;"><span style="color: #3d85c6;"><span style="font-family: inherit; font-size: 14pt; line-height: 107%;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhPbK_K8oun3-Ze_Pqf0Q3ni9aD05MU3OgxCbG43sCYUkg5GavkTQQQf75pD5icn-juLZCkRvCSdfewOtkXWt003K1GL8sXLdsPZvg_gF4C_reAp_9Kc8olsfFMDcRjvh0VZKQkGjKfRod66Tv_B6rWhtU8jfJ2A5WoIXkEls3iBgBlmcJbNqAcVUzsYac/s1896/W1siZiIsIjE2Njk2OCJdLFsicCIsImNvbnZlcnQiLCItcXVhbGl0eSA5MCAtcmVzaXplIDIwMDB4MTQ0MFx1MDAzZSJdXQ.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1268" data-original-width="1896" height="268" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhPbK_K8oun3-Ze_Pqf0Q3ni9aD05MU3OgxCbG43sCYUkg5GavkTQQQf75pD5icn-juLZCkRvCSdfewOtkXWt003K1GL8sXLdsPZvg_gF4C_reAp_9Kc8olsfFMDcRjvh0VZKQkGjKfRod66Tv_B6rWhtU8jfJ2A5WoIXkEls3iBgBlmcJbNqAcVUzsYac/w400-h268/W1siZiIsIjE2Njk2OCJdLFsicCIsImNvbnZlcnQiLCItcXVhbGl0eSA5MCAtcmVzaXplIDIwMDB4MTQ0MFx1MDAzZSJdXQ.jpg" width="400" /></a></div></span><br /><span style="font-family: inherit; font-size: 14pt; line-height: 107%;">Direção:
Robert Wiene.</span><br /><span style="font-family: inherit; font-size: 14pt; line-height: 107%;">Elenco: Werner
Krauss, Conrad Veidt, Friedrich Feher e Lil Dagover</span><br /><span style="font-family: inherit; font-size: 14pt; line-height: 107%;"> </span></span><br /><span style="font-family: inherit; font-size: 14pt; line-height: 107%;">Médico
maquiavélico manipula sonâmbulo para cometer vários crimes. Um fascinante
pesadelo visual. Narrativa onírica, cenários desconcertantes,
direção segura, figurino extravagante e maquiagem pesadíssima. Marco icônico do
expressionismo alemão, de estética inovadora e alucinantes performances de
Krauss e Veidt.</span><br /><span style="font-family: inherit;"></span><span style="font-family: inherit; font-size: 14pt; line-height: 107%;"> </span><span style="font-family: inherit;"></span><br /><span style="font-family: inherit;"></span><span style="font-family: inherit; font-size: 14pt; line-height: 107%;">Nota: *****
(ótimo)</span><span style="font-family: inherit;"></span><br /><span style="font-family: inherit;"></span><span style="font-family: inherit; font-size: 14pt; line-height: 107%;"> </span><span style="font-family: inherit;"></span><br /><span style="font-family: inherit;"></span><span style="color: #3d85c6; font-family: inherit; font-size: 14pt; line-height: 107%;">06</span><span style="color: #3d85c6; font-family: inherit;"></span><span style="color: #3d85c6;"><br /></span></div><div style="text-align: center;"><span style="color: white;"><span style="background-color: #274e13; font-family: inherit; font-size: 14pt; line-height: 107%;">Uma RUA
CHAMADA PECADO</span></span><span style="color: #3d85c6;"><span style="font-family: inherit; font-size: 14pt; line-height: 107%;"> </span><br /><span style="font-family: inherit; font-size: 14pt; line-height: 107%;">(A
Streetcar Named Desire, 1951, EUA)</span></span></div><div style="text-align: justify;"><span style="color: #3d85c6;"><span style="font-family: inherit; font-size: 14pt; line-height: 107%;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjh8XmgYkf4ZeG62-t997j7dnA1bffATRk4cj60TRBeazd1izViIT5GIXNl8TeIx61OtFLPn-W_QXYxtVgxJ9iYK_WlTvh9nNenr6wnnigt7U2zTjx1WsncucWk-WbLWYM7OxOpx5Hu896LD_xhuzQU_VhRNLEJMvfYBCBtBgsKXnNCnM7whzJ4vOfWUmA/s277/Sem%20t%C3%ADtulo.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="277" data-original-width="182" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjh8XmgYkf4ZeG62-t997j7dnA1bffATRk4cj60TRBeazd1izViIT5GIXNl8TeIx61OtFLPn-W_QXYxtVgxJ9iYK_WlTvh9nNenr6wnnigt7U2zTjx1WsncucWk-WbLWYM7OxOpx5Hu896LD_xhuzQU_VhRNLEJMvfYBCBtBgsKXnNCnM7whzJ4vOfWUmA/w263-h400/Sem%20t%C3%ADtulo.jpg" width="263" /></a></div></span><br /><span style="font-family: inherit; font-size: 14pt; line-height: 107%;">Direção:
Elia Kazan.</span><br /><span style="font-family: inherit; font-size: 14pt; line-height: 107%;">Elenco: Vivien
Leigh, Marlon Brando, Kim Hunter e Karl Malden</span><br /><span style="font-family: inherit; font-size: 14pt; line-height: 107%;"> </span></span><br /><span style="font-family: inherit; font-size: 14pt; line-height: 107%;">Professora
madura, fragilizada e alcoólatra, vai morar com a irmã, onde é atormentada pelo
cunhado brutamontes. Profundo e sensual, uma colcha de retalhos das relações
humanas. Cenário claustrofóbico, atmosfera perturbadora. A
insana Blanche DuBois de Vivien Leigh é uma das mais poderosas atuações do
cinema.</span><br /><span style="font-family: inherit;"></span><span style="font-family: inherit; font-size: 14pt; line-height: 107%;"> </span><span style="font-family: inherit;"></span><br /><span style="font-family: inherit;"></span><span style="font-family: inherit; font-size: 14pt; line-height: 107%;">Nota: *****
(ótimo)</span><span style="font-family: inherit;"></span><br /><span style="font-family: inherit;"></span><span style="font-family: inherit; font-size: 14pt; line-height: 107%;"> </span><span style="font-family: inherit;"></span><br /><span style="font-family: inherit;"></span><span style="color: #3d85c6; font-family: inherit; font-size: 14pt; line-height: 107%;">07</span><span style="color: #3d85c6; font-family: inherit;"></span><span style="color: #3d85c6;"><br /></span></div><div style="text-align: center;"><span style="color: white;"><span style="background-color: #274e13; font-family: inherit; font-size: 14pt; line-height: 107%;">M – O
VAMPIRO de DUSSELDORF</span></span><span style="color: #3d85c6;"><span style="font-family: inherit; font-size: 14pt; line-height: 107%;"> </span><br /><span style="font-family: inherit; font-size: 14pt; line-height: 107%;">(M- Eine
Stadt Sucht Einen Mörder, 1931, Alemanha)</span></span></div><div style="text-align: justify;"><span style="color: #3d85c6;"><span style="font-family: inherit; font-size: 14pt; line-height: 107%;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiQ-t5fR8-t4DVxVnSMyX-kHpwuzdahqrmHJBKLoX9DEvrgB3nklcv_2o1lzvt6gXOoUdwUOafAChszuFjQb8rvs0V-M5uhQ0IZEJhV3MxYEFLHYHFmt9PerlAgiA8XZDXREYAnmlIuHiblivD2RI2JYYjdvl8rUWS4_PUF514fAaffE3wtAx43pHmxqSU/s1209/0004569-m-eine-stadt-sucht-einen-morder-1931-with-switchable-english-subtitles.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1209" data-original-width="806" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiQ-t5fR8-t4DVxVnSMyX-kHpwuzdahqrmHJBKLoX9DEvrgB3nklcv_2o1lzvt6gXOoUdwUOafAChszuFjQb8rvs0V-M5uhQ0IZEJhV3MxYEFLHYHFmt9PerlAgiA8XZDXREYAnmlIuHiblivD2RI2JYYjdvl8rUWS4_PUF514fAaffE3wtAx43pHmxqSU/w266-h400/0004569-m-eine-stadt-sucht-einen-morder-1931-with-switchable-english-subtitles.jpg" width="266" /></a></div></span><br /><span style="font-family: inherit; font-size: 14pt; line-height: 107%;">Direção:
Fritz Lang.</span><br /><span style="font-family: inherit; font-size: 14pt; line-height: 107%;">Elenco: Peter
Lorre, Otto Wernicke, Theodor Loos e Gustaf Gründgens</span></span><br /><span style="font-family: inherit;"></span><span style="font-family: inherit; font-size: 14pt; line-height: 107%;"> </span><span style="font-family: inherit;"></span><br /><span style="font-family: inherit; font-size: 14pt; line-height: 107%;">Assassino
em série mata diversas crianças, o que comove a população e pressiona os
policiais. O primeiro filme sonoro de Lang. Baseado em caso verídico, seco e
direto, um drama sobre insegurança, ódio e medo, elementos explosivos
quando associados. Atuação de Lorre e cena do tribunal de criminosos
são sensacionais.</span><br /><span style="font-family: inherit;"></span><span style="font-family: inherit; font-size: 14pt; line-height: 107%;"> </span><span style="font-family: inherit;"></span><br /><span style="font-family: inherit;"></span><span style="font-family: inherit; font-size: 14pt; line-height: 107%;">Nota: *****
(ótimo)</span><span style="font-family: inherit;"></span><br /><span style="font-family: inherit;"></span><span style="font-family: inherit; font-size: 14pt; line-height: 107%;"> </span><span style="font-family: inherit;"></span><br /></div><div style="text-align: justify;"><span style="color: #3d85c6; font-family: inherit; font-size: 14pt; line-height: 107%;">08</span><span style="color: #3d85c6;"><br /></span><div style="text-align: center;"><span style="color: white;"><span style="background-color: #274e13; font-family: inherit; font-size: 14pt; line-height: 107%;">PERSONA –
QUANDO DUAS MULHERES PECAM</span></span><span style="color: #3d85c6;"><span style="font-family: inherit; font-size: 14pt; line-height: 107%;"> </span></span><br /><span style="color: #3d85c6;"><span style="font-family: inherit; font-size: 14pt; line-height: 107%;">(Persona,
1966, Suécia)</span></span></div></div><div style="text-align: justify;"><span style="color: #3d85c6;"><span style="font-family: inherit; font-size: 14pt; line-height: 107%;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEikQOQUoRwFttOotkQFSMgP9cu3pHiUV1UG5XEnAdz2_N_p7tw2ktxKDLpN2vVUZTfE_lk56eqWKCsRx2DoPHb0Z1-sn-wh9QrPod52X1XdDkhiFlplqjTj9kOynMDaDhVUE-g485WwNPqyfzFLpyJ-5Q6JDa4Y_fKLxF58r_q-Rxi9ErgjRCUcddi8OSI/s1751/Persona-Vintage-Movie-Poster-Original-Italian-Photobusta-18x26_97fc4442-4de7-49a3-9002-c2af92b1c0ec.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1208" data-original-width="1751" height="276" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEikQOQUoRwFttOotkQFSMgP9cu3pHiUV1UG5XEnAdz2_N_p7tw2ktxKDLpN2vVUZTfE_lk56eqWKCsRx2DoPHb0Z1-sn-wh9QrPod52X1XdDkhiFlplqjTj9kOynMDaDhVUE-g485WwNPqyfzFLpyJ-5Q6JDa4Y_fKLxF58r_q-Rxi9ErgjRCUcddi8OSI/w400-h276/Persona-Vintage-Movie-Poster-Original-Italian-Photobusta-18x26_97fc4442-4de7-49a3-9002-c2af92b1c0ec.jpg" width="400" /></a></div></span><br /><span style="font-family: inherit; font-size: 14pt; line-height: 107%;">Direção:
Ingmar Bergman.</span><br /><span style="font-family: inherit; font-size: 14pt; line-height: 107%;">Elenco: Bibi
Andersson <span style="mso-tab-count: 1;"> </span>Bibi Andersson, Liv Ullmann e Gunnar
Björnstrand</span></span><br /><span style="font-family: inherit;"></span><span style="font-family: inherit; font-size: 14pt; line-height: 107%;"> </span><span style="font-family: inherit;"></span><br /><span style="font-family: inherit; font-size: 14pt; line-height: 107%;">Famosa
atriz surta em cena, para de falar e enviada para uma isolada casa de praia na
companhia de jovem enfermeira. Mais um trabalho brilhante de Bergman e Nykvist.
Na solidão de uma ilha, investigações existencialistas sobre a
condição feminina. Um drama difícil, incômodo e experimental. Pérola inestimável
da Sétima Arte.</span><br /><span style="font-family: inherit;"></span><span style="font-family: inherit; font-size: 14pt; line-height: 107%;"> </span><span style="font-family: inherit;"></span><br /><span style="font-family: inherit;"></span><span style="font-family: inherit; font-size: 14pt; line-height: 107%;">Nota: *****
(ótimo)</span><span style="font-family: inherit;"></span><br /><span style="font-family: inherit;"></span><span style="font-family: inherit; font-size: 14pt; line-height: 107%;"> </span><span style="font-family: inherit;"></span><br /><span style="font-family: inherit;"></span><span style="color: #3d85c6; font-family: inherit; font-size: 14pt; line-height: 107%;">09</span><span style="color: #3d85c6; font-family: inherit;"></span><span style="color: #3d85c6;"><br /></span></div><div style="text-align: center;"><span style="color: white;"><span style="background-color: #274e13; font-family: inherit; font-size: 14pt; line-height: 107%;">A NOITE</span></span><span style="color: #3d85c6;"><span style="font-family: inherit; font-size: 14pt; line-height: 107%;"> </span><br /><span style="font-family: inherit; font-size: 14pt; line-height: 107%;">(La
Notte, 1961, Itália e França)</span></span></div><div style="text-align: justify;"><span style="color: #3d85c6;"><span style="font-family: inherit; font-size: 14pt; line-height: 107%;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhVhZ279u7doJpMYpn-HIoYEkEbLXGQiwix2PhhDXgRHSJ4X5CNm7dJRfMiUmT_009Cd9srFhJdrypOrOJ30g0LlAo59UiccUEIzkuxYJvGVaeWeI7_ha_De5v9_AssPF3NqPtj61CjkDHdNJcLwBADOdBdOthU5SrUMXKYWrJ9QtVfnMzxNWZovXTbyoI/s1654/la-notte-md-web.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1654" data-original-width="893" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhVhZ279u7doJpMYpn-HIoYEkEbLXGQiwix2PhhDXgRHSJ4X5CNm7dJRfMiUmT_009Cd9srFhJdrypOrOJ30g0LlAo59UiccUEIzkuxYJvGVaeWeI7_ha_De5v9_AssPF3NqPtj61CjkDHdNJcLwBADOdBdOthU5SrUMXKYWrJ9QtVfnMzxNWZovXTbyoI/w216-h400/la-notte-md-web.jpg" width="216" /></a></div></span><br /><span style="font-family: inherit; font-size: 14pt; line-height: 107%;">Direção:
Michelangelo Antonioni.</span><br /><span style="font-family: inherit; font-size: 14pt; line-height: 107%;">Elenco: Marcello
Mastroianni, Jeanne Moreau, Monica Vitti e Bernhard Wicki</span></span><br /><span style="font-family: inherit;"></span><span style="font-family: inherit; font-size: 14pt; line-height: 107%;"> </span><span style="font-family: inherit;"></span><br /><span style="font-family: inherit;"></span><span style="font-family: inherit; font-size: 14pt; line-height: 107%;">Um dia e
uma noite na vida de um casal em crise - um escritor desiludido e sua esposa
entediada. Combinando virtuosismo com suavidade, retrata o colapso de um
relacionamento amoroso numa trama repleta de nuances e confidências sutis.
Clima de desolação, desespero e contenções de mágoas. Instigante e bem
realizado.</span><span style="font-family: inherit;"></span><br /><span style="font-family: inherit;"></span><span style="font-family: inherit; font-size: 14pt; line-height: 107%;"> </span><span style="font-family: inherit;"></span><br /><span style="font-family: inherit;"></span><span style="font-family: inherit; font-size: 14pt; line-height: 107%;">Nota: *****
(ótimo)</span><span style="font-family: inherit;"></span><br /><span style="font-family: inherit;"></span><span style="font-family: inherit; font-size: 14pt; line-height: 107%;"> </span><span style="font-family: inherit;"></span><br /><span style="font-family: inherit;"></span><span style="color: #3d85c6; font-family: inherit; font-size: 14pt; line-height: 107%;">10</span><span style="color: #3d85c6; font-family: inherit;"></span><span style="color: #3d85c6;"><br /></span></div><div style="text-align: center;"><span style="color: white;"><span style="background-color: #274e13; font-family: inherit; font-size: 14pt; line-height: 107%;">A MULHER
FAZ o HOMEM</span></span><span style="color: #3d85c6;"><span style="font-family: inherit; font-size: 14pt; line-height: 107%;"> </span><br /><span style="font-family: inherit; font-size: 14pt; line-height: 107%;">(Mr.
Smith Goes To Washington, 1939, EUA)</span></span></div><div style="text-align: justify;"><span style="color: #3d85c6;"><span style="font-family: inherit; font-size: 14pt; line-height: 107%;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhhOnwUjRP5SKvH4QCdkY8jKYlnOl_VoOXKUZG_sNPnqNGz8-rz4_kpJwODz-ZeVRQ7VWgEfUhzv6KevT1y0kGuso5nWiY2uPkXfzc3kaSHxkxPKybbDduIaPF2u7Pm5j1ELZ3RJnyfohoZryCZnGRG-8gbaVq3qVFY2VFPyYWbJefcRG4CdDaTxzyFDIk/s2779/Mr._Smith_Goes_to_Washington_(1939_poster).jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="2779" data-original-width="1764" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhhOnwUjRP5SKvH4QCdkY8jKYlnOl_VoOXKUZG_sNPnqNGz8-rz4_kpJwODz-ZeVRQ7VWgEfUhzv6KevT1y0kGuso5nWiY2uPkXfzc3kaSHxkxPKybbDduIaPF2u7Pm5j1ELZ3RJnyfohoZryCZnGRG-8gbaVq3qVFY2VFPyYWbJefcRG4CdDaTxzyFDIk/w254-h400/Mr._Smith_Goes_to_Washington_(1939_poster).jpg" width="254" /></a></div></span><br /><span style="font-family: inherit; font-size: 14pt; line-height: 107%;">Direção:
Frank Capra.</span><br /><span style="font-family: inherit; font-size: 14pt; line-height: 107%;">Elenco: Jean
Arthur, James Stewart <span style="mso-tab-count: 1;"> </span>James Stewart, Claude
Rains, Edward Arnold, Thomas Mitchell, Eugene Pallette e Beulah Bondi</span></span><br /><span style="font-family: inherit;"></span><span style="font-family: inherit; font-size: 14pt; line-height: 107%;"> </span><span style="font-family: inherit;"></span><br /><span style="font-family: inherit; font-size: 14pt; line-height: 107%;">Senador em início de carreira, cheio de sonhos, se depara com um ambiente
tomado pela corrupção. Fábula sobre a inocência perdida, a ética e o dever
no cruel mundo da política. Exaltando os valores tradicionais e mesclando drama
e humor, Capra constrói mais uma obra-prima. Carismático, James Stewart é puro
coração.</span><br /><span style="font-family: inherit;"></span><span style="font-family: inherit; font-size: 14pt; line-height: 107%;"> </span><span style="font-family: inherit;"></span><br /><span style="font-family: inherit;"></span><span style="font-family: inherit; font-size: 14pt; line-height: 107%;">Nota: *****
(ótimo)</span><span style="font-family: inherit;"></span><br /><span style="font-family: inherit;"></span><span style="font-family: inherit; font-size: 14pt; line-height: 107%;"> </span><span style="font-family: inherit;"></span><br /><span style="font-family: inherit;"></span><span style="color: #3d85c6; font-family: inherit; font-size: 14pt; line-height: 107%;">11</span><span style="color: #3d85c6; font-family: inherit;"></span><span style="color: #3d85c6;"><br /></span></div><div style="text-align: center;"><span style="color: white;"><span style="background-color: #274e13; font-family: inherit; font-size: 14pt; line-height: 107%;">O ANO
PASSADO em MARIENBAD</span></span><span style="color: #3d85c6;"><span style="font-family: inherit; font-size: 14pt; line-height: 107%;"> </span><br /><span style="font-family: inherit; font-size: 14pt; line-height: 107%;">(L`Année
Dernière a Marienbad, 1961, França e Itália)</span></span></div><div style="text-align: justify;"><span style="color: #3d85c6;"><span style="font-family: inherit; font-size: 14pt; line-height: 107%;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgVXKcar6Aey8o_0wLXVG1TViumvWAs4kvmFey3DdyBm8_CeUWbucWnsixS2Jo6hGE-YatzkCsFxyk161jTEYmRC_WpUBXtO2FCSxBsOhPtFNFo1y38fd2cAPMzng-M-nb7SwZPBd96xw5mS3RgRzxXniKelubBHjGz27lYVaPNvzcD-b1q-UvSz6Mn40U/s1407/capa-ano-passado.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1407" data-original-width="1013" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgVXKcar6Aey8o_0wLXVG1TViumvWAs4kvmFey3DdyBm8_CeUWbucWnsixS2Jo6hGE-YatzkCsFxyk161jTEYmRC_WpUBXtO2FCSxBsOhPtFNFo1y38fd2cAPMzng-M-nb7SwZPBd96xw5mS3RgRzxXniKelubBHjGz27lYVaPNvzcD-b1q-UvSz6Mn40U/w288-h400/capa-ano-passado.jpg" width="288" /></a></div></span><br /><span style="font-family: inherit; font-size: 14pt; line-height: 107%;">Direção:
Alain Resnais.</span><br /><span style="font-family: inherit; font-size: 14pt; line-height: 107%;">Elenco: Giorgio
Albertazzi, Delphine Seyrig e Sacha Pitoëff</span></span><br /><span style="font-family: inherit;"></span><span style="font-family: inherit; font-size: 14pt; line-height: 107%;"> </span><span style="font-family: inherit;"></span><br /><span style="font-family: inherit;"></span><span style="font-family: inherit; font-size: 14pt; line-height: 107%;">Num
luxuoso hotel barroco, o protagonista persegue uma elegante mulher que acredita
ter conhecido um ano antes. Experimental, onírico, surrealista.
Intelectualmente instigante, controverso, visualmente arrebatador. Um dos
filmes mais influentes do cinema, um enigma fascinante, inventivo e imitado por
muitos.</span><span style="font-family: inherit;"></span><br /><span style="font-family: inherit;"></span><span style="font-family: inherit; font-size: 14pt; line-height: 107%;"> </span><span style="font-family: inherit;"></span><br /><span style="font-family: inherit;"></span><span style="font-family: inherit; font-size: 14pt; line-height: 107%;">Nota: *****
(ótimo)</span><span style="font-family: inherit;"></span><br /><span style="font-family: inherit;"></span><span style="font-family: inherit; font-size: 14pt; line-height: 107%;"> </span><span style="font-family: inherit;"></span><br /><span style="font-family: inherit;"></span><span style="color: #3d85c6; font-family: inherit; font-size: 14pt; line-height: 107%;">12</span><span style="color: #3d85c6; font-family: inherit;"></span><span style="color: #3d85c6;"><br /></span></div><div style="text-align: center;"><span style="color: white;"><span style="background-color: #274e13; font-family: inherit; font-size: 14pt; line-height: 107%;">QUATORZE
de JULHO</span></span><span style="color: #3d85c6;"><span style="font-family: inherit; font-size: 14pt; line-height: 107%;"> </span><br /><span style="font-family: inherit; font-size: 14pt; line-height: 107%;">(Quatorze
Juillet, 1933, França)</span></span></div><div style="text-align: justify;"><span style="color: #3d85c6;"><span style="font-family: inherit; font-size: 14pt; line-height: 107%;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh0xIldREbuU1Q3FkV-oMVlSw4sc6awmUaQdP20w2dBZqWK_42HUi7dOlKpBJIy4lqnSMS3wkERrZtUTVME4MP-K4f39DgeW4uGQfk2r5SLpmLzMnoz6Hjh6AihckIJa2FTUrlxy1JYt1IQEXvl8b1kayCR9iSKxdbRrulL49ay_3fcYQNo9BWLbxAUuhY/s644/xlrgAPB7481.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="644" data-original-width="492" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh0xIldREbuU1Q3FkV-oMVlSw4sc6awmUaQdP20w2dBZqWK_42HUi7dOlKpBJIy4lqnSMS3wkERrZtUTVME4MP-K4f39DgeW4uGQfk2r5SLpmLzMnoz6Hjh6AihckIJa2FTUrlxy1JYt1IQEXvl8b1kayCR9iSKxdbRrulL49ay_3fcYQNo9BWLbxAUuhY/w305-h400/xlrgAPB7481.jpg" width="305" /></a></div></span><br /><span style="font-family: inherit; font-size: 14pt; line-height: 107%;">Direção:
René Clair.</span><br /><span style="font-family: inherit; font-size: 14pt; line-height: 107%;">Elenco: Annabella,
George Rigaud e Raymond Cordy</span></span><br /><span style="font-family: inherit;"></span><span style="font-family: inherit; font-size: 14pt; line-height: 107%;"> </span><span style="font-family: inherit;"></span><br /><span style="font-family: inherit;"></span><span style="font-family: inherit; font-size: 14pt; line-height: 107%;">Florista
apaixonada por taxista tem o namoro interrompido pela volta da sedutora ex
amante dele. Entre a farsa turbulenta e o drama comovente, uma comédia
romântica encantadora que celebra a Cidade Luz, com hordas de foliões, chuvas
de verão, cafés e restaurantes. Poético e divertido, complexo e irônico, um
deleite.</span><span style="font-family: inherit;"></span><br /><span style="font-family: inherit;"></span><span style="font-family: inherit; font-size: 14pt; line-height: 107%;"> </span><span style="font-family: inherit;"></span><br /><span style="font-family: inherit;"></span><span style="font-family: inherit; font-size: 14pt; line-height: 107%;">Nota: *****
(ótimo)</span><span style="font-family: inherit;"></span><br /><span style="font-family: inherit;"></span><span style="font-family: inherit; font-size: 14pt; line-height: 107%;"> </span><span style="font-family: inherit;"></span><br /></div><div style="text-align: center;"><span style="font-family: inherit;"></span><span style="background-color: #274e13; color: white; font-family: inherit; font-size: 14pt; line-height: 107%;">Os
MELHORES de 2022</span><span style="font-family: inherit;"></span><br /><span style="font-family: inherit;"></span><span style="font-family: inherit; font-size: 14pt; line-height: 107%;"><span style="mso-spacerun: yes;"> </span></span><span style="font-family: inherit;"></span><br /><span style="background-color: #274e13; color: white; font-family: inherit; font-size: 14pt; line-height: 107%;">MELHOR
DIREÇÃO</span><span style="color: #3d85c6;"><br /><span style="font-family: inherit; font-size: 14pt; line-height: 107%;"><b>MARCEL
CARNÉ</b></span><br /><span style="font-family: inherit; font-size: 14pt; line-height: 107%;">(“O
Boulevard du Crime”) </span><br /></span><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiPADWqDzEudoT-_GPG46GDsMFW_3GYIaDMFyoGIVzeKtpeCA6rs-cCt7RSGwR9CTTIhSeA2ZPIqKvEgy1lS5D65kcY_CbJfhdBvKqkJubdaOmmoA6lGVr3AIC-8QeWCbVrFtSuSEagOM-YMqAMxUy9SCR1fUIPwJy53B2NKwk92lCS1J2N_22FGqJFJyU/s1894/30772581445.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1894" data-original-width="1357" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiPADWqDzEudoT-_GPG46GDsMFW_3GYIaDMFyoGIVzeKtpeCA6rs-cCt7RSGwR9CTTIhSeA2ZPIqKvEgy1lS5D65kcY_CbJfhdBvKqkJubdaOmmoA6lGVr3AIC-8QeWCbVrFtSuSEagOM-YMqAMxUy9SCR1fUIPwJy53B2NKwk92lCS1J2N_22FGqJFJyU/w286-h400/30772581445.jpg" width="286" /></a></div><br /><span style="background-color: #274e13; color: white; font-family: inherit; font-size: 14pt; line-height: 107%;">MELHOR
ROTEIRO</span><span style="color: #3d85c6;"><br /><span style="font-family: inherit; font-size: 14pt; line-height: 107%;"><b>JACQUES
PRÉVERT</b></span><br /><span style="font-family: inherit; font-size: 14pt; line-height: 107%;">(“O
Boulevard du Crime”)</span></span></div><div style="text-align: center;"><span style="color: #3d85c6;"><span style="font-family: inherit; font-size: 14pt; line-height: 107%;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj_5VEVew0oZYRxVMZZM-eAxSroEPrmih8ZsGjfVokHnSYRQDb8fTHwZUZ5ihrQlfUOrABIo92gY74e3qeBkqNNK4rdhxK2qsE1B9MsFezh00m4udQGHya9HB1c4rPH7B2xGtQTN3eTEdsgyc7e_DCwqGY0-Zi3r2R2RB0GqiP2UInLTekt4SG_H9qgtyw/s604/jacques-prevert-2.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="604" data-original-width="480" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj_5VEVew0oZYRxVMZZM-eAxSroEPrmih8ZsGjfVokHnSYRQDb8fTHwZUZ5ihrQlfUOrABIo92gY74e3qeBkqNNK4rdhxK2qsE1B9MsFezh00m4udQGHya9HB1c4rPH7B2xGtQTN3eTEdsgyc7e_DCwqGY0-Zi3r2R2RB0GqiP2UInLTekt4SG_H9qgtyw/w318-h400/jacques-prevert-2.jpg" width="318" /></a></div></span><br /></span><span style="background-color: #274e13; color: white; font-family: inherit; font-size: 14pt; line-height: 107%;">MELHOR
FOTOGRAFIA</span><span style="color: #3d85c6;"><br /><span style="font-family: inherit; font-size: 14pt; line-height: 107%;"><b>SACHA
VIERNY</b></span><br /><span style="font-family: inherit; font-size: 14pt; line-height: 107%;">(“O Ano
Passado em Marienbad”)</span></span></div><div style="text-align: center;"><span style="color: #3d85c6;"><span style="font-family: inherit; font-size: 14pt; line-height: 107%;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh-ARNQwS83Eb-NRJMAoAoiWAMHWUqihkGwzoiF15_KtEtmCgpxWsKQp_VC2EZN8dgRJ_SpgL9nwczPhTv7qe6c9aqF9bsNzfiwR4IJJ3sRySXeGCALuRZMUshLPCWHff5AXRERUu_2Kq5lWI95XVEg_BDGhQDegqsWYBdzkSyHP41aQVpPCD0GKCUk9xs/s640/SACHA%20VIERNY.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="480" data-original-width="640" height="300" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh-ARNQwS83Eb-NRJMAoAoiWAMHWUqihkGwzoiF15_KtEtmCgpxWsKQp_VC2EZN8dgRJ_SpgL9nwczPhTv7qe6c9aqF9bsNzfiwR4IJJ3sRySXeGCALuRZMUshLPCWHff5AXRERUu_2Kq5lWI95XVEg_BDGhQDegqsWYBdzkSyHP41aQVpPCD0GKCUk9xs/w400-h300/SACHA%20VIERNY.jpg" width="400" /></a></div></span><span style="font-family: inherit; font-size: 14pt; line-height: 107%;"> </span><br /></span><span style="background-color: #274e13; color: white; font-family: inherit; font-size: 14pt; line-height: 107%;">MELHOR
TRILHA SONORA</span><span style="color: #3d85c6;"><br /><span style="font-family: inherit; font-size: 14pt; line-height: 107%;"><b>ENNIO
MORRICONE</b></span><br /><span style="font-family: inherit; font-size: 14pt; line-height: 107%;">(“A
Missão”)</span></span></div><div style="text-align: center;"><span style="color: #3d85c6;"><span style="font-family: inherit; font-size: 14pt; line-height: 107%;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEitAU9xW5byWHywOAYJWKi3LapuK39j3P4GJwFQYT2ui9K4tTvFry4v_b6pLll5QZXTwYzb34ZPWLuNmRp8LUHpGHSJBEVObr-P26-l5uRQWS8swhVfE_HFpiERWMkLWHnt35G1hqHJY3sAG3nK2X9ONLYCJHiXrryAVdPtp8VFnCDfsyEhzd_7Ku3kV_o/s1809/1200px-Ennio_Morricone_Cannes_2007.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1809" data-original-width="1200" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEitAU9xW5byWHywOAYJWKi3LapuK39j3P4GJwFQYT2ui9K4tTvFry4v_b6pLll5QZXTwYzb34ZPWLuNmRp8LUHpGHSJBEVObr-P26-l5uRQWS8swhVfE_HFpiERWMkLWHnt35G1hqHJY3sAG3nK2X9ONLYCJHiXrryAVdPtp8VFnCDfsyEhzd_7Ku3kV_o/w265-h400/1200px-Ennio_Morricone_Cannes_2007.jpg" width="265" /></a></div></span><br /></span><span style="background-color: #274e13; color: white; font-family: inherit; font-size: 14pt; line-height: 107%;">MELHOR
EDIÇÃO</span><span style="color: #3d85c6;"><br /><span style="font-family: inherit; font-size: 14pt; line-height: 107%;"><b>THELMA
SCHOONMAKER</b></span><br /><span style="font-family: inherit; font-size: 14pt; line-height: 107%;">(“Os Bons
Companheiros”)</span></span></div><div style="text-align: center;"><span style="color: #3d85c6;"><span style="font-family: inherit; font-size: 14pt; line-height: 107%;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg8bJmfzt67hJh8dBWoYlSoyZ7Z2clN90SC6559_joJcD32lTL_2be8oLKULja_c-vZJkmJHoJFiSQMMWoyOVyBKQ1Wg6WmQ_nF3knee-tnQOsEH8rEEggRUXkjn51ORYaMLHIDq3WsWFq0J7xdEv6pUtlnCQRMWM2dBfdwM5ZKbDolLY5sPAXWCWfGGWM/s2693/0dOgAhdwTHELMA%20SCHOONMAKER2.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="2110" data-original-width="2693" height="314" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg8bJmfzt67hJh8dBWoYlSoyZ7Z2clN90SC6559_joJcD32lTL_2be8oLKULja_c-vZJkmJHoJFiSQMMWoyOVyBKQ1Wg6WmQ_nF3knee-tnQOsEH8rEEggRUXkjn51ORYaMLHIDq3WsWFq0J7xdEv6pUtlnCQRMWM2dBfdwM5ZKbDolLY5sPAXWCWfGGWM/w400-h314/0dOgAhdwTHELMA%20SCHOONMAKER2.jpg" width="400" /></a></div></span><br /></span><span style="background-color: #274e13; color: white; font-family: inherit; font-size: 14pt; line-height: 107%;">MELHOR
CENOGRAFIA</span><span style="color: #3d85c6;"><br /><span style="font-family: inherit; font-size: 14pt; line-height: 107%;"><b>OTTO
HUNTE, ERICH KETTELHUT e KARL VOLLBRECHT </b></span><br /><span style="font-family: inherit; font-size: 14pt; line-height: 107%;">(“Os
Nibelungos – Parte 1”)</span></span></div><div style="text-align: center;"><span style="color: #3d85c6;"><span style="font-family: inherit; font-size: 14pt; line-height: 107%;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjwDzBXtE5UKv6hA2KfMuEieIDwBXbIvLx9uVQ3Yzvr4A43kmhX7nbxmH8DQba0DgXxxKf0dygNlr7YjNE4-nLy68DNyKFLBzhR8dktBewOq5sMFzrUkapj3M0VR2NXC9JondoYgxRQHuFMgEI7NOfA33mjoFCy6JraRs9Lv-8BvzEkJHiR2IFGZnXJSKw/s723/lf.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="495" data-original-width="723" height="274" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjwDzBXtE5UKv6hA2KfMuEieIDwBXbIvLx9uVQ3Yzvr4A43kmhX7nbxmH8DQba0DgXxxKf0dygNlr7YjNE4-nLy68DNyKFLBzhR8dktBewOq5sMFzrUkapj3M0VR2NXC9JondoYgxRQHuFMgEI7NOfA33mjoFCy6JraRs9Lv-8BvzEkJHiR2IFGZnXJSKw/w400-h274/lf.jpg" width="400" /></a></div></span><br /></span><span style="background-color: #274e13; color: white; font-family: inherit; font-size: 14pt; line-height: 107%;">MELHOR
FIGURINO</span><span style="color: #3d85c6;"><br /><span style="font-family: inherit; font-size: 14pt; line-height: 107%;"><b>GABRIELLA
PESCUCCI</b></span><br /><span style="font-family: inherit; font-size: 14pt; line-height: 107%;">(“A Época
da Inocência”)</span></span></div><div style="text-align: center;"><span style="color: #3d85c6;"><span style="font-family: inherit; font-size: 14pt; line-height: 107%;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjkiCkskF0lbW-0TFnQgpU2rC76AHd0C6BoEQz_wHx8SNgPG9PyTQOdBUfcjG_ycROQge0eqLbqNOfhzR47C-E5b-nXnn_6zgdlgNtWPEZZf101PNPXOoI3SckMAY9npas5gSAwJm_Jy373r3P5lDt7NEn8B0jT0CHWPGOMP4XKokFXmBe6XvIhSBaMVHo/s840/GABRIELLA%20PESCUCCI.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="840" data-original-width="770" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjkiCkskF0lbW-0TFnQgpU2rC76AHd0C6BoEQz_wHx8SNgPG9PyTQOdBUfcjG_ycROQge0eqLbqNOfhzR47C-E5b-nXnn_6zgdlgNtWPEZZf101PNPXOoI3SckMAY9npas5gSAwJm_Jy373r3P5lDt7NEn8B0jT0CHWPGOMP4XKokFXmBe6XvIhSBaMVHo/w366-h400/GABRIELLA%20PESCUCCI.jpg" width="366" /></a></div></span><br /></span><span style="background-color: #274e13; color: white; font-family: inherit; font-size: 14pt; line-height: 107%;">MELHOR
ATRIZ</span><span style="color: #3d85c6;"><br /><span style="font-family: inherit; font-size: 14pt; line-height: 107%;"><b>VIVIEN
LEIGH</b></span><br /><span style="font-family: inherit; font-size: 14pt; line-height: 107%;">(“Uma Rua
Chamada Pecado”)</span></span></div><div style="text-align: center;"><span style="color: #3d85c6;"><span style="font-family: inherit; font-size: 14pt; line-height: 107%;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhU7fKdu1931VSH1gPWTWRYL-5QqspY33o1PdwkWb_8KioXdCxsvu_2HMqsv4ww-PfseQkHAE1jcR-X2aOniIiS2v7T0V-zN1bnTVjaaoV3ZaTi9x3aFRyAXSkLNbLe92uMIRRlKQpk-Pz46-9ksSWPDvbXEMOnIq9IuIU27jCVaEqKhnhhtIauNzvwThs/s1394/vivien-leigh.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1186" data-original-width="1394" height="340" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhU7fKdu1931VSH1gPWTWRYL-5QqspY33o1PdwkWb_8KioXdCxsvu_2HMqsv4ww-PfseQkHAE1jcR-X2aOniIiS2v7T0V-zN1bnTVjaaoV3ZaTi9x3aFRyAXSkLNbLe92uMIRRlKQpk-Pz46-9ksSWPDvbXEMOnIq9IuIU27jCVaEqKhnhhtIauNzvwThs/w400-h340/vivien-leigh.jpg" width="400" /></a></div></span><br /></span><span style="background-color: #274e13; color: white; font-family: inherit; font-size: 14pt; line-height: 107%;">MELHOR
ATOR</span><span style="color: #3d85c6;"><br /><span style="font-family: inherit; font-size: 14pt; line-height: 107%;"><b>PETER
LORRE</b></span><br /><span style="font-family: inherit; font-size: 14pt; line-height: 107%;">(“M – O
Vampiro de Dusseldorf”)</span></span></div><div style="text-align: center;"><span style="color: #3d85c6;"><span style="font-family: inherit; font-size: 14pt; line-height: 107%;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiikOiiZamM3dZ_VEfb6gKSlODPgQeLMz_vd2waaQMSfSmbMdcDfkJik6IOKkSUvkug4BB653YEWJZNdHQ5tnstpwuKcPPqa2YSVTSNpNz31XXmwhdh1Avz4try2AN5ty4J2HeMhbh4aPb7UzwYVew6KTbuDwLMgCcHJQqn3yOiKFSgB1ZAf28qC5VeaE8/s1762/3450255_1.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1762" data-original-width="1334" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiikOiiZamM3dZ_VEfb6gKSlODPgQeLMz_vd2waaQMSfSmbMdcDfkJik6IOKkSUvkug4BB653YEWJZNdHQ5tnstpwuKcPPqa2YSVTSNpNz31XXmwhdh1Avz4try2AN5ty4J2HeMhbh4aPb7UzwYVew6KTbuDwLMgCcHJQqn3yOiKFSgB1ZAf28qC5VeaE8/w303-h400/3450255_1.jpg" width="303" /></a></div></span><br /></span><span style="background-color: #274e13; color: white; font-family: inherit; font-size: 14pt; line-height: 107%;">MELHOR
ATRIZ COADJUVANTE</span><span style="color: #3d85c6;"><br /><span style="font-family: inherit; font-size: 14pt; line-height: 107%;"><b>ROSALIND
RUSSELL</b></span><br /><span style="font-family: inherit; font-size: 14pt; line-height: 107%;">(“Férias
de Amor”)</span></span></div><div style="text-align: center;"><span style="color: #3d85c6;"><span style="font-family: inherit; font-size: 14pt; line-height: 107%;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhBCf5FSxQtKvULe5C9WyzB5cFQ0_Ex2hiDq3SwxDGrWDETjFtZE7CWZuDm5rTiuiK9d93Se7qHhYNqSQekwVs1joqlDJtoio97PS36o4sX9Sw0jTSKW-B6k292IWfJpf2AlHJHVc0jOzHHBepbrmHUaA9tiFqtopZWh6bEZjKssjxleMrODNBG0EW2eZc/s1280/apifynfwz__74483rosalind.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1280" data-original-width="955" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhBCf5FSxQtKvULe5C9WyzB5cFQ0_Ex2hiDq3SwxDGrWDETjFtZE7CWZuDm5rTiuiK9d93Se7qHhYNqSQekwVs1joqlDJtoio97PS36o4sX9Sw0jTSKW-B6k292IWfJpf2AlHJHVc0jOzHHBepbrmHUaA9tiFqtopZWh6bEZjKssjxleMrODNBG0EW2eZc/w299-h400/apifynfwz__74483rosalind.jpg" width="299" /></a></div></span><span style="font-family: inherit; font-size: 14pt; line-height: 107%;"> </span><br /></span><span style="background-color: #274e13; color: white; font-family: inherit; font-size: 14pt; line-height: 107%;">MELHOR
ATOR COADJUVANTE</span><span style="color: #3d85c6;"><br /><span style="font-family: inherit; font-size: 14pt; line-height: 107%;"><b>CONRAD
VEIDT</b></span><br /><span style="font-family: inherit; font-size: 14pt; line-height: 107%;">(“O
Gabinete do Dr. Caligari”)</span></span></div><div style="text-align: center;"><span style="color: #3d85c6;"><span style="font-family: inherit; font-size: 14pt; line-height: 107%;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhon-Mad9cP5xe-tkTZPxMn-7iOfIpyK16ML46u54TjGtK5-XgSFyvFfSTUoiQ8tFN7aKRqnmyX7bQuHaTuR3N1vbjAnv2H10PyDX-MuUqkv4OJvkNsrNlykc7u_tPobZvNcsEyaG9EfhMiBr8qf2WI-vRLohBA76-c00vnKF5N0FTKoEz2nwDuGd-Fmbg/s1500/Portrait.webp" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1500" data-original-width="1500" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhon-Mad9cP5xe-tkTZPxMn-7iOfIpyK16ML46u54TjGtK5-XgSFyvFfSTUoiQ8tFN7aKRqnmyX7bQuHaTuR3N1vbjAnv2H10PyDX-MuUqkv4OJvkNsrNlykc7u_tPobZvNcsEyaG9EfhMiBr8qf2WI-vRLohBA76-c00vnKF5N0FTKoEz2nwDuGd-Fmbg/w400-h400/Portrait.webp" width="400" /></a><span style="color: #3d85c6;"><span style="font-family: inherit; font-size: 14pt; line-height: 107%;"> </span></span>
</div></span></span><br /></div><div style="text-align: center;"><span style="font-family: inherit;"><a name="_Hlk155267580"><span style="background-color: #274e13; color: white; font-size: 14pt; line-height: 107%;">TODOS os FILMES QUE VI em 2023</span></a></span><br />
<br />
<span style="background-color: #274e13; color: white; font-family: inherit; font-size: 14pt; line-height: 107%;">JANEIRO</span><br /></div><div style="text-align: justify;">
<div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiOKZGtZ0lPYO0UfXDqRa6hJ35Q-lteY_5gvxEQEmGC__qzmTzBmI9Yhu4u3e_WvHMTp1wA0sWKebeUzSsaoXtheAFuTJgJ2gvD5CvoUvn8McYUpMeeOx0cRKG8L8EAxuJxBSM4m4FnVtBZpeIDlkKH3gghnbY-rDYgfjRoCb3utN8mezgOpC77TbNv7oA/s1280/0000.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="720" data-original-width="1280" height="360" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiOKZGtZ0lPYO0UfXDqRa6hJ35Q-lteY_5gvxEQEmGC__qzmTzBmI9Yhu4u3e_WvHMTp1wA0sWKebeUzSsaoXtheAFuTJgJ2gvD5CvoUvn8McYUpMeeOx0cRKG8L8EAxuJxBSM4m4FnVtBZpeIDlkKH3gghnbY-rDYgfjRoCb3utN8mezgOpC77TbNv7oA/w640-h360/0000.jpg" width="640" /></a></div><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">CAPITÃO
CONAN (Capitaine Conan, 1996)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">direção de
Bertrand Tavernier.</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">****
(muito bom)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;"> </span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">Às
MARGENS de um CRIME (In the Electric Mist, 2009)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">direção de
Bertrand Tavernier.</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">**
(regular)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;"> </span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">IRMÃOS
INIMIGOS (Gun Fury, 1953)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">direção de
Raoul Walsh.</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">*** (bom)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;"> </span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">CANICULE
– a LEI do CÃO (Canicule, 1984)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">direção de
Yves Boisset.</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">** (reg.)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;"> </span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">O PLANO para MATAR HITLER (The Plot To Kill Hitler, 1990)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">direção de
Lawrence Schiller.</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">**
(regular)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;"> </span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">O
PRINCIPAL SUSPEITO (Nightwatch, 1997)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">direção de
Ole Bornedal.</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">**
(regular)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;"> </span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">REBELIÃO
em ALTO MAR (The Bounty, 1984)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit;"><a name="_Hlk155262923"><span style="font-size: 14pt; line-height: 107%;">direção </span></a><span style="font-size: 14pt; line-height: 107%;">de Roger Donaldson.</span><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">*** (bom)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;"> </span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">ANITA
GARIBALDI (Camicie Rosse, 1952)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">direção de
Goffredo Alessandrini e Francesco Rosi.</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">*** (bom)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;"> </span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">NADA de
NOVO no FRONT (Im Westen Nichts Neues, 2022)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">direção de
Edward Berger.</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">****
(muito bom)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;"> </span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">TRÁFICO
HUMANO (Daughter of Shanghai, 1937)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">direção de
Robert Florey.</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">**
(regular)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;"> </span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">BAILANDO
com o CRIME (Dancing with Crime, 1947)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">direção de
John Paddy Carstairs.</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">*** (bom)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;"> </span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">NUVENS da
TEMPESTADE (The Woman on Pier 13, 1949)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">direção de
Robert Stevenson.</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">*** (bom)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;"> </span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">O FUNDO
da QUESTÃO (The Heart of the Matter, 1953)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">direção de
George More O'Ferrall.</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">****
(muito bom)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;"> </span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">CAÇADO como FERA (Shield for Murder, 1954)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">direção de
Edmond O'Brien e Howard W. Koch.</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">**
(regular)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;"> </span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">O
SILÊNCIO do LAGO (The Vanishing, 1993)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">direção de
George Sluizer.</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">**
(regular)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;"> </span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">A
VERDADEIRA HISTÓRIA de LILY MARLENE (The True Story of Lili Marlene, 1944)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">direção de
Humphrey Jennings.</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">*** (bom)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;"> </span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">GLÓRIA
FEITA de SANGUE (Paths of Glory, 1957)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">direção de
Stanley Kubrick.</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">*****
(ótimo)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;"> </span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">SEM
NOVIDADES no FRONT (All Quiet on the Western Front, 1930)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">direção de
Lewis Milestone.</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">*****
(ótimo)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;"> </span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">O QUARTO
PODER (Mad City, 1997)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">direção de
Costa-Gavras.</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">*** (bom)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;"> </span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">MAIGRET
(Idem, 2022)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">direção de
Patrice Laconte.</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">*** (bom)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;"> </span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">O ECLIPSE
(L´Eclisse, 1962)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">direção de
Michelangelo Antonioni.</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">****
(muito bom)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;"> </span><span style="font-family: inherit;"><br /></span>
<span style="color: #3d85c6; font-family: inherit; font-size: 14pt; line-height: 107%;">A NOITE
(La Notte, 1961)</span><span style="color: #3d85c6; font-family: inherit;"><br /></span>
<span style="color: #3d85c6; font-family: inherit; font-size: 14pt; line-height: 107%;">direção de
Michelangelo Antonioni.</span><span style="color: #3d85c6; font-family: inherit;"><br /></span>
<span style="color: #3d85c6; font-family: inherit; font-size: 14pt; line-height: 107%;">*****
(ótimo)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;"> </span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">O REVERSO
da FORTUNA (Reversal of Fortune, 1990)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">direção de
Barbet Schroeder.</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">*** (bom)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;"> </span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">1492 – A
CONQUISTA do PARAÍSO (1492 – Conquest of Paradise, 1992)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">direção de
Ridley Scott.</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">*** (bom)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;"> </span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">O SONHO
de um HOMEM RIDÍCULO (Son Smeshnogo Cheloveka, 1992)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">direção de
Aleksandr Petrov.</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">****
(muito bom)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;"> </span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">Os
ASSASSINOS (Ubiytsy, 1956)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">direção de
Marika Beiku, Aleksandr Gordon e Andrei Tarkovsky.</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">*** (bom)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;"> </span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">Uma
JANELA para o AMOR (A Room with View, 1986)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">direção de
James Ivory.</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">****
(muito bom)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;"> </span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">PERDER e
GANHAR (L'Air de Paris, 1954)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">direção de
Marcel Carné.</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">**
(regular)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;"> </span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">O BEIJO
da MORTE (Kiss of Death, 1995)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">direção de
Barbet Schroeder.</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">** (regular)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;"> </span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">HÁBITO
NEGRO (Black Robe, 1991)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">direção de
Bruce Beresford.</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">****
(muito bom)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;"> </span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">Os BONS
COMPANHEIROS (Goodfellas, 1990)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">direção de
Martin Scorsese.</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">*****
(ótimo)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;"> </span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">RONDA
MORTAL (Mortelle Randonnée, 1983)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit;"><a name="_Hlk155215349"><span style="font-size: 14pt; line-height: 107%;">direção </span></a><span style="font-size: 14pt; line-height: 107%;">de Claude Miller.</span><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">**
(regular)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;"> </span><span style="font-family: inherit;"><br /></span>
</div><div style="text-align: center;"><span style="background-color: #274e13; color: white; font-family: inherit; font-size: 14pt; line-height: 107%;">FEVEREIRO</span><span style="font-family: inherit;"><br /></span></div><div style="text-align: justify;">
<div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEij9UBKYw1KwxTDGMkdUcgHZZZrgs87DxjfBumN7SN4eeaN1VDdDngqsGD5_EEedoq8SuIzpoepxG_XuKoxQLyB6IFg6pskx11t3XdmIWBLkBx1N3vbu6T1tQi-WD_2XxcJFboMb5JcVlXm4WM3ZbrfpOfcnEgk4yNcfMVolQ6vDVHchntych4Dwg0vTT4/s3241/_methode_times_prod_web_bin_fb8ec45a-2181-11ee-b9dc-95034bbd78f3.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="2161" data-original-width="3241" height="426" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEij9UBKYw1KwxTDGMkdUcgHZZZrgs87DxjfBumN7SN4eeaN1VDdDngqsGD5_EEedoq8SuIzpoepxG_XuKoxQLyB6IFg6pskx11t3XdmIWBLkBx1N3vbu6T1tQi-WD_2XxcJFboMb5JcVlXm4WM3ZbrfpOfcnEgk4yNcfMVolQ6vDVHchntych4Dwg0vTT4/w640-h426/_methode_times_prod_web_bin_fb8ec45a-2181-11ee-b9dc-95034bbd78f3.jpg" width="640" /></a></div><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">POR uma
NOITE de AMOR (Pour une Nuit d'Amour, 1947)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">direção de
Edmond T. Gréville.</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">*** (bom)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;"> </span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">FEBRE de
DINHEIRO (Chair de Poule, 1963)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">direção de
Julien Duvivier.</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">**
(regular)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;"> </span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">A SEREIA
(Rusalka, 1997)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">direção de
Aleksandr Petrov.</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">*** (bom)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;"> </span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">O VELHO e
o MAR (The Old Man and the Sea, 1999)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">direção de
Aleksandr Petrov.</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">****
(muito bom)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;"> </span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">O CASO
MAURIZIUS (L'affaire Maurizius, 1954)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">direção de
Julien Duvivier.</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">**
(regular)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;"> </span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">Um HOMEM,
uma MULHER, uma NOITE (Clair de Femme, 1979)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">direção de
Costa-Gavras.</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">*** (bom)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;"> </span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">ROB ROY,
a SAGA de uma PAIXÃO (Rob Roy, 1995)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">direção de
Michael Caton-Jones.</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">**
(regular)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;"> </span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">ROBIN
HOOD (Idem, 2010)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">direção de
Ridley Scott.</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">*** (bom)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;"> </span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">FALCÃO
NEGRO em PERIGO (Black Hawk Down, 2001)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">direção de
Ridley Scott.</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">****
(muito bom)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;"> </span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">ADEUS,
PATETA (Tchao Pantin, 1983)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">direção de
Claude Berri.</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">*** (bom)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;"> </span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">GERMINAL
(Idem, 1963)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">direção de
Yves Allégret.</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">**
(regular)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;"> </span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">TOQUE de
RECOLHER (Taps, 1981)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">direção de
Harold Becker.</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">**
(regular)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;"> </span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">O
LANCEIRO ESPIÃO (Lancer Spy, 1937)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">direção de
Gregory Ratoff.</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">*** (bom)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;"> </span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">O ÚLTIMO
CHÁ do GENERAL YEN (The Bitter Tea of General Yen, 1932)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">direção de
Frank Capra.</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">*** (bom)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;"> </span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">O ÚLTIMO
DUELO (The Last Duel, 2021)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">direção de
Ridley Scott.</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">****
(muito bom)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;"> </span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">LEGIÃO
NEGRA (Black Legion, 1937)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">direção de
Archie L. Mayo.</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">*** (bom)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;"> </span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">O HOMEM que DESTRÓI (The Mountain Road, 1960)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">direção de
Daniel Mann.</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">*** (bom)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;"> </span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">O
INVENCÍVEL (Champion, 1949)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">direção de
Mark Robson.</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">****
(muito bom)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;"> </span><span style="font-family: inherit;"><br /></span>
<span style="color: #3d85c6; font-family: inherit; font-size: 14pt; line-height: 107%;">PERSONA –
QUANDO DUAS MULHERES PECAM (Persona, 1966)</span><span style="color: #3d85c6; font-family: inherit;"><br /></span>
<span style="color: #3d85c6; font-family: inherit; font-size: 14pt; line-height: 107%;">direção de
Ingmar Bergman.</span><span style="color: #3d85c6; font-family: inherit;"><br /></span>
<span style="color: #3d85c6; font-family: inherit; font-size: 14pt; line-height: 107%;">*****
(ótimo)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;"> </span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">ELECTRA
(Ilektra, 1962)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">direção de
Michael Cacoyannis.</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">****
(muito bom)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;"> </span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">A MISSÃO
(The Mission, 1986)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">direção de
Roland Joffé.<span style="mso-spacerun: yes;"> </span></span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">*****
(ótimo)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;"> </span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">O GRANDE
CRIME (Tu Ne Tueras Point, 1961)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">direção de
Claude Autant-Lara.</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">*** (bom)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;"> </span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">A MÁSCARA
da TRAIÇÃO (Flaxy Martin, 1949)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">direção de
Richard L. Bare.</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">* (ruim)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;"> </span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">O ESPELHO
TEM DUAS FACES (Le Miroir a Deux Faces, 1958)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">direção de
André Cayatte.</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">*** (bom)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;"> </span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">007 –
SOMENTE PARA os seus OLHOS (For Your Eyes Only, 1981)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">direção de
John Glen.</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">**
(regular)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;"> </span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">Os
COMANCHEROS (The Comancheros, 1961)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">direção de
Michael Curtiz.</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">**
(regular)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;"> </span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">VÍCIO
FRENÉTICO (Bad Lieutenant, 1992)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">direção de
Abel Ferrara.</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">*** (bom)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;"> </span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">O CANTO
do PRISIONEIRO (Heimkehr, 1928)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">direção de
Joe May.</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">*** (bom)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;"> </span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">A VIDA
SEXUAL dos PRISIONEIROS (Geschlecht in Fesseln, 1928)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">direção de
William Dieterle.</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">*** (bom)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;"> </span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">A VACA
(Korova, 1989)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">direção de
Aleksandr Petrov.</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">*** (bom)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;"> </span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">O
COZINHEIRO (The Cook, 1918)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">direção de
Roscoe 'Fatty' Arbuckle.</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">*** (bom)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;"> </span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">ESTRELA
do MAR (L'étoile de Mer, 1928)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">direção de
Man Ray.</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">*** (bom)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;"> </span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">BRUBAKER
(Idem, 1980)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">direção de
Stuart Rosenberg.</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">*** (bom)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;"> </span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">O CORAÇÃO
DELATOR (The Tell-Tale Heart, 1941)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">direção de
Jules Dassin.</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">*** (bom)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;"> </span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">POR ORDEM
da COSA NOSTRA (La Mala Ordina, 1972)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">direção de
Fernando Di Leo.</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">*** (bom)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;"> </span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">AQUELES
QUE OUSARAM (They Who Dare, 1954)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">direção de
Lewis Milestone.</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">**
(regular)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;"> </span><span style="font-family: inherit;"><br /></span>
</div><div style="text-align: center;"><span style="background-color: #274e13; color: white; font-family: inherit; font-size: 14pt; line-height: 107%;">MARÇO</span><span style="font-family: inherit;"><br /></span></div><div style="text-align: justify;">
<div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjXCo67z0g0e9hfF8AtwBKpOuR5FLXfp5B5gvrVzt-n5770gr0nWnIp3REJ-D9bXjRfO95rA1q4o6OOzh9quU_pM1xPgUEGq-NOCXx3I7I7r1JXFgA11EVXIEvxA7AuegjsAScH4_NKe_9gy7kpyU_iHKJ3TKqeoftxmK7Sgu3hZh_jNl7C4AMTU0mrBiw/s1390/herbes-flottantes-jpeg-1600x1092.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="967" data-original-width="1390" height="446" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjXCo67z0g0e9hfF8AtwBKpOuR5FLXfp5B5gvrVzt-n5770gr0nWnIp3REJ-D9bXjRfO95rA1q4o6OOzh9quU_pM1xPgUEGq-NOCXx3I7I7r1JXFgA11EVXIEvxA7AuegjsAScH4_NKe_9gy7kpyU_iHKJ3TKqeoftxmK7Sgu3hZh_jNl7C4AMTU0mrBiw/w640-h446/herbes-flottantes-jpeg-1600x1092.jpg" width="640" /></a></div><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">A TRAIÇÃO
do FALCÃO (The Falcon and the Snowman, 1985)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">direção de
John Schlesinger.</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">*** (bom)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;"> </span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">CAMINHOS VIOLENTOS
(At Close Range, 1986)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">direção de
James Foley.</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">**
(regular)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;"> </span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">PERDIDOS
na NOITE (Midnight Cowboy, 1969)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">direção de
John Schlesinger.</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">*****
(ótimo)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;"> </span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">O DOSSIÊ
NEGRO (Le Dossier Noir, 1955)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">direção de
André Cayatte.</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">**
(regular)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;"> </span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">O SEGREDO
da ALCOVA (Secret of the Blue Room, 1933)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">direção de
Kurt Neumann.</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">* (ruim)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;"> </span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">O
BANDOLEIRO ROMÂNTICO (The Bad Man, 1941)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">direção de
Richard Thorpe.</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">* (ruim)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;"> </span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">O ÚLTIMO
BRILHO do CREPÚSCULO (Twilight Last Gleaming, 1977)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">direção de
Robert Aldrich.</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">*** (bom)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;"> </span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">Na ÉPOCA
do RAGTIME (Ragtime, 1981)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">direção de
Milos Forman.</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">****
(muito bom)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;"> </span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">RUAN LING
YU – ATRIZ (Ruan Ling Yu, 1991)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">direção de
Stanley Kwan.</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">*** (bom)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;"> </span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">ETERNO
AMOR (Um Long Dimanche de Fiançailles, 2004)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">direção de
Jean-Pierre Jeunet.</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">*** (bom)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;"> </span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">O PRISIONEIRO
(Captured!, 1933)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">direção de
Roy Del Ruth.</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">*** (bom)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;"> </span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">ANJOS da
BROADWAY (Angels Over Broadway, 1940)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">direção de
Ben Hecht e Lee Garmes.</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">**
(regular)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;"> </span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">Os DONOS
do PODER (Power, 1986)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">direção de
Sidney Lumet.</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">**
(regular)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;"> </span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">ROMANCE
SENTIMENTAL (Romance Sentimentale, 1930)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">direção de
Grigoriy Aleksandrov e Sergei Eisenstein.</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">*** (bom)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;"> </span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">ROSA
LUXEMBURGO (Rosa Luxemburg, 1986)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">direção de
Margarethe von Trotta.</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">****
(muito bom)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;"> </span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">A
HISTÓRIA de um SOLDADO (A Soldier’s Story, 1984)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">direção de
Norman Jewison.</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">*** (bom)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;"> </span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">O
SUSPEITO da RUA ARLINGTON (Arlington Road, 1999)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">direção de
Mark Pellington.</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">*** (bom)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;"> </span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">Um MACACO
no INVERNO (Un Singe en Hiver, 1962)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">direção de
Henri Verneuil.</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">*** (bom)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;"> </span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">O SEGREDO
(Le Secret, 1974)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">direção de
Robert Enrico.</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">**
(regular)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;"> </span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">ANASTÁSIA,
a PRINCESA ESQUECIDA (Anastasia, 1953)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">direção de
Anatole Litvak,</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">*** (bom)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;"> </span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">TIRANIA
(Goyôkin, 1969)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">direção de
Hideo Gosha.</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">*** (bom)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;"> </span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">O MAPA
ARRUINADO (Moetsukita Chizu, 1968)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">direção de
Hiroshi Teshigahara.</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">*** (bom)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;"> </span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">ALUCINAÇÃO
SENSUAL / A CHAVE (Kagi, 1959)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">direção de
Kon Ichikawa.</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">****
(muito bom)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;"> </span><span style="font-family: inherit;"><br /></span>
<span style="color: #3d85c6; font-family: inherit; font-size: 14pt; line-height: 107%;">ERVAS
FLUTUANTES (Ukigusa, 1959)</span><span style="color: #3d85c6; font-family: inherit;"><br /></span>
<span style="color: #3d85c6; font-family: inherit; font-size: 14pt; line-height: 107%;">direção de
Yasujiro Ozu.</span><span style="color: #3d85c6; font-family: inherit;"><br /></span>
<span style="color: #3d85c6; font-family: inherit; font-size: 14pt; line-height: 107%;">*****
(ótimo)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;"> </span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">O ÚLTIMO
dos VALENTÕES (Farewell, My Lovely, 1975)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">direção de
Dick Richards.</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">*** (bom)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;"> </span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">CANTANDO
na CHUVA (Singing`In the Rain, 1952)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">direção de
Gene Kelly e Stanley Donen.</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">*****
(ótimo)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;"> </span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">A
VINGANÇA do ATOR (Yukinojô Henge, 1963)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">direção de
Kon Ichikawa.</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">*** (bom)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;"> </span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">CIDADE da
PERDIÇÃO (Processo alla Città, 1952)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">direção de
Luigi Zampa.</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">**
(regular)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;"> </span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">CINEMA em
EXÍLIO - Do TERCEIRO REICH a HOLLYWOOD (Cinema's Exiles: From Hitler to
Hollywood, 2009)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">direção de
Karen Thomas.</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">****
(muito bom)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;"> </span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">LA
SOUFRIÈRE (La Soufrière - Warten auf eine Unausweichliche Katastrophe, 1977)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">direção de
Werner Herzog.</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">*** (bom)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;"> </span><span style="font-family: inherit;"><br /></span>
</div><div style="text-align: center;"><span style="background-color: #274e13; color: white; font-family: inherit; font-size: 14pt; line-height: 107%;">ABRIL</span><span style="font-family: inherit;"><br /></span></div><div style="text-align: justify;">
<div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiP1obcdjgs7E3XGxD2zSZFuc5wEVP2CA3Zc1H3hwkxJdfNSVDh5cPnOMhN9VEZjKH-8QVEoghFgKkAaXC__JJ1P_bhr7sFpfe5BfBaq09BhCMSwh6F3KoZMQ0ZTsNGSw3Jz8kzyrgS0eSdpZcppfonCjV207j1sEev2nu6HN5pfNhfu_jAX8lejc5h7EQ/s2644/m_eine_stadt_sucht_einen_moerder-7-copyright-deutsche-kinemathek-horst-von-harbou.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1934" data-original-width="2644" height="468" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiP1obcdjgs7E3XGxD2zSZFuc5wEVP2CA3Zc1H3hwkxJdfNSVDh5cPnOMhN9VEZjKH-8QVEoghFgKkAaXC__JJ1P_bhr7sFpfe5BfBaq09BhCMSwh6F3KoZMQ0ZTsNGSw3Jz8kzyrgS0eSdpZcppfonCjV207j1sEev2nu6HN5pfNhfu_jAX8lejc5h7EQ/w640-h468/m_eine_stadt_sucht_einen_moerder-7-copyright-deutsche-kinemathek-horst-von-harbou.jpg" width="640" /></a></div><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">LADY BLUE
SHANGHAI (Idem, 2010)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">direção de
David Lynch.</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">****
(muito bom)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;"> </span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">O ATO (Un
Lever de Rideau, 2006)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">direção de
François Ozon.</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">*** (bom)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;"> </span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">RECIFE de
CORAL (Le Récif de Corail, 1939)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">direção de
Maurice Gleize.</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">*** (bom)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;"> </span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">A CABEÇA
de um HOMEM (La Tête d'un Homme, 1933)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">direção de
Julien Duvivier.</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">****
(muito bom)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;"> </span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">O CANTO
do ESTIRENO (Le Chant du Styrène, 1958)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">direção de
Alain Resnais.</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">**
(regular)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;"> </span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">RETORNO a
GLENNASCAUL (Return To Glennascaul, 1952)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">direção de
Hilton Edwards.</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">** (regular)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;"> </span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">TRÊS de
ASES (Brelan d'As, 1952)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">direção de
Henri Verneuil.</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">**
(regular)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;"> </span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">O HOMEM
de LONDRES (L'homme de Londres, 1943)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">direção de
Henri Decoin.</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">****
(muito bom)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;"> </span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">FILHO de
SANGUE ALHEIO (Rue des Prairies, 1959)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">direção de
Denys de La Patellière.</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">*** (bom)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;"> </span><span style="font-family: inherit;"><br /></span>
<span style="color: #3d85c6; font-family: inherit; font-size: 14pt; line-height: 107%;">M – O
VAMPIRO de DUSSELDORF (M- Eine Stadt Sucht Einen Mörder, 1931)</span><span style="color: #3d85c6; font-family: inherit;"><br /></span>
<span style="color: #3d85c6; font-family: inherit; font-size: 14pt; line-height: 107%;">direção de
Fritz Lang.</span><span style="color: #3d85c6; font-family: inherit;"><br /></span>
<span style="color: #3d85c6; font-family: inherit; font-size: 14pt; line-height: 107%;">*****
(ótimo)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;"> </span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">RETORNO a
HOWARD´S END (Howard’s End, 1992)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">direção de
James Ivory.</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">****
(muito bom)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;"> </span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">AGNES VAI
MORRER (L'agnese va a Morire, 1976)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">direção de
Giuliano Montaldo.</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">*** (bom)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;"> </span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">A VOZ
HUMANA (La Voz Humana, 2020)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">direção de
Pedro Almodóvar.</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">*** (bom)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;"> </span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">MERCADO
NEGRO (Le Chemin des Écoliers, 1959)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">direção de
Michel Boisrond.</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">**
(regular)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;"> </span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">Os
ORGULHOSOS (Les Orgueilleux, 1953)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">direção de
Yves Allégret e Rafael E. Portas.</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">*** (bom)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;"> </span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">Os
SUSPEITOS (The Usual Suspects, 1995)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">direção de
Bryan Singer.</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">****
(muito bom)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;"> </span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">O CAPITÃO
(Der Hauptmann, 2017)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">direção de
Robert Schwentke.</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">**
(regular)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;"> </span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">JUDEU
SÜSS - FILME SEM CONSCIÊNCIA (Jew Suss: Rise and Fall, 2010)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">direção de
Oskar Roehler.</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">*** (bom)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;"> </span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">NOSTALGIA,
o CAMINHO da PERDIÇÃO (Der Postmeister, 1940)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">direção de
Gustav Ucicky.</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">*** (bom)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;"> </span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">BERLIM-ALEXANDERPLATZ
(Berlin-Alexanderplatz - Die Geschichte Franz Biberkopfs, 1931)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">direção de
Phil Jutzi.</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">*** (bom)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;"> </span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">O JUDEU
SUSS (Jud Süß, 1940)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">direção de
Veit Harlan.</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">*** (bom)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;"> </span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">INIMIGOS
PÚBLICOS (Public Enemies, 2009)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">direção de
Michael Mann.</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">****
(muito bom)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;"> </span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">INIMIGO
PÚBLICO Nº1 - INSTINTO de MORTE (L`Instinct de Mort, 2008)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">direção de
Jean-François Richet.</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">****
(muito bom)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;"> </span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">INIMIGO
PÚBLICO Nº1 (L'ennemi Public n°1, 2008)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">direção de
Jean-François Richet.</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">*** (bom)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;"> </span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">A
CONSPIRAÇÃO (The Contender, 2000)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">direção de
Rod Lurie.</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">*** (bom)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;"> </span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">O HOMEM
da TORRE EIFFEL (The Man on the Eiffel Tower, 1949)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">direção de
Burgess Meredith.</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">**
(regular)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;"> </span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">O ÚLTIMO
dos MOICANOS (The Last of the Mohicans, 1992)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">direção de
Michael Mann.</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">****
(muito bom)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;"> </span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">BARRABÁS
(Barabbas, 1953)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">direção de
Alf Sjöberg.</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">****
(muito bom)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;"> </span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">APENAS
MÃE (Bara en Mor, 1949)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">direção de
Alf Sjöberg.</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">****
(muito bom)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;"> </span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">A GRANDE
ILUSÃO (All the King's Men, 1949)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">direção de
Robert Rossen.</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">*****
(ótimo)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;"> </span><span style="font-family: inherit;"><br /></span>
</div><div style="text-align: center;"><span style="background-color: #274e13; color: white; font-family: inherit; font-size: 14pt; line-height: 107%;">MAIO</span><span style="font-family: inherit;"><br /></span></div><div style="text-align: justify;">
<div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj2i4qd_TUjL1zPt8u8zuS12SLKFTLwONsIobZ3GCMJNuh94yiWt7dtkD608sgYIMvBLhLwIrA3Gvh6sioo-si30GKh6-vdzlF6svc44F_lXTHKReH0yCdpg_ilT9c1vCoT9pV2olr6ZxWWE8Z5_-rVEozVt3x_LJSHZ_pFBomjk5_BRIvB0Jt_ykcAkho/s1381/4eab677a803b01ff68cfe1ff30f399d4.jpeg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="900" data-original-width="1381" height="418" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj2i4qd_TUjL1zPt8u8zuS12SLKFTLwONsIobZ3GCMJNuh94yiWt7dtkD608sgYIMvBLhLwIrA3Gvh6sioo-si30GKh6-vdzlF6svc44F_lXTHKReH0yCdpg_ilT9c1vCoT9pV2olr6ZxWWE8Z5_-rVEozVt3x_LJSHZ_pFBomjk5_BRIvB0Jt_ykcAkho/w640-h418/4eab677a803b01ff68cfe1ff30f399d4.jpeg" width="640" /></a></div><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">O
EXTERMINADOR do FUTURO (The Terminator, 1984)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">direção de
James Cameron.</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">*** (bom)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;"> </span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">CIRCUITO
FECHADO (Closed Circuit, 2013)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">direção de
John Crowley.</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">*** (bom)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;"> </span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">DEUS SABE
QUANTO AMEI (Some Came Running, 1958)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">direção de
Vincente Minnelli.</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">****
(muito bom)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;"> </span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">O BOSQUE
das SOMBRAS (Bosque de Sombras, 2006)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">direção de
Koldo Serra. </span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">**
(regular)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;"> </span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">MOSCOU
CONTRA-ATACA (Razgrom Nemetskikh Voysk pod Moskvoy, 1942)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">direção de
lya Kopalin e Leonid Varlamov.</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">****
(muito bom)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;"> </span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">MARY
(Idem, 1931)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">direção de
Alfred Hitchcock.</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">**
(regular)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;"> </span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">BÁRBAROS
& TRAIDORES (The Lion in Winter, 2003)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">direção de
Andrei Konchalovsky.</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">*** (bom)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;"> </span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">CAMINHOS
SEM FIM (Chicago Deadline, 1949)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">direção de
Lewis Allen.</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">****
(muito bom)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;"> </span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">ZONA
TÓRRIDA (Torrid Zone, 1940)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">direção de
William Keighley.</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">*** (bom)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;"> </span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">A VOUIVRE
(La Vouivre, 1989)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">direção de
Georges Wilson.</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">*** (bom)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;"> </span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">PERGUNTE
ao PAPAI (Ask Father, 1919)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">direção de
Hal Roach.</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">**
(regular)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;"> </span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">O CÉU é
SEU (Le Ciel Est à Vous, 1944)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">direção de
Jean Grémillon.</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">****
(muito bom)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;"> </span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">ANNA
KARENINA (Idem, 1935)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">direção de
Clarence Brown.</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">****
(muito bom)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;"> </span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">ALMAS
PERVERSAS (Scarlet Street, 1945)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">direção de
Fritz Lang.</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">*****
(ótimo)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;"> </span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">AMÉM
(Amen., 2002)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">direção de
Costa-Gavras.</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">****
(muito bom)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;"> </span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">A VIAGEM
do CAPITÃO TORNADO (Il Viaggio di Capitan Fracassa, 1990)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">direção de
Ettore Scola.</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">****
(muito bom)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;"> </span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">O ÚLTIMO
CAUDILHO (Red Mountain, 1951)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">direção de
William Dieterle.</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">*** (bom)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;"> </span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">O ADVOGADO
do DIABO (The Devil's Advocate, 1997)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">direção de
Taylor Hackford.</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">**
(regular)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;"> </span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">O POETA
do CASTELO (1959)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">direção de
Joaquim Pedro de Andrade.</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">****
(muito bom)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;"> </span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">O MESTRE
de APICUCOS (1959)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">direção de
Joaquim Pedro de Andrade.</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">*** (bom)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;"> </span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">ARRAIAL
do CABO (1959)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">direção de
Mário Carneiro e Paulo César Saraceni.</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">*** (bom)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;"> </span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">Um CANTO
de ESPERANÇA (Paradise Road, 1997)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">direção de
Bruce Beresford.</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">*** (bom)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;"> </span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">À PROCURA
de MR. GOODBAR (Looking for Mr. Goodbar, 1977)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">direção de
Richard Brooks.</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">*** (bom)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;"> </span><span style="font-family: inherit;"><br /></span>
<span style="color: #3d85c6; font-family: inherit; font-size: 14pt; line-height: 107%;">MOUCHETTE,
a VIRGEM POSSUÍDA (Mouchette, 1967)</span><span style="color: #3d85c6; font-family: inherit;"><br /></span>
<span style="color: #3d85c6; font-family: inherit; font-size: 14pt; line-height: 107%;">direção de
Robert Bresson.</span><span style="color: #3d85c6; font-family: inherit;"><br /></span>
<span style="color: #3d85c6; font-family: inherit; font-size: 14pt; line-height: 107%;">*****
(ótimo)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;"> </span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">ROSA da
ESPERANÇA (Mrs. Miniver, 1942)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">direção de
William Wyler.</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">****
(muito bom)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;"> </span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">BRASÍLIA:
CONTRADIÇÕES de uma CIDADE NOVA (1967)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">direção de
Joaquim Pedro de Andrade.</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">*** (bom)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;"> </span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">ENTRE o
AMOR e o TRONO (Ruy Blas, 1948)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">direção de
Pierre Billon.</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">****
(muito bom)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;"> </span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">O
INQUILINO (Le Locataire, 1976)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">direção de
Roman Polanski.</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">*****
(ótimo)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;"> </span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">GIBRALTAR
(Idem, 1938)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">direção de
Fyodor Otsep.</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">*** (bom)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;"> </span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">O OLHAR
da INOCÊNCIA (Les Enfants Du Marais, 1999)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">direção de
Jean Becker.</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">*** (bom)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;"> </span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">A ROSA
TATUADA (The Rose Tattoo, 1955)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">direção de
Daniel Mann.</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">****
(muito bom)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;"> </span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">A ESPIÃ
(Spionen, 2019)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">direção de
Jens Jonsson.</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">**
(regular)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;"> </span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">A FORÇA
de um PASSADO (Flesh and Bone, 1993)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">direção de
Steve Kloves.</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">*** (bom)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;"> </span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">ESTRANHOS
VISITANTES (Communion, 1989)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">direção de
Philippe Mora.</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">**
(regular)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;"> </span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">O CRIME
NÃO COMPENSA (Le Crime ne Paie Pas, 1962)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">direção de
Gérard Oury.</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">**
(regular)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;"> </span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">CHAMADA para um MORTO (Deadly Affair, 1967)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">direção de
Sidney Lumet.</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">****
(muito bom)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;"> </span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">O NONO
DIA (Der Neunte Tag, 2004)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">direção dir.
de Volker Schlöndorff.</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">*** (bom)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;"> </span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">ATRAÍDOS
PELO CRIME (Brooklyn's Finest, 2009)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">direção de
Antoine Fuqua.</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">****
(muito bom)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;"> </span><span style="font-family: inherit;"><br /></span>
</div><div style="text-align: center;"><span style="background-color: #274e13; color: white; font-family: inherit; font-size: 14pt; line-height: 107%;">JUNHO</span><span style="font-family: inherit;"><br /></span></div><div style="text-align: justify;">
<div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhZibylOd9Jj4z7dowYc0zSstgUGq_cWqORB83sqzZJQ9uL9yX4nTpdtjQMcrEAnfCF9F7ClAM810tedVq30Pes6w5xbKtLCJT8TGBzJtiqOjaiDI0nbBdHM_WujK6cBy8zbUtZ7ooZeUhM00EXP3DSTs0HdKposkzJ8d7pVXmsB2Oyc4ohTlD29sWprtE/s1280/00000.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="720" data-original-width="1280" height="360" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhZibylOd9Jj4z7dowYc0zSstgUGq_cWqORB83sqzZJQ9uL9yX4nTpdtjQMcrEAnfCF9F7ClAM810tedVq30Pes6w5xbKtLCJT8TGBzJtiqOjaiDI0nbBdHM_WujK6cBy8zbUtZ7ooZeUhM00EXP3DSTs0HdKposkzJ8d7pVXmsB2Oyc4ohTlD29sWprtE/w640-h360/00000.jpg" width="640" /></a></div><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">A
MALDIÇÃO do ANEL (Ring of the Nibelungs, 2004)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">direção de
Uli Edel.</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">**
(regular)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;"> </span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">Os
PIVETES (Les Mistons, 1957)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">direção de
François Truffaut.</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">*** (bom)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;"> </span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">Uma
HISTÓRIA de ÁGUA (Une Histoire d'Eau, 1961)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">direção de
Jean-Luc Godard e François Truffaut.</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">*** (bom)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;"> </span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">Uma
VISITA ao LOUVRE (Une Visite au Louvre, 2003)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">direção de
Danièle Huillet e Jean-Marie Straub.</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">****
(muito bom)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;"> </span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">FELIZ
NATAL (Joyeux Noël, 2005)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">direção de
Christian Carion.</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">*** (bom)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;"> </span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">O GRANDE
PECADO (Valborgsmässoafton, 1935)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">direção de
Gustaf Edgren.</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">*** (bom)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;"> </span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">Uma CONVERSA
com FRITZ LANG (Conversation with Fritz Lang, 1975)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">direção de
William Friedkin.</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">*** (bom)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;"> </span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">Um
RETRATO de MULHER (The Woman in the Window, 1944)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">direção de
Fritz Lang.</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">****
(muito bom)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;"> </span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">A GAIVOTA
(The Sea Gull, 1968)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">direção de
Sidney Lumet.</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">****
(muito bom)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;"> </span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">VIDAS
SEPARADAS (Separate Tables, 1958)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">direção de
Delbert Mann.</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">*** (bom)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;"> </span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">CENAS de
uma FAMÍLIA (Mr. & Mrs. Bridge, 1990)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">direção de
James Ivory.</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">****
(muito bom)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;"> </span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">NASCE uma
ESTRELA (A Star is Born, 1937)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">direção de
William A. Wellman.</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">*****
(ótimo)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;"> </span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">A
SEDUTORA MADAME BOVARY (Madame Bovary, 1949)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">direção de
Vincente Minnelli.</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">****
(muito bom)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;"> </span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">Os
LADRÕES (Les Voleurs, 1996)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">direção de
André Téchinè.</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">****
(muito bom)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;"> </span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">SANGUINÁRIOS
e CORRUPTOS (Le Juge Fayard dit Le Shériff, 1977)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">direção de
Yves Boisset.</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">*** (bom)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;"> </span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">MICHAEL
COLLINS – o PREÇO da LIBERDADE (Michael Collins, 1996)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">direção de
Neil Jordan.</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">****
(muito bom)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;"> </span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">ENCANTAMENTO
(Enchantment, 1948)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">direção de
Irving Reis.</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">**
(regular)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;"> </span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">LESLIE
HOWARD – O HOMEM que se IMPORTAVA (Leslie Howard: The Man Who Gave a Damn,
2016)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">direção de
Thomas Hamilton.</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">**
(regular)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;"> </span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">DOUGLAS
FAIRBANKS, o PRIMEIRO REI de HOLLYWOOD (Douglas Fairbanks: Je Suis une Légende,
2018)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">direção de
Clara e Julia Kuperberg.</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">**
(regular)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;"> </span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">BUDD
BOETTICHER – um AMERICANO GENUÍNO (Budd Boetticher: An American Original, 2005)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">direção de
Bruce Ricker.</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">**
(regular)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;"> </span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">O QUARTO
ANJO (The Fourth Angel, 2001)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">direção de
John Irvin.</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">**
(regular)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;"> </span><span style="font-family: inherit;"><br /></span>
<span style="color: #3d85c6; font-family: inherit; font-size: 14pt; line-height: 107%;">O ANO
PASSADO em MARIENBAD (L`Année Dernière a Marienbad, 1961)</span><span style="color: #3d85c6; font-family: inherit;"><br /></span>
<span style="color: #3d85c6; font-family: inherit; font-size: 14pt; line-height: 107%;">direção de
Alain Resnais.</span><span style="color: #3d85c6; font-family: inherit;"><br /></span>
<span style="color: #3d85c6; font-family: inherit; font-size: 14pt; line-height: 107%;">*****
(ótimo)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;"> </span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">BOÊMIOS
ERRANTES (Tortilla Flat, 1942)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">direção de
Victor Fleming.</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">*** (bom)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;"> </span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">SEU
MILAGRE de AMOR (The Enchanted Cottage, 1945)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">direção de
John Cromwell.</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">**
(regular)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;"> </span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">DANIEL
(Idem, 1983)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">direção de
Sidney Lumet.</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">****
(muito bom)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;"> </span><span style="font-family: inherit;"><br /></span>
</div><div style="text-align: center;"><span style="background-color: #274e13; color: white; font-family: inherit; font-size: 14pt; line-height: 107%;">JULHO</span><span style="font-family: inherit;"><br /></span></div><div style="text-align: justify;">
<div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgOyteyE_sC0dDCYqAV52Vpi7rkGCxXpJPdr9eUbkhtBp4DUS0Qwp0uHFVjRD7cEglxnivXgsPdTEkIrpIy8PWdIDuBcI8IAEoLGbsz4VykWmYrr40rVOydFOLoih88RSK39nOGo4ak5KK_KWa7JScQOXe7Q8evNV3YNFyj_lvTX8PUULDPN4a8775Ybn8/s1749/AFI20_MSGTW_Social-Assets_B_v1_1-BLOG.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="992" data-original-width="1749" height="362" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgOyteyE_sC0dDCYqAV52Vpi7rkGCxXpJPdr9eUbkhtBp4DUS0Qwp0uHFVjRD7cEglxnivXgsPdTEkIrpIy8PWdIDuBcI8IAEoLGbsz4VykWmYrr40rVOydFOLoih88RSK39nOGo4ak5KK_KWa7JScQOXe7Q8evNV3YNFyj_lvTX8PUULDPN4a8775Ybn8/w640-h362/AFI20_MSGTW_Social-Assets_B_v1_1-BLOG.jpg" width="640" /></a></div><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">LBJ – a
ESPERANÇA de uma NAÇÃO (LBJ, 2016)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit;"><a name="_Hlk155264387"><span style="font-size: 14pt; line-height: 107%;">direção</span></a><span style="font-size: 14pt; line-height: 107%;"> de Rob Reiner.</span><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">*** (bom)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;"> </span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">AGENTE de
ESPIONAGEM (Espionage Agent, 1939)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">direção de
Lloyd Bacon.</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">**
(regular)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;"> </span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">SANGUE de
HERÓIS (Fort Apache, 1948)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">direção de
John Ford.</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">****
(muito bom)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;"> </span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">O GRITO
das SELVAS (The Call Of The Wild, 1935)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">direção de
William A. Wellman.</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">*** (bom)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;"> </span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">Um DIA de
FÚRIA (Falling Down, 1993)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">direção de
Joel Schumacher.</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">*** (bom)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;"> </span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">A
CARAVANA (The Conquerors, 1932)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">direção de
William A. Wellman.</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">**
(regular)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;"> </span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">OLHOS na
NOITE (Eyes in The Night, 1942)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">direção de
Fred Zinnemann.</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">**
(regular)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;"> </span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">CASADOS
em SEGREDO (The Secret Bride, 1934)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">direção de
William Dieterle.</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">*** (bom)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;"> </span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">JEJUM de
AMOR (His Girl Friday, 1940)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">direção de
Howard Hawks.</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">*****
(ótimo)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;"> </span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">A OITAVA
ESPOSA do BARBA AZUL (, 1938)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">direção de
Ernst Lubitsch.</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">*****
(ótimo)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;"> </span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">ACONTECEU
NAQUELA NOITE (It Happened One Night, 1934)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">direção de
Frank Capra.</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">*****
(ótimo)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;"> </span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">ESPOSAS
CIUMENTAS (Day-Time Wife, 1939)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">direção de
Gregory Ratoff.</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">**
(regular)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;"> </span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">QUEM
AMA... CASTIGA (Love Is News, 1937)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">direção de
Tay Garnett.</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">*** (bom)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;"> </span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">SURPRESAS
CONVENCIONAIS (The Dark Horse, 1932)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">direção de
Alfred E. Green.</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">**
(regular)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;"> </span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">A ÚLTIMA
CONQUISTA (The Last of Mrs. Cheyney, 1937)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">direção de
Richard Boleslawski.</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">**
(regular)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;"> </span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">JOANA D´ARC
(Jeanne d'Arc, 1900)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">direção de
Georges Mièles.</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">*** (bom)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;"> </span><span style="font-family: inherit;"><br /></span>
<span style="color: #3d85c6; font-family: inherit; font-size: 14pt; line-height: 107%;">A MULHER
FAZ o HOMEM (Mr. Smith Goes To Washington, 1939)</span><span style="color: #3d85c6; font-family: inherit;"><br /></span>
<span style="color: #3d85c6; font-family: inherit; font-size: 14pt; line-height: 107%;">direção de
Frank Capra.</span><span style="color: #3d85c6; font-family: inherit;"><br /></span>
<span style="color: #3d85c6; font-family: inherit; font-size: 14pt; line-height: 107%;">*****
(ótimo)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;"> </span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">OPERAÇÃO
FRANÇA II (The French Connection II, 1975)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">direção de
John Frankenheimer.</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">*** (bom)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;"> </span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">TÉCNICA
de um DELATOR (Le Doulos, 1962)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">direção de
Jean-Pierre Melville.</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">****
(muito bom)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;"> </span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">PUSHER II
(Idem, 2005)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">direção de
Nicolas Winding Refn.</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">*** (bom)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;"> </span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">SLEEPERS
– a VINGANÇA ADORMECIDA (Sleepers, 1996)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">direção de
Barry Levinson.</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">*** (bom)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;"> </span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">O JUIZ
(Le Juge, 1984)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">direção de
Philippe Lefebvre.</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">*** (bom)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;"> </span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">O BALÃO
VERMELHO (Le Ballon Rouge, 1956)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">direção de
Albert Lamorisse.</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">****
(muito bom)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;"> </span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">MULHER
EXÓTICA (Saratoga Trunk, 1945)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">direção de
Sam Wood;</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">*** (bom)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;"> </span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">NOITES MOSCOVITAS
(Les Nuits Moscovites, 1934)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">direção de
Alexis Granowsky.</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">*** (bom)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;"> </span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">AMBIÇÃO
MORTAL (This Side of the Law, 1950)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">direção de
Richard L. Bare.</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">*** (bom)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;"> </span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">NOITE
APÓS NOITE (Night Unto Night, 1949)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">direção de
Don Siegel.</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">**
(regular)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;"> </span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">O
ALBERGUE VERMELHO (L'Auberge Rouge, 1951)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">direção de
Claude Autant-Lara.</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">**
(regular)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;"> </span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">O REI dos
FALSÁRIOS (Le Cave se Rebiffe, 1961)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">direção de
Gilles Grangier.</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">**
(regular)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;"> </span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">ESTRADA
PROIBIDA (Johnny Eager, 1941)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">direção de
Mervyn LeRoy.</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">*** (bom)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;"> </span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">Os
GRANDES SENHORES (Le Gentleman D'epsom, 1962)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">direção de
Gilles Grangier.</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">*** (bom)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;"> </span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">O CASTELO
do HOMEM SEM ALMA (Hatter's Castle, 1942)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">direção de
Lance Comfort.</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">*** (bom)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;"> </span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">VENDAVAL
de PAIXÕES (Reap the Wild Wind, 1942)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">direção de
Cecil B. DeMille.</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">*** (bom)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;"> </span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">CRISÂNTEMOS
(Krizantemy, 1914)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">direção de
Pyotr Chardynin.</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">*** (bom)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;"> </span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">PATRIOTISMO
– RITO de AMOR e MORTE (Yûkoku, 1966)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">direção de
Yukio Mishima.</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">****
(muito bom)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;"> </span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">O GATO
NEGRO (Yabu no Naka no Kuroneko, 1968)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">direção de
Kaneto Shindô.</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">****
(muito bom)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;"> </span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">Os BOAS
VIDAS (I Vitelloni, 1953)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">direção de
Federico Fellini.</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">*****
(ótimo)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;"> </span><span style="font-family: inherit;"><br /></span>
</div><div style="text-align: center;"><span style="background-color: #274e13; color: white; font-family: inherit; font-size: 14pt; line-height: 107%;">AGOSTO</span><span style="font-family: inherit;"><br /></span></div><div style="text-align: justify;">
<div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhS_ag88f7IngDGOcTXdvWHad1xVaHicQ4k-mj-BTz4poJ8o_nA6epAYHCbDMKi1ZQ23QJY-faIKyfAtxTYPEXcuDIfRAr5LCEFgBgDRFkLeJQqElOAhv3b9fvFj7TW4F78yz2QOnr62dwWl22YoF4jNQHkFt8zLJUG5dU_GBbWZsgmjSgTQlUwcyoFsE8/s1200/enfants-du-paradis-1-02-g.webp" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="857" data-original-width="1200" height="458" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhS_ag88f7IngDGOcTXdvWHad1xVaHicQ4k-mj-BTz4poJ8o_nA6epAYHCbDMKi1ZQ23QJY-faIKyfAtxTYPEXcuDIfRAr5LCEFgBgDRFkLeJQqElOAhv3b9fvFj7TW4F78yz2QOnr62dwWl22YoF4jNQHkFt8zLJUG5dU_GBbWZsgmjSgTQlUwcyoFsE8/w640-h458/enfants-du-paradis-1-02-g.webp" width="640" /></a></div><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">BOA
NOITE, e BOA SORTE (Good Night, and Good Luck, 2005)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">direção de
George Clooney.</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">*** (bom)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;"> </span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">As
AVENTURAS de MARK TWAIN (The Adventures of Mark Twain, 1944)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">direção de
Irving Rapper.</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">*** (bom)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;"> </span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">FILHA do
DIABO (La Fille du Diable, 1946)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">direção de
Henri Decoin.</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">****
(muito bom)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;"> </span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">LONGE dos
OLHOS (Perfect Strangers, 1945)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">direção de
Alexander Korda.</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">*** (bom)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;"> </span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">PIEDADE
HOMICIDA (An Act of Murder, 1948)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">direção de
Michael Gordon.</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">*** (bom)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;"> </span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">CRISTOVÃO
COLOMBO (Christopher Columbus, 1949)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">direção de
David MacDonald.</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">**
(regular)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;"> </span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">MEIA-NOITE
em PARIS (Monsieur La Souris, 1942)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">direção de
Georges Lacombe.</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">**
(regular)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;"> </span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">COLHEITA
(Regain, 1937)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">direção de
Marcel Pagnol.</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">****
(muito bom)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;"> </span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">ALMA em
SUPLÍCIO (Mildred Pierce, 1945)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">direção de
Michael Curtiz.</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">****
(muito bom)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;"> </span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">O CAMINHO
da FELICIDADE (The Pursuit Of Happiness, 1971)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">direção de
Robert Mulligan.</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">**
(regular)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;"> </span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">MULHER
COBIÇADA (Pattes Blanches, 1949)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">direção de
Jean Grémillon.</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">*** (bom)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;"> </span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">O HOMEM
que VIVIA DUAS VIDAS (L'Étrange Monsieur Victor, 1938)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">direção de
Jean Grémillon.</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">****
(muito bom)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;"> </span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">LUZ
NATURAL (Természetes Fény, 2021)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">direção de
Dénes Nagy.</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">*** (bom)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;"> </span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">As
MURALHAS de SANAÁ (Le Mura di Sana'a, 1971)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">direção de
Pier Paolo Pasolini.</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">**
(regular)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;"> </span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">TODA a
MEMÓRIA do MUNDO (Toute La Memoire du Monde, 1956)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">direção de
Alain Resnais.</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">*** (bom)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;"> </span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">WALT
WHITMAN: POETA PARA uma NOVA ERA (Walt Whitman: Poet for a New Age, 1971)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">direção de
L. C. Stoumen.</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">**
(regular)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;"> </span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">As MIL e
uma NOITES (Les Contes de Mille et une Nuits, 1921)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">direção de
Viktor Tourjansky. </span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">*** (bom)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;"> </span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">O OLHO do
MAL (L’oeil du Malin, 1962)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">direção de
Claude Chabrol.</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">*** (bom)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;"> </span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">TEMPESTADE
de GELO (The Ice Storm, 1997)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">direção de
Ang Lee.</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">****
(muito bom)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;"> </span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">A PADEIRA
do BAIRRO (La Boulangère de Monceau, 1962)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">direção de
Éric Rohmer.</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">**
(regular)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;"> </span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">O TRUQUE
do PASTOR (Le Coup Du Berger, 1956)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">direção de
Jacques Rivette.</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">*** (bom)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;"> </span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">SOMBRAS
de um CRIME (Marlowe, 2022)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">direção de
Neil Jordan.</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">**
(regular)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;"> </span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">ENIGMAS
de um CRIME (The Oxford Murders, 2008)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">direção de
Álex de la Iglesia.</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">**
(regular)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;"> </span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">Do LADO
da RIVIERA (Du Côté de La Côte, 1958)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">direção de
Àgnes Varda.</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">****
(muito bom)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;"> </span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">A ÉPOCA
da INOCÊNCIA (The Age of Innocence, 1993)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">direção de
Martin Scorsese.</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">*****
(ótimo)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;"> </span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">Um SONHO
DISTANTE (Far and Away, 1992)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">direção de
Ron Howard.</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">**
(regular)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;"> </span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">O
ASSASSINATO de TROTSKY (The Assassination of Trotsky, 1972)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">direção de
Joseph Losey.</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">*** (bom)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;"> </span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">BUGSY
(Idem, 1991)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">direção de
Barry Levinson.</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">*** (bom)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;"> </span><span style="font-family: inherit;"><br /></span>
<span style="color: #3d85c6; font-family: inherit; font-size: 14pt; line-height: 107%;">O
BOULEVARD do CRIME (Les Enfants du Paradis, 1945)</span><span style="color: #3d85c6; font-family: inherit;"><br /></span>
<span style="color: #3d85c6; font-family: inherit; font-size: 14pt; line-height: 107%;">direção de
Marcel Carné.</span><span style="color: #3d85c6; font-family: inherit;"><br /></span>
<span style="color: #3d85c6; font-family: inherit; font-size: 14pt; line-height: 107%;">*****
(ótimo)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;"> </span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">FELICIDADE
PROIBIDA (The Stranger's Return, 1933)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">direção de
King Vidor.</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">*** (bom)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;"> </span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">QUANDO
LERES ESTA CARTA (Quand tu Liras cette Lettre..., 1953)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">direção de
Jean-Pierre Melville.</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;"> </span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">MISSÃO:
IMPOSSÍVEL 3 (Mission: Impossible III, 2006)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">direção de
J. J. Abrahms.</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">**
(regular)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;"> </span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">MISSÃO
IMPOSSÍVEL – NAÇÃO SECRETA (Impossible - Rogue Nation, 2015)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">direção de
Christopher McQuarrie.</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">*** (bom)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;"> </span><span style="font-family: inherit;"><br /></span>
</div><div style="text-align: center;"><span style="background-color: #274e13; color: white; font-family: inherit; font-size: 14pt; line-height: 107%;">SETEMBRO</span><span style="font-family: inherit;"><br /></span></div><div style="text-align: justify;">
<div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhF9xOgussHUZcIqDj2JUGeRo-I8uXJnUzgeHflPuZ64_w53gyEvk6rI1aNF8n2G4cHPSSd8B3CySuOz3vczAOmLcd1OF6cdMB52fvT3mFG9jbGAtTKjqinMto4Ofvh-ktkl5aOzvUaBbLlnUDy7iHk-NaERKZWkVqpHiHLDX_Yu80soLjQalesAC5N8mg/s1005/image-w1280.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="720" data-original-width="1005" height="458" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhF9xOgussHUZcIqDj2JUGeRo-I8uXJnUzgeHflPuZ64_w53gyEvk6rI1aNF8n2G4cHPSSd8B3CySuOz3vczAOmLcd1OF6cdMB52fvT3mFG9jbGAtTKjqinMto4Ofvh-ktkl5aOzvUaBbLlnUDy7iHk-NaERKZWkVqpHiHLDX_Yu80soLjQalesAC5N8mg/w640-h458/image-w1280.jpg" width="640" /></a></div><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">BARRY
LYNDON (Idem, 1975)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">direção de
Stanley Kubrick.</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">****
(muito bom)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;"> </span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">FOGUEIRA
de PAIXÕES (Possessed, 1947)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">direção de
Curtis Bernhardt.</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">****
(muito bom)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;"> </span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">ÊXTASE de
AMOR (Daisy Kenyon, 1947)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">direção de
Otto Preminger.</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">*** (bom)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;"> </span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">AVATAR: o
CAMINHO da ÁGUA (Avatar: The Way of Water, 2022)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">direção de
James Camerom.</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">*** (bom)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;"> </span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">WOLVERINE:
IMORTAL (The Wolverine, 2013)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">direção de
James Mangold.</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">*** (bom)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;"> </span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">OBLIVION
(Idem, 2013)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">direção de
Joseph Kosinski.</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">*** (bom)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;"> </span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">A ORIGEM
(Inception, 2010)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">direção de
Christopher Nolan.</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">****
(muito bom)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;"> </span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">OPERAÇÃO
ANTHROPOID (Anthropoid, 2016)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">direção de
Sean Ellis.</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">*** (bom)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;"> </span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">Na
PRÓXIMA, ACERTO o CORAÇÃO (La Prochaine Fois je Viserai le Coeur, 2014)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">direção de
Cédric Anger.</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">**
(regular)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;"> </span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">MANK
(Idem, 2020)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">direção de
David Fincher.</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">*** (bom)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;"> </span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">A
TEMPESTADE (The Tempest, 2010)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">direção de
Julie Taymor.</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">** (reg.)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;"> </span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">MILLENNIUM:
os HOMENS que NÃO AMAVAM as MULHERES (The Girl with the Dragon Tattoo, 2011)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">direção de
David Fincher.</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">****
(muito bom)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;"> </span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">CASA
GUCCI (House of Gucci, 2021)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">direção de
Ridley Scott.</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">*** (bom)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;"> </span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">CABO do
MEDO (Cape Fear, 1991)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">direção de
Martin Scorsese.</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">****
(muito bom)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;"> </span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">O GENERAL
(The General, 1998)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">direção de
John Boorman.</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">*** (bom)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;"> </span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">TUDO que
o CÉU PERMITE (All That Heaven Allows, 1955)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">direção de
Douglas Sirk.</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">*****
(ótimo)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;"> </span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">ALMA
CIGANA (Gypsy Wildcat, 1944)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">direção de
Roy William Neill.</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">* (ruim)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;"> </span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">O
TROVADOR KERIB (Ashik-Kerib, 1988)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">direção de
Sergei Paradjanov e Dodo Abashidze.</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">*** (bom)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;"> </span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">CONFISSÕES
de uma MODELO (Puzzle of a Downfall Child, 1970)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">direção de
Jerry Schatzberg.</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">*** (bom)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;"> </span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">A
ASSASSINA (Point of no Return, 1993)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">direção de
John Badham.</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">**
(regular)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;"> </span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">ALIEN 3
(Idem, 1992)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">direção de
David Fincher.</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">**
(regular)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;"> </span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">OITO
MILÍMETROS (8 MM, 1999)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">direção de
Joel Schumacher.</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">****
(muito bom)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;"> </span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">DOZE
HORAS de RELÓGIO (Douze Heures d'Horloge, 1959)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">direção de
Géza Von Radványi.</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">**
(regular)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;"> </span><span style="font-family: inherit;"><br /></span>
<span style="color: #3d85c6; font-family: inherit; font-size: 14pt; line-height: 107%;">Uma RUA
CHAMADA PECADO (A Streetcar Named Desire, 1951)</span><span style="color: #3d85c6; font-family: inherit;"><br /></span>
<span style="color: #3d85c6; font-family: inherit; font-size: 14pt; line-height: 107%;">direção de
Elia Kazan.</span><span style="color: #3d85c6; font-family: inherit;"><br /></span>
<span style="color: #3d85c6; font-family: inherit; font-size: 14pt; line-height: 107%;">*****
(ótimo)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;"> </span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">A VOZ do
SILÊNCIO (La Voce del Silenzio, 1953)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">direção de
Georg Wilhelm Pabst.</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">*** (bom)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;"> </span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">BECO sem
SAÍDA (Dead end, 1937)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">direção de
William Wyler.</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">*** (bom)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;"> </span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">O FIO da
NAVALHA (The Razor`s Edge, 1946)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">direção de
Edmund Goulding.</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">****
(muito bom)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;"> </span><span style="font-family: inherit;"><br /></span>
</div><div style="text-align: center;"><span style="background-color: #274e13; color: white; font-family: inherit; font-size: 14pt; line-height: 107%;">OUTUBRO</span><span style="font-family: inherit;"><br /></span></div><div style="text-align: justify;">
<div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhWVfrIQfNnZgIF1Jo4T9aOMogl_t7thz2FBb4BRlk8FFIwxBA-l-RYTzbPlOvZFxHCv1Gf9ikn3sCAOE-LP_c9a67bFnneaEXAPbFuppbgMUkidaofL05VzKJ8w7vQoV99n9tttFd_egXIrybPeOuk-yYIQaePdtQp8C2qtcc3DFcEesbDaDziJFL3nJU/s3500/ordet1955.543489.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="2134" data-original-width="3500" height="390" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhWVfrIQfNnZgIF1Jo4T9aOMogl_t7thz2FBb4BRlk8FFIwxBA-l-RYTzbPlOvZFxHCv1Gf9ikn3sCAOE-LP_c9a67bFnneaEXAPbFuppbgMUkidaofL05VzKJ8w7vQoV99n9tttFd_egXIrybPeOuk-yYIQaePdtQp8C2qtcc3DFcEesbDaDziJFL3nJU/w640-h390/ordet1955.543489.jpg" width="640" /></a></div><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">O SEXTO
SENTIDO (The Sixth Sense, 1999)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">direção de
M. Night Shyamalan.</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">****
(muito bom)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;"> </span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">0s TRINTA
e NOVE DEGRAUS (The 39 Steps, 1935)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">direção de
Alfred Hitchcock.</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">*** (bom)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;"> </span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">O HOMEM
de ALCATRAZ (Birdman of Alcatraz, 1962)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">direção de
John Frankenheimer.</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">****
(muito bom)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;"> </span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">MILAGRES
ACONTECEM uma VEZ (Les Miracles N'ont Lieu qu'une Fois, 1951)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">direção de
Yves Allégret.</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">*** (bom)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;"> </span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">O SÉTIMO
DIA (El Septimo Dia, 2004)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">direção de
Carlos Saura.</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">*** (bom)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;"> </span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">BUSCA
MORTAL (Shattered, 1991)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">direção de
Wolfgang Petersen.</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">**
(regular)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;"> </span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">ACERTO
FINAL (The Crossing Guard, 1995)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">direção de
Sean Penn.</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">*** (bom)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;"> </span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">TUDO
SOBRE a MINHA MÃE (Tudo Sobre mi Madre, 1999)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">direção de
Pedro Almodóvar.</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">****
(muito bom)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;"> </span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">VOLVER
(Idem, 2006)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">direção de
Pedro Almodóvar.</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">*** (bom)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;"> </span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">A COSTELA
de ADÃO (Adam`s Rib, 1949)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">direção de
George Cukor.</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">****
(muito bom)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;"> </span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">VIVE-SE uma SÓ VEZ (You Only Live Once, 1937)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">direção de
Fritz Lang.</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">****
(muito bom)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;"> </span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">VIVA
ZAPATA! (Idem, 1952)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">direção de
Elia Kazan.</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">*** (bom)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;"> </span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">MISTÉRIO
na NEVE (Smilla's Sense of Snow, 1997)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">direção de
Bille August.</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">*** (bom)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;"> </span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">TRÊS
SEGREDOS (Three Secrets, 1950)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">direção de
Robert Wise.</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">*** (bom)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;"> </span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">O LEÃO
TEM ASAS (The Lion Has Wings, 1939)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">direção de
Michael Powell, Brian Desmond Hurst e Adrian Brunel.</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">*** (bom)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;"> </span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">COPYCAT – a VIDA IMITA a MORTE (Copycat, 1995)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">direção de
Jon Amiel.</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">*** (bom)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;"> </span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">A VIDA do
DR. EHRLICH (Dr. Ehrlich's Magic Bullet, 1940)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">direção de
William Dieterle.</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">*** (bom)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;"> </span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">Os
POSSESSOS (Les Possédés, 1888)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">direção de
Andrzej Wajda.</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">*** (bom)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;"> </span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">A PAIXÃO
de JOANA D´ARC (Le Passion de Jeanne D’arc, 1927)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">direção de
Carl Th. Dreyer.</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">*****
(ótimo)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;"> </span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">CARMEN
(Idem, 1918)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">direção de
Ernst Lubitsch.</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">*** (bom)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;"> </span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">Na
NATUREZA SELVAGEM (Into the Wild, 2007)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">direção de
Sean Penn.</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">****
(muito bom)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;"> </span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">A PALAVRA
(Ordet, 1943)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">direção de
Gustaf Molander.</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">*****
(ótimo)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;"> </span><span style="font-family: inherit;"><br /></span>
<span style="color: #3d85c6; font-family: inherit; font-size: 14pt; line-height: 107%;">A PALAVRA
(Ordet, 1955)</span><span style="color: #3d85c6; font-family: inherit;"><br /></span>
<span style="color: #3d85c6; font-family: inherit; font-size: 14pt; line-height: 107%;">direção de
Carl Th. Dreyer.</span><span style="color: #3d85c6; font-family: inherit;"><br /></span>
<span style="color: #3d85c6; font-family: inherit; font-size: 14pt; line-height: 107%;">*****
(ótimo)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;"> </span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">SUBLIME
TENTAÇÃO (Friendly Persuasion, 1956)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">direção de
William Wyler.</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">****
(muito bom)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;"> </span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">FOMOS os
SACRIFICADOS (They Were Expendable, 1945)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">direção de
John Ford.</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">****
(muito bom)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;"> </span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">FÉRIAS de
AMOR (Picnic, 1955)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">direção de
Joshua Logan.</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">****
(muito bom)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;"> </span><span style="font-family: inherit;"><br /></span>
</div><div style="text-align: center;"><span style="background-color: #274e13; color: white; font-family: inherit; font-size: 14pt; line-height: 107%;">NOVEMBRO</span><span style="font-family: inherit;"><br /></span></div><div style="text-align: justify;">
<div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjjCPISfQTTcCWmtfule_LikYoo7R1Xh6wtlxNHhLPpLwsm3-mlOE7xoH-N6zL7juvg3WvmyEPs82oZHSpNgOO2go5db794ISaA5FxCAR9pM2T1pc4akXXaZ8maKQpJc4lFaoZuARpIdAHTSCm8aX-lF8wxIWM3b87BTcatsY4ap56sK0oAs_n4xfHktro/s1486/6.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="999" data-original-width="1486" height="430" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjjCPISfQTTcCWmtfule_LikYoo7R1Xh6wtlxNHhLPpLwsm3-mlOE7xoH-N6zL7juvg3WvmyEPs82oZHSpNgOO2go5db794ISaA5FxCAR9pM2T1pc4akXXaZ8maKQpJc4lFaoZuARpIdAHTSCm8aX-lF8wxIWM3b87BTcatsY4ap56sK0oAs_n4xfHktro/w640-h430/6.jpg" width="640" /></a></div><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">DRAGÃO
VERMELHO (Red Dragon, 2002)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">direção de
Brett Ratner.</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">*** (bom)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;"> </span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">HANNIBAL
- a ORIGEM do MAL (Hannibal Rising, 2007)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">direção de
Peter Webber.</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">**
(regular)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;"> </span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">TERRA do
INFERNO (Man in the Saddle, 1951)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">direção de
André De Toth.</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">**
(regular)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;"> </span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">VINGANÇA
no CORAÇÃO (Trooper Hook, 1957)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">direção de
Charles Marquis Warren.</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">*** (bom)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;"> </span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">RUMO ao
INFERNO (The Narrow Magin, 1952)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">direção de
Richard Fleischer.</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">****
(muito bom)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;"> </span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">MANHUNTER
- CAÇADOR de ASSASSINOS (Manhunter, 1986)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">direção de
Michael Mann.</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">**
(regular)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;"> </span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">Os
NIBELUNGOS - Parte 1: a MORTE de SIEGFRIED (Die Nibelungen: Siegfrieds Tod,
1924)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">direção de
Fritz Lang. </span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">*****
(ótimo)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;"> </span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">Os
NIBELUNGOS - Parte 2: a VINGANÇA de KRIEMHILD (Die Nibelungen: Kriemhilds
Rache, 1924)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">direção de
Fritz Lang. </span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">*****
(ótimo)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;"> </span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">ESTRANHA
FORMA de VIDA (Extraña Forma de Vida, 2023</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">direção de
Pedro Almodóvar.</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">**
(regular)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;"> </span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">JOVEM
REDENTOR (Captain Salvation, 1927</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">direção de
John S. Robertson.</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">**
(regular)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;"> </span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">NAPOLEÃO
em SANTA HELENA (Napoleon auf St. Helena, 1929)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">direção de
Lupu Pick.</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">*** (bom)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;"> </span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">ALGOL – a
TRAGÉDIA do PODER (Algol - Tragödie Der Macht, 1920)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">direção de
Hans Werckmeister.</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">**
(regular)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;"> </span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">OPPENHEIMER
(Idem, 2023)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">direção de
Christopher Nolan.</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">****
(muito bom)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;"> </span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">DESFORRA
(Rafles sur la Ville, 1958)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">direção de
Pierre Chenal.</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">*** (bom)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;"> </span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">LIBERA,
MEU AMOR (Libera, Amore Mio!, 1975)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">direção de
Mauro Bolognini.</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">*** (bom)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;"> </span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">MULHER
INDOMÁVEL (Wild Girl, 1932)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">direção de
Raoul Walsh.</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">*** (bom)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;"> </span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">MASSACRE
(Masacre, 1934)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">direção de
Alan Crosland.</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">*** (bom)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;"> </span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">TRAGÉDIA
na MINA (Kameradschaft, 1931)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">direção de
Georg Wilhelm Pabst.</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">****
(muito bom)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;"> </span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">A
FAVORITA do IMPERADOR (Die Tänzerin von Sanssouci, 1932)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">direção de
Frederic Zelnik.</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">**
(regular)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;"> </span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">A SONATA
de KREUTZER (Die Kreutzersonate, 1937)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">direção de
Veit Harlan.</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">*** (bom)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;"> </span><span style="font-family: inherit;"><br /></span>
<span style="color: #3d85c6; font-family: inherit; font-size: 14pt; line-height: 107%;">O
GABINETE do Dr. CALIGARI (Das Kabinett des Doktor Caligari, 1919)</span><span style="color: #3d85c6; font-family: inherit;"><br /></span>
<span style="color: #3d85c6; font-family: inherit; font-size: 14pt; line-height: 107%;">direção de
Robert Wiene.</span><span style="color: #3d85c6; font-family: inherit;"><br /></span>
<span style="color: #3d85c6; font-family: inherit; font-size: 14pt; line-height: 107%;">*****
(ótimo)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;"> </span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">BISMARCK
(Idem, 1940)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">direção de
Wolfgang Liebeneiner.</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">*** (bom)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;"> </span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">ELIZABETH
da ÁUSTRIA (Elisabeth von Österreich, 1931)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">direção de
Adolf Trotz.</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">**
(regular)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;"> </span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">A
PRINCESA ERRANTE (Ruten no Ôhi, 1960)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">direção de
Kinuyo Tanaka.</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">*** (bom)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;"> </span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">A SOMBRA
de CARAVAGGIO (L'ombra di Caravaggio, 2022)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">direção de
Michele Placido.</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">*** (bom)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;"> </span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">GEORGE
STEVENS: Dia D em BERLIM (George Stevens: D Day To Berlin, 1994)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">direção de
George Stevens e Paul Woolwich.</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">*** (bom)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;"> </span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">O
MISTÉRIO da VIÚVA NEGRA (Black Widow, 1987)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">direção de
Bob Rafelson.</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">**
(regular)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;"> </span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">BETTY –
uma MULHER sem PASSADO (Betty, 1992)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">direção de
Claude Chabrol.</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">*** (bom)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;"> </span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">Uma
MULHER na JANELA (Une Femme à sa Fenêtre, 1976)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">direção de
Pierre Granier-Deferre.</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">**
(regular)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;"> </span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">CORAÇÃO
de PEDRA (Lucky Jordan, 1942)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">direção de
Frank Tuttle.</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">**
(regular)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;"> </span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">VIAGEM à
ITÁLIA (Viaggio in Italia, 1954)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">direção de
Roberto Rossellini.</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">****
(muito bom)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;"> </span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">RAINHA
CRISTINA (Queen Christina, 1933)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">direção de
Rouben Mamoulian.</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">*****
(ótimo)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;"> </span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">O
ASSASSINO (The Killer, 2023)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">direção de
David Fincher.</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">*** (bom)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;"> </span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">BECKET, o
FAVORITO do REI (Becket, 1964)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">direção de
Peter Glenville.</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">****
(muito bom)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;"> </span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">DANTON
(Idem, 1931)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">direção de
Hans Behrendt.</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">**
(regular)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;"> </span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">DANTON
(Idem, 1921)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">direção de
Dimitri Buchowetzki.</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">**
(regular)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;"> </span><span style="font-family: inherit;"><br /></span>
</div><div style="text-align: center;"><span style="background-color: #274e13; color: white; font-family: inherit; font-size: 14pt; line-height: 107%;">DEZEMBRO</span><span style="font-family: inherit;"><br /></span></div><div style="text-align: justify;">
<div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi5NkaZboeNrtZky6_5LWvCmO7_BBReeLxzj3HkxurdtldF8-KjmEBCpswaJcKElmbFBzQznjRCcoGShoj1jrGr1B_z-I4RwzC7tCn5fUG_fKFFhD0mjrtz0L3oHjYnFXHul5mXgUuGus5mEkxPhEG0IhZCDo7YPJlqHO9UPahuKV3QWEFIV2gFvI2q_eU/s1108/s-l12009.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="811" data-original-width="1108" height="468" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi5NkaZboeNrtZky6_5LWvCmO7_BBReeLxzj3HkxurdtldF8-KjmEBCpswaJcKElmbFBzQznjRCcoGShoj1jrGr1B_z-I4RwzC7tCn5fUG_fKFFhD0mjrtz0L3oHjYnFXHul5mXgUuGus5mEkxPhEG0IhZCDo7YPJlqHO9UPahuKV3QWEFIV2gFvI2q_eU/w640-h468/s-l12009.jpg" width="640" /></a></div><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">SEM TEMPO para AMAR (No Time For Love, 1943)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">direção de
Mitchell Leisen.</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">*** (bom)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;"> </span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">A
COLHEITA VERDE (La Verte Moisson, 1959)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">direção de
François Villiers.</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">****
(muito bom)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;"> </span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">As
AVENTURAS de PETER PAN (Peter Pan, 1953)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">direção de
Clyde Geronimi, Wilfred Jackson e Hamilton Luske.</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">****
(muito bom)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;"> </span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">A ÚLTIMA
PORTA (Die letzte Chance, 1945)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">direção de
Leopold Lindtberg.</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">*** (bom)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;"> </span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">A
ENFERMEIRA EDITH CAVELL (Nurse Edith Cavell, 1939)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">direção de
Herbert Wilcox.</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">*** (bom)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;"> </span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">ODETTE,
AGENTE 23 (Odette, 1950)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">direção de
Herbert Wilcox.</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">*** (bom)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;"> </span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">O ÚLTIMO
MAGNATA (The Last Tycoon, 1976)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">direção de
Elia Kazan.</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">*** (bom)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;"> </span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">SEDUÇÃO
(Where East is East, 1929)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">direção de
Tod Browning.</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">*** (bom)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;"> </span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">TIRANO e
MÁRTIR (The Road to Mandalay, 1926)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">direção de
Tod Browning.</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">** (regular)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;"> </span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">IRMÃOS de
SANGUE (Clockers, 1995)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">direção de
Spike Lee.</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">*** (bom)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;"> </span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">MULHERES
da NOITE (Yoru no Onnatachi, 1948)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">direção de
Kenji Mizoguchi.</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">****
(muito bom)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;"> </span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">DRIVE
(Idem, 2011)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">direção de
Nicolas Winding Refn.</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">*** (bom)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;"> </span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">SÓ DEUS
PERDOA (Only God Forgives, 2013)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">direção de
Nicolas Winding Refn.</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">**
(regular)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;"> </span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">NINOTCHKA
(Idem, 1939)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">direção de
Ernst Lubitsch.</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">*****
(ótimo)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;"> </span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">ESCOLA de
CARTEIROS (L'École des Facteurs, 1947)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">direção de
Jacques Tati.</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">*** (bom)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;"> </span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">DR.
MABUSE – PARTE II: o INFERNO do CRIME (Dr. Mabuse, der Spieler: Inferno – Ein
Spiel um Menschen Unserer Zeit, 1922)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">direção de
Fritz Lang.</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">****
(muito bom)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;"> </span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">A ESPADA
da MALDIÇÃO (Dai-Bosatsu Tôge, 1966)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">direção de
Kihachi Okamoto.</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">****
(muito bom)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;"> </span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">ESPADA de
ALUGUEL (Sengoku Burai, 1952)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">direção de
Hiroshi Inagaki.</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">*** (bom)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;"> </span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">GUERRA e
HUMANIDADE 1: NÃO HÁ AMOR MAIOR (Ningen no Jôken, 1959)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">direção de
Masaki Kobayashi.</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">****
(muito bom)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;"> </span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">O
PATRIOTA (The Patriot, 2000)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">direção de
Roland Emmerich.</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">*** (bom)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;"> </span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">A CONEXÃO
FRANCESA (La French, 2014)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">direção de
Cédric Jimenez.</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">*** (bom)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;"> </span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">REDS
(Idem, 1981)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">direção de
Warren Beatty.</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">*****
(ótimo)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;"> </span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">O FIM do
MUNDO (The Edge of the World, 1937)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">direção de
Michael Powell.</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">****
(muito bom)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;"> </span><span style="font-family: inherit;"><br /></span>
<span style="color: #3d85c6; font-family: inherit; font-size: 14pt; line-height: 107%;">QUATORZE
de JULHO (Quatorze Juillet, 1933)</span><span style="color: #3d85c6; font-family: inherit;"><br /></span>
<span style="color: #3d85c6; font-family: inherit; font-size: 14pt; line-height: 107%;">direção de
René Clair.</span><span style="color: #3d85c6; font-family: inherit;"><br /></span>
<span style="color: #3d85c6; font-family: inherit; font-size: 14pt; line-height: 107%;">*****
(ótimo)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;"> </span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">FOME por
GLÓRIA (Heroes for Sale, 1933)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">direção de
William A. Wellman.</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">*** (bom)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;"> </span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">MALDADE
(The Thundering Herd, 1933)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">direção de
Henry Hathaway.</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">**
(regular)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;"> </span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">O PASSADO
de uma MULHER (Midnight Mary, 1933)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">direção de
William A. Wellman.</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">*** (bom)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;"> </span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">PESO de
ÓDIO (Taxi!, 1931)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">direção de
Roy Del Ruth.</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">**
(regular)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;"> </span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">REI dos
REIS (King of Kings, 1961)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">direção de
Nicholas Ray.</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">*** (bom)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;"> </span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">O PODER
de RICHELIEU (Under the Red Robe, 1937)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">direção de
Victor Sjöström.</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">** (regular)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;"> </span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">A POLÍCIA
AGRADECE (La Polizia Ringrazia, 1972)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">direção de
Steno. </span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">*** (bom)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;"> </span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">VIVA COMO
um POLICIAL, MORRA COMO um HOMEM (Uomini si Nasce Poliziotti si Muore, 1976)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">direção de
Ruggero Deodato.</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">**
(regular)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;"> </span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">SÓ RESTA
ESQUECER (L'istruttoria è Chiusa: Dimentichi, 1971)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">direção de
Damiano Damiani.</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">*** (bom)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;"> </span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">MOULIN
ROUGE (Idem, 1952)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">direção de
John Huston.</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">*****
(ótimo)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;"> </span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">PIAZZA
FONTANA: uma CONSPIRAÇÃO ITALIANA (Romanzo di una Strage, 2012)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">direção de
Marco Tullio di Giordana.</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">*** (bom)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;"> </span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">STALKER
(Idem, 1979)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit;"><a name="_Hlk155264056"><span style="font-size: 14pt; line-height: 107%;">direção </span></a><span style="font-size: 14pt; line-height: 107%;">de Andrei Tarkovski.</span><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">*****
(ótimo)</span><span style="font-family: inherit;"><br /></span> <span style="font-family: inherit; font-size: 14pt; line-height: 107%;"></span><span style="font-family: inherit;"></span></div><div style="text-align: justify;"><span style="font-family: inherit;"></span><span style="font-family: inherit;"></span></div>ANTONIO NAHUDhttp://www.blogger.com/profile/09829893001743081676noreply@blogger.com0tag:blogger.com,1999:blog-7997398743762234247.post-18511421128907588862023-12-23T20:55:00.014-03:002023-12-23T22:28:52.268-03:00******** CINEMA BRASILEIRO: GRITOS e SILÊNCIOS<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto;"><tbody><tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiSMnwhm-Ti61x6lzzFeHjJZF31bK5c1Q4xav6P6okWlGYyFP6weiTpKPbD2QgprosWbxsWmrABcMEDiVHTzfsdomO41QB1qVyW2FB7g8W5ThJ0dSYqITZ9k8E_7Jsc4HoiI_R69hB7rq83BdKgiwMj0xziD04QKT06LSVWlVKgvEc0FFO78UJ74otpWbA/s1600/daniel_02.jpg" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="1085" data-original-width="1600" height="434" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiSMnwhm-Ti61x6lzzFeHjJZF31bK5c1Q4xav6P6okWlGYyFP6weiTpKPbD2QgprosWbxsWmrABcMEDiVHTzfsdomO41QB1qVyW2FB7g8W5ThJ0dSYqITZ9k8E_7Jsc4HoiI_R69hB7rq83BdKgiwMj0xziD04QKT06LSVWlVKgvEc0FFO78UJ74otpWbA/w640-h434/daniel_02.jpg" width="640" /></a></td></tr><tr><td class="tr-caption" style="text-align: center;"><span style="font-family: inherit;"><span style="font-size: large;"><span style="color: #3d85c6;"><span style="background-color: black;">daniel de oliveira em <span style="line-height: 107%;"><span>“</span></span>a festa da menina morta<span style="line-height: 107%;"><span>”</span></span></span></span></span></span></td></tr></tbody></table><p> <br /></p><div style="text-align: justify;"><span style="font-family: inherit; font-size: 14pt; line-height: 107%;">Conheço
bem a trajetória de altos e baixos do cinema nacional. Do experimental <span style="color: #3d85c6;">“Limite”</span> (1931), de Mário Peixoto, ao pioneiro Humberto
Mauro. Da filmografia luxuosa da Vera Cruz às hilárias chanchadas, o Cinema Novo,
o udigrúdi, a Retomada e longas mais recentes. Infelizmente é uma cinematografia
sem plateia, com raros elogios da crítica sensata, totalmente impessoal. Vive
dos cofres públicos, das políticas de fomento cultural. Resumindo: usa e abusa
do dinheiro do povo.</span><span style="font-family: inherit;"><br /><span style="font-size: 14pt; line-height: 107%;"> </span><br /><span style="font-size: 14pt; line-height: 107%;">Pra
variar, o Senado prorrogou, até 2033, a obrigatoriedade de exibição de 10% de
produções brasileiras nas salas de cinema. O mesmo acontece nos canais por
assinatura. É como obrigar uma loja a vender produto ou grife de um determinado
país. Um abuso de autoridade, suplantando qualquer espécie de racionalidade.
Não funciona, não incentiva a audiência, os locais ficam praticamente vazios. </span></span></div><div style="text-align: justify;"><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;"> </span><span style="font-size: 14pt; line-height: 107%;"><br /><table cellpadding="0" cellspacing="0" class="tr-caption-container" style="float: right; margin-left: 1em; text-align: right;"><tbody><tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiE-kO_tlRbuxbWfPl_-8zbnXTF5qByQ5KitOd1EBeKLWP1HHtIRL6I2ouFTLNPPhlb8fwHEgEyoKcqWaKElr60Pb2uJQoHcaTEQfb2HgzhYaKu4ZcyIv11ROjdt5nHohgzsCbfqyvbuDDIo8ZIL5S1EZSyHYPN2as7zjSFOkF4pD1adIHsVpH2gzVB1bg/s1006/CB112.jpg" style="clear: right; margin-bottom: 1em; margin-left: auto; margin-right: auto;"><img border="0" data-original-height="760" data-original-width="1006" height="242" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiE-kO_tlRbuxbWfPl_-8zbnXTF5qByQ5KitOd1EBeKLWP1HHtIRL6I2ouFTLNPPhlb8fwHEgEyoKcqWaKElr60Pb2uJQoHcaTEQfb2HgzhYaKu4ZcyIv11ROjdt5nHohgzsCbfqyvbuDDIo8ZIL5S1EZSyHYPN2as7zjSFOkF4pD1adIHsVpH2gzVB1bg/s320/CB112.jpg" width="320" /></a></td></tr><tr><td class="tr-caption" style="text-align: center;"><span style="font-family: inherit;"><span style="background-color: black; color: #3d85c6; font-size: large;">lázaro ramos em <span style="line-height: 107%;"><span>“</span></span>cidade baixa</span></span><span style="font-family: inherit;"><span style="font-size: large;"><span style="color: #3d85c6;"><span style="background-color: black;"><span style="line-height: 107%;"><span>”</span></span></span></span></span></span></td></tr></tbody></table></span><span style="font-size: 14pt; line-height: 107%;">Viciado
em dinheiro público, nosso cinema precisa ser desintoxicado, fazer obras
relevantes (como na Argentina). Nos últimos anos, contam-se nos
dedos filmes brasileiros competentes. Para uma renovação, seria preciso parar
de copiar a dramaturgia televisiva. Chega de violência, sexo, humor tosco e
lacração. Chega de valorizar diretores medíocres como Kleber Mendonça Filho ou
Petra Costa. </span><br /><span style="font-size: 14pt; line-height: 107%;"> </span><br /><span style="font-size: 14pt; line-height: 107%;">Desconsiderado
o paradoxo, a hora é de implantar o impacto da qualidade artística. Caso
contrário, rejeitaremos ainda mais a indústria audiovisual brasileira. É, no
mínimo curioso, que praticamente sem exibição ou público, ainda assim dezenas
de filmes tupiniquins são produzidos anualmente. Quais são os critérios e
parâmetros? Os cofres públicos e a farra das viagens internacionais aos
festivais de cinema? </span><br /><span style="font-size: 14pt; line-height: 107%;"> </span><br /><span style="font-size: 14pt; line-height: 107%;">Cansamos
de sustentar artistas lacradores incapazes de ir à luta como todos para sobreviver
do seu ofício; da exploração mamateira, o fracasso
maquiado, militante, feito pra causar choque. Queremos um cinema impetuoso,
contundente, independente de verbas públicas. É desejar muito ou no Brasil só
próspera a corrupção?</span><br /><span style="font-size: 14pt; line-height: 107%;"> <table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto;"><tbody><tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjJmjdSRDjQXVwa_gNV90d0URIJT_ePMuzBjOJsHgIa4Ln1ecQsFGT4Egk9_bVkgO6X46KMQzK0zHnX2RcTLXyMrNYtnMx7Xv7om7iXgdbJCHNnn0egp3UwS57Yo32ryNbUTCSeGfgOdxGTuOn3tamJ55hiaMVQ2MMJfRfueFTnXXwanPz3lMmysLN5gyg/s1114/1%20Xoybn07K_kcC2zjzEr25Jg.jpg" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="684" data-original-width="1114" height="392" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjJmjdSRDjQXVwa_gNV90d0URIJT_ePMuzBjOJsHgIa4Ln1ecQsFGT4Egk9_bVkgO6X46KMQzK0zHnX2RcTLXyMrNYtnMx7Xv7om7iXgdbJCHNnn0egp3UwS57Yo32ryNbUTCSeGfgOdxGTuOn3tamJ55hiaMVQ2MMJfRfueFTnXXwanPz3lMmysLN5gyg/w640-h392/1%20Xoybn07K_kcC2zjzEr25Jg.jpg" width="640" /></a></td></tr><tr><td class="tr-caption" style="text-align: center;"><span style="font-size: large;"><span style="font-family: inherit;"><span style="background-color: black; color: #3d85c6;">wagner moura em <span style="line-height: 107%;"><span>“</span></span>tropa de elite<span style="line-height: 107%;"><span>”</span></span></span></span></span></td></tr></tbody></table></span><br /></span></div><div style="text-align: center;"><span style="background-color: #274e13; color: white; font-family: inherit; font-size: 14pt; line-height: 107%;">ACERTOS
do CINEMA BRASILEIRO no SÉCULO XXI</span><span style="font-family: inherit;"><br /><span style="color: #3d85c6; font-size: 14pt; line-height: 107%;">(por
ordem de preferência)</span><span style="color: #3d85c6;"><br /><span style="font-size: 14pt; line-height: 107%;"> </span><br /><span style="font-size: 14pt; line-height: 107%;">01</span><br /></span><span style="background-color: #274e13; color: white; font-size: 14pt; line-height: 107%;">LAVOURA
ARCAICA</span><span style="color: #3d85c6;"><span style="font-size: 14pt; line-height: 107%;"> </span></span></span></div><div style="text-align: center;"><span style="font-family: inherit;"><span style="color: #3d85c6;"><span style="font-size: 14pt; line-height: 107%;">(2001)</span></span></span></div><div style="text-align: center;"><span style="font-family: inherit;"><span style="color: #3d85c6;"><span style="font-size: 14pt; line-height: 107%;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgJR3HSuWiCQM1JfnU7YcqX_EGbzD1tL9pv7EwRugtDEhBpDXYvKp5bW0dTbpst-4dHBOfeHj5gXPpKdd16QlCL92fL9wdRDSp1L5i8GtVk953JnuPHkyuPc69o66DbJPQMrpg1INjmhMHVG5MLkLxLvUKDsFYXaaRiWBti-qL0CGLIucruWxE8dXm4blQ/s1200/42513.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1200" data-original-width="800" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgJR3HSuWiCQM1JfnU7YcqX_EGbzD1tL9pv7EwRugtDEhBpDXYvKp5bW0dTbpst-4dHBOfeHj5gXPpKdd16QlCL92fL9wdRDSp1L5i8GtVk953JnuPHkyuPc69o66DbJPQMrpg1INjmhMHVG5MLkLxLvUKDsFYXaaRiWBti-qL0CGLIucruWxE8dXm4blQ/s320/42513.jpg" width="213" /></a></div> </span><br /><a name="_Hlk153998448"><span style="font-size: 14pt; line-height: 107%;">direção </span></a><span style="font-size: 14pt; line-height: 107%;">de Luiz Fernando Carvalho</span><br /><span style="font-size: 14pt; line-height: 107%;"> </span><br /><span style="font-size: 14pt; line-height: 107%;">02</span><br /></span><span style="background-color: #274e13; color: white; font-size: 14pt; line-height: 107%;">ABRIL
DESPEDAÇADO</span><span style="color: #3d85c6;"><span style="font-size: 14pt; line-height: 107%;"> </span></span></span></div><div style="text-align: center;"><span style="font-family: inherit;"><span style="color: #3d85c6;"><span style="font-size: 14pt; line-height: 107%;">(2001)</span></span></span></div><div style="text-align: center;"><span style="font-family: inherit;"><span style="color: #3d85c6;"><span style="font-size: 14pt; line-height: 107%;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg_iolnivKVZLMDPOBNll3a9GgWaMbS88Edy6EOmWYlsEmqzWJCUnuut3ZJtlKnWtP1QD9Tatuwe7tJpdxTeUgLWjl9yZYiu_dkKwrJbeHAk-blYElWfd3fOekZrQBfnRddAaZ6I3vdHaozCq4nseQjA5NcgJP6OURNZNv8qfIa8ThWAZlW7t1lXBgByoQ/s886/7189XeLL9PL._AC_UF1000,1000_QL80_.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="886" data-original-width="680" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg_iolnivKVZLMDPOBNll3a9GgWaMbS88Edy6EOmWYlsEmqzWJCUnuut3ZJtlKnWtP1QD9Tatuwe7tJpdxTeUgLWjl9yZYiu_dkKwrJbeHAk-blYElWfd3fOekZrQBfnRddAaZ6I3vdHaozCq4nseQjA5NcgJP6OURNZNv8qfIa8ThWAZlW7t1lXBgByoQ/s320/7189XeLL9PL._AC_UF1000,1000_QL80_.jpg" width="246" /></a></div></span><br /><span style="font-size: 14pt; line-height: 107%;">direção de
Walter Salles</span><br /><span style="font-size: 14pt; line-height: 107%;"> </span><br /><span style="font-size: 14pt; line-height: 107%;">03</span><br /></span><span style="background-color: #274e13; color: white; font-size: 14pt; line-height: 107%;">CARANDIRU</span><span style="color: #3d85c6;"><span style="font-size: 14pt; line-height: 107%;"> </span></span></span></div><div style="text-align: center;"><span style="font-family: inherit;"><span style="color: #3d85c6;"><span style="font-size: 14pt; line-height: 107%;">(2003)</span></span></span></div><div style="text-align: center;"><span style="font-family: inherit;"><span style="color: #3d85c6;"><span style="font-size: 14pt; line-height: 107%;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi4QJzDuBY8NdiBFd2_5_Nt6Yi9rYkrhEa_msNGF_AKgFJlHkEg5TibCIjRN63mF7LlkYyRmBokDLR17mhskJMPe09Qwviy7KQFFLaFUx9nE4KkehUXESICg4HrEfRaX84Aq2oLawInwiWo_VqFjeGHdDIAgyuD_I0HSnPPGCg5IPaVUi-J7kWraZaiiFY/s1496/MV5BMmQzY2RmYzMtYzRiOS00ZTMzLTgxMGYtZjRkNzAzYjA2MmVkXkEyXkFqcGdeQXVyNDc2MTA2NDg@._V1_FMjpg_UX1000_.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1496" data-original-width="1000" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi4QJzDuBY8NdiBFd2_5_Nt6Yi9rYkrhEa_msNGF_AKgFJlHkEg5TibCIjRN63mF7LlkYyRmBokDLR17mhskJMPe09Qwviy7KQFFLaFUx9nE4KkehUXESICg4HrEfRaX84Aq2oLawInwiWo_VqFjeGHdDIAgyuD_I0HSnPPGCg5IPaVUi-J7kWraZaiiFY/s320/MV5BMmQzY2RmYzMtYzRiOS00ZTMzLTgxMGYtZjRkNzAzYjA2MmVkXkEyXkFqcGdeQXVyNDc2MTA2NDg@._V1_FMjpg_UX1000_.jpg" width="214" /></a></div></span><br /><span style="font-size: 14pt; line-height: 107%;">direção de
Hector Babenco</span><br /><span style="font-size: 14pt; line-height: 107%;"> </span><br /><span style="font-size: 14pt; line-height: 107%;">04</span><br /></span><span style="background-color: #274e13; color: white; font-size: 14pt; line-height: 107%;">CINEMA, ASPIRINAS
e URUBUS</span><span style="color: #3d85c6;"><span style="font-size: 14pt; line-height: 107%;"> </span></span></span></div><div style="text-align: center;"><span style="font-family: inherit;"><span style="color: #3d85c6;"><span style="font-size: 14pt; line-height: 107%;">(2005)</span></span></span></div><div style="text-align: center;"><span style="font-family: inherit;"><span style="color: #3d85c6;"><span style="font-size: 14pt; line-height: 107%;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhkixmWK58cmJ6-yhyphenhyphenNYXkjorKJEi-RA7rXYMKSxpS7ti3FYad6K2lLxBNq73gudOCNWvfsJQpViTjW3ziIqJypeXt8jjf_grNL79_gbv-93KAamdTq_A2X6D_Vfh-4e3HaCLgfy0qLpHuEXCoZdiaTw6MV7tPdo2jU_Et0Ax3TEgb_EA7FoOyS3agFliQ/s1280/716bc2521247efe398f5f26a54f3affb.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1280" data-original-width="972" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhkixmWK58cmJ6-yhyphenhyphenNYXkjorKJEi-RA7rXYMKSxpS7ti3FYad6K2lLxBNq73gudOCNWvfsJQpViTjW3ziIqJypeXt8jjf_grNL79_gbv-93KAamdTq_A2X6D_Vfh-4e3HaCLgfy0qLpHuEXCoZdiaTw6MV7tPdo2jU_Et0Ax3TEgb_EA7FoOyS3agFliQ/s320/716bc2521247efe398f5f26a54f3affb.jpg" width="243" /></a></div> </span><br /><span style="font-size: 14pt; line-height: 107%;">direção de
Marcelo Gomes</span><br /><span style="font-size: 14pt; line-height: 107%;"> </span><br /><span style="font-size: 14pt; line-height: 107%;">05</span><br /></span><span style="background-color: #274e13; color: white; font-size: 14pt; line-height: 107%;">DESMUNDO</span><span style="color: #3d85c6;"><span style="font-size: 14pt; line-height: 107%;"> </span></span></span></div><div style="text-align: center;"><span style="font-family: inherit;"><span style="color: #3d85c6;"><span style="font-size: 14pt; line-height: 107%;">(2003)</span></span></span></div><div style="text-align: center;"><span style="font-family: inherit;"><span style="color: #3d85c6;"><span style="font-size: 14pt; line-height: 107%;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhpsSYNfPCmnmVb7ZYn-QMryvcjzzIiGJi0ipAIYaYyIiGd8per1o_a8k91LXmCv-pqd7gbu4xV2HwsfBLRdA96dkfs4dhzlTsP2QnSWPKEvEDnX0xLvYAgR72emd51SxYRCvp3SFqB61JETQht2Q-dK6SHu2ftYQKcT99-H59IZuxTYyMEOAc9XclBaQ8/s420/19871304.webp" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="420" data-original-width="310" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhpsSYNfPCmnmVb7ZYn-QMryvcjzzIiGJi0ipAIYaYyIiGd8per1o_a8k91LXmCv-pqd7gbu4xV2HwsfBLRdA96dkfs4dhzlTsP2QnSWPKEvEDnX0xLvYAgR72emd51SxYRCvp3SFqB61JETQht2Q-dK6SHu2ftYQKcT99-H59IZuxTYyMEOAc9XclBaQ8/s320/19871304.webp" width="236" /></a></div></span><br /><span style="font-size: 14pt; line-height: 107%;">direção de
Alain Fresnot</span><br /><span style="font-size: 14pt; line-height: 107%;"> </span><br /><span style="font-size: 14pt; line-height: 107%;">06</span><br /></span><span style="background-color: #274e13; color: white; font-size: 14pt; line-height: 107%;">AMARELO
MANGA</span><span style="color: #3d85c6;"><span style="font-size: 14pt; line-height: 107%;"> </span></span></span></div><div style="text-align: center;"><span style="font-family: inherit;"><span style="color: #3d85c6;"><span style="font-size: 14pt; line-height: 107%;">(2002)</span></span></span></div><div style="text-align: center;"><span style="font-family: inherit;"><span style="color: #3d85c6;"><span style="font-size: 14pt; line-height: 107%;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj01QmlryfkPSYU_aCaA0LL3KBC462Rdv-6tCHvN3fA40qn9KlTgnIyN0BfGucf4h4NIwn-WTa44ZSYh9G52xxTCKIlZ1xtOMDu4acyBbX3oTlQZEB9Hc6kbxG8OfqrR5rZD5Fd3Um_IkZkuIJkEHa0058-1OsLOGVTw90flmcm4o2XVo1O6nVGCpkH9fs/s1365/MV5BNDZhOTRlZWMtMzA2My00ZjUxLTljNTItNDE5MzkyMmQzNzRiXkEyXkFqcGdeQXVyMjQxNTM1MzY@._V1_FMjpg_UX1000_.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1365" data-original-width="1000" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj01QmlryfkPSYU_aCaA0LL3KBC462Rdv-6tCHvN3fA40qn9KlTgnIyN0BfGucf4h4NIwn-WTa44ZSYh9G52xxTCKIlZ1xtOMDu4acyBbX3oTlQZEB9Hc6kbxG8OfqrR5rZD5Fd3Um_IkZkuIJkEHa0058-1OsLOGVTw90flmcm4o2XVo1O6nVGCpkH9fs/s320/MV5BNDZhOTRlZWMtMzA2My00ZjUxLTljNTItNDE5MzkyMmQzNzRiXkEyXkFqcGdeQXVyMjQxNTM1MzY@._V1_FMjpg_UX1000_.jpg" width="234" /></a></div> </span><br /><span style="font-size: 14pt; line-height: 107%;">direção de
Cláudio Assis</span><br /><span style="font-size: 14pt; line-height: 107%;"> </span><br /><span style="font-size: 14pt; line-height: 107%;">07</span><br /></span><span style="background-color: #274e13; color: white; font-size: 14pt; line-height: 107%;">O LOBO
ATRÁS da PORTA</span><span style="color: #3d85c6;"><span style="font-size: 14pt; line-height: 107%;"> </span></span></span></div><div style="text-align: center;"><span style="font-family: inherit;"><span style="color: #3d85c6;"><span style="font-size: 14pt; line-height: 107%;">(2013)</span></span></span></div><div style="text-align: center;"><span style="font-family: inherit;"><span style="color: #3d85c6;"><span style="font-size: 14pt; line-height: 107%;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg7GlHdNX_AkPgB0XJA1v8hUSCC1iGLVoOLlQNMz8fyqsSo-qeh-gpSDflN56UjUGp0Z1ujl3v5YiDkGdZkukxuANQTyLYP0ZiEwjbbKZEWZSu2MLWBhyphenhyphenrA4mEgdR4gw72oeqUubfoGoskgBcVRBw9PhAASSq89Bamj3X5gzZHu1NNeItdHjjX4cRehjk8/s1522/O-Lobo-Atr%C3%A1s-da-Porta-Official-Poster-Banner-PROMO-POSTER-28OUTUBRO2013-011.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1522" data-original-width="1089" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg7GlHdNX_AkPgB0XJA1v8hUSCC1iGLVoOLlQNMz8fyqsSo-qeh-gpSDflN56UjUGp0Z1ujl3v5YiDkGdZkukxuANQTyLYP0ZiEwjbbKZEWZSu2MLWBhyphenhyphenrA4mEgdR4gw72oeqUubfoGoskgBcVRBw9PhAASSq89Bamj3X5gzZHu1NNeItdHjjX4cRehjk8/s320/O-Lobo-Atr%C3%A1s-da-Porta-Official-Poster-Banner-PROMO-POSTER-28OUTUBRO2013-011.jpg" width="229" /></a></div></span><br /><span style="font-size: 14pt; line-height: 107%;">direção de
Fernando Coimbra</span><br /><span style="font-size: 14pt; line-height: 107%;"> </span><br /><span style="font-size: 14pt; line-height: 107%;">08</span><br /></span><span style="background-color: #274e13; color: white; font-size: 14pt; line-height: 107%;">TROPA de
ELITE I e II</span><span style="color: #3d85c6;"><span style="font-size: 14pt; line-height: 107%;"> </span></span></span></div><div style="text-align: center;"><span style="font-family: inherit;"><span style="color: #3d85c6;"><span style="font-size: 14pt; line-height: 107%;">(2007 e 2010)</span></span></span></div><div style="text-align: center;"><span style="font-family: inherit;"><span style="color: #3d85c6;"><span style="font-size: 14pt; line-height: 107%;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjCjteAi68LpRgkfAJuiSwoIC6RNNfJOt9Q6yZNcYP821Zimz8tZn2KT2_E2Z-qVY2xyFhtRR5j-uAvj6IxPOmYsieWEXXvIRuEYvMXlF5Dz2VBoxeVfCSW3XLhu6WlNCaa4wKIxR0IRSMdHJfkC5yoP7HtLFUG7ww-NN5zlykZ9_HgFdN9e5ylpX_Mdjw/s1986/8967817feb845c0d0259582eb5885ecc_XL.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1986" data-original-width="1500" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjCjteAi68LpRgkfAJuiSwoIC6RNNfJOt9Q6yZNcYP821Zimz8tZn2KT2_E2Z-qVY2xyFhtRR5j-uAvj6IxPOmYsieWEXXvIRuEYvMXlF5Dz2VBoxeVfCSW3XLhu6WlNCaa4wKIxR0IRSMdHJfkC5yoP7HtLFUG7ww-NN5zlykZ9_HgFdN9e5ylpX_Mdjw/s320/8967817feb845c0d0259582eb5885ecc_XL.jpg" width="242" /></a></div><br /></span><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh5Q3UeGJ9Avk5PRC6Y6l_OKJUk4XJkR5L33cgR2fK1WBr5H0xHHCdXkhYwg5_RmlA6PbJ1I7GJ3JtG8DBhzH-5SAs1qlgEd4i1EtiFBIgHDYCtUZXg4vGecpQx0gcmPJM_FjVGpKpiAipPVy6A7DyGtKICIiDieILri0ukRgwKwpe0lk8dNt4Nnb8mx8A/s1389/cartaz-tropa-de-elite-2.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1389" data-original-width="973" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh5Q3UeGJ9Avk5PRC6Y6l_OKJUk4XJkR5L33cgR2fK1WBr5H0xHHCdXkhYwg5_RmlA6PbJ1I7GJ3JtG8DBhzH-5SAs1qlgEd4i1EtiFBIgHDYCtUZXg4vGecpQx0gcmPJM_FjVGpKpiAipPVy6A7DyGtKICIiDieILri0ukRgwKwpe0lk8dNt4Nnb8mx8A/s320/cartaz-tropa-de-elite-2.jpg" width="224" /></a></div><br /><span style="font-size: 14pt; line-height: 107%;">direção de
José Padilha</span><br /><span style="font-size: 14pt; line-height: 107%;"> </span><br /><span style="font-size: 14pt; line-height: 107%;">09</span><br /></span><span style="background-color: #274e13; color: white; font-size: 14pt; line-height: 107%;">A FESTA
da MENINA MORTA</span><span style="color: #3d85c6;"><span style="font-size: 14pt; line-height: 107%;"> </span></span></span></div><div style="text-align: center;"><span style="font-family: inherit;"><span style="color: #3d85c6;"><span style="font-size: 14pt; line-height: 107%;">(2008)</span></span></span></div><div style="text-align: center;"><span style="font-family: inherit;"><span style="color: #3d85c6;"><span style="font-size: 14pt; line-height: 107%;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj7QIsikxktVgSdvyqVfz42MU_IOAbgGnOtybJkDx9Ey0EnyFUth8Ta9gC-U-OlN1PihB78lYqIZZWl8_xgQU9Kj8QoHFinpr8XnKeEhiop7Rb6pA5DWcraEFcF6pQW15x0pIx-rlnzk14p8WOf82VpqHJ6llz-Ujh6YtzUBfKwN8mnFVveLD1OHFqYK8Q/s1178/MV5BZmRlNTBiOTYtNTMyOC00MDk4LWEzOTMtNDljNjRkYTMwNDQ1XkEyXkFqcGdeQXVyNDc2MTA2NDg@._V1_FMjpg_UX1000_.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1178" data-original-width="1000" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj7QIsikxktVgSdvyqVfz42MU_IOAbgGnOtybJkDx9Ey0EnyFUth8Ta9gC-U-OlN1PihB78lYqIZZWl8_xgQU9Kj8QoHFinpr8XnKeEhiop7Rb6pA5DWcraEFcF6pQW15x0pIx-rlnzk14p8WOf82VpqHJ6llz-Ujh6YtzUBfKwN8mnFVveLD1OHFqYK8Q/s320/MV5BZmRlNTBiOTYtNTMyOC00MDk4LWEzOTMtNDljNjRkYTMwNDQ1XkEyXkFqcGdeQXVyNDc2MTA2NDg@._V1_FMjpg_UX1000_.jpg" width="272" /></a></div> </span><br /><span style="font-size: 14pt; line-height: 107%;">direção de
Matheus Nachtergaele</span><br /><span style="font-size: 14pt; line-height: 107%;"> </span><br /><span style="font-size: 14pt; line-height: 107%;">10</span><br /></span><span style="background-color: #274e13; color: white; font-size: 14pt; line-height: 107%;">CIDADE
BAIXA</span><span style="color: #3d85c6;"><span style="font-size: 14pt; line-height: 107%;"> </span></span></span></div><div style="text-align: center;"><span style="font-family: inherit;"><span style="color: #3d85c6;"><span style="font-size: 14pt; line-height: 107%;">(2005)</span></span></span></div><div style="text-align: center;"><span style="font-family: inherit;"><span style="color: #3d85c6;"><span style="font-size: 14pt; line-height: 107%;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiYRWJk2XMraIbQcZSU-uYvzYi23EeeKwZGsFUolNizsq9ex5F7bEsoh5QkCSK167MduMmNgzll9oPdSORHLVZMkWFtkguf-BTMzMm2hVWX_1EZkTXnt7cPxO38blwU_pQFOCA1U8f2lfwYtC5KPBv6DUokzvoYkdXIurdAJZ20vm0RubGyqsImTX8A5ck/s225/Sem%20t%C3%ADtulo.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="225" data-original-width="225" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiYRWJk2XMraIbQcZSU-uYvzYi23EeeKwZGsFUolNizsq9ex5F7bEsoh5QkCSK167MduMmNgzll9oPdSORHLVZMkWFtkguf-BTMzMm2hVWX_1EZkTXnt7cPxO38blwU_pQFOCA1U8f2lfwYtC5KPBv6DUokzvoYkdXIurdAJZ20vm0RubGyqsImTX8A5ck/w320-h320/Sem%20t%C3%ADtulo.jpg" width="320" /></a></div></span><br /><span style="font-size: 14pt; line-height: 107%;">direção de
Sérgio Machado</span><br /><span style="font-size: 14pt; line-height: 107%;"> </span><br /><span style="font-size: 14pt; line-height: 107%;">11</span><br /></span><span style="background-color: #274e13; color: white; font-size: 14pt; line-height: 107%;">TATUAGEM</span><span style="color: #3d85c6;"><span style="font-size: 14pt; line-height: 107%;"> </span></span></span></div><div style="text-align: center;"><span style="font-family: inherit;"><span style="color: #3d85c6;"><span style="font-size: 14pt; line-height: 107%;">(2013)</span></span></span></div><div style="text-align: center;"><span style="font-family: inherit;"><span style="color: #3d85c6;"><span style="font-size: 14pt; line-height: 107%;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgW_GaAppIegXhc6LbTcwskvKnmb_ygSirVZZKcbJo9ZIROuLH5xf_Bh42kC6QaCeA5FGiLqr7eXj6E9uELs0mM17Kp3yBBecvWz0fZfSS4gV-vQzOxOO4csQ-AqWwqWj5l9bTUHRMLoAO6-1pnaBYb-UnIcjiULL3cvmdGLVld6mvciDJbBbF7UrOFbM4/s1410/MV5BYjczZWRiMjYtMmU0NS00NzJjLWFkMTEtNGZlODM2ZGNhZmFjXkEyXkFqcGdeQXVyMTkzODUwNzk@._V1_FMjpg_UX1000_.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1410" data-original-width="1000" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgW_GaAppIegXhc6LbTcwskvKnmb_ygSirVZZKcbJo9ZIROuLH5xf_Bh42kC6QaCeA5FGiLqr7eXj6E9uELs0mM17Kp3yBBecvWz0fZfSS4gV-vQzOxOO4csQ-AqWwqWj5l9bTUHRMLoAO6-1pnaBYb-UnIcjiULL3cvmdGLVld6mvciDJbBbF7UrOFbM4/s320/MV5BYjczZWRiMjYtMmU0NS00NzJjLWFkMTEtNGZlODM2ZGNhZmFjXkEyXkFqcGdeQXVyMTkzODUwNzk@._V1_FMjpg_UX1000_.jpg" width="227" /></a></div></span><br /><span style="font-size: 14pt; line-height: 107%;">direção de
Hilton Lacerda</span><br /><span style="font-size: 14pt; line-height: 107%;"> </span><br /><span style="font-size: 14pt; line-height: 107%;">12</span><br /></span><span style="background-color: #274e13; color: white; font-size: 14pt; line-height: 107%;">FELIZ
NATAL</span><span style="color: #3d85c6;"><span style="font-size: 14pt; line-height: 107%;"> </span></span></span></div><div style="text-align: center;"><span style="font-family: inherit;"><span style="color: #3d85c6;"><span style="font-size: 14pt; line-height: 107%;">(2008)</span></span></span></div><div style="text-align: center;"><span style="font-family: inherit;"><span style="color: #3d85c6;"><span style="font-size: 14pt; line-height: 107%;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh8PfJ0LBEJNGa7XuLk8eaTHzrTQrZaQJ3p7hB1ledCNL8uSbe-qELJTKX_PwcPsvvaYr9QygAFcP9q0jjcj_P0EiXFFBGnSiUtZ5oOXjySycjDxLO_zle0NsEua_JUUKkemx-ay_edcS2mhdPFQkMkEe3vO4fnPUEnlJN595-Pkp_rUiE_BE2CBIL6R4E/s1176/MV5BZjU2ZjdjMGQtZmI1Ny00NTRhLTg2MzUtZTQ1MjVkYjkyMDliXkEyXkFqcGdeQXVyMTY2MzYyNzA@._V1_FMjpg_UX1000_.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1176" data-original-width="825" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh8PfJ0LBEJNGa7XuLk8eaTHzrTQrZaQJ3p7hB1ledCNL8uSbe-qELJTKX_PwcPsvvaYr9QygAFcP9q0jjcj_P0EiXFFBGnSiUtZ5oOXjySycjDxLO_zle0NsEua_JUUKkemx-ay_edcS2mhdPFQkMkEe3vO4fnPUEnlJN595-Pkp_rUiE_BE2CBIL6R4E/s320/MV5BZjU2ZjdjMGQtZmI1Ny00NTRhLTg2MzUtZTQ1MjVkYjkyMDliXkEyXkFqcGdeQXVyMTY2MzYyNzA@._V1_FMjpg_UX1000_.jpg" width="224" /></a></div> </span><br /><a name="_Hlk154224234"><span style="font-size: 14pt; line-height: 107%;">direção de </span></a><span style="font-size: 14pt; line-height: 107%;">Selton Mello</span><br /><span style="font-size: 14pt; line-height: 107%;"> </span><br /><span style="font-size: 14pt; line-height: 107%;">13</span><br /></span><span style="background-color: #274e13; color: white; font-size: 14pt; line-height: 107%;">BICHO de
SETE CABEÇAS</span><span style="color: #3d85c6;"><span style="font-size: 14pt; line-height: 107%;"> </span></span></span></div><div style="text-align: center;"><span style="font-family: inherit;"><span style="color: #3d85c6;"><span style="font-size: 14pt; line-height: 107%;">(2000)</span></span></span></div><div style="text-align: center;"><span style="font-family: inherit;"><span style="color: #3d85c6;"><span style="font-size: 14pt; line-height: 107%;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgy5y_kNOLgWA258hcN2vZaLOMt5gBVqGHOhkhEiWNslFUQTAzurGoU0frqeDR3VjSyO7qknfmOedWh3_ujMVUtvlZnRp-qZPMveOhjV0JUMTEdZpcy6eaYBSJv6ScnCZR6BybPZIQn8Yb7Y9iKd43qjJD7bCP-QeU9aGoAT0Gn-N6Hk1PaovEkJmhvhao/s1336/MV5BN2Y2MGE3OTUtMDhkZC00MmU1LTg5NTktYjExNGZmNjgzNjJiXkEyXkFqcGdeQXVyMTY2MzYyNzA@._V1_FMjpg_UX1000_.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1336" data-original-width="1000" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgy5y_kNOLgWA258hcN2vZaLOMt5gBVqGHOhkhEiWNslFUQTAzurGoU0frqeDR3VjSyO7qknfmOedWh3_ujMVUtvlZnRp-qZPMveOhjV0JUMTEdZpcy6eaYBSJv6ScnCZR6BybPZIQn8Yb7Y9iKd43qjJD7bCP-QeU9aGoAT0Gn-N6Hk1PaovEkJmhvhao/s320/MV5BN2Y2MGE3OTUtMDhkZC00MmU1LTg5NTktYjExNGZmNjgzNjJiXkEyXkFqcGdeQXVyMTY2MzYyNzA@._V1_FMjpg_UX1000_.jpg" width="240" /></a></div></span><br /><span style="font-size: 14pt; line-height: 107%;">direção
de </span><span style="font-size: 14pt; line-height: 107%;">Laís
Bodanzky</span><br /><span style="font-size: 14pt; line-height: 107%;"> </span><br /><span style="font-size: 14pt; line-height: 107%;">14</span><br /></span><span style="background-color: #274e13; color: white; font-size: 14pt; line-height: 107%;">ESTÔMAGO</span><span style="color: #3d85c6;"><span style="font-size: 14pt; line-height: 107%;"> </span></span></span></div><div style="text-align: center;"><span style="font-family: inherit;"><span style="color: #3d85c6;"><span style="font-size: 14pt; line-height: 107%;">(2007)</span></span></span></div><div style="text-align: center;"><span style="font-family: inherit;"><span style="color: #3d85c6;"><span style="font-size: 14pt; line-height: 107%;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjCRZwUcjiJsnRGdib-XPAJHWr6d9fEJh0BLhv7RPKCditXtHr2rGCslf9BSIIk6qWiyRuw9kidY7Bpv9gQi4G9i2d6YQye_BkGGLdx27GDuQMiC7yrAOpNTgGQsBm5c3avKXULt2r7xyl7SR2OlwgAD3FqDGVn-fx72z9M1SAWdzDfD_3KhZ5vFtmfBwQ/s1108/MV5BMzQzMDMxOWMtMjM5ZS00NjhiLTgwNzQtNmI3MzVhNmYyOTIxXkEyXkFqcGdeQXVyMTAyOTE2ODg0._V1_.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1108" data-original-width="818" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjCRZwUcjiJsnRGdib-XPAJHWr6d9fEJh0BLhv7RPKCditXtHr2rGCslf9BSIIk6qWiyRuw9kidY7Bpv9gQi4G9i2d6YQye_BkGGLdx27GDuQMiC7yrAOpNTgGQsBm5c3avKXULt2r7xyl7SR2OlwgAD3FqDGVn-fx72z9M1SAWdzDfD_3KhZ5vFtmfBwQ/s320/MV5BMzQzMDMxOWMtMjM5ZS00NjhiLTgwNzQtNmI3MzVhNmYyOTIxXkEyXkFqcGdeQXVyMTAyOTE2ODg0._V1_.jpg" width="236" /></a></div></span><br /><span style="font-size: 14pt; line-height: 107%;">direção
de </span><span style="font-size: 14pt; line-height: 107%;">Marcos
Jorge</span><br /><span style="font-size: 14pt; line-height: 107%;"> </span><br /><span style="font-size: 14pt; line-height: 107%;">15</span><br /></span><span style="background-color: #274e13; color: white; font-size: 14pt; line-height: 107%;">O CHEIRO
do RALO</span><span style="color: #3d85c6;"><span style="font-size: 14pt; line-height: 107%;"> </span></span></span></div><div style="text-align: center;"><span style="font-family: inherit;"><span style="color: #3d85c6;"><span style="font-size: 14pt; line-height: 107%;">(2007)</span></span></span></div><div style="text-align: center;"><span style="font-family: inherit;"><span style="color: #3d85c6;"><span style="font-size: 14pt; line-height: 107%;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh1bEFM_3Uz20E5dM3nsZqwmQHnSYfSCcca18L_HYJ2IWefPe0kGwdpzECJlVcxX_OLTYVgVCgHkYO4L8b8ebZy5XoCmj4kY-DHNbFgRYsY8aLlxNISxKCT7t509j2uL_U5opt3IlAg-4abo_bEKrvIotN0wRcbLZnIPau2HKrIRooy56GY81E1RbZ_qyk/s1407/MV5BMTM4NjI0ODMzOF5BMl5BanBnXkFtZTcwMzk1OTQ2OA@@._V1_FMjpg_UX1000_.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1407" data-original-width="1000" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh1bEFM_3Uz20E5dM3nsZqwmQHnSYfSCcca18L_HYJ2IWefPe0kGwdpzECJlVcxX_OLTYVgVCgHkYO4L8b8ebZy5XoCmj4kY-DHNbFgRYsY8aLlxNISxKCT7t509j2uL_U5opt3IlAg-4abo_bEKrvIotN0wRcbLZnIPau2HKrIRooy56GY81E1RbZ_qyk/s320/MV5BMTM4NjI0ODMzOF5BMl5BanBnXkFtZTcwMzk1OTQ2OA@@._V1_FMjpg_UX1000_.jpg" width="227" /></a></div></span><br /><span style="font-size: 14pt; line-height: 107%;">direção
de</span><span style="font-size: 14pt; line-height: 107%;"> Heitor
Dhalia</span><br /><span style="font-size: 14pt; line-height: 107%;"> </span><br /><span style="font-size: 14pt; line-height: 107%;">16</span><br /></span><span style="background-color: #274e13; color: white; font-size: 14pt; line-height: 107%;">BOI NEON</span><span style="color: #3d85c6;"><span style="font-size: 14pt; line-height: 107%;"> </span></span></span></div><div style="text-align: center;"><span style="font-family: inherit;"><span style="color: #3d85c6;"><span style="font-size: 14pt; line-height: 107%;">(2015)</span></span></span></div><div style="text-align: center;"><span style="font-family: inherit;"><span style="color: #3d85c6;"><span style="font-size: 14pt; line-height: 107%;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgGUUPwC202wqJ17t3sNEcCtjHfi_yFc3oJMqjXMElzzq6Bbu5F40iz3cOQjEfgna9MXVK99eYjgheijZL1NrsVpr5sb7-VxqYUkma7hzr1ijK5sSsAbHtZHIQMW74ukPkLPa-kMZpMcf4CzuGYuhTthS5m-lhpmUXQOsVVQKLchL-aFTU51vag6bLCNuA/s1506/boineon.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1506" data-original-width="1114" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgGUUPwC202wqJ17t3sNEcCtjHfi_yFc3oJMqjXMElzzq6Bbu5F40iz3cOQjEfgna9MXVK99eYjgheijZL1NrsVpr5sb7-VxqYUkma7hzr1ijK5sSsAbHtZHIQMW74ukPkLPa-kMZpMcf4CzuGYuhTthS5m-lhpmUXQOsVVQKLchL-aFTU51vag6bLCNuA/s320/boineon.jpg" width="237" /></a></div></span><br /><span style="font-size: 14pt; line-height: 107%;">direção
de</span><span style="font-size: 14pt; line-height: 107%;"> Gabriel
Mascaro</span><br /><span style="font-size: 14pt; line-height: 107%;"> </span><br /><span style="font-size: 14pt; line-height: 107%;">17</span><br /></span><span style="background-color: #274e13; color: white; font-size: 14pt; line-height: 107%;">CIDADE de
DEUS</span><span style="color: #3d85c6;"><span style="font-size: 14pt; line-height: 107%;"> </span></span></span></div><div style="text-align: center;"><span style="font-family: inherit;"><span style="color: #3d85c6;"><span style="font-size: 14pt; line-height: 107%;">(2002)</span></span></span></div><div style="text-align: center;"><span style="font-family: inherit;"><span style="color: #3d85c6;"><span style="font-size: 14pt; line-height: 107%;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjVwT2JtOJw6bvE9idRoV7yVivu67oqvAUplUln9PK39xep-B2x1vjNXtSL8c4_esQDhOWXC1j_nHGQ4nNmyX_JWJphDBfYL2n9VAT0676iOq4aBNMFhOp4UqLLGzt3lBqwOLHBUHTXS72LUa2ctmcWCCiBYAM7IIqzzRjn-W9PUcbwB25CqZN6WLHqW3w/s1450/cidade-de-deus.webp" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1450" data-original-width="984" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjVwT2JtOJw6bvE9idRoV7yVivu67oqvAUplUln9PK39xep-B2x1vjNXtSL8c4_esQDhOWXC1j_nHGQ4nNmyX_JWJphDBfYL2n9VAT0676iOq4aBNMFhOp4UqLLGzt3lBqwOLHBUHTXS72LUa2ctmcWCCiBYAM7IIqzzRjn-W9PUcbwB25CqZN6WLHqW3w/s320/cidade-de-deus.webp" width="217" /></a></div></span><br /><span style="font-size: 14pt; line-height: 107%;">direção
de</span><span style="font-size: 14pt; line-height: 107%;"> Fernando
Meirelles e Kátia Lund</span><br /><span style="font-size: 14pt; line-height: 107%;"> </span><br /><span style="font-size: 14pt; line-height: 107%;">18</span><br /></span><span style="background-color: #274e13; color: white; font-size: 14pt; line-height: 107%;">O INVASOR</span><span style="color: #3d85c6;"><span style="font-size: 14pt; line-height: 107%;"> </span></span></span></div><div style="text-align: center;"><span style="font-family: inherit;"><span style="color: #3d85c6;"><span style="font-size: 14pt; line-height: 107%;">(2002)</span></span></span></div><div style="text-align: center;"><span style="font-family: inherit;"><span style="color: #3d85c6;"><span style="font-size: 14pt; line-height: 107%;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgJesWUZ5FyCpolTFuVG9fEpOJ6c-JbssJkEi-s_NpQwXYXz_eBpUyOpMeGQLMx5BugFji834snPE56PiSb69wYUhc4LRTb7cKmT3k4G1te_Fp1sPq1FoZuVRZ8ethqf536PnouVPyMr43Ya-oe-cowPC7LxDK5jJlpEVjydeojgavxaDDKifPhYBKXwuQ/s1834/featuredImage.png" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1834" data-original-width="1231" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgJesWUZ5FyCpolTFuVG9fEpOJ6c-JbssJkEi-s_NpQwXYXz_eBpUyOpMeGQLMx5BugFji834snPE56PiSb69wYUhc4LRTb7cKmT3k4G1te_Fp1sPq1FoZuVRZ8ethqf536PnouVPyMr43Ya-oe-cowPC7LxDK5jJlpEVjydeojgavxaDDKifPhYBKXwuQ/s320/featuredImage.png" width="215" /></a></div> </span><br /><span style="font-size: 14pt; line-height: 107%;">direção
de </span><span style="font-size: 14pt; line-height: 107%;">Beto
Brant</span></span></span></div><div style="text-align: center;"><span style="font-family: inherit;"><span style="color: #3d85c6;"><span style="font-size: 14pt; line-height: 107%;"> </span></span></span></div><div style="text-align: center;"><span style="font-family: inherit;"><span style="color: white;"><span style="font-size: x-large; line-height: 107%;"><span style="background-color: #274e13; font-family: inherit;">GALERIA de FOTOS</span></span></span><span style="color: #3d85c6;"><span style="font-size: 14pt; line-height: 107%;"> <br /></span></span></span></div><div style="text-align: center;"><span style="color: #3d85c6; font-family: inherit; font-size: 14pt; line-height: 107%;"> </span></div><div style="text-align: center;"><span style="color: #3d85c6; font-family: inherit; font-size: 14pt; line-height: 107%;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiunYUd6F5LDuig5yg2YG1Y3aFzrtTXun7EXmvGdq2tjBt6jlEXMFQPWzzOBnAIqSByejIO6FpMRmEH2yDwaeD48hJOWokt02g_VfavZZvMUOwl1JQ_BOHvYXSHoJGmbk7Xya8FyLzyeU1RM2wO4FFcDwP5fXJDTF0QgdDFxyn1KsULzbGJ8ESKrYSk0PM/s1200/o-cheiro-do-ralo.webp" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="675" data-original-width="1200" height="225" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiunYUd6F5LDuig5yg2YG1Y3aFzrtTXun7EXmvGdq2tjBt6jlEXMFQPWzzOBnAIqSByejIO6FpMRmEH2yDwaeD48hJOWokt02g_VfavZZvMUOwl1JQ_BOHvYXSHoJGmbk7Xya8FyLzyeU1RM2wO4FFcDwP5fXJDTF0QgdDFxyn1KsULzbGJ8ESKrYSk0PM/w400-h225/o-cheiro-do-ralo.webp" width="400" /></a></div></span><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEha56IR3JD_QuiRmfR6sG863WgK5Uoe5lawJDYOSD9dQ0ux6aoUzuz1RAdOClJwsiLMTcV_27hyphenhyphengv4lhvEy4huw7mc4H5L7nqsVOeUBRZ96USP1kLftBUoNRUsTJvN_u_cGTopYaNx7NbXFqoTJo-_52D0ZWEDU-hOHo6_h1Jbre5MLgi4zCUduamvZTvY/s1280/img.webp" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="720" data-original-width="1280" height="225" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEha56IR3JD_QuiRmfR6sG863WgK5Uoe5lawJDYOSD9dQ0ux6aoUzuz1RAdOClJwsiLMTcV_27hyphenhyphengv4lhvEy4huw7mc4H5L7nqsVOeUBRZ96USP1kLftBUoNRUsTJvN_u_cGTopYaNx7NbXFqoTJo-_52D0ZWEDU-hOHo6_h1Jbre5MLgi4zCUduamvZTvY/w400-h225/img.webp" width="400" /></a></div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgClMIQcgovvT1Skn0qyJjPV-KdkqaOyvuRqJPMQXWRN67tgY_wGf0yedORah5hxwAICglPVM1gn6vM4wBzj0ovwNfQUvGGf4d7WijqKVVCNXbxpGRms98g3bTgvGwUQkslmBKqe_6cDZuNDhJoaRO2k_Bg_Pwx-UulwPpa4BkouZ6th3t2t3db63tWOUY/s1591/images-original.png" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1080" data-original-width="1591" height="271" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgClMIQcgovvT1Skn0qyJjPV-KdkqaOyvuRqJPMQXWRN67tgY_wGf0yedORah5hxwAICglPVM1gn6vM4wBzj0ovwNfQUvGGf4d7WijqKVVCNXbxpGRms98g3bTgvGwUQkslmBKqe_6cDZuNDhJoaRO2k_Bg_Pwx-UulwPpa4BkouZ6th3t2t3db63tWOUY/w400-h271/images-original.png" width="400" /></a></div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgmhGWIvbcCR4OJ5hf7BcwDVxEkbSpzVqHI3FSVbteRJhe76a9iVpo8f2GLyD5mF6aXk38wFRpIoFOnQFAgM4DkT-7SzhKMDUmi8zuMqhwBOXkE0DKsiTJ_qcR-eX1q8kird19ktY9QHBvFidAPk5LQXbmoD2r661ezbsvEJOzfYb8G_d4uMAbRugadzJc/s2529/Frame_Carandiru_HectorBabenco_ItauCulturalPlay.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1700" data-original-width="2529" height="269" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgmhGWIvbcCR4OJ5hf7BcwDVxEkbSpzVqHI3FSVbteRJhe76a9iVpo8f2GLyD5mF6aXk38wFRpIoFOnQFAgM4DkT-7SzhKMDUmi8zuMqhwBOXkE0DKsiTJ_qcR-eX1q8kird19ktY9QHBvFidAPk5LQXbmoD2r661ezbsvEJOzfYb8G_d4uMAbRugadzJc/w400-h269/Frame_Carandiru_HectorBabenco_ItauCulturalPlay.jpg" width="400" /></a></div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi-YhRxLlEI5GYCULxuyF5AZ45ioTsG-8mIPdnPiCkQ_i3sD8TbVRzj-xuyU7NZYqIxicEwzQDCiaU4H_RIFnWei5SdW3U6h0CIGZExg1JFbE_S36ZiRBOyVRRsgdPj2NVqPNL_4DMjb1cXL-gL9zdhs7uJ_o6cz5AKOK9SjZKzKxpYV6iJZ1wmjOzQbrM/s1160/E0lEKS7XsAAj6QR.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="744" data-original-width="1160" height="256" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi-YhRxLlEI5GYCULxuyF5AZ45ioTsG-8mIPdnPiCkQ_i3sD8TbVRzj-xuyU7NZYqIxicEwzQDCiaU4H_RIFnWei5SdW3U6h0CIGZExg1JFbE_S36ZiRBOyVRRsgdPj2NVqPNL_4DMjb1cXL-gL9zdhs7uJ_o6cz5AKOK9SjZKzKxpYV6iJZ1wmjOzQbrM/w400-h256/E0lEKS7XsAAj6QR.jpg" width="400" /></a></div><div class="separator" style="clear: both; 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ANTONIO NAHUDhttp://www.blogger.com/profile/09829893001743081676noreply@blogger.com0tag:blogger.com,1999:blog-7997398743762234247.post-66225244247674415162023-11-27T14:34:00.012-03:002023-11-27T15:43:26.572-03:00********** MARILYN e JFK: a VERDADEIRA HISTÓRIA<div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj7QWUdhdAdhAK-47WCyvjlewJO53jQpyCKx5aYlWqMUJX9oT9D9bH4dLqktVaDOlQNLflgV-IWwpWJt8TrMpX0SM199zUI00yoseRhs9f74zxuTS2_E95ObMilVg4W4bgNH75Y4rDNrzeXtoCz1ZUJQ4qwHfRFYDou3WWn_CRO4BJlVfYFKkMu2JVnLok/s1204/d9c7faf30710c649b9ef565326b5ae69.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1181" data-original-width="1204" height="628" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj7QWUdhdAdhAK-47WCyvjlewJO53jQpyCKx5aYlWqMUJX9oT9D9bH4dLqktVaDOlQNLflgV-IWwpWJt8TrMpX0SM199zUI00yoseRhs9f74zxuTS2_E95ObMilVg4W4bgNH75Y4rDNrzeXtoCz1ZUJQ4qwHfRFYDou3WWn_CRO4BJlVfYFKkMu2JVnLok/w640-h628/d9c7faf30710c649b9ef565326b5ae69.jpg" width="640" /></a></div><br /><p><br /><!--[if gte mso 9]><xml>
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</p><div style="text-align: justify;"><span style="color: #3d85c6; font-family: inherit; font-size: 14pt; line-height: 107%;">“Não me
falta homem, o que me falta é amor.”</span><span style="font-family: inherit;"><span style="color: #3d85c6;"><br /><span style="font-size: 14pt; line-height: 107%;"> </span><br /><span style="font-size: 14pt; line-height: 107%;">“Detesto
coisas mais ou menos, não sei amar mais ou menos, não me alimento de quases. É
tudo ou nada.”</span><br /></span><span style="background-color: #274e13; color: white; font-size: 14pt; line-height: 107%;">MARILYN
MONROE</span><span style="color: #3d85c6;"><br /><span style="font-size: 14pt; line-height: 107%;"> </span></span><br /><span style="font-size: 14pt; line-height: 107%;"> </span><span style="font-size: 14pt; line-height: 107%;"><span style="color: #3d85c6;"> </span></span></span></div><div style="text-align: justify;"><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;"><span style="color: #3d85c6;">“Marilyn
e JFK”</span> (2008),</span><span style="font-size: 14pt; line-height: 107%;"> do francês François Forestier, é um livro agradável,
mas não 100% confiável. Há uns 20% de especulação. Confirma minhas suspeitas: <span style="background-color: #274e13; color: white;">MARILYN
MONROE</span> <span style="color: #3d85c6;">(1926 – 1962. Los Angeles, Califórnia / EUA)</span> era suicida em potencial; e
a teoria conspiratória que liga a sua morte a <span style="background-color: #274e13; color: white;">JOHN F. KENNEDY</span> <span style="color: #3d85c6;">(1917 – 1963. Brookline,
Massachusetts / EUA)</span> é lorota para vender jornal. A biografia apresenta a
estrela de Hollywood como manipuladora e insuportável. O icônico presidente surge
como um sujeito mimado que, na vida pessoal, não praticava ética. </span><span style="font-size: 14pt; line-height: 107%;">Por trás
da loira sedutora, uma ninfomaníaca, alcoólatra, viciada em drogas, que
conduzia suas relações íntimas com sinceridade. Sob a máscara do jovem político
bronzeado e popular, a obsessão pelo sexo, a infidelidade, o egocentrismo e a
vaidade.</span><br /><span style="font-size: 14pt; line-height: 107%;"> </span><br /><span style="font-size: 14pt; line-height: 107%;">O suposto
romance deles é um dos rumores mais populares e misteriosos da cultura pop. Atraiu
mais interesse mediático do que qualquer outro. Existem vários depoimentos
conflitantes sobre quando eles se conheceram. Segundo o famoso biógrafo James
Spada, em entrevista na revista <span style="color: #3d85c6;">“People”</span>, o charmoso e mafioso ator Peter
Lawford – cunhado de JFK – apresentou em 1954 a diva ao futuro presidente. Em
abril de 1957, ambos estavam em um baile no Waldorf-Astoria, em Nova York, mas
acompanhados por seus respectivos cônjuges: Jackie e Arthur Miller. A festa
teve mil convidados, então seus caminhos podem nem ter se cruzado
naquela noite.</span></span></div><div style="text-align: justify;"><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;"> </span><span style="font-size: 14pt; line-height: 107%;"><br /><table cellpadding="0" cellspacing="0" class="tr-caption-container" style="float: right; margin-left: 1em; text-align: right;"><tbody><tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhw5z00meAQ1ZPtcFCDH5-O_TdY9cAU3kPP-BiDswPjr2IDjCyul8Gnj53oc-9cg8zl3iB3mwsn9sro11vWwL94y5st101p7gE1_cXI6XB1pPYMJwUXptj9dwI6L_7qoJ_M_HLh1YT2TnKAmApGhGqtgZPAPrSIWFw3Gqj8sLnqHjS0WIfLX7PRfXcGgbo/s1200/JFK_and_Marilyn_Monroe_1962.jpg" style="clear: right; margin-bottom: 1em; margin-left: auto; margin-right: auto;"><img border="0" data-original-height="750" data-original-width="1200" height="250" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhw5z00meAQ1ZPtcFCDH5-O_TdY9cAU3kPP-BiDswPjr2IDjCyul8Gnj53oc-9cg8zl3iB3mwsn9sro11vWwL94y5st101p7gE1_cXI6XB1pPYMJwUXptj9dwI6L_7qoJ_M_HLh1YT2TnKAmApGhGqtgZPAPrSIWFw3Gqj8sLnqHjS0WIfLX7PRfXcGgbo/w400-h250/JFK_and_Marilyn_Monroe_1962.jpg" width="400" /></a></td></tr><tr><td class="tr-caption" style="text-align: center;"><span style="font-family: inherit;"><span style="background-color: black; color: #3d85c6; font-size: large;">a única foto deles juntos</span></span><br /></td></tr></tbody></table></span><span style="font-size: 14pt; line-height: 107%;">Há a possibilidade
de que tenham se conhecido em 1961, em um jantar na residência de Lawford, em
Santa Monica. Mas a maioria dos biógrafos acredita que tudo começou em março de
1962, na mansão do cantor-ator Bing Crosby em Palm Springs. No livro de Donald
Spoto, <span style="color: #3d85c6;">“Marilyn Monroe: A Biografia”</span> (1993), o massagista e amigo da atriz,
Ralph Roberts, afirma que ela ligou desta festa para pedir conselhos
sobre como fazer uma massagem. Ele garantiu que ouviu a voz do presidente e
também falou com ele: <span style="color: #3d85c6;">“Marilyn me disse que esta noite foi a única vez em que dormiu
com JFK. Muitas pessoas pensam que houve mais do que isso. Mas ela me afirmou
que não foi um grande acontecimento para nenhum dos dois. Aconteceu uma vez e acabou.”</span></span><br /><span style="font-size: 14pt; line-height: 107%;"> </span><br /><span style="font-size: 14pt; line-height: 107%;">Esse
relato é apoiado pela filha de Lee Strasberg, Susan – atriz, professora de
atuação e amiga íntima de <span style="background-color: #274e13; color: white;">MARILYN</span> -, em suas memórias publicadas na revista <span style="color: #3d85c6;">“Vanity
Fair”</span>: <span style="color: #3d85c6;">“Foi bom pra ela ir pra cama com um presidente carismático. Marilyn
adorava o sigilo e o suspense da situação deles, mas Kennedy não era o tipo de
homem com quem queria ter algo sério, e ela deixou isso bem claro.” </span>Susan
também confirmou que houve apenas uma única noite de sexo, onde ele a convidou para
se apresentar em sua festa de 45º aniversário. Em 19 de maio de 1962 – apenas
três meses antes de morrer, aos 36 anos –, no aniversário, ela usava um vestido
creme justíssimo, adornado com pérolas e strass, costurado em seu próprio corpo,
e coberto por um casaco de pele, que tirou quando subiu no palco. O evento foi
transmitido pela TV para 40 milhões de norte-americanos.</span></span></div><div style="text-align: justify;"><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;"> </span><span style="font-size: 14pt; line-height: 107%;"><br /><table cellpadding="0" cellspacing="0" class="tr-caption-container" style="float: right; margin-left: 1em; text-align: right;"><tbody><tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhQzb7qYAEdtHYseKQ-fs9uZhTkfh0SvltMO5lnp3AhJbEpuXZww0UEa54uUBCW65C06bAgL3zXSTlUIA91DT6TNqXe3fNKoehzJxP9cvEwyxJaZBVGaqTTBzD-SW8p60-Z1YEhLxcRYKckvpYr1G0Lfly4v_b78Yu9M8OSjQhj93E2dEB_ySIBhE9Wmnw/s1468/_marilyn-monroe-singing-happy-birthday-at-the-democratic-rally-for-president-john-f-kennedys-birthday-photo-by-yale-joel_life-magazine_the-life-picture-collection_getty-images.jpg" style="clear: right; margin-bottom: 1em; margin-left: auto; margin-right: auto;"><img border="0" data-original-height="1080" data-original-width="1468" height="294" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhQzb7qYAEdtHYseKQ-fs9uZhTkfh0SvltMO5lnp3AhJbEpuXZww0UEa54uUBCW65C06bAgL3zXSTlUIA91DT6TNqXe3fNKoehzJxP9cvEwyxJaZBVGaqTTBzD-SW8p60-Z1YEhLxcRYKckvpYr1G0Lfly4v_b78Yu9M8OSjQhj93E2dEB_ySIBhE9Wmnw/w400-h294/_marilyn-monroe-singing-happy-birthday-at-the-democratic-rally-for-president-john-f-kennedys-birthday-photo-by-yale-joel_life-magazine_the-life-picture-collection_getty-images.jpg" width="400" /></a></td></tr><tr><td class="tr-caption" style="text-align: center;"><span style="font-family: inherit;"><span style="background-color: black; color: #3d85c6; font-size: large;">no aniversário de kennedy</span></span><br /></td></tr></tbody></table></span><span style="font-size: 14pt; line-height: 107%;">Provavelmente
na versão mais sexy de todos os tempos da clássica canção, <span style="background-color: #274e13; color: white;">MARILYN MONROE</span> interpretou
um <span style="color: #3d85c6;">“Happy Birthday, Mr. President”</span> de tirar o fôlego. JFK brincou: <span style="color: #3d85c6;">“Agora posso
me aposentar da política depois de você ter cantado parabéns para mim de uma
forma tão doce e saudável</span>”. Não se sabe se eles ficaram novamente juntos, não há
prova ou testemunho, e existe apenas uma foto da dupla - e de seu irmão, Robert
- tirada após esse evento em uma festa na casa de um
executivo de cinema. No entanto, muitos acreditam que os amantes se encontravam
no Carlyle Hotel, em Nova York, ou na casa de praia de Peter Lawford,
em Santa Mônica, onde tomavam banhos de mar pelados. </span><span style="font-size: 14pt; line-height: 107%;">Não há
provas disso, só fofocas. </span><span style="font-size: 14pt; line-height: 107%;">O certo é que na época o adultério do presidente
tornou-se o grande assunto dos EUA.</span><br /><span style="font-size: 14pt; line-height: 107%;"> </span><br /><span style="font-size: 14pt; line-height: 107%;">O livro
<span style="color: #3d85c6;">“Estes Poucos Dias Preciosos. O Último Ano de Jack com Jackie”</span><span style="mso-spacerun: yes;"> </span>(2013), de Christopher Andersen, conta que a
atriz chegou a telefonar para Jackie Kennedy, dizendo que se casaria com seu
marido. <span style="color: #3d85c6;">“Ótimo. Eu me mudo, e você fica com todos os problemas”</span>, respondeu a
primeira-dama. Ainda de acordo com narrativas, JFK não era o único Kennedy com
quem a atriz mantinha relações sexuais. Embora o <i>affair</i> com Bobby nunca tenha
sido testemunhado, em uma carta que <span style="background-color: #274e13; color: white;">MARILYN MONROE</span> escreveu para um dos filhos
de Arthur Miller, ela descreveu o encontro com ele: <span style="color: #3d85c6;">“Jantei ontem à noite com o
procurador-geral dos Estados Unidos, Robert Kennedy. Ele é muito inteligente e,
além de tudo isso, tem um ótimo senso de humor. Acho que você gostaria dele.
Enfim, tive que ir a um jantar ontem à noite porque ele era o convidado de
honra e quando perguntaram quem ele queria conhecer, ele quis me conhecer. Ele
também não é um mau dançarino.”</span></span></span></div><div style="text-align: justify;"><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;"><span style="color: #3d85c6;"> </span></span><span style="font-size: 14pt; line-height: 107%;"><br /><table cellpadding="0" cellspacing="0" class="tr-caption-container" style="float: left; margin-right: 1em; text-align: left;"><tbody><tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiAll5Kl3S8EKdaBTGCXgv8gMExXcDHuhvhvas-0DBFC_zMuwZvcmxy42pPLfWPbZF30VpMP2X4vqEvwsozCLSCyTVTff4ZD8wjTHC7tRYASPbNv_oXcK1xzN9CVMPPaCJ_U7ZJE9yFJlLTzwPmnxS5NLZgRTXIsXME6CI9lXfY5j16zN68DO-Ma-7IzAQ/s1200/https%20__prod.static9.net.jpg" style="clear: left; margin-bottom: 1em; margin-left: auto; margin-right: auto;"><img border="0" data-original-height="900" data-original-width="1200" height="300" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiAll5Kl3S8EKdaBTGCXgv8gMExXcDHuhvhvas-0DBFC_zMuwZvcmxy42pPLfWPbZF30VpMP2X4vqEvwsozCLSCyTVTff4ZD8wjTHC7tRYASPbNv_oXcK1xzN9CVMPPaCJ_U7ZJE9yFJlLTzwPmnxS5NLZgRTXIsXME6CI9lXfY5j16zN68DO-Ma-7IzAQ/w400-h300/https%20__prod.static9.net.jpg" width="400" /></a></td></tr><tr><td class="tr-caption" style="text-align: center;"><span style="font-family: inherit;"><span style="background-color: black; color: #3d85c6; font-size: large;">kennedy e jackie</span></span><br /></td></tr></tbody></table></span><span style="font-size: 14pt; line-height: 107%;">Há
especulações de pessoas próximas da atriz que alegam que Robert Kennedy pode
ter estado na casa da atriz no dia em que ela morreu e que houve uma discussão
entre eles. Na BBC, em 1983, em uma entrevista entre o biógrafo e jornalista Anthony Summers e a governanta da estrela, Eunice Murray – que
pode ser ouvida no documentário <span style="color: #3d85c6;">“The Mystery of Marilyn Monroe: The Unheard
Tapes”</span> (2022) –, ela diz que houve um <span style="color: #3d85c6;">“momento em que coloquei a cabeça entre
as mãos e disse: 'Oh, por que tenho que continuar escondendo isso?'”</span> Summers
pergunta: “Encobrindo o quê, Sra. Murray?”. Ela responde: <span style="color: #3d85c6;">“Bobby
Kennedy esteve lá. É verdade que ela teve um caso com ele”</span>.</span><span style="font-size: 14pt; line-height: 107%;"> Fala-se
também que Bobby soube que ela estava grávida e a rejeitou, mudando os
números de telefone de sua linha direta para que ela não pudesse mais
encontrá-lo.</span><br /><span style="font-size: 14pt; line-height: 107%;"> </span><br /><span style="font-size: 14pt; line-height: 107%;">Juntamente
com as supostas tendências comunistas de <span style="background-color: #274e13; color: white;">MARILYN MONROE</span> (que fez com que o FBI
abrisse um arquivo sobre ela, ao lado do dramaturgo Arthur Miller), as ligações
da atriz com os Kennedy podem explicar por que as autoridades a estavam
rastreando até o dia em que ela morreu. Embora o FBI tenha divulgado alguns
arquivos editados que podem ser lidos online, não há nada que mencione o
ex-presidente e seu irmão, o que significa que quaisquer relacionamentos amorosos,
verdadeiros ou não, foram levados para o túmulo pelos três. </span><span style="font-size: 14pt; line-height: 107%;"></span></span></div><div style="text-align: justify;"><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;"><br /><table cellpadding="0" cellspacing="0" class="tr-caption-container" style="float: left; margin-right: 1em; text-align: left;"><tbody><tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgc5rEbIKD5ZjU-b2Mda8dCvycF7EYOIIQl-Q0NVAu0bGMctmktcyax7l19qZou23yHYZMBJxgQJzpDaEUXNj4LEwGyWAUrSMzJSQXOF15fu4KsAdbALOfks6wF86oI8PQaniDxHlVjkT-4_y-6B6gWaCr6xaB6M36N0cCItjY-8nxszSs8HsfEuc9YsAo/s1600/John-F-Kennedypppp.jpg" style="clear: left; margin-bottom: 1em; margin-left: auto; margin-right: auto;"><img border="0" data-original-height="1600" data-original-width="1284" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgc5rEbIKD5ZjU-b2Mda8dCvycF7EYOIIQl-Q0NVAu0bGMctmktcyax7l19qZou23yHYZMBJxgQJzpDaEUXNj4LEwGyWAUrSMzJSQXOF15fu4KsAdbALOfks6wF86oI8PQaniDxHlVjkT-4_y-6B6gWaCr6xaB6M36N0cCItjY-8nxszSs8HsfEuc9YsAo/w321-h400/John-F-Kennedypppp.jpg" width="321" /></a></td></tr><tr><td class="tr-caption" style="text-align: center;"><span style="font-family: inherit;"><span style="background-color: black; color: #3d85c6; font-size: large;">john f. kennedy</span></span><br /></td></tr></tbody></table></span><span style="font-size: 14pt; line-height: 107%;">Por fim, recomendações para quem se interessa pela história desse triângulo. O melhor, mais completo e confiável livro que li sobre a vida da atriz foi <span style="color: #3d85c6;">“A Deusa:
As Vidas Secretas de Marilyn Monroe” </span>(1987), de Anthony
Summers. Sobre JFK? <span style="color: #3d85c6;">“O Lado Negro de Camelot” </span>(1998), do jornalista Seymour
Hersh, que desmonta a tese de conspiração no assassinato de Kennedy.</span><br /><span style="font-size: 14pt; line-height: 107%;"> </span><br /><span style="font-size: 14pt; line-height: 107%;">Depois de
John F. Kennedy, sem rumo, a loura mais amada do planeta fez mais um aborto e mergulhou
numa maratona sexual desesperada, participando de orgias com Peter Lawford e
Frank Sinatra. Álcool, drogas e sexo já não a saciavam. Acordava com doses de
Bloody Mary e anfetaminas. Bebia champanhe o dia inteiro. Na madrugada de 5
de agosto de 1962, possuída por incontrolável solidão, morreu de overdose. Tinha 36 anos. Seu ex Joe
DiMaggio, único homem que realmente a amou, organizou todos os detalhes de seu
funeral e providenciou para que, ao lado da lápide, nunca faltassem rosas
vermelhas.</span></span></div><div style="text-align: justify;"><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;"> </span></span></div><div style="text-align: center;"><span style="font-family: inherit; font-size: x-large;"><span style="line-height: 107%;"><span style="background-color: #274e13; color: white;">As ÚLTIMAS FOTOS de MARILYN<br /></span></span></span></div><div style="text-align: center;"><span style="font-family: inherit; font-size: x-large;"><span style="line-height: 107%;"> </span></span><span style="font-family: inherit;"><span style="background-color: #274e13; color: white; font-size: 14pt; line-height: 107%;">BERT STERN</span><span style="color: #3d85c6;"><span style="font-size: 14pt; line-height: 107%;"> </span><br /><span style="font-size: 14pt; line-height: 107%;">(1929 –
2013. Nova Iorque / EUA)</span><br /><span style="font-size: 14pt; line-height: 107%;">1962</span></span></span></div><div style="text-align: center;"><span style="font-family: inherit;"><span style="color: #3d85c6;"><span style="font-size: 14pt; line-height: 107%;"> </span></span></span></div><div style="text-align: center;"><span style="font-family: inherit; font-size: x-large;"><span style="line-height: 107%;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgyzrcV5lSxr9-q5N8z1hHlHciOJTQsVk2TjUs9W1o2VXmRSRtEx4siP9BiiRk9Y8XRzUmgXnGZKItoRVl-OIEDuVxNFvB-_2Hq1FZub0KruzHuQYakogBIYyzRTI3Tnbrbvw4BT9MHylb5rF6CMnFuJvMps-eC1Qy_s_wWaaFHf0zoi8JBtAfLiPA4JeY/s973/913G2G39geL.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="973" data-original-width="971" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgyzrcV5lSxr9-q5N8z1hHlHciOJTQsVk2TjUs9W1o2VXmRSRtEx4siP9BiiRk9Y8XRzUmgXnGZKItoRVl-OIEDuVxNFvB-_2Hq1FZub0KruzHuQYakogBIYyzRTI3Tnbrbvw4BT9MHylb5rF6CMnFuJvMps-eC1Qy_s_wWaaFHf0zoi8JBtAfLiPA4JeY/w638-h640/913G2G39geL.jpg" width="638" /> </a></div><div class="separator" style="clear: both; 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</p><div style="text-align: justify;"><span style="color: #3d85c6; font-family: inherit; font-size: 14pt; line-height: 107%;">“Eu acredito que os filmes do futuro usarão
cada vez mais esses ‘ângulos de câmera’ ou, como prefiro chamá-los, esses
‘ângulos dramáticos’. Eles auxiliam o pensamento cinematográfico.”</span><span style="font-family: inherit;"><span style="color: #3d85c6;"><br /></span><span style="background-color: #274e13; color: white; font-size: 14pt; line-height: 107%;">F.W.
MURNAU</span><br /><span style="font-size: 14pt; line-height: 107%;"> </span><br /><span style="font-size: 14pt; line-height: 107%;"> </span><br /><span style="font-size: 14pt; line-height: 107%;">Em agosto
de 1919, finalmente entrou em vigor uma nova Constituição na Alemanha. Pela
primeira vez na história do país foi instituída uma forma de Estado
democrático. Terminaria em 1933 com o fim da República de Weimar e a ascensão de Adolf Hitler. O
período teve lados positivos e obscuros que foram retratados em inúmeros
filmes, alguns conhecidos como expressionistas e influenciando diversos cineastas.</span><br /><span style="font-size: 14pt; line-height: 107%;"> </span><br /><span style="font-size: 14pt; line-height: 107%;">Nessa
época, o cinema germânico foi extraordinariamente criativo. Transportou de
forma impressionante para as telas as visões, os desejos e
os perigos iminentes da vida real. A programação dos cinemas era bastante
variada, e o preço dos bilhetes valia a pena. As invenções e inovações técnicas
– como automóveis, aparelhos de rádio ou discos de vinil – apareciam nas
produções cinematográficas. </span><br /><span style="font-size: 14pt; line-height: 107%;"> <div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiWapF92CrhSe2kmF-qxMahVuszrdU3Zu6SGZRYcGjGKgPvDPJBNHkkdnJTZclrZ-xsegG1TFFhWLI0Xy9sl1t-GgamuqBFXJShjO70R25ineTxv2tE7tl8Q-sUY6CzfZAGPGLtCAXM4qNWHQq2AQr-UcJOLiaUvqpl-CGOVOyOl0xmbuC1vbcsObuvdNY/s1125/A%20close-up%20of%20a%20movie%20camera%20at%20the%20UFA%20Studios%20in%20Berlin,%201928.%20Photo%20by%20E.%20O.%20HoppeGetty%20Images.jpg" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"><img border="0" data-original-height="1125" data-original-width="882" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiWapF92CrhSe2kmF-qxMahVuszrdU3Zu6SGZRYcGjGKgPvDPJBNHkkdnJTZclrZ-xsegG1TFFhWLI0Xy9sl1t-GgamuqBFXJShjO70R25ineTxv2tE7tl8Q-sUY6CzfZAGPGLtCAXM4qNWHQq2AQr-UcJOLiaUvqpl-CGOVOyOl0xmbuC1vbcsObuvdNY/w314-h400/A%20close-up%20of%20a%20movie%20camera%20at%20the%20UFA%20Studios%20in%20Berlin,%201928.%20Photo%20by%20E.%20O.%20HoppeGetty%20Images.jpg" width="314" /></a></div></span><span style="font-size: 14pt; line-height: 107%;">Em muitos
longas, mulheres emancipadas entram no mercado de trabalho e escrevem com
toques rápidos em máquinas de escrever. O documentário da produtora UFA (Universum
Film Aktiengesellschaft), <span style="color: #3d85c6;">“Wege zu Kraft und Schönheit”</span> (1925), idealiza o
culto ao corpo. <span style="color: #3d85c6;">“Berlim - Sinfonia de uma Metrópole”</span> (1927), de Walter
Ruttmann, se concentra na vida de uma grande cidade.</span><br /><span style="font-size: 14pt; line-height: 107%;"> </span><br /><span style="font-size: 14pt; line-height: 107%;">O expressionismo
alemão é um dos estilos do cinema mais celebrados. Busca uma representação
subjetiva do mundo, capaz de revelar as angústias da existência humana através
de imagens distorcidas, remetendo a pesadelos. Com seu uso de sombras e
contrastes, histórias abordando temas inquietantes, estabeleceu as bases para
dois grandes gêneros do cinema: o terror e o noir.</span><br /><span style="font-size: 14pt; line-height: 107%;"> </span><br /><span style="font-size: 14pt; line-height: 107%;">Para
compensar a falta de orçamentos orbustos, os filmes expressionistas
usam cenários pouco realistas, com desenhos pintados nas paredes e nos pisos
para representar luzes, sombras e objetos. As histórias e narrativas geralmente
tratam de loucura, insanidade, traição e outros temas existenciais trazidos à
tona pelas experiências traumáticas da Primeira Guerra Mundial.</span><br /><span style="font-size: 14pt; line-height: 107%;"> </span><br /><span style="font-size: 14pt; line-height: 107%;">A
situação econômica da Alemanha era tensa, o abismo entre pobres e ricos crescia
rapidamente. <span style="color: #3d85c6;">“A Última Gargalhada”</span>, de Friedrich W. Murnau, mostra a vida de um
porteiro de hotel, enquanto em <span style="color: #3d85c6;">“Metrópolis”</span>, o mestre Fritz Lang desenvolve a
sombria visão de uma cidade do futuro, onde os ricos se divertem na parte
superior e os pobres trabalham e moram no subsolo.</span><br /><span style="font-size: 14pt; line-height: 107%;"> </span><br /><span style="font-size: 14pt; line-height: 107%;">Nos
estúdios, surgiram cenários monumentais de produções históricas, exóticas ou
sombriamente futuristas. A interação entre arquitetura, espaço, luz e câmera
garantiam grande intensidade e efeitos surpreendentes, nos mais diferentes
estilos. Filmes com imagens poderosas como <span style="color: #3d85c6;">“O Gabinete do Doutor Caligari”</span>
estabeleceram padrões internacionais de expressão cinematográfica. </span></span></div><div style="text-align: justify;"><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;"> </span><span style="font-size: 14pt; line-height: 107%;"><br /><table cellpadding="0" cellspacing="0" class="tr-caption-container" style="float: right; margin-left: 1em; text-align: right;"><tbody><tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhVIOEMY8OAK1mVlqg3ZulEAOByhntSEhyjNHHGuRNly8jT_BvbZpvVQqJgGaqUcn_jl2KBs0ooz5leKpgC-8m1uzoiODLC3ZXHYx4WXMDhE6ieGkRMy-5EL0pXr6uHQRQET75NhDf_4FuRviomQTDIdo8z1aYIAf4NyJ6BP-8fuCoca0kw_9r_38wuYZQ/s1600/52332251_1006.jpg" style="clear: right; margin-bottom: 1em; margin-left: auto; margin-right: auto;"><img border="0" data-original-height="700" data-original-width="1600" height="175" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhVIOEMY8OAK1mVlqg3ZulEAOByhntSEhyjNHHGuRNly8jT_BvbZpvVQqJgGaqUcn_jl2KBs0ooz5leKpgC-8m1uzoiODLC3ZXHYx4WXMDhE6ieGkRMy-5EL0pXr6uHQRQET75NhDf_4FuRviomQTDIdo8z1aYIAf4NyJ6BP-8fuCoca0kw_9r_38wuYZQ/w400-h175/52332251_1006.jpg" width="400" /></a></td></tr><tr><td class="tr-caption" style="text-align: center;"><span style="background-color: black; color: #3d85c6; font-family: inherit; font-size: large;"><span style="line-height: 107%;"><span>“o gabinete do dr. caligari</span></span></span><span style="background-color: black; color: #3d85c6; font-family: inherit; font-size: large;"><span style="line-height: 107%;"><span>”</span></span></span></td></tr></tbody></table></span><span style="font-size: 14pt; line-height: 107%;">A
capacidade técnica do cinema alemão se sobrepunha a qualquer outro país do mundo, sendo</span><span style="font-size: 14pt; line-height: 107%;"> aclamado universalmente. Os estudos da vida
da classe popular se caracterizavam pela sua dignidade, além de serem
acompanhados de avanços nos efeitos visuais e fotográficos. Os diretores liberaram as câmeras dos tripés e as colocaram sobre rodas, alcançando
uma mobilidade então inédita. </span><br /><span style="font-size: 14pt; line-height: 107%;"> </span><br /><span style="font-size: 14pt; line-height: 107%;">O cinema germânico
da década de 1920 é inovador. Até 1932, o último da República
de Weimar, um ano marcado por decretos, confrontos políticos e
problemas econômicos. Na ocasião, o cinema oferecia uma programação deleitando-se
na fantasia. E a estrela Lilian Harvey cantava <span style="color: #3d85c6;">“Irgendwo auf der Welt gibt's ein
kleines bisschen Glück”</span> (em algum lugar do mundo há um pouco de felicidade).</span><br /><span style="font-size: 14pt; line-height: 107%;"> </span><br /><span style="font-size: 14pt; line-height: 107%;">Este
capítulo notável na história do cinema da Alemanha terminou abruptamente com a
subida de Adolf Hitler ao poder. Essa escola de cinema sombria e melancólica acabou
sendo levada para os EUA. Muitos diretores, roteiristas, fotógrafos e
intérpretes não puderam mais exercer sua profissão por serem de origem judaica. Foram obrigados a emigrar – e levaram junto seu talento para Hollywood.</span></span></div><div style="text-align: justify;"><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;"> </span></span></div><div style="text-align: justify;"><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;"><div class="separator" style="clear: both; text-align: center;"></div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiAp2CVibDPX5whIO5VGZ1sia_2qgnmLDldB_8PUHI_DVVIU81eaTbW8Rvg1-aJ32nLcqJr_jaGXLOcayabe-DqBIj_nlschkKwUQ4LhbzBqCo4HOUvFiYFD8L8TednE7bP9hmEvvmppYrdFPB9AS7uFQKt5sMMRYeeJ_eVp98DomOUfuZ3b6-qcWg2ptI/s1920/images-original.png" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1080" data-original-width="1920" height="360" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiAp2CVibDPX5whIO5VGZ1sia_2qgnmLDldB_8PUHI_DVVIU81eaTbW8Rvg1-aJ32nLcqJr_jaGXLOcayabe-DqBIj_nlschkKwUQ4LhbzBqCo4HOUvFiYFD8L8TednE7bP9hmEvvmppYrdFPB9AS7uFQKt5sMMRYeeJ_eVp98DomOUfuZ3b6-qcWg2ptI/w640-h360/images-original.png" width="640" /> </a></div><div class="separator" style="clear: both; text-align: center;"><span style="color: #3d85c6;"><span style="background-color: black;"><span style="font-family: inherit;"><span style="font-size: large;"> <span><span style="line-height: 107%;"><span>“a caixa de pandora”</span></span></span></span></span></span></span></div><div class="separator" style="clear: both; text-align: center;"><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;"><span style="color: #3d85c6;"> </span></span></span></div></span></span><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;"><span style="color: #3d85c6;"></span></span></span><div style="text-align: center;"><span style="background-color: #274e13; color: white; font-family: inherit; font-size: 14pt; line-height: 107%;">DEZ
FILMES ALEMÃES MUDOS</span><span style="font-family: inherit;"><br /><span style="color: #3d85c6; font-size: 14pt; line-height: 107%;">(por
ordem de preferência)</span><span style="color: #3d85c6;"><br /></span></span></div></div><div style="text-align: justify;"><span style="color: #3d85c6; font-family: inherit; font-size: 14pt; line-height: 107%;"> </span><span style="color: #3d85c6; font-family: inherit;"><br /><span style="font-size: 14pt; line-height: 107%;">01</span><br /></span></div><div style="text-align: justify;"><div style="text-align: center;"><span style="color: white; font-family: inherit;"><span style="background-color: #274e13; font-size: 14pt; line-height: 107%;">FAUSTO</span></span><span style="color: #3d85c6; font-family: inherit;"></span><br /><span style="color: #3d85c6; font-family: inherit;"></span></div><div style="text-align: center;"><span style="color: #3d85c6; font-family: inherit;"><a name="_Hlk149165134"><span style="font-size: 14pt; line-height: 107%;">(Faust: Eine Deutsche Volkssage, 1926)</span></a></span></div></div><div style="text-align: justify;"><span style="color: #3d85c6; font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhSS-tK_pJ1s29Q6dirddHQA1jMKDKEZj6jEJ8r13wGJSuNLS8iTXPa2d9nL50ZDdqdmA6FrOA66YxoQU4uHPrusgaslIwPpB5D2NepWgTf6Z3MH1YxRDQG4qboYrGNuQuL_AiJMsi54RpRvLUBbz8aO0sTNfRp6siK-PJG6ruWV_Ix1vXajfSWuNO51VE/s1097/MV5BZjFjYzM4NTYtMjcxMi00YTczLTg1NDktZmJhNTUwN2NmOTVlXkEyXkFqcGdeQXVyOTI2MjI5MQ@@._V1_.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1097" data-original-width="728" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhSS-tK_pJ1s29Q6dirddHQA1jMKDKEZj6jEJ8r13wGJSuNLS8iTXPa2d9nL50ZDdqdmA6FrOA66YxoQU4uHPrusgaslIwPpB5D2NepWgTf6Z3MH1YxRDQG4qboYrGNuQuL_AiJMsi54RpRvLUBbz8aO0sTNfRp6siK-PJG6ruWV_Ix1vXajfSWuNO51VE/s320/MV5BZjFjYzM4NTYtMjcxMi00YTczLTg1NDktZmJhNTUwN2NmOTVlXkEyXkFqcGdeQXVyOTI2MjI5MQ@@._V1_.jpg" width="212" /></a></div></span><br /><span style="mso-bookmark: _Hlk149165134;"><span style="font-size: 14pt; line-height: 107%;">Direção de F.W. Murnau</span></span><br /><span style="mso-bookmark: _Hlk149165134;"><span style="font-size: 14pt; line-height: 107%;">Elenco: Gösta Ekman, Emil Jannings, Camilla
Horn, Frida Richard e William Dieterle </span></span><br /><span style="mso-bookmark: _Hlk149165134;"><span style="font-size: 14pt; line-height: 107%;"> </span></span><br /><span style="font-size: 14pt; line-height: 107%;">02</span><br /></span></div><div style="text-align: center;"><span style="color: white; font-family: inherit;"><span style="background-color: #274e13; font-size: 14pt; line-height: 107%;">A ÚLTIMA
GARGALHADA</span></span><span style="color: #3d85c6; font-family: inherit;"><br /><span style="font-size: 14pt; line-height: 107%;">(Der Letzte
Mann, 1924)</span><br /></span></div><div style="text-align: justify;"><span style="color: #3d85c6; font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgUEL-U1EKH8NF44R8ww68jNIG1iicMqlUe_AvA-yP2uvKIr2jxhkIftwzLDzxquo_DqDWf1a6KObzZTVeD5gh5lIZSV6luJ70K5UDo2s9HRK6lDfDbkCJwVNseA4JISvfvpjVa4CTIZmrUkBNzcmf1ZZ2NIrpAqZ-zDqosH_9sUXyfJ_0vScKRzrWfdI0/s1332/Der_letzte_Mann_poster.png" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1332" data-original-width="936" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgUEL-U1EKH8NF44R8ww68jNIG1iicMqlUe_AvA-yP2uvKIr2jxhkIftwzLDzxquo_DqDWf1a6KObzZTVeD5gh5lIZSV6luJ70K5UDo2s9HRK6lDfDbkCJwVNseA4JISvfvpjVa4CTIZmrUkBNzcmf1ZZ2NIrpAqZ-zDqosH_9sUXyfJ_0vScKRzrWfdI0/s320/Der_letzte_Mann_poster.png" width="225" /></a></div><br /></span></span></div><div style="text-align: justify;"><span style="color: #3d85c6; font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">Direção
de F.W. Murnau</span><br /><span style="font-size: 14pt; line-height: 107%;">Elenco: Emil
Jannings, Maly Delschaft, Max Hiller e Emilie Kurz</span><br /><span style="font-size: 14pt; line-height: 107%;"> </span><br /><span style="font-size: 14pt; line-height: 107%;">03</span><br /></span></div><div style="text-align: center;"><span style="color: white; font-family: inherit;"><span style="background-color: #274e13; font-size: 14pt; line-height: 107%;">METROPÓLIS</span></span><span style="color: #3d85c6; font-family: inherit;"><br /><span style="font-size: 14pt; line-height: 107%;">(Metropolis,
1927)</span></span></div><div style="text-align: justify;"><span style="color: #3d85c6; font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgLXOKbuq9qLQPX2IClZPU4iK0Gy4zoABlzo7cWKgdS9dCj1UGba7G87eStSg9XPekZXcm2IaDLhk22NGkaYbNdnqvT2QSsUmb8X5n9GcesCdAYf7ooOGH5OyLZPp0sSK96rcyRzN9Ybb39YanhN5I0a3NmWYMjWjPWQjlBa1JHX77UJzBQk7XNWA5me10/s1323/metropolis_41.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1323" data-original-width="998" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgLXOKbuq9qLQPX2IClZPU4iK0Gy4zoABlzo7cWKgdS9dCj1UGba7G87eStSg9XPekZXcm2IaDLhk22NGkaYbNdnqvT2QSsUmb8X5n9GcesCdAYf7ooOGH5OyLZPp0sSK96rcyRzN9Ybb39YanhN5I0a3NmWYMjWjPWQjlBa1JHX77UJzBQk7XNWA5me10/s320/metropolis_41.jpg" width="241" /></a></div></span><br /><span style="font-size: 14pt; line-height: 107%;">Direção
de Fritz Lang</span><br /><span style="font-size: 14pt; line-height: 107%;">Elenco: Gustav
Fröhlich, Brigitte Helm, Alfred Abel, Theodor Loos e Heinrich
George <span style="mso-tab-count: 1;"> </span></span><br /><span style="font-size: 14pt; line-height: 107%;"> </span><br /><span style="font-size: 14pt; line-height: 107%;">04</span><br /></span></div><div style="text-align: center;"><span style="color: white; font-family: inherit;"><span style="background-color: #274e13; font-size: 14pt; line-height: 107%;">NOSFERATU</span></span><span style="color: #3d85c6; font-family: inherit;"><br /><span style="font-size: 14pt; line-height: 107%;">(Nosferatu,
eine Symphonie des Grauens, 1922)</span></span></div><div style="text-align: justify;"><span style="color: #3d85c6; font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjKd1OaKjAgbDAi7EagASGs33_e-yLKlJjushIrOpjYdJpiBpiqjoPn84rzegJFKPp2u-XVFcGEw_r4KdiRzRxpdMxaV_i2unHt6Y0w7p0pDrB7-cm1p1uOQRAMRtQsPlxZUdICBu5sRjpSncIzt1C8tFVcLoGKT1jKubOqhG_d5PjC4yOJpP5EuUeg1YY/s274/Sem%20t%C3%ADtulo000.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="274" data-original-width="184" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjKd1OaKjAgbDAi7EagASGs33_e-yLKlJjushIrOpjYdJpiBpiqjoPn84rzegJFKPp2u-XVFcGEw_r4KdiRzRxpdMxaV_i2unHt6Y0w7p0pDrB7-cm1p1uOQRAMRtQsPlxZUdICBu5sRjpSncIzt1C8tFVcLoGKT1jKubOqhG_d5PjC4yOJpP5EuUeg1YY/w269-h400/Sem%20t%C3%ADtulo000.jpg" width="269" /></a></div></span><span style="font-size: 14pt; line-height: 107%;">Direção
de F.W. Murnau</span><br /><span style="font-size: 14pt; line-height: 107%;">Elenco: Max
Schreck, Gustav von Wangenheim, Greta Schröder e Georg H. Schnell</span><br /><span style="font-size: 14pt; line-height: 107%;"> </span><br /><span style="font-size: 14pt; line-height: 107%;">05</span><br /></span></div><div style="text-align: center;"><span style="color: white; font-family: inherit;"><span style="background-color: #274e13; font-size: 14pt; line-height: 107%;">O
GABINETE do DR. CALIGARI</span></span><span style="color: #3d85c6; font-family: inherit;"><br /><span style="font-size: 14pt; line-height: 107%;">(Das
Cabinet des Dr. Caligari, 1920)</span></span></div><div style="text-align: justify;"><span style="color: #3d85c6; font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgS5_6_LGXqmIkTusAaDQJASePzWDKUScQ_DuK2q-vQVllKUCcMchwk56vdKBa12dErpZ0XKorrB1HH0m34GFM-3FAXI7hIx-yiuKwcxRPp653rTKLPCQ8uMYmPAdGvfAYbl5LBhaLoPS_K4ejBF0TPZTqKK2GZITHp-R26g6W12EyrGoD5oOybZUNrBqk/s1725/The_Cabinet_of_Dr._Caligari_poster.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1725" data-original-width="1280" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgS5_6_LGXqmIkTusAaDQJASePzWDKUScQ_DuK2q-vQVllKUCcMchwk56vdKBa12dErpZ0XKorrB1HH0m34GFM-3FAXI7hIx-yiuKwcxRPp653rTKLPCQ8uMYmPAdGvfAYbl5LBhaLoPS_K4ejBF0TPZTqKK2GZITHp-R26g6W12EyrGoD5oOybZUNrBqk/w296-h400/The_Cabinet_of_Dr._Caligari_poster.jpg" width="296" /></a></div></span><br /><span style="font-size: 14pt; line-height: 107%;">Direção
de Robert Wiene</span><br /><span style="font-size: 14pt; line-height: 107%;">Elenco: Werner
Krauss, Conrad Veidt, Lil Dagover e</span><span style="font-size: 14pt; line-height: 107%;"> Rudolf
Klein-Rogge </span><br /><span style="font-size: 14pt; line-height: 107%;"> </span><br /><span style="font-size: 14pt; line-height: 107%;">06</span><br /></span></div><div style="text-align: center;"><span style="color: white; font-family: inherit;"><span style="background-color: #274e13; font-size: 14pt; line-height: 107%;">A CAIXA
de PANDORA</span></span><span style="color: #3d85c6; font-family: inherit;"><br /><span style="font-size: 14pt; line-height: 107%;">(Die
Büchse der Pandora, 1929)</span></span></div><div style="text-align: justify;"><span style="color: #3d85c6; font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhZT-KIBvmlxJQYKhA4TwiPyvyRVSe-_iMzhZ2g43jjaMKdcWa4e5f3MTpS9GJecuOyxR0sO1lHXiTOklL12FE2kyRPCbriXH1tVKctpbiCBaVOfMF_mWKt-799uSAjUu2dWHk8d-iZQ6yeMrkH6y46egllS10t5Oj9zgivXZKAafgv7B_rin9oc1X9XwA/s261/Sem%20t%C3%ADtulo.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="261" data-original-width="193" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhZT-KIBvmlxJQYKhA4TwiPyvyRVSe-_iMzhZ2g43jjaMKdcWa4e5f3MTpS9GJecuOyxR0sO1lHXiTOklL12FE2kyRPCbriXH1tVKctpbiCBaVOfMF_mWKt-799uSAjUu2dWHk8d-iZQ6yeMrkH6y46egllS10t5Oj9zgivXZKAafgv7B_rin9oc1X9XwA/w296-h400/Sem%20t%C3%ADtulo.jpg" width="296" /></a></div></span><br /><span style="font-size: 14pt; line-height: 107%;">Direção
de </span><span style="font-size: 14pt; line-height: 107%;">Georg
Wilhelm Pabst</span><br /><span style="font-size: 14pt; line-height: 107%;">Elenco: Louise
Brooks, Fritz Kortner, Francis Lederer, Alice Roberts e </span><span style="font-size: 14pt; line-height: 107%;">Gustav
Diessl</span><br /><span style="font-size: 14pt; line-height: 107%;"> </span><br /></span></div><div style="text-align: justify;"><span style="color: #3d85c6; font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">07</span><br /></span><div style="text-align: center;"><span style="color: white; font-family: inherit;"><span style="background-color: #274e13; font-size: 14pt; line-height: 107%;">Os
NIBELUNGOS – 1 e 2</span></span><span style="color: #3d85c6; font-family: inherit;"></span><br /><span style="color: #3d85c6; font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">(Die
Nibelungen, 1924)</span></span></div></div><div style="text-align: justify;"><span style="color: #3d85c6; font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhog1q5LUbDNgj2TQYvzV8pyZZHEipzTYh4av2NXLpKej34L1w2yMx1mw_Qu-mdmSZBlseDspaCZ-CQfQRGKtVakyMnzHvdvkkxavu6ed8Ktd0RQWBl15q88G65g1b42vHfHXsqfkNQUbg9BWtLGVLdZSyxAhf-45EXG6Aj182ApRuwLKOJxQUoYOA8DKg/s1486/MV5BMWRlYWI5NDUtMDJlMC00Y2E2LWExNDItOWExNjY0MmViMTFmXkEyXkFqcGdeQXVyMzg1ODEwNQ@@._V1_FMjpg_UX1000_.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1486" data-original-width="1000" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhog1q5LUbDNgj2TQYvzV8pyZZHEipzTYh4av2NXLpKej34L1w2yMx1mw_Qu-mdmSZBlseDspaCZ-CQfQRGKtVakyMnzHvdvkkxavu6ed8Ktd0RQWBl15q88G65g1b42vHfHXsqfkNQUbg9BWtLGVLdZSyxAhf-45EXG6Aj182ApRuwLKOJxQUoYOA8DKg/w269-h400/MV5BMWRlYWI5NDUtMDJlMC00Y2E2LWExNDItOWExNjY0MmViMTFmXkEyXkFqcGdeQXVyMzg1ODEwNQ@@._V1_FMjpg_UX1000_.jpg" width="269" /></a></div></span><br /><span style="font-size: 14pt; line-height: 107%;">Direção
de Fritz Lang</span><br /><span style="font-size: 14pt; line-height: 107%;">Elenco: Gertrud
Arnold, Margarete Schön, Hanna Ralph, Paul Richter e Theodor Loos</span><br /><span style="font-size: 14pt; line-height: 107%;"> </span><br /><span style="font-size: 14pt; line-height: 107%;">08</span><br /></span></div><div style="text-align: center;"><span style="color: white; font-family: inherit;"><span style="background-color: #274e13; font-size: 14pt; line-height: 107%;">RUA das
LÁGRIMAS</span></span><span style="color: #3d85c6; font-family: inherit;"><br /><span style="font-size: 14pt; line-height: 107%;">(Die Freudlose
Gasse, 1925)</span></span></div><div style="text-align: justify;"><span style="color: #3d85c6; font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhmjCcbMHM2PwBEVJXaK9Phy6fGPf9-O7aRqHb29hRRLqCAfFM5IBQmDowMrYytinyGMxrN3ESOZRW83jUIDmB1Ny7XkMLUaNpb712qkZivXOPvCDTg3-muFF8iMOtod7PiW0GL-9UTYpnbM2Sy5Y9_pbF9IRlwTqzulkpNrt9w_pztBxvrsiuDZMQpT60/s1280/0011700-die-freudlose-gasse-the-street-of-sorrow-joyless-street-1925-with-switchable-english-subs.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1280" data-original-width="904" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhmjCcbMHM2PwBEVJXaK9Phy6fGPf9-O7aRqHb29hRRLqCAfFM5IBQmDowMrYytinyGMxrN3ESOZRW83jUIDmB1Ny7XkMLUaNpb712qkZivXOPvCDTg3-muFF8iMOtod7PiW0GL-9UTYpnbM2Sy5Y9_pbF9IRlwTqzulkpNrt9w_pztBxvrsiuDZMQpT60/s320/0011700-die-freudlose-gasse-the-street-of-sorrow-joyless-street-1925-with-switchable-english-subs.jpg" width="226" /></a></div></span><br /><span style="font-size: 14pt; line-height: 107%;">Direção
de Georg Wilhelm Pabst</span><br /><span style="font-size: 14pt; line-height: 107%;">Elenco: Asta
Nielsen, Greta Garbo, Ágnes Eszterházy e Werner Krauss</span><br /><span style="font-size: 14pt; line-height: 107%;"> </span><br /><span style="font-size: 14pt; line-height: 107%;">09</span><br /></span></div><div style="text-align: center;"><span style="color: white; font-family: inherit;"><span style="background-color: #274e13; font-size: 14pt; line-height: 107%;">As MÃOS de
ORLAC</span></span><span style="color: #3d85c6; font-family: inherit;"><br /><span style="font-size: 14pt; line-height: 107%;">(Orlacs
Hände, 1924)</span></span></div><div style="text-align: justify;"><span style="color: #3d85c6; font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiFFCGSCoI5RujmPDznHylN7qhyA0CNFyNr7bn1bLSf_RqE-C5w5Ip0VwPuWk8UnvbOxAPk4Ah4I_CyGhzY2wqtotmy4AMIMkom7L4hPqwNSS3k0HQghQYBaZNifxeLwxpk0nVW7vqOYzg2zzhux9QJCsp2iVMIRI5BlHEjWPViq2iEnmK-PaTPgxkcNRQ/s1373/MV5BYTM5YmRjOGUtMTc3ZS00OWZiLTg5ZTMtZDZiYjcyZTdiZDIzXkEyXkFqcGdeQXVyMzg1ODEwNQ@@._V1_FMjpg_UX1000_.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1373" data-original-width="1000" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiFFCGSCoI5RujmPDznHylN7qhyA0CNFyNr7bn1bLSf_RqE-C5w5Ip0VwPuWk8UnvbOxAPk4Ah4I_CyGhzY2wqtotmy4AMIMkom7L4hPqwNSS3k0HQghQYBaZNifxeLwxpk0nVW7vqOYzg2zzhux9QJCsp2iVMIRI5BlHEjWPViq2iEnmK-PaTPgxkcNRQ/w291-h400/MV5BYTM5YmRjOGUtMTc3ZS00OWZiLTg5ZTMtZDZiYjcyZTdiZDIzXkEyXkFqcGdeQXVyMzg1ODEwNQ@@._V1_FMjpg_UX1000_.jpg" width="291" /></a></div></span><br /><span style="font-size: 14pt; line-height: 107%;">Direção
de Robert Wiene</span><br /><span style="font-size: 14pt; line-height: 107%;">Elenco: Conrad
Veidt, Alexandra Sorina e Fritz Strassny</span><br /><span style="font-size: 14pt; line-height: 107%;"> </span><br /><span style="font-size: 14pt; line-height: 107%;">10</span><br /></span></div><div style="text-align: center;"><span style="color: white; font-family: inherit;"><span style="background-color: #274e13; font-size: 14pt; line-height: 107%;">A MULHER
do FARAÓ</span></span><span style="color: #3d85c6; font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;"> </span><br /><span style="font-size: 14pt; line-height: 107%;">(Das Weib
des Pharao, 1922)</span></span></div><div style="text-align: justify;"><span style="color: #3d85c6; font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgreWXI2HZ3NFXqqRv7hxqjqMumA45YndoMnfpEKEvEWOZS4g-gCP-ADUXd6uChBxiQIUdLw4fNyqKJKe-8LmE8icsS-8DbFv1fUJPasz8SrwpDNzIVDJxgQEsZH34Mz6EG-FdvBWxh2YBV5g-cAOm0by8wP6-gP_cyMGBvkYg7QilYrza2fRmq7s-qVdE/s3240/MV5BODA0MzYyOTAyNl5BMl5BanBnXkFtZTcwNDQ1NDA1Ng@@._V1_.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="3240" data-original-width="2400" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgreWXI2HZ3NFXqqRv7hxqjqMumA45YndoMnfpEKEvEWOZS4g-gCP-ADUXd6uChBxiQIUdLw4fNyqKJKe-8LmE8icsS-8DbFv1fUJPasz8SrwpDNzIVDJxgQEsZH34Mz6EG-FdvBWxh2YBV5g-cAOm0by8wP6-gP_cyMGBvkYg7QilYrza2fRmq7s-qVdE/w296-h400/MV5BODA0MzYyOTAyNl5BMl5BanBnXkFtZTcwNDQ1NDA1Ng@@._V1_.jpg" width="296" /></a></div></span><br /><span style="font-size: 14pt; line-height: 107%;">Direção
de Ernest Lubitsch</span><br /><span style="font-size: 14pt; line-height: 107%;">Elenco: Emil
Jannings, Harry Liedtke, Paul Wegener e Lyda
Salmonova</span></span></div><div style="text-align: justify;"><span style="color: #3d85c6; font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;"> </span></span></div><div style="text-align: justify;"><span style="color: #3d85c6; font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;"> </span></span></div><div style="text-align: justify;"><span style="color: #3d85c6; font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;"><table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto;"><tbody><tr><td style="text-align: center;"><img border="0" data-original-height="720" data-original-width="1280" height="360" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjNp1zbj3ge6RvED5X8qmoI31KA0VsY7iq7sc0oBDvCdjUA8_cRfbvro7LeVMjeSY49LS91NclVPxpHVcDYhT9XnAIvI4tYSADlWo3CvvGpfHxO2RgPsHh6LLCywhYbzBBW5LIk6Y2VRAqyf6y3yWrMVEpcsJv6XfrRDA7YSF00_0wmleIcbLs8pJJRzwY/w640-h360/DR-GAGLIARI.jpg" style="margin-left: auto; margin-right: auto;" width="640" /></td></tr><tr><td class="tr-caption" style="text-align: center;"><span style="font-family: inherit; font-size: large;"><span style="line-height: 107%;"><span style="background-color: black; color: #3d85c6;">“o gabinete do dr. caligari”</span></span></span></td></tr></tbody></table><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjNp1zbj3ge6RvED5X8qmoI31KA0VsY7iq7sc0oBDvCdjUA8_cRfbvro7LeVMjeSY49LS91NclVPxpHVcDYhT9XnAIvI4tYSADlWo3CvvGpfHxO2RgPsHh6LLCywhYbzBBW5LIk6Y2VRAqyf6y3yWrMVEpcsJv6XfrRDA7YSF00_0wmleIcbLs8pJJRzwY/s1280/DR-GAGLIARI.jpg" style="margin-left: 1em; margin-right: 1em;"> </a> <br /></div></span></span><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;"><span style="color: #3d85c6;"></span></span></span></div><div style="text-align: center;"><span style="color: white; font-family: inherit;"><span style="background-color: #274e13; font-size: 14pt; line-height: 107%;"> CINCO
DIRETORES do CINE MUDO ALEMÃO</span></span><span style="color: #3d85c6; font-family: inherit;"><br /><span style="font-size: 14pt; line-height: 107%;">(por
ordem de preferência)</span><br /></span></div><div style="text-align: justify;"><span style="color: #3d85c6; font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;"> </span><br /><span style="font-size: 14pt; line-height: 107%;">01</span><br /></span></div><div style="text-align: center;"><span style="color: white; font-family: inherit;"><span style="background-color: #274e13; font-size: 14pt; line-height: 107%;">F.W.
MURNAU</span></span><span style="color: #3d85c6; font-family: inherit;"><br /><span style="font-size: 14pt; line-height: 107%;">(1888 –
1931. Bielefeld / Alemanha)</span><br /></span></div><div style="text-align: justify;"><span style="color: #3d85c6; font-family: inherit;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhTj_PcEh7bjDKhMYgL32nJKoX4diJ3z4tGKx6aNkMCjOoleTNKKTWZ3IgPoqIkgMloDmf1FtAyzPEh8z7JhoVoksogbMo21kc2rUFSz7Lods_n9eYaMQrsNVHz_wfpl7EPeQXnFmsV_v-NH3Gk0RTfiRwVcgaMknqpMewsjFzf09L_yVmHjHDNwMnNWwE/s3113/FWMurnau.137578.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="2222" data-original-width="3113" height="285" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhTj_PcEh7bjDKhMYgL32nJKoX4diJ3z4tGKx6aNkMCjOoleTNKKTWZ3IgPoqIkgMloDmf1FtAyzPEh8z7JhoVoksogbMo21kc2rUFSz7Lods_n9eYaMQrsNVHz_wfpl7EPeQXnFmsV_v-NH3Gk0RTfiRwVcgaMknqpMewsjFzf09L_yVmHjHDNwMnNWwE/w400-h285/FWMurnau.137578.jpg" width="400" /></a></div><br /><span style="font-size: 14pt; line-height: 107%;">02</span><br /></span></div><div style="text-align: center;"><span style="color: white; font-family: inherit;"><span style="background-color: #274e13; font-size: 14pt; line-height: 107%;">FRITZ
LANG</span></span><span style="color: #3d85c6; font-family: inherit;"><br /><span style="font-size: 14pt; line-height: 107%;">(1890 –
1976.</span><span style="font-size: 14pt; line-height: 107%;">Viena
/ Áustria)</span><span style="font-size: 14pt; line-height: 107%;"><br /></span></span></div><div style="text-align: justify;"><span style="color: #3d85c6; font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgleARtGm-vz8zoKU4GTEs21nrBFREDz314kQnWq68sZ6YBxltVHhfUA4BtWoBl4r_71ANbDu0avxy4quNwN4WqOOYsrZCu4Ym3RdrjV7zH-IKnsHuhi0FKbmfSFoj3osZbp-zwe8X_nKVtXd2y9ALQoHG-V6bKQEV8AoYnSwEV2-k906fc_CNE3YFzuFA/s2955/FritzLang.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="2280" data-original-width="2955" height="309" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgleARtGm-vz8zoKU4GTEs21nrBFREDz314kQnWq68sZ6YBxltVHhfUA4BtWoBl4r_71ANbDu0avxy4quNwN4WqOOYsrZCu4Ym3RdrjV7zH-IKnsHuhi0FKbmfSFoj3osZbp-zwe8X_nKVtXd2y9ALQoHG-V6bKQEV8AoYnSwEV2-k906fc_CNE3YFzuFA/w400-h309/FritzLang.jpg" width="400" /></a></div></span><br /><span style="font-size: 14pt; line-height: 107%;">03</span><br /></span></div><div style="text-align: center;"><span style="color: white; font-family: inherit;"><span style="background-color: #274e13; font-size: 14pt; line-height: 107%;">ERNST
LUBITSCH</span></span><span style="color: #3d85c6; font-family: inherit;"><br /><span style="font-size: 14pt; line-height: 107%;">(1892 –
1947. Berlim / Alemanha)</span><span style="font-size: 14pt; line-height: 107%;"><br /></span></span></div><div style="text-align: justify;"><span style="color: #3d85c6; font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjsylbHXUzTa0zAOw96dW9WB05BTJkzRSVHCG7qOVsJQm6NQvXJuqzl8zl6DDzmiLhRktU9Ygaco3kY0qFGCbzneDFdCA9iu1xN9viq65gNeGOGeH0xADD0NmuyMgjP6tPIJ95NqDO2rNx2QpVhguC_cBO62NUNEZubeViYjyECRewwoAVXOPh3sWhxoKY/s1397/3444171_1lubitsch.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1397" data-original-width="1092" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjsylbHXUzTa0zAOw96dW9WB05BTJkzRSVHCG7qOVsJQm6NQvXJuqzl8zl6DDzmiLhRktU9Ygaco3kY0qFGCbzneDFdCA9iu1xN9viq65gNeGOGeH0xADD0NmuyMgjP6tPIJ95NqDO2rNx2QpVhguC_cBO62NUNEZubeViYjyECRewwoAVXOPh3sWhxoKY/w313-h400/3444171_1lubitsch.jpg" width="313" /></a></div></span><br /><span style="font-size: 14pt; line-height: 107%;">04</span><br /></span></div><div style="text-align: center;"><span style="color: white; font-family: inherit;"><span style="background-color: #274e13; font-size: 14pt; line-height: 107%;">GEORG
WILHELM PABST</span></span><span style="color: #3d85c6; font-family: inherit;"><br /><span style="font-size: 14pt; line-height: 107%;">(1885 –
1967.</span><span style="font-size: 14pt; line-height: 107%;">Roudnice
nad Labem / Tchéquia)</span><span style="font-size: 14pt; line-height: 107%;"><br /></span></span></div><div style="text-align: justify;"><span style="color: #3d85c6; font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjoaDFO4Z55AiVTbFHyqVARkJG3-SSK6kyJU77z6Y63UhteI7Pk9ON95IqjmEiTfYkvKJMfQuwQM9kchrHlVpWyHV5NcIuVxUz8IWhVr_txUvmupnOwN-6OEktOvJyyPmkpL1i_-t1cXpAep57lQfVkqeOcXqXAEXxSYquV1PgDTuNRhmIQPLcu8INA5ms/s781/georg_wilhelm_pabst_510.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="781" data-original-width="577" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjoaDFO4Z55AiVTbFHyqVARkJG3-SSK6kyJU77z6Y63UhteI7Pk9ON95IqjmEiTfYkvKJMfQuwQM9kchrHlVpWyHV5NcIuVxUz8IWhVr_txUvmupnOwN-6OEktOvJyyPmkpL1i_-t1cXpAep57lQfVkqeOcXqXAEXxSYquV1PgDTuNRhmIQPLcu8INA5ms/w295-h400/georg_wilhelm_pabst_510.jpg" width="295" /></a></div></span><br /><span style="font-size: 14pt; line-height: 107%;">05</span><br /></span></div><div style="text-align: center;"><span style="color: white; font-family: inherit;"><span style="background-color: #274e13; font-size: 14pt; line-height: 107%;">ROBERT
WIENE</span></span><span style="color: #3d85c6; font-family: inherit;"><br /><span style="font-size: 14pt; line-height: 107%;">(1873 –
1938.</span><span style="font-size: 14pt; line-height: 107%;">Breslávia
/ Polônia)</span></span></div><div style="text-align: justify;"><span style="color: #3d85c6; font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgqQONCHsejK3W71HIGm6XIRwzmc2K7g5lyr-QG7poIDQhc4Bl0UuS1stU_h1cM5-lBxfr791DRtZvzeLVzLMb44Z_lb_lWis32FC6smNxEah3RN1Px5HCjwjrzWyZEw1vq9R6mnS9u6EOtNYIOUzY7Tr9GmOnR56kCZ01Pp4xa3EmU7czzJnGuoC0RHv0/s600/16076wiene.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="600" data-original-width="600" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgqQONCHsejK3W71HIGm6XIRwzmc2K7g5lyr-QG7poIDQhc4Bl0UuS1stU_h1cM5-lBxfr791DRtZvzeLVzLMb44Z_lb_lWis32FC6smNxEah3RN1Px5HCjwjrzWyZEw1vq9R6mnS9u6EOtNYIOUzY7Tr9GmOnR56kCZ01Pp4xa3EmU7czzJnGuoC0RHv0/w400-h400/16076wiene.jpg" width="400" /></a></div> </span></span></div><div style="text-align: justify;"><span style="color: #3d85c6; font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;"> <table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto;"><tbody><tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgOKvXwhGuAx7yHOkRE3GQ14ju-KygSMmyISDWhbAlADI0xClDGCGvP6l5YeLNvc_HCRVvF1oTFJ_03766EXZMtJ50oyUckVln3e_wGBxAEJkAth8X8B1VMPDyvRRswREH1P_9wNTq2Pra5GWTmxT_p94x_Ng4ENcCXk3tHqxBTjwIcGalYm_p32-SI8Ck/s1280/METROPOLIS-1.jpg" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="720" data-original-width="1280" height="360" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgOKvXwhGuAx7yHOkRE3GQ14ju-KygSMmyISDWhbAlADI0xClDGCGvP6l5YeLNvc_HCRVvF1oTFJ_03766EXZMtJ50oyUckVln3e_wGBxAEJkAth8X8B1VMPDyvRRswREH1P_9wNTq2Pra5GWTmxT_p94x_Ng4ENcCXk3tHqxBTjwIcGalYm_p32-SI8Ck/w640-h360/METROPOLIS-1.jpg" width="640" /></a></td></tr><tr><td class="tr-caption" style="text-align: center;"><span style="font-family: inherit; font-size: large;"><span style="line-height: 107%;"><span style="background-color: black; color: #3d85c6;">“metrópolis”</span></span></span></td></tr></tbody></table></span><br /></span></div><div style="text-align: center;"><span style="color: white; font-family: inherit;"><span style="background-color: #274e13; font-size: 14pt; line-height: 107%;">CINCO
ATRIZES do CINE MUDO ALEMÃO</span></span><span style="color: #3d85c6; font-family: inherit;"><br /><span style="font-size: 14pt; line-height: 107%;">(por
ordem de preferência)</span><br /></span></div><div style="text-align: justify;"><span style="color: #3d85c6; font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;"> </span><br /><span style="font-size: 14pt; line-height: 107%;">01</span><br /></span></div><div style="text-align: center;"><span style="color: white; font-family: inherit;"><span style="background-color: #274e13; font-size: 14pt; line-height: 107%;">LIL
DAGOVER</span></span><span style="color: #3d85c6; font-family: inherit;"><br /><span style="font-size: 14pt; line-height: 107%;">(1887 –
1980.</span><span style="font-size: 14pt; line-height: 107%;">Madiun,
East Java / Indonésia)</span><span style="font-size: 14pt; line-height: 107%;"><br /></span></span></div><div style="text-align: justify;"><span style="color: #3d85c6; font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEio6C7ZdR1lCetWvVMpm-HfhczN5hq7mw0qbhHJcFZd4QAjaK27HbXFpYtRJymeQ7HJKo5ZlVoarMFaUTGyhMGby8I-wu-9Pvqg58tXwJ-HxewGyBlQMvYPlIoCuIIYe-GmuSPeQBfNUcQZgw_6ixkLbEXhJI-Anqjk8soBSlnOmNlUfFpAVyyEV4ZwwEc/s251/images.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="251" data-original-width="201" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEio6C7ZdR1lCetWvVMpm-HfhczN5hq7mw0qbhHJcFZd4QAjaK27HbXFpYtRJymeQ7HJKo5ZlVoarMFaUTGyhMGby8I-wu-9Pvqg58tXwJ-HxewGyBlQMvYPlIoCuIIYe-GmuSPeQBfNUcQZgw_6ixkLbEXhJI-Anqjk8soBSlnOmNlUfFpAVyyEV4ZwwEc/w320-h400/images.jpg" width="320" /></a></div></span><br /><span style="font-size: 14pt; line-height: 107%;">02</span><br /></span></div><div style="text-align: center;"><span style="color: white; font-family: inherit;"><span style="background-color: #274e13; font-size: 14pt; line-height: 107%;">BRIGITTE
HELM</span></span><span style="color: #3d85c6; font-family: inherit;"><br /><span style="font-size: 14pt; line-height: 107%;">(1906 –
1996. Berlim / Alemanha)</span><span style="font-size: 14pt; line-height: 107%;"><br /></span></span></div><div style="text-align: justify;"><span style="color: #3d85c6; font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhSk3EPdQA21eT4rByMaauiE_CKPNzc-dNcOFciqzNzEFgqHh4UZxDkS_o5XWm2ZNaXOwJphczKhwYXMo32dM51syvRr5cZxBw5thgqDuKVX04zwtWdg04fX9av7aSMfInQY9JXQCxuAQudKV2757ye2fhC9pcDHXVSNmoYew3bSG2WLq4-ekYcMZWllYA/s930/b%20helm.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="540" data-original-width="930" height="233" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhSk3EPdQA21eT4rByMaauiE_CKPNzc-dNcOFciqzNzEFgqHh4UZxDkS_o5XWm2ZNaXOwJphczKhwYXMo32dM51syvRr5cZxBw5thgqDuKVX04zwtWdg04fX9av7aSMfInQY9JXQCxuAQudKV2757ye2fhC9pcDHXVSNmoYew3bSG2WLq4-ekYcMZWllYA/w400-h233/b%20helm.jpg" width="400" /></a></div></span><br /><span style="font-size: 14pt; line-height: 107%;">03</span><br /></span></div><div style="text-align: center;"><span style="color: white; font-family: inherit;"><span style="background-color: #274e13; font-size: 14pt; line-height: 107%;">POLA
NEGRI</span></span><span style="color: #3d85c6; font-family: inherit;"><br /><span style="font-size: 14pt; line-height: 107%;">(1897 –
1987. Lipno / Polônia)</span><span style="font-size: 14pt; line-height: 107%;"><br /></span></span></div><div style="text-align: justify;"><span style="color: #3d85c6; font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhTQOX07E4JuTQJgyJZjdZnWZtFUL6M1-uacGkOZQwwL9BkE8igYaKRUu2WK6zxuKE6fHVW2om56tmpBjuhFHRz7gsQJpLTm86PgfRjHb6vTcEkD70L_3p_c0OE2DKN8eT-zYqgZjfAQlzt03DXVjMjwgQcuBVsJw4keAb-O2gybHmOsvUE4V2jtzIKVKc/s1469/Pola-Negri-actress-Polish-US-film-pic-1A-2048-852252eb-f.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1469" data-original-width="1074" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhTQOX07E4JuTQJgyJZjdZnWZtFUL6M1-uacGkOZQwwL9BkE8igYaKRUu2WK6zxuKE6fHVW2om56tmpBjuhFHRz7gsQJpLTm86PgfRjHb6vTcEkD70L_3p_c0OE2DKN8eT-zYqgZjfAQlzt03DXVjMjwgQcuBVsJw4keAb-O2gybHmOsvUE4V2jtzIKVKc/w293-h400/Pola-Negri-actress-Polish-US-film-pic-1A-2048-852252eb-f.jpg" width="293" /></a></div></span><br /></span></div><div style="text-align: justify;"><span style="color: #3d85c6; font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">O4</span><br /></span><div style="text-align: center;"><span style="color: white; font-family: inherit;"><span style="background-color: #274e13; font-size: 14pt; line-height: 107%;">LYA de
PUTTI</span></span><span style="color: #3d85c6; font-family: inherit;"></span><br /><span style="color: #3d85c6; font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">(1897 –
1931.</span><span style="font-size: 14pt; line-height: 107%;">Vojcice
/ Slovakia)</span></span></div><span style="color: #3d85c6; font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;"></span></span></div><div style="text-align: justify;"><span style="color: #3d85c6; font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgBxIGeJG814tgKDLvHvfNlcMl8aDd6JBIm1U128hiRezgEErrsQP_Rq44YEWf1x5i9bSFwY9d7l3M75zato-zWFNQuAgkhJapbSp6EeXwKcpbvB7fdnIYwiIW0Ap36SwK-q8hzMc82hkYeSKv9dzwV-BMJqqnap1-mR5cAabJlbAmKh3bHN0MZlFwLcGg/s1205/lya%20de.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1205" data-original-width="884" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgBxIGeJG814tgKDLvHvfNlcMl8aDd6JBIm1U128hiRezgEErrsQP_Rq44YEWf1x5i9bSFwY9d7l3M75zato-zWFNQuAgkhJapbSp6EeXwKcpbvB7fdnIYwiIW0Ap36SwK-q8hzMc82hkYeSKv9dzwV-BMJqqnap1-mR5cAabJlbAmKh3bHN0MZlFwLcGg/w294-h400/lya%20de.jpg" width="294" /></a></div></span><br /><span style="font-size: 14pt; line-height: 107%;">05</span><br /></span></div><div style="text-align: center;"><span style="color: white; font-family: inherit;"><span style="background-color: #274e13; font-size: 14pt; line-height: 107%;">HENNY
PORTEN</span></span><span style="color: #3d85c6; font-family: inherit;"><br /><span style="font-size: 14pt; line-height: 107%;">(1890 –
1960. Magdeburg / Alemanha)</span></span></div><div style="text-align: justify;"><span style="color: #3d85c6; font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh6DpfN1b5NLCuyZPmlVt2QLIAgEbD-TOMztNyHAGg3JoashNf1Hv17VWxQ4i3i7BkI_oXUY1HPSmBjd0KH-c3Vnsge-baW-ZnM4tHlRoHRrAkysCipGCidKB261-Y_1iiGe0yG1o9XweLxj45x6I0TJBh6jDb6gZlP8GCvw_jFhUQZ2IX0cdZ5uodMVBw/s1297/henny.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1297" data-original-width="898" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh6DpfN1b5NLCuyZPmlVt2QLIAgEbD-TOMztNyHAGg3JoashNf1Hv17VWxQ4i3i7BkI_oXUY1HPSmBjd0KH-c3Vnsge-baW-ZnM4tHlRoHRrAkysCipGCidKB261-Y_1iiGe0yG1o9XweLxj45x6I0TJBh6jDb6gZlP8GCvw_jFhUQZ2IX0cdZ5uodMVBw/w278-h400/henny.jpg" width="278" /></a></div></span></span></div><div style="text-align: justify;"><span style="color: #3d85c6; font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;"><br /></span></span></div><div style="text-align: justify;"><span style="color: #3d85c6; font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;"><br /></span></span></div><div style="text-align: justify;"><span style="color: #3d85c6; font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;"><table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto;"><tbody><tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEih_aNhT5C4VtPxYN5dxEn2bDhz2l-OzoXV1Kzp6vt9_JjLI3v1xTQ_tgE1emyyvd4GMRdiAHAxHCo1ZWSE9FTaOBK88FE19sFzFVR6bRnyOTzo4Nw-TP4t3duJI_BY8dpMTno0CRwb8s7pbhGtfHaV8busvEUtv3Wq4vjTHUaOhfCE_VCEbTxkb0g5wNs/s1200/nosferatu-eine-symphonie-des-grauens-dies-death-sunlight-ending-count-orlok-max-schreck-vampire-german-expressionism-dracula-classic-review.webp" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="678" data-original-width="1200" height="362" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEih_aNhT5C4VtPxYN5dxEn2bDhz2l-OzoXV1Kzp6vt9_JjLI3v1xTQ_tgE1emyyvd4GMRdiAHAxHCo1ZWSE9FTaOBK88FE19sFzFVR6bRnyOTzo4Nw-TP4t3duJI_BY8dpMTno0CRwb8s7pbhGtfHaV8busvEUtv3Wq4vjTHUaOhfCE_VCEbTxkb0g5wNs/w640-h362/nosferatu-eine-symphonie-des-grauens-dies-death-sunlight-ending-count-orlok-max-schreck-vampire-german-expressionism-dracula-classic-review.webp" width="640" /></a></td></tr><tr><td class="tr-caption" style="text-align: center;"><span style="font-family: inherit; font-size: large;"><span style="line-height: 107%;"><span style="background-color: black; color: #3d85c6;">“nosferatu”</span></span></span></td></tr></tbody></table></span><br /></span></div><div style="text-align: center;"><span style="color: white; font-family: inherit;"><span style="background-color: #274e13; font-size: 14pt; line-height: 107%;">CINCO
ATORES do CINE MUDO ALEMÃO</span></span><span style="color: #3d85c6; font-family: inherit;"><br /><span style="font-size: 14pt; line-height: 107%;">(por
ordem de preferência)</span><br /></span></div><div style="text-align: justify;"><span style="color: #3d85c6; font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;"> </span><br /><span style="font-size: 14pt; line-height: 107%;">01</span><br /></span></div><div style="text-align: center;"><span style="color: white; font-family: inherit;"><span style="background-color: #274e13; font-size: 14pt; line-height: 107%;">EMIL
JANNINGS</span></span><span style="color: #3d85c6; font-family: inherit;"><br /><span style="font-size: 14pt; line-height: 107%;">(1984 –
1950. Rorschach / Suíça)</span><span style="font-size: 14pt; line-height: 107%;"><br /></span></span></div><div style="text-align: justify;"><span style="color: #3d85c6; font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhy0l_UYkV5d3yJO3tFlwFvzRfQXbhQNXo06AnVOuCVH0l6SC28Xen986e0x4aIkjkvsUJZkZ9aKcX_H3Cgx0wLTc1M19MThRchNjpAc6eoz8z5YFmRLrpZbznTQUPV49VoVmKBhxqwmPuUwRCQB-OhAk68GZ8PSIoNvEMpY0y35wmA4lpc8k9nsPW0nHw/s1024/emil-jannings-silent-films-sayre-4121-7e3709-1024.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1024" data-original-width="798" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhy0l_UYkV5d3yJO3tFlwFvzRfQXbhQNXo06AnVOuCVH0l6SC28Xen986e0x4aIkjkvsUJZkZ9aKcX_H3Cgx0wLTc1M19MThRchNjpAc6eoz8z5YFmRLrpZbznTQUPV49VoVmKBhxqwmPuUwRCQB-OhAk68GZ8PSIoNvEMpY0y35wmA4lpc8k9nsPW0nHw/w311-h400/emil-jannings-silent-films-sayre-4121-7e3709-1024.jpg" width="311" /></a></div></span><br /><span style="font-size: 14pt; line-height: 107%;">02</span><br /></span></div><div style="text-align: center;"><span style="color: white; font-family: inherit;"><span style="background-color: #274e13; font-size: 14pt; line-height: 107%;">CONRAD
VEIDT</span></span><span style="color: #3d85c6; font-family: inherit;"><br /><span style="font-size: 14pt; line-height: 107%;">(1893 –
1943. Berlim / Alemanha)</span><span style="font-size: 14pt; line-height: 107%;"><br /></span></span></div><div style="text-align: justify;"><span style="color: #3d85c6; font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjhGLMVj-hpHaTVUWblve8EEXJtc2IWBHy8yia5mcNbOyR-GW_C5DnTCQZrBZMyiXWMOy6zCeh3Ji8Pq1VIqKGPnUx6bBaGeJpZMKuHe0Ozd8T4WuqYJfctHzW6eE7EJIlqSxgx9Zkew3lYovPJH4KpHAGNlLDbsxPUVjYSPI2yGD4nOEj-2YuqZXAIv8U/s1664/Conrad_Veidt_by_Binder.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1664" data-original-width="1280" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjhGLMVj-hpHaTVUWblve8EEXJtc2IWBHy8yia5mcNbOyR-GW_C5DnTCQZrBZMyiXWMOy6zCeh3Ji8Pq1VIqKGPnUx6bBaGeJpZMKuHe0Ozd8T4WuqYJfctHzW6eE7EJIlqSxgx9Zkew3lYovPJH4KpHAGNlLDbsxPUVjYSPI2yGD4nOEj-2YuqZXAIv8U/w308-h400/Conrad_Veidt_by_Binder.jpg" width="308" /></a></div></span><br /><span style="font-size: 14pt; line-height: 107%;">03</span><br /></span></div><div style="text-align: center;"><span style="color: white; font-family: inherit;"><span style="background-color: #274e13; font-size: 14pt; line-height: 107%;">WERNER
KRAUSS</span></span><span style="color: #3d85c6; font-family: inherit;"><br /><span style="font-size: 14pt; line-height: 107%;">(1884 –
1954. Baviera / Alemanha)</span><span style="font-size: 14pt; line-height: 107%;"><br /></span></span></div><div style="text-align: justify;"><span style="color: #3d85c6; font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg5M7YytXmF8jkYNMPo0-V89AonTgIRXKVaxQg4P9hqqFofTVAf3nT2UmZ6tAI0tIu3n_6vBF3nstHMaVVXVOzXA4OF8zmaglu3lnv5jeZXF8N3dgbXwI_JfeAqMupTs8CemCZ2YmTR-h7gczMrIq7R_cOQdkBRt8utMsNNzKdrDW5TJE-hLpaWdSZdlPY/s772/s-l1200werner.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="772" data-original-width="601" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg5M7YytXmF8jkYNMPo0-V89AonTgIRXKVaxQg4P9hqqFofTVAf3nT2UmZ6tAI0tIu3n_6vBF3nstHMaVVXVOzXA4OF8zmaglu3lnv5jeZXF8N3dgbXwI_JfeAqMupTs8CemCZ2YmTR-h7gczMrIq7R_cOQdkBRt8utMsNNzKdrDW5TJE-hLpaWdSZdlPY/w311-h400/s-l1200werner.jpg" width="311" /></a></div></span><br /><span style="font-size: 14pt; line-height: 107%;">04</span><br /></span></div><div style="text-align: center;"><span style="color: white; font-family: inherit;"><span style="background-color: #274e13; font-size: 14pt; line-height: 107%;">GUSTAV
FRÖHLICH</span></span><span style="color: #3d85c6; font-family: inherit;"><br /><span style="font-size: 14pt; line-height: 107%;">(1902 –
1987. Hanôver / Alemanha)</span><span style="font-size: 14pt; line-height: 107%;"><br /></span></span></div><div style="text-align: justify;"><span style="color: #3d85c6; font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh_dlUdC_BO7IJTN11y7yehcL-tMZe0iLDScm0aUC30tzCz2Nb8E_QNB6MlqE-C0NDP8Tw2m7PEaElOjDDl7K2B1j1334Yc85bI9XZrm3gwzAfvsSE4O_vydVMirs47gNC3xqqBvEb_hd1sFouJUmYmnmtSe0-UVsYIV9f7CG3p-9blTskXAvjp7diRxr0/s2561/3377d5ff83a31b4651407801be025044GUSTAV%20FR%C3%96HLICH.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="2561" data-original-width="1771" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh_dlUdC_BO7IJTN11y7yehcL-tMZe0iLDScm0aUC30tzCz2Nb8E_QNB6MlqE-C0NDP8Tw2m7PEaElOjDDl7K2B1j1334Yc85bI9XZrm3gwzAfvsSE4O_vydVMirs47gNC3xqqBvEb_hd1sFouJUmYmnmtSe0-UVsYIV9f7CG3p-9blTskXAvjp7diRxr0/w276-h400/3377d5ff83a31b4651407801be025044GUSTAV%20FR%C3%96HLICH.jpg" width="276" /></a></div></span><br /><span style="font-size: 14pt; line-height: 107%;">05</span><br /></span></div><div style="text-align: center;"><span style="color: white; font-family: inherit;"><span style="background-color: #274e13; font-size: 14pt; line-height: 107%;">MAX
SCHRECK</span></span><span style="color: #3d85c6; font-family: inherit;"><br /><span style="font-size: 14pt; line-height: 107%;">(1879 –
1936. Berlim / Alemanha)</span><span style="font-size: 14pt; line-height: 107%;"><br /></span></span></div><div style="text-align: justify;"><span style="color: #3d85c6; font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgeOV-EvmzLurnuEf1HEZhFu0KBTt1ALaN4sIg9em6uu_kfNzLyv_VG53-8uH0lE0rCmmrcXX75TWKxZrgQGfNnpobiVejkwZ4mY0kl1C2q6Stkgl73Tdvee9CBBWhkdVP1vzzxj7R-bj4RiOz-vgcovhj2i22YYtMLjzQnjn6gbIactEl3tlucR9-q4Xc/s1604/tumblr_f80b07999e8baf3daaf32ba878007c8f_84abafe9_1280MAX%20SCHRECK.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1604" data-original-width="1068" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgeOV-EvmzLurnuEf1HEZhFu0KBTt1ALaN4sIg9em6uu_kfNzLyv_VG53-8uH0lE0rCmmrcXX75TWKxZrgQGfNnpobiVejkwZ4mY0kl1C2q6Stkgl73Tdvee9CBBWhkdVP1vzzxj7R-bj4RiOz-vgcovhj2i22YYtMLjzQnjn6gbIactEl3tlucR9-q4Xc/w266-h400/tumblr_f80b07999e8baf3daaf32ba878007c8f_84abafe9_1280MAX%20SCHRECK.jpg" width="266" /></a></div></span></span><br /></div>
ANTONIO NAHUDhttp://www.blogger.com/profile/09829893001743081676noreply@blogger.com1tag:blogger.com,1999:blog-7997398743762234247.post-48642727625989471682023-09-24T14:41:00.018-03:002023-09-25T16:15:53.715-03:00*** O ROMANCE de JEAN MARAIS e JEAN COCTEAU<div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh9DJPFgy1eAgSC77nwobSsp3xwFhv3HJzGIjK3mfi4mFOSCIRPFNxpGQm0mB7HjN7oBoBXd-FwVj1f4NBzT1MF6TWOzzk3sDwJBCv3OSwPdi6hwYTXqnf0OTlJPW7muRS724--ngmGrYyUXdydbbwUb2QSTOpFCQwSnaxE7qpjNvZSHaAfjgGHKQkCawI/s955/Jean_Marais_et_Jean_Cocteau,_Venise_1947.webp.png" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="794" data-original-width="955" height="532" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh9DJPFgy1eAgSC77nwobSsp3xwFhv3HJzGIjK3mfi4mFOSCIRPFNxpGQm0mB7HjN7oBoBXd-FwVj1f4NBzT1MF6TWOzzk3sDwJBCv3OSwPdi6hwYTXqnf0OTlJPW7muRS724--ngmGrYyUXdydbbwUb2QSTOpFCQwSnaxE7qpjNvZSHaAfjgGHKQkCawI/w640-h532/Jean_Marais_et_Jean_Cocteau,_Venise_1947.webp.png" width="640" /></a></div><p> <span style="font-family: "Cambria",serif; font-size: 14pt; line-height: 107%;"><br /></span></p>
</div><div style="text-align: center;"><span style="color: #3d85c6; font-family: inherit; font-size: 14pt; line-height: 107%;">“Obrigado
do fundo do meu coração por ter me salvado. Eu estava me afogando e você se
jogou na água sem hesitar, sem olhar para trás.”</span><br /><span style="color: #3d85c6; font-family: inherit; font-size: 14pt; line-height: 107%;">De </span><span style="background-color: #274e13; color: white; font-family: inherit; font-size: 14pt; line-height: 107%;">JEAN
COCTEAU</span><span style="color: #3d85c6; font-family: inherit; font-size: 14pt; line-height: 107%;"> para </span><span style="background-color: #274e13; color: white; font-family: inherit; font-size: 14pt; line-height: 107%;">JEAN MARAIS</span><span style="color: #3d85c6; font-family: inherit; font-size: 14pt; line-height: 107%;">, em 1939.</span></div><div style="text-align: justify;"><span style="color: #3d85c6; font-family: inherit; font-size: 14pt; line-height: 107%;"> </span><br /><span style="font-family: inherit; font-size: 14pt; line-height: 107%;"> </span><br /><span style="font-family: inherit; font-size: 14pt; line-height: 107%;">Ele foi
um dos atores mais populares do cinema francês. Começou a se destacar nos anos
40 e teve um percurso cinematográfico célebre. <span style="background-color: #274e13; color: white;">JEAN MARAIS</span><span style="color: black; mso-themecolor: text1;"> </span><span style="color: #3d85c6;">(1913 – 1998. Cherbourg, Manche/ França)</span><span style="color: black; mso-themecolor: text1;"> </span>deixou como legado um porte romântico e atlético perpetuado em mais de 80
filmes, destacando-se no gênero capa-e-espada no final dos anos 50 e meados de
60. Em 1975, publicou uma de suas memórias, <span style="color: #3d85c6;">“Histórias da Minha Vida / Histoires
de Ma Vie”</span>, muito comentado por sua franqueza. Nele, recordou sua infância
ingrata, a mãe possessiva meio louca que ele amava, o trabalho como ator
prejudicado pela voz afetada e seu longo affair com o genial dramaturgo, poeta e cineasta<span style="color: black; mso-themecolor: text1;"> </span><span style="background-color: #274e13; color: white;">JEAN COCTEAU</span><span style="color: black; mso-themecolor: text1;"> </span><span style="color: #3d85c6;">(1889 –
1963.</span></span><span style="color: #3d85c6; font-family: inherit; font-size: 14pt; line-height: 107%;">Maisons-Laffitte, Yvelines / França)</span><span style="color: black; font-family: inherit; font-size: 14pt; line-height: 107%;">. </span><br /><span style="color: black; font-family: inherit; font-size: 14pt; line-height: 107%;"> </span><br /><span style="font-family: inherit; font-size: 14pt; line-height: 107%;">Apesar de
belo, <span style="background-color: #274e13; color: white;">JEAN MARAIS</span> tinha pouco talento e uma voz lamentável. Nunca entendi sua
fama. Tudo começou em 1937. O ator desde 1933 trabalhava no cinema como
figurante ou em papéis minúsculos e fazia teatro amador. Ao passar no teste em
uma peça que seria dirigida por seu futuro amante, foi utilizado em cena
vestido apenas com uma minúscula faixa branca, imóvel como uma estátua e
revelando seu corpo impactante. Em poucos dias ele se apaixonou pelo gênio. Assim
começou a íntima colaboração profissional e amorosa que durou décadas.</span></div><div style="text-align: justify;"><span style="font-family: inherit; font-size: 14pt; line-height: 107%;"> </span></div><div style="text-align: justify;"><span style="font-family: inherit; font-size: 14pt; line-height: 107%;"><table cellpadding="0" cellspacing="0" class="tr-caption-container" style="float: left; margin-right: 1em; text-align: left;"><tbody><tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiEe4AzLiNBWXKd_2pYM-Nsys85ImVUrSR_vTriii_lw2mJpaeRh3nvc7h-mCU2y_Dtpop_kI6VZcQ7B5uoUNeIzEpU8Anlxk_yxzfhU70xlsapiO_wY00hZZkSxyHuG0_99Ex6_77qz7ZubzXq9hzJfqDWS3cJQQXIc_lvzmEngV2e1PzC-EvPS2rX0ew/s490/cocteau%20w%20jean.JPG" style="clear: left; margin-bottom: 1em; margin-left: auto; margin-right: auto;"><img border="0" data-original-height="490" data-original-width="480" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiEe4AzLiNBWXKd_2pYM-Nsys85ImVUrSR_vTriii_lw2mJpaeRh3nvc7h-mCU2y_Dtpop_kI6VZcQ7B5uoUNeIzEpU8Anlxk_yxzfhU70xlsapiO_wY00hZZkSxyHuG0_99Ex6_77qz7ZubzXq9hzJfqDWS3cJQQXIc_lvzmEngV2e1PzC-EvPS2rX0ew/w391-h400/cocteau%20w%20jean.JPG" width="391" /></a></td></tr><tr><td class="tr-caption" style="text-align: center;"><span style="font-family: inherit;"><span style="background-color: black; color: #3d85c6; font-size: large;">cocteau e marais</span></span><br /></td></tr></tbody></table></span><span style="color: white; font-family: inherit; font-size: 14pt; line-height: 107%;">Quando se conheceram, tinha 24 anos e</span><span style="color: black; font-family: inherit; font-size: 14pt; line-height: 107%;"> </span><span style="background-color: #274e13; color: white; font-family: inherit; font-size: 14pt; line-height: 107%;">JEAN </span><span style="font-family: inherit; font-size: 14pt; line-height: 107%;"><span style="background-color: #274e13; color: white;">COCTEAU</span>,
48. Juntos, fizeram clássicos como <span style="color: #3d85c6;">“A Bela e a Fera</span></span><span style="color: #3d85c6; font-family: inherit; font-size: 14pt; line-height: 107%;">”</span><span style="font-family: inherit; font-size: 14pt; line-height: 107%;"> (1946), <span style="color: #3d85c6;">“A
Águia de Duas Cabeças</span></span><span style="color: #3d85c6; font-family: inherit; font-size: 14pt; line-height: 107%;">”</span><span style="font-family: inherit; font-size: 14pt; line-height: 107%;"> (1948), <span style="color: #3d85c6;">“O Pecado Original / Les Parents Terribles”</span>
(1948), <span style="color: #3d85c6;">“Coriolano / Coriolan”</span> (1950), <span style="color: #3d85c6;">“Orfeu</span></span><span style="color: #3d85c6; font-family: inherit; font-size: 14pt; line-height: 107%;">”</span><span style="font-family: inherit; font-size: 14pt; line-height: 107%;"> (1950) e <span style="color: #3d85c6;">“Testamento de Orfeu”</span>
(1960). Todos ricos em imagens inesquecíveis.</span><span style="font-family: inherit;"> <span style="font-size: 14pt; line-height: 107%;">O ator
afirmou que o cineasta foi o amor de sua vida e gostaria de tê-lo encontrado
antes. </span></span><br /><span style="font-family: inherit; font-size: 14pt; line-height: 107%;"> </span><br /><span style="font-family: inherit; font-size: 14pt; line-height: 107%;">Conhecido
por filmes poéticos, a filmografia de <span style="background-color: #274e13; color: white;">JEAN COCTEAU</span> faz parte da história do
cinema. Na vida privada, teve casos com figuras notáveis, como o escritor
Raymond Radiguet e o boxeador Panama Al Brown. No entanto, o ponto alto foi o
relacionamento com <span style="background-color: #274e13; color: white;">JEAN MARAIS</span>. Apelidado de </span><span style="color: #3d85c6; font-family: inherit; font-size: 14pt; line-height: 107%;">“</span><span style="color: #3d85c6; font-family: inherit; font-size: 14pt; line-height: 107%;">O Príncipe Frívolo</span><span style="color: #3d85c6; font-family: inherit; font-size: 14pt; line-height: 107%;">”</span><span style="font-family: inherit; font-size: 14pt; line-height: 107%;">,
nasceu em uma rica família parisiense. Após sair de casa, publicou um livro de poemas aos 19 anos de idade e logo se tornou conhecido
nos círculos artísticos e boêmios de Paris, associado aos escritores Marcel
Proust e André Gide. Nos anos seguintes, ele se relacionou com o poeta
Guillaume Apollinaire e os pintores Picasso e Modigliani.</span><br /><span style="font-family: inherit; font-size: 14pt; line-height: 107%;"> </span><br /><span style="font-family: inherit; font-size: 14pt; line-height: 107%;">Seu
talento se estendeu por toda a Europa e, em 1917, o empresário russo Sergei
Diaghilev o convenceu a escrever o livreto para o ballet <span style="color: #3d85c6;">“Parade”</span>. Em 1920,
tornou-se viciado em ópio, depois do choque causado pela morte inesperada do
poeta francês Raymond Radiguet, seu amante,</span><span style="font-family: inherit;"> <span style="font-size: 14pt; line-height: 107%;">o que o fez submeter-se a várias
internações em clínicas. Apesar de ter um caso com a princesa Natalie Paley -
filha de um duque Romanov, atriz e modelo – as suas relações mais longas foram
com os atores <span style="background-color: #274e13; color: white;">JEAN MARAIS</span> e Edouard Dermithe, a quem adotou formalmente depois
de contratá-lo como um jardineiro. Teve alguns casos menores com algumas mulheres
e namorou homens mais velhos bem relacionados, como o conhecido ator Eduard De
Max. </span></span></div><div style="text-align: justify;"><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;"> </span></span><span style="font-family: inherit; font-size: 14pt; line-height: 107%;"><br /><table cellpadding="0" cellspacing="0" class="tr-caption-container" style="float: left; margin-right: 1em; text-align: left;"><tbody><tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgGHfKr9VbygMxKI-u7RR87mgWvRvyphmVyp6r8gqY2BSRvX8YPtBccOtJXaWScGz17acpiPcPf3aDyYv76DaGzpyD8tQKkNIfKb-7Q-BR6ghqWwhTjtT78WQQPTsjyz_ZNiBhwau5yH_TIpvWwge-Dxq86ln_o2_IvPgAlJrCAqDyEJDoKNh_YFOWYkSY/s618/cocteau%20young%20pic.JPG" style="clear: left; margin-bottom: 1em; margin-left: auto; margin-right: auto;"><img border="0" data-original-height="618" data-original-width="449" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgGHfKr9VbygMxKI-u7RR87mgWvRvyphmVyp6r8gqY2BSRvX8YPtBccOtJXaWScGz17acpiPcPf3aDyYv76DaGzpyD8tQKkNIfKb-7Q-BR6ghqWwhTjtT78WQQPTsjyz_ZNiBhwau5yH_TIpvWwge-Dxq86ln_o2_IvPgAlJrCAqDyEJDoKNh_YFOWYkSY/w290-h400/cocteau%20young%20pic.JPG" width="290" /></a></td></tr><tr><td class="tr-caption" style="text-align: center;"><span style="font-family: inherit;"><span style="background-color: black; color: #3d85c6; font-size: large;">o jovem cocteau</span></span></td></tr></tbody></table></span><span style="font-family: inherit; font-size: 14pt; line-height: 107%;">De Max
apresentou <span style="background-color: #274e13; color: white;">JEAN COCTEAU</span> ao quem é quem da cena parisiense e usou sua influência
para organizar um encontro de poesia dedicada ao jovem poeta, considerado um
grande sucesso nos círculos literários. Logo ele começou a contribuir com
poemas e desenhos para revistas literárias. De Max também o ajudou a publicar
seus três primeiros livros.</span><span style="font-family: inherit;"> <span style="font-size: 14pt; line-height: 107%;">Em essência, ele foi um poeta que escreveu
romances, peças, crítica literária, dirigiu filmes e foi um artista
plástico inspirado, que deixou sua marca em capelas da Provence e Côte
D’Azur. Este talento múltiplo não se diluiu em suas atividades, somou-se. Como ele explica: <span style="color: #3d85c6;">“Explorei tantos caminhos
para que minha semente se espalhasse por toda a parte.”</span>.</span></span></div><div style="text-align: justify;"><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;"> </span></span><br /><span style="font-family: inherit; font-size: 14pt; line-height: 107%;">Uma vez famoso,
<span style="background-color: #274e13; color: white;">JEAN COCTEAU</span> começou a namorar homens mais jovens, seus <span style="color: #3d85c6;">“enfants”</span>, como ele se
referia a eles, belos jovens amantes e colaboradores. A partir de 1916, incentivou
a carreira do poeta John LeRoy, que morreria apenas dois anos depois. Ele
escreveu sobre LeRoy: <span style="color: #3d85c6;">“…coloquei nele o que foi desperdiçado em mim pela vida
desordenada. Ele era jovem, bonito, bom, corajoso, cheio de gênio, nada
afetado, tudo o que a Morte gosta.”</span>. A próxima obsessão foi Raymond Radiquet,
de 15 anos. A dupla escreveu quatro romances de sucesso enquanto moravam
juntos. Em 1923, Radiquet morreu de febre tifóide, aos 20 anos de idade.</span><br /><span style="font-family: inherit; font-size: 14pt; line-height: 107%;"> </span><br /><span style="font-family: inherit; font-size: 14pt; line-height: 107%;">Nem todos
os seus amantes eram talentosos ou bem-sucedidos. Maurice Sachs roubou o seu apartamento
e depois escreveu <span style="color: #3d85c6;">“Witches Sabbath”</span>, um relato contundente de seu
relacionamento. Sachs acabou sendo morto pelos nazistas. <span style="color: #3d85c6;">“Les Enfants Terrible”</span>,
o romance publicado em 1929 e depois adaptado para um filme por Jean-Pierre
Melville, foi em parte inspirado na vida familiar de seu próximo amante, Jean
Bourgoint. O relacionamento não durou muito e Bourgoint acabou se tornando um
monge trapista, trabalhando em uma colônia de leprosos nos Camarões.</span><br /><span style="font-family: inherit; font-size: 14pt; line-height: 107%;"> <div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgd_iCTjShPzJrJ1zaBHL8fiL2QnLJds5znPg3Cic7uRZJDPbhqA1IW7q5oieHFSW7kbv0BQg-yeMTIm0TXwNK31jJarIV7aPp3H12wah0xkWRNLcI3GWHH2SBUwmMyYH4z-vlKXULhFEOlMpoD1Mei1JmSrh98enxIWezuquBjOWXrR91ZkfVkyd7bvko/s1024/jean-cocteau.jpg" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"><img border="0" data-original-height="1024" data-original-width="822" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgd_iCTjShPzJrJ1zaBHL8fiL2QnLJds5znPg3Cic7uRZJDPbhqA1IW7q5oieHFSW7kbv0BQg-yeMTIm0TXwNK31jJarIV7aPp3H12wah0xkWRNLcI3GWHH2SBUwmMyYH4z-vlKXULhFEOlMpoD1Mei1JmSrh98enxIWezuquBjOWXrR91ZkfVkyd7bvko/w321-h400/jean-cocteau.jpg" width="321" /></a></div></span><span style="font-family: inherit; font-size: 14pt; line-height: 107%;">Em 1927, <span style="background-color: #274e13; color: white;">JEAN
COCTEAU</span> morava com o poeta Jean Desbordes, que escreveu em 1928, <span style="color: #3d85c6;">“J’Adore”</span>,
conhecido como uma carta de amor de 200 páginas ao amante. Foi algo muito
picante para a época. Eles passaram o verão no interior da França com Gertrude
Stein e Coco Chanel, que ficou irritada porque os dois viviam a maior parte do
dia trancados no quarto fumando ópio. Desbordes tornou-se um líder da
Resistência durante a Segunda Guerra Mundial. Tragicamente, os nazistas o
capturaram, arrancaram-lhe os olhos e depois o mataram. Em 1930, <span style="background-color: #274e13; color: white;">JEAN COCTEAU</span> lançou sua primeira obra-prima cinematográfica, <span style="color: #3d85c6;">“Sangue do Poeta”</span>, influenciado por sua amizade com surrealistas e dadaístas.</span><span style="font-family: inherit;"> <span style="font-size: 14pt; line-height: 107%;">Ele
realizou sete filmes e é um dos mais importantes cineastas de todos
os tempos.</span></span><br /><span style="font-family: inherit; font-size: 14pt; line-height: 107%;"> </span><br /><span style="font-family: inherit; font-size: 14pt; line-height: 107%;">Com uma
infância sofrida, porque a sua mãe era </span><span style="font-family: inherit; font-size: 14pt; line-height: 107%;">mentalmente instável</span><span style="font-family: inherit; font-size: 14pt; line-height: 107%;">, <span style="background-color: #274e13; color: white;">JEAN MARAIS</span> nasceu
na antiga cidade portuária de Cherbourgh. Seus pais se separaram depois da Primeira
Guerra Mundial e a mãe, ele e o irmão Henri se mudaram para os subúrbios de
Paris. Fascinado pelo teatro desde criança, dizia aos amigos que a mãe era uma
atriz da Comedie Française. Incapaz de conseguir um
trabalho regular, a mãe tornou-se ladra de lojas e foi presa várias vezes. Sozinhas,
as crianças tiveram que aprender a se defender sozinhas. Expulso da escola por
se vestir de menina e flertar com um professor, o futuro ator fazia biscates
como desenhista, jornaleiro e fotógrafo. </span><br /><span style="font-family: inherit; font-size: 14pt; line-height: 107%;"> </span><br /><span style="font-family: inherit; font-size: 14pt; line-height: 107%;">Enquanto
lutava para se estabelecer como ator em Paris, foi rejeitado pelas principais
escolas de arte dramática até conhecer <span style="background-color: #274e13; color: white;">JEAN COCTEAU</span>. Juntos formaram um dos
casais mais admirados da vida cultural francesa. Trabalhou na peça <span style="color: #3d85c6;">“Les Parents
Terribles”</span> e mais tarde na versão cinematográfica de 1948, batizada <span style="color: #3d85c6;">“O Pecado Original”</span>
em português. Deu vida ao conto infantil <span style="color: #3d85c6;">“A Bela e a Fera”</span>, de 1946, o filme
mais popular dos dois. O ator trabalhou também com outros diretores magistrais
como Jean Renoir, Luchino Visconti e Bernardo Bertolucci.</span></div><div style="text-align: justify;"><span style="font-family: inherit; font-size: 14pt; line-height: 107%;"> </span><span style="font-family: inherit; font-size: 14pt; line-height: 107%;"><br /><table cellpadding="0" cellspacing="0" class="tr-caption-container" style="float: right; margin-left: 1em; text-align: right;"><tbody><tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiLDsnsU2-YR5VfQrZPTtkA9Wd4OPRaBl6Okr7c5KzrMf2MrNmcKdhcY6yHGB1PGDh8YJiSWgqEol4BpR31DHS9Cgw8mgZg7fmhd2KOmEYy8WQPeuOEhOrZ6epv5xc2SgEkWQ8lYZnsXy-JGDXyqvMWCNQqdsQ9oSdL_Uqn6SurzZWegL47zuQyrfOcZS8/s800/linkb.jpg" style="clear: right; margin-bottom: 1em; margin-left: auto; margin-right: auto;"><img border="0" data-original-height="558" data-original-width="800" height="279" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiLDsnsU2-YR5VfQrZPTtkA9Wd4OPRaBl6Okr7c5KzrMf2MrNmcKdhcY6yHGB1PGDh8YJiSWgqEol4BpR31DHS9Cgw8mgZg7fmhd2KOmEYy8WQPeuOEhOrZ6epv5xc2SgEkWQ8lYZnsXy-JGDXyqvMWCNQqdsQ9oSdL_Uqn6SurzZWegL47zuQyrfOcZS8/w400-h279/linkb.jpg" width="400" /></a></td></tr><tr><td class="tr-caption" style="text-align: center;"><span style="background-color: black; color: #3d85c6; font-family: inherit;"><span style="font-size: large;">marais e cocteau</span></span><br /></td></tr></tbody></table></span><span style="font-family: inherit; font-size: 14pt; line-height: 107%;">O
relacionamento deles foi extremamente apaixonado e intenso, com <span style="background-color: #274e13; color: white;">COCTEAU</span> escalando
<span style="background-color: #274e13; color: white;">MARAIS</span> para seus próprios projetos cinematográficos. Ele estrelou a maioria dos
filmes do amante. O cineasta afirmou que sua atuação em <span style="color: #3d85c6;">“Orfeu” “ilumina o
filme com sua alma”</span>. Na verdade, o ator passou a ser conhecido como muso do
cineasta.</span><span style="font-family: inherit;"> <span style="font-size: 14pt; line-height: 107%;">Eles tomaram a decisão de permanecer numa Paris ocupada pelos
nazistas, apesar da oposição a homossexualidade. Eram
abertamente gays e o ator chegou a ser rejeitado pela Resistência em França por isso. Já <span style="background-color: #274e13; color: white;">COCTEAU</span>, dependia do ópio para se inspirar.
Com o amado conseguiu superar o vício.</span></span><br /><span style="font-family: inherit; font-size: 14pt; line-height: 107%;"> </span><br /><span style="font-family: inherit; font-size: 14pt; line-height: 107%;">O cineasta tinha admiradores
poderosos que protegiam os dois, mesmo quando <span style="background-color: #274e13; color: white;">JEAN MARAIS</span> deu um soco em um
crítico colaboracionista por escrever uma crítica negativa sobre uma das peças
do amante. Os seus nomes foram arrastados pela lama da imprensa controlada
pelos nazis, mas nunca foram presos ou enviados para um campo de concentração. <span style="background-color: #274e13; color: white;">JEAN
COCTEAU</span> morreu de um ataque cardíaco em seu castelo em Milly-la-Forêt,
Essonne, em 1963, com 74 anos. Contam que seu
coração parou depois de ouvir que Edith Piaf, uma de suas grandes amigas, tinha
morrido.</span><span style="font-family: inherit;"> <span style="font-size: 14pt; line-height: 107%;"><span style="background-color: #274e13; color: white;">JEAN MARAIS</span> mandou gravar na sua lápide: <span style="color: #3d85c6;">“Eu fico com
você”</span>.</span></span><br /><span style="font-family: inherit;"> </span><br /><span style="font-family: inherit; font-size: 14pt; line-height: 107%;">Falecido
em 1998, aos 85 anos, entre os trabalhos mais recentes de <span style="background-color: #274e13; color: white;">JEAN MARAIS</span> estão
apresentações no Cabaré Les Folies Bergères e a interpretação de Próspero em <span style="color: #3d85c6;">“A
Tempestade”</span>, de Shakespeare, nos palcos de Paris. Seus últimos filmes foram <span style="color: #3d85c6;">“Os
Miseráveis / Les Misérables”</span> (1995), de Claude Lelouch; e <span style="color: #3d85c6;">“Beleza Roubada”</span> (1996),
de Bernardo Bertolucci. Publicou mais de uma autobiografia e organizou uma
retrospectiva de seu trabalho como artista plástico em 1995. Tinha um filho
adotivo, Sobre <span style="background-color: #274e13; color: white;">JEAN COCTEAU</span>, ele comentou: <span style="color: #3d85c6;">“Lamento amargamente não ter passado
toda a minha vida servindo Cocteau em vez de me preocupar com minha carreira.”</span></span><br /><span style="font-family: inherit; font-size: 14pt; line-height: 107%;"> </span></div><div style="text-align: justify;"><span style="font-family: inherit; font-size: 14pt; line-height: 107%;"><table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto;"><tbody><tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiv466HunFT4uwqAtaRHBABomKWdqfqlH5Pn7P1oVB2kkYqu3DtWwglEq-Uc7iJBPrjSce8SXPfjxzb7BqlcfFKPPiUWnvsvRMjxsLiM0qvj1QtTvndgMmLjk0-1NBBh2xYvH4qqHBGat-4eIA_i4qBdQDrPVNpdSNHwqDV8zlXOwEUPT5vb6DRGMueOv8/s1024/29112016-orfeu.jpg" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="773" data-original-width="1024" height="484" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiv466HunFT4uwqAtaRHBABomKWdqfqlH5Pn7P1oVB2kkYqu3DtWwglEq-Uc7iJBPrjSce8SXPfjxzb7BqlcfFKPPiUWnvsvRMjxsLiM0qvj1QtTvndgMmLjk0-1NBBh2xYvH4qqHBGat-4eIA_i4qBdQDrPVNpdSNHwqDV8zlXOwEUPT5vb6DRGMueOv8/w640-h484/29112016-orfeu.jpg" width="640" /></a></td></tr><tr><td class="tr-caption" style="text-align: center;"><span style="font-family: inherit;"><span style="font-size: large;"><span style="color: #3d85c6;"><span style="background-color: black;">jean marais em <span style="line-height: 107%;"><span>“orfeu”</span></span></span></span></span></span></td></tr></tbody></table></span><br /></div><div style="text-align: center;"><span style="background-color: #274e13; color: white; font-family: inherit; font-size: 14pt; line-height: 107%;">CINCO
FILMES de JEAN COCTEAU</span><br /><span style="color: #3d85c6; font-family: inherit; font-size: 14pt; line-height: 107%;">(por
ordem de preferência)</span><span style="color: #3d85c6;"><br /></span></div><div style="text-align: justify;"><span style="color: #3d85c6; font-family: inherit; font-size: 14pt; line-height: 107%;"> </span><span style="color: #3d85c6;"><br /><span style="font-family: inherit; font-size: 14pt; line-height: 107%;">01</span><br /></span></div><div style="text-align: center;"><span style="background-color: #274e13; color: white; font-family: inherit; font-size: 14pt; line-height: 107%;">A BELA e
a FERA</span><span style="color: #3d85c6;"><span style="font-family: inherit; font-size: 14pt; line-height: 107%;"> </span><br /><span style="font-family: inherit; font-size: 14pt; line-height: 107%;">(La Belle
et la Bête, 1946)</span></span></div><div style="text-align: justify;"><span style="color: #3d85c6;"><span style="font-family: inherit; font-size: 14pt; line-height: 107%;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhLlswpbNA6WVoPx-FcBzbXr4Sd1ur1zKmzCQ45wPm5o4hp07QRYRewMmXskz0JmAJWRWa82CMAfUMAlDKjo6S_HUCOxye5kU6uyw8vm2VENjmT8c104sVNhkb2U5TQZNDJIB2itTpNNTJOCpAvScW3WaPuQlSpK0Qbr2ny8JfmTaIzViXVrcCRs5-Ws0Y/s1600/la-belle-et-la-bete-1946-a03.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1097" data-original-width="1600" height="219" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhLlswpbNA6WVoPx-FcBzbXr4Sd1ur1zKmzCQ45wPm5o4hp07QRYRewMmXskz0JmAJWRWa82CMAfUMAlDKjo6S_HUCOxye5kU6uyw8vm2VENjmT8c104sVNhkb2U5TQZNDJIB2itTpNNTJOCpAvScW3WaPuQlSpK0Qbr2ny8JfmTaIzViXVrcCRs5-Ws0Y/s320/la-belle-et-la-bete-1946-a03.jpg" width="320" /></a></div></span><br /><span style="font-family: inherit; font-size: 14pt; line-height: 107%;">Elenco: Jean Marais, Josette Day
e Michael Auclair</span><br /><span style="font-family: inherit; font-size: 14pt; line-height: 107%;"> </span><br /><span style="font-family: inherit; font-size: 14pt; line-height: 107%;">02</span><br /></span></div><div style="text-align: center;"><span style="background-color: #274e13; color: white; font-family: inherit; font-size: 14pt; line-height: 107%;">A ÁGUIA
de DUAS CABEÇAS</span><span style="color: #3d85c6;"><span style="font-family: inherit; font-size: 14pt; line-height: 107%;"> </span><br /><span style="font-family: inherit; font-size: 14pt; line-height: 107%;">(L'aigle
à Deux Têtes, 1948)</span></span></div><div style="text-align: justify;"><span style="color: #3d85c6;"><span style="font-family: inherit; font-size: 14pt; line-height: 107%;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh6zXk_stlL1ixl6RWqGzIg3m-63Q6R4gKoB6F5Pp4NDmYNz6S93CWvzQdyySo8DYplS2UDWF-hATj5p57wbFFc26FyUqPWwzrj0agJ-jSqNQ3Vwx6diuT6aa-U9gqhn0268h3oHGYR4AOXjwE4i-oyun5447gaG_QCy1OOJ_68v3gZh8mkwQs5QGwIsJk/s1533/MV5BZWU0Yzc2ZjMtOTNhMi00MjQ1LWE0MTQtMTllNTU2NWIzYjE1XkEyXkFqcGdeQXVyNzc5MjA3OA@@._V1_FMjpg_UX1000_.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1533" data-original-width="1000" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh6zXk_stlL1ixl6RWqGzIg3m-63Q6R4gKoB6F5Pp4NDmYNz6S93CWvzQdyySo8DYplS2UDWF-hATj5p57wbFFc26FyUqPWwzrj0agJ-jSqNQ3Vwx6diuT6aa-U9gqhn0268h3oHGYR4AOXjwE4i-oyun5447gaG_QCy1OOJ_68v3gZh8mkwQs5QGwIsJk/s320/MV5BZWU0Yzc2ZjMtOTNhMi00MjQ1LWE0MTQtMTllNTU2NWIzYjE1XkEyXkFqcGdeQXVyNzc5MjA3OA@@._V1_FMjpg_UX1000_.jpg" width="209" /></a></div></span><br /><span style="font-family: inherit; font-size: 14pt; line-height: 107%;">Elenco: Edwige Feuillère</span><br /><span style="font-family: inherit; font-size: 14pt; line-height: 107%;"> </span><br /><span style="font-family: inherit; font-size: 14pt; line-height: 107%;">03</span><br /></span></div><div style="text-align: center;"><span style="background-color: #274e13; color: white; font-family: inherit; font-size: 14pt; line-height: 107%;">O SANGUE
de um POETA</span><span style="color: #3d85c6;"><span style="font-family: inherit; font-size: 14pt; line-height: 107%;"> </span><br /><span style="font-family: inherit; font-size: 14pt; line-height: 107%;">(Le Sang
d'un Poète, 1932)</span></span></div><div style="text-align: justify;"><span style="color: #3d85c6;"><span style="font-family: inherit; font-size: 14pt; line-height: 107%;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjv3fcpf7yePBFn7oSdWJFazyO8ai2EHAHA-USGee0CXji4H3CVGEILmYfRHUKGQVStL8atjs4Tl3QM9Apwvjyal8GKmofSDz4Ov1GjpnMgW1Ky5y_jCkxGay4wP6so0cMKkZdPWcUwIdEYJBJcv9M6wONec9Qo3bI8-6HzeiMON3m58SshdHj5UbJKWJo/s1103/MM00267080__61058.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1103" data-original-width="914" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjv3fcpf7yePBFn7oSdWJFazyO8ai2EHAHA-USGee0CXji4H3CVGEILmYfRHUKGQVStL8atjs4Tl3QM9Apwvjyal8GKmofSDz4Ov1GjpnMgW1Ky5y_jCkxGay4wP6so0cMKkZdPWcUwIdEYJBJcv9M6wONec9Qo3bI8-6HzeiMON3m58SshdHj5UbJKWJo/s320/MM00267080__61058.jpg" width="265" /></a></div></span><br /><span style="font-family: inherit; font-size: 14pt; line-height: 107%;">Elenco: Enrique Rivero, Elizabeth
Lee Miller e Pauline Carton</span><br /><span style="font-family: inherit; font-size: 14pt; line-height: 107%;"> </span><br /><span style="font-family: inherit; font-size: 14pt; line-height: 107%;">04</span><br /></span></div><div style="text-align: center;"><span style="background-color: #274e13; color: white; font-family: inherit; font-size: 14pt; line-height: 107%;">ORFEU</span><span style="color: #3d85c6;"><span style="font-family: inherit; font-size: 14pt; line-height: 107%;"> </span></span></div><div style="text-align: center;"><span style="color: #3d85c6;"><span style="font-family: inherit; font-size: 14pt; line-height: 107%;">(Orphée,
1950)</span></span></div><div style="text-align: justify;"><span style="color: #3d85c6;"><span style="font-family: inherit; font-size: 14pt; line-height: 107%;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhVRv4-un1DJ2W6DEstWzkdQ3NT-_mBHFJuOvFPtVvfNkXkZdnzsywnboLCF2-Ye2tAonrDnXCbxzXZhAANKRe98EgmTYPKBg5Xh_AONDKVFo0YU46wLqh8zvlocbNKmHyeXrrzgaKExiw19JAfR4L4a4HWe2ZMtsZnDyYgiDMi819u1dWrKhbCRYcH13w/s1147/6635.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1147" data-original-width="800" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhVRv4-un1DJ2W6DEstWzkdQ3NT-_mBHFJuOvFPtVvfNkXkZdnzsywnboLCF2-Ye2tAonrDnXCbxzXZhAANKRe98EgmTYPKBg5Xh_AONDKVFo0YU46wLqh8zvlocbNKmHyeXrrzgaKExiw19JAfR4L4a4HWe2ZMtsZnDyYgiDMi819u1dWrKhbCRYcH13w/s320/6635.jpg" width="223" /></a></div></span><br /><span style="font-family: inherit; font-size: 14pt; line-height: 107%;">Elenco: François Périer, María
Casarés, Marie Déa e Juliette Gréco</span><br /><span style="font-family: inherit; font-size: 14pt; line-height: 107%;"> </span><br /><span style="font-family: inherit; font-size: 14pt; line-height: 107%;">05</span><br /></span></div><div style="text-align: center;"><span style="background-color: #274e13; color: white; font-family: inherit; font-size: 14pt; line-height: 107%;">O
TESTAMENTO de ORFEU</span><span style="color: #3d85c6;"><span style="font-family: inherit; font-size: 14pt; line-height: 107%;"> </span><br /><span style="font-family: inherit; font-size: 14pt; line-height: 107%;">(Le Testament
d'Orphée ou ne me Demandez pas Pourquoi, 1960)</span></span></div><div style="text-align: justify;"><span style="color: #3d85c6;"><span style="font-family: inherit; font-size: 14pt; line-height: 107%;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiK6NOMsTats5PE2FVmOTSi_sCaXuDKGj2-f3IyFyuai_1KMS6YWKZKAJ9cypyfYVrrl4PldeXcLtwOjhszGZOY9KU2gq5HxKIqNCDzJxTxnWNjM6lmh0yNFgwY6F9pteNjEylCcxbqTGp1i8Lv84ifEsej6KCTo4nMuvqrs8uMRUQ6TuXtIBR7iE4_V7E/s280/images.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="280" data-original-width="180" height="280" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiK6NOMsTats5PE2FVmOTSi_sCaXuDKGj2-f3IyFyuai_1KMS6YWKZKAJ9cypyfYVrrl4PldeXcLtwOjhszGZOY9KU2gq5HxKIqNCDzJxTxnWNjM6lmh0yNFgwY6F9pteNjEylCcxbqTGp1i8Lv84ifEsej6KCTo4nMuvqrs8uMRUQ6TuXtIBR7iE4_V7E/s1600/images.jpg" width="180" /></a></div></span><br /><span style="font-family: inherit; font-size: 14pt; line-height: 107%;">Elenco: Françoise Arnoul,
Claudine Auger, Jean Marais, Charles Aznavour, Lucia Bosè, Yul Brynner e María
Casarés</span><br /><span style="font-family: inherit; font-size: 14pt; line-height: 107%;"> <table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto;"><tbody><tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhC1WwTfZfG8OxKXgknu9yWarTlJ6zvZ1KC-paLzOpmo-qiceqKezpgyX9EzVpslatTfT63N4FQF9eydDBHeLCm2N5jZpJqkwoZeQlAxRmUgJkxv2-cmvzYE3kpi_uWk_zDTxy-2vvqYmGSaCvB22NwCsIm1P5YXKvmvotLtNZ_0kBclIN5BjhA5IDCswI/s597/cocteau%20jean%20beauty.JPG" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="597" data-original-width="549" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhC1WwTfZfG8OxKXgknu9yWarTlJ6zvZ1KC-paLzOpmo-qiceqKezpgyX9EzVpslatTfT63N4FQF9eydDBHeLCm2N5jZpJqkwoZeQlAxRmUgJkxv2-cmvzYE3kpi_uWk_zDTxy-2vvqYmGSaCvB22NwCsIm1P5YXKvmvotLtNZ_0kBclIN5BjhA5IDCswI/w588-h640/cocteau%20jean%20beauty.JPG" width="588" /></a></td></tr><tr><td class="tr-caption" style="text-align: center;"><span style="font-family: inherit;"><span style="font-size: large;"><span style="color: #3d85c6;"><span style="background-color: black;">jean marais em <span style="line-height: 107%;"><span>“a bela e a fera</span></span><span style="line-height: 107%;">”</span></span></span></span></span></td></tr></tbody></table></span><br /></span></div><div style="text-align: center;"><span style="background-color: #274e13; color: white; font-family: inherit; font-size: 14pt; line-height: 107%;">DEZ
FILMES de JEAN MARAIS</span><span style="color: #3d85c6;"><br /><span style="font-family: inherit; font-size: 14pt; line-height: 107%;">(por
ordem de preferência)</span><br /></span></div><div style="text-align: justify;"><span style="color: #3d85c6; font-family: inherit; font-size: 14pt; line-height: 107%;"> </span><span style="color: #3d85c6;"><br /><span style="font-family: inherit; font-size: 14pt; line-height: 107%;">01</span><br /></span></div><div style="text-align: center;"><span style="background-color: #274e13; color: white; font-family: inherit; font-size: 14pt; line-height: 107%;">A BELA e
a FERA</span><span style="color: #3d85c6;"><span style="font-family: inherit; font-size: 14pt; line-height: 107%;"> </span><br /><span style="font-family: inherit; font-size: 14pt; line-height: 107%;">(La Belle
et la Bête, 1946)</span></span></div><div style="text-align: justify;"><span style="color: #3d85c6;"><span style="font-family: inherit; font-size: 14pt; line-height: 107%;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhjqmiDHh3N1YabAPqV1p935LvqU58V6MMLX_DEHHChE3bfS0ZVjYlqb4K-RDsRdTVZ2g6m1qP0v2WNOqF1unlR8E9R6B6pYTZ-JINnF-NL4DIOkxlomefT7w6nSeLUWuxQCprGimRppcvLmmaBRQnnA6NNSKTRjxAwhq4mhDGmhfzWgcQ4IfU7zDFuyzQ/s1600/la-belle-et-la-bete-1946-a03.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1097" data-original-width="1600" height="219" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhjqmiDHh3N1YabAPqV1p935LvqU58V6MMLX_DEHHChE3bfS0ZVjYlqb4K-RDsRdTVZ2g6m1qP0v2WNOqF1unlR8E9R6B6pYTZ-JINnF-NL4DIOkxlomefT7w6nSeLUWuxQCprGimRppcvLmmaBRQnnA6NNSKTRjxAwhq4mhDGmhfzWgcQ4IfU7zDFuyzQ/s320/la-belle-et-la-bete-1946-a03.jpg" width="320" /></a></div></span><br /><span style="font-family: inherit; font-size: 14pt; line-height: 107%;">Direção:
Jean Cocteau</span><br /><span style="font-family: inherit; font-size: 14pt; line-height: 107%;">Elenco: Josette
Day e Michael Auclair</span><br /><span style="font-family: inherit; font-size: 14pt; line-height: 107%;"> </span><br /><span style="font-family: inherit; font-size: 14pt; line-height: 107%;">02</span><br /></span></div><div style="text-align: center;"><span style="background-color: #274e13; color: white; font-family: inherit; font-size: 14pt; line-height: 107%;">NOITES
BRANCAS</span><span style="color: #3d85c6;"><span style="font-family: inherit; font-size: 14pt; line-height: 107%;"> </span><br /><span style="font-family: inherit; font-size: 14pt; line-height: 107%;">(Le Notti
Bianche,1957)</span></span></div><div style="text-align: justify;"><span style="color: #3d85c6;"><span style="font-family: inherit; font-size: 14pt; line-height: 107%;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEggUQcW8qhZDORcxEUVXegFrhUj3c0jX0JtVe6UtnxgfN4vmemRSDfONZbIHup55bxEbPBJxHyOMhPSyyUFfV7FyqzPTAVNUw_hZESOoQva7ZF7BnKV7IE4qNib-29ToVOPELC_5eFk7xVJtISYl6UqmT26W3TjlR5rMJRo-59sc3rVpdaHnB-T_UzaPLU/s1583/1957%20Le%20notti%20bianche%20-%20Noches%20blancas%20(ita)%2002.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1583" data-original-width="1040" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEggUQcW8qhZDORcxEUVXegFrhUj3c0jX0JtVe6UtnxgfN4vmemRSDfONZbIHup55bxEbPBJxHyOMhPSyyUFfV7FyqzPTAVNUw_hZESOoQva7ZF7BnKV7IE4qNib-29ToVOPELC_5eFk7xVJtISYl6UqmT26W3TjlR5rMJRo-59sc3rVpdaHnB-T_UzaPLU/s320/1957%20Le%20notti%20bianche%20-%20Noches%20blancas%20(ita)%2002.jpg" width="210" /></a></div></span><br /><span style="font-family: inherit; font-size: 14pt; line-height: 107%;">Direção:
Luchino Visconti</span><br /><span style="font-family: inherit; font-size: 14pt; line-height: 107%;">Elenco: Maria
Schell, Marcello Mastroianni, Clara Calamai e Giorgio Albertazzi</span><br /><span style="font-family: inherit; font-size: 14pt; line-height: 107%;"> </span><br /><span style="font-family: inherit; font-size: 14pt; line-height: 107%;">03</span><br /></span></div><div style="text-align: center;"><span style="background-color: #274e13; color: white; font-family: inherit; font-size: 14pt; line-height: 107%;">O CASTELO
de CRISTAL</span><span style="color: #3d85c6;"><br /><span style="font-family: inherit; font-size: 14pt; line-height: 107%;">(Le
Chateau De Vêrre, 1950)</span></span></div><div style="text-align: justify;"><span style="color: #3d85c6;"><span style="font-family: inherit; font-size: 14pt; line-height: 107%;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiSx1Qbt99cp3PqIzbynmxyMhtgFll40BVKGrPrmJ5ut_nZe60KbKVjUQm3dd71P7fUJJZPvVgM1Hi0eU4thyUCbhuPtXkerKJ5HOO8D6Fl7DQdO8zJIx5L4_F0Q7UFEtCv5LOh5PDVgimr2y25QSHACBZUmTw0Vmpfvl2BPK_laEh8FZhjO-VguKRovCQ/s1633/MV5BNTk0ZGUzYmYtODg5YS00NzcwLTg1NzQtYjgxYmY2N2EwMmVkXkEyXkFqcGdeQXVyMzg1ODEwNQ@@._V1_.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1633" data-original-width="1251" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiSx1Qbt99cp3PqIzbynmxyMhtgFll40BVKGrPrmJ5ut_nZe60KbKVjUQm3dd71P7fUJJZPvVgM1Hi0eU4thyUCbhuPtXkerKJ5HOO8D6Fl7DQdO8zJIx5L4_F0Q7UFEtCv5LOh5PDVgimr2y25QSHACBZUmTw0Vmpfvl2BPK_laEh8FZhjO-VguKRovCQ/s320/MV5BNTk0ZGUzYmYtODg5YS00NzcwLTg1NzQtYjgxYmY2N2EwMmVkXkEyXkFqcGdeQXVyMzg1ODEwNQ@@._V1_.jpg" width="245" /></a></div></span><br /><span style="font-family: inherit; font-size: 14pt; line-height: 107%;">Direção:
René Clement</span><br /><span style="font-family: inherit; font-size: 14pt; line-height: 107%;">Elenco: Michèle
Morgan, Jean Servais e Fosco Giachetti</span><br /><span style="font-family: inherit; font-size: 14pt; line-height: 107%;"> </span><br /><span style="font-family: inherit; font-size: 14pt; line-height: 107%;">04</span><br /></span></div><div style="text-align: center;"><span style="background-color: #274e13; color: white; font-family: inherit; font-size: 14pt; line-height: 107%;">A ÁGUIA
de DUAS CABEÇAS</span><span style="color: #3d85c6;"><span style="font-family: inherit; font-size: 14pt; line-height: 107%;"> </span><br /><span style="font-family: inherit; font-size: 14pt; line-height: 107%;">(<a name="_Hlk146397300">L'aigle à Deux Têtes, </a>1948)</span></span></div><div style="text-align: justify;"><span style="color: #3d85c6;"><span style="font-family: inherit; font-size: 14pt; line-height: 107%;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi6I5OVe3doX66DVCpB5HcYGkjYQRPknUlkenUcFy2Gyl1BPwZAQipEljcETZaDC5Gqd5kf1cjGwdoXZxQpxn5-beDf9AHGRmUcYfFdEJOvM-4WQpq74qyOtt7qVnQM-Bx8kvcL9nyAFdS9vTfsHgB47jBgrl2WPG4jUIqy2B78_3YuXmFACVP23znqhdY/s1533/MV5BZWU0Yzc2ZjMtOTNhMi00MjQ1LWE0MTQtMTllNTU2NWIzYjE1XkEyXkFqcGdeQXVyNzc5MjA3OA@@._V1_FMjpg_UX1000_.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1533" data-original-width="1000" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi6I5OVe3doX66DVCpB5HcYGkjYQRPknUlkenUcFy2Gyl1BPwZAQipEljcETZaDC5Gqd5kf1cjGwdoXZxQpxn5-beDf9AHGRmUcYfFdEJOvM-4WQpq74qyOtt7qVnQM-Bx8kvcL9nyAFdS9vTfsHgB47jBgrl2WPG4jUIqy2B78_3YuXmFACVP23znqhdY/s320/MV5BZWU0Yzc2ZjMtOTNhMi00MjQ1LWE0MTQtMTllNTU2NWIzYjE1XkEyXkFqcGdeQXVyNzc5MjA3OA@@._V1_FMjpg_UX1000_.jpg" width="209" /></a></div></span><br /><span style="font-family: inherit; font-size: 14pt; line-height: 107%;">Direção:
Jean Cocteau</span><br /><span style="font-family: inherit; font-size: 14pt; line-height: 107%;">Elenco: Edwige
Feuillère</span><br /><span style="font-family: inherit; font-size: 14pt; line-height: 107%;"> </span><br /><span style="font-family: inherit; font-size: 14pt; line-height: 107%;">05</span><br /></span></div><div style="text-align: center;"><span style="background-color: #274e13; color: white; font-family: inherit; font-size: 14pt; line-height: 107%;">As
ESTRANHAS COISAS de PARIS</span><span style="color: #3d85c6;"><span style="font-family: inherit; font-size: 14pt; line-height: 107%;"> </span><br /><span style="font-family: inherit; font-size: 14pt; line-height: 107%;">(Elena et
les Hommes, 1956)</span></span></div><div style="text-align: justify;"><span style="color: #3d85c6;"><span style="font-family: inherit; font-size: 14pt; line-height: 107%;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgpyd0Q8H9A83s1u3SL_ZAyYl2eiddSIT28YI-OHKyra3LzgE3kwwScOnSg5OJ3CYRZxnd-uRSKjgAQeDZSy5fYppuegPgzCS1CQQ5KTtjMRZjwVtuF4FHGSuvAdeYdsFT9vhkpWTNhu-msNI3sFdatlHjD1cXU4IZIUtRD2y48FD8zevneZu8KyrAXjkQ/s261/Sem%20t%C3%ADtulo.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="261" data-original-width="193" height="261" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgpyd0Q8H9A83s1u3SL_ZAyYl2eiddSIT28YI-OHKyra3LzgE3kwwScOnSg5OJ3CYRZxnd-uRSKjgAQeDZSy5fYppuegPgzCS1CQQ5KTtjMRZjwVtuF4FHGSuvAdeYdsFT9vhkpWTNhu-msNI3sFdatlHjD1cXU4IZIUtRD2y48FD8zevneZu8KyrAXjkQ/s1600/Sem%20t%C3%ADtulo.jpg" width="193" /></a></div></span><br /><span style="font-family: inherit; font-size: 14pt; line-height: 107%;">Direção:
Jean Renoir</span><br /><span style="font-family: inherit; font-size: 14pt; line-height: 107%;">Elenco: Ingrid
Bergman, Mel Ferrer, Juliette Gréco e Dora Doll</span><br /><span style="font-family: inherit; font-size: 14pt; line-height: 107%;"> </span><br /><span style="font-family: inherit; font-size: 14pt; line-height: 107%;">06</span><br /></span></div><div style="text-align: center;"><span style="background-color: #274e13; color: white; font-family: inherit; font-size: 14pt; line-height: 107%;">ORFEU</span><span style="color: #3d85c6;"><span style="font-family: inherit; font-size: 14pt; line-height: 107%;"> </span><br /><span style="font-family: inherit; font-size: 14pt; line-height: 107%;">(Orphée, 1950)</span></span></div><div style="text-align: justify;"><span style="color: #3d85c6;"><span style="font-family: inherit; font-size: 14pt; line-height: 107%;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEihUcFrdQ2icxWWkQbXYbw9loMYqyypgaaRKjVNQIp-4I1R7_4wlQgDqmObgmEgq4PjEMa-Yb9dXTH2th6dd6p35ioX4BbSADse89I3A_zG0Skbmeacf-lP8I2-__CagstXMbkj783lT56OeTeLmIveOPZpeSRFT1e7S6pFwi5GiY4sDHJfcbAlUmMZu2k/s1147/6635.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1147" data-original-width="800" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEihUcFrdQ2icxWWkQbXYbw9loMYqyypgaaRKjVNQIp-4I1R7_4wlQgDqmObgmEgq4PjEMa-Yb9dXTH2th6dd6p35ioX4BbSADse89I3A_zG0Skbmeacf-lP8I2-__CagstXMbkj783lT56OeTeLmIveOPZpeSRFT1e7S6pFwi5GiY4sDHJfcbAlUmMZu2k/s320/6635.jpg" width="223" /></a></div></span><br /><span style="font-family: inherit; font-size: 14pt; line-height: 107%;">Direção:
Jean Cocteau</span><br /><span style="font-family: inherit; font-size: 14pt; line-height: 107%;">Elenco: François
Périer, María Casarés, Marie Déa e Juliette Gréco</span><br /><span style="font-family: inherit; font-size: 14pt; line-height: 107%;"> </span><br /><span style="font-family: inherit; font-size: 14pt; line-height: 107%;">07</span><br /></span></div><div style="text-align: center;"><span style="background-color: #274e13; color: white; font-family: inherit; font-size: 14pt; line-height: 107%;">ENTRE o
AMOR e o TRONO</span><span style="color: #3d85c6;"><span style="font-family: inherit; font-size: 14pt; line-height: 107%;"> </span><br /><span style="font-family: inherit; font-size: 14pt; line-height: 107%;">(Ruy
Blas, 1948)</span></span></div><div style="text-align: justify;"><span style="color: #3d85c6;"><span style="font-family: inherit; font-size: 14pt; line-height: 107%;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgGe1A-IZLo24KMXQN7KQwLupB7ovLnbdIowZ5Xo-TIUIk0BXqQ30QsdFR7lfX8h1KJruH_bpQLPT9Rw4s12XOjMRK7jege9zAMwDtacVavifu0pSxL1uY2eUsJc61NViu4RVFhWX2chW-8Kofs9Tx0ceR3TClUj8i4m4r4nOuit-TQU1h-PWgNqDmjbtw/s2465/MV5BZjEyMmMwMzUtNzk5Yi00ODYzLWE2MDQtNTJjMmFhZjE5YjA0XkEyXkFqcGdeQXVyMzg1ODEwNQ@@._V1_.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="2465" data-original-width="1664" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgGe1A-IZLo24KMXQN7KQwLupB7ovLnbdIowZ5Xo-TIUIk0BXqQ30QsdFR7lfX8h1KJruH_bpQLPT9Rw4s12XOjMRK7jege9zAMwDtacVavifu0pSxL1uY2eUsJc61NViu4RVFhWX2chW-8Kofs9Tx0ceR3TClUj8i4m4r4nOuit-TQU1h-PWgNqDmjbtw/s320/MV5BZjEyMmMwMzUtNzk5Yi00ODYzLWE2MDQtNTJjMmFhZjE5YjA0XkEyXkFqcGdeQXVyMzg1ODEwNQ@@._V1_.jpg" width="216" /></a></div></span><br /><span style="font-family: inherit; font-size: 14pt; line-height: 107%;">Direção:</span><span style="font-family: inherit;">
<span style="font-size: 14pt; line-height: 107%;">Pierre
Billon</span></span><br /><span style="font-family: inherit; font-size: 14pt; line-height: 107%;">Elenco: Danielle
Darrieux, Marcel Herrand e Gabrielle Dorziat</span><br /><span style="font-family: inherit; font-size: 14pt; line-height: 107%;"> </span><br /><span style="font-family: inherit; font-size: 14pt; line-height: 107%;">08</span><br /></span></div><div style="text-align: center;"><span style="background-color: #274e13; color: white; font-family: inherit; font-size: 14pt; line-height: 107%;">MILAGRES
ACONTECEM uma VEZ</span><span style="color: #3d85c6;"><span style="font-family: inherit; font-size: 14pt; line-height: 107%;"> </span><br /><span style="font-family: inherit; font-size: 14pt; line-height: 107%;">(Les Miracles
n'ont Lieu qu'une Fois, 1951)</span></span></div><div style="text-align: justify;"><span style="color: #3d85c6;"><span style="font-family: inherit; font-size: 14pt; line-height: 107%;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgbIBRnbOON7PuKO-R2q5I9hVj32LZCzCJ1cdxGlEDce2Th6lagF2bLeWiyy_yjnsxKB6amtyRluqEfdd5fZUjr7kIyBbvQ2NlSDDmvrIIuLZCMiUWu4OuOT6KsV8B5hA9olXeHq48QVYvBrSkpkFanw_ej02iwpUNe5_5mVtYzu36OPZmwEpCZ6zYUUbA/s907/MV5BZDYzODI4YzctYzNjYS00MjVlLWE2N2MtZjcxZGJkNzE4MWVlXkEyXkFqcGdeQXVyODI1OTk4MTQ@._V1_.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="907" data-original-width="652" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgbIBRnbOON7PuKO-R2q5I9hVj32LZCzCJ1cdxGlEDce2Th6lagF2bLeWiyy_yjnsxKB6amtyRluqEfdd5fZUjr7kIyBbvQ2NlSDDmvrIIuLZCMiUWu4OuOT6KsV8B5hA9olXeHq48QVYvBrSkpkFanw_ej02iwpUNe5_5mVtYzu36OPZmwEpCZ6zYUUbA/s320/MV5BZDYzODI4YzctYzNjYS00MjVlLWE2N2MtZjcxZGJkNzE4MWVlXkEyXkFqcGdeQXVyODI1OTk4MTQ@._V1_.jpg" width="230" /></a></div></span><br /><span style="font-family: inherit; font-size: 14pt; line-height: 107%;">Direção:</span><span style="font-family: inherit;">
<span style="font-size: 14pt; line-height: 107%;">Yves
Allégret</span></span><br /><span style="font-family: inherit; font-size: 14pt; line-height: 107%;">Elenco: Alida
Valli</span><br /><span style="font-family: inherit; font-size: 14pt; line-height: 107%;"> </span><br /><span style="font-family: inherit; font-size: 14pt; line-height: 107%;">09</span><br /></span></div><div style="text-align: center;"><span style="background-color: #274e13; color: white; font-family: inherit; font-size: 14pt; line-height: 107%;">BELEZA
ROUBADA</span><span style="color: #3d85c6;"><span style="font-family: inherit; font-size: 14pt; line-height: 107%;"> </span><br /><span style="font-family: inherit; font-size: 14pt; line-height: 107%;">(Stealing
Beauty, 1996)</span></span></div><div style="text-align: justify;"><span style="color: #3d85c6;"><span style="font-family: inherit; font-size: 14pt; line-height: 107%;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjdtQ__gg_0FEL6rhMHn_nJCt1gSqqM028kAh5zrS5bHpY1ztepzgsMI-MLn3PLIJXJ2Ry2BM1aQzapl3NI2wP9kmsztX8nRsS2RT7qAV13gJipjMEpO3W7oeNbZdC0INHyPGTUOHZ1vw7IdJmOeC09kV95rKLAqzot5PN717kLOQRZ-JX0bbYJxe6fM2w/s716/Stealing_Beauty-121409747-large.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="716" data-original-width="535" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjdtQ__gg_0FEL6rhMHn_nJCt1gSqqM028kAh5zrS5bHpY1ztepzgsMI-MLn3PLIJXJ2Ry2BM1aQzapl3NI2wP9kmsztX8nRsS2RT7qAV13gJipjMEpO3W7oeNbZdC0INHyPGTUOHZ1vw7IdJmOeC09kV95rKLAqzot5PN717kLOQRZ-JX0bbYJxe6fM2w/s320/Stealing_Beauty-121409747-large.jpg" width="239" /></a></div></span><br /><span style="font-family: inherit; font-size: 14pt; line-height: 107%;">Direção:
Bernardo Bertolucci</span><br /><span style="font-family: inherit; font-size: 14pt; line-height: 107%;">Elenco: Liv
Tyler, Joseph Fiennes, Jeremy Irons, Stefania Sandrelli, Rachel Weisz e Sinéad
Cusack</span><br /><span style="font-family: inherit; font-size: 14pt; line-height: 107%;"> </span><br /><span style="font-family: inherit; font-size: 14pt; line-height: 107%;">10</span><br /></span></div><div style="text-align: center;"><span style="background-color: #274e13; color: white; font-family: inherit; font-size: 14pt; line-height: 107%;">Os AMORES
de CARMEN</span><span style="color: #3d85c6;"><span style="font-family: inherit; font-size: 14pt; line-height: 107%;"> </span><br /><span style="font-family: inherit; font-size: 14pt; line-height: 107%;">(Carmen, 1944)</span></span></div><div style="text-align: justify;"><span style="color: #3d85c6;"><span style="font-family: inherit; font-size: 14pt; line-height: 107%;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiB2qV42khdW1J6N2iMquohIB1ECySLYrXq9sXCCMlMgy3SvAcfBS415OAOS5J84tGE2dADlUDEunevtixu8i1IIzFZwEmZx7D-ey6orwFft7OIvCnNt8d7dzS95PK666D-c9yi9V-hKI1hJYgTg0O5fbFYIw--UAEQsH5fkwjq_mxJaZdQG3w0ofgUMXw/s900/1-carmen-1944-stars-on-art.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="616" data-original-width="900" height="219" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiB2qV42khdW1J6N2iMquohIB1ECySLYrXq9sXCCMlMgy3SvAcfBS415OAOS5J84tGE2dADlUDEunevtixu8i1IIzFZwEmZx7D-ey6orwFft7OIvCnNt8d7dzS95PK666D-c9yi9V-hKI1hJYgTg0O5fbFYIw--UAEQsH5fkwjq_mxJaZdQG3w0ofgUMXw/s320/1-carmen-1944-stars-on-art.jpg" width="320" /></a></div></span><br /><span style="font-family: inherit; font-size: 14pt; line-height: 107%;">Direção: Christian-Jaque</span><br /><span style="font-family: inherit; font-size: 14pt; line-height: 107%;">Elenco:
Viviane Romance, Marguerite Moreno e Bernard Blier</span></span></div><div style="text-align: justify;"><span style="color: #3d85c6;"><span style="font-family: inherit; font-size: 14pt; line-height: 107%;"> </span></span></div><div style="text-align: center;"><span style="color: white; font-size: x-large;"><span style="background-color: #274e13; font-family: inherit; line-height: 107%;">GALERIA de FOTOS</span></span></div><div style="text-align: justify;"><span style="color: #3d85c6;"><span style="font-family: inherit; font-size: 14pt; line-height: 107%;"> </span></span></div><div style="text-align: justify;"><span style="color: #3d85c6;"><span style="font-family: inherit; font-size: 14pt; line-height: 107%;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhgeP4cJwGOnlu_Bpols7zTUwcJlNvB00xBQ6SK8GpnSS2xDFoIdYmb9zu2LIFFk1Ky6xoW6-sysJGruq28KFP6qXtMBZH13dPqlNUmZfCDocfJsz8izPIyaW9Fh6etHTgOKFlL5B7hHeVBzdG1ec510FrxUftqbYQExdpwYv5wYm4FAWofR35GbcbWfko/s1080/fd94efaa-fd04-4b5e-931a-311c97583845.Jpeg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1080" data-original-width="883" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhgeP4cJwGOnlu_Bpols7zTUwcJlNvB00xBQ6SK8GpnSS2xDFoIdYmb9zu2LIFFk1Ky6xoW6-sysJGruq28KFP6qXtMBZH13dPqlNUmZfCDocfJsz8izPIyaW9Fh6etHTgOKFlL5B7hHeVBzdG1ec510FrxUftqbYQExdpwYv5wYm4FAWofR35GbcbWfko/w328-h400/fd94efaa-fd04-4b5e-931a-311c97583845.Jpeg" width="328" /></a></div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjHMWtzgfyk63YC-LSTlNVw-Yj8aEQm9pR7odu9LFIIQW-DoxGHimR0B_cOCsMBFH6nKb3OFQdjhprmwiG6xWvs2jB7-mVgOVO8N2M_zEEe1NknFQprVh1M51KbbQ89WZ-P1wHb5ovGjAGVwt1Khq6XC0NHG7eRuGUp5gVBJbIbqBnSBBaSXpgJXlcOzvg/s1200/marais-jean-signed-photograph-321842.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1200" data-original-width="794" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjHMWtzgfyk63YC-LSTlNVw-Yj8aEQm9pR7odu9LFIIQW-DoxGHimR0B_cOCsMBFH6nKb3OFQdjhprmwiG6xWvs2jB7-mVgOVO8N2M_zEEe1NknFQprVh1M51KbbQ89WZ-P1wHb5ovGjAGVwt1Khq6XC0NHG7eRuGUp5gVBJbIbqBnSBBaSXpgJXlcOzvg/w265-h400/marais-jean-signed-photograph-321842.jpg" width="265" /></a></div><div class="separator" style="clear: both; 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font-size: 14pt; line-height: 107%;"> </span></span><br /></div>
ANTONIO NAHUDhttp://www.blogger.com/profile/09829893001743081676noreply@blogger.com0tag:blogger.com,1999:blog-7997398743762234247.post-5945912124421048342023-08-28T22:03:00.010-03:002023-08-29T16:29:35.692-03:00************** JOSEPH LOSEY: PAIXÃO e LUCIDEZ<div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgduj7RLYmb93wHXTRDmZHE9Acp63HfXi3fU-wP03yNE5UIY4HKN6_LIWdMjXiEYBdkCIYyARcInmuAC20J0VJO5CcIouOwxTJlHineFiblOTaxnKYVHIVoG8cYIQ9ZY4FUSZmaRxbJ0UgN5GUF_BBvJ86BuUNXnntwpVu5BiQkI3i2HEcwAfmIuDX_-mQ/s1600/eyJidWNrZXQiOiJmZGMtc2l0ZXB1YmxpYy1tZWRpYS1wcm9kIiwia2V5IjoidXBsb2Fkc1wvMjAxN1wvMDFcLzAwMF9QQVIyMDA0MDUxOTkzMzAwLTIuanBnIiwiZWRpdHMiOnsicmVzaXplIjp7IndpZHRoIjoxNjAwLCJmaXQiOiJjb3ZlciJ9fX0=.webp" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1072" data-original-width="1600" height="428" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgduj7RLYmb93wHXTRDmZHE9Acp63HfXi3fU-wP03yNE5UIY4HKN6_LIWdMjXiEYBdkCIYyARcInmuAC20J0VJO5CcIouOwxTJlHineFiblOTaxnKYVHIVoG8cYIQ9ZY4FUSZmaRxbJ0UgN5GUF_BBvJ86BuUNXnntwpVu5BiQkI3i2HEcwAfmIuDX_-mQ/w640-h428/eyJidWNrZXQiOiJmZGMtc2l0ZXB1YmxpYy1tZWRpYS1wcm9kIiwia2V5IjoidXBsb2Fkc1wvMjAxN1wvMDFcLzAwMF9QQVIyMDA0MDUxOTkzMzAwLTIuanBnIiwiZWRpdHMiOnsicmVzaXplIjp7IndpZHRoIjoxNjAwLCJmaXQiOiJjb3ZlciJ9fX0=.webp" width="640" /></a></div><p> <br /></p><div style="text-align: justify;"><span style="color: #3d85c6; font-family: inherit; font-size: 14pt; line-height: 107%;">“Os
filmes ilustram a existência. Eles podem angustiar, perturbar e
fazer com que as pessoas pensem sobre si mesmas e sobre problemas. Mas não
dão respostas.”</span><span style="font-family: inherit;"><br /><span style="background-color: #274e13; color: white; font-size: 14pt; line-height: 107%;">JOSEPH
LOSEY</span><br /><span style="font-size: 14pt; line-height: 107%;"> </span><br /><span style="font-size: 14pt; line-height: 107%;">Ao
contrário do que muitos pensam, <span style="background-color: #274e13; color: white;">JOSEPH LOSEY</span> <span style="color: #3d85c6;">(1909 – 1984. Wisconsinb / EUA)<b> </b></span>não nasceu
no Reino Unido. Depois de estudar teatro com Bertold Brecht na Alemanha e de
elogiada trajetória teatral no seu país de origem, dirigiu para a RKO Radio
Pictures <span style="color: #3d85c6;">“O Menino dos Cabelos Verdes / The Boy with Green Hair”</span> (1948), fábula humanista acerca do racismo em uma pequena cidade, estrelada por
Dean Stockwell e Robert Ryan. Empolgado com o cinema, fez
mais cinco filmes em Hollywood, entre eles o ótimo <span style="color: #3d85c6;">“M / idem”</span> (1951),
refilmagem do clássico de Fritz Lang. </span><br /><span style="font-size: 14pt; line-height: 107%;"> </span><br /><span style="font-size: 14pt; line-height: 107%;"><table cellpadding="0" cellspacing="0" class="tr-caption-container" style="float: left; margin-right: 1em; text-align: left;"><tbody><tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEih0Y9xx7tfTa4SweUJ-KpDqbsBzT6W1ReqKFRW0SWbsOFUhbQqLAAv2x-63MV7j-8v0OiyyAZfrrfXoojLTt8UR8E4O6aZ0SYBZ4wn01BELDoSUkFgfm4KuNASx66vtK8fOHIGRzq9WiHq9pXaiBAGkwAG58PmcidoTWSlVL0uBKZpN26VFLwSoHae-Sw/s1434/DTfavl2WkAYUCvJ.jpg" style="clear: left; margin-bottom: 1em; margin-left: auto; margin-right: auto;"><img border="0" data-original-height="1434" data-original-width="1395" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEih0Y9xx7tfTa4SweUJ-KpDqbsBzT6W1ReqKFRW0SWbsOFUhbQqLAAv2x-63MV7j-8v0OiyyAZfrrfXoojLTt8UR8E4O6aZ0SYBZ4wn01BELDoSUkFgfm4KuNASx66vtK8fOHIGRzq9WiHq9pXaiBAGkwAG58PmcidoTWSlVL0uBKZpN26VFLwSoHae-Sw/w311-h320/DTfavl2WkAYUCvJ.jpg" width="311" /></a></td></tr><tr><td class="tr-caption" style="text-align: center;"><span style="font-family: inherit;"><span style="background-color: black; color: #3d85c6; font-size: large;">joseph losey e dirk bogarde</span></span><br /></td></tr></tbody></table>Taxado de
comunista, tentou continuar filmando nos EUA, assinando suas fitas sob
pseudônimo o Victor Hanbury, mas o truque não deu certo por muito tempo e
ele teve que amargar exílio forçado na Europa. Continuou sua trajetória
cinematográfica primeiro na Itália, depois na Inglaterra, onde recebeu um
importante empurrão de Dirk Bogarde, astro em ascensão, realizando <span style="color: #3d85c6;">“O Monstro
de Londres / The Sleeping Tiger”</span>, em 1954. Anos depois, elogiado pela crítica
francesa, solidificou sua carreira, elaborando dramas intimistas, perversos e
elegantes.</span></span></div><div style="text-align: justify;"><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;"> </span><br /><span style="font-size: 14pt; line-height: 107%;">Sua
carreira teve como ponto alto a parceria com o dramaturgo Harold Pinter,
roteirista de três de seus filmes: <span style="color: #3d85c6;">“O Criado”</span>, <span style="color: #3d85c6;">“Estranho Acidente”</span> e <span style="color: #3d85c6;">“O
Mensageiro”</span>, mergulhando fundo na decadência burguesa. Ilustrador de fraquezas
humanas, apaixonado pelas imagens, mesmo em seus filmes menores há cenas mágicas.
<span style="background-color: #274e13; color: white;">JOSEPH LOSEY</span> realizou 32 filmes em quase 40 anos de atividade. O último deles,
<span style="color: #3d85c6;">“A Sauna / Steaming”</span> (1985), tem no elenco as inglesas Vanessa Redgrave, Sarah
Miles e Diana Dors. </span><br /><span style="font-size: 14pt; line-height: 107%;"> </span><br /><span style="font-size: 14pt; line-height: 107%;">Um dos
maiores diretores de cinema. Com talento nato para encenar lucidamente as
crueldades do ser humano, capaz de captar com seu olhar único e absoluta perspicácia, o lado mau de uma pessoa. Os traços mais marcantes no
seu estilo são o barroquismo e a câmera que acompanha insistentemente os
personagens. Homenageando esse diretor que admiro, posto abaixo depoimentos
de atores que trabalharam com ele e cinco filmes seus que curto muito.</span></span><br /><br /></div><div style="text-align: center;"><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;"><span style="background-color: #274e13; color: white;">ALEXIS
SMITH</span> </span></span></div><div style="text-align: center;"><span style="color: #3d85c6; font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">(1921 - 1993. Penticton / Canadá)</span><br /><span style="font-size: 14pt; line-height: 107%;">(“O
Monstro de Londres”, 1954)</span></span></div><div style="text-align: center;"><span style="color: #3d85c6; font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg0LpYXIGn6hdCadNcFieh45dx-n-BZcRC_Nnx3Ao-kba2d0mXvBnIHprgBrmLg0p8-uk84f-H-OMFwPZhKChKcWhgpyrSFyUOSZPb2jlDZNCUuE77E_PGJX212PeFiCM1AS7E5y39A9aLtwSwavpisu7IrwsZuRNJPehSr6eQqf0CV3QTMhdVX03erblA/s845/3-alexis-smith-vintage-actress-john-springfield.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="845" data-original-width="694" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg0LpYXIGn6hdCadNcFieh45dx-n-BZcRC_Nnx3Ao-kba2d0mXvBnIHprgBrmLg0p8-uk84f-H-OMFwPZhKChKcWhgpyrSFyUOSZPb2jlDZNCUuE77E_PGJX212PeFiCM1AS7E5y39A9aLtwSwavpisu7IrwsZuRNJPehSr6eQqf0CV3QTMhdVX03erblA/w526-h640/3-alexis-smith-vintage-actress-john-springfield.jpg" width="526" /></a></div></span></span><span style="font-family: inherit;"><span style="color: #3d85c6;"><br /></span></span></div><div style="text-align: justify;"><span style="font-family: inherit;"><span style="color: #3d85c6;"><span style="font-size: 14pt; line-height: 107%;">“O que
impressiona de imediato em Joseph Losey é uma força e uma energia muito
incomuns e, ao mesmo tempo, um grande poder de concentração. Como Raoul Walsh,
ele é gerador de uma energia enorme no set e é essa energia que verdadeiramente
faz o filme. Com Losey, acrescenta-se uma imaginação, uma descoberta da
interioridade orgânica vivida do personagem, uma aproximação fisiológica – e
logo o personagem adquire uma dimensão muito maior do que aquela que você
imaginava pra ele no roteiro, uma intensidade e uma sensibilidade que possuem
uma verdadeira realidade. </span></span></span></div><div style="text-align: justify;"><span style="font-family: inherit;"><span style="color: #3d85c6;"><span style="font-size: 14pt; line-height: 107%;"> </span></span></span></div><div style="text-align: justify;"><span style="font-family: inherit;"><span style="color: #3d85c6;"><span style="font-size: 14pt; line-height: 107%;">Essa vida, ele concede a partir de reflexos pessoais
cuja imaginação vem de muito longe nele; sua abordagem das coisas é ingênua, ao
mesmo tempo em que seu trabalho é muito profissional. O que é impressionante em
Losey é a possibilidade que o ator tem de interpretar num alto
ponto emocional, sem nunca ter que baixar a intensidade. Como dizia, eu também
gostei muito de trabalhar com Walsh e com Blake Edwards, que possuem uma grande
imaginação, um espírito muito vivo, e um senso de humor formidável. Assim é
Losey. Ele é maravilhosamente espontâneo.”.</span></span><br /></span></div><div style="text-align: center;"><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;"> </span><br /></span></div><div style="text-align: center;"><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;"><span style="background-color: #274e13; color: white;">HARDY
KRUGER</span> </span></span></div><div style="text-align: center;"><span style="color: #3d85c6; font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">(1928 – 2022. Berlim / Alemanha)</span><br /><span style="font-size: 14pt; line-height: 107%;">(“Entrevista
com a Morte / Blind Date”, 1959)</span></span></div><div style="text-align: center;"><span style="color: #3d85c6; font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjEOgwO4hrvHl5TLYrKnbRzCMNC2exZgfI8I1c4RigQmHM5XSrRo_xxzz4geSf8pAvof3DBackUh0uje4BbP9XBobDs0vyiWT2iTRrU3IWC_JyiEeSHQJY6DFzf4mU4EH7pecCFat_aZCMonMjq3yeTfQ6l_aBdw6u2Mo9pGsQcS2PEJRNPEgUVw9tzfmI/s1087/MV5BOGQzM2EzYjYtOTViMy00ZDVjLTk4ZWEtYTRkZDdkZjBkMjE3XkEyXkFqcGdeQXVyMzI5NDcxNzI@._V1_.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1087" data-original-width="727" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjEOgwO4hrvHl5TLYrKnbRzCMNC2exZgfI8I1c4RigQmHM5XSrRo_xxzz4geSf8pAvof3DBackUh0uje4BbP9XBobDs0vyiWT2iTRrU3IWC_JyiEeSHQJY6DFzf4mU4EH7pecCFat_aZCMonMjq3yeTfQ6l_aBdw6u2Mo9pGsQcS2PEJRNPEgUVw9tzfmI/w428-h640/MV5BOGQzM2EzYjYtOTViMy00ZDVjLTk4ZWEtYTRkZDdkZjBkMjE3XkEyXkFqcGdeQXVyMzI5NDcxNzI@._V1_.jpg" width="428" /></a></div></span></span><span style="font-family: inherit;"><span style="color: #3d85c6;"><br /></span></span></div><div style="text-align: justify;"><span style="font-family: inherit;"><span style="color: #3d85c6;"><span style="font-size: 14pt; line-height: 107%;">“Conhecia
Joseph Losey apenas de nome quando me foi proposto fazer sob sua direção
‘S.O.S. Pacific’ e, apesar de meu interesse por ele, recusei o papel, porque o
roteiro era ruim demais. Ele veio me ver e, logo em seguida, ganhei por ele uma
grande simpatia. Conversamos sobre o assunto, e me dei conta que ele
vislumbrava o roteiro da única forma possível. Tornamos-nos amigos, e íamos
rodar quando o produtor decidiu voltar à primeira versão do roteiro.
Transferimos o nosso contrato para um outro projeto: ‘Entrevista com a Morte’.
Durante a preparação desse filme não reparei diferença de natureza entre Joe e
outros diretores que havia trabalhado antes – ele era apenas mais aberto, mais
humano. Por outro lado, tive uma espécie de revelação diante de seu trabalho no
set. A primeira coisa que me espantou foi a forma com a qual, com ele, um
personagem pode se desenvolver no cenário, reagir em relação a uma situação, um
conjunto, o tempo, a luz. </span></span></span></div><div style="text-align: justify;"><span style="font-family: inherit;"><span style="color: #3d85c6;"><span style="font-size: 14pt; line-height: 107%;"> </span></span></span></div><div style="text-align: justify;"><span style="font-family: inherit;"><span style="color: #3d85c6;"><span style="font-size: 14pt; line-height: 107%;">Joe também não esquece que os atores têm um corpo e
que eles se expressam, antes de mais nada, pelos seus corpos. Ele lhe explica o
que ele deseja, o que você tem a fazer, seu percurso, o eventual movimento de
câmera, as razões de tudo e, se fiando no trabalho anterior fornecido sobre os
personagens no roteiro, lhe deixa muito livre, de forma que o percurso nasça do
movimento de seu corpo – você esquece até a câmera. Joe experimenta também uma
grande necessidade de contato com as pessoas, uma necessidade também de ser
compreendido. Durante uma filmagem fica muito próximo de seus principais
colaboradores, ele se interessa por sua vida pessoal. Ele é muito concentrado e
repara nas pessoas coisas que ninguém mais repararia”.</span></span><br /></span></div><div style="text-align: center;"><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;"> </span><br /></span></div><div style="text-align: center;"><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;"><span style="background-color: #274e13; color: white;">VIRNA
LISI</span> </span></span></div><div style="text-align: center;"><span style="color: #3d85c6; font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">(1936 – 2014. Ancona / Itália)</span><br /><span style="font-size: 14pt; line-height: 107%;">(“Eva”,
1962)</span></span></div><div style="text-align: center;"><span style="color: #3d85c6; font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhx5Nygq51YYq0mD4thAzpVZMsS2pS_gP-HLxbcFSzthn_vlaek9Puwi9l-gG1aDhpvpQSQqsvQmkUrKqW83fL-OlhiTH7YuNOCnVY3B-i0WhjEsMBEPXJPErPInA2-XOnzzGE6k-4Nqdhu8XMHtnCtgw1SrA4eYKRjVqJm7ZNyIwARSKLzl5QFY0AWVn0/s1000/61+0mcrhwVL._AC_UF894,1000_QL80_.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1000" data-original-width="792" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhx5Nygq51YYq0mD4thAzpVZMsS2pS_gP-HLxbcFSzthn_vlaek9Puwi9l-gG1aDhpvpQSQqsvQmkUrKqW83fL-OlhiTH7YuNOCnVY3B-i0WhjEsMBEPXJPErPInA2-XOnzzGE6k-4Nqdhu8XMHtnCtgw1SrA4eYKRjVqJm7ZNyIwARSKLzl5QFY0AWVn0/w506-h640/61+0mcrhwVL._AC_UF894,1000_QL80_.jpg" width="506" /></a></div></span></span><span style="font-family: inherit;"><span style="color: #3d85c6;"><br /></span></span></div><div style="text-align: justify;"><span style="font-family: inherit;"><span style="color: #3d85c6;"><span style="font-size: 14pt; line-height: 107%;">“'Eva’ me
agrada muito. É muito moderno. Meu personagem é um personagem não-cerebral,
simples, e eu sempre estive à vontade no meu trabalho com Joseph Losey. É um
diretor que tem uma comunicação muito grande, e, logo em seguida, uma corrente
de compreensão e de amizade, de afinidades, se estabelece entre ele e você.
Quando, no curso do trabalho, ele diz uma coisa, essa coisa – e também a força
e a inteligência com as quais Losey a apresenta – é tal, que o ator a executa
como por osmose. Se você não sente exatamente o que ele lhe pede, ele leva em
conta suas sugestões. Ele espera dos atores reações menos mecânicas. Concede
igualmente muito cuidado a tudo que diz respeito ao ambiente: o calor, a
qualidade do ar, os perfumes. E, assim, seu trabalho se torna mais verdadeiro,
mais real. </span></span></span></div><div style="text-align: justify;"><span style="font-family: inherit;"><span style="color: #3d85c6;"><span style="font-size: 14pt; line-height: 107%;"> </span></span></span></div><div style="text-align: justify;"><span style="font-family: inherit;"><span style="color: #3d85c6;"><span style="font-size: 14pt; line-height: 107%;">Antes do início da filmagem de ‘Eva’, Losey fez uma leitura geral
para todos os atores; depois, durante a filmagem, a cada manhã, ele reunia os
atores e lhes dava informações precisas da cena a ser rodada: o que ele busca,
antes de tudo, é que tudo esteja bem claro. Tenho, de minha parte, alguns
desprazeres quanto a esse filme. De início, duas das minhas cenas – que
significavam muito para o meu personagem – foram cortadas no conflito entre
Losey e os produtores. E também o próprio Losey talvez não tenha colocado todos
os personagens no mesmo plano, o que, eu acho, deveria ser feito. Enfim, ‘Eva’
não é a verdadeira natureza de Losey. Ele é
formidável. Eu gostaria muito de ter a oportunidade de trabalhar novamente com
ele – e, dessa vez, da forma como o conheci na vida”.</span></span><br /></span></div><div style="text-align: center;"><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;"> </span></span></div><div style="text-align: center;"><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi-6iHTfQUzQG7cITUFq1MhPjFgiiFyipC9j1-9g0GIDhPWFZpflSUyziu3ufZLU3mWm7EKMV37LAt4XOiYjMwCbzdDXpe0TXC5hMkawmtAffsnNhpGv7ZyLA1p544mauos1lurDNCOFB7wLleVLqOteq3e_yZApNoj5NB4LgG-3nszBcn_ONAJRVTa2Ko/s2048/MV5BMTM3MTA5NTQzMl5BMl5BanBnXkFtZTcwNjI0OTAyOQ@@._V1_.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="2001" data-original-width="2048" height="391" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi-6iHTfQUzQG7cITUFq1MhPjFgiiFyipC9j1-9g0GIDhPWFZpflSUyziu3ufZLU3mWm7EKMV37LAt4XOiYjMwCbzdDXpe0TXC5hMkawmtAffsnNhpGv7ZyLA1p544mauos1lurDNCOFB7wLleVLqOteq3e_yZApNoj5NB4LgG-3nszBcn_ONAJRVTa2Ko/w400-h391/MV5BMTM3MTA5NTQzMl5BMl5BanBnXkFtZTcwNjI0OTAyOQ@@._V1_.jpg" width="400" /></a></div> </span><br /></span></div><div style="text-align: center;"><span style="font-family: inherit;"><span style="background-color: #274e13; color: white; font-size: 14pt; line-height: 107%;">CINCO
FILMES de JOSEPH LOSEY</span><br /><span style="color: #3d85c6; font-size: 14pt; line-height: 107%;">(por
ordem de preferência)</span><span style="color: #3d85c6;"><br /></span></span></div><div style="text-align: justify;"><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;"> </span><br /><span style="color: #3d85c6; font-size: 14pt; line-height: 107%;">01</span><span style="color: #3d85c6;"><br /></span></span></div><div style="text-align: center;"><span style="font-family: inherit;"><span style="background-color: #274e13; color: white; font-size: 14pt; line-height: 107%;">EVA</span></span></div><div style="text-align: center;"><span style="font-family: inherit;"><span style="color: #3d85c6; font-size: 14pt; line-height: 107%;">(idem, 1962)</span></span></div><div style="text-align: justify;"><span style="font-family: inherit;"><span style="color: #3d85c6; font-size: 14pt; line-height: 107%;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg3dl5aZDkjcom_MK2w0zAY290YPccblJWVsQev7jA5jZtwzCXYV8N0JsD9J_JLldOF5zIWTdvKTeolQ2CLprAma1CKSBbGof9KY4elyue-PoJ-Om_qlyJJc6XvbZJH99rCJOJQbbwf2pe3eJpQUn7IOGIF0DKOFqwhjJW7s1OD9fvPSIsXSqZEQ4Xzrns/s1163/MV5BMWVlMjVhOGEtNjk3Zi00OTgyLWE5M2ItNGZhOGNhNmNkNWM5L2ltYWdlL2ltYWdlXkEyXkFqcGdeQXVyNDE5MTU2MDE@._V1_FMjpg_UX1000_.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1163" data-original-width="801" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg3dl5aZDkjcom_MK2w0zAY290YPccblJWVsQev7jA5jZtwzCXYV8N0JsD9J_JLldOF5zIWTdvKTeolQ2CLprAma1CKSBbGof9KY4elyue-PoJ-Om_qlyJJc6XvbZJH99rCJOJQbbwf2pe3eJpQUn7IOGIF0DKOFqwhjJW7s1OD9fvPSIsXSqZEQ4Xzrns/s320/MV5BMWVlMjVhOGEtNjk3Zi00OTgyLWE5M2ItNGZhOGNhNmNkNWM5L2ltYWdlL2ltYWdlXkEyXkFqcGdeQXVyNDE5MTU2MDE@._V1_FMjpg_UX1000_.jpg" width="220" /></a></div></span><span style="color: #3d85c6;"><br /><span style="font-size: 14pt; line-height: 107%;">Elenco:
Jeanne Moreau, Stanley Baker e Virna Lisi</span></span><br /><span style="font-size: 14pt; line-height: 107%;"> </span><br /><span style="font-size: 14pt; line-height: 107%;">Filmado
em Veneza e adaptado de um livro de James Hadley Chase, com a presença sublime
de Jeanne Moreau, é um excelente retrato da atração de um escritor pilantra por
uma mulher proibida que o humilha, negligenciando sua esposa.</span><br /><span style="font-size: 14pt; line-height: 107%;"> </span><br /></span></div><div style="text-align: justify;"><span style="font-family: inherit;"><span style="color: #3d85c6; font-size: 14pt; line-height: 107%;">02</span><span style="color: #3d85c6;"><br /></span></span><div style="text-align: center;"><span style="font-family: inherit;"><span style="background-color: #274e13; color: white; font-size: 14pt; line-height: 107%;">O CRIADO</span></span></div></div><div style="text-align: center;"><div><span style="font-family: inherit;"><span style="color: #3d85c6; font-size: 14pt; line-height: 107%;">(The Servant, 1963)</span></span></div></div><div style="text-align: justify;"><span style="font-family: inherit;"><span style="color: #3d85c6; font-size: 14pt; line-height: 107%;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjkrubjjaAoLxIhlN2mLAlrsjKCDEODrtcgV8Z62Zta1sdlrU9BWuONVU2TKQZ-pLMxP8eRB9zPcSaUSFWW9mi64wSq3kRnY5x2wv7l_3yPFoNC2L93z2EwMUrmqx4D4D6ZWGy8uz8j4JBVB6tqLIMDSw2ov_uSK949P_-x7e6d38mMezy55EmSAi7d6T4/s1588/the-servant-1963dvdplanetstorepk.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1588" data-original-width="1136" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjkrubjjaAoLxIhlN2mLAlrsjKCDEODrtcgV8Z62Zta1sdlrU9BWuONVU2TKQZ-pLMxP8eRB9zPcSaUSFWW9mi64wSq3kRnY5x2wv7l_3yPFoNC2L93z2EwMUrmqx4D4D6ZWGy8uz8j4JBVB6tqLIMDSw2ov_uSK949P_-x7e6d38mMezy55EmSAi7d6T4/s320/the-servant-1963dvdplanetstorepk.jpg" width="229" /></a></div></span><span style="color: #3d85c6;"><br /><span style="font-size: 14pt; line-height: 107%;">Elenco:
Dirk Bogarde, Sarah Miles e James Fox</span></span><br /><span style="font-size: 14pt; line-height: 107%;"> </span><br /><span style="font-size: 14pt; line-height: 107%;">Baseado
em romance de Robin Maugham, explora a relação entre as classes sociais através
de um jovem e rico solteiro que contrata um criado mais velho para que
satisfaça as suas vontades domésticas. Pouco a pouco os papéis se invertem.</span><br /><span style="font-size: 14pt; line-height: 107%;"> </span><br /><span style="color: #3d85c6; font-size: 14pt; line-height: 107%;">03</span><span style="color: #3d85c6;"><br /></span></span></div><div style="text-align: center;"><span style="font-family: inherit;"><span style="background-color: #274e13; color: white; font-size: 14pt; line-height: 107%;">ESTRANHO ACIDENTE</span></span></div><div style="text-align: center;"><span style="font-family: inherit;"><span style="color: #3d85c6; font-size: 14pt; line-height: 107%;">(Accident, 1967)</span></span></div><div style="text-align: justify;"><span style="font-family: inherit;"><span style="color: #3d85c6; font-size: 14pt; line-height: 107%;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiXOqzTeHPMGS3L0RQt0f4ZGSZt62vXQVvdbeN4wMV11S6MGIvSIS4Ja7Vl5Eu84g0ayFjXSksk7ja39ogrg0RmtqkKaePF6yFKGNFtJM77m0IoXyy9gEKhjuMJG4gXjXgaK-B1PxuX4YQGMtv-1-XTzD4BLTXoCsuil2PzYtUV7AvizSOSIXaIPpLSF0I/s1338/756954.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1338" data-original-width="900" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiXOqzTeHPMGS3L0RQt0f4ZGSZt62vXQVvdbeN4wMV11S6MGIvSIS4Ja7Vl5Eu84g0ayFjXSksk7ja39ogrg0RmtqkKaePF6yFKGNFtJM77m0IoXyy9gEKhjuMJG4gXjXgaK-B1PxuX4YQGMtv-1-XTzD4BLTXoCsuil2PzYtUV7AvizSOSIXaIPpLSF0I/s320/756954.jpg" width="215" /></a></div></span><span style="color: #3d85c6;"><br /><span style="font-size: 14pt; line-height: 107%;">Elenco:
Dirk Bogarde, Stanley Baker, Jacqueline Sassard, Michael York, Vivien Merchant,
Delphine Seyrig e Alexander Knox</span></span><br /><span style="font-size: 14pt; line-height: 107%;"> </span><br /><span style="font-size: 14pt; line-height: 107%;">Com leve
sátira ao mundo acadêmico, apresenta o conflito entre um professor casado e outro
mais jovem, ambos com as atenções voltadas para uma bela garota.</span><br /><span style="font-size: 14pt; line-height: 107%;"> </span><br /><span style="color: #3d85c6; font-size: 14pt; line-height: 107%;">04</span><span style="color: #3d85c6;"><br /></span></span></div><div style="text-align: center;"><span style="font-family: inherit;"><span style="background-color: #274e13; color: white; font-size: 14pt; line-height: 107%;">O
MENSAGEIRO</span></span></div><div style="text-align: center;"><span style="font-family: inherit;"><span style="color: #3d85c6; font-size: 14pt; line-height: 107%;">(The Go-Between, 1970)</span></span></div><div style="text-align: justify;"><span style="font-family: inherit;"><span style="color: #3d85c6; font-size: 14pt; line-height: 107%;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgcit6YAud5NYthUOnlzpmR13UthmXInOj-opPJp0BvzWIyw38mgtxvacKPxZFKWRQB9v19GuxsT46cUQX5FslfvpXOK2slVqcIoqhdHy2SyHb-9qfCKkoRwdntdbzjvSN5OdvSYF9Lqn1Bm3_7GkCI8pmX7yJ_f5datff3b7g7b_8g5NuV5xwwuQPJrZ8/s1667/f0db40e579507faaf5c09b71eb078098_XL.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1667" data-original-width="751" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgcit6YAud5NYthUOnlzpmR13UthmXInOj-opPJp0BvzWIyw38mgtxvacKPxZFKWRQB9v19GuxsT46cUQX5FslfvpXOK2slVqcIoqhdHy2SyHb-9qfCKkoRwdntdbzjvSN5OdvSYF9Lqn1Bm3_7GkCI8pmX7yJ_f5datff3b7g7b_8g5NuV5xwwuQPJrZ8/s320/f0db40e579507faaf5c09b71eb078098_XL.jpg" width="144" /></a></div></span><span style="color: #3d85c6;"><br /><span style="font-size: 14pt; line-height: 107%;">Elenco:
Julie Christie, Alan Bates, Margaret Leighton, Michael Redgrave e Edward Fox</span></span><br /><span style="font-size: 14pt; line-height: 107%;"> </span><br /><span style="font-size: 14pt; line-height: 107%;">Homem
relembra um fato ocorrido quando era garoto: serviu de intermediário entre uma
mulher aristocratra e um rude fazendeiro, levando cartas de amor.</span><br /><span style="font-size: 14pt; line-height: 107%;"> </span><br /></span></div><div style="text-align: center;"><span style="font-family: inherit;"><span style="color: #3d85c6; font-size: 14pt; line-height: 107%;">Palma de
Ouro de Melhor Filme no Festival de Cannes</span><span style="color: #3d85c6;"><br /></span></span></div><div style="text-align: justify;"><span style="font-family: inherit;"><span style="color: #3d85c6;"><span style="font-size: 14pt; line-height: 107%;"> </span><br /><span style="font-size: 14pt; line-height: 107%;">05</span><br /></span></span></div><div style="text-align: center;"><span style="font-family: inherit;"><span style="background-color: #274e13; color: white; font-size: 14pt; line-height: 107%;">CIDADÃO
KLEIN</span></span></div><div style="text-align: center;"><span style="font-family: inherit;"><span style="color: #3d85c6; font-size: 14pt; line-height: 107%;">(Mr. Klein, 1976)</span></span></div><div style="text-align: justify;"><span style="font-family: inherit;"><span style="color: #3d85c6; font-size: 14pt; line-height: 107%;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEigW9d-BFeACw2Rw3R8VlIWQteMtA22yfakIXeJcdiRWYHi0DMoO7nrAN5Lvs_PVouRZOtKUJQcgxaFruY-hooMzokT2nQgQq06zljH9hMDEukfauJO-GatuhymcjoGeOYp-Fao8ybAbxWfmNUxvRV8Wj61jvdTB3W_n39YMGwK9H2DLy4YKwvZXdTwJNA/s1600/395286.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1600" data-original-width="1135" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEigW9d-BFeACw2Rw3R8VlIWQteMtA22yfakIXeJcdiRWYHi0DMoO7nrAN5Lvs_PVouRZOtKUJQcgxaFruY-hooMzokT2nQgQq06zljH9hMDEukfauJO-GatuhymcjoGeOYp-Fao8ybAbxWfmNUxvRV8Wj61jvdTB3W_n39YMGwK9H2DLy4YKwvZXdTwJNA/s320/395286.jpg" width="227" /></a></div></span><span style="color: #3d85c6;"><br /><span style="font-size: 14pt; line-height: 107%;">Elenco:
Alain Delon, Jeanne Moreau, Juliet Bert, Suzanne Flon e Massimo Girotti</span></span><br /><span style="font-size: 14pt; line-height: 107%;"> </span><br /><span style="font-size: 14pt; line-height: 107%;">Em 1942,
na Paris ocupada pelos nazistas, negociante de arte vê seus lucros aumentarem
bastante quando judeus perseguidos lhe vendem obras-de-arte a preços módicos.
Porém, quando um outro utilizando seu nome comete atos misteriosos e
ameaçadores, ele passa a ser perseguido pela polícia. </span><br /><span style="font-size: 14pt; line-height: 107%;"> </span><br /></span></div><div style="text-align: center;"><span style="font-family: inherit;"><span style="color: #3d85c6; font-size: 14pt; line-height: 107%;">Prêmio
César de Melhor Filme e Melhor Direção</span></span></div><div style="text-align: justify;"><span style="font-family: inherit;"><span style="color: #3d85c6; font-size: 14pt; line-height: 107%;"> </span></span></div><div style="text-align: justify;"><span style="font-family: inherit;"><span style="color: #3d85c6; font-size: 14pt; line-height: 107%;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgVm_3jHJEksakHOl2pux_wG7p18eNzT7HMbs4s2s5F38y4wINIxned9xhsVprUwEZ1oxJpfdH9SHbI9plU539WaC_AxZmQe9kHElzdW3T_iUtPQNu2oysbFMJ-ssUKIMxyje0YMBhWpxbIn_42i3ZWG7ULlKu91dVnWSBIh9EaDfKNiHLbOqCm19U95SE/s276/images.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="183" data-original-width="276" height="265" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgVm_3jHJEksakHOl2pux_wG7p18eNzT7HMbs4s2s5F38y4wINIxned9xhsVprUwEZ1oxJpfdH9SHbI9plU539WaC_AxZmQe9kHElzdW3T_iUtPQNu2oysbFMJ-ssUKIMxyje0YMBhWpxbIn_42i3ZWG7ULlKu91dVnWSBIh9EaDfKNiHLbOqCm19U95SE/w400-h265/images.jpg" width="400" /></a></div><br /></span></span></div>
ANTONIO NAHUDhttp://www.blogger.com/profile/09829893001743081676noreply@blogger.com0tag:blogger.com,1999:blog-7997398743762234247.post-88322353073251488462023-07-29T15:23:00.013-03:002023-07-29T17:27:19.281-03:00***** A BELA BAAROVÁ – a AMANTE de GOEBBELS<p></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg-QXBMjtTj3GalRUfspugsT-JyZ-ToukNSi5a6ZQTjBjkEKRQ8QxmcqV9Q_qvXtCCs1EjTKOMIN_bpdGdr2Z0NGoKCVFn3oeSnGQ0R-o-YFjbf168q4hCRf_5YqnM5uJRrfV9orbDzVI1GoF7euLrFktWW40k3axhj84QXNxGJouFosj6mPj5QyU_JtD8/s768/Lida-Baarova-FB-IC-e1662571576182.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="695" data-original-width="768" height="580" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg-QXBMjtTj3GalRUfspugsT-JyZ-ToukNSi5a6ZQTjBjkEKRQ8QxmcqV9Q_qvXtCCs1EjTKOMIN_bpdGdr2Z0NGoKCVFn3oeSnGQ0R-o-YFjbf168q4hCRf_5YqnM5uJRrfV9orbDzVI1GoF7euLrFktWW40k3axhj84QXNxGJouFosj6mPj5QyU_JtD8/w640-h580/Lida-Baarova-FB-IC-e1662571576182.jpg" width="640" /></a></div><br /> <br /><!--[if gte mso 9]><xml>
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<p></p><div style="text-align: justify;"><span style="color: #3d85c6; font-family: inherit; font-size: 14pt; line-height: 107%;">“Aqui
está uma mulher de beleza perfeita”</span><span style="font-family: inherit;"><span style="color: #3d85c6;"><br /></span><span style="background-color: #274e13; color: white; font-size: 14pt; line-height: 107%;">JOSEPH
GOEBBELS</span><span style="color: #3d85c6;"><br /><span style="font-size: 14pt; line-height: 107%;">(1897 –
1945. Rheydt, Mönchengladbach / Alemanha)</span></span><br /><span style="font-size: 14pt; line-height: 107%;"> </span><br /><span style="font-size: 14pt; line-height: 107%;"> </span><br /><span style="font-size: 14pt; line-height: 107%;">Considerada
a estrela de cinema mais bonita da Europa na década de trinta, ela trabalhou em
filmes tchecos, alemães, italianos e espanhóis, conquistando maior popularidade
no período em que atuou como contratada da companhia cinematográfica alemã Universum
Film Aktien Gesellschaft (UFA). Sua fama transcendeu seu país de origem, fazendo
dela uma atriz famosa mundialmente. Porém, <span style="background-color: #274e13; color: white;">LÍDA BAAROVÁ</span> <span style="color: #3d85c6;">(1914 – 2000. Praga / Tchecoslováquia)</span>
ficou mais conhecida por sua vida fora das telas, como amante oficial de Joseph
Goebbels, o terrível e poderoso ministro da Propaganda do regime nazista. </span><br /><span style="font-size: 14pt; line-height: 107%;"> </span><br /><span style="font-size: 14pt; line-height: 107%;">Filha de
funcionário público, ainda criança estudou no Conservatório Estadual de Praga,
e aos 14 anos estreou no teatro interpretando Julieta em <span style="color: #3d85c6;">“Romeu e Julieta”</span>, de
William Shakespeare. Aos 17 anos, no cinema, atuou em <span style="color: #3d85c6;">“Kariéra Pavla Camrdy”</span>
(1931), e logo se tornou uma estrela do cinema local, conseguindo papéis em
filmes para sua mãe, Ludmila Babková, e sua irmã, Zorka Janu.</span><span style="font-size: 14pt; line-height: 107%;"> O sucesso
da atriz chamou a atenção dos produtores da UFA, na época o maior estúdio
cinematográfico europeu. Diante da proposta irrecusável, mudou-se para a
Alemanha, iniciando uma bem sucedida carreira cinematográfica no país.</span><br /><span style="font-size: 14pt; line-height: 107%;"> <div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgYSA_19TpmvrusACqSkWLPhei2yXZz3MupOIb5Zbxhb-A4jmBDFpDZrFFrde6X06EJaL1nrZMSrLcMwljK0YB0dSkilsYf-HkO6rNSUbnCXfXCwDaGbiRnXsonlg2BhrWEbR8rmRPBJjSkQY5qfGV0wOzirGXaYF2HjZ_tWQaf7f4r9f7dXIhwYkuz13o/s432/e240f902f6fc110d41b048f8d12668c3.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="404" data-original-width="432" height="374" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgYSA_19TpmvrusACqSkWLPhei2yXZz3MupOIb5Zbxhb-A4jmBDFpDZrFFrde6X06EJaL1nrZMSrLcMwljK0YB0dSkilsYf-HkO6rNSUbnCXfXCwDaGbiRnXsonlg2BhrWEbR8rmRPBJjSkQY5qfGV0wOzirGXaYF2HjZ_tWQaf7f4r9f7dXIhwYkuz13o/w400-h374/e240f902f6fc110d41b048f8d12668c3.jpg" width="400" /></a></div></span><span style="font-size: 14pt; line-height: 107%;">Assim que
chegou na Alemanha foi presentada pelo estúdio com um Mercedes Benz prata e
aplaudida por todos os funcionários da casa. O auge de sua carreira veio com o
sucesso mundial de <span style="color: #3d85c6;">“Barcarola / Barcarole”</span> (1935), que protagonizou ao lado de
Gustav Fröhlich, um astro do cinema alemão desde os tempos do cine mudo (ele
foi o protagonista do clássico <span style="color: #3d85c6;">“Metrópolis / Idem”</span>, 1927, de Fritz Lang), e que
chegou a filmar em Hollywood. A parceria se estendeu além das telas, e eles
passaram a morar juntos em uma luxuosa vila modernista que a atriz mandou
construir, onde também moravam sua mãe e irmã. A casa, feita pelo famoso
arquiteto Ladislav Zák, tinha o formato de um navio.</span></span></div><div style="text-align: justify;"><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;"> </span><br /><span style="font-size: 14pt; line-height: 107%;"> </span><span style="font-size: 14pt; line-height: 107%;">Nos
primeiros meses no novo país recebeu convite para tomar chá, a sós, com o Führer
Adolf Hitler, que demonstrava interesse romântico por ela, apesar de sua origem
judaica. O grande ditador a recebeu em um luxuoso quarto e contou sobre sua
semelhança com uma de suas ex-amantes, Gerri Raubel, que havia se matado.
<span style="color: #3d85c6;">“Estamos satisfeitos por ter escolhido o cinema alemão”</span>, afirmou. No próximo
encontro, Hitler tentou persuadi-la a renunciar à cidadania tcheca, mas ela recusou.
Não houve novos encontros. Ela havia selado sua sentença fatal.</span><br /><span style="font-size: 14pt; line-height: 107%;"> </span><br /><span style="font-size: 14pt; line-height: 107%;">Terminou casando-se
com Gustav Fröhlich, seu ídolo desde a adolescência. Fizeram diversos filmes
juntos, inclusive outro sucesso internacional, <span style="color: #3d85c6;">“Hora da Tentação / Die Stunde
der Versuchung”</span> (1936), e tornaram-se um casal queridinho do público germânico.
A UFA, estúdio em que a atriz reinava, estava sofre controle estatal, e era
Goebbels quem decidia que filmes seriam produzidos. Ele tinha relações sexuais com
praticamente todas as estrelas do estúdio, que também tinham de estar
disponíveis para outros oficiais do alto escalão nazista.</span></span></div><div style="text-align: justify;"><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;"> </span><span style="font-size: 14pt; line-height: 107%;"><br /><table cellpadding="0" cellspacing="0" class="tr-caption-container" style="float: left; margin-right: 1em; text-align: left;"><tbody><tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjcM9NSwI_smG22Xo5rZnfF20Spqpq_vzcvgFRZjKlGLBej5mPgeK_SnQWbxUPtvWEle3ygMA8xgJ5VOrlZsy0oI6aWur_RPksuJT2ObeWKTTKz0KJE8I6MS1KLovD9AkbViARtl9aqJdSS3u4x6XklRfdDj8L6btjxr2-Ze7Bo63LzYK6hVtaWc7sWOvw/s827/152970701.jpg" imageanchor="1" style="clear: left; margin-bottom: 1em; margin-left: auto; margin-right: auto;"><img border="0" data-original-height="827" data-original-width="582" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjcM9NSwI_smG22Xo5rZnfF20Spqpq_vzcvgFRZjKlGLBej5mPgeK_SnQWbxUPtvWEle3ygMA8xgJ5VOrlZsy0oI6aWur_RPksuJT2ObeWKTTKz0KJE8I6MS1KLovD9AkbViARtl9aqJdSS3u4x6XklRfdDj8L6btjxr2-Ze7Bo63LzYK6hVtaWc7sWOvw/w281-h400/152970701.jpg" width="281" /></a></td></tr><tr><td class="tr-caption" style="text-align: center;"><span style="font-family: inherit;"><span style="font-size: large;"><span style="color: #3d85c6;"><span style="background-color: black;">lída e <span><span style="line-height: 107%;">gustav fröhlich</span></span></span></span></span></span></td></tr></tbody></table></span><span style="font-size: 14pt; line-height: 107%;">O destino
da jovem e bela atriz poderia ter sido diferente se Goebbels não tivesse ficado
fascinado por ela. Um dos personagens mais sinistros da Segunda Guerra Mundial,
ele tinha um corpo franzino, pequena estatura e um pé aleijado. Ao se tornar a
amante favorita do político, promoveu sua carreira, mas destruiu sua
vida. O luxurioso ministro agia como se fosse o próprio Casanova. Fazia isso
usando o poder decorrente de ser um dos maiores líderes nazistas e o
responsável pelo cinema alemão: isso lhe permitia fazer testes do sofá. </span><br /><span style="font-size: 14pt; line-height: 107%;"> </span><br /><span style="font-size: 14pt; line-height: 107%;">O
ministro possuía mansões, iates e carros de luxo, o que fica fácil quando se
tem à disposição o patrimônio judeu a preço de banana. Era um namorador
profissional. Ele, que padecia de transtorno narcisista, escreveu em seu
diário: <span style="color: #3d85c6;">“Não tenho tempo para me entregar totalmente às mulheres, missões
maiores esperam por mim”</span>. Atribuía seu sucesso a seus dotes de sedutor, mas
tinha mais a ver com ser difícil resistir a um cupincha de Hitler. Era chamado </span></span><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">(pelas costas, claro) </span></span><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">no ministério de
<span style="color: #3d85c6;">“cabra tarada”</span>.</span><br /><span style="font-size: 14pt; line-height: 107%;"> </span><br /><span style="font-size: 14pt; line-height: 107%;">Casado e
pai de três filhos na época, Goebbels convidou a atriz para reuniões sociais e
durante meses a assediou implacavelmente. Em 1937, ela recusou uma proposta
vantajosa da Metro-Goldwyn-Mayer, decisão da qual se lamentaria: <span style="color: #3d85c6;">“Eu poderia
ter sido tão famosa quanto Marlene Dietrich”</span>. Não foi bem assim. A verdade é
que se deslumbrou com o estrelato alemão, virando as costas a Hollywood. E,
além disso, havia se apaixonado por Goebbels, com quem teve um caso de dois
anos. </span><br /><span style="font-size: 14pt; line-height: 107%;"> </span><br /><span style="font-size: 14pt; line-height: 107%;">Certo dia,
Gustav Fröhlich chegou em casa sem avisar e flagrou sua mulher e o amante na
cama. Ele insultou o ministro e desferiu um soco em seu rosto, arrancando um
dente de sua boca. Como resultado, um dos maiores astros do cinema alemão
acabou banido das telas e foi preso em um campo de concentração. A esposa de Goebbels,
Magda, sabia dos casos extraconjugais do marido, e nada fazia em relação a
isto. Porém, com o escândalo, após seu esposo ter apanhado de um ator, procurou
Hitler e pediu para ele proibir o romance com a atriz.<span style="mso-spacerun: yes;"> </span></span></span></div><div style="text-align: justify;"><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;"><span style="mso-spacerun: yes;"> </span></span><span style="font-size: 14pt; line-height: 107%;"><br /><table cellpadding="0" cellspacing="0" class="tr-caption-container" style="float: right; margin-left: 1em; text-align: right;"><tbody><tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjXnBl5PfAQrIvqcIt0KyWolD__dQpCGJWywF5bu5gacx00VMo4OIbCSBz5Kt6n_DqB5HV5D2BGplkL9Y1joF7GYpr_lpoRc_hM4YO7tIDVb4EmHW0qSMvgWLF2slBs0bsep6mv1Im9ijhsWsh97ngObtMV994Avwt-AoWgqmqsSPp5hPnhE5w_JkXG4WQ/s463/L%C3%ADda%20Baarov%C3%A1%20e%20Joseph%20Goebbels.jpg" imageanchor="1" style="clear: right; margin-bottom: 1em; margin-left: auto; margin-right: auto;"><img border="0" data-original-height="463" data-original-width="376" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjXnBl5PfAQrIvqcIt0KyWolD__dQpCGJWywF5bu5gacx00VMo4OIbCSBz5Kt6n_DqB5HV5D2BGplkL9Y1joF7GYpr_lpoRc_hM4YO7tIDVb4EmHW0qSMvgWLF2slBs0bsep6mv1Im9ijhsWsh97ngObtMV994Avwt-AoWgqmqsSPp5hPnhE5w_JkXG4WQ/w325-h400/L%C3%ADda%20Baarov%C3%A1%20e%20Joseph%20Goebbels.jpg" width="325" /></a></td></tr><tr><td class="tr-caption" style="text-align: center;"><span style="font-family: inherit;"><span style="font-size: large;"><span style="color: #3d85c6;"><span style="background-color: black;">lída e <span><span style="line-height: 107%;">joseph goebbels</span></span></span></span></span></span></td></tr></tbody></table></span><span style="font-size: 14pt; line-height: 107%;">Goebbels
se mostrou determinado a renunciar à sua carreira no partido nazista para viver
com a amante. <span style="color: #3d85c6;">“Se for preciso abro mão dos meus cargos, das minhas obrigações e
do meu país, mas não consigo viver sem ela.”</span>, protestou. Indignado, Hitler
ordenou que ele nunca mais voltasse a vê-la. Por telefone, Goebbels acabou o
romance: <span style="color: #3d85c6;">“Não podemos continuar. Tudo se acabou.”</span>. E não só se afastou da
atriz, como a baniu do cinema alemão, mandando retirar seu filme mais recente, <span style="color: #3d85c6;">“Os
Homens Devem Ser Assim / Männer Müssen So Sein”</span> (1939) dos cinemas, e destruindo
todo seu material publicitário.</span><br /><span style="font-size: 14pt; line-height: 107%;"> </span><br /><span style="font-size: 14pt; line-height: 107%;">Chamada a
uma delegacia de polícia, <span style="background-color: #274e13; color: white;">LÍDA BAAROVÁ</span> foi intimidada e proibida de trabalhar
na Alemanha ou de participar de qualquer ato social. Tomaram de volta sua
luminosa Mercedes Benz. Ela foi aos estúdios para se despedir de seus colegas,
mas todos lhe deram as costas. O caso custou caro. Tornou sua vida um
inferno. Passou a ser vigiada pela Gestapo. Quando a II
Guerra Mundial estourou, fugiu com a família para Praga. participando de filmes
checos, peças teatrais e recebendo o Prêmio Nacional em 1940. </span><br /><span style="font-size: 14pt; line-height: 107%;"> </span><br /><span style="font-size: 14pt; line-height: 107%;">Com a
ocupação alemã na sua pátria, foi novamente proibida de trabalhar e então
viajou para a Itália, a fim de continuar sua carreira, fazendo vários papéis
principais no cinema italiano.<span style="mso-spacerun: yes;"> </span>A atriz
viu Goebbels pela última vez no Festival de Veneza de 1942. Segundo o que
escreveu em suas memórias – <span style="color: #3d85c6;">“A Doce Amargura de Minha Vida”</span>, publicada
postumamente – ele, ao vê-la, não lhe deu a menor atenção.</span><br /><span style="font-size: 14pt; line-height: 107%;"> </span><br /><span style="font-size: 14pt; line-height: 107%;">Em 1945, ela
foi presa pelos norte-americanos e encarcerada por colaboração.</span><span style="font-size: 14pt; line-height: 107%;">Sua mãe teve
uma parada cardíaca, morrendo durante um interrogatório, e Zorka Janu, sua
irmã, acuada, cometeu suicídio, jogando-se da janela do prédio onde morava.
Goebbels e sua esposa ficaram com Hitler no bunker, tirando suas próprias vidas
e as de seus seis filhos, envenenados pelos pais. Terminada a guerra, em Praga,
<span style="background-color: #274e13; color: white;">LÍDA BAAROVÁ</span> foi condenada à morte como colaboradora do nazismo. </span></span></div><div style="text-align: justify;"><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;"> </span><span style="font-size: 14pt; line-height: 107%;"><br /><table cellpadding="0" cellspacing="0" class="tr-caption-container" style="float: right; margin-left: 1em; text-align: right;"><tbody><tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgnwxnK0F3bul-5YgprkO8P_-dZBsZk-H7JHSq7Qg-qbr8MHuLtXx72REpAdjlVrcuKM6unXPBphFcAUFCxxV7M2GTjJR_OthgqsoPfqw8FGEDxGcHo1h-hLV999olU7lWgM83KHJCOBxrsQZ1C_gVen89QE-2VpSAeU52QxqDcLcGTyJzm6CHCcdD_Dts/s500/A%20mans%C3%A3o%20de%20L%C3%ADda%20Baarov%C3%A1%20(que%20ainda%20existe).jpg" imageanchor="1" style="clear: right; margin-bottom: 1em; margin-left: auto; margin-right: auto;"><img border="0" data-original-height="223" data-original-width="500" height="179" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgnwxnK0F3bul-5YgprkO8P_-dZBsZk-H7JHSq7Qg-qbr8MHuLtXx72REpAdjlVrcuKM6unXPBphFcAUFCxxV7M2GTjJR_OthgqsoPfqw8FGEDxGcHo1h-hLV999olU7lWgM83KHJCOBxrsQZ1C_gVen89QE-2VpSAeU52QxqDcLcGTyJzm6CHCcdD_Dts/w400-h179/A%20mans%C3%A3o%20de%20L%C3%ADda%20Baarov%C3%A1%20(que%20ainda%20existe).jpg" width="400" /></a></td></tr><tr><td class="tr-caption" style="text-align: center;"><span style="font-family: inherit;"><span style="background-color: black; color: #3d85c6; font-size: large;">a mansão de lída em berlim</span></span></td></tr></tbody></table></span><span style="font-size: 14pt; line-height: 107%;">Ficou
atrás das grades por 18 meses, sofrendo um colapso nervoso e acabando internada em
um sanatório psiquiátrico. Próxima do seu fuzilamento, o produtor teatral Jan
Kopeckí a salvou, casando-se com ela. Fugiram para a Argentina, onde passaram
necessidades financeiras, chegando a viver em situação de miséria. Na década de
1950, ela retornou à Itália, onde foi convidada por Federico Fellini para atuar
em <span style="color: #3d85c6;">“Os Boas Vidas / I Vitelloni” </span>(1953). Sem êxito na Itália, tentou a
carreira teatral na Áustria, mas também não foi bem recebida, devido ao seu
envolvimento com os nazistas. Na Espanha conseguiu
seus últimos papéis, atuando em filmes menores.</span><br /><span style="font-size: 14pt; line-height: 107%;"> </span><br /><span style="font-size: 14pt; line-height: 107%;">Em 1956
ela se divorciou de Kopeckí e mudou-se para Salzburgo, onde se tornou cidadã
austríaca. Em 1970, se casou com um ginecologista, Kurt Lundwal, que morreu
três anos depois. Seu passado de amor com o líder nazista nunca foi esquecido
ou perdoado. Mesmo na Áustria. No teatro de Graz, em 1967, um grupo de
manifestantes atirou-lhe ovos. Ela continuou, enquanto pôde. Em 1975 fez parte
da versão teatral alemã de <span style="color: #3d85c6;">“As Lágrimas Amargas de Petra Von Kant”</span>. Em seus
últimos anos, mergulhou no álcool e justificou seus laços nazistas, dizendo que
era jovem e ingênua, não tinha consciência política e que, como muitas
mulheres, não podia dizer não a tais homens poderosos, por medo.</span><br /><span style="font-size: 14pt; line-height: 107%;"> </span><br /><span style="font-size: 14pt; line-height: 107%;">Morreu na
Áustria, em Salzburgo, na propriedade que herdou do seu último marido, vítima
de mal de Parkinson, em 28 de outubro de 2000, aos 86 anos de idade. Em 2016
sua vida foi contada na cinebiografia tcheca <span style="color: #3d85c6;">“Lída Baarová”</span>, estrelada pela
atriz Tatiana Pauhofová. <span style="mso-spacerun: yes;"> </span>Ela atuou em 63
filmes. O último deles em 1958, o italiano <span style="color: #3d85c6;">“Il Cielo Brucia”</span>, ao lado de Amadeo
Nazzari e Antonella Lualdi.</span></span></div><div style="text-align: justify;"><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;"> </span></span></div><div style="text-align: center;"><span style="font-family: inherit; font-size: large;"><span style="background-color: #274e13; color: white; line-height: 107%;">GALERIA de FOTOS</span></span></div><div style="text-align: justify;"><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;"> </span></span></div><div style="text-align: justify;"><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEggCXGyWg7-J94srp-9RXN4v3f0uAXPAdwiQexcGu9qFXXHNnWMbmYiem9Cg5c_BPRCMpZSg2y13WFC8sHZnBMSLGRIMizHVzQtVuDY1eR9vr-LMKlP1y-o9bn6r5Z4WVyKRg8S99grZutrCvYUqM5StfdBaj3u9yrYxiEZrzl_VwKuJy_f7b4epmHfkXs/s1204/3.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="930" data-original-width="1204" height="494" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEggCXGyWg7-J94srp-9RXN4v3f0uAXPAdwiQexcGu9qFXXHNnWMbmYiem9Cg5c_BPRCMpZSg2y13WFC8sHZnBMSLGRIMizHVzQtVuDY1eR9vr-LMKlP1y-o9bn6r5Z4WVyKRg8S99grZutrCvYUqM5StfdBaj3u9yrYxiEZrzl_VwKuJy_f7b4epmHfkXs/w640-h494/3.jpg" width="640" /></a></div></span><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg39aJHml-An_easOq8i_XYByHx7tizcSN4hLRJOKOVUZJ8n3Sh683T6PmRiRhEHXujZJ-NZJwsydNXmZMo6m3Dfy1mck4a2BK8S1Hc926t_oJrAuxavmAFSU9cLvaCIW6CL3I4M3ifP3ZASEAQMDZaCJ-BN-9nVUfEw89oPjB9KdKSlrIUcIlYcfaOFa8/s1178/s-l1600.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1178" data-original-width="859" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg39aJHml-An_easOq8i_XYByHx7tizcSN4hLRJOKOVUZJ8n3Sh683T6PmRiRhEHXujZJ-NZJwsydNXmZMo6m3Dfy1mck4a2BK8S1Hc926t_oJrAuxavmAFSU9cLvaCIW6CL3I4M3ifP3ZASEAQMDZaCJ-BN-9nVUfEw89oPjB9KdKSlrIUcIlYcfaOFa8/w291-h400/s-l1600.jpg" width="291" /></a></div><div class="separator" style="clear: both; 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ANTONIO NAHUDhttp://www.blogger.com/profile/09829893001743081676noreply@blogger.com0tag:blogger.com,1999:blog-7997398743762234247.post-90867325291476383972023-06-09T20:40:00.011-03:002023-06-10T15:42:53.281-03:00********** PAUL NEWMAN – BELO e INDOMÁVEL<div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh261YxfYiZ1rHVvm_t1st_4iDxJjINs-dkhey1jbhJ8cKrt8B6uMwfY3fj_jNu7HOiyaExmWSvy0sv_mL-2PYu4nBwIOuhzIPMOBaFUzSrdm524-Ca6Z-_XywzxxnevIDblhmT2xcTkbJsD0XE0qere4Lf9SLwVuNuP9aQ5FNvu_HZ16RrsU1P7DGj/s1000/gettyimages-860265006.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1000" data-original-width="1000" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh261YxfYiZ1rHVvm_t1st_4iDxJjINs-dkhey1jbhJ8cKrt8B6uMwfY3fj_jNu7HOiyaExmWSvy0sv_mL-2PYu4nBwIOuhzIPMOBaFUzSrdm524-Ca6Z-_XywzxxnevIDblhmT2xcTkbJsD0XE0qere4Lf9SLwVuNuP9aQ5FNvu_HZ16RrsU1P7DGj/w640-h640/gettyimages-860265006.jpg" width="640" /></a></div><p><br /></p><div style="text-align: justify;"><span style="color: #3d85c6; font-family: inherit; font-size: 14pt; line-height: 107%;">“Eu
gostaria de ser lembrado como um cara que tentou fazer parte de seu tempo,
tentou ajudar as pessoas, tentou encontrar alguma decência em sua própria vida,
tentou se expandir como ser humano.”</span><span style="color: #3d85c6; font-family: inherit;"></span><span style="color: #3d85c6;"><br /><span style="font-family: inherit;"></span></span><span style="background-color: #274e13; color: white; font-family: inherit; font-size: 14pt; line-height: 107%;">PAUL NEWMAN</span><span style="font-family: inherit;"></span><br /><span style="font-family: inherit;"></span><span style="font-family: inherit; font-size: 14pt; line-height: 107%;"> </span><span style="font-family: inherit;"></span><br /><span style="font-family: inherit;"></span><span style="color: #3d85c6; font-family: inherit; font-size: 14pt; line-height: 107%;">Altura:
1,77m </span><span style="color: #3d85c6; font-family: inherit;"></span><span style="color: #3d85c6;"><br /><span style="font-family: inherit;"></span><span style="font-family: inherit; font-size: 14pt; line-height: 107%;">Olhos:
Azuis</span><span style="font-family: inherit;"></span><br /><span style="font-family: inherit;"></span><span style="font-family: inherit; font-size: 14pt; line-height: 107%;">Cabelos:
Castanhos</span><span style="font-family: inherit;"></span><br /><span style="font-family: inherit;"></span><span style="font-family: inherit; font-size: 14pt; line-height: 107%;">Apelidos:
Rei Cool e PL</span></span><span style="font-family: inherit;"></span><br /><span style="font-family: inherit;"></span><span style="font-family: inherit; font-size: 14pt; line-height: 107%;"> </span><span style="font-family: inherit;"></span><br /><span style="font-family: inherit;"></span><span style="font-family: inherit; font-size: 14pt; line-height: 107%;">Uma lenda
de Hollywood.</span><span style="font-family: inherit;"> <span style="font-size: 14pt; line-height: 107%;">Considerado um dos mais belos atores da história do cinema,
seu carisma e talento ofuscaram sua beleza. <span style="background-color: #274e13; color: white;">PAUL NEWMAN</span> <span style="color: #3d85c6;">(1925 - 2008.
Cleveland, Ohio / EUA) </span>surgiu nos anos 50, criticado como mais um imitador de
Marlon Brando e James Dean, mas conseguiu se destacar e vencer, tornando-se um
dos maiores astros do cinema de todos os tempos. Começou a carreira como ator
cedo, aos 7 anos, no papel de bobo da corte numa peça sobre o lendário Robin
Hood.</span></span><br /><span style="font-family: inherit;"></span><span style="font-family: inherit; font-size: 14pt; line-height: 107%;"> </span><span style="font-family: inherit;"></span><br /><span style="font-family: inherit; font-size: 14pt; line-height: 107%;">Poucos
atores envelheceram tão bem. Mas não era um santo quanto sua imagem
cinematográfica eternizou. Expulso da Universidade de Ohio por mau
comportamento, acabou casando-se com a atriz Jacqueline</span><span style="font-family: inherit;"> <span style="font-size: 14pt; line-height: 107%;">Witte
(com quem viveu de 1948 a 1958) e se mudou para New Haven, Connecticut, onde estudou
Artes Dramáticas na Universidade de Yale. No palco, notado por agentes,
terminou em Nova York. Após participações na televisão, conseguiu um bom papel na
peça <span style="color: #3d85c6;">“Picnic”</span>. </span></span><span style="font-family: inherit; font-size: 14pt; line-height: 107%;"></span><br /><span style="font-family: inherit; font-size: 14pt; line-height: 107%;"><div style="text-align: right;"><div style="text-align: right;"><br /><span style="font-family: inherit; font-size: 14pt; line-height: 107%;"><table cellpadding="0" cellspacing="0" class="tr-caption-container" style="float: left; margin-right: 1em; text-align: left;"><tbody><tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgKJO5QhC8V__42Wspxhj74-uMJ6E_auwLD137j4SNSfaOFLDEbSniNfN0V-zxOk0Ij8pe0nIH4vRhig6Sg1HfzCLhXzEEeL_I79cvbW8mBkGOBDmJjQPPSVthlGd06D1cqJUZq_9Htx2nBJUVg13E5n425z1uTBzgF5ZrFN2dePeVhHnLAbz0gHOAo/s1920/1920x4000.jpg" style="clear: left; margin-bottom: 1em; margin-left: auto; margin-right: auto;"><img border="0" data-original-height="1326" data-original-width="1920" height="276" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgKJO5QhC8V__42Wspxhj74-uMJ6E_auwLD137j4SNSfaOFLDEbSniNfN0V-zxOk0Ij8pe0nIH4vRhig6Sg1HfzCLhXzEEeL_I79cvbW8mBkGOBDmJjQPPSVthlGd06D1cqJUZq_9Htx2nBJUVg13E5n425z1uTBzgF5ZrFN2dePeVhHnLAbz0gHOAo/w400-h276/1920x4000.jpg" width="400" /></a></td></tr><tr><td class="tr-caption" style="text-align: center;"><span style="background-color: black; color: #3d85c6; font-family: inherit;"><span style="font-size: large;">paul no actors studio</span></span></td><td class="tr-caption" style="text-align: center;"><br /></td><td class="tr-caption" style="text-align: center;"><br /></td></tr></tbody></table></span></div></div></span><span style="color: white; font-family: inherit; font-size: 14pt; line-height: 107%;">Tendo aulas no lendário Actors Studio, estreou
no cinema em</span><span style="color: black; font-family: inherit; font-size: 14pt; line-height: 107%;"> </span><span style="color: #3d85c6; font-family: inherit; font-size: 14pt; line-height: 107%;">“O Cálice Sagrado</span><span style="color: #3d85c6; font-family: inherit; font-size: 14pt; line-height: 107%;"> / The Silver Chalice”</span><span style="color: black; font-family: inherit; font-size: 14pt; line-height: 107%;"> </span><span style="color: white; font-family: inherit; font-size: 14pt; line-height: 107%;">(1954), e
por anos tentou se desculpar,</span><span style="color: black; font-family: inherit; font-size: 14pt; line-height: 107%;"> </span><span style="font-family: inherit; font-size: 14pt; line-height: 107%;">por considerar o resultado muito ruim. E
tinha razão. Chegou a comprar um anúncio na revista <span style="color: #3d85c6;">“Variety</span>”, pedindo
desculpas ao público. Um dos seus melhores amigos na época era James Dean. Viviam
juntos. Os dois fizeram testes para o clássico<span style="color: black; mso-themecolor: text1;"> </span><span style="color: #3d85c6;">“Vidas Amargas / East of Eden”</span>
(1955), de Elia Kazan, que acabou estrelado por Dean. </span><br /></div><div style="text-align: justify;"><span style="font-family: inherit;"></span><span style="font-family: inherit; font-size: 14pt; line-height: 107%;"> </span><span style="font-family: inherit;"></span><br /><span style="font-family: inherit; font-size: 14pt; line-height: 107%;">Eles
disputaram o protagonismo de <span style="color: #3d85c6;">“Marcado pela Sarjeta”</span> e <span style="color: #3d85c6;">“Um de Nós Morrerá</span></span><span style="color: #3d85c6; font-family: inherit;"> / </span><span style="color: #3d85c6; font-family: inherit; font-size: 14pt; line-height: 107%;">The Left Handed
Gun”</span> <span style="font-family: inherit; font-size: 14pt; line-height: 107%;">(1958), mas, com a morte do colega em um acidente de automóvel, <span style="background-color: #274e13; color: white;">PAUL
NEWMAN</span> acabou conquistando tais oportunidades. Na contramão do sistema, interpretou
marginalizados, perdidos em conflitos de natureza existencial, trazendo na
essência um forte espírito de revolta, enfatizando uma luta interior contra o
mundo. Verdadeiros anti-heróis e rebeldes. </span><br /><span style="font-family: inherit;"></span><span style="font-family: inherit; font-size: 14pt; line-height: 107%;"> </span><span style="font-family: inherit;"></span><br /><span style="font-family: inherit; font-size: 14pt; line-height: 107%;">Conhecido
por seu senso de humor irônico e travesso, usou frequentemente esse bom humor em
suas performances. Mas a história do astro tem detalhes nada divertidos, como seu
alcoolismo ou o drama com o filho primogênito, que morreu de overdose de álcool
e drogas, aos 28 anos. Como <span style="background-color: #274e13; color: white;">PAUL NEWMAN</span> bebia muito, ele não sabia lidar com o
vício do filho. Scott nascera de seu primeiro casamento e era gay. Se envolveu
com ex-amantes do próprio pai, entre eles Sal Mineo, que teria telefonado
apenas para dizer que estava na cama com seu filho.</span></div><div style="text-align: justify;"><span style="font-family: inherit; font-size: 14pt; line-height: 107%;"> </span><span style="font-family: inherit; font-size: 14pt; line-height: 107%;"><br /><table cellpadding="0" cellspacing="0" class="tr-caption-container" style="float: left; margin-right: 1em; text-align: left;"><tbody><tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh_ZoHUqkdSNG_MOoH5rdc82V1HtSg7t9SN7ntULeDh8vz-aUXqZ090hVCG1eVf9PhAKOfi7D_TG00CYeX4gksRM9oCkCiCgL_XY9z_Ex1l0dBnPSAoZTPOdEXyF_jnKSw1dGAJSQL0d9QttUS-P1j0-lx1xh1mK2V_mU3CYwcxHPzHcFRBV1iLg6so/s2249/Annex%20-%20Newman,%20Paul%20(Long,%20Hot%20Summer,%20The)_01A.jpg" style="clear: left; margin-bottom: 1em; margin-left: auto; margin-right: auto;"><img border="0" data-original-height="2249" data-original-width="1850" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh_ZoHUqkdSNG_MOoH5rdc82V1HtSg7t9SN7ntULeDh8vz-aUXqZ090hVCG1eVf9PhAKOfi7D_TG00CYeX4gksRM9oCkCiCgL_XY9z_Ex1l0dBnPSAoZTPOdEXyF_jnKSw1dGAJSQL0d9QttUS-P1j0-lx1xh1mK2V_mU3CYwcxHPzHcFRBV1iLg6so/w329-h400/Annex%20-%20Newman,%20Paul%20(Long,%20Hot%20Summer,%20The)_01A.jpg" width="329" /></a></td></tr><tr><td class="tr-caption" style="text-align: center;"><span style="font-family: inherit;"><span style="background-color: black; color: #3d85c6; font-size: large;">joanne e paul</span></span><br /></td></tr></tbody></table></span><span style="font-family: inherit; font-size: 14pt; line-height: 107%;">A
primeira indicação ao Oscar veio por <span style="color: #3d85c6;">“Gata em Teto de Zinco Quente”</span> (1958),
drama baseado na peça de Tennessee Williams. Durante toda a carreira somou mais
sete indicações como Melhor Ator, uma como Ator Coadjuvante e uma como
Produtor. Após ser premiado em 1987, pelo conjunto de sua carreira, levou o esperado Oscar por<span style="color: black; mso-themecolor: text1;"> </span><span style="color: #3d85c6;">“A Cor do
Dinheiro / The Color of Money”</span> (1986). Ao todo recebeu seis Globos de
Ouro, um Emmy, um BAFTA, Urso de Prata no Festival de Berlim, Melhor Ator no Festival de Cannes, entre outros.</span><br /><span style="font-family: inherit;"></span><span style="font-family: inherit; font-size: 14pt; line-height: 107%;"> </span><span style="font-family: inherit;"></span><br /><span style="font-family: inherit; font-size: 14pt; line-height: 107%;">Em 1957,
durante as filmagens de <span style="color: #3d85c6;">“O Mercador de Almas”</span>, ele e Joanne Woodward decidiram
largar seus respectivos cônjuges e se casaram no ano seguinte. Permaneceram lado a lado até o momento de sua morte, cinco décadas depois. Ao
todo <span style="background-color: #274e13; color: white;">PAUL NEWMAN</span> teve seis filhos, três com cada uma de suas esposas. Parceiros
na vida e na tela (fizeram 15 filmes juntos), ele dirigiu pela primeira vez a mulher em<span style="color: black; mso-themecolor: text1;"> </span><span style="color: #3d85c6;">“Rachel, Rachel / Idem”</span>. O reconhecimento foi imediato - dois Globos de Ouro e quatro indicações ao Oscar.</span><br /><span style="font-family: inherit;"></span><span style="font-family: inherit; font-size: 14pt; line-height: 107%;"> </span><span style="font-family: inherit;"></span><br /><span style="font-family: inherit; font-size: 14pt; line-height: 107%;"><span style="background-color: #274e13; color: white;">PAUL
NEWMAN</span> participou de 56 filmes, além de séries para TV. Dirigiu cinco longas e um telefime.<span style="color: black; mso-themecolor: text1;"> </span>Trabalhou sob o comando de cineastas como Robert
Wise, Martin Ritt, Leo McCarey, Alfred Hitchcock, Robert Altman, Robert Rossen,
Arthur Penn, Sidney Lumet, Sydney Pollack, John Huston, Martin Scorsese, Joel
Cohen e Otto Preminger. Uma coleção e tanto! Seu filme favorito, <span style="color: #3d85c6;">“Marcado Pela
Sarjeta</span><span style="color: #3d85c6;">”</span>. Declarou ter ficado frustrado por não ter sido indicado ao Oscar por
esse desempenho.</span><br /><span style="font-family: inherit;"></span><span style="font-family: inherit; font-size: 14pt; line-height: 107%;"> </span><span style="font-family: inherit;"></span><br /><span style="font-family: inherit;"></span><span style="font-family: inherit; font-size: 14pt; line-height: 107%;">Seus
maiores sucessos de público seriam as parcerias com Robert Redford:<span style="color: black; mso-themecolor: text1;"> </span><span style="color: #3d85c6;">“Golpe de Mestre” </span><span style="color: white;">e</span><span style="color: black; mso-themecolor: text1;"> </span><span style="color: #3d85c6;">“Butch
Cassidy”</span><span style="color: white;">. Recusou</span><span style="color: black; mso-themecolor: text1;"> </span><span style="color: #3d85c6;">“O Canhoneiro do Yang-Tsé</span></span><span style="color: #3d85c6; font-family: inherit;"> / </span><span style="color: #3d85c6; font-family: inherit; font-size: 14pt; line-height: 107%;">The
Sand Pebb</span><span style="color: #3d85c6; font-family: inherit; font-size: 14pt; line-height: 107%;">le</span><span style="color: #3d85c6; font-family: inherit; font-size: 14pt; line-height: 107%;">s”</span><span style="color: black; font-family: inherit; font-size: 14pt; line-height: 107%;"> </span><span style="color: white; font-family: inherit; font-size: 14pt; line-height: 107%;">(1966), que rendeu uma indicação ao Oscar para Steve McQueen;</span><span style="color: black; font-family: inherit; font-size: 14pt; line-height: 107%;"> </span><span style="color: #3d85c6; font-family: inherit; font-size: 14pt; line-height: 107%;">“Operação
França</span><span style="color: #3d85c6; font-family: inherit;"> / </span><span style="color: #3d85c6; font-family: inherit; font-size: 14pt; line-height: 107%;">The French Connection”</span><span style="color: black; font-family: inherit; font-size: 14pt; line-height: 107%;"> </span><span style="color: white; font-family: inherit; font-size: 14pt; line-height: 107%;">(1971), que deu um
Oscar para Gene Hackman; e</span><span style="color: black; font-family: inherit; font-size: 14pt; line-height: 107%;"> </span><span style="color: #3d85c6; font-family: inherit; font-size: 14pt; line-height: 107%;">“Tubarão / Jaws”</span><span style="color: black; font-family: inherit; font-size: 14pt; line-height: 107%;"> </span><span style="color: white; font-family: inherit; font-size: 14pt; line-height: 107%;">(1975), de Steven Spielberg. Outra
recusa histórica foi a do </span><span style="font-family: inherit; font-size: 14pt; line-height: 107%;"><span style="color: white;">protagonista de</span> <span style="color: #3d85c6;">“Ben-Hur / Idem”</span> (1959), resultando
no Oscar para Charlton Heston, com a desculpa de que <span style="color: #3d85c6;">“não possuía pernas para
usar túnicas”</span>. </span></div><div style="text-align: justify;"><span style="font-family: inherit; font-size: 14pt; line-height: 107%;"> </span><span style="font-family: inherit; font-size: 14pt; line-height: 107%;"><br /><table cellpadding="0" cellspacing="0" class="tr-caption-container" style="float: right; margin-left: 1em; text-align: right;"><tbody><tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEib1CxWp6eGcVyU7Me9Lj5hjs7U-3PTU1Ahq98r2btj5TGzRjpCQT2r5sJWbsVX3NP6Mj5a9ISn127_mj4Wke8pwrWKmJoljgrS0tHBUoARIgNMwuTKfhBcLgWLvNAVLb3pdbH135Q70H8BVwcZ_zLwS6HAeiDfvySYf6UmLFiGgGG7Ms-OxKuSRhfY/s1500/dean-newman.jpg" style="clear: right; margin-bottom: 1em; margin-left: auto; margin-right: auto;"><img border="0" data-original-height="903" data-original-width="1500" height="241" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEib1CxWp6eGcVyU7Me9Lj5hjs7U-3PTU1Ahq98r2btj5TGzRjpCQT2r5sJWbsVX3NP6Mj5a9ISn127_mj4Wke8pwrWKmJoljgrS0tHBUoARIgNMwuTKfhBcLgWLvNAVLb3pdbH135Q70H8BVwcZ_zLwS6HAeiDfvySYf6UmLFiGgGG7Ms-OxKuSRhfY/w400-h241/dean-newman.jpg" width="400" /></a></td></tr><tr><td class="tr-caption" style="text-align: center;"><span style="font-family: inherit;"><span style="background-color: black; color: #3d85c6; font-size: large;">james dean e paul</span></span></td></tr></tbody></table></span><span style="font-family: inherit; font-size: 14pt; line-height: 107%;">A
biografia best-seller <span style="color: #3d85c6;">“Paul Newman: The Man Behind The Baby Blues”</span><span style="color: white;">, de Darwin Potter, publicada em 2009, revela
a bissexualidade do ator, </span>inclusive com depoimento de um dos seus
amantes, Marlon Brando. <span style="background-color: #274e13; color: white;">PAUL NEWMAN</span> teve uma relação amorosa apaixonada com
James Dean, ficando inconsolável com sua trágica morte em 1955. Com Brando
viveu um romance que começou nos bastidores da Broadway. Ele foi assistir a uma
peça protagonizada por Brando e, ao final, dirigiu-se ao camarim para
cumprimentá-lo – fizeram sexo pela primeira vez ali mesmo.</span><br /><span style="font-family: inherit;"></span><span style="font-family: inherit; font-size: 14pt; line-height: 107%;"> </span><span style="font-family: inherit;"></span><br /><span style="font-family: inherit; font-size: 14pt; line-height: 107%;">O ator iniciou sua experiência homossexual ainda na Marinha, com o também ator
Robert Stack. A biografia ainda faz alusão a um final de semana romântico com o
dramaturgo Tennessee Williams, em Key West, na Flórida. O autor declarou que
não acredita que a sua obra reserve alguma novidade à viúva Joanne. <span style="color: #3d85c6;">“Ela
conhecia a fundo a vida de seu marido.”,</span> afirmou. Segundo ele, ela estava
casada com o escritor, e também bissexual, Gore Vidal, quando conheceu <span style="background-color: #274e13; color: white;">PAUL
NEWMAN</span>. E os três compartilharam a mesma casa (e cama) por algum tempo.</span><br /><span style="font-family: inherit;"></span><span style="font-family: inherit; font-size: 14pt; line-height: 107%;"> </span><span style="font-family: inherit;"></span><br /><span style="font-family: inherit;"></span><span style="font-family: inherit; font-size: 14pt; line-height: 107%;">Reservado
e sem escândalos públicos na sua trajetória, o astro levou muitos colegas para
a cama. Ele se envolveu com Marilyn Monroe, ao mesmo tempo que se apaixonou
perdidamente pelo novato Steve McQueen, que ao ficar famoso o desprezou
cruelmente, desenvolvendo uma relação de amor e ódio que perdurou até a morte
de McQueen, em 1980. Judy Garland, Joan Crawford e Audrey Hepburn foram casos
rápidos, assim como Montgomery Clift, Yul Brynner e Rock Hudson.</span><span style="font-family: inherit;"></span><br /><span style="font-family: inherit;"></span><span style="font-family: inherit; font-size: 14pt; line-height: 107%;"> </span><span style="font-family: inherit;"></span><br /><span style="font-family: inherit;"></span><span style="font-family: inherit; font-size: 14pt; line-height: 107%;">Os filmes
não eram a única coisa em sua vida. Sua linha de produtos Newman’s Own,
abrangia desde molhos de espaguete a temperos para saladas. Os lucros
ultrapassaram os US$ 100 milhões ao longo dos anos, e eram doados para diversas
associações humanitárias. Ele também fundou uma organização para crianças com
doenças graves. Outra paixão que possuía era pelo automobilismo. Chegou a ter
uma equipe de Fórmula Indy. Morreu aos 83 anos, vítima de câncer do pulmão.</span></div><div style="text-align: justify;"><span style="font-family: inherit; font-size: 14pt; line-height: 107%;"> </span><span style="font-family: inherit;"></span><span style="font-family: inherit;"></span></div><div style="text-align: justify;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg9HcA3MpfClYIwF7-lWA4e_znlBuFzlRCq3w34zNbPDRZj0YdzO4mg2FPuc86u9-m3BTLTTY7RM601ploaUawNNpvRIZ-KozrUlqXRrpfW0zQQnqsaQOd7rcd4FqAkejTQHwVSxYxrjl9Xj76zdlN6rR4PgW6zj_E3x5aHFzKIeTs9Fmjm0FUzE4Sb/s1794/17068984-standard.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1794" data-original-width="1280" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg9HcA3MpfClYIwF7-lWA4e_znlBuFzlRCq3w34zNbPDRZj0YdzO4mg2FPuc86u9-m3BTLTTY7RM601ploaUawNNpvRIZ-KozrUlqXRrpfW0zQQnqsaQOd7rcd4FqAkejTQHwVSxYxrjl9Xj76zdlN6rR4PgW6zj_E3x5aHFzKIeTs9Fmjm0FUzE4Sb/w285-h400/17068984-standard.jpg" width="285" /></a></div><span style="font-family: inherit;"></span></div> <span style="font-family: inherit; font-size: 14pt; line-height: 107%;"></span>
</div><div style="text-align: center;"><span style="background-color: #274e13; color: white; font-family: inherit; font-size: 14pt; line-height: 107%;">DEZ
FILMES de PAUL NEWMAN</span><span style="font-family: inherit;"></span><br /><span style="font-family: inherit;"></span><span style="color: #3d85c6; font-family: inherit; font-size: 14pt; line-height: 107%;">(por
ordem de preferência)</span><span style="color: #3d85c6; font-family: inherit;"></span><span style="color: #3d85c6;"><br /><span style="font-family: inherit;"></span></span></div>
<span style="color: #3d85c6; font-family: inherit; font-size: 14pt; line-height: 107%;"> </span><span style="color: #3d85c6; font-family: inherit;"><br /></span><div>
<span style="color: #3d85c6; font-family: inherit; font-size: 14pt; line-height: 107%;">01</span><span style="color: #3d85c6; font-family: inherit;"><br /></span>
</div><div style="text-align: center;"><span style="background-color: #274e13; color: white; font-family: inherit; font-size: 14pt; line-height: 107%;">O
INDOMADO</span><span style="color: #3d85c6; font-family: inherit; font-size: 14pt; line-height: 107%;"> </span><span style="color: #3d85c6; font-family: inherit;"><br /></span>
<span style="color: #3d85c6; font-family: inherit; font-size: 14pt; line-height: 107%;">(Hud, 1963)
</span><span style="color: #3d85c6; font-family: inherit;"></span></div><div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjZQhM79NGCGxXCXrcAH9n31HiVQBy99DlJ9d243q1hAA3hUN-2JqrpUHjPeiO4Z0aQenY1_gNvqd9s8ytQA9Q3vA1XEkm2cYcPWncviEOmSqWLTIoT6NBetd_gmJBK7bqu8-Q9ka8Qsukl1HVnUf8f4HumgMbTku3zSAl3MU0cLeXAESZ8bqR83uuT/s2914/Hud_(1962_poster).jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="2914" data-original-width="1946" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjZQhM79NGCGxXCXrcAH9n31HiVQBy99DlJ9d243q1hAA3hUN-2JqrpUHjPeiO4Z0aQenY1_gNvqd9s8ytQA9Q3vA1XEkm2cYcPWncviEOmSqWLTIoT6NBetd_gmJBK7bqu8-Q9ka8Qsukl1HVnUf8f4HumgMbTku3zSAl3MU0cLeXAESZ8bqR83uuT/s320/Hud_(1962_poster).jpg" width="214" /></a></div><span style="color: #3d85c6; font-family: inherit;"><br /></span>
<span style="color: #3d85c6; font-family: inherit; font-size: 14pt; line-height: 107%;">Direção: Martin
Ritt</span><span style="color: #3d85c6; font-family: inherit;"><br /></span>
<span style="color: #3d85c6; font-family: inherit; font-size: 14pt; line-height: 107%;">Elenco: Melvyn
Douglas, Patricia Neal e Brandon de Wilde</span><span style="color: #3d85c6; font-family: inherit;"><br /></span>
<span style="color: #3d85c6; font-family: inherit; font-size: 14pt; line-height: 107%;"> </span><span style="color: #3d85c6; font-family: inherit;"><br /></span>
<span style="color: #3d85c6; font-family: inherit; font-size: 14pt; line-height: 107%;">02</span><span style="color: #3d85c6; font-family: inherit;"><br /></span>
</div><div><div style="text-align: center;"><span style="background-color: #274e13; color: white; font-family: inherit; font-size: 14pt; line-height: 107%;">GATA em
TETO de ZINCO QUENTE</span><span style="color: #3d85c6; font-family: inherit; font-size: 14pt; line-height: 107%;"> </span><br /><span style="color: #3d85c6; font-family: inherit; font-size: 14pt; line-height: 107%;">(Cat on a
Hot Tin Roof, 1958) </span><br /></div>
<span style="color: #3d85c6; font-family: inherit; font-size: 14pt; line-height: 107%;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgJ9vQMwN9MPrjqYKznFbF2gC5o0_oMR1tkimq-_RYoKaKF4l8kDAO3p1hnJwcwLm3EoUtfasX8qsSaRoR-xSi4aa0apwBmzBfkhhecRgZqzyY2iEhVNAtEgIeEzHcOT6of5Yk4qdy7_3BiyZzgpiS94Qyc5zE6osjjqQ-H0Ts0lZf159_9sDYm-6P4/s1500/Cat_roof.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1500" data-original-width="978" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgJ9vQMwN9MPrjqYKznFbF2gC5o0_oMR1tkimq-_RYoKaKF4l8kDAO3p1hnJwcwLm3EoUtfasX8qsSaRoR-xSi4aa0apwBmzBfkhhecRgZqzyY2iEhVNAtEgIeEzHcOT6of5Yk4qdy7_3BiyZzgpiS94Qyc5zE6osjjqQ-H0Ts0lZf159_9sDYm-6P4/s320/Cat_roof.jpg" width="209" /></a></div><br /></span></div><div><span style="color: #3d85c6; font-family: inherit; font-size: 14pt; line-height: 107%;">Direção: Richard
Brooks</span><span style="color: #3d85c6; font-family: inherit;"><br /></span>
<span style="color: #3d85c6; font-family: inherit; font-size: 14pt; line-height: 107%;">Elenco: Elizabeth
Taylor, Burl Ives, Jack Carson e Judith Anderson</span><span style="color: #3d85c6; font-family: inherit;"><br /></span>
<span style="color: #3d85c6; font-family: inherit; font-size: 14pt; line-height: 107%;"> </span><span style="color: #3d85c6; font-family: inherit;"><br /></span>
<span style="color: #3d85c6; font-family: inherit; font-size: 14pt; line-height: 107%;">03</span><span style="color: #3d85c6; font-family: inherit;"><br /></span>
</div><div style="text-align: center;"><span style="background-color: #274e13; color: white; font-family: inherit; font-size: 14pt; line-height: 107%;">REBELDIA
INDOMÁVEL</span><span style="color: #3d85c6; font-family: inherit; font-size: 14pt; line-height: 107%;"> </span><span style="color: #3d85c6; font-family: inherit;"><br /></span>
<span style="color: #3d85c6; font-family: inherit; font-size: 14pt; line-height: 107%;">(Cool
Hand Luke, 1967) </span><span style="color: #3d85c6; font-family: inherit;"></span></div><div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjrN9wnitAzdbFYsjZ-oKTF3qtqzcd8MuD1iIcLxSaawkSo8NeRjVf04QrW6Q3I_NcUQop2_BzW2xhfGzYao0KwX5zTWYEjlmzwV7sG3JjShNbFu7a9-SslHjwZR-dUrusdVJkyfhq9anIFoDahbVmKXISE4MfnbVjJ6i8ifZ9oSxfsFb8jCTSSu7xC/s1500/cool_hand_luke_ver3_xlg.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1500" data-original-width="1000" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjrN9wnitAzdbFYsjZ-oKTF3qtqzcd8MuD1iIcLxSaawkSo8NeRjVf04QrW6Q3I_NcUQop2_BzW2xhfGzYao0KwX5zTWYEjlmzwV7sG3JjShNbFu7a9-SslHjwZR-dUrusdVJkyfhq9anIFoDahbVmKXISE4MfnbVjJ6i8ifZ9oSxfsFb8jCTSSu7xC/s320/cool_hand_luke_ver3_xlg.jpg" width="213" /></a></div><span style="color: #3d85c6; font-family: inherit;"><br /></span>
<span style="color: #3d85c6; font-family: inherit; font-size: 14pt; line-height: 107%;">Direção: Stuart
Rosenberg </span><span style="color: #3d85c6; font-family: inherit;"><br /></span>
<span style="color: #3d85c6; font-family: inherit; font-size: 14pt; line-height: 107%;">Elenco: George
Kennedy, Strother Martin, Jo Van Fleet e Dennis Hopper</span><span style="color: #3d85c6; font-family: inherit;"><br /></span>
<span style="color: #3d85c6; font-family: inherit; font-size: 14pt; line-height: 107%;"> </span><span style="color: #3d85c6; font-family: inherit;"><br /></span>
<span style="color: #3d85c6; font-family: inherit; font-size: 14pt; line-height: 107%;">04</span><span style="color: #3d85c6; font-family: inherit;"><br /></span>
</div><div style="text-align: center;"><span style="background-color: #274e13; color: white; font-family: inherit; font-size: 14pt; line-height: 107%;">O
VEREDITO </span><span style="color: #3d85c6; font-family: inherit;"><br /></span>
<span style="color: #3d85c6; font-family: inherit; font-size: 14pt; line-height: 107%;">(The
Verdict, 1982) </span><span style="color: #3d85c6; font-family: inherit;"></span></div><div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiZNVyQQt7VHvRf4HXqsA0_yIlb3SPywJc-VSi83woyShs9nAHCvjvrqylxHq98_SGAIJQc7CNNpEdT8qG-wow-rEPFD1shBE9c3ufFys67C8EwGnYBHYXue58xVFb9wkOl3EC8B4yFndgUsTEFXoUe7W2_u6wjdOU8kdKyfw7YKPc3P8aUTWuB9VhS/s2201/o-veredicto.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="2201" data-original-width="1424" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiZNVyQQt7VHvRf4HXqsA0_yIlb3SPywJc-VSi83woyShs9nAHCvjvrqylxHq98_SGAIJQc7CNNpEdT8qG-wow-rEPFD1shBE9c3ufFys67C8EwGnYBHYXue58xVFb9wkOl3EC8B4yFndgUsTEFXoUe7W2_u6wjdOU8kdKyfw7YKPc3P8aUTWuB9VhS/w259-h400/o-veredicto.jpg" width="259" /></a></div><span style="color: #3d85c6; font-family: inherit;"><br /></span>
<span style="color: #3d85c6; font-family: inherit; font-size: 14pt; line-height: 107%;">Direção: Sidney
Lumet</span><span style="color: #3d85c6; font-family: inherit;"><br /></span>
<span style="color: #3d85c6; font-family: inherit; font-size: 14pt; line-height: 107%;">Elenco: Charlotte
Rampling, Jack Warden, James Mason e Lindsay Crouse</span><span style="color: #3d85c6; font-family: inherit;"><br /></span>
<span style="color: #3d85c6; font-family: inherit; font-size: 14pt; line-height: 107%;"> </span><span style="color: #3d85c6; font-family: inherit;"><br /></span>
<span style="color: #3d85c6; font-family: inherit; font-size: 14pt; line-height: 107%;">05</span><span style="color: #3d85c6; font-family: inherit;"><br /></span>
</div><div style="text-align: center;"><span style="background-color: #274e13; color: white; font-family: inherit; font-size: 14pt; line-height: 107%;">DESAFIO à
CORRUPÇÃO</span><span style="color: #3d85c6; font-family: inherit; font-size: 14pt; line-height: 107%;"> </span><span style="color: #3d85c6; font-family: inherit;"><br /></span>
<span style="color: #3d85c6; font-family: inherit; font-size: 14pt; line-height: 107%;">(The
Hustler, 1961) </span><span style="color: #3d85c6; font-family: inherit;"></span></div><div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjIHMx8zwAHJRrFn9fdSKU_egj1wmwlV8HF72jHN-Qs5xqORTgabqhtqeuCTLkLItkX8FdBgOA3kMYHBUbZplzDQfRbdjQ0R4u2S6D2bUMxbbEBC07nC1qnlSuC01hXvbL-tAwtnDrQmIbXLQNZKrCd7dq-ECKtCLWlBNxr5VObTdWtQu5960huA35Y/s1344/01.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1008" data-original-width="1344" height="300" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjIHMx8zwAHJRrFn9fdSKU_egj1wmwlV8HF72jHN-Qs5xqORTgabqhtqeuCTLkLItkX8FdBgOA3kMYHBUbZplzDQfRbdjQ0R4u2S6D2bUMxbbEBC07nC1qnlSuC01hXvbL-tAwtnDrQmIbXLQNZKrCd7dq-ECKtCLWlBNxr5VObTdWtQu5960huA35Y/w400-h300/01.jpg" width="400" /></a></div><span style="color: #3d85c6; font-family: inherit;"><br /></span>
<span style="color: #3d85c6; font-family: inherit; font-size: 14pt; line-height: 107%;">Direção: Robert
Rossen</span><span style="color: #3d85c6; font-family: inherit;"><br /></span>
<span style="color: #3d85c6; font-family: inherit; font-size: 14pt; line-height: 107%;">Elenco: Jackie
Gleason, Piper Laurie, George S. Scott e Murray Hamilton</span><span style="color: #3d85c6; font-family: inherit;"><br /></span>
<span style="color: #3d85c6; font-family: inherit; font-size: 14pt; line-height: 107%;"> </span><span style="color: #3d85c6; font-family: inherit;"><br /></span>
<span style="color: #3d85c6; font-family: inherit; font-size: 14pt; line-height: 107%;">06</span><span style="color: #3d85c6; font-family: inherit;"><br /></span>
</div><div style="text-align: center;"><span style="background-color: #274e13; color: white; font-family: inherit; font-size: 14pt; line-height: 107%;">O
MERCADOR de ALMAS</span><span style="color: #3d85c6; font-family: inherit; font-size: 14pt; line-height: 107%;"> </span><span style="color: #3d85c6; font-family: inherit;"><br /></span>
<span style="color: #3d85c6; font-family: inherit; font-size: 14pt; line-height: 107%;">(The
Long, Hot Summer, 1958) </span><span style="color: #3d85c6; font-family: inherit;"></span></div><div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgEVFnlB8HJc0vXYFbBp5YRVQul7zWn4qN0IOk5b1N4aCHvH_gfHDrJQMX_BA9lkdWW4muPJveCFF2u7l2VCPCL8rJ7IUtkOkEcq097tRCyiVwQBu3apqZe6t0vH0-ZDg1-mWwEbmvHetMTNxjsdvinDDyUx514x5pd7AEVjJ2n9qITnWlhKxLAljy1/s971/001.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="727" data-original-width="971" height="300" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgEVFnlB8HJc0vXYFbBp5YRVQul7zWn4qN0IOk5b1N4aCHvH_gfHDrJQMX_BA9lkdWW4muPJveCFF2u7l2VCPCL8rJ7IUtkOkEcq097tRCyiVwQBu3apqZe6t0vH0-ZDg1-mWwEbmvHetMTNxjsdvinDDyUx514x5pd7AEVjJ2n9qITnWlhKxLAljy1/w400-h300/001.jpg" width="400" /></a></div><span style="color: #3d85c6; font-family: inherit;"><br /></span>
<span style="color: #3d85c6; font-family: inherit; font-size: 14pt; line-height: 107%;">Direção: Martin
Ritt</span><span style="color: #3d85c6; font-family: inherit;"><br /></span>
<span style="color: #3d85c6; font-family: inherit; font-size: 14pt; line-height: 107%;">Elenco: Joanne
Woodward, Orson Welles, Lee Remick e Angela Lansbury</span><span style="color: #3d85c6; font-family: inherit;"><br /></span>
<span style="color: #3d85c6; font-family: inherit; font-size: 14pt; line-height: 107%;"> </span><span style="color: #3d85c6; font-family: inherit;"><br /></span>
<span style="color: #3d85c6; font-family: inherit; font-size: 14pt; line-height: 107%;">07</span><span style="color: #3d85c6; font-family: inherit;"><br /></span>
</div><div style="text-align: center;"><span style="background-color: #274e13; color: white; font-family: inherit; font-size: 14pt; line-height: 107%;">DOCE
PÁSSARO da JUVENTUDE</span><span style="color: #3d85c6; font-family: inherit; font-size: 14pt; line-height: 107%;"> </span><span style="color: #3d85c6; font-family: inherit;"><br /></span>
<span style="color: #3d85c6; font-family: inherit; font-size: 14pt; line-height: 107%;">(Sweet
Bird of Youth, 1962) </span><span style="color: #3d85c6; font-family: inherit;"></span></div><div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgXQYoPJcdP6k9iWPoS4QIHJYIbSHnPmVgXdjL_jKRxpQVlpanDRKRLP395jt_4T9B5F18fXhCkpUtTJq39dZrgYjrIhioEoLQwtoJcgkjS3KuRjOup9sQEXPQi7NnSB_O3sCZ0Y9a-3z_niA0RFr0ECAO8cC46mK_iV66hUDbYDVGMUCeY_i4OVc76/s1447/sweet-bird-of-youth-md-web.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1447" data-original-width="960" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgXQYoPJcdP6k9iWPoS4QIHJYIbSHnPmVgXdjL_jKRxpQVlpanDRKRLP395jt_4T9B5F18fXhCkpUtTJq39dZrgYjrIhioEoLQwtoJcgkjS3KuRjOup9sQEXPQi7NnSB_O3sCZ0Y9a-3z_niA0RFr0ECAO8cC46mK_iV66hUDbYDVGMUCeY_i4OVc76/w265-h400/sweet-bird-of-youth-md-web.jpg" width="265" /></a></div><span style="color: #3d85c6; font-family: inherit;"><br /></span>
<span style="color: #3d85c6; font-family: inherit; font-size: 14pt; line-height: 107%;">Direção: Richard
Brooks</span><span style="color: #3d85c6; font-family: inherit;"><br /></span>
<span style="color: #3d85c6; font-family: inherit; font-size: 14pt; line-height: 107%;">Elenco: Geraldine
Page, Shirley Knight, Ed Begley, Rip Torn e Mildred Dunnock</span><span style="color: #3d85c6; font-family: inherit;"><br /></span>
<span style="color: #3d85c6; font-family: inherit; font-size: 14pt; line-height: 107%;"> </span><span style="color: #3d85c6; font-family: inherit;"><br /></span>
<span style="color: #3d85c6; font-family: inherit; font-size: 14pt; line-height: 107%;">08</span><span style="color: #3d85c6; font-family: inherit;"><br /></span>
</div><div style="text-align: center;"><span style="background-color: #274e13; color: white; font-family: inherit; font-size: 14pt; line-height: 107%;">MARCADO pela
SARJETA</span><span style="color: #3d85c6; font-family: inherit; font-size: 14pt; line-height: 107%;"> </span><span style="color: #3d85c6; font-family: inherit;"><br /></span>
<span style="color: #3d85c6; font-family: inherit; font-size: 14pt; line-height: 107%;">(Somebody
Up There Likes Me, 1956) </span><span style="color: #3d85c6; font-family: inherit;"></span></div><div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh0WvKhzVNkFa2-gpn16O9X1Sjjmxz_8er6G4EHpeUKmkHW1C3j4Ma48r-6lZKAvcvJW1Cn7tN_aihAwIQVJbzTaX4qRv7Lwpvi45uexa6ND2l7TvhGQlFmL0Tb-Iw9_JDCQ86o-gNMiLZhjHt21qqo-2F2v01hikc1qtTm8XiDncKQuWCO9JkX25NQ/s277/Sem%20t%C3%ADtulo.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="277" data-original-width="182" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh0WvKhzVNkFa2-gpn16O9X1Sjjmxz_8er6G4EHpeUKmkHW1C3j4Ma48r-6lZKAvcvJW1Cn7tN_aihAwIQVJbzTaX4qRv7Lwpvi45uexa6ND2l7TvhGQlFmL0Tb-Iw9_JDCQ86o-gNMiLZhjHt21qqo-2F2v01hikc1qtTm8XiDncKQuWCO9JkX25NQ/w263-h400/Sem%20t%C3%ADtulo.jpg" width="263" /></a></div><span style="color: #3d85c6; font-family: inherit;"><br /></span>
<span style="color: #3d85c6; font-family: inherit; font-size: 14pt; line-height: 107%;">Direção: Robert
Wise</span><span style="color: #3d85c6; font-family: inherit;"><br /></span>
<span style="color: #3d85c6; font-family: inherit; font-size: 14pt; line-height: 107%;">Elenco: Pier
Angeli, Everett Sloane,</span><span style="color: #3d85c6; font-family: inherit;"> <span style="font-size: 14pt; line-height: 107%;">Eileen Heckart e Sal Mineo</span><br /></span>
<span style="color: #3d85c6; font-family: inherit; font-size: 14pt; line-height: 107%;"> </span><span style="color: #3d85c6; font-family: inherit;"><br /></span>
<span style="color: #3d85c6; font-family: inherit; font-size: 14pt; line-height: 107%;">09</span><span style="color: #3d85c6; font-family: inherit;"><br /></span>
</div><div style="text-align: center;"><span style="background-color: #274e13; color: white; font-family: inherit; font-size: 14pt; line-height: 107%;">BUTCH
CASSIDY </span><span style="color: #3d85c6; font-family: inherit;"><br /></span>
<span style="color: #3d85c6; font-family: inherit; font-size: 14pt; line-height: 107%;">(Butch
Cassidy and the Sundance Kid, 1969)</span><span style="color: #3d85c6; font-family: inherit;"></span></div><div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgISw-gthHb8_VrAUSzg8d-r4dNIJm3aQcnZAYrqCASeHPGmj5m_RQXjzPyft5DPQgzN6zNPWjrAjYoxvUz83f-l0_gY_egrtGs1jB8H_GRXnIC4TdhDLVSymXhocA3tuXRgMyRl8B6FU7B4VdWC7EQkjckhKpxCzl3St1SbHOCyZwEQGnPEVX5bHZ3/s1373/MV5BMTkyMTM2NDk5Nl5BMl5BanBnXkFtZTgwNzY1NzEyMDE@._V1_FMjpg_UX1000_.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1373" data-original-width="938" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgISw-gthHb8_VrAUSzg8d-r4dNIJm3aQcnZAYrqCASeHPGmj5m_RQXjzPyft5DPQgzN6zNPWjrAjYoxvUz83f-l0_gY_egrtGs1jB8H_GRXnIC4TdhDLVSymXhocA3tuXRgMyRl8B6FU7B4VdWC7EQkjckhKpxCzl3St1SbHOCyZwEQGnPEVX5bHZ3/w274-h400/MV5BMTkyMTM2NDk5Nl5BMl5BanBnXkFtZTgwNzY1NzEyMDE@._V1_FMjpg_UX1000_.jpg" width="274" /></a></div><span style="color: #3d85c6; font-family: inherit;"><br /></span>
<span style="color: #3d85c6; font-family: inherit; font-size: 14pt; line-height: 107%;">Direção: George
Roy Hill</span><span style="color: #3d85c6; font-family: inherit;"><br /></span>
<span style="color: #3d85c6; font-family: inherit; font-size: 14pt; line-height: 107%;">Elenco: Robert
Redford, Katharine Ross e Cloris Leachman</span><span style="color: #3d85c6; font-family: inherit;"><br /></span>
<span style="color: #3d85c6; font-family: inherit; font-size: 14pt; line-height: 107%;"> </span><span style="color: #3d85c6; font-family: inherit;"><br /></span>
<span style="color: #3d85c6; font-family: inherit; font-size: 14pt; line-height: 107%;">10</span><span style="color: #3d85c6; font-family: inherit;"><br /></span>
</div><div style="text-align: center;"><span style="background-color: #274e13; color: white; font-family: inherit; font-size: 14pt; line-height: 107%;">GOLPE de
MESTRE</span><span style="color: #3d85c6; font-family: inherit; font-size: 14pt; line-height: 107%;"> </span><span style="color: #3d85c6; font-family: inherit;"><br /></span>
<span style="color: #3d85c6; font-family: inherit; font-size: 14pt; line-height: 107%;">(The
Sting, 1973) </span><span style="color: #3d85c6; font-family: inherit;"></span></div><div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjI6YI-zX6607qmfkMAEO7ADfixrY-K3JoRydT1Qf7RqEG3v3ID-GVPmglZbr8BQ_okGO0iyezYimXuD3ym2adA-1XD5xJLcurTA-Hf8uGP_9MPl7blRng_hyc_SFXz7T_Xmn2BE-IkgmEvbdFO2bFXuZ3OwZDb-w3bkOostVFEs6_uRl2hVTxAMK1E/s1418/MV5BNGU3NjQ4YTMtZGJjOS00YTQ3LThmNmItMTI5MDE2ODI3NzY3XkEyXkFqcGdeQXVyMjUzOTY1NTc@._V1_FMjpg_UX1000_.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1418" data-original-width="919" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjI6YI-zX6607qmfkMAEO7ADfixrY-K3JoRydT1Qf7RqEG3v3ID-GVPmglZbr8BQ_okGO0iyezYimXuD3ym2adA-1XD5xJLcurTA-Hf8uGP_9MPl7blRng_hyc_SFXz7T_Xmn2BE-IkgmEvbdFO2bFXuZ3OwZDb-w3bkOostVFEs6_uRl2hVTxAMK1E/w259-h400/MV5BNGU3NjQ4YTMtZGJjOS00YTQ3LThmNmItMTI5MDE2ODI3NzY3XkEyXkFqcGdeQXVyMjUzOTY1NTc@._V1_FMjpg_UX1000_.jpg" width="259" /></a></div><br /><span style="color: #3d85c6; font-family: inherit;"><br /></span>
<span style="color: #3d85c6; font-family: inherit;"><a name="_Hlk136983593"><span style="font-size: 14pt; line-height: 107%;">Direção: George Roy Hill</span></a><br /></span>
<span style="color: #3d85c6; font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">Elenco: Robert Redford, Robert Shaw,</span> <span style="mso-bookmark: _Hlk136983593;"><span style="font-size: 14pt; line-height: 107%;">Charles Durning e Eileen Brennan</span></span></span></div><div><span style="color: #3d85c6; font-family: inherit;"><span style="mso-bookmark: _Hlk136983593;"><span style="font-size: 14pt; line-height: 107%;"> </span></span></span></div><div style="text-align: center;"><span style="color: white; font-family: inherit; font-size: x-large;"><span style="mso-bookmark: _Hlk136983593;"><span style="background-color: #274e13; line-height: 107%;">GALERIA de FOTOS</span></span></span></div><div style="text-align: center;"><span style="color: #3d85c6; font-family: inherit;"><span style="mso-bookmark: _Hlk136983593;"><span style="font-size: 14pt; line-height: 107%;"> <br /><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEicM4gpVIYxlKGRW-acAsBS369z2BfH0ZwSTC4_ZIJ1o3ACbAFwXBbRns5jdBYWahDjEKjv0A7kqzEIdxcW-5IP4NDDP_hXtTNq2B8wnMTA01yjs8XHMvreqB-WARXsCC29r3urHo5T8tsiFSuppoF1hBvJ4itskywb3BucQ67QOYIEk72XznQGY05_/s2160/16615469322071.jpg" style="margin-left: 1em; 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<span style="color: #3d85c6; font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;"> </span></span><p>
</p></div>ANTONIO NAHUDhttp://www.blogger.com/profile/09829893001743081676noreply@blogger.com0tag:blogger.com,1999:blog-7997398743762234247.post-68601515064143634182023-05-24T21:41:00.109-03:002023-05-25T16:50:00.019-03:00************* A LISTA COMUNISTA de HOLLYWOOD<p></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhZ_bBXV2_Pjga9qZ4ctY6Zp7hRVRLuF2pgAKuFIfbT1Hf_03lfqH0_UhIsrIPY4E1GVLixLi2UPJJozdwSlAP56NnLYMToJA3ZQniQz6avlYJpfrvT2GXmXRwV7Dj_yvPrPEJEzBGWum7j4XXIfKJkmjF0QZyMyGqPSQN8YWGijfTShLOyVbwaB9yH/s1280/maxresdefault.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="720" data-original-width="1280" height="360" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhZ_bBXV2_Pjga9qZ4ctY6Zp7hRVRLuF2pgAKuFIfbT1Hf_03lfqH0_UhIsrIPY4E1GVLixLi2UPJJozdwSlAP56NnLYMToJA3ZQniQz6avlYJpfrvT2GXmXRwV7Dj_yvPrPEJEzBGWum7j4XXIfKJkmjF0QZyMyGqPSQN8YWGijfTShLOyVbwaB9yH/w640-h360/maxresdefault.jpg" width="640" /></a></div><br /> <p></p><p><!--[if gte mso 9]><xml>
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</xml><![endif]--></p><div style="text-align: justify;"><span style="background-color: #274e13; color: white; font-family: inherit; font-size: 14pt; line-height: 107%;">ADOLPHE MENJOU</span><span style="color: #3d85c6; font-family: inherit; font-size: 14pt; line-height: 107%;"> </span><span style="font-family: inherit; font-size: 14pt; line-height: 107%;"><span style="color: #3d85c6;">(1890 – 1963. Pensilvânia / EUA)</span></span><span style="color: #3d85c6; font-family: inherit;">, </span><span style="color: #3d85c6; font-family: inherit; font-size: 14pt; line-height: 107%;">ator, anos 50: “Sou
caçador de bruxas, se elas são comunistas. Seria justo se estivessem de
volta à Rússia”.</span><span style="font-family: inherit;"><br /></span></div><div style="text-align: justify;"><span style="color: #3d85c6; font-family: inherit;"><br /><span style="font-size: 14pt; line-height: 107%;">para o anticomunista
Woldney Ribeiro</span></span><span style="font-family: inherit;"><br /><span style="font-size: 14pt; line-height: 107%;"> </span><br /><span style="font-size: 14pt; line-height: 107%;"> </span><br /><span style="font-size: 14pt; line-height: 107%;">O
comunismo é uma ideologia ensopada de sangue, associada aos crimes de ditaduras
nos séculos 20 e 21. Evoca imagens de paredões de fuzilamento, campos de
trabalho forçado e censura. Surgido no século XIX, deriva do pensamento e dos
livros de Friedrich Engels e, principalmente, de Karl Marx, e inspirou
revoluções e massacres. Mascarado por diversos rótulos – socialismo, marxismo,
globalismo, social-democracia, eurocomunismo, petismo etc. – ambiciona doutrinar
o Ocidente. A primeira tentativa de tornar o comunismo realidade aconteceu em
1917, na Rússia, na chamada Revolução Comunista, dando fim a séculos de
monarquia czarista.</span><span> <span style="font-size: 14pt; line-height: 107%;">Seu regime totalitário impôs uma política agrícola
coletivizada, erradicou a propriedade privada e condenou à morte milhares de russos
crédulos e inocentes.</span></span><br /><span style="font-size: 14pt; line-height: 107%;"> </span><br /><span style="font-size: 14pt; line-height: 107%;">O governo
comunista na União Soviética ficou conhecido como o Grande Terror. Promoveu a
perseguição, o expurgo e o assassinato de todos aqueles considerados inimigos. Nos
anos iniciais, estima-se que cerca de 750 mil pessoas tenham sido mortas
sumariamente, sem direito a julgamento justo.</span><span> <span style="font-size: 14pt; line-height: 107%;">Além da Revolução Russa,
outros movimentos comunistas sanguinários ocorreram pelo mundo, como a
Revolução Chinesa, vitoriosa em 1949, liderada por Mao Tsé-tung, ou a Revolução
Cubana, quando, em 1959, mercenários liderados por Fidel Castro
e Ernesto Che Guevara derrubam o governo de Cuba e implantaram o socialismo.
Resultou em mais uma concentração autoritária de poder, miséria, censura, prisões
e óbitos.</span></span></span></div><div style="text-align: justify;"><span style="font-family: inherit;"><span><span style="font-size: 14pt; line-height: 107%;"> </span></span><br /><span style="font-size: 14pt; line-height: 107%;"><table cellpadding="0" cellspacing="0" class="tr-caption-container" style="float: left; margin-right: 1em; text-align: left;"><tbody><tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhHivKShRI7_hhW6EeD48xBwrX884Qb0LhI3KGqs0SiinTHGpd5mAYr8MVZjsGUPKsouYX9NKi4ENei5kswLP7fvpI63aiGFGDYPpEqU6XFGiSwoaM18m-T21mAHr0Fh3oTGT5BW1Z3HKz9QsPncLBJn-ptzHY7Tmv5BiYHsVELpSvJf5dBfFckHM1A/s680/gary%20cooper.webp" style="clear: left; margin-bottom: 1em; margin-left: auto; margin-right: auto;"><img border="0" data-original-height="425" data-original-width="680" height="250" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhHivKShRI7_hhW6EeD48xBwrX884Qb0LhI3KGqs0SiinTHGpd5mAYr8MVZjsGUPKsouYX9NKi4ENei5kswLP7fvpI63aiGFGDYPpEqU6XFGiSwoaM18m-T21mAHr0Fh3oTGT5BW1Z3HKz9QsPncLBJn-ptzHY7Tmv5BiYHsVELpSvJf5dBfFckHM1A/w400-h250/gary%20cooper.webp" width="400" /></a></td></tr><tr><td class="tr-caption" style="text-align: center;"><span style="font-family: inherit;"><span style="background-color: black; color: #3d85c6; font-size: large;">o depoimento do conservador gary cooper</span></span><br /></td></tr></tbody></table></span><span style="font-size: 14pt; line-height: 107%;">Milhões de mortes das experiências comunistas levaram a um descrédito
global da ideologia como sistema político viável. Apesar do fracasso e do pensamento obsoleto, a doutrinação comunista ainda é eficaz em
diversos países e vez ou outra ataca com a sua perversa sede de poder
a qualquer custo. No Brasil, a ofensiva se manifestou de 1922 a 1964, com golpes de Estado em 1930, 1937 e quase mais um em 1964. </span><br /><span style="font-size: 14pt; line-height: 107%;"> </span><br /><span style="font-size: 14pt; line-height: 107%;">A
Hollywood das décadas de 1930-40 foi terrivelmente contaminada pela sanha
comunista. No Screen Writers Guild (SWG), fundado no início dos anos 1930, um
sindicato trabalhista ativista de roteiristas, a maior parte dos membros era
filiada ao Partido Comunista. Detectado o aparelhamento da <span style="color: #3d85c6;">“Ameaça Vermelha”</span>
(Red Scare), um problema real de infiltração comunista na meca do cinema, o
Congresso resolveu contra-atacar em 1941, quando os senadores Burton Wheeler e
Gerald Nye lideraram uma investigação do papel de Hollywood na promoção da
propaganda soviética. Essas audiências anteciparam outras muito mais sólidas, populares
e muitas vezes combatidas que ocorreriam pouco depois da Segunda Guerra
Mundial.</span><br /><span style="font-size: 14pt; line-height: 107%;"> </span><br /><span style="font-size: 14pt; line-height: 107%;">O Comitê
de Atividades Antiamericanas do Congresso (HUAC) havia participado da
caça ao vermelho de Hollywood desde o final da década de 1930. A Guerra Fria,
no entanto, revigorou o terror vermelho doméstico (houve dois anteriormente,
1917 - 1921 e 1939 - 1941), gerando investigações sobre a infiltração comunista na
indústria cinematográfica a partir de 20 de outubro de 1947. As sessões do Comitê focaram
em identificar subversivos entre artistas e técnicos de Hollywood. Dos que receberam inicialmente intimações do HUAC, dez se recusaram a
testemunhar. Conhecidos como <span style="color: #3d85c6;">“Os Dez de Hollywood”</span>, foram
sentenciados a um ano de prisão por ligações com o comunismo. Após a
Suprema Corte ter negado recurso, o cineasta Edward Dmytryk, um
dos condenados, denunciou membros do Partido Comunista e pela delação premiada
foi libertado. Os outros nove completaram a pena.</span></span></div><div style="text-align: justify;"><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;"> </span><span style="font-size: 14pt; line-height: 107%;"><br /><table cellpadding="0" cellspacing="0" class="tr-caption-container" style="float: left; margin-right: 1em; text-align: left;"><tbody><tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjCBREYKanmkpi-AZpo8SpwNSDrCXhxPlG1X_-gzuWZ7DfQXTsft9j0xRE3V__JNsMK0IYi8dUlChNKD0BAvN77rUSJQ3q35G6d0BZapbQl8bBR38o6VqBAELHQoeoI4u0r7re89CwVOSc9jokQwauq9U_97KzGX5zoMDbNDrIlJnrDcugpE7dU-Bz3/s1296/%5DJoseph%20McCarthy.webp" style="clear: left; margin-bottom: 1em; margin-left: auto; margin-right: auto;"><img border="0" data-original-height="730" data-original-width="1296" height="225" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjCBREYKanmkpi-AZpo8SpwNSDrCXhxPlG1X_-gzuWZ7DfQXTsft9j0xRE3V__JNsMK0IYi8dUlChNKD0BAvN77rUSJQ3q35G6d0BZapbQl8bBR38o6VqBAELHQoeoI4u0r7re89CwVOSc9jokQwauq9U_97KzGX5zoMDbNDrIlJnrDcugpE7dU-Bz3/w400-h225/%5DJoseph%20McCarthy.webp" width="400" /></a></td></tr><tr><td class="tr-caption" style="text-align: center;"><span style="font-family: inherit;"><span style="background-color: black; color: #3d85c6; font-size: large;">joseph mccarthy</span></span></td></tr></tbody></table></span><span style="font-size: 14pt; line-height: 107%;">Os
líderes dos estúdios de cinema suspenderam, sem remuneração, os sentenciados.
Logo depois, foi anunciado que nenhum subversivo seria empregado. Assim nascia
a <span style="background-color: #274e13; color: white;">LISTA COMUNISTA</span>. Apontava trabalhadores de diversas mídias
(cinema, TV, música, rádio, imprensa) inelegíveis para emprego no cinema por
causa de laços comunistas. A lista foi implementada pelos estúdios para promover credenciais patrióticas diante dos ataques públicos e serviu
para proteger a indústria cinematográfica dos danos econômicos que resultariam
de uma associação de seu produto a comunistas. </span><br /><span style="font-size: 14pt; line-height: 107%;"> </span><br /><span style="font-size: 14pt; line-height: 107%;">As
audiências do HUAC geralmente são encaradas como parte da Era McCarthy, mas Joseph
McCarthy não participou delas. O senador iniciou suas investigações em 1950 e
se concentrou na penetração comunista no governo dos EUA.
Além disso, mesmo não sendo admirador de McCarthy e seus métodos, identifico o
termo <span style="color: #3d85c6;">“macarthismo”</span> como um conceito ilegítimo, uma difamação proposital. Seu
suposto significado é <span style="color: #3d85c6;">“acusações injustas, perseguições e assassinatos de reputação
de vítimas inocentes”</span>, com o objetivo de desacreditar como infame e irracional qualquer
oposição intransigente ao comunismo.</span><span> <span style="font-size: 14pt; line-height: 107%;">Mas seu significado real é
anticomunismo.</span></span><br /><span style="font-size: 14pt; line-height: 107%;"> </span><br /><span style="font-size: 14pt; line-height: 107%;">Apesar de
um grupo de pesos-pesados - astros como Humphrey
Bogart, Lauren Bacall e Gene Kelly - terem se manifestado contra as
investigações, as audiências prosseguiram, interrogando um robusto número de
famosos. Perguntavam sem rodeios: <span style="color: #3d85c6;">“Você é ou foi alguma vez membro do
Partido Comunista?” </span>ou<span style="color: #3d85c6;"> “Conhece alguém em Hollywood que pertença ao Partido
Comunista?</span><span style="color: #3d85c6;">”</span>. Por patriotismo, algumas das testemunhas – o diretor Elia Kazan, atores
como Gary Cooper e Robert Taylor ou a colunista Hedda Hopper, por exemplo – revelaram ao Comitê
nomes de colegas comunistas, além de denunciarem a influência comunista no cinema.</span></span></div><div style="text-align: justify;"><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;"> </span><span style="font-size: 14pt; line-height: 107%;"> <br /><table cellpadding="0" cellspacing="0" class="tr-caption-container" style="float: right; margin-left: 1em; text-align: right;"><tbody><tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjWIDE8CBvqFDNOPQ_VxQzbcuODAbXyyY3OhuKmI6WST4DhXSJ4Hop4n6VQnJkTOUVTTL35n78MZKl4RvvOetSQdy0s41u8KOt65-hlw_MmrdMzAEycT9RUSIEtUw-6qVp5MQbOVKv2EBlOYIS9zPfIirSjKza7FzKZbyTQJh0Bys3ZT9KcJ8BcuDfz/s649/Dalton_Trumbo_prison_1950.jpg" style="clear: right; margin-bottom: 1em; margin-left: auto; margin-right: auto;"><img border="0" data-original-height="540" data-original-width="649" height="266" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjWIDE8CBvqFDNOPQ_VxQzbcuODAbXyyY3OhuKmI6WST4DhXSJ4Hop4n6VQnJkTOUVTTL35n78MZKl4RvvOetSQdy0s41u8KOt65-hlw_MmrdMzAEycT9RUSIEtUw-6qVp5MQbOVKv2EBlOYIS9zPfIirSjKza7FzKZbyTQJh0Bys3ZT9KcJ8BcuDfz/w320-h266/Dalton_Trumbo_prison_1950.jpg" width="320" /></a></td></tr><tr><td class="tr-caption" style="text-align: center;"><span style="font-family: inherit;"><span style="background-color: black; color: #3d85c6; font-size: large;">dalton trumbo</span></span></td></tr></tbody></table></span><span style="font-size: 14pt; line-height: 107%;">Um terço
dos intimados cooperou com o Comitê. Outros, que incluíam escritores
e roteiristas como Dalton Trumbo e Ring Lardner Jr., reclamaram que as
audiências eram ilegais e violavam a Primeira Emenda da Constituição. Eles
tomaram uma decisão que se revelou desastrosa: não se negaram a responder a
nenhuma pergunta, mas aproveitaram para atacar a comissão - ou seja,
responderam<span style="color: #3d85c6;"> “à sua maneira”</span>. Essa tática deu munição a executivos de cinema que queriam colaborar. No final do julgamento, receberam voz de prisão. </span><br /><span style="font-size: 14pt; line-height: 107%;"> </span></span></div><div style="text-align: justify;"><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;"> </span><br /><span style="font-size: 14pt; line-height: 107%;">O sólido
muro de oposição que os suspeitos esperavam dos líderes da indústria
desmoronou quando Jack Warner, presidente da Warner Brothers, testemunhou no primeiro dia das audiências. Diante
dos questionadores, o poderoso produtor disse: <span style="color: #3d85c6;">“É um privilégio comparecer perante a comissão para
ajudar tanto quanto posso para facilitar seu trabalho.”</span> Alegou que há mais
de uma década comunistas trabalhavam na indústria e que demitiu
muitos deles, citando vários. Louis B. Mayer, chefão da Metro-Goldwyn-Mayer, alguns dias depois, insistiu que
os produtores poderiam lidar com o problema comunista. O último chefe de
estúdio a testemunhar, Walt Disney, reclamou dos esforços comunistas para aparelhar
seus cartunistas e concordou que havia uma ameaça comunista em Hollywood.</span><br /><span style="font-size: 14pt; line-height: 107%;"> </span><br /><span style="font-size: 14pt; line-height: 107%;">O veredito
da mídia e de certos historiadores, quase sempre de esquerda, sobre as
audiências, é profundamente condenatório: alegam que destruíram carreiras
talentosas, arruinaram vidas, incentivaram uma
<span style="color: #3d85c6;">“caça às bruxas”</span>. No entanto, essa narrativa militante não é correta. Ela não
apenas ignora a verdadeira natureza do HUAC, como também distorce a
investigação. Usa a mesma metodologia dos comunistas, assumindo que qualquer um
pode reinventar os fatos como quiser, desde que o faça promovendo a esquerda. Neste caso, mancham a imagem do HUAC. Colocando os pingos
nos is, existem questões éticas importantes envolvidas na investigação do
comunismo na Hollywood da década de 1940. Não era um castigo por
opinião, mirava a filiação ao Partido Comunista, o qual era dirigido e financiado
por uma potência estrangeira em plena Guerra Fria. </span></span></div><div style="text-align: justify;"><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;"> </span><span style="font-size: 14pt; line-height: 107%;"><br /><table cellpadding="0" cellspacing="0" class="tr-caption-container" style="float: right; margin-left: 1em; text-align: right;"><tbody><tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgfB3s_gFhKdj9Kq3zMIkCJRUVBCiwXpF9FEX83HZ0HR6kPxlKpkJi5fjJXTxZvSX4a1gea7cxzoaUmU5ARfDHnt7Msvv8tLDr1iq_TfYqd5NqS-3CibkJ620d0x0wYzLTeh77BGe5oN1Wz7uEmpkg5GNh8FYstF02EqI-9T0rRMMohfKiESRg2wlmQ/s960/ltuv6pf7oy77fc4o7grv732icu.webp" style="clear: right; margin-bottom: 1em; margin-left: auto; margin-right: auto;"><img border="0" data-original-height="712" data-original-width="960" height="296" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgfB3s_gFhKdj9Kq3zMIkCJRUVBCiwXpF9FEX83HZ0HR6kPxlKpkJi5fjJXTxZvSX4a1gea7cxzoaUmU5ARfDHnt7Msvv8tLDr1iq_TfYqd5NqS-3CibkJ620d0x0wYzLTeh77BGe5oN1Wz7uEmpkg5GNh8FYstF02EqI-9T0rRMMohfKiESRg2wlmQ/w400-h296/ltuv6pf7oy77fc4o7grv732icu.webp" width="400" /></a></td></tr><tr><td class="tr-caption" style="text-align: center;"><span style="font-family: inherit;"><span style="background-color: black; color: #3d85c6; font-size: large;">manifestação de bogart, bacall e outros </span></span></td></tr></tbody></table></span><span style="font-size: 14pt; line-height: 107%;">Dentre as ações e os
objetivos do partido soviético, incluíam sabotagens,
atos terroristas, espionagem e conspirações. Portanto, o Congresso investigava o
potencial de atividade criminosa e não a divulgação da ideologia comunista. Tampouco
penso ser imoral ou juridicamente inadequado organizações e
corporações inserirem membros do partido comunista em uma lista
negra. Era um boicote privado, jamais uma censura governamental. As audiências não foram atentados a direitos ou liberdade de expressão, elas
chamaram a atenção para a conspiração generalizada. </span><br /><span style="font-size: 14pt; line-height: 107%;"> </span><br /><span style="font-size: 14pt; line-height: 107%;">As
sessões foram retomadas em março de 1951. Quando o HUAC anunciou a
reabertura, os produtores de cinema prometeram total
cooperação e afirmaram que as testemunhas que não negassem sua filiação
comunista teriam dificuldade em conseguir trabalho nos estúdios. Os
intimados, tendo aprendido a lição com as audiências de outubro de 1947,
reconheceram que só tinham duas opções se quisessem evitar a
prisão: invocar a Quinta Emenda e serem demitidos; ou cooperar com o Comitê,
admitindo a filiação ao Partido Comunista, desculpando-se,
fornecendo nomes de outros membros e elogiando o Comitê. O ator Larry Parks,
a testemunha inicial, inicialmente se recusou a confessar nomes, mas terminou
colaborando. As testemunhas que se seguiram revelaram centenas de comunistas. </span><br /><span style="font-size: 14pt; line-height: 107%;"> </span><br /><span style="font-size: 14pt; line-height: 107%;">Além do
HUAC, grupos privados monitoravam as indústrias de entretenimento e publicavam
artigos e panfletos que identificavam subversivos. Talvez o mais poderoso
desses grupos tenha sido a Legião Americana, que não apenas disseminou
informações sobre associações comunistas de trabalhadores da mídia, mas também
incentivou seus 2,8 milhões de membros a boicotarem filmes feitos por artistas
que não haviam cooperado com o HUAC. Em junho de 1950, um livro intitulado <span style="color: #3d85c6;">“Canais
Vermelhos: o Relatório da Influência Comunista no Rádio e na Televisão”</span> foi
publicado</span><span> <span style="font-size: 14pt; line-height: 107%;">por três ex-agentes do FBI, que lançaram também a revista <span style="color: #3d85c6;">“Counterattack”</span>,
expondo a influência comunista no cinema. Na publicação constavam 151 comunistas
(principalmente atores e atrizes) que teriam relação com o show business. </span></span></span></div><div style="text-align: justify;"><span style="font-family: inherit;"><span><span style="font-size: 14pt; line-height: 107%;"> </span></span><span style="font-size: 14pt; line-height: 107%;"> <br /><table cellpadding="0" cellspacing="0" class="tr-caption-container" style="float: left; margin-right: 1em; text-align: left;"><tbody><tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjP54eQhf-jei4j-4_QFEStZcbCCrNN596VKJXIdzkO6-UQP1YB6veAf-Ir6ZTBhOpaDaUqoKt1QRdl88pLQnlQgwUdCX-DMxOPR2IHuhfBclrqwCo2U_ASId7BpUTl_Tnn59-rcWfaYuNd6vZPu_wmXWuDOfCu1mWZHPwZ7jUof-wWSJqLePa6LLsJ/s1280/apij8vazi__95188.jpg" style="clear: left; margin-bottom: 1em; margin-left: auto; margin-right: auto;"><img border="0" data-original-height="985" data-original-width="1280" height="308" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjP54eQhf-jei4j-4_QFEStZcbCCrNN596VKJXIdzkO6-UQP1YB6veAf-Ir6ZTBhOpaDaUqoKt1QRdl88pLQnlQgwUdCX-DMxOPR2IHuhfBclrqwCo2U_ASId7BpUTl_Tnn59-rcWfaYuNd6vZPu_wmXWuDOfCu1mWZHPwZ7jUof-wWSJqLePa6LLsJ/w400-h308/apij8vazi__95188.jpg" width="400" /></a></td></tr><tr><td class="tr-caption" style="text-align: center;"><span style="font-family: inherit;"><span style="background-color: black; color: #3d85c6; font-size: large;">roteiristas intimados em 1947</span></span></td></tr></tbody></table></span><span style="font-size: 14pt; line-height: 107%;">A mais
famosa <span style="background-color: #274e13; color: white;">LISTA COMUNISTA do CINEMA</span> começou em 1947, quando os executivos
demitiram cinco dos interrogados sob contrato e prometeram não os
recontratar até que se livrassem de sua mancha comunista. Essa lista cresceu
para mais de trezentos após as audiências do início dos anos 1950. Mas não havia
uma lista propriamente dita. Os chefes do estúdio obtiveram informações
sobre quem excluir de três fontes: as transcrições das audiências do HUAC;
nomes coletados pela Legião Americana e distribuídos aos estúdios; e o livro
<span style="color: #3d85c6;">“Canais Vermelhos”</span>. A única maneira de sair da lista era se desfiliar do Partido Comunista, elogiar o HUAC e delatar comunistas.</span><br /><span style="font-size: 14pt; line-height: 107%;"> </span><br /><span style="font-size: 14pt; line-height: 107%;">Nos anos 1950, os executivos de cinema produziram quase cinquenta filmes
anticomunistas como um incentivo aos membros do HUAC, que lamentavam a escassez
de tais filmes. Entre eles, vi <span style="color: #3d85c6;">“Casei com um Comunista / The Woman on Pier 13”</span>
(1949), <span style="color: #3d85c6;">“Fui Comunista para o FBI / I Was a Communist for the FBI”</span> (1951), <span style="color: #3d85c6;">“Aventura
Perigosa / Big Jim McClain”</span> (1952) e <span style="color: #3d85c6;">“Não Desonres o Teu Sangue / My Son John”</span>
(1952). </span></span><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">Na mesma época, as <span style="background-color: #274e13; color: white;">LISTAS COMUNISTAS</span> baniram de empregos 325 roteiristas, atores, diretores, cenógrafos, figurinistas e fotógrafos. </span></span><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">No entanto, os escritores da lista tiveram um pouco mais de facilidade do que os atores
ou diretores, eles podiam escrever sob pseudônimos ou por trás de fachadas. </span><span style="font-size: 14pt; line-height: 107%;">Alguns deles,
infelizmente, são celebrados como heróis e homenageados em cinebiografias. </span><br /><span style="font-size: 14pt; line-height: 107%;"> </span><br /><span style="font-size: 14pt; line-height: 107%;">No começo
dos anos 1960, a tumultuada cruzada anticomunista diminuiu e a <span style="background-color: #274e13; color: white;">LISTA COMUNISTA de
HOLLYWOOD</span> caiu em desuso. Primeiro, o diretor Otto Preminger e, posteriormente,
a Universal, anunciaram que Dalton Trumbo receberia créditos pelos roteiros de <span style="color: #3d85c6;">“Exodus
/ Idem”</span> (1960) e <span style="color: #3d85c6;">“Spartacus / Idem”</span> (1960). A partir daí, integrantes da lista
voltaram ao trabalho. Um número significativo não conseguiu
recuperar o equilíbrio na indústria cinematográfica. Mas a lista só
acabou realmente quando os produtores se convenceram de que a contratação de profissionais comunistas não mais impactava negativamente as receitas de bilheteria.</span></span></div><div style="text-align: justify;"><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;"> </span><span style="font-size: 14pt; line-height: 107%;"><br /><table cellpadding="0" cellspacing="0" class="tr-caption-container" style="float: left; margin-right: 1em; text-align: left;"><tbody><tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiYwlxYJ7dys1Xzfbcs5BmtBnn6NpbuJ9Qyj0HH6AXQ3acbiyoq3S8pTgNQxQ8_70yHNAEGE_qsHPTRNBGnw5TBN-jvpIYPhDG0LHA0zwF6U1q3mvEmTR2A5a7_lJ1tLY_SPeJwZuwdvtqGs7P0c6jqa0qfl69m8eIoqxn7a0akBI9Sa_2Ef0GgfyhH/s381/Reagan.webp" style="clear: left; margin-bottom: 1em; margin-left: auto; margin-right: auto;"><img border="0" data-original-height="381" data-original-width="300" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiYwlxYJ7dys1Xzfbcs5BmtBnn6NpbuJ9Qyj0HH6AXQ3acbiyoq3S8pTgNQxQ8_70yHNAEGE_qsHPTRNBGnw5TBN-jvpIYPhDG0LHA0zwF6U1q3mvEmTR2A5a7_lJ1tLY_SPeJwZuwdvtqGs7P0c6jqa0qfl69m8eIoqxn7a0akBI9Sa_2Ef0GgfyhH/w315-h400/Reagan.webp" width="315" /></a></td></tr><tr><td class="tr-caption" style="text-align: center;"><span style="font-family: inherit;"><span style="background-color: black; color: #3d85c6; font-size: large;">o conservador ronald reagan</span></span><br /></td></tr></tbody></table></span><span style="font-size: 14pt; line-height: 107%;">O resumo convencional e mentiroso sobre o HUAC e a <span style="background-color: #274e13; color: white;">LISTA COMUNISTA de HOLLYWOOD</span>
equivale a uma condenação zelosa desapegada dos fatos, do contexto histórico,
da natureza real da infiltração comunista e do significado moral do comunismo.
Ou seja, uma análise alheia à realidade dos fatos, uma
fraude que desonra milhões de pessoas tiranizadas e assassinadas pelos regimes comunistas.
A penetração dos subversivos em Hollywood 1930-40 é um fato. Que se faça justiça às testemunhas corajosas e às vítimas soviéticas-chinesas que
morreram enquanto comunistas dos EUA encobriam opressores vermelhos
e promoviam essa ideologia nefasta. O HUAC condenou os
males do comunismo. Estava certo em fazê-lo. </span><br /><span style="font-size: 14pt; line-height: 107%;"> </span><span style="font-size: 14pt; line-height: 107%;"> </span></span></div><div style="text-align: justify;"><span style="font-family: inherit; font-size: 14pt; line-height: 107%;">Finalizo com uma sugestão. A Hollywood de hoje necessita de um remake
anticomunista, investigações densas, julgamentos mediáticos e, por que não,
cancelamento profissional. Seria justo ver no banco de réus, intimadas
a depor por vicissitudes comunistas, subversivos como George Clooney, Leonardo
DiCaprio, Meryl Streep, Mark Ruffalo, Willem Dafoe, entre dezenas de outros.
Mais de 70 anos passados, esses comunistas, travestidos de
globalistas-progressistas, lambem as botas do ditador chinês Xi Jinping. Uma
vergonha. Impunes, perversos e desonestos politicamente, ferem de morte a
história, a fé cristã e os valores do Ocidente.</span><span style="font-family: inherit;"><br /><span style="font-size: 14pt; line-height: 107%;"> </span><br /></span></div><span style="font-family: inherit;"></span><div style="text-align: center;"><span style="font-family: inherit; font-size: 14pt; line-height: 107%;"><span style="background-color: #274e13; color: white;">ALGUNS da
LISTA COMUNISTA de HOLLYWOOD</span> </span><span style="font-family: inherit;"><br /><span style="color: #3d85c6; font-size: 14pt; line-height: 107%;">(de 1948
a 1960)</span><span style="color: #3d85c6;"><br /><span style="font-size: 14pt; line-height: 107%;"> </span><br /></span><span style="background-color: #274e13; color: white; font-size: 14pt; line-height: 107%;">AARON
COPLAND</span><span style="color: #3d85c6;"><br /><span style="font-size: 14pt; line-height: 107%;">(1900 –
1990. Nova Iorque / EUA)</span><br /><span style="font-size: 14pt; line-height: 107%;">compositor</span><br /><span style="font-size: 14pt; line-height: 107%;"> </span><br /></span><span style="background-color: #274e13; color: white; font-size: 14pt; line-height: 107%;">ABRAHAM
POLONSKY</span><span style="color: #3d85c6;"><br /><span style="font-size: 14pt; line-height: 107%;">(1910 –
1999. Nova Iorque / EUA)</span><br /><span style="font-size: 14pt; line-height: 107%;">roteirista
e diretor</span><br /><span style="font-size: 14pt; line-height: 107%;"> </span><br /></span><span style="background-color: #274e13; color: white; font-size: 14pt; line-height: 107%;">ALEXANDER
KNO</span><span style="color: white;"><span style="background-color: #274e13; font-size: 14pt; line-height: 107%;">X</span></span><span style="color: #3d85c6;"><br /><span style="font-size: 14pt; line-height: 107%;">(1907 –
1995.</span><span> <span style="font-size: 14pt; line-height: 107%;">Strathroy-Caradoc,
Ontário / Canadá)</span></span><br /><span style="font-size: 14pt; line-height: 107%;">ator</span><br /><span style="font-size: 14pt; line-height: 107%;"> </span><br /></span><span style="background-color: #274e13; color: white; font-size: 14pt; line-height: 107%;">ALINE
MACMAHON</span><span style="color: #3d85c6;"><br /><span style="font-size: 14pt; line-height: 107%;">(1899 –
1991.</span><span> <span style="font-size: 14pt; line-height: 107%;">McKeesport,
Pensilvânia / EUA)</span></span><br /><span style="font-size: 14pt; line-height: 107%;">atriz</span><br /><span style="font-size: 14pt; line-height: 107%;"> </span><br /></span><span style="background-color: #274e13; color: white; font-size: 14pt; line-height: 107%;">ANNE
REVER</span><span style="background-color: #274e13; color: white; font-size: 14pt; line-height: 107%;">E</span><span style="color: #3d85c6;"><br /><span style="font-size: 14pt; line-height: 107%;">(1903 –
1990. Nova Iorque / EUA)</span><br /><span style="font-size: 14pt; line-height: 107%;">atriz</span><br /><span style="font-size: 14pt; line-height: 107%;"> </span><br /></span><span style="background-color: #274e13; color: white; font-size: 14pt; line-height: 107%;">ARTHUR
LAURENTS</span><span style="color: #3d85c6;"><br /><span style="font-size: 14pt; line-height: 107%;">1917 –
2011. Nova Iorquer / EUA)</span><br /><span style="font-size: 14pt; line-height: 107%;">escritor e roteirista</span><br /><span style="font-size: 14pt; line-height: 107%;"> </span><br /></span><span style="background-color: #274e13; color: white; font-size: 14pt; line-height: 107%;">ARTHUR
MILLER</span><span style="color: #3d85c6;"><br /><span style="font-size: 14pt; line-height: 107%;">(1915 –
2005. Nova Iorque / EUA)</span><br /><span style="font-size: 14pt; line-height: 107%;">dramaturgo</span><br /><span style="font-size: 14pt; line-height: 107%;"> </span><br /></span><span style="background-color: #274e13; color: white; font-size: 14pt; line-height: 107%;">ARTIE
SHAW</span><span style="color: #3d85c6;"><br /><span style="font-size: 14pt; line-height: 107%;">(1910 –
2004. Nova Iorque / EUA)</span><br /><span style="font-size: 14pt; line-height: 107%;">músico de
jazz</span><br /><span style="font-size: 14pt; line-height: 107%;"> </span><br /></span><span style="background-color: #274e13; color: white; font-size: 14pt; line-height: 107%;">BARBARA
BEL GEDDES</span><span style="color: #3d85c6;"><br /><span style="font-size: 14pt; line-height: 107%;">(1922 –
2005. Nova Iorque / EUA)</span><br /><span style="font-size: 14pt; line-height: 107%;">atriz</span><br /><span style="font-size: 14pt; line-height: 107%;"> </span><br /></span><span style="background-color: #274e13; color: white; font-size: 14pt; line-height: 107%;">BURGESS
MEREDITH</span><span style="color: #3d85c6;"><br /><span style="font-size: 14pt; line-height: 107%;">(1907 –
1997.</span><span> <span style="font-size: 14pt; line-height: 107%;">Cleveland,
Ohio / EUA)</span></span><br /><span style="font-size: 14pt; line-height: 107%;">ator e diretor<br /></span></span></span></div><div style="text-align: center;"><span style="color: #3d85c6; font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjp_XtP6cgMKacj6TY6KvsTaxC_tiZxb9XwVhf8L2xo95wtdnK09hFYW0yvCnxCjtzXX_T2IsAt4yE-4xvvTWXyYlJyBiQKieAgVb_6mftgmzAR3ZywpWlM8roEN50ElIl4K0ISYxisbARGcJLcF5kkI6c2Cv4n918uyVbeohJRA31oGve2r_1O8VNB/s923/Burgess_Meredith_1954.JPG" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="923" data-original-width="721" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjp_XtP6cgMKacj6TY6KvsTaxC_tiZxb9XwVhf8L2xo95wtdnK09hFYW0yvCnxCjtzXX_T2IsAt4yE-4xvvTWXyYlJyBiQKieAgVb_6mftgmzAR3ZywpWlM8roEN50ElIl4K0ISYxisbARGcJLcF5kkI6c2Cv4n918uyVbeohJRA31oGve2r_1O8VNB/w500-h640/Burgess_Meredith_1954.JPG" width="500" /></a></div></span><br /></span><span style="background-color: #274e13; color: white; font-family: inherit; font-size: 14pt; line-height: 107%;">BURL IVES</span><span style="color: #3d85c6; font-family: inherit;"><br /><span style="font-size: 14pt; line-height: 107%;">(1909 –
1995.</span><span> <span style="font-size: 14pt; line-height: 107%;">Hunt
City, Illinois / EUA)</span></span><br /><span style="font-size: 14pt; line-height: 107%;">cantor de
folk e ator</span><br /><span style="font-size: 14pt; line-height: 107%;"> </span><br /></span><span style="background-color: #274e13; color: white; font-family: inherit; font-size: 14pt; line-height: 107%;">CARL
FOREMAN</span><span style="color: #3d85c6; font-family: inherit;"><br /><span style="font-size: 14pt; line-height: 107%;">(1914 –
1984. Chicago, Illinois / EUA)</span><br /><span style="font-size: 14pt; line-height: 107%;">produtor
e roteirista</span><br /><span style="font-size: 14pt; line-height: 107%;"> </span><br /></span><span style="background-color: #274e13; color: white; font-family: inherit; font-size: 14pt; line-height: 107%;">CHARLES
CHAPLIN</span><span style="color: #3d85c6; font-family: inherit;"><br /><span style="font-size: 14pt; line-height: 107%;">(1889 –
1977. Londres / Reino Unido)</span><br /><span style="font-size: 14pt; line-height: 107%;">ator,
diretor e produtor</span><br /><span style="font-size: 14pt; line-height: 107%;"> </span><br /></span><span style="background-color: #274e13; color: white; font-family: inherit; font-size: 14pt; line-height: 107%;">DALTON
TRUMBO</span><span style="color: #3d85c6; font-family: inherit;"><br /><span style="font-size: 14pt; line-height: 107%;">(1905 –
1976.</span><span> <span style="font-size: 14pt; line-height: 107%;">Montrose,
Colorado / EUA)</span></span><span style="font-size: 14pt; line-height: 107%;"> </span></span></div><div style="text-align: center;"><span style="color: #3d85c6; font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">roteirista</span><br /><span style="font-size: 14pt; line-height: 107%;"> </span><br /></span><span style="background-color: #274e13; color: white; font-family: inherit; font-size: 14pt; line-height: 107%;">DASHIELL
HAMMETT</span><span style="color: #3d85c6; font-family: inherit;"><br /><span style="font-size: 14pt; line-height: 107%;">(1894 –
1961. Condado de Saint Mary's, Maryland / EUA)</span><br /><span style="font-size: 14pt; line-height: 107%;">escritor</span><br /><span style="font-size: 14pt; line-height: 107%;"> </span><br /></span><span style="background-color: #274e13; color: white; font-family: inherit; font-size: 14pt; line-height: 107%;">DONALD
OGDEN STEWART</span><span style="color: #3d85c6; font-family: inherit;"><br /><span style="font-size: 14pt; line-height: 107%;">(1894 –
1980.</span><span> <span style="font-size: 14pt; line-height: 107%;">Columbus,
Ohio / EUA)</span></span><br /><span style="font-size: 14pt; line-height: 107%;">roteirista</span><br /><span style="font-size: 14pt; line-height: 107%;"> </span><br /></span><span style="background-color: #274e13; color: white; font-family: inherit; font-size: 14pt; line-height: 107%;">DOROTHY
COMINGORE</span><span style="color: #3d85c6; font-family: inherit;"><br /><span style="font-size: 14pt; line-height: 107%;">(1913 –
1971.</span><span> <span style="font-size: 14pt; line-height: 107%;">Los
Angeles, Califórnia / EUA)</span></span><br /><span style="font-size: 14pt; line-height: 107%;">atriz</span><br /><span style="font-size: 14pt; line-height: 107%;"> </span><br /></span><span style="background-color: #274e13; color: white; font-family: inherit; font-size: 14pt; line-height: 107%;">DOROTHY
PARKER</span><span style="color: #3d85c6; font-family: inherit;"><br /><span style="font-size: 14pt; line-height: 107%;">(1893 –
1967. Long Branch, Nova Jersey / EUA)</span><br /><span style="font-size: 14pt; line-height: 107%;">escritora e roteirista</span><br /><span style="font-size: 14pt; line-height: 107%;"> </span><br /></span><span style="background-color: #274e13; color: white; font-family: inherit; font-size: 14pt; line-height: 107%;">EDDIE
ALBERT</span><span style="color: #3d85c6; font-family: inherit;"><br /><span style="font-size: 14pt; line-height: 107%;">(1906 –
2005.</span><span> <span style="font-size: 14pt; line-height: 107%;">Rock
Island, Illinois / EUA)</span></span><br /><span style="font-size: 14pt; line-height: 107%;">ator</span><br /><span style="font-size: 14pt; line-height: 107%;"> </span><br /></span><span style="background-color: #274e13; color: white; font-family: inherit; font-size: 14pt; line-height: 107%;">EDWARD
DMYTRYK</span><span style="color: #3d85c6; font-family: inherit;"><br /><span style="font-size: 14pt; line-height: 107%;">(1908 –
1999. Grand Forks, Colúmbia Britânica / EUA)</span><span style="font-size: 14pt; line-height: 107%;"> </span></span></div><div style="text-align: center;"><span style="color: #3d85c6; font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">cineasta</span><br /><span style="font-size: 14pt; line-height: 107%;"> </span><br /></span><span style="background-color: #274e13; color: white; font-family: inherit; font-size: 14pt; line-height: 107%;">EDWARD G.
ROBINSON</span><span style="color: #3d85c6; font-family: inherit;"><br /><span style="font-size: 14pt; line-height: 107%;">(1893 –
1973.</span><span> <span style="font-size: 14pt; line-height: 107%;">Bucareste
/ Romênia)</span></span><br /><span style="font-size: 14pt; line-height: 107%;">ator</span><br /><span style="font-size: 14pt; line-height: 107%;"> </span><br /></span><span style="background-color: #274e13; color: white; font-family: inherit; font-size: 14pt; line-height: 107%;">GALE
SONDERGAARD</span><span style="color: #3d85c6; font-family: inherit;"><br /><span style="font-size: 14pt; line-height: 107%;">(1899 –
1985.</span><span> <span style="font-size: 14pt; line-height: 107%;">Litchfield,
Minnesota / EUA)</span></span><br /><span style="font-size: 14pt; line-height: 107%;">atriz</span><span style="font-size: 14pt; line-height: 107%;"><br /><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjHrVWZaQ7V6rZUTwKcTBwxsoaU9kk3r1tFP4rbcvaeU1Yqx6CtvzVvHJRXJORYWxZayoLCXbZ22ZAFf2Jk6t58-TjSoEA2THIsoawXGV9ovDWHAN6PvzhDdZFAC2hnVTBy1olUWhRZeBocGgsZIaM7acYviDHQkviVYGVZb2FmXx4F8qd9IcrbTLma/s1929/Sondergaard,%20Gale_01.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1929" data-original-width="1836" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjHrVWZaQ7V6rZUTwKcTBwxsoaU9kk3r1tFP4rbcvaeU1Yqx6CtvzVvHJRXJORYWxZayoLCXbZ22ZAFf2Jk6t58-TjSoEA2THIsoawXGV9ovDWHAN6PvzhDdZFAC2hnVTBy1olUWhRZeBocGgsZIaM7acYviDHQkviVYGVZb2FmXx4F8qd9IcrbTLma/w610-h640/Sondergaard,%20Gale_01.jpg" width="610" /></a></div></span><br /></span><span style="background-color: #274e13; color: white; font-family: inherit; font-size: 14pt; line-height: 107%;">GARSON
KANIN</span><span style="color: #3d85c6; font-family: inherit;"><br /><span style="font-size: 14pt; line-height: 107%;">(1912 –
1999.</span><span> <span style="font-size: 14pt; line-height: 107%;">Rochester,
Nova Iorque / EUA)</span></span><br /><span style="font-size: 14pt; line-height: 107%;">escritor
e diretor</span><br /><span style="font-size: 14pt; line-height: 107%;"> </span><br /></span><span style="background-color: #274e13; color: white; font-family: inherit; font-size: 14pt; line-height: 107%;">GYPSY
ROSE LEE</span><span style="color: #3d85c6; font-family: inherit;"><br /><span style="font-size: 14pt; line-height: 107%;">(1911 –
1970.</span><span> <span style="font-size: 14pt; line-height: 107%;">Seattle,
Washington / EUA)</span></span><br /><span style="font-size: 14pt; line-height: 107%;">vedete e atriz</span><br /><span style="font-size: 14pt; line-height: 107%;"> </span><br /></span><span style="background-color: #274e13; color: white; font-family: inherit; font-size: 14pt; line-height: 107%;">HOWARD da
SILVA</span><span style="color: #3d85c6; font-family: inherit;"><br /><span style="font-size: 14pt; line-height: 107%;">(1909 –
1986.</span><span> <span style="font-size: 14pt; line-height: 107%;">Cleveland,
Ohio / EUA)</span></span><br /><span style="font-size: 14pt; line-height: 107%;">ator</span><br /><span style="font-size: 14pt; line-height: 107%;"> </span><br /></span><span style="background-color: #274e13; color: white; font-family: inherit; font-size: 14pt; line-height: 107%;">HOWARD
DUFF</span><span style="color: #3d85c6; font-family: inherit;"><br /><span style="font-size: 14pt; line-height: 107%;">(1913 –
1990. Bremerton, Washington / EUA)</span><br /><span style="font-size: 14pt; line-height: 107%;">ator</span><br /><span style="font-size: 14pt; line-height: 107%;"> </span><br /></span><span style="background-color: #274e13; color: white; font-family: inherit; font-size: 14pt; line-height: 107%;">IRVING
PICHEL</span><span style="color: #3d85c6; font-family: inherit;"><br /><span style="font-size: 14pt; line-height: 107%;">(1891 –
1954. Pittsburgh,</span><span> <span style="font-size: 14pt; line-height: 107%;">Pensilvânia / EUA)</span></span><br /><span style="font-size: 14pt; line-height: 107%;">diretor</span><br /><span style="font-size: 14pt; line-height: 107%;"> </span><br /></span><span style="background-color: #274e13; color: white; font-family: inherit; font-size: 14pt; line-height: 107%;">IRWIN
SHAW</span><span style="color: #3d85c6; font-family: inherit;"><br /><span style="font-size: 14pt; line-height: 107%;">(1913 –
1984. Nova Iorque / EUA)</span><br /><span style="font-size: 14pt; line-height: 107%;">escritor</span><br /><span style="font-size: 14pt; line-height: 107%;"> </span><br /></span><span style="background-color: #274e13; color: white; font-family: inherit; font-size: 14pt; line-height: 107%;">JOHN
CROMWELL</span><span style="color: #3d85c6; font-family: inherit;"><br /><span style="font-size: 14pt; line-height: 107%;">(1887 –
1979.</span><span> <span style="font-size: 14pt; line-height: 107%;">Toledo,
Ohio / EUA)</span></span><br /><span style="font-size: 14pt; line-height: 107%;">diretor e ator</span><br /><span style="font-size: 14pt; line-height: 107%;"> </span><br /></span><span style="background-color: #274e13; color: white; font-family: inherit; font-size: 14pt; line-height: 107%;">JOHN
GARFIELD</span><span style="color: #3d85c6; font-family: inherit;"><br /><span style="font-size: 14pt; line-height: 107%;">(1913 –
1952. Nova Iorque / EUA)</span><br /><span style="font-size: 14pt; line-height: 107%;">ator</span><br /><span style="font-size: 14pt; line-height: 107%;"> </span><br /></span><span style="background-color: #274e13; color: white; font-family: inherit; font-size: 14pt; line-height: 107%;">JOHN
IRELAND</span><span style="color: #3d85c6; font-family: inherit;"><br /><span style="font-size: 14pt; line-height: 107%;">(1914 –
1992. Vancouver / Canadá)</span><br /><span style="font-size: 14pt; line-height: 107%;">ator</span><br /><span style="font-size: 14pt; line-height: 107%;"> </span><br /></span><span style="background-color: #274e13; color: white; font-family: inherit; font-size: 14pt; line-height: 107%;">JOSÉ
FERRER</span><span style="color: #3d85c6; font-family: inherit;"><br /><span style="font-size: 14pt; line-height: 107%;">(1912 –
1992. San Juan / Porto Rico)</span><br /><span style="font-size: 14pt; line-height: 107%;">ator e diretor</span><span style="font-size: 14pt; line-height: 107%;"><br /><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg24R_4wQhhmaRbG46rK0gHb2fSKUjcYMVShkdUuiFiSjyHvT1knszPv21-nbDJYX9uhV-qNnbzYASRfTxj6axC7tn5YV96EUTMpWRj-kA1YHwH-_txGi_-FpNiltqi2ABoHgwy6RhNsvOB4rgvYTNPEPl1_7umdcNWQ1HeJ8I-a7DKMPhStTyP69Dw/s1490/Annex%20-%20Ferrer,%20Jose%20(Crisis)_01.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1490" data-original-width="1282" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg24R_4wQhhmaRbG46rK0gHb2fSKUjcYMVShkdUuiFiSjyHvT1knszPv21-nbDJYX9uhV-qNnbzYASRfTxj6axC7tn5YV96EUTMpWRj-kA1YHwH-_txGi_-FpNiltqi2ABoHgwy6RhNsvOB4rgvYTNPEPl1_7umdcNWQ1HeJ8I-a7DKMPhStTyP69Dw/w550-h640/Annex%20-%20Ferrer,%20Jose%20(Crisis)_01.jpg" width="550" /></a></div></span><br /></span><span style="background-color: #274e13; color: white; font-family: inherit; font-size: 14pt; line-height: 107%;">JOSEPH
LOSEY</span><span style="color: #3d85c6; font-family: inherit;"><br /><span style="font-size: 14pt; line-height: 107%;">(1908 –
1984.</span><span> <span style="font-size: 14pt; line-height: 107%;">La
Crosse, Wisconsin / EUA)</span></span><br /><span style="font-size: 14pt; line-height: 107%;">diretor</span><br /><span style="font-size: 14pt; line-height: 107%;"> </span><br /></span><span style="background-color: #274e13; color: white; font-family: inherit; font-size: 14pt; line-height: 107%;">JUDY HOLLIDAY</span><span style="color: #3d85c6; font-family: inherit;"><br /><span style="font-size: 14pt; line-height: 107%;">(1921 –
1965. Nova Iorque / EUA)</span><br /><span style="font-size: 14pt; line-height: 107%;">atriz</span><br /><span style="font-size: 14pt; line-height: 107%;"> </span><br /></span><span style="background-color: #274e13; color: white; font-family: inherit; font-size: 14pt; line-height: 107%;">JULES
DASSIN</span><span style="color: #3d85c6; font-family: inherit;"><br /><span style="font-size: 14pt; line-height: 107%;">(1911 –
2008.</span><span> <span style="font-size: 14pt; line-height: 107%;">Middletown,
Connecticut / EUA)</span></span><br /><span style="font-size: 14pt; line-height: 107%;">diretor</span><br /><span style="font-size: 14pt; line-height: 107%;"> </span><br /></span><span style="background-color: #274e13; color: white; font-family: inherit; font-size: 14pt; line-height: 107%;">KAREN
MORLEY</span><span style="color: #3d85c6; font-family: inherit;"><br /><span style="font-size: 14pt; line-height: 107%;">(1909 –
2003.</span><span> <span style="font-size: 14pt; line-height: 107%;">Ottumwa,
Iowa / EUA)</span></span><br /><span style="font-size: 14pt; line-height: 107%;">atriz</span><br /><span style="font-size: 14pt; line-height: 107%;"> </span><br /></span><span style="background-color: #274e13; color: white; font-family: inherit; font-size: 14pt; line-height: 107%;">KIM
HUNTER</span><span style="color: #3d85c6; font-family: inherit;"><br /><span style="font-size: 14pt; line-height: 107%;">(19232 –
2012.</span><span> <span style="font-size: 14pt; line-height: 107%;">Detroit,
Michigan / EUA)</span></span><br /><span style="font-size: 14pt; line-height: 107%;">atriz</span><br /><span style="font-size: 14pt; line-height: 107%;"> </span><br /></span><span style="background-color: #274e13; color: white; font-family: inherit; font-size: 14pt; line-height: 107%;">LARRY
PARKS</span><span style="color: #3d85c6; font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;"> </span><br /><span style="font-size: 14pt; line-height: 107%;">(1914 – 1975.</span><span>
<span style="font-size: 14pt; line-height: 107%;">Olathe,
Kansas / EUA)</span></span><br /><span style="font-size: 14pt; line-height: 107%;">ator</span><br /><span style="font-size: 14pt; line-height: 107%;"> </span><br /></span><span style="background-color: #274e13; color: white; font-family: inherit; font-size: 14pt; line-height: 107%;">LEE GRANT</span><span style="color: #3d85c6; font-family: inherit;"><br /><span style="font-size: 14pt; line-height: 107%;">(1925.
Nova Iorque / EUA)</span><br /><span style="font-size: 14pt; line-height: 107%;">atriz</span><br /><span style="font-size: 14pt; line-height: 107%;"> </span><br /></span><span style="background-color: #274e13; color: white; font-family: inherit; font-size: 14pt; line-height: 107%;">LEE J.
COBB</span><span style="color: #3d85c6; font-family: inherit;"><br /><span style="font-size: 14pt; line-height: 107%;">(1911 –
1976. Nova Iorque / EUA)</span><br /><span style="font-size: 14pt; line-height: 107%;">ator</span><br /><span style="font-size: 14pt; line-height: 107%;"> </span><br /></span><span style="background-color: #274e13; color: white; font-family: inherit; font-size: 14pt; line-height: 107%;">LENA
HORNE</span><span style="color: #3d85c6; font-family: inherit;"><br /><span style="font-size: 14pt; line-height: 107%;">(1917 –
2019. Nova Iorque / EUA)</span><br /><span style="font-size: 14pt; line-height: 107%;">cantora e
atriz</span><span style="font-size: 14pt; line-height: 107%;"><br /><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEicdsI2hhZQSDNdgTzlzf2LabbHeRdTvq9M7Gs41yHMReONBKANqGiQa6YoyJXFax6dkN3WUnBx_QZJG9zaFCN5XXf05ER54YKnznFNCUBTiF6WGRxJ0jTJuFYUGDY55SFnfgBXyNMuyzORttMCSQzljCfE4oNxf3MwTQ8_w495Mexh7AUJRCnNdpdX/s2155/Horne,%20Lena%20(Till%20the%20Clouds%20Roll%20By)_01.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="2155" data-original-width="1738" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEicdsI2hhZQSDNdgTzlzf2LabbHeRdTvq9M7Gs41yHMReONBKANqGiQa6YoyJXFax6dkN3WUnBx_QZJG9zaFCN5XXf05ER54YKnznFNCUBTiF6WGRxJ0jTJuFYUGDY55SFnfgBXyNMuyzORttMCSQzljCfE4oNxf3MwTQ8_w495Mexh7AUJRCnNdpdX/w516-h640/Horne,%20Lena%20(Till%20the%20Clouds%20Roll%20By)_01.jpg" width="516" /></a></div></span><br /></span><span style="background-color: #274e13; color: white; font-family: inherit; font-size: 14pt; line-height: 107%;">LEO PENN</span><span style="color: #3d85c6; font-family: inherit;"><br /><span style="font-size: 14pt; line-height: 107%;">(1921 –
1998. Lawrence / EUA)</span><br /><span style="font-size: 14pt; line-height: 107%;">ator</span><br /><span style="font-size: 14pt; line-height: 107%;"> </span><br /></span><span style="background-color: #274e13; color: white; font-family: inherit; font-size: 14pt; line-height: 107%;">LEONARD
BERNSTEIN</span><span style="color: #3d85c6; font-family: inherit;"><br /><span style="font-size: 14pt; line-height: 107%;">(1918 –
1990.</span><span> <span style="font-size: 14pt; line-height: 107%;">Lawrence,
Massachusetts / EUA)</span></span><br /><span style="font-size: 14pt; line-height: 107%;">compositor
e regente</span><br /><span style="font-size: 14pt; line-height: 107%;"> </span><br /></span><span style="background-color: #274e13; color: white; font-family: inherit; font-size: 14pt; line-height: 107%;">LILLIAN
HELLMAN</span><span style="color: #3d85c6; font-family: inherit;"><br /><span style="font-size: 14pt; line-height: 107%;">(1905 –
1984. Nova Orleans / EUA)</span><br /><span style="font-size: 14pt; line-height: 107%;">dramaturga, escritora e roteirista</span><br /><span style="font-size: 14pt; line-height: 107%;"> </span><br /></span><span style="background-color: #274e13; color: white; font-family: inherit; font-size: 14pt; line-height: 107%;">LUIS
BUÑUEL</span><span style="color: #3d85c6; font-family: inherit;"><br /><span style="font-size: 14pt; line-height: 107%;">(1900 –
1983.</span><span> <span style="font-size: 14pt; line-height: 107%;">Calanda
/ Espanha)</span></span><br /><span style="font-size: 14pt; line-height: 107%;">diretor</span><br /><span style="font-size: 14pt; line-height: 107%;"> </span><br /></span><span style="background-color: #274e13; color: white; font-family: inherit; font-size: 14pt; line-height: 107%;">LUTHER
ADLER</span><span style="color: #3d85c6; font-family: inherit;"><br /><span style="font-size: 14pt; line-height: 107%;">(1903 –
1984. Nova Iorque / EUA)</span><br /><span style="font-size: 14pt; line-height: 107%;">ator e diretor</span><br /><span style="font-size: 14pt; line-height: 107%;"> </span><br /></span><span style="background-color: #274e13; color: white; font-family: inherit; font-size: 14pt; line-height: 107%;">MADY
CHRISTIANS</span><span style="color: #3d85c6; font-family: inherit;"><br /><span style="font-size: 14pt; line-height: 107%;">(1892 –
1951. Viena / Áustria)</span><br /><span style="font-size: 14pt; line-height: 107%;">atriz</span><br /><span style="font-size: 14pt; line-height: 107%;"> </span><br /></span><span style="background-color: #274e13; color: white; font-family: inherit; font-size: 14pt; line-height: 107%;">MARGO</span><span style="color: #3d85c6; font-family: inherit;"><br /><span style="font-size: 14pt; line-height: 107%;">(1917 –
1985. Cidade do México / México)</span><br /><span style="font-size: 14pt; line-height: 107%;">atriz e
dançarina</span><br /><span style="font-size: 14pt; line-height: 107%;"> </span><br /></span><span style="background-color: #274e13; color: white; font-family: inherit; font-size: 14pt; line-height: 107%;">MARGUERITE
ROBERTS</span><span style="color: #3d85c6; font-family: inherit;"><br /><span style="font-size: 14pt; line-height: 107%;">(1905 –
1989.</span><span> <span style="font-size: 14pt; line-height: 107%;">Greeley,
Colorado / EUA)</span></span><br /><span style="font-size: 14pt; line-height: 107%;">roteirista</span><br /><span style="font-size: 14pt; line-height: 107%;"> </span><br /></span><span style="background-color: #274e13; color: white; font-family: inherit; font-size: 14pt; line-height: 107%;">MARTHA
SCOTT</span><span style="color: #3d85c6; font-family: inherit;"><br /><span style="font-size: 14pt; line-height: 107%;">(1912 –
2003. Jamesport, Missouri / EUA)</span><br /><span style="font-size: 14pt; line-height: 107%;">atriz</span><span style="font-size: 14pt; line-height: 107%;"><br /><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjWATYYs4fZ6pyLi5jYRwHnSuhX4RR6RH8_mQPHCkIJqntBFskYw5d6gdxtWn5X3uKy7ipijDEP0VytJ2a8AFQCT81nPloWfFJdvnqM9Pa3wHNmgA2icc6AKYj4QrfaDtdxAGGbskViHWueCxoUCjExtmFB4Z8subasYOvZDOnds2N6lsjCpQCag9Ns/s1127/Annex%20-%20Scott,%20Martha_01.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1127" data-original-width="760" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjWATYYs4fZ6pyLi5jYRwHnSuhX4RR6RH8_mQPHCkIJqntBFskYw5d6gdxtWn5X3uKy7ipijDEP0VytJ2a8AFQCT81nPloWfFJdvnqM9Pa3wHNmgA2icc6AKYj4QrfaDtdxAGGbskViHWueCxoUCjExtmFB4Z8subasYOvZDOnds2N6lsjCpQCag9Ns/w432-h640/Annex%20-%20Scott,%20Martha_01.jpg" width="432" /></a></div></span><br /></span><span style="background-color: #274e13; color: white; font-family: inherit; font-size: 14pt; line-height: 107%;">MARTIN
RITT</span><span style="color: #3d85c6; font-family: inherit;"><br /><span style="font-size: 14pt; line-height: 107%;">(1914 –
1990. Nova Iorque / EUA)</span><span style="font-size: 14pt; line-height: 107%;"> </span></span></div><div style="text-align: center;"><span style="color: #3d85c6; font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">diretor</span><br /><span style="font-size: 14pt; line-height: 107%;"> </span><br /></span><span style="background-color: #274e13; color: white; font-family: inherit; font-size: 14pt; line-height: 107%;">MICHAEL
GORDON</span><span style="color: #3d85c6; font-family: inherit;"><br /><span style="font-size: 14pt; line-height: 107%;">(1909 –
1993.</span><span> <span style="font-size: 14pt; line-height: 107%;">Baltimore,
Maryland / EUA)</span></span><br /><span style="font-size: 14pt; line-height: 107%;">diretor</span><br /><span style="font-size: 14pt; line-height: 107%;"> </span><br /></span><span style="background-color: #274e13; color: white; font-family: inherit; font-size: 14pt; line-height: 107%;">MICHAEL
WILSON</span><span style="color: #3d85c6; font-family: inherit;"><br /><span style="font-size: 14pt; line-height: 107%;">(1914 –
1978.</span><span> <span style="font-size: 14pt; line-height: 107%;">McAlester,
Oklahoma / EUA)</span></span><br /><span style="font-size: 14pt; line-height: 107%;">roteirista</span><br /><span style="font-size: 14pt; line-height: 107%;"> </span><br /></span><span style="background-color: #274e13; color: white; font-family: inherit; font-size: 14pt; line-height: 107%;">ORSON
WELLES</span><span style="color: #3d85c6; font-family: inherit;"><br /><span style="font-size: 14pt; line-height: 107%;">(1915 –
1985. Kenosha, Wisconsin / EUA)</span><br /><span style="font-size: 14pt; line-height: 107%;">ator,
roteirista e diretor</span><br /><span style="font-size: 14pt; line-height: 107%;"> </span><br /></span><span style="background-color: #274e13; color: white; font-family: inherit; font-size: 14pt; line-height: 107%;">PAUL
ROBESON</span><span style="color: #3d85c6; font-family: inherit;"><br /><span style="font-size: 14pt; line-height: 107%;">(1898 –
1976. Princeton / EUA)</span><br /><span style="font-size: 14pt; line-height: 107%;">ator e
cantor</span><br /><span style="font-size: 14pt; line-height: 107%;"> </span><br /></span><span style="background-color: #274e13; color: white; font-family: inherit; font-size: 14pt; line-height: 107%;">PETER
VIERTEL</span><span style="color: #3d85c6; font-family: inherit;"><br /><span style="font-size: 14pt; line-height: 107%;">(1920 –
2007.</span><span> <span style="font-size: 14pt; line-height: 107%;">Dresden
/ Alemanha)</span></span><br /><span style="font-size: 14pt; line-height: 107%;">roteirista</span><br /><span style="font-size: 14pt; line-height: 107%;"> </span><br /></span><span style="background-color: #274e13; color: white; font-family: inherit; font-size: 14pt; line-height: 107%;">RICHARD
ATTENBOROUGH</span><span style="color: #3d85c6; font-family: inherit;"><br /><span style="font-size: 14pt; line-height: 107%;">(1923 –
2014.</span><span> <span style="font-size: 14pt; line-height: 107%;">Cambridge
/ Reino Unido)</span></span><br /><span style="font-size: 14pt; line-height: 107%;">ator, diretor e
produtor</span><br /><span style="font-size: 14pt; line-height: 107%;"> </span><br /></span><span style="background-color: #274e13; color: white; font-family: inherit; font-size: 14pt; line-height: 107%;">RING
LARDNER JR.</span><span style="color: #3d85c6; font-family: inherit;"><br /><span style="font-size: 14pt; line-height: 107%;">(1915 –
2000. Chicago / EUA)</span><br /><span style="font-size: 14pt; line-height: 107%;">roteirista</span><br /><span style="font-size: 14pt; line-height: 107%;"> </span><br /></span><span style="background-color: #274e13; color: white; font-family: inherit; font-size: 14pt; line-height: 107%;">RUTH
GORDON</span><span style="color: #3d85c6; font-family: inherit;"><br /><span style="font-size: 14pt; line-height: 107%;">(1896 –
1985.</span><span> <span style="font-size: 14pt; line-height: 107%;">Quincy,
Massachusetts / EUA)</span></span><br /><span style="font-size: 14pt; line-height: 107%;">atriz e
roteirista</span><span style="font-size: 14pt; line-height: 107%;"><br /><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjLOFRlg1mw5AGSnMamHgswuEdIL4MccCzDp88KktF4hDDQXkT_Xjp5OWzwOyCJvmXAe7RjwMxvkoAxETT0-dKsBnosjYABTzuVNeddGIxrTxOa8bXUNpOWhhTXFUT2wuB7JMDIz8gCMe0rr97IHjQ72sAQL6XAR8m6iZOrDaN5E8kO94g4LbP9MlI5/s1440/84840_v9_ba.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1440" data-original-width="1080" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjLOFRlg1mw5AGSnMamHgswuEdIL4MccCzDp88KktF4hDDQXkT_Xjp5OWzwOyCJvmXAe7RjwMxvkoAxETT0-dKsBnosjYABTzuVNeddGIxrTxOa8bXUNpOWhhTXFUT2wuB7JMDIz8gCMe0rr97IHjQ72sAQL6XAR8m6iZOrDaN5E8kO94g4LbP9MlI5/w480-h640/84840_v9_ba.jpg" width="480" /></a></div></span><br /></span><span style="background-color: #274e13; color: white; font-family: inherit; font-size: 14pt; line-height: 107%;">SAM JAFFE</span><span style="color: #3d85c6; font-family: inherit;"><br /><span style="font-size: 14pt; line-height: 107%;">(1891 –
1984. Nova Iorque / EUA)</span><br /><span style="font-size: 14pt; line-height: 107%;">ator</span><br /><span style="font-size: 14pt; line-height: 107%;"> </span><br /></span><span style="background-color: #274e13; color: white; font-family: inherit; font-size: 14pt; line-height: 107%;">SAMSON
RAPHAELSON</span><span style="color: #3d85c6; font-family: inherit;"><br /><span style="font-size: 14pt; line-height: 107%;">(1894 –
1983. Nova Iorque / EUA)</span><br /><span style="font-size: 14pt; line-height: 107%;">roteirista
e dramaturgo</span><br /><span style="font-size: 14pt; line-height: 107%;"> </span><br /></span><span style="background-color: #274e13; color: white; font-family: inherit; font-size: 14pt; line-height: 107%;">SELENA
ROYLE</span><span style="color: #3d85c6; font-family: inherit;"><br /><span style="font-size: 14pt; line-height: 107%;">(1904 –
1983. Nova Iorque / EUA)</span><br /><span style="font-size: 14pt; line-height: 107%;">atriz</span><br /><span style="font-size: 14pt; line-height: 107%;"> </span><br /></span><span style="background-color: #274e13; color: white; font-family: inherit; font-size: 14pt; line-height: 107%;">STELLA
ADLER</span><span style="color: #3d85c6; font-family: inherit;"><br /><span style="font-size: 14pt; line-height: 107%;">(1901 –
1992. Nova Iorque / EUA)</span><br /><span style="font-size: 14pt; line-height: 107%;">atriz e
professora de interpretação</span><br /><span style="font-size: 14pt; line-height: 107%;"> </span><br /></span><span style="background-color: #274e13; color: white; font-family: inherit; font-size: 14pt; line-height: 107%;">UTA HAGEN</span><span style="color: #3d85c6; font-family: inherit;"><br /><span style="font-size: 14pt; line-height: 107%;">(1919 –
2004. Göttingen / Alemanha)</span><br /><span style="font-size: 14pt; line-height: 107%;">atriz e
professora de interpretação</span><br /><span style="font-size: 14pt; line-height: 107%;"> </span><br /></span><span style="background-color: #274e13; color: white; font-family: inherit; font-size: 14pt; line-height: 107%;">VERA
CASPARY</span><span style="color: #3d85c6; font-family: inherit;"><br /><span style="font-size: 14pt; line-height: 107%;">(1899 –
1987. Chicago / Ilinois)</span><br /><span style="font-size: 14pt; line-height: 107%;">escritora</span><br /><span style="font-size: 14pt; line-height: 107%;"> </span><br /></span><span style="background-color: #274e13; color: white; font-family: inherit; font-size: 14pt; line-height: 107%;">WALDO
SALT</span><span style="color: #3d85c6; font-family: inherit;"><br /><span style="font-size: 14pt; line-height: 107%;">(1914 –
1987. Chicago, Illinois / EUA)</span><br /><span style="font-size: 14pt; line-height: 107%;">roteirista</span><br /><span style="font-size: 14pt; line-height: 107%;"> </span><br /></span><span style="background-color: #274e13; color: white; font-family: inherit; font-size: 14pt; line-height: 107%;">WILL GEER</span><span style="color: #3d85c6; font-family: inherit;"><br /><span style="font-size: 14pt; line-height: 107%;">(1902 –
1978. Frankfort, Indiana / EUA)</span><br /><span style="font-size: 14pt; line-height: 107%;">ator</span><br /><span style="font-size: 14pt; line-height: 107%;"> </span><br /></span><span style="background-color: #274e13; color: white; font-family: inherit; font-size: 14pt; line-height: 107%;">ZERO
MOSTEL</span><span style="color: #3d85c6; font-family: inherit;"><br /><span style="font-size: 14pt; line-height: 107%;">(1915 –
1977. Nova Iorque / EUA)</span><br /><span style="font-size: 14pt; line-height: 107%;">ator</span><br /></span></div><div style="text-align: justify;"><span style="color: #3d85c6; font-family: inherit; font-size: 14pt; line-height: 107%;"> <table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto;"><tbody><tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgaQYjBW5wIuDiQskSxISrqEzzgj-okM_34CV0G_5Jlrlt8kElS3BN9W0_dpEoZUWtR3_D9vyAGJEASgmEqOY9gsE2tBcn8rjT3a0M0McbrNUgGT7uRSQqIgNksSmuoxKjOyFlumJXFxHOTzS4YBF2Xnm9ibfeWI4QTpuLYQ-idbmXZHC6jKqI-blfF/s1233/hellman.jpg" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="988" data-original-width="1233" height="512" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgaQYjBW5wIuDiQskSxISrqEzzgj-okM_34CV0G_5Jlrlt8kElS3BN9W0_dpEoZUWtR3_D9vyAGJEASgmEqOY9gsE2tBcn8rjT3a0M0McbrNUgGT7uRSQqIgNksSmuoxKjOyFlumJXFxHOTzS4YBF2Xnm9ibfeWI4QTpuLYQ-idbmXZHC6jKqI-blfF/w640-h512/hellman.jpg" width="640" /></a></td></tr><tr><td class="tr-caption" style="text-align: center;"><span style="font-family: inherit;"><span style="background-color: black; color: #3d85c6; font-size: large;">lillian hellman</span></span><br /></td></tr></tbody></table></span><span style="font-family: inherit;"><br /></span></div><div style="text-align: center;"><span style="background-color: #274e13; color: white; font-family: inherit; font-size: 14pt; line-height: 107%;">FONTES</span><span style="font-family: inherit;"><br /></span></div><div style="text-align: justify;"><span style="color: #3d85c6; font-family: inherit; font-size: 14pt; line-height: 107%;">“Actors
on Red Alert: Career Interviews with Five Actors and Actresses Affected by the
Blacklist”</span><span style="font-family: inherit; font-size: 14pt; line-height: 107%;"> (1999), de Anthony Slide;</span><span style="color: #3d85c6; font-family: inherit;"><br /><span style="font-size: 14pt; line-height: 107%;"> </span><br /><span style="font-size: 14pt; line-height: 107%;">“Ayn Rand
and Song of Russia: Communism and Anti-Communism in 1940s Hollywood” </span></span><span style="font-family: inherit; font-size: 14pt; line-height: 107%;">(2005), de
Robert Mayhew;</span><span style="color: #3d85c6; font-family: inherit;"><br /><span style="font-size: 14pt; line-height: 107%;"> </span><br /><span style="font-size: 14pt; line-height: 107%;">“Blacklisted
– The Film Lover´s Guide to the Hollywood Blacklist” </span></span><span style="font-family: inherit; font-size: 14pt; line-height: 107%;">(2003), de Paul Buhle e
Dave Wagner;</span><span style="color: #3d85c6; font-family: inherit;"><br /><span style="font-size: 14pt; line-height: 107%;"> </span><br /><span style="font-size: 14pt; line-height: 107%;">“Caça às
Bruxas: Macartismo, uma Tragédia Americana” </span></span><span style="font-family: inherit; font-size: 14pt; line-height: 107%;">(1989), de Argemiro Ferreira;</span><span style="color: #3d85c6; font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;"> </span><br /><span style="font-size: 14pt; line-height: 107%;"> </span><br /><span style="font-size: 14pt; line-height: 107%;">“Communism
in Hollywood: The Moral Paradoxes of Testimony, Silence, and Betrayal” </span></span><span style="font-family: inherit; font-size: 14pt; line-height: 107%;">(2009),
de Alan Casty;</span><span style="color: #3d85c6; font-family: inherit;"><br /><span style="font-size: 14pt; line-height: 107%;"> </span><br /><span style="font-size: 14pt; line-height: 107%;">“High
Noon: The Hollywood Blacklist and the Making of an American Classic” </span></span><span style="font-family: inherit; font-size: 14pt; line-height: 107%;">(2017), de
Glenn Frankel;</span><span style="color: #3d85c6; font-family: inherit;"><br /><span style="font-size: 14pt; line-height: 107%;"> </span><br /><span style="font-size: 14pt; line-height: 107%;">“The
Hollywood Motion Picture Blacklist: Seventy-Five Years Later”</span></span><span style="font-family: inherit; font-size: 14pt; line-height: 107%;"> (2022), de Larry
Ceplair;</span><span style="color: #3d85c6; font-family: inherit;"><br /><span style="font-size: 14pt; line-height: 107%;"> </span><br /><span style="font-size: 14pt; line-height: 107%;">“The
Inquisition in Hollywood: Politics in the Film Community, 1930-60” </span></span><span style="font-family: inherit; font-size: 14pt; line-height: 107%;">(2003), de
Larry Ceplair e Steven Englund;</span><span style="color: #3d85c6; font-family: inherit;"><br /><span style="font-size: 14pt; line-height: 107%;"> </span><br /><span style="font-size: 14pt; line-height: 107%;">“The Red
and the Blacklist: The Intimate Memoir of a Hollywood Expatriate” </span></span><span style="font-family: inherit; font-size: 14pt; line-height: 107%;">(2003), de
Norma Barzman;</span><span style="color: #3d85c6; font-family: inherit;"><br /><span style="font-size: 14pt; line-height: 107%;"> </span><br /><span style="font-size: 14pt; line-height: 107%;">“Scoundrel
Time” </span></span><span style="font-family: inherit; font-size: 14pt; line-height: 107%;">(1976), de</span><span style="font-family: inherit;"> <span style="font-size: 14pt; line-height: 107%;">Lillian Hellman;</span></span><span style="color: #3d85c6; font-family: inherit;"><br /><span style="font-size: 14pt; line-height: 107%;"> </span><br /><span style="font-size: 14pt; line-height: 107%;">“Show
Trial” </span></span><span style="font-family: inherit; font-size: 14pt; line-height: 107%;">(2018), de Thomas Doherty;</span><span style="color: #3d85c6; font-family: inherit;"><br /><span style="font-size: 14pt; line-height: 107%;"> </span><br /><span style="font-size: 14pt; line-height: 107%;">“Tender
Comrades: a Backstory of the Hollywood Blacklist” </span></span><span style="font-family: inherit; font-size: 14pt; line-height: 107%;">(1997), de Patrick McGilligan;</span><span style="color: #3d85c6; font-family: inherit;"><br /><span style="font-size: 14pt; line-height: 107%;"> </span><br /><span style="font-size: 14pt; line-height: 107%;">“Trumbo: a
Vida do Roteirista Ganhador do Oscar que Derrubou a Lista Negra de Hollywood”
</span></span><span style="font-family: inherit; font-size: 14pt; line-height: 107%;">(2015), de Bruce Cook.</span></div><div style="text-align: justify;"><span style="font-family: inherit; font-size: 14pt; line-height: 107%;"> </span></div><div style="text-align: center;"><span style="background-color: #274e13; color: white; font-family: inherit; font-size: large;">GALERIA de FOTOS<br /></span></div><div style="text-align: justify;"><span style="font-family: inherit;"><br /></span></div><div style="text-align: justify;"><span style="color: #3d85c6; font-family: inherit;"><span><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjON0ozOKnJYhyJTTFUxiv7TofEb1g6mlxbFGAdvdtoMfy3mHH7SicolG8xYcLiAgfx3glsCT0TbcmDfsbhO2fCWsopotGIOSC8RpAzczWjCilNYu1JI_oQ5N5lb5vOBybU3KdSlsolmdUdc7cdxwlgYFx0g7gPQVazcAf1ZyH1-SJKMFPflnnEhdVi/s959/1200x0.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="940" data-original-width="959" height="393" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjON0ozOKnJYhyJTTFUxiv7TofEb1g6mlxbFGAdvdtoMfy3mHH7SicolG8xYcLiAgfx3glsCT0TbcmDfsbhO2fCWsopotGIOSC8RpAzczWjCilNYu1JI_oQ5N5lb5vOBybU3KdSlsolmdUdc7cdxwlgYFx0g7gPQVazcAf1ZyH1-SJKMFPflnnEhdVi/w400-h393/1200x0.jpg" width="400" /></a></div><div class="separator" style="clear: both; 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margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="720" data-original-width="1280" height="225" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjQVdcA1c487jRZ2-Y27bmbgNAL0mDWB1i835Oeol-CM5onSWX7HoYvhGbw99TIKrHXjWhR2PLFcUOBZtTEdoQYO9zU0APPo_xrQQUS2WeY_kVTSPMsKyqQyflGPZ19zHBsBpCrwt8dg3FIr-ZttUE0SrWXHcNN0Ds4h1QSdUka4KYTz17NagMBzOEz/w400-h225/trumbo.jpeg" width="400" /></a></div><span style="font-family: inherit;"><br /></span>
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</p></div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjwCKETdpODQ3glCCnmKTJK6xJgONLFdGe3jEEBG5HW1QCPkcCvSstyvUh_eBeEihN-LDAKls42PMBaLmU08a0dJ0B6HYhGbW7JNB27mA0RRc99AYEBeurjxY4vymv3ecwktp0jkMd-sUTXoT1oQzp7PQ3LaZt6eRZW7q1c5YgM8mM8_0yjm2-2MOVW/s1600/grayscale-hollywood-sign_16001.webp" style="font-family: inherit; margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="915" data-original-width="1600" height="366" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjwCKETdpODQ3glCCnmKTJK6xJgONLFdGe3jEEBG5HW1QCPkcCvSstyvUh_eBeEihN-LDAKls42PMBaLmU08a0dJ0B6HYhGbW7JNB27mA0RRc99AYEBeurjxY4vymv3ecwktp0jkMd-sUTXoT1oQzp7PQ3LaZt6eRZW7q1c5YgM8mM8_0yjm2-2MOVW/w640-h366/grayscale-hollywood-sign_16001.webp" width="640" /></a></div><br />ANTONIO NAHUDhttp://www.blogger.com/profile/09829893001743081676noreply@blogger.com5tag:blogger.com,1999:blog-7997398743762234247.post-69197573429754913582023-04-29T14:05:00.033-03:002023-04-29T16:09:42.748-03:00******* WARNER BROS. 100 ANOS – a HISTÓRIA<div style="text-align: justify;"><span style="font-family: inherit; font-size: 14pt; line-height: 107%;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh3NV4fjXYMwBKiLW5xTa4cfYempMzOOUEddJWP6PAqrMyWcGsDtYzFajTxNM7Npu0iV1d5MIVqarrpC_sHEBfUVB6SgBr_HoLSMZ2IuQENxMj7jVgu1igq22n7PGbhUA67OxVGhzJpjVqTfCCb96TeEqH731GNBdU4CW9mtkdCMahQG80ZV18bSe6i/s2143/_methode_sundaytimes_prod_web_bin_2fb54942-a2d6-11e7-afbf-91c225a59917.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1429" data-original-width="2143" height="426" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh3NV4fjXYMwBKiLW5xTa4cfYempMzOOUEddJWP6PAqrMyWcGsDtYzFajTxNM7Npu0iV1d5MIVqarrpC_sHEBfUVB6SgBr_HoLSMZ2IuQENxMj7jVgu1igq22n7PGbhUA67OxVGhzJpjVqTfCCb96TeEqH731GNBdU4CW9mtkdCMahQG80ZV18bSe6i/w640-h426/_methode_sundaytimes_prod_web_bin_2fb54942-a2d6-11e7-afbf-91c225a59917.jpg" width="640" /></a></div> </span><span style="font-family: inherit; font-size: 14pt; line-height: 107%;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgalt_cuynvL7WhpaVRrxsflKf_u50GRo2_uzKOqqmKDiODkl-1GC1FomiD7hmxP5UpAYsBzjRqaTdltk79dvA7XZF_i3PJ-B35ikP2tY2nBjGc04Uqsj3EL1clXbGjItuhGw5oK88AZjiuNySR7IrW1pLLKdx9ZsY-z-eNBSv2-Ff3gCOwGFS4Jopm/s2143/_methode_sundaytimes_prod_web_bin_2fb54942-a2d6-11e7-afbf-91c225a59917.jpg" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"></a></div></span><span style="font-family: inherit; font-size: 14pt; line-height: 107%;"><br /></span></div><div style="text-align: justify;"><span style="font-family: inherit; font-size: 14pt; line-height: 107%;"><br /></span></div><div style="text-align: justify;"><span style="font-family: inherit; font-size: 14pt; line-height: 107%;">A norte-americana
<span style="background-color: #274e13; color: white;">WARNER BROTHERS</span>, uma das maiores produtoras de filmes e séries televisivas do
mundo, comemora 100 anos de existência. Fundada em 1923 pelos irmãos Harry,
Albert, Sam e Jack Warner, inicialmente trabalhava com a distribuição de
longas-metragens. Com o passar dos anos, transformou-se numa produtora poderosa
de filmes – em 2022, faturou 33,8 bilhões de dólares.</span><span style="font-family: inherit;"> <br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;"> </span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">A
companhia criou alguns dos mais amados e reconhecidos filmes de todos os tempos.
Para celebrar o marco histórico, colocou em sua agenda uma série de
lançamentos. Boxes de DVDs com clássicos e até um documentário que conta sua
trajetória. A história da origem dos donos iniciais do estúdio remonta ainda na
Polônia, filhos de um sapateiro que tinha 12 filhos e vivia com a sua família
em Kransnosielc. </span><span style="font-family: inherit;"></span></div><div style="text-align: justify;"><span style="font-family: inherit;"><br /></span>
<table cellpadding="0" cellspacing="0" class="tr-caption-container" style="float: right; margin-left: 1em; text-align: right;"><tbody><tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgYr-r-aVYwj9VhAkM17OO259C6F7VP53P9Sg2avtPuY0_5Al6FOZPX0GqaiKL9htotyn4egmI6ck1j9FNWIFKT-KIOowFkhzhOsB1lSzB-mJfW5RzhdSpSZL5uI125qzAJWXLtEciHzK0bvGHwf970618G7gldP_tVzM2-ZL_L18yQUeD0mdEazQFl/s1144/warnerbros.jpg" style="clear: right; margin-bottom: 1em; margin-left: auto; margin-right: auto;"><img border="0" data-original-height="851" data-original-width="1144" height="297" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgYr-r-aVYwj9VhAkM17OO259C6F7VP53P9Sg2avtPuY0_5Al6FOZPX0GqaiKL9htotyn4egmI6ck1j9FNWIFKT-KIOowFkhzhOsB1lSzB-mJfW5RzhdSpSZL5uI125qzAJWXLtEciHzK0bvGHwf970618G7gldP_tVzM2-ZL_L18yQUeD0mdEazQFl/w400-h297/warnerbros.jpg" width="400" /></a></td></tr><tr><td class="tr-caption" style="text-align: center;"><span style="font-family: inherit;"><span style="background-color: black; color: #3d85c6; font-size: large;">os irmãos warner</span></span><br /></td></tr></tbody></table><div style="text-align: justify;"><span style="color: white; font-family: inherit; font-size: 14pt; line-height: 107%;">Os irmãos Warner (nascidos como Wonskolaser),
Harry Warner (nascido Hirsz), Albert Warner (nascido Aaron), Sam Warner
(nascido Szmul) e Jack Warner (nascido Itzhak), eram judeus que emigraram para
Ontário, Canadá. Tendo adquirido um projetor e uma tela portátil, começaram os
negócios exibindo filmes mudos em cidades da Pensilvânia e
de Ohio, já nos Estados Unidos. </span><br /><span style="color: #c00000; font-family: inherit; font-size: 14pt; line-height: 107%;"> </span><br /></div>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">Com o
lucro, abriram a sua própria sala de cinema, aumentando esse patrimônio com o
mercado da distribuição. Em 1918, na Califórnia, criaram uma produtora, e,
graças ao sucesso, conseguiram comprar um estúdio em Hollywood. Harry, o mais
velho dos irmãos, assumiu a presidência da empresa, dirigindo-a da sua sede em
Nova Iorque, enquanto Albert ficou como tesoureiro e chefe de vendas e
distribuição.</span><span style="font-family: inherit;"><br /></span></div><div style="text-align: justify;">
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;"> </span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">Sam e
Jack dirigiam o estúdio, que gozou de um êxito rápido, com a série de Rin Tin
Tin, um cão que havia sido trazido da França, após a primeira guerra, por um
soldado. Os filmes do cão esperto se tornaram tão populares que deram origem a
uma franquia de 26 longas. Rin Tin Tin se tornou a maior estrela do estúdio,
ganhando mil dólares por semana até 1929, quando seu contrato foi rompido.</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;"> </span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">O prestígio
surgiu ao contratar o genial diretor alemão Ernst Lubitsch. Sua comédia <span style="color: #3d85c6;">“O Círculo
do Casamento / The Marriage Circle”</span> foi o filme de maior bilheteria do estúdio em 1924, e fez parte da
lista do <span style="color: #3d85c6;">“New York Times” </span>dos melhores do ano.</span><span style="font-family: inherit;"> <span style="font-size: 14pt; line-height: 107%;">Dando continuidade, contrataram o famoso ator da Broadway, John Barrymore, para o papel principal em <span style="color: #3d85c6;">“Beau
Brummell”</span>. O drama foi um sucesso.</span></span></div><div style="text-align: justify;"><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;"> </span><br /></span>
<table cellpadding="0" cellspacing="0" class="tr-caption-container" style="float: right; margin-left: 1em; text-align: right;"><tbody><tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhgV1NkR_RRYNA_ivtgkKmqt2wsYmSy1rPLSyIIdaIXBR8Xu3xez_goNSg55J4VilYfAk8U9lv4UVPvIX3fKs9U43x-KOjBa3BZmxHliRm3cP6PgnTv2SwxINGVPRhZSZFaOfc2YVy7InCV51HGxf93hBG769HfIeW8snPUepO-U9EYpX6yF5nKVOa-/s907/9283470_1.jpg" style="clear: right; margin-bottom: 1em; margin-left: auto; margin-right: auto;"><img border="0" data-original-height="907" data-original-width="714" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhgV1NkR_RRYNA_ivtgkKmqt2wsYmSy1rPLSyIIdaIXBR8Xu3xez_goNSg55J4VilYfAk8U9lv4UVPvIX3fKs9U43x-KOjBa3BZmxHliRm3cP6PgnTv2SwxINGVPRhZSZFaOfc2YVy7InCV51HGxf93hBG769HfIeW8snPUepO-U9EYpX6yF5nKVOa-/w252-h320/9283470_1.jpg" width="252" /></a></td></tr><tr><td class="tr-caption" style="text-align: center;"><span style="font-family: inherit;"><span style="background-color: black; color: #3d85c6; font-size: large;">jack warner</span></span><br /></td></tr></tbody></table><div style="text-align: justify;"><span style="font-family: inherit; font-size: 14pt; line-height: 107%;">Em 1927,
após<span style="color: #3d85c6;"> “Don Juan”</span> fracassar, a produtora entrou em crise, mas o lançamento de <span style="color: #3d85c6;">“O
Cantor de Jazz / The Jazz Singer”</span>, protagonizado por Al Jolson, foi uma sensação e assinalou o
início da era de filmes falados e o crepúsculo do cinema mudo. O musical
possuía diálogos sonorizados, além de trechos cantados. No entanto, Sam morreu
na noite anterior à estreia. Sua morte teve um impacto em Jack, pois era uma
inspiração e seu irmão preferido. </span><br /><span style="font-family: inherit; font-size: 14pt; line-height: 107%;"> </span><br /><span style="font-family: inherit; font-size: 14pt; line-height: 107%;">Nos anos
seguintes, da <span style="background-color: #274e13; color: white;">WARNER BROS.</span> tornou-se uma das principais produtoras
cinematográficas, com Jack mantendo um controle rígido. Em 1929, foi pioneira
nos filmes coloridos com <span style="color: #3d85c6;">“A Canção do Deserto / The Desert Song”</span> e <span style="color: #3d85c6;">“</span><span style="color: #3d85c6;">Toca a Música / On With the Show!</span><span style="color: #3d85c6;">”</span>. No ano
seguinte, investiu em animação, iniciando a fama de personagens como
Pernalonga, Patolino, Gaguinho, entre outros. Durante os anos 30, produziu
perto de 100 filmes por ano. </span><br /></div>
</div><div style="text-align: justify;">
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;"> </span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">O estúdio
lançou filmes realistas de gangsters, um fenômeno iniciado com Edward
G. Robinson em <span style="color: #3d85c6;">“Alma no Lodo / Little Caesar”</span> (1931). O ator, juntamente com James
Cagney, Kay Francis, Bette Davis, Paul Muni, Miriam Hopkins, Barbara Stanwyck, George
Brent, Warren William, Olivia de Havilland, Errol Flynn, Joan Blondell, Dick
Powell e Humphrey Bogart, fazia parte dos contratados de longa duração. </span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;"> </span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">Com o
passar dos anos, o estúdio ganhou reputação por produzir filmes de nível
artístico conduzidos por diretores competentes ou talentosos como Howard Hawks,
William A. Wellman, Alfred E. Green, Mervyn LeRoy, Lloyd Bacon, Roy Del Ruth, Edmund
Goulding, Archie L. Mayo, Raoul Walsh, Michael Curtiz, William Dieterle,
William Wyler, Anatole Litvak, John Huston, William Keighley, Vincent Sherman,
Jean Negulesco, Curtis Bernhardt, Peter Godfrey, John Cromwell etc.</span><span style="font-family: inherit;"><br />
<br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">Um
símbolo da <span style="background-color: #274e13; color: white;">WARNER</span> que nos acompanha até hoje na abertura dos seus filmes, a
famosa caixa d’água com a logomarca, foi construída <span style="color: white;">em 1935 como cenário da comédia </span><span style="color: #3d85c6;">“Cain e Mabel / Cain and
Mabel”</span><span style="color: white;">, estrelado por Clark Gable.</span></span><span style="color: white; font-family: inherit; font-size: 14pt; line-height: 107%;">Em 1936, Bette
Davis, a principal atriz do estúdio, descontente com os papéis que recebia, foi
para a Europa e tentou quebrar seu contrato, mas perdeu o processo e teve que
retornar. </span><span style="color: white; font-family: inherit;"><br /></span>
<span style="color: white; font-family: inherit; font-size: 14pt; line-height: 107%;"> </span><span style="color: white; font-family: inherit;"><br /></span>
<span style="color: #3d85c6; font-family: inherit; font-size: 14pt; line-height: 107%;"><table cellpadding="0" cellspacing="0" class="tr-caption-container" style="float: left; margin-right: 1em; text-align: left;"><tbody><tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEicjFsqZFIHFUyExi0GhbK6WFU9LEPGmpzBeEz_y0PHWkfPV5uIwvr86zUHZkUvF3Qiv98T_Zz9R1FcWwUg-WYxBwaaQJ5ptPL5ADrPn3I6u0SNTdumw8GQ1mVdXUwm_MXYBDyx9mV5TXFzdS5WqGC9ySkQd5h2EubR52RLrOmTKt-wN2GNQwIQWsxB/s480/tumblr_ltq9hxL9Qr1qdx4k4o1_500.gif" style="clear: left; margin-bottom: 1em; margin-left: auto; margin-right: auto;"><img border="0" data-original-height="325" data-original-width="480" height="271" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEicjFsqZFIHFUyExi0GhbK6WFU9LEPGmpzBeEz_y0PHWkfPV5uIwvr86zUHZkUvF3Qiv98T_Zz9R1FcWwUg-WYxBwaaQJ5ptPL5ADrPn3I6u0SNTdumw8GQ1mVdXUwm_MXYBDyx9mV5TXFzdS5WqGC9ySkQd5h2EubR52RLrOmTKt-wN2GNQwIQWsxB/w400-h271/tumblr_ltq9hxL9Qr1qdx4k4o1_500.gif" width="400" /></a></td></tr><tr><td class="tr-caption" style="text-align: center;"><span style="font-family: inherit;"><span style="background-color: black; color: #3d85c6; font-size: large;">cena de <span style="line-height: 107%;">“</span>os crimes do museu<span style="line-height: 107%;">”</span> (1933)</span></span><br /></td></tr></tbody></table>“A Vida de Emile Zola / The Life of Emile
Zola”</span><span style="color: white; font-family: inherit; font-size: 14pt; line-height: 107%;"> (1937) deu ao estúdio o primeiro Oscar de Melhor Filme. Em 1939, o novo
contratado George Raft deu dor de cabeça para Jack Warner. Ele não gostava de Humphrey
Bogart e se recusava a fazer qualquer filme com o ator. A </span><span style="background-color: #274e13; color: white; font-family: inherit; font-size: 14pt; line-height: 107%;">WARNER</span><span style="color: white; font-family: inherit; font-size: 14pt; line-height: 107%;"> liberou Raft
de seu contrato e graças a filmes recusados por ele, como </span><span style="color: #3d85c6; font-family: inherit; font-size: 14pt; line-height: 107%;">“O Último Refúgio”</span><span style="color: white; font-family: inherit; font-size: 14pt; line-height: 107%;">
(1941), Bogart se tornou uma grande estrela. </span><span style="color: white; font-family: inherit;"><br /></span>
<span style="color: white; font-family: inherit; font-size: 14pt; line-height: 107%;"> </span><span style="color: white; font-family: inherit;"><br /></span>
<span style="color: white; font-family: inherit; font-size: 14pt; line-height: 107%;">Em 1943, Olivia de Havilland abriu um
processo contra o estúdio. Estava insatisfeita com os filmes que fazia e passou
a recusar papéis, o que fez com que recebesse suspensões. Quando não aceitou
ser emprestada para a Columbia Pictures, teve mais uma vez o seu contrato
suspenso. Quando ele por fim venceu, a atriz foi informada de que deveria
continuar trabalhando para compensar os períodos de suspensão.</span><span style="color: white; font-family: inherit;"><br /></span>
<span style="color: white; font-family: inherit; font-size: 14pt; line-height: 107%;"> </span><span style="color: white; font-family: inherit;"><br /></span>
<span style="color: white; font-family: inherit; font-size: 14pt; line-height: 107%;">Por fim, De Havilland descobriu que os
contratos nos EUA valiam por apenas sete anos e ela estava contratada há oito,
desde 1935. Entrou com uma ação e a corte votou a favor dela, que, vitoriosa,
pode ser liberada de seu contrato, com a </span><span style="background-color: #274e13; color: white; font-family: inherit; font-size: 14pt; line-height: 107%;">WARNER</span><span style="color: white; font-family: inherit; font-size: 14pt; line-height: 107%;"> prometendo nunca mais
contratá-la. Mas ela acabou ganhando o respeito da indústria cinematográfica e sendo
convidada para excelentes papéis nas telas. </span><span style="color: white; font-family: inherit;"><br /></span>
<span style="color: white; font-family: inherit; font-size: 14pt; line-height: 107%;"> </span><span style="color: white; font-family: inherit;"><br /></span>
<span style="color: white; font-family: inherit; font-size: 14pt; line-height: 107%;">Durante a Segunda Guerra Mundial, a Cruz Vermelha
coletou cerca de 5,200 litros de sangue doados pelos empregados da empresa e
763 deles serviram nas Forças Armadas, incluindo o genro de Harry, Milton
Sperling, e o filho de Jack, Jack Warner Jr. Ainda nos tempos de guerra, após
ganhar o Oscar de Melhor Filme com o icônico “Casablanca”, os Irmãos Warner
ficaram ainda mais ricos do que já eram. </span><span style="color: white; font-family: inherit;"><br /></span>
<span style="color: white; font-family: inherit; font-size: 14pt; line-height: 107%;"> </span><span style="color: white; font-family: inherit;"><br /></span>
<span style="color: white; font-family: inherit; font-size: 14pt; line-height: 107%;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgqbZrpYe5kWxw02LhnpsQoGa7yrLuJtFHKxLc8Vug8l4mEj8Pjv_95iGySo8dE4VN-LMVZ6_zYdWMWYnrSHA6vJjoPxRiWtPD8LagfacINS43mpcBIQ38E3itjEHJfcLfB0sW4H_JQkAlMd9xx_prCSQ59-RxPVBqfl8T6l9Udwf-sV5H1g7QdOH0a/s841/WarnerBros.StudiosBurbank.jpg" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="631" data-original-width="841" height="300" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgqbZrpYe5kWxw02LhnpsQoGa7yrLuJtFHKxLc8Vug8l4mEj8Pjv_95iGySo8dE4VN-LMVZ6_zYdWMWYnrSHA6vJjoPxRiWtPD8LagfacINS43mpcBIQ38E3itjEHJfcLfB0sW4H_JQkAlMd9xx_prCSQ59-RxPVBqfl8T6l9Udwf-sV5H1g7QdOH0a/w400-h300/WarnerBros.StudiosBurbank.jpg" width="400" /></a></div>Nos anos 40, a imagem da </span><span style="background-color: #274e13; color: white; font-family: inherit; font-size: 14pt; line-height: 107%;">WARNER</span><span style="color: white; font-family: inherit; font-size: 14pt; line-height: 107%;"> mudou para algo mais atrativo e moderno, graças a atores como <a name="_Hlk133312464">Joan Crawford, John Garfield, Ann Sheridan, Paul Henreid, Alexis
Smith, Lauren Bacall e Eleanor Parker.</a> O estúdio continuou prosperando
após a guerra. Mas a década de 50 foi marcada por desafios. Isso porque a TV fez com que o cinema enfrentasse dificuldades de
sobrevivência. </span><span style="color: white; font-family: inherit;"><br /></span>
<span style="color: white; font-family: inherit; font-size: 14pt; line-height: 107%;"> </span><span style="color: white; font-family: inherit;"><br /></span>
<span style="color: white; font-family: inherit; font-size: 14pt; line-height: 107%;">Em 1954, a </span><span style="background-color: #274e13; color: white; font-family: inherit; font-size: 14pt; line-height: 107%;">WARNER BROS.</span><span style="color: white; font-family: inherit; font-size: 14pt; line-height: 107%;"> finalmente conseguiu
decolar com sua divisão de TV, produzindo algumas séries do gênero faroeste,
como </span><span style="color: #3d85c6; font-family: inherit; font-size: 14pt; line-height: 107%;">“Maverick”</span><span style="color: white; font-family: inherit; font-size: 14pt; line-height: 107%;">, </span><span style="color: #3d85c6; font-family: inherit; font-size: 14pt; line-height: 107%;">“Bronco”</span><span style="color: white; font-family: inherit; font-size: 14pt; line-height: 107%;"> e </span><span style="color: #3d85c6; font-family: inherit; font-size: 14pt; line-height: 107%;">“Colt 45”</span><span style="color: white; font-family: inherit; font-size: 14pt; line-height: 107%;">. O sucesso ajudou a compensar as perdas
cinematográficas. Como resultado, Jack Warner investiu mais em produções de TV
e lançou diversas séries. Em 1956, ele deu um golpe nos irmãos e se tornou
presidente da empresa com 90% das ações.</span><span style="color: white; font-family: inherit;"><br /></span>
<span style="color: white; font-family: inherit; font-size: 14pt; line-height: 107%;"> </span><span style="color: white; font-family: inherit;"><br /></span>
<span style="color: white; font-family: inherit; font-size: 14pt; line-height: 107%;">A empresa cresceu novamente no final dos anos
1950. Nos primeiros anos de 1960, os lucros líquidos eram pouco mais que 7
milhões de dólares. Em meados da década, a produção de filmes estrou mundialmente
em declínio. Com a idade avançando, Jack vendeu sua parte nos negócios,
perdendo a presidência em 1967. Era a primeira vez que a companhia não era
comandada por um dos quatro irmãos.</span><span style="color: white; font-family: inherit;"><br /></span>
<span style="color: white; font-family: inherit; font-size: 14pt; line-height: 107%;"> </span><span style="color: white; font-family: inherit;"><br /></span>
<span style="color: white; font-family: inherit; font-size: 14pt; line-height: 107%;">Por 32 milhões de dólares, o estúdio passou a
ser controlado pelos investidores canadenses Elliot e Kenneth Hyman. Rebatizada
de Warner Bros. - Seven Arts. e com o estrondoso sucesso de </span><span style="color: #3d85c6; font-family: inherit; font-size: 14pt; line-height: 107%;">“Bonnie e Clyde – Uma
Rajada de Balas”</span><span style="color: white; font-family: inherit; font-size: 14pt; line-height: 107%;">, começou a lucrar novamente. A nova direção apostou nas
estrelas da época, assinando acordos de co-produção com Paul Newman, Robert
Redford, Barbra Streisand e Clint Eastwood.</span><span style="color: white; font-family: inherit;"><br /></span>
<span style="color: white; font-family: inherit; font-size: 14pt; line-height: 107%;"> </span><span style="color: white; font-family: inherit;"><br /></span>
<span style="color: white; font-family: inherit; font-size: 14pt; line-height: 107%;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjKh5vWA2rfYeR0t1ne-xbW529Tb1F5N-opNeGM3AQzDpUyW4W0CvPfAtFcTQYNCSe2okaWrX_cgzGSgyUnBmw5YeGfVlUzfbKWGSuf2Wqdpv4yKm4U8HXKJgc7jOcl4NUR9chEDSiM1ofhB7r0YWfvcqwzF7FktHEB0oGj_T-UliLpRMDqj8L_TfQ8/s1600/hero-studiohistory.jpg" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"><img border="0" data-original-height="750" data-original-width="1600" height="188" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjKh5vWA2rfYeR0t1ne-xbW529Tb1F5N-opNeGM3AQzDpUyW4W0CvPfAtFcTQYNCSe2okaWrX_cgzGSgyUnBmw5YeGfVlUzfbKWGSuf2Wqdpv4yKm4U8HXKJgc7jOcl4NUR9chEDSiM1ofhB7r0YWfvcqwzF7FktHEB0oGj_T-UliLpRMDqj8L_TfQ8/w400-h188/hero-studiohistory.jpg" width="400" /></a></div>Seguiu de forma bem sucedida nos anos 70 e 80,
realizando diversos filmes lucrativos com personagens como Superman e Batman. A
partir de 2001, lançou a famosa série </span><span style="color: #3d85c6; font-family: inherit; font-size: 14pt; line-height: 107%;">“Harry Potter”</span><span style="color: white; font-family: inherit; font-size: 14pt; line-height: 107%;">. Em 2009, se tornou o
primeiro estúdio da história a faturar mais de 2 bilhões no mercado norte-americano
em um único ano. Atualmente, a </span><span style="background-color: #274e13; color: white; font-family: inherit; font-size: 14pt; line-height: 107%;">WARNER BROS.</span><span style="color: white; font-family: inherit; font-size: 14pt; line-height: 107%;"> é dona de 10 empresas
cinematográficas e televisivas.</span><span style="color: white; font-family: inherit;"><br /></span>
<span style="color: white; font-family: inherit; font-size: 14pt; line-height: 107%;"> </span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">Seus
estúdios estão em Burbank, na Califórnia, numa área de 44,50 hectares e uma
área rural de 12,95 hectares. No local, existem 29 estúdios e 12 sub-estúdios.
Além disso, há oito salas de projeção e um tanque para cenas aquáticas com
capacidade de mais de 7,5 milhões de litros. O local é tão complexo que
funciona como uma cidade. Existem serviços como empresas de energia, correio,
bombeiros e polícia.</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;"> </span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">Segundo
dados, a <span style="background-color: #274e13; color: white;">WARNER BROS.</span> possui mais de dez mil longas-metragens e 4.500 séries
para TV. Uma boa maneira de dimensionar a sua trajetória gloriosa é assistir a
alguns dos seus filmes mais expressivos. Confira vinte deles abaixo:</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;"> </span><span style="font-family: inherit;"><br /></span>
</div><div style="text-align: center;"><span style="color: #3d85c6; font-family: inherit; font-size: 14pt; line-height: 107%;">01</span><span style="font-family: inherit;"><span style="color: #3d85c6;"><br /></span><span style="background-color: #274e13; color: white; font-size: 14pt; line-height: 107%;">INIMIGO
PÚBLICO No. 1</span><span style="color: #3d85c6;"><br /><span style="font-size: 14pt; line-height: 107%;">(The
Public Enemy, 1931)</span></span></span></div><div style="text-align: center;"><span style="font-family: inherit;"><span style="color: #3d85c6;"><span style="font-size: 14pt; line-height: 107%;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgwOsjuDa7l77pWwQG15uKPYMjK5_QgG-97dWpglfcysDgx4EdiBHCmm2ofFbwtGYVybG-2ndhbT6uOcjsWDs5PMA3beV9QXwwWMPs0C5rNqGqmG7zg8F-GCqiu1l4zDDAoBilKMlvMW9JnxISRHmzXcUV6oXlbeO6bz6mLmMprmYOz8vu1z8odPTh7/s2822/Poster%20-%20Public%20Enemy,%20The_04.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="2822" data-original-width="1824" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgwOsjuDa7l77pWwQG15uKPYMjK5_QgG-97dWpglfcysDgx4EdiBHCmm2ofFbwtGYVybG-2ndhbT6uOcjsWDs5PMA3beV9QXwwWMPs0C5rNqGqmG7zg8F-GCqiu1l4zDDAoBilKMlvMW9JnxISRHmzXcUV6oXlbeO6bz6mLmMprmYOz8vu1z8odPTh7/s320/Poster%20-%20Public%20Enemy,%20The_04.jpg" width="207" /></a></div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEipv-wcFJuZfBiet6KJByFX2YloeLoxkMJ-d2KK3THWKkzVlCq8q-HskzlgeW1JMjzNJQ7CQPzycXt84C-4NrUZSjNFvngEmVKiGsBLUb7oB6wnd1os_rqhWIEb7V7gwg-Zj9ux5a2hY2hyRUFvpCqRoH-Z4TyFQ1X4KKxAMnQX4GOb0FcE4gd94cgm/s2282/Annex%20-%20Harlow,%20Jean%20(Public%20Enemy,%20The)_02.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1764" data-original-width="2282" height="309" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEipv-wcFJuZfBiet6KJByFX2YloeLoxkMJ-d2KK3THWKkzVlCq8q-HskzlgeW1JMjzNJQ7CQPzycXt84C-4NrUZSjNFvngEmVKiGsBLUb7oB6wnd1os_rqhWIEb7V7gwg-Zj9ux5a2hY2hyRUFvpCqRoH-Z4TyFQ1X4KKxAMnQX4GOb0FcE4gd94cgm/w400-h309/Annex%20-%20Harlow,%20Jean%20(Public%20Enemy,%20The)_02.jpg" width="400" /></a></div></span><br /><span style="font-size: 14pt; line-height: 107%;">Direção
de William A. Wellman</span><br /><span style="font-size: 14pt; line-height: 107%;"> </span><br /><span style="font-size: 14pt; line-height: 107%;">02</span><br /></span><span style="background-color: #274e13; color: white; font-size: 14pt; line-height: 107%;">As
AVENTURAS de ROBIN HOOD</span><span style="color: #3d85c6;"><br /><span style="font-size: 14pt; line-height: 107%;">(The
Adventures of Robin Hood, 1938)</span></span></span></div><div style="text-align: center;"><span style="font-family: inherit;"><span style="color: #3d85c6;"><span style="font-size: 14pt; line-height: 107%;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjKxoGlnQdWxWbj_0FM1uoPijjvmsoQg8pkwrxxP3TWLQh5o9v0wbKSs0s20z0kvD41ecq256mu4jD9XL0HNN3lmHsGnEjkNVvINOBCtQAcb0yP_bdEVstaG011d08LuEi8uuzXgVmbCFY2FU2VKD8OyEDXf4jL8KSIqweorC7WZYJlaEeXA8_mD1qd/s1942/Poster%20-%20Adventures%20of%20Robin%20Hood,%20The_04.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1942" data-original-width="1248" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjKxoGlnQdWxWbj_0FM1uoPijjvmsoQg8pkwrxxP3TWLQh5o9v0wbKSs0s20z0kvD41ecq256mu4jD9XL0HNN3lmHsGnEjkNVvINOBCtQAcb0yP_bdEVstaG011d08LuEi8uuzXgVmbCFY2FU2VKD8OyEDXf4jL8KSIqweorC7WZYJlaEeXA8_mD1qd/s320/Poster%20-%20Adventures%20of%20Robin%20Hood,%20The_04.jpg" width="206" /></a></div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhDDImMPh0Bvly-AMj-OEsvk-Z9qzfxsjzOPg0OWsgqFexkezLv7dT3z4OuSNvD7MiyOab_mgYKpmE53mlfuJQtIFw8lPh9aKezymrH3NcR003wNs8I6u_W9vF85GvYR8K0Ju75adEJlw2v6Qh4CqUQwrUS3OSloQfMdt36AhZZude--V-uoi6pwwrR/s1208/Annex%20-%20Rathbone,%20Basil%20(Adventures%20of%20Robin%20Hood,%20The)_01.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="927" data-original-width="1208" height="308" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhDDImMPh0Bvly-AMj-OEsvk-Z9qzfxsjzOPg0OWsgqFexkezLv7dT3z4OuSNvD7MiyOab_mgYKpmE53mlfuJQtIFw8lPh9aKezymrH3NcR003wNs8I6u_W9vF85GvYR8K0Ju75adEJlw2v6Qh4CqUQwrUS3OSloQfMdt36AhZZude--V-uoi6pwwrR/w400-h308/Annex%20-%20Rathbone,%20Basil%20(Adventures%20of%20Robin%20Hood,%20The)_01.jpg" width="400" /></a></div></span><br /><span style="font-size: 14pt; line-height: 107%;">Direção
de Michael Curtiz e William Keighley</span><br /><span style="font-size: 14pt; line-height: 107%;"> </span><br /><span style="font-size: 14pt; line-height: 107%;">03</span><br /></span><span style="background-color: #274e13; color: white; font-size: 14pt; line-height: 107%;">A CARTA</span><span style="color: #3d85c6;"><br /><span style="font-size: 14pt; line-height: 107%;">(The
Letter, 1940)</span><span style="font-size: 14pt; line-height: 107%;"> <br /><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhOr41fVNlGEu5gXi7a5U-zBuxVJ0wbh4Hchq1-xb_DGJxJDR1iwX1uQBqR7X9lvoCkJ-uO_KvqAGanwPaEuzQqmrJhprIyq-Kj4QF2dDD2mrVoPNderObNy37Om_bmt3n_FW5DLaWEppgsTKqLyZPQfzWckyVsA8ht-WrELa5rBtWo2JC_CKmJdE0U/s2358/Poster%20-%20Letter,%20The%20(1940)_01.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="2358" data-original-width="1597" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhOr41fVNlGEu5gXi7a5U-zBuxVJ0wbh4Hchq1-xb_DGJxJDR1iwX1uQBqR7X9lvoCkJ-uO_KvqAGanwPaEuzQqmrJhprIyq-Kj4QF2dDD2mrVoPNderObNy37Om_bmt3n_FW5DLaWEppgsTKqLyZPQfzWckyVsA8ht-WrELa5rBtWo2JC_CKmJdE0U/s320/Poster%20-%20Letter,%20The%20(1940)_01.jpg" width="217" /></a></div></span><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEidSDgwQRO1ABbZPkv5Ghp5qLbTsmovHoklPU3E8IEtkCQ8BC_GFC_RsXoDBHkhFm7ANTQhKVbXBXHSVSx-Wvy0zr99-826pcYz0GqPwo-Q99lIvjP2mQH0snsMj8AyjljwEs0EfTWPAC_LA7w5v5E1VYtCzKK0CGCRB2vr01rwNq2pHngQO-GaF-1d/s2111/Annex%20-%20Davis,%20Bette%20(Letter,%20The)_02.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="2111" data-original-width="1707" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEidSDgwQRO1ABbZPkv5Ghp5qLbTsmovHoklPU3E8IEtkCQ8BC_GFC_RsXoDBHkhFm7ANTQhKVbXBXHSVSx-Wvy0zr99-826pcYz0GqPwo-Q99lIvjP2mQH0snsMj8AyjljwEs0EfTWPAC_LA7w5v5E1VYtCzKK0CGCRB2vr01rwNq2pHngQO-GaF-1d/w324-h400/Annex%20-%20Davis,%20Bette%20(Letter,%20The)_02.jpg" width="324" /></a></div><br /></span></span></div><div style="text-align: center;"><span style="font-family: inherit;"><span style="color: #3d85c6;"><span style="font-size: 14pt; line-height: 107%;">Direção
de William Wyler</span><br /><span style="font-size: 14pt; line-height: 107%;"> </span><br /><span style="font-size: 14pt; line-height: 107%;">04</span><br /></span><span style="background-color: #274e13; color: white; font-size: 14pt; line-height: 107%;">O FALCÃO
MALTÊS</span><span style="color: #3d85c6;"><br /><span style="font-size: 14pt; line-height: 107%;">(The
Maltese Falcon, 1941)</span></span></span></div><div style="text-align: center;"><span style="font-family: inherit;"><span style="color: #3d85c6;"><span style="font-size: 14pt; line-height: 107%;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgCBqwEzRKjrxxM1quB6UUmunjT0tb_h0ebeekqjJDgElvi0fEVHAzJSY9_xZLw_vBprQ6A3ZSpb48wjSqx3EYzMeyRYJ6Xh7o0_MS-1z71fr-9WO4iId_inWkj9QSXOShc9tH6HP7x7hDN-me_s97o8Zthpv-KtUG2kzt-DhTl0a1VdmqNcKkKpFtU/s2805/Poster%20-%20Maltese%20Falcon,%20The%20(1941)_01.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="2805" data-original-width="1892" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgCBqwEzRKjrxxM1quB6UUmunjT0tb_h0ebeekqjJDgElvi0fEVHAzJSY9_xZLw_vBprQ6A3ZSpb48wjSqx3EYzMeyRYJ6Xh7o0_MS-1z71fr-9WO4iId_inWkj9QSXOShc9tH6HP7x7hDN-me_s97o8Zthpv-KtUG2kzt-DhTl0a1VdmqNcKkKpFtU/s320/Poster%20-%20Maltese%20Falcon,%20The%20(1941)_01.jpg" width="216" /></a></div></span><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhTbFUXzq8ftq0qBXFzIeelQwgZey4CO4lVOzbTS8qfmRaPkTHPCWqFrSDisTnYe_o7TNSCsX8vqDq8qo9wEx7cj2bslhER4KSvjeiQmWXVDhw3S2mRDRskhf7DMVaWXTb9tAjJDLNtaj9LJmn3Kcm9hGpgKUTqqUTimLbDZuCfWzfTnHNQhR4Iqgtm/s1600/Annex%20-%20Bogart,%20Humphrey%20(Maltese%20Falcon,%20The)_09.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1131" data-original-width="1600" height="283" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhTbFUXzq8ftq0qBXFzIeelQwgZey4CO4lVOzbTS8qfmRaPkTHPCWqFrSDisTnYe_o7TNSCsX8vqDq8qo9wEx7cj2bslhER4KSvjeiQmWXVDhw3S2mRDRskhf7DMVaWXTb9tAjJDLNtaj9LJmn3Kcm9hGpgKUTqqUTimLbDZuCfWzfTnHNQhR4Iqgtm/w400-h283/Annex%20-%20Bogart,%20Humphrey%20(Maltese%20Falcon,%20The)_09.jpg" width="400" /></a></div><br /><span style="font-size: 14pt; line-height: 107%;">Direção
de John Huston</span><br /><span style="font-size: 14pt; line-height: 107%;"> </span><br /><span style="font-size: 14pt; line-height: 107%;">05</span><br /></span><span style="background-color: #274e13; color: white; font-size: 14pt; line-height: 107%;">O ÚLTIMO
REFÚGIO</span><span style="color: #3d85c6;"><br /><span style="font-size: 14pt; line-height: 107%;">(High
Sierra, 1941)</span></span></span></div><div style="text-align: center;"><span style="font-family: inherit;"><span style="color: #3d85c6;"><span style="font-size: 14pt; line-height: 107%;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhazosfHTXvslfSGk1ril26dkHvTF1dWUHYO5f7aIKFNh3N_bgjTRL4jNIjyak66In0AI14eDcO-dvYE1_bY-OjBinozhkeaI3AoOh3Ki-ziQ-HA8bfM5O_4jMkF0Fe_VA_lT_EolB-2Fmlg02gdRN0l6IVQUE3lDRtCBxW8h2Pc94CADGrAzn1ewf-/s1192/Poster%20-%20High%20Sierra_02.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="930" data-original-width="1192" height="250" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhazosfHTXvslfSGk1ril26dkHvTF1dWUHYO5f7aIKFNh3N_bgjTRL4jNIjyak66In0AI14eDcO-dvYE1_bY-OjBinozhkeaI3AoOh3Ki-ziQ-HA8bfM5O_4jMkF0Fe_VA_lT_EolB-2Fmlg02gdRN0l6IVQUE3lDRtCBxW8h2Pc94CADGrAzn1ewf-/s320/Poster%20-%20High%20Sierra_02.jpg" width="320" /></a></div></span><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEid5wKXSs6iXsrVIJ0gnmVLg9SfDmaccFQXe8Ug9gNUwFvdgbgjUCJTRq7-zLXrhXCO41YBCUFiuXwWf7rfuMaBYwm5VenQYEP8KS8L1nEw94FncucEG4UQ5VLZj714YZExqxIo3CRMVRJ0NzNxouVQL6jKxeX9bVwZoyWJEl5C6Dms7cxjUADnmm_D/s1600/Annex%20-%20Bogart,%20Humphrey%20(High%20Sierra)_06.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1600" data-original-width="1278" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEid5wKXSs6iXsrVIJ0gnmVLg9SfDmaccFQXe8Ug9gNUwFvdgbgjUCJTRq7-zLXrhXCO41YBCUFiuXwWf7rfuMaBYwm5VenQYEP8KS8L1nEw94FncucEG4UQ5VLZj714YZExqxIo3CRMVRJ0NzNxouVQL6jKxeX9bVwZoyWJEl5C6Dms7cxjUADnmm_D/w320-h400/Annex%20-%20Bogart,%20Humphrey%20(High%20Sierra)_06.jpg" width="320" /></a></div><br /><span style="font-size: 14pt; line-height: 107%;">Direção
de Raoul Walsh</span><br /><span style="font-size: 14pt; line-height: 107%;"> </span><br /><span style="font-size: 14pt; line-height: 107%;">06</span><br /></span><span style="background-color: #274e13; color: white; font-size: 14pt; line-height: 107%;">SARGENTO
YORK</span><span style="color: #3d85c6;"><br /><span style="font-size: 14pt; line-height: 107%;">(Sergeant
York, 1941)</span></span></span></div><div style="text-align: center;"><span style="font-family: inherit;"><span style="color: #3d85c6;"><span style="font-size: 14pt; line-height: 107%;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiH7Q4VVJlTXYMqy0OzpwQELQ3QDWjIxH1ZpgdPRCwBSMMb9I3qMgJvT8eYocgDetF4gSZy-4vNCVZ-uFzhu3YEfnT51YL3Jcbim-a4735taBP23TOD0NGKlOEImkFgLaf5xQf39zVNyLHTHxDEAAJLFz040AlD0iYWFQc503wpPN60A6FKUS41eqCz/s3429/Poster%20-%20Sergeant%20York_01.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="3429" data-original-width="2553" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiH7Q4VVJlTXYMqy0OzpwQELQ3QDWjIxH1ZpgdPRCwBSMMb9I3qMgJvT8eYocgDetF4gSZy-4vNCVZ-uFzhu3YEfnT51YL3Jcbim-a4735taBP23TOD0NGKlOEImkFgLaf5xQf39zVNyLHTHxDEAAJLFz040AlD0iYWFQc503wpPN60A6FKUS41eqCz/s320/Poster%20-%20Sergeant%20York_01.jpg" width="238" /></a></div></span><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhMYRCPYVPkDZDqnFfynpotCSXpprW1kLexzUCbPrIcS2XfFPdVrWhwRduoRFF5PqsQ0drVFa_o3mocP9b-4-NG4O61pZUbehhNjtcpmFxAoC3PCjvUdem9-j2C1QtGE1huK8a4NSPkWQWOE1xcFRODJgOuvTM1H6sMbC5bLyE_h4eHd7z2W4aJ0c99/s1600/Annex%20-%20Cooper,%20Gary%20(Sergeant%20York)_05.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1204" data-original-width="1600" height="301" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhMYRCPYVPkDZDqnFfynpotCSXpprW1kLexzUCbPrIcS2XfFPdVrWhwRduoRFF5PqsQ0drVFa_o3mocP9b-4-NG4O61pZUbehhNjtcpmFxAoC3PCjvUdem9-j2C1QtGE1huK8a4NSPkWQWOE1xcFRODJgOuvTM1H6sMbC5bLyE_h4eHd7z2W4aJ0c99/w400-h301/Annex%20-%20Cooper,%20Gary%20(Sergeant%20York)_05.jpg" width="400" /></a></div><br /><span style="font-size: 14pt; line-height: 107%;">Direção
de Howard Hawks</span><br /><span style="font-size: 14pt; line-height: 107%;"> </span><br /><span style="font-size: 14pt; line-height: 107%;">07</span><br /></span><span style="background-color: #274e13; color: white; font-size: 14pt; line-height: 107%;">CASABLANCA</span><span style="color: #3d85c6;"><br /><span style="font-size: 14pt; line-height: 107%;">(Idem,
1942)</span></span></span></div><div style="text-align: center;"><span style="font-family: inherit;"><span style="color: #3d85c6;"><span style="font-size: 14pt; line-height: 107%;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjDDk-n3SADVocMZ__4UCboEOsAltiEAvYY6uvcY7qdgafccf0XpEdLKMgFCkUXczgQFyg3GWNCW9vjSPDkkIDmZXxMAIqGR2H2cYHyGQnIKyvKHUD8MfccfrGKx4gxsb-pMAYK1Ym2ST4fXuxrIfgikc05jM0WVFc81BCNNJJc5RPmBGQZ6iqQcAFQ/s2894/Poster%20-%20Casablanca_13.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="2228" data-original-width="2894" height="246" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjDDk-n3SADVocMZ__4UCboEOsAltiEAvYY6uvcY7qdgafccf0XpEdLKMgFCkUXczgQFyg3GWNCW9vjSPDkkIDmZXxMAIqGR2H2cYHyGQnIKyvKHUD8MfccfrGKx4gxsb-pMAYK1Ym2ST4fXuxrIfgikc05jM0WVFc81BCNNJJc5RPmBGQZ6iqQcAFQ/s320/Poster%20-%20Casablanca_13.jpg" width="320" /></a></div></span><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhpbErqrEh3sln9oo0lVm17Edd14tY4jrQqf36ymawi3bw8UKOxDCUYDgUKo-CG9D-yfpZWyvSJ9qXZqLHbOgQU6ev4RcEhdHcA1rgPs3AG5UNQwusO8d-poUGL720T7U0gJLfMBrepAWvZp8kl41sPpHGSRZjKo7b3OoK_aynWxIwUT-3vJ2lP-X5W/s1600/Annex%20-%20Bogart,%20Humphrey%20(Casablanca)_16.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1191" data-original-width="1600" height="297" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhpbErqrEh3sln9oo0lVm17Edd14tY4jrQqf36ymawi3bw8UKOxDCUYDgUKo-CG9D-yfpZWyvSJ9qXZqLHbOgQU6ev4RcEhdHcA1rgPs3AG5UNQwusO8d-poUGL720T7U0gJLfMBrepAWvZp8kl41sPpHGSRZjKo7b3OoK_aynWxIwUT-3vJ2lP-X5W/w400-h297/Annex%20-%20Bogart,%20Humphrey%20(Casablanca)_16.jpg" width="400" /></a></div><br /><span style="font-size: 14pt; line-height: 107%;">Direção
de Michael Curtiz</span><br /><span style="font-size: 14pt; line-height: 107%;"> </span><br /><span style="font-size: 14pt; line-height: 107%;">08</span><br /></span><span style="background-color: #274e13; color: white; font-size: 14pt; line-height: 107%;">Uma
AVENTURA na MARTINICA</span><span style="color: #3d85c6;"><br /><span style="font-size: 14pt; line-height: 107%;">(To Have
and Have Not, 1944)</span></span></span></div><div style="text-align: center;"><span style="font-family: inherit;"><span style="color: #3d85c6;"><span style="font-size: 14pt; line-height: 107%;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjM_wNj_6Qe13WLxfXLs8mVEZLt8rL4O1kUOnWzeM-DvSQJy096y_-z7L44UMXd04oOFECe2VT8T1DevRwcA9q-wSS32PXCLLuDaf7DQ4dUiNFOPERzKhCYBOyA6liISkrTyaZqFWXIzs514hRmEbkstipmkoXso2IGx2SgU8LWMB82HZVwqSgp5DQh/s2630/Poster%20-%20To%20Have%20and%20Have%20Not_01.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="2630" data-original-width="1377" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjM_wNj_6Qe13WLxfXLs8mVEZLt8rL4O1kUOnWzeM-DvSQJy096y_-z7L44UMXd04oOFECe2VT8T1DevRwcA9q-wSS32PXCLLuDaf7DQ4dUiNFOPERzKhCYBOyA6liISkrTyaZqFWXIzs514hRmEbkstipmkoXso2IGx2SgU8LWMB82HZVwqSgp5DQh/s320/Poster%20-%20To%20Have%20and%20Have%20Not_01.jpg" width="168" /></a></div></span><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhz9EPYHW1life1xDJq6FezlTnmY485lCSiNHtlV0lRBd2UsFc8GgkmL7_naW8oDjCAYEVWWQdOkvXtwaJsZIh8E7cYmX_8TUDd-4J1DKQnpnHUJreEPao4NTevID-6-0hbo959tIQaYsPIQetb47psQMj3982FZB0KXDWfp8TkmkeWG7NmA-kx3jCK/s2200/Annex%20-%20Bacall,%20Lauren%20(To%20Have%20and%20Have%20Not)_02.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1606" data-original-width="2200" height="293" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhz9EPYHW1life1xDJq6FezlTnmY485lCSiNHtlV0lRBd2UsFc8GgkmL7_naW8oDjCAYEVWWQdOkvXtwaJsZIh8E7cYmX_8TUDd-4J1DKQnpnHUJreEPao4NTevID-6-0hbo959tIQaYsPIQetb47psQMj3982FZB0KXDWfp8TkmkeWG7NmA-kx3jCK/w400-h293/Annex%20-%20Bacall,%20Lauren%20(To%20Have%20and%20Have%20Not)_02.jpg" width="400" /></a></div><br /><span style="font-size: 14pt; line-height: 107%;">Direção
de Howard Hawks</span><br /><span style="font-size: 14pt; line-height: 107%;"> </span><br /><span style="font-size: 14pt; line-height: 107%;">09</span><br /></span><span style="background-color: #274e13; color: white; font-size: 14pt; line-height: 107%;">ALMAS em
SUPLÍCIO</span><span style="color: #3d85c6;"><br /><span style="font-size: 14pt; line-height: 107%;">(Mildred
Pierce, 1945)</span></span></span></div><div style="text-align: center;"><span style="font-family: inherit;"><span style="color: #3d85c6;"><span style="font-size: 14pt; line-height: 107%;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi8Kqeusq4aQ-QT-MzoF5NtrvSUPbpZ18C69Jzb-jAZ7EZHdDG93i6VTzbUh4-vEFyve-qko2n-eKdnop-M2NcW4YtFml6Xhux8aae5ZPtXGweH42EhgbtBeqg-1Ohc8qotgnrrw4MIby-VSqCa1lsTOvKHsVcqf4lmg6gl0NULguRbV4e3-BzWrf0g/s2632/Poster%20-%20Mildred%20Pierce_03.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="2015" data-original-width="2632" height="245" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi8Kqeusq4aQ-QT-MzoF5NtrvSUPbpZ18C69Jzb-jAZ7EZHdDG93i6VTzbUh4-vEFyve-qko2n-eKdnop-M2NcW4YtFml6Xhux8aae5ZPtXGweH42EhgbtBeqg-1Ohc8qotgnrrw4MIby-VSqCa1lsTOvKHsVcqf4lmg6gl0NULguRbV4e3-BzWrf0g/s320/Poster%20-%20Mildred%20Pierce_03.jpg" width="320" /></a></div></span><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEifaAp0rKKxG9avh4kZRYJuaSzxdBO7ktLM4hN6O5q1TffmnpzqPQ0CMoggvE1RUeANGHdyiOAwoBZ12BfYPsEPQiegyT5ntXE4TtssKZY83HYTkzC_UQfyKqYl7AdlenuK8b2Gsuht2M8EoTFY9PjVqfn_58p_kkjPyCn1MXnary7KNNH89wQowmMr/s2478/Annex%20-%20Blyth,%20Ann%20(Mildred%20Pierce)_NRFPT_02.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="2478" data-original-width="2044" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEifaAp0rKKxG9avh4kZRYJuaSzxdBO7ktLM4hN6O5q1TffmnpzqPQ0CMoggvE1RUeANGHdyiOAwoBZ12BfYPsEPQiegyT5ntXE4TtssKZY83HYTkzC_UQfyKqYl7AdlenuK8b2Gsuht2M8EoTFY9PjVqfn_58p_kkjPyCn1MXnary7KNNH89wQowmMr/w330-h400/Annex%20-%20Blyth,%20Ann%20(Mildred%20Pierce)_NRFPT_02.jpg" width="330" /></a></div><br /><span style="font-size: 14pt; line-height: 107%;">Direção
de Michael Curtiz</span><br /><span style="font-size: 14pt; line-height: 107%;"> </span><br /><span style="font-size: 14pt; line-height: 107%;">10</span><br /></span><span style="background-color: #274e13; color: white; font-size: 14pt; line-height: 107%;">O TESOURO
de SIERRA MADRE</span><span style="color: #3d85c6;"><br /><span style="font-size: 14pt; line-height: 107%;">(The
Treasure of the Sierra Madre, 1948)</span></span></span></div><div style="text-align: center;"><span style="font-family: inherit;"><span style="color: #3d85c6;"><span style="font-size: 14pt; line-height: 107%;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjcY9QZBEjNQGmBhmTCDl7o7JQriXNhTTUKL3pnNl-i9KI4PIzf8_qh775MEv_UzAeaUeTdxgmdiDUkIMh4Km9vODLKv7O269DojgQaydP2K9opEcOFYgV7yubDOotuOW_4T4_zFzrPOd8kJ-IPqMZU6jco6Dmua1zNiLh6BqOgkBqPxmA6fQtQwLwe/s2845/Poster%20-%20Treasure%20of%20the%20Sierra%20Madre,%20The_02.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="2205" data-original-width="2845" height="248" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjcY9QZBEjNQGmBhmTCDl7o7JQriXNhTTUKL3pnNl-i9KI4PIzf8_qh775MEv_UzAeaUeTdxgmdiDUkIMh4Km9vODLKv7O269DojgQaydP2K9opEcOFYgV7yubDOotuOW_4T4_zFzrPOd8kJ-IPqMZU6jco6Dmua1zNiLh6BqOgkBqPxmA6fQtQwLwe/s320/Poster%20-%20Treasure%20of%20the%20Sierra%20Madre,%20The_02.jpg" width="320" /></a></div></span><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhVxvUnmll6hLXQOSoRfahKTS43vfD0EWFDxD5r9UsgjSN_xZuRpYBgjwEGOSMIu76yk2DvWUpkppj9lKG-3256770Gzpy7iXTKfWczFGUkeNHGK9jEq8VWQwi0cfbf3vXm88OhYs3JDx-s_a745icZj2D9IHfNGu0KkrL_1QkECy1widDPGiZDTJdf/s2806/Annex%20-%20Bogart,%20Humphrey%20(Treasure%20of%20the%20Sierra%20Madre,%20The)_01.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="2184" data-original-width="2806" height="311" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhVxvUnmll6hLXQOSoRfahKTS43vfD0EWFDxD5r9UsgjSN_xZuRpYBgjwEGOSMIu76yk2DvWUpkppj9lKG-3256770Gzpy7iXTKfWczFGUkeNHGK9jEq8VWQwi0cfbf3vXm88OhYs3JDx-s_a745icZj2D9IHfNGu0KkrL_1QkECy1widDPGiZDTJdf/w400-h311/Annex%20-%20Bogart,%20Humphrey%20(Treasure%20of%20the%20Sierra%20Madre,%20The)_01.jpg" width="400" /></a></div><br /><span style="font-size: 14pt; line-height: 107%;">Direção
de John Huston</span><br /><span style="font-size: 14pt; line-height: 107%;"> </span><br /><span style="font-size: 14pt; line-height: 107%;">11</span><br /></span><span style="background-color: #274e13; color: white; font-size: 14pt; line-height: 107%;">FÚRIA
SANGUINÁRIA</span><span style="color: #3d85c6;"><br /><span style="font-size: 14pt; line-height: 107%;">(White
Heat, 1949)</span></span></span></div><div style="text-align: center;"><span style="font-family: inherit;"><span style="color: #3d85c6;"><span style="font-size: 14pt; line-height: 107%;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjs9K9XnLKkxPDStAt4fSW5yi2fNw2LcC8uAkre3E2EG3xmqvcIfCRDsVRF2VG4XUPHoQuepT289u4cNd65Gogk34rx2bwYMTvWWEZZ2bBMMLxi9enLKPXHImnr0c7azYjWxtOM4n8UkmytQ1uhObnpf1L-tzIgWH8DN179rLFrQZANtfDyfPtNDW0x/s1000/Poster%20-%20White%20Heat%20(1949)_03.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1000" data-original-width="698" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjs9K9XnLKkxPDStAt4fSW5yi2fNw2LcC8uAkre3E2EG3xmqvcIfCRDsVRF2VG4XUPHoQuepT289u4cNd65Gogk34rx2bwYMTvWWEZZ2bBMMLxi9enLKPXHImnr0c7azYjWxtOM4n8UkmytQ1uhObnpf1L-tzIgWH8DN179rLFrQZANtfDyfPtNDW0x/s320/Poster%20-%20White%20Heat%20(1949)_03.jpg" width="223" /></a></div></span><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjrjUsp2IZHy20UZKOcca50Nj8O7kymw5TScWLaAyKOJL2aL9hw4CDE-zf4Zh2HfRnM87umGSf3UM-x0NWHDLDtGnejTuu_apDqQLSkhN7uHzopCE3PzT5gpFA3vtdNPLJ-q6Hdvlqc2wOU1XGRSLeK1ObY-cIneGb_nvVwu5MX2nXw-V0Mj2cGPynX/s1600/Annex%20-%20Cagney,%20James%20(White%20Heat)_07.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1200" data-original-width="1600" height="300" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjrjUsp2IZHy20UZKOcca50Nj8O7kymw5TScWLaAyKOJL2aL9hw4CDE-zf4Zh2HfRnM87umGSf3UM-x0NWHDLDtGnejTuu_apDqQLSkhN7uHzopCE3PzT5gpFA3vtdNPLJ-q6Hdvlqc2wOU1XGRSLeK1ObY-cIneGb_nvVwu5MX2nXw-V0Mj2cGPynX/w400-h300/Annex%20-%20Cagney,%20James%20(White%20Heat)_07.jpg" width="400" /></a></div><br /><span style="font-size: 14pt; line-height: 107%;">Direção
de Raoul Walsh</span><br /><span style="font-size: 14pt; line-height: 107%;"> </span><br /><span style="font-size: 14pt; line-height: 107%;">12</span><br /></span><span style="background-color: #274e13; color: white; font-size: 14pt; line-height: 107%;">À MARGEM
da VIDA</span><span style="color: #3d85c6;"><br /><span style="font-size: 14pt; line-height: 107%;">(Caged,
1950)</span></span></span></div><div style="text-align: center;"><span style="font-family: inherit;"><span style="color: #3d85c6;"><span style="font-size: 14pt; line-height: 107%;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgfPorA1ftBxQdpVONSgIksBCoLoxhy8t7djF4o90VuiajQ_obYsoCDjkjFRwRM3QbyWsWVoNAECNZ1zkur2X7sS86Z7B4_wzNqQ0gSOC65tYATVVixiaIynRkLyBENHbdS56uDVEguX52Nq3C-XVyG1es6W72ksABMAcr_0gms493uujCrKmO0hOpe/s1430/MV5BNmQ0NDQxMmQtMWU1NS00NDJjLTg2ZDAtZDRhZWM3YzZiMjUwXkEyXkFqcGdeQXVyNzc5MjA3OA@@._V1_FMjpg_UX1000_.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1430" data-original-width="941" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgfPorA1ftBxQdpVONSgIksBCoLoxhy8t7djF4o90VuiajQ_obYsoCDjkjFRwRM3QbyWsWVoNAECNZ1zkur2X7sS86Z7B4_wzNqQ0gSOC65tYATVVixiaIynRkLyBENHbdS56uDVEguX52Nq3C-XVyG1es6W72ksABMAcr_0gms493uujCrKmO0hOpe/s320/MV5BNmQ0NDQxMmQtMWU1NS00NDJjLTg2ZDAtZDRhZWM3YzZiMjUwXkEyXkFqcGdeQXVyNzc5MjA3OA@@._V1_FMjpg_UX1000_.jpg" width="211" /></a></div></span><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiXk1IikizBZbe1juHjFrDCihbwopI4BUKII1LLDsMXmKcpzUi5y1OZqMjIR8C1twcSnTHqHqO-ZXHrL_15cUb9DSxG4NNRVBumEccxsUESAfsrp2XUWOc_IHsiBdxBRJObZQMwg5sdihw42llbnmkqVRfzz2KD8O3U3SJl74ucOOqisi1fK60-zk4p/s1652/EeZ8mnAUcAEJpKD.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1242" data-original-width="1652" height="301" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiXk1IikizBZbe1juHjFrDCihbwopI4BUKII1LLDsMXmKcpzUi5y1OZqMjIR8C1twcSnTHqHqO-ZXHrL_15cUb9DSxG4NNRVBumEccxsUESAfsrp2XUWOc_IHsiBdxBRJObZQMwg5sdihw42llbnmkqVRfzz2KD8O3U3SJl74ucOOqisi1fK60-zk4p/w400-h301/EeZ8mnAUcAEJpKD.jpg" width="400" /></a></div><br /><span style="font-size: 14pt; line-height: 107%;">Direção
de John Cromwell</span><br /><span style="font-size: 14pt; line-height: 107%;"> </span><br /><span style="font-size: 14pt; line-height: 107%;">13</span><br /></span><span style="background-color: #274e13; color: white; font-size: 14pt; line-height: 107%;">PACTO
SINISTRO</span><span style="color: #3d85c6;"><br /><span style="font-size: 14pt; line-height: 107%;">(Strangers
on a Train, 1951)</span></span></span></div><div style="text-align: center;"><span style="font-family: inherit;"><span style="color: #3d85c6;"><span style="font-size: 14pt; line-height: 107%;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg0Zr-8G1kgAsEramyLuaVGMPPn9cB-zr4c5nrXOacbb9oNlxM8LzhgKXnpO-TYJcfWm_xM3sB9zGNOpTgCHR7NikW5L8UAHxvTxk-hJ--Ao-KoOdkRF4ID-GdtYorXLTqhlIFNTxQ7_mVCQdeNKEUnu6hmFaNSZ4uxoFfax-K6ohglMS2D7XmdZ8Jb/s1839/Poster%20-%20Strangers%20on%20a%20Train_02.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1456" data-original-width="1839" height="253" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg0Zr-8G1kgAsEramyLuaVGMPPn9cB-zr4c5nrXOacbb9oNlxM8LzhgKXnpO-TYJcfWm_xM3sB9zGNOpTgCHR7NikW5L8UAHxvTxk-hJ--Ao-KoOdkRF4ID-GdtYorXLTqhlIFNTxQ7_mVCQdeNKEUnu6hmFaNSZ4uxoFfax-K6ohglMS2D7XmdZ8Jb/s320/Poster%20-%20Strangers%20on%20a%20Train_02.jpg" width="320" /></a></div></span><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg2Zr_BSv8jAuDr22e3kFFk_mjdaPFjz-w3i3ckikn28FNEuaWYtTjAMk9bIiE1A8CVVVHSz1-DDjltfu7shLGFSfkSgBSt4vALkHbFxLVhQi9Sc9zwSK1dJ-yHcryJXHsAT9049iMWwPZSbCfrGFhcJq4btb-Y3DDifW6vbLQFciKxzYWKPLMrAMMf/s1500/Annex%20-%20Granger,%20Farley%20(Strangers%20on%20a%20Train)_01.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1090" data-original-width="1500" height="291" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg2Zr_BSv8jAuDr22e3kFFk_mjdaPFjz-w3i3ckikn28FNEuaWYtTjAMk9bIiE1A8CVVVHSz1-DDjltfu7shLGFSfkSgBSt4vALkHbFxLVhQi9Sc9zwSK1dJ-yHcryJXHsAT9049iMWwPZSbCfrGFhcJq4btb-Y3DDifW6vbLQFciKxzYWKPLMrAMMf/w400-h291/Annex%20-%20Granger,%20Farley%20(Strangers%20on%20a%20Train)_01.jpg" width="400" /></a></div><br /><span style="font-size: 14pt; line-height: 107%;">Direção
de Alfred Hitchcock</span><br /><span style="font-size: 14pt; line-height: 107%;"> </span><br /><span style="font-size: 14pt; line-height: 107%;">14</span><br /></span><span style="background-color: #274e13; color: white; font-size: 14pt; line-height: 107%;">Uma RUA
CHAMADA PECADO</span><span style="color: #3d85c6;"><br /><span style="font-size: 14pt; line-height: 107%;">(A
Streetcar Named Desire, 1951)</span></span></span></div><div style="text-align: center;"><span style="font-family: inherit;"><span style="color: #3d85c6;"><span style="font-size: 14pt; line-height: 107%;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjEIt1Qrqoq4i0tR1yyDuRjtVCh376jvQRklufBavXM1ri-1ZB8ZsP5RO3pyW8ZbQCG1Rk3hplJpFCFy_hW8K47mflnPG-PbT8LbetelMPqkhLiqDnl-xfFHLMqm947ixvHSiJPvpg-JzypBF3bHNBGuNOejD0CCzbpoiPL9w4GHOxQh18bEjzI6phr/s3368/Poster%20-%20A%20Streetcar%20Named%20Desire_02.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="2588" data-original-width="3368" height="246" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjEIt1Qrqoq4i0tR1yyDuRjtVCh376jvQRklufBavXM1ri-1ZB8ZsP5RO3pyW8ZbQCG1Rk3hplJpFCFy_hW8K47mflnPG-PbT8LbetelMPqkhLiqDnl-xfFHLMqm947ixvHSiJPvpg-JzypBF3bHNBGuNOejD0CCzbpoiPL9w4GHOxQh18bEjzI6phr/s320/Poster%20-%20A%20Streetcar%20Named%20Desire_02.jpg" width="320" /></a></div></span><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhUQcv4yRIkxp4G7Yo-8FsP5UYJO8hiygLnuVRMT951VKukrzoIbr7U5627JXDz0Qt49tdVjMtDiANTF688bGNlkHDO2l_vR2F2D2Mg8Yc0rZsp2nC1VPRkbJ6XVaZ7rCmz38oEf_h8ZkGm_hN1fXGuyRClKerHrnakHbsH9zM949FdLsuvmtsM8wsI/s1573/Annex%20-%20Brando,%20Marlon%20(A%20Streetcar%20Named%20Desire)_08.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1303" data-original-width="1573" height="331" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhUQcv4yRIkxp4G7Yo-8FsP5UYJO8hiygLnuVRMT951VKukrzoIbr7U5627JXDz0Qt49tdVjMtDiANTF688bGNlkHDO2l_vR2F2D2Mg8Yc0rZsp2nC1VPRkbJ6XVaZ7rCmz38oEf_h8ZkGm_hN1fXGuyRClKerHrnakHbsH9zM949FdLsuvmtsM8wsI/w400-h331/Annex%20-%20Brando,%20Marlon%20(A%20Streetcar%20Named%20Desire)_08.jpg" width="400" /></a></div><br /><span style="font-size: 14pt; line-height: 107%;">Direção
de Elia Kazan</span><br /><span style="font-size: 14pt; line-height: 107%;"> </span><br /><span style="font-size: 14pt; line-height: 107%;">15</span><br /></span><span style="background-color: #274e13; color: white; font-size: 14pt; line-height: 107%;">JUVENTUDE
TRANSVIADA</span><span style="color: #3d85c6;"><br /><span style="font-size: 14pt; line-height: 107%;">(Rebel
Without a Cause, 1955)</span></span></span></div><div style="text-align: center;"><span style="font-family: inherit;"><span style="color: #3d85c6;"><span style="font-size: 14pt; line-height: 107%;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhGz7zIww0HeGOea6B2FjrA5MfYgnMWvvUV_Rfnh6x8jkclu0fxfbAXU0YRgsE4qHqaT7cVVHFcSVAsbNJQWN8QdoZWt_ho2pNPqta33wE8PZpMD1LhTQ_qHlmMW2FzGsbWmtCTjd52UBvj_z2PbdyniLX_8pnd6P7RsipBZMwUp7cM03Q_WQTRZBe1/s2450/Poster%20-%20Rebel%20Without%20a%20Cause_02.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1915" data-original-width="2450" height="250" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhGz7zIww0HeGOea6B2FjrA5MfYgnMWvvUV_Rfnh6x8jkclu0fxfbAXU0YRgsE4qHqaT7cVVHFcSVAsbNJQWN8QdoZWt_ho2pNPqta33wE8PZpMD1LhTQ_qHlmMW2FzGsbWmtCTjd52UBvj_z2PbdyniLX_8pnd6P7RsipBZMwUp7cM03Q_WQTRZBe1/s320/Poster%20-%20Rebel%20Without%20a%20Cause_02.jpg" width="320" /></a></div></span><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj0wIYiZSvVHjr1vPnT_dzQmx30VLiPG3M2Ebg96_WnF2gDCLlNsBlIQWBrciMnAC7qZ50d3sjL2OBo9q8_BnIEsBrkd7an13Vk0X2MG51wVhU37YPAgS0L6zfM7_ms-OsnXvqMW5D2vPpQebUbpEDp2oUfm6si6wsBh3dxuH_dLXLrwIv6NUzDWIAv/s1673/Annex%20-%20Dean,%20James%20(Rebel%20Without%20a%20Cause)_04.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1257" data-original-width="1673" height="300" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj0wIYiZSvVHjr1vPnT_dzQmx30VLiPG3M2Ebg96_WnF2gDCLlNsBlIQWBrciMnAC7qZ50d3sjL2OBo9q8_BnIEsBrkd7an13Vk0X2MG51wVhU37YPAgS0L6zfM7_ms-OsnXvqMW5D2vPpQebUbpEDp2oUfm6si6wsBh3dxuH_dLXLrwIv6NUzDWIAv/w400-h300/Annex%20-%20Dean,%20James%20(Rebel%20Without%20a%20Cause)_04.jpg" width="400" /></a></div><br /><span style="font-size: 14pt; line-height: 107%;">Direção
de Nicholas Ray</span><br /><span style="font-size: 14pt; line-height: 107%;"> </span><br /><span style="font-size: 14pt; line-height: 107%;">16</span><br /></span><span style="background-color: #274e13; color: white; font-size: 14pt; line-height: 107%;">VIDAS
AMARGAS</span><span style="color: #3d85c6;"><br /><span style="font-size: 14pt; line-height: 107%;">(East of
Eden, 1955)</span></span></span></div><div style="text-align: center;"><span style="font-family: inherit;"><span style="color: #3d85c6;"><span style="font-size: 14pt; line-height: 107%;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhoc3W6b8DK2jQbkvkhQ7ZAeraslcvnMH331yZxODfIMg7VPPCXQXliws6qb1AxfJFI46x_8zwcGIJ1Zo_fNuZ8XZPUjw8dpLJDlJWVqFpPkFWWYxcNZR4UDNybVRCzxdPaHnqX0VuiYNPKdSHYnAH-DFONZRi30iOBUb8UF4UeQYHWOkBtLUOd3JAK/s3464/Poster%20-%20East%20of%20Eden_01.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="3464" data-original-width="2291" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhoc3W6b8DK2jQbkvkhQ7ZAeraslcvnMH331yZxODfIMg7VPPCXQXliws6qb1AxfJFI46x_8zwcGIJ1Zo_fNuZ8XZPUjw8dpLJDlJWVqFpPkFWWYxcNZR4UDNybVRCzxdPaHnqX0VuiYNPKdSHYnAH-DFONZRi30iOBUb8UF4UeQYHWOkBtLUOd3JAK/s320/Poster%20-%20East%20of%20Eden_01.jpg" width="212" /></a></div></span><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgY9eWLH-xHrg0Mm9i1Uf0om0s5wPLBnUXk2kfwTLAGEsEVPrLPtmu5VI_ly7Bq0NK2yAJdO-MNfV6v6rsOgHr2nMWrpKHG5iRpW7aXl4hDUtqyEGdefBpU-g4uzMwDFAxG4vIoeB_lnkz5HFspl6rzbNFAFNHFTbiCiyQe72qKLqwFxYW1STLNcwAX/s2500/Annex%20-%20Dean,%20James%20(East%20of%20Eden)_10.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="2500" data-original-width="2033" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgY9eWLH-xHrg0Mm9i1Uf0om0s5wPLBnUXk2kfwTLAGEsEVPrLPtmu5VI_ly7Bq0NK2yAJdO-MNfV6v6rsOgHr2nMWrpKHG5iRpW7aXl4hDUtqyEGdefBpU-g4uzMwDFAxG4vIoeB_lnkz5HFspl6rzbNFAFNHFTbiCiyQe72qKLqwFxYW1STLNcwAX/w325-h400/Annex%20-%20Dean,%20James%20(East%20of%20Eden)_10.jpg" width="325" /></a></div><br /><span style="font-size: 14pt; line-height: 107%;">Direção
de Elia Kazan</span><br /><span style="font-size: 14pt; line-height: 107%;"> </span><br /><span style="font-size: 14pt; line-height: 107%;">17</span><br /></span><span style="background-color: #274e13; color: white; font-size: 14pt; line-height: 107%;">MINHA
BELA DAMA</span><span style="color: #3d85c6;"><br /><span style="font-size: 14pt; line-height: 107%;">(My Fair
Lady, 1964)</span></span></span></div><div style="text-align: center;"><span style="font-family: inherit;"><span style="color: #3d85c6;"><span style="font-size: 14pt; line-height: 107%;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiMt3CFYcHzm9pT8LiF7tA6zpMTHrjPK6nUNgvfSRSJ-zvXzaAA8pFNW8DUmynhEF7c7PvZku1eEgm2CtJutRlzmxsbHfHpiI8ym4iamb_U_L9iBUbg013yY_ynJsioy_v54g5V8HEtYjS7J8M2P1vzZyf6EtN11Wpg6KG6bncekAM7mwfjfXPsF07d/s828/Poster%20-%20My%20Fair%20Lady_01.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="828" data-original-width="576" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiMt3CFYcHzm9pT8LiF7tA6zpMTHrjPK6nUNgvfSRSJ-zvXzaAA8pFNW8DUmynhEF7c7PvZku1eEgm2CtJutRlzmxsbHfHpiI8ym4iamb_U_L9iBUbg013yY_ynJsioy_v54g5V8HEtYjS7J8M2P1vzZyf6EtN11Wpg6KG6bncekAM7mwfjfXPsF07d/s320/Poster%20-%20My%20Fair%20Lady_01.jpg" width="223" /></a></div></span><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhGCvUukK-kQLcHKuo7v9ThAMuhRbtovaEoKTBeiyPqcVScUPBsSsym53WdMOToKPcGn7fNg_A5hRSkq916ohUCJUfHQNO5dsbMcMrVHwGKy3C5l9Y2vmL1aC2qHNQzfggUQg3PSbYuZPkNlblLmwV3kw5LLjfTrBRxo2fg3yYUoaVG1yC2wmDP6B50/s2063/Annex%20-%20Hepburn,%20Audrey%20(My%20Fair%20Lady)_17.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="2063" data-original-width="1631" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhGCvUukK-kQLcHKuo7v9ThAMuhRbtovaEoKTBeiyPqcVScUPBsSsym53WdMOToKPcGn7fNg_A5hRSkq916ohUCJUfHQNO5dsbMcMrVHwGKy3C5l9Y2vmL1aC2qHNQzfggUQg3PSbYuZPkNlblLmwV3kw5LLjfTrBRxo2fg3yYUoaVG1yC2wmDP6B50/w316-h400/Annex%20-%20Hepburn,%20Audrey%20(My%20Fair%20Lady)_17.jpg" width="316" /></a></div><br /><span style="font-size: 14pt; line-height: 107%;">Direção
de George Cukor</span><br /><span style="font-size: 14pt; line-height: 107%;"> </span><br /><span style="font-size: 14pt; line-height: 107%;">18</span><br /></span><span style="background-color: #274e13; color: white; font-size: 14pt; line-height: 107%;">QUEM TEM
MEDO de VIRGINIA WOOLF?</span><span style="color: #3d85c6;"><br /><span style="font-size: 14pt; line-height: 107%;">(Who's
Afraid of Virginia Woolf?, 1966)</span></span></span></div><div style="text-align: center;"><span style="font-family: inherit;"><span style="color: #3d85c6;"><span style="font-size: 14pt; line-height: 107%;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhuRXlyPAgsSNcNHuBf1QI4GIA9oKpDmP36ZWtG5QbZUborKUwRpIpQRWjB8yt41nwp9G1F5jPGYMKz6JNdb-UxHyb51I5oqbs56dM8u8KdbEl5G03pwk5qKEb8Ev0FEjg_CmpoD0zbMBHUJxm9QLLT_WmqFKFn8UGqt46nyoyCWWidVoUghh9JM_WY/s1432/MV5BYzczM2VlNmQtODc3OS00MWEyLWI2ODItN2Y3YTliNTI4ZDhlXkEyXkFqcGdeQXVyMjUzOTY1NTc@._V1_FMjpg_UX1000_.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1432" data-original-width="991" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhuRXlyPAgsSNcNHuBf1QI4GIA9oKpDmP36ZWtG5QbZUborKUwRpIpQRWjB8yt41nwp9G1F5jPGYMKz6JNdb-UxHyb51I5oqbs56dM8u8KdbEl5G03pwk5qKEb8Ev0FEjg_CmpoD0zbMBHUJxm9QLLT_WmqFKFn8UGqt46nyoyCWWidVoUghh9JM_WY/s320/MV5BYzczM2VlNmQtODc3OS00MWEyLWI2ODItN2Y3YTliNTI4ZDhlXkEyXkFqcGdeQXVyMjUzOTY1NTc@._V1_FMjpg_UX1000_.jpg" width="221" /></a></div></span><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiIqpPzaxM__Wzre3H0R0X0_kC6FGFqGAzqj8_38JCBbpuxi1h0_vCXB_bEJBh_WuGONRoUqA1WXQjCrJkPaAM98NbsotexeqLEQ_hf01jvCbiRGdAxBm5sdzZ_x5OSf569JqQD0YjtzFnSpKRwubJ93ZxbQty-Skj1B-z6WWQvm_6saQspSemBz-0e/s300/images.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="168" data-original-width="300" height="224" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiIqpPzaxM__Wzre3H0R0X0_kC6FGFqGAzqj8_38JCBbpuxi1h0_vCXB_bEJBh_WuGONRoUqA1WXQjCrJkPaAM98NbsotexeqLEQ_hf01jvCbiRGdAxBm5sdzZ_x5OSf569JqQD0YjtzFnSpKRwubJ93ZxbQty-Skj1B-z6WWQvm_6saQspSemBz-0e/w400-h224/images.jpg" width="400" /></a></div><br /><span style="font-size: 14pt; line-height: 107%;">Direção
de Mike Nichols</span><br /><span style="font-size: 14pt; line-height: 107%;"> </span><br /><span style="font-size: 14pt; line-height: 107%;">19</span><br /></span><span style="background-color: #274e13; color: white; font-size: 14pt; line-height: 107%;">BONNIE e CLYDE
– Uma RAJADA de BALAS</span></span></div><div style="text-align: center;"><span style="font-family: inherit;"><span style="color: #3d85c6;"><span style="font-size: 14pt; line-height: 107%;"><span style="font-family: inherit;"><span style="color: #3d85c6;"><span style="font-size: 14pt; line-height: 107%;">(Bonnie
and Clyde, 1967)</span></span></span></span></span></span></div><div style="text-align: center;"><span style="font-family: inherit;"><span style="color: #3d85c6;"><span style="font-size: 14pt; line-height: 107%;"><div class="separator" style="clear: both; text-align: center;"></div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhG5ZGwlIc-5NmQoDEBbRzWH9U_mZfYdH92GvJfGfgFd5U7pys5pT34fi_xaaaKWyhBk5gypzql_TXppTHdAUdgK0a2_GYErdAbesLMRJrKtaRgBDLItEPbQj25MwH35diPbQzGML5N1i0fB3EpcskF_kT42tHxsQv7aKFVF3D7M_HoOOwZv5YfMJTy/s1500/789443.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1500" data-original-width="1053" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhG5ZGwlIc-5NmQoDEBbRzWH9U_mZfYdH92GvJfGfgFd5U7pys5pT34fi_xaaaKWyhBk5gypzql_TXppTHdAUdgK0a2_GYErdAbesLMRJrKtaRgBDLItEPbQj25MwH35diPbQzGML5N1i0fB3EpcskF_kT42tHxsQv7aKFVF3D7M_HoOOwZv5YfMJTy/s320/789443.jpg" width="225" /></a></div></span><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEimPfRM_jUqSoB4cu29ZWXnLtwHmH2adhM_xs7CIoa7ndd4hbrutYA-wf_4cWVMyngaa9IwxNAR6U_WaiMHjYtACgyU5GFqzHY8GWZCpYwe7ve1sKvizRb3Ciba0F0wpwzJlkKfEhtSwqnHemdLW2hplE3lneFz9G3vORU-5N30R3FX5RTBmp-KVbF-/s3500/bonnieandclyde1967.24779.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="2280" data-original-width="3500" height="260" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEimPfRM_jUqSoB4cu29ZWXnLtwHmH2adhM_xs7CIoa7ndd4hbrutYA-wf_4cWVMyngaa9IwxNAR6U_WaiMHjYtACgyU5GFqzHY8GWZCpYwe7ve1sKvizRb3Ciba0F0wpwzJlkKfEhtSwqnHemdLW2hplE3lneFz9G3vORU-5N30R3FX5RTBmp-KVbF-/w400-h260/bonnieandclyde1967.24779.jpg" width="400" /></a></div><br /><span style="font-size: 14pt; line-height: 107%;">Direção
de Arthur Penn</span><br /><span style="font-size: 14pt; line-height: 107%;"> </span><br /><span style="font-size: 14pt; line-height: 107%;">20</span><br /></span><span style="background-color: #274e13; color: white; font-size: 14pt; line-height: 107%;">O
EXORCISTA</span><span style="color: #3d85c6;"><br /><span style="font-size: 14pt; line-height: 107%;">(The
Exorcist, 1973)</span></span></span></div><div style="text-align: center;"><span style="font-family: inherit;"><span style="color: #3d85c6;"><span style="font-size: 14pt; line-height: 107%;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj4yZdLvWyBti5l_wNtb8TjCP6iloNilo85clxn5iXM7RXEeYn6wRlj3gOqll1IMX73Ueaj3ig-tQgNz7A0rC2OU6f7NlDCLqHp--n8ieuPhl2zkTGURsiklQ30lIoD357mZHZCY4zeiPas9rK4P2zF8aK8mGDbl81pgy3fOSbMMKKuqJ88luscSX3h/s1500/the-exorcist.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1125" data-original-width="1500" height="240" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj4yZdLvWyBti5l_wNtb8TjCP6iloNilo85clxn5iXM7RXEeYn6wRlj3gOqll1IMX73Ueaj3ig-tQgNz7A0rC2OU6f7NlDCLqHp--n8ieuPhl2zkTGURsiklQ30lIoD357mZHZCY4zeiPas9rK4P2zF8aK8mGDbl81pgy3fOSbMMKKuqJ88luscSX3h/s320/the-exorcist.jpg" width="320" /></a></div></span><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg2E00zZ58rfQFYjCM9CFpKtI2zmi7CEpr8SSFt4hCD1pqUxrrQTa0GQwWtfIWwatW7PiRPdXcP6WkqoOJGfZ1s6z4DQonOeumI-xAk9wednST6dJ3K3GO6AMtrRSVlSyXdLVLm8cUn7r3l-gKlYlFJrcpOp5k9Oqiu53PCijhsNfvReNHJb5YdEll8/s1280/Reagen.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="720" data-original-width="1280" height="225" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg2E00zZ58rfQFYjCM9CFpKtI2zmi7CEpr8SSFt4hCD1pqUxrrQTa0GQwWtfIWwatW7PiRPdXcP6WkqoOJGfZ1s6z4DQonOeumI-xAk9wednST6dJ3K3GO6AMtrRSVlSyXdLVLm8cUn7r3l-gKlYlFJrcpOp5k9Oqiu53PCijhsNfvReNHJb5YdEll8/w400-h225/Reagen.jpg" width="400" /></a></div><br /><span style="font-size: 14pt; line-height: 107%;">Direção
de William Friedkin</span></span><br /><span style="font-size: 14pt; line-height: 107%;"> </span><br /><span style="background-color: #274e13; color: white; font-size: 14pt; line-height: 107%;">30
ESTRELAS da WARNER BROS.</span><br /><span style="font-size: 14pt; line-height: 107%;"> </span><br /><span style="background-color: #274e13; color: white; font-size: 14pt; line-height: 107%;">ALEXIS
SMITH</span><span style="color: #3d85c6;"><br /><a name="_Hlk133312971"><span style="font-size: 14pt; line-height: 107%;">(1921 - 1993. Penticton, Columbia Britânica / Canadá)</span></a></span></span></div><div style="text-align: center;"><span style="font-family: inherit;"><span style="color: #3d85c6;"><span style="font-size: 14pt; line-height: 107%;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEggKW8ycDcbIWUzEXwUAFyYrAhtgPNTBAkWQIkGsACAgymWX4khAIfT5wgJHzeBSKiyvg_JWA5Abhbx7gPI-Xc6sDeIDE8hE9lMU0hMYuRRBaPvuk2hLGMOMaZaR814oFY_twOWjhXBasYnO6b2JTDtRQAIRHOYLbUSmSSkiHADLbz8zkyO2dwbPeNx/s1165/Alexis%20Smith%20swimwear%20(2).jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="800" data-original-width="1165" height="440" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEggKW8ycDcbIWUzEXwUAFyYrAhtgPNTBAkWQIkGsACAgymWX4khAIfT5wgJHzeBSKiyvg_JWA5Abhbx7gPI-Xc6sDeIDE8hE9lMU0hMYuRRBaPvuk2hLGMOMaZaR814oFY_twOWjhXBasYnO6b2JTDtRQAIRHOYLbUSmSSkiHADLbz8zkyO2dwbPeNx/w640-h440/Alexis%20Smith%20swimwear%20(2).jpg" width="640" /></a></div> </span><br /></span><span style="color: white;"><span style="background-color: #274e13; font-size: 14pt; line-height: 107%;">Dois Filmes na Warner:</span></span><span style="color: #3d85c6;"><br /><span style="mso-bookmark: _Hlk133312971;"><span style="font-size: 14pt; line-height: 107%;">CONFLITOS D’ALMA (Conflict, 1945)</span></span><br /><span style="mso-bookmark: _Hlk133312971;"><span style="font-size: 14pt; line-height: 107%;">A CANÇÃO INESQUECÍVEL (Night and Day, 1946)</span></span><br /><span style="mso-bookmark: _Hlk133312971;"><span style="font-size: 14pt; line-height: 107%;"> </span></span><br /></span><span style="background-color: #274e13; color: white; font-size: 14pt; line-height: 107%;">ANN
SHERIDAN</span><span style="color: #3d85c6;"><br /><span style="font-size: 14pt; line-height: 107%;">(1915 –
1967. Denton, Texas / EUA)</span></span></span></div><div style="text-align: center;"><span style="font-family: inherit;"><span style="color: #3d85c6;"><span style="font-size: 14pt; line-height: 107%;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhmSWGT6dZtxLCXlXGIm2bUkcN7-a6Ctn4kbEP7fknnMd_6izxOOtpXfNO9GNpkCjUctz0yLauO8GmoQd_V_zu6CruRYp7fo8kRuYipcR6AsFKPT-SGs9TRRsCS7VWvpOG__yRipm8eQmZF7UxS1m3ag-SviYtCH0AMQkWOz7kQyLIWDrAzNBypW_qy/s2152/Sheridan,%20Ann_03.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1710" data-original-width="2152" height="508" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhmSWGT6dZtxLCXlXGIm2bUkcN7-a6Ctn4kbEP7fknnMd_6izxOOtpXfNO9GNpkCjUctz0yLauO8GmoQd_V_zu6CruRYp7fo8kRuYipcR6AsFKPT-SGs9TRRsCS7VWvpOG__yRipm8eQmZF7UxS1m3ag-SviYtCH0AMQkWOz7kQyLIWDrAzNBypW_qy/w640-h508/Sheridan,%20Ann_03.jpg" width="640" /></a></div> </span><br /></span><span style="background-color: #274e13; color: white; font-size: 14pt; line-height: 107%;">Dois
Filmes na Warner:</span><span style="color: #3d85c6;"><br /><span style="font-size: 14pt; line-height: 107%;">DENTRO da
NOITE (They Drive by Night, 1940)</span><br /><span style="font-size: 14pt; line-height: 107%;">Em CADA
CORAÇÃO um PECADO (Kings Row, 1942)</span><br /><span style="font-size: 14pt; line-height: 107%;"> </span><span style="font-size: 14pt; line-height: 107%;"> </span><br /></span><span style="background-color: #274e13; color: white; font-size: 14pt; line-height: 107%;">BARBARA
STANWYCK</span><span style="color: #3d85c6;"><br /><span style="font-size: 14pt; line-height: 107%;">(1907 –
1990. Brooklyn, Nova York / EUA)</span></span></span></div><div style="text-align: center;"><span style="font-family: inherit;"><span style="color: #3d85c6;"><span style="font-size: 14pt; line-height: 107%;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEizzbuzMaO_5Tl8aldQL6qSjKgrv_07N4C7Va3M-7wIw6Bo7PlWX3YC35AwvAXD2IinFI7QtMrmVSooMGrUBGWABVCO4YS7kKDmQpXyypKUBNsPhPDNueiN7BtTG8A4E11OE8cAaEEm0lmadGF0ADKYmvy3SiD7LUsxLMJDdoBGhA6YllhUBh7YLOGu/s1360/Annex%20-%20Stanwyck,%20Barbara%20(Lady%20of%20Burlesque)_01C.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1360" data-original-width="1188" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEizzbuzMaO_5Tl8aldQL6qSjKgrv_07N4C7Va3M-7wIw6Bo7PlWX3YC35AwvAXD2IinFI7QtMrmVSooMGrUBGWABVCO4YS7kKDmQpXyypKUBNsPhPDNueiN7BtTG8A4E11OE8cAaEEm0lmadGF0ADKYmvy3SiD7LUsxLMJDdoBGhA6YllhUBh7YLOGu/w560-h640/Annex%20-%20Stanwyck,%20Barbara%20(Lady%20of%20Burlesque)_01C.jpg" width="560" /></a></div> </span><br /><span style="font-size: 14pt; line-height: 107%;"></span></span></span><span style="font-family: inherit;"><span style="background-color: #274e13; color: white; font-size: 14pt; line-height: 107%;">Dois
Filmes na Warner:</span></span><span style="font-family: inherit;"><span style="color: #3d85c6;"><br /><span style="font-size: 14pt; line-height: 107%;">SERPENTE
de LUXO (Baby Face, 1933)</span><br /><span style="font-size: 14pt; line-height: 107%;">MINHA
REPUTAÇÃO (My Reputation, 1946)</span><br /><span style="font-size: 14pt; line-height: 107%;"> </span><br /></span><span style="background-color: #274e13; color: white; font-size: 14pt; line-height: 107%;">BETTE
DAVIS</span><span style="color: #3d85c6;"><br /><span style="font-size: 14pt; line-height: 107%;">(1908 –
1989. Lowell, Massachusets / EUA)</span></span></span></div><div style="text-align: center;"><span style="font-family: inherit;"><span style="color: #3d85c6;"><span style="font-size: 14pt; line-height: 107%;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEitzWSg7fYHQFsHSF7f3zWPG1EexcIKoKS9GuiPpIhMjb0IGOkDFFwsz2S5oNLbLZ9BaykE-osuP-HfbZL98MDaN5iE9k9bCOLe6Asqi-xxjbDeSEExfDazouDaD4TpVIADM-173BDYaFjQnXa_dhBtrfQ5-kCsa6fC6EKda7Z9NXUVOEwFnkh8E9JY/s2200/Davis,%20Bette_11C.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="2200" data-original-width="1781" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEitzWSg7fYHQFsHSF7f3zWPG1EexcIKoKS9GuiPpIhMjb0IGOkDFFwsz2S5oNLbLZ9BaykE-osuP-HfbZL98MDaN5iE9k9bCOLe6Asqi-xxjbDeSEExfDazouDaD4TpVIADM-173BDYaFjQnXa_dhBtrfQ5-kCsa6fC6EKda7Z9NXUVOEwFnkh8E9JY/w518-h640/Davis,%20Bette_11C.jpg" width="518" /></a></div></span><br /><a name="_Hlk133352088"><span style="font-size: 14pt; line-height: 107%;"></span></a></span></span><a name="_Hlk133352088"><span style="font-family: inherit;"><span style="background-color: #274e13; color: white; font-size: 14pt; line-height: 107%;">Dois
Filmes na Warner:</span></span></a><span style="font-family: inherit;"><span style="color: #3d85c6;"><a name="_Hlk133352088"></a><br /><span style="font-size: 14pt; line-height: 107%;">VITÓRIA
AMARGA (1939) </span><br /><span style="font-size: 14pt; line-height: 107%;">A CARTA
(1940)</span><br /><span style="font-size: 14pt; line-height: 107%;"> </span><br /></span><span style="background-color: #274e13; color: white; font-size: 14pt; line-height: 107%;">CLAUDE
RAINS</span><span style="color: #3d85c6;"><br /><span style="font-size: 14pt; line-height: 107%;">(1889
–1967. Londres, Inglaterra / Reino Unido)</span></span></span></div><div style="text-align: center;"><span style="font-family: inherit;"><span style="color: #3d85c6;"><span style="font-size: 14pt; line-height: 107%;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhwc_1eYo0oUt7BA2DoAcAhKQRVnpgocopKEQoAnadnGFv9ZVpezsjNrSUk1rZXVzOLVfOUOT2DAT_goLdgFqTUs25Wi-fmThkOv1vS3a_861vRtoSfEEnQSbvSSvDc11n8Cu6MPwVpAuT0aCiNEuP9MUDhnL37AIA86fH2XNAg7l_3x2iQvJqLJ42C/s1213/Annex%20-%20Rains,%20Claude_01.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1213" data-original-width="1000" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhwc_1eYo0oUt7BA2DoAcAhKQRVnpgocopKEQoAnadnGFv9ZVpezsjNrSUk1rZXVzOLVfOUOT2DAT_goLdgFqTUs25Wi-fmThkOv1vS3a_861vRtoSfEEnQSbvSSvDc11n8Cu6MPwVpAuT0aCiNEuP9MUDhnL37AIA86fH2XNAg7l_3x2iQvJqLJ42C/w528-h640/Annex%20-%20Rains,%20Claude_01.jpg" width="528" /></a></div> </span><br /><span style="font-size: 14pt; line-height: 107%;"></span></span></span><span style="font-family: inherit;"><span style="background-color: #274e13; color: white; font-size: 14pt; line-height: 107%;">Dois
Filmes na Warner:</span></span><span style="font-family: inherit;"><span style="color: #3d85c6;"><br /><span style="font-size: 14pt; line-height: 107%;">CASABLANCA
(Idem, 1942)</span><br /><span style="font-size: 14pt; line-height: 107%;">VAIDOSA (Mr.
Skeffington, 1944)</span><br /><span style="font-size: 14pt; line-height: 107%;"> </span><br /></span><span style="background-color: #274e13; color: white; font-size: 14pt; line-height: 107%;">DICK
POWELL</span><span style="color: #3d85c6;"><br /><span style="font-size: 14pt; line-height: 107%;">(1904 -
1963 Mountain View, Arkansas / EUA)</span></span></span></div><div style="text-align: center;"><span style="font-family: inherit;"><span style="color: #3d85c6;"><span style="font-size: 14pt; line-height: 107%;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgf5BrbDKPcGcEqmonwlWeBU56ZsTkcpi98YmH_pUJGy7rGypZ_nxE1SvQsyclx8lgrN9iRljZWzQEvO-emgUvdPb6WXTp4byjCGYzsezzVyLoP1EdnGgEXytx-pHD8K6Qyjvjkt0A4qVd1rQTriAL5J3EV3x3RqzQ-GI8Sh1TGVg-lfBtAqLNBQDlh/s3477/Dick_Powell_in_Radio_Stars.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="3477" data-original-width="2611" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgf5BrbDKPcGcEqmonwlWeBU56ZsTkcpi98YmH_pUJGy7rGypZ_nxE1SvQsyclx8lgrN9iRljZWzQEvO-emgUvdPb6WXTp4byjCGYzsezzVyLoP1EdnGgEXytx-pHD8K6Qyjvjkt0A4qVd1rQTriAL5J3EV3x3RqzQ-GI8Sh1TGVg-lfBtAqLNBQDlh/w480-h640/Dick_Powell_in_Radio_Stars.jpg" width="480" /></a></div> </span><br /><span style="font-size: 14pt; line-height: 107%;"></span></span></span><span style="font-family: inherit;"><span style="background-color: #274e13; color: white; font-size: 14pt; line-height: 107%;">Dois
Filmes na Warner:</span></span><span style="font-family: inherit;"><span style="color: #3d85c6;"><br /><span style="font-size: 14pt; line-height: 107%;">CAÇADORAS
de OURO (Gold Diggers of 1933, 1933)</span><br /><span style="font-size: 14pt; line-height: 107%;">SONHO de
uma NOITE de VERÃO (A Midsummer Night's Dream, 1935)</span><br /><span style="font-size: 14pt; line-height: 107%;"> </span><br /></span><span style="background-color: #274e13; color: white; font-size: 14pt; line-height: 107%;">DORIS DAY</span><span style="color: #3d85c6;"><br /><span style="font-size: 14pt; line-height: 107%;">(1924.
Cincinnati, Ohio / EUA)</span></span></span></div><div style="text-align: center;"><span style="font-family: inherit;"><span style="color: #3d85c6;"><span style="font-size: 14pt; line-height: 107%;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg7c653hecf_Pnt9jOrJa2zc18EHxfWdKmHpMVuA6kdiwONN1yWgn4UBlBvZXnoA1w8-HXgK0dUTSFvgSw8c0xME76dSdoS7Ojv6cAI9eIliNyI1nsW1ATxAAKmH5eYd76JO3Pnigb75THaV7eCA8HA_0250iiECpfT91boHdhMDB0hykPAu1ORgALR/s1844/Annex%20-%20Day,%20Doris_24.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1844" data-original-width="1605" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg7c653hecf_Pnt9jOrJa2zc18EHxfWdKmHpMVuA6kdiwONN1yWgn4UBlBvZXnoA1w8-HXgK0dUTSFvgSw8c0xME76dSdoS7Ojv6cAI9eIliNyI1nsW1ATxAAKmH5eYd76JO3Pnigb75THaV7eCA8HA_0250iiECpfT91boHdhMDB0hykPAu1ORgALR/w558-h640/Annex%20-%20Day,%20Doris_24.jpg" width="558" /></a></div> </span><br /><a name="_Hlk133353739"><span style="font-size: 14pt; line-height: 107%;"></span></a></span></span><a name="_Hlk133353739"><span style="font-family: inherit;"><span style="background-color: #274e13; color: white; font-size: 14pt; line-height: 107%;">Dois
Filmes na Warner:</span></span></a><span style="font-family: inherit;"><span style="color: #3d85c6;"><a name="_Hlk133353739"></a><br /><span style="font-size: 14pt; line-height: 107%;">ÊXITO
FUGAZ (Young Man with a Horn, 1949)</span><br /><span style="font-size: 14pt; line-height: 107%;">ARDIDA
como PIMENTA (Calamity Jane, 1953)</span><br /><span style="font-size: 14pt; line-height: 107%;"> </span><br /></span><span style="background-color: #274e13; color: white; font-size: 14pt; line-height: 107%;">DOUGLAS
FAIRBANKS JR.</span><span style="color: #3d85c6;"><br /><span style="font-size: 14pt; line-height: 107%;">(1909 –
2000. Nova Iorque / EUA)</span></span></span></div><div style="text-align: center;"><span style="font-family: inherit;"><span style="color: #3d85c6;"><span style="font-size: 14pt; line-height: 107%;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhgcNi51KeHvyDN9BCSgMz7gTpWpUpZ6tFZxnhot_1k_1fZkTLm3fvUw_Oz2fUuqY9yuz1TAc-CbRya7rJWXpjhsS19KH-gd54Fy82BEnFBmo0JTRrjpR_h2Sz-G4yyha3aqP0igeRScygBdch_h6tpABcIWJtno3RPBylJQyw4qXLRGjoxXbOJZFVD/s2882/Annex%20-%20Fairbanks%20Jr.,%20Douglas_02C.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="2882" data-original-width="2400" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhgcNi51KeHvyDN9BCSgMz7gTpWpUpZ6tFZxnhot_1k_1fZkTLm3fvUw_Oz2fUuqY9yuz1TAc-CbRya7rJWXpjhsS19KH-gd54Fy82BEnFBmo0JTRrjpR_h2Sz-G4yyha3aqP0igeRScygBdch_h6tpABcIWJtno3RPBylJQyw4qXLRGjoxXbOJZFVD/w532-h640/Annex%20-%20Fairbanks%20Jr.,%20Douglas_02C.jpg" width="532" /></a></div> </span><br /><span style="font-size: 14pt; line-height: 107%;"></span></span></span><span style="font-family: inherit;"><span style="background-color: #274e13; color: white; font-size: 14pt; line-height: 107%;">Dois
Filmes na Warner:</span></span><span style="font-family: inherit;"><span style="color: #3d85c6;"><br /><span style="font-size: 14pt; line-height: 107%;">A
PATRULHA da MADRUGADA (The Dawn Patrol, 1930)</span><br /><span style="font-size: 14pt; line-height: 107%;">ALMA no
LODO (Little Caesar, 1930)</span><br /><span style="font-size: 14pt; line-height: 107%;"> </span><br /></span><span style="background-color: #274e13; color: white; font-size: 14pt; line-height: 107%;">EDWARD G.
ROBINSON</span><span style="color: #3d85c6;"><br /><span style="font-size: 14pt; line-height: 107%;">(1893 –
1973. Bucareste / Romênia)</span></span></span></div><div style="text-align: center;"><span style="font-family: inherit;"><span style="color: #3d85c6;"><span style="font-size: 14pt; line-height: 107%;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjB3wCeZyCzB9YsJP8JD3a9IQtd3tcJkSjEA1FXOL0k4n2iiKkmjotrPAcMantXTaHNvHZyX3ZOxvinT8LWRhW1-9xID9KUqyYWgKbcjoezhReYeZdle8DX0uxLDZjmsSX4e_eSSLCLvSRYkX2JVXsgToCZuPukKEazSNs5jwE4UXrw-6P3owoNtBw6/s1495/Annex%20-%20Robinson,%20Edward%20G._02.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1495" data-original-width="1232" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjB3wCeZyCzB9YsJP8JD3a9IQtd3tcJkSjEA1FXOL0k4n2iiKkmjotrPAcMantXTaHNvHZyX3ZOxvinT8LWRhW1-9xID9KUqyYWgKbcjoezhReYeZdle8DX0uxLDZjmsSX4e_eSSLCLvSRYkX2JVXsgToCZuPukKEazSNs5jwE4UXrw-6P3owoNtBw6/w528-h640/Annex%20-%20Robinson,%20Edward%20G._02.jpg" width="528" /></a></div> </span><br /><span style="font-size: 14pt; line-height: 107%;"></span></span></span><span style="font-family: inherit;"><span style="background-color: #274e13; color: white; font-size: 14pt; line-height: 107%;">Dois
Filmes na Warner:</span></span><span style="font-family: inherit;"><span style="color: #3d85c6;"><br /><span style="font-size: 14pt; line-height: 107%;">ALMA no
LODO (Little Caesar, 1930)</span><br /><span style="font-size: 14pt; line-height: 107%;">CONFISSÕES
de um ESPIÃO NAZISTA (Confessions of a Nazi Spy, 1939)</span><br /><span style="font-size: 14pt; line-height: 107%;"> </span><br /></span><span style="background-color: #274e13; color: white; font-size: 14pt; line-height: 107%;">ELEANOR
PARKER</span><span style="color: #3d85c6;"><br /><span style="font-size: 14pt; line-height: 107%;">(1922 -
2013. Cedarville, Ohio / EUA)</span></span></span></div><div style="text-align: center;"><span style="font-family: inherit;"><span style="color: #3d85c6;"><span style="font-size: 14pt; line-height: 107%;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhHquG3HI0XOGAPiek73Opl3zd93AvG-w9ravyU1anj83pYkIirYU6BhkPAdA9iBEWaUuFTjVkFfwmgKCced1uSgi83qOMY3hSpd3-cFJGP9xVQR2pCKq6uwH3u53U0xD1SeXN0O2cT5PvSY617PdwvmYMhzmKd7s2zlycCgcSSqIkumQ_GTJckLV1l/s2129/Parker,%20Eleanor_01S.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="2129" data-original-width="1664" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhHquG3HI0XOGAPiek73Opl3zd93AvG-w9ravyU1anj83pYkIirYU6BhkPAdA9iBEWaUuFTjVkFfwmgKCced1uSgi83qOMY3hSpd3-cFJGP9xVQR2pCKq6uwH3u53U0xD1SeXN0O2cT5PvSY617PdwvmYMhzmKd7s2zlycCgcSSqIkumQ_GTJckLV1l/w500-h640/Parker,%20Eleanor_01S.jpg" width="500" /></a></div> </span><br /><span style="font-size: 14pt; line-height: 107%;"></span></span></span><span style="font-family: inherit;"><span style="background-color: #274e13; color: white; font-size: 14pt; line-height: 107%;">Dois
Filmes na Warner:</span></span><span style="font-family: inherit;"><span style="color: #3d85c6;"><br /><span style="font-size: 14pt; line-height: 107%;">ESCRAVO
de uma PAIXÃO (Of Human Bondage, 1946) </span><br /><span style="font-size: 14pt; line-height: 107%;">À MARGEM
da VIDA (Caged, 1950)</span><br /><span style="font-size: 14pt; line-height: 107%;"> </span><br /></span><span style="background-color: #274e13; color: white; font-size: 14pt; line-height: 107%;">ERROL
FLYNN</span><span style="color: #3d85c6;"><br /><span style="font-size: 14pt; line-height: 107%;">(1909 –
1959. Hobart, Tasmania / Austrália)</span></span></span></div><div style="text-align: center;"><span style="font-family: inherit;"><span style="color: #3d85c6;"><span style="font-size: 14pt; line-height: 107%;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhCgNMphQ-ATIbdkxvcPkUdr1TntVig271fWfpPi4nyZsyUbncnXAAnsQ3HmZk4GLruMATI2w_j--YlVL874u6knVm2Zwrh0w34JCiKBosKIEWfY74lYNBUqhrk2bzZzJqalQqIT8VCNbodrsqpTFo82FiuMj-aNjfs7FB45us7uIVfYGE6n3nevCCZ/s5950/Annex%20-%20Flynn,%20Errol_23XL_DS.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="5950" data-original-width="4718" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhCgNMphQ-ATIbdkxvcPkUdr1TntVig271fWfpPi4nyZsyUbncnXAAnsQ3HmZk4GLruMATI2w_j--YlVL874u6knVm2Zwrh0w34JCiKBosKIEWfY74lYNBUqhrk2bzZzJqalQqIT8VCNbodrsqpTFo82FiuMj-aNjfs7FB45us7uIVfYGE6n3nevCCZ/w508-h640/Annex%20-%20Flynn,%20Errol_23XL_DS.jpg" width="508" /></a></div> </span><br /><span style="font-size: 14pt; line-height: 107%;"></span></span></span><span style="font-family: inherit;"><span style="background-color: #274e13; color: white; font-size: 14pt; line-height: 107%;">Dois
Filmes na Warner:</span></span><span style="font-family: inherit;"><span style="color: #3d85c6;"><br /><span style="font-size: 14pt; line-height: 107%;">CAPITÃO
BLOOD (Captain Blood, 1935)</span><br /><span style="font-size: 14pt; line-height: 107%;">As
AVENTURAS de ROBIN HOOD (The Adventures of Robin Hood, 1938)</span><br /><span style="font-size: 14pt; line-height: 107%;"> </span><br /></span><span style="background-color: #274e13; color: white; font-size: 14pt; line-height: 107%;">GEORGE
BRENT</span><span style="color: #3d85c6;"><br /><span style="font-size: 14pt; line-height: 107%;">(1904
1979. <span style="mso-spacerun: yes;"> </span>Ballinasloe / Irlanda)</span></span></span></div><div style="text-align: center;"><span style="font-family: inherit;"><span style="color: #3d85c6;"><span style="font-size: 14pt; line-height: 107%;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj8WQh8gfeGLFVweCQZ8W5nbmT1jFl3ydgjCfCdKftJxEzeXrsFaNaw3cLW-vS6B9jpCv6AoO5p015rR6HhvEi_qZNgv71iy11lzebwd7832qH7RFDxXjRcxttK7X8Zs8tet8_8gn4Paz3uMZUa2opKz3n8NTlcqM8V3tZjZ94CyUeVIV7MUXykivYw/s1773/3448303_1.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1773" data-original-width="1412" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj8WQh8gfeGLFVweCQZ8W5nbmT1jFl3ydgjCfCdKftJxEzeXrsFaNaw3cLW-vS6B9jpCv6AoO5p015rR6HhvEi_qZNgv71iy11lzebwd7832qH7RFDxXjRcxttK7X8Zs8tet8_8gn4Paz3uMZUa2opKz3n8NTlcqM8V3tZjZ94CyUeVIV7MUXykivYw/w510-h640/3448303_1.jpg" width="510" /></a></div> </span><br /><span style="font-size: 14pt; line-height: 107%;"></span></span></span><span style="font-family: inherit;"><span style="background-color: #274e13; color: white; font-size: 14pt; line-height: 107%;">Dois
Filmes na Warner:</span></span><span style="font-family: inherit;"><span style="color: #3d85c6;"><br /><span style="font-size: 14pt; line-height: 107%;">JEZEBEL
(Idem, 1938)</span><br /><span style="font-size: 14pt; line-height: 107%;">NASCIDA
PARA o MAL (In This Our Life, 1942)</span><br /><span style="font-size: 14pt; line-height: 107%;"> </span><br /></span><span style="background-color: #274e13; color: white; font-size: 14pt; line-height: 107%;">HUMPHREY
BOGART</span><span style="color: #3d85c6;"><br /><span style="font-size: 14pt; line-height: 107%;"><span style="mso-spacerun: yes;"> </span>(1899 – 1957. Nova York / EUA)</span></span></span></div><div style="text-align: center;"><span style="font-family: inherit;"><span style="color: #3d85c6;"><span style="font-size: 14pt; line-height: 107%;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEilu18F5md1Jzm9iHVCGNNf9TOMFvbFstXme4OiDn-N7Fe7XwOG8a0UuLqRBliA0bjvyk1tUCBYY0UDGreYMfNbZ6y8LXad5IKUjZk4zCM9zO-cQRbedEuLQ8MLuodHZrmZ3JG197snavbbiu4E2Lcvhp2UCH4N_wzPAwhVLjexTic8J3gv9JFbMkwo/s1600/Annex%20-%20Bogart,%20Humphrey_23.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1600" data-original-width="1227" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEilu18F5md1Jzm9iHVCGNNf9TOMFvbFstXme4OiDn-N7Fe7XwOG8a0UuLqRBliA0bjvyk1tUCBYY0UDGreYMfNbZ6y8LXad5IKUjZk4zCM9zO-cQRbedEuLQ8MLuodHZrmZ3JG197snavbbiu4E2Lcvhp2UCH4N_wzPAwhVLjexTic8J3gv9JFbMkwo/w490-h640/Annex%20-%20Bogart,%20Humphrey_23.jpg" width="490" /></a></div> </span><br /><span style="font-size: 14pt; line-height: 107%;"></span></span></span><span style="font-family: inherit;"><span style="background-color: #274e13; color: white; font-size: 14pt; line-height: 107%;">Dois
Filmes na Warner:</span></span><span style="font-family: inherit;"><span style="color: #3d85c6;"><br /><span style="font-size: 14pt; line-height: 107%;">O ÚLTIMO
REFÚGIO (High Sierra, 1941) </span><br /><span style="font-size: 14pt; line-height: 107%;">CASABLANCA
(Idem, 1942)</span><br /><span style="font-size: 14pt; line-height: 107%;"> </span><br /></span><span style="background-color: #274e13; color: white; font-size: 14pt; line-height: 107%;">IDA
LUPINO</span><span style="color: #3d85c6;"><br /><span style="font-size: 14pt; line-height: 107%;">(1918 –
1995. Londres, Inglaterra / Reino Unido)</span></span></span></div><div style="text-align: center;"><span style="font-family: inherit;"><span style="color: #3d85c6;"><span style="font-size: 14pt; line-height: 107%;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjygKK0XLJwexFFu_ZrQqwwPHkmx6kJGacB4sbxh5KHNr-xxEwqcrT-9PvPAUUNfmSadhBRTEjZ9__PQ2aCGCzG2f_4IaOCDVDfNuVx1l-spSmHTjtj77f6_R1C2RPYZlM3XBnDYYotVnr1mmsVgQN6HCK61rsnKZKqzHvrU5CWQ8CsCCjyBfWa35Ct/s2163/Annex%20-%20Lupino,%20Ida_09.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="2163" data-original-width="1700" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjygKK0XLJwexFFu_ZrQqwwPHkmx6kJGacB4sbxh5KHNr-xxEwqcrT-9PvPAUUNfmSadhBRTEjZ9__PQ2aCGCzG2f_4IaOCDVDfNuVx1l-spSmHTjtj77f6_R1C2RPYZlM3XBnDYYotVnr1mmsVgQN6HCK61rsnKZKqzHvrU5CWQ8CsCCjyBfWa35Ct/w504-h640/Annex%20-%20Lupino,%20Ida_09.jpg" width="504" /></a></div> </span><br /><span style="font-size: 14pt; line-height: 107%;"></span></span></span><span style="font-family: inherit;"><span style="background-color: #274e13; color: white; font-size: 14pt; line-height: 107%;">Dois
Filmes na Warner:</span></span><span style="font-family: inherit;"><span style="color: #3d85c6;"><br /><span style="font-size: 14pt; line-height: 107%;">DENTRO da
NOITE (They Drive by Night, 1940)</span><br /><span style="font-size: 14pt; line-height: 107%;">O ÚLTIMO
REFÚGIO (High Sierra, 1941)</span><br /><span style="font-size: 14pt; line-height: 107%;"> </span><br /></span><span style="background-color: #274e13; color: white; font-size: 14pt; line-height: 107%;">JAMES
CAGNEY</span><span style="color: #3d85c6;"><br /><span style="font-size: 14pt; line-height: 107%;">(1899 -
1986. Nova Iorque / EUA)</span></span></span></div><div style="text-align: center;"><span style="font-family: inherit;"><span style="color: #3d85c6;"><span style="font-size: 14pt; line-height: 107%;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg_EhS7O4t_qoy6P-kPZ5Ng3eIs2rP2UclCX3bNEegsqV64NedpNcJpnWXOvyGomxJ0eAbSw08BlPNdVGMppfUAVE3zEZpOXAVTOC2iNngVYnsKZcu0X9rMMSn3i5_L2K9t4tDRFnSYdDB4qBF_RWrufgmo6wi_K_BwPtP9qzE5I82RSOYCNR9LD_L_/s1600/Annex%20-%20Cagney,%20James_08.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1600" data-original-width="1218" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg_EhS7O4t_qoy6P-kPZ5Ng3eIs2rP2UclCX3bNEegsqV64NedpNcJpnWXOvyGomxJ0eAbSw08BlPNdVGMppfUAVE3zEZpOXAVTOC2iNngVYnsKZcu0X9rMMSn3i5_L2K9t4tDRFnSYdDB4qBF_RWrufgmo6wi_K_BwPtP9qzE5I82RSOYCNR9LD_L_/w488-h640/Annex%20-%20Cagney,%20James_08.jpg" width="488" /></a></div> </span><br /><span style="font-size: 14pt; line-height: 107%;"></span></span></span><span style="font-family: inherit;"><span style="background-color: #274e13; color: white; font-size: 14pt; line-height: 107%;">Dois
Filmes na Warner:</span></span><span style="font-family: inherit;"><span style="color: #3d85c6;"><br /><span style="font-size: 14pt; line-height: 107%;">HERÓIS
ESQUECIDOS (The Roaring Twenties, 1939)</span><br /><span style="font-size: 14pt; line-height: 107%;">FÚRIA SANGUINÁRIA
(White Heat, 1949)</span><br /><span style="font-size: 14pt; line-height: 107%;"> </span><br /></span><span style="background-color: #274e13; color: white; font-size: 14pt; line-height: 107%;">JANE
WYMAN</span><span style="color: #3d85c6;"><br /><span style="font-size: 14pt; line-height: 107%;">(1914 –
2007. St. Josephs, Missouri / EUA)</span></span></span></div><div style="text-align: center;"><span style="font-family: inherit;"><span style="color: #3d85c6;"><span style="font-size: 14pt; line-height: 107%;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjUznsZfHD5rBT3oSEa7Iy5ea-F3QgcyxIq0giSI3wBYe4-5D1pRd7TA_Wgplpf1g0v_1NMec9QsYqDTdEKIg9C69JxQq_6j_omCPP3AvDNr7SCQ3m2W4Y3NULxZyD_CGo1xTWhitp_rgUm0OBpFy8XhRwQX19W_9ek7fZN1FAdJfZFTOysO_MuhiGk/s2130/Annex%20-%20Wyman,%20Jane_05.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="2130" data-original-width="1682" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjUznsZfHD5rBT3oSEa7Iy5ea-F3QgcyxIq0giSI3wBYe4-5D1pRd7TA_Wgplpf1g0v_1NMec9QsYqDTdEKIg9C69JxQq_6j_omCPP3AvDNr7SCQ3m2W4Y3NULxZyD_CGo1xTWhitp_rgUm0OBpFy8XhRwQX19W_9ek7fZN1FAdJfZFTOysO_MuhiGk/w506-h640/Annex%20-%20Wyman,%20Jane_05.jpg" width="506" /></a></div> </span><br /><span style="font-size: 14pt; line-height: 107%;"></span></span></span><span style="font-family: inherit;"><span style="background-color: #274e13; color: white; font-size: 14pt; line-height: 107%;">Dois
Filmes na Warner:</span></span><span style="font-family: inherit;"><span style="color: #3d85c6;"><br /><span style="font-size: 14pt; line-height: 107%;">BELINDA (Johnny
Belinda, 1948)</span><br /><span style="font-size: 14pt; line-height: 107%;">Um BEIJO
no ESCURO (A Kiss in the Dark, 1949)</span><br /><span style="font-size: 14pt; line-height: 107%;"> </span><br /></span><span style="background-color: #274e13; color: white; font-size: 14pt; line-height: 107%;">JOAN
BLONDELL</span><span style="color: #3d85c6;"><br /><span style="font-size: 14pt; line-height: 107%;">(1906 -
1979. Nova Iorque / EUA)</span></span></span></div><div style="text-align: center;"><span style="font-family: inherit;"><span style="color: #3d85c6;"><span style="font-size: 14pt; line-height: 107%;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgsilzcHppK6qz1_B3QO3pRFQZTj0kHPQ0FSJzlCXGOaLVvrsAkEs0AXc3SoQa-9TN3H-bLm9eTIWNVxXmhuPq6ReJZhTT-q7nM1EcUc7bFssD7ulySxGV0boH2KNZtQ3zAVyJnUVtc-BoRMbyda2uiHSqPGzqgblxpazRho-aOvr-bk6pdr6hIT5XS/s2704/Annex%20-%20Blondell,%20Joan_NRFPT_04.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="2704" data-original-width="2085" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgsilzcHppK6qz1_B3QO3pRFQZTj0kHPQ0FSJzlCXGOaLVvrsAkEs0AXc3SoQa-9TN3H-bLm9eTIWNVxXmhuPq6ReJZhTT-q7nM1EcUc7bFssD7ulySxGV0boH2KNZtQ3zAVyJnUVtc-BoRMbyda2uiHSqPGzqgblxpazRho-aOvr-bk6pdr6hIT5XS/w494-h640/Annex%20-%20Blondell,%20Joan_NRFPT_04.jpg" width="494" /></a></div> </span><br /><span style="font-size: 14pt; line-height: 107%;"></span></span></span><span style="font-family: inherit;"><span style="background-color: #274e13; color: white; font-size: 14pt; line-height: 107%;">Dois
Filmes na Warner:</span></span><span style="font-family: inherit;"><span style="color: #3d85c6;"><br /><span style="font-size: 14pt; line-height: 107%;">O INIMIGO
PÚBLICO NO. 1 (The Public Enemy, 1931)</span><br /><span style="font-size: 14pt; line-height: 107%;">CAÇADORAS
de OURO (Gold Diggers of 1933, 1933)</span><br /><span style="font-size: 14pt; line-height: 107%;"> </span><br /></span><span style="background-color: #274e13; color: white; font-size: 14pt; line-height: 107%;">JOAN
CRAWFORD</span><span style="color: #3d85c6;"><br /><span style="font-size: 14pt; line-height: 107%;">(1904 –
1977. San Antonio, Texas / EUA)</span></span></span></div><div style="text-align: center;"><span style="font-family: inherit;"><span style="color: #3d85c6;"><span style="font-size: 14pt; line-height: 107%;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh8Hta2F-jPurxWCyu203diFcEiaBautjxqzC7bqBfKhaDLteDxrWlXqIPxSDVZfhwMDntgIBWE_8GKYcTa1iTDifV6Xt8lTnb4wbg2tnQNv9LSR2ZUMRcq8Q-gOnWfKbgV1g3P7iG11uHUi-009rus5PuoXDbSyUH1yCtb7Dfg7CTGuJEnw06o5JLD/s1351/Annex%20-%20Crawford,%20Joan%20(I%20Live%20My%20Life)_01C.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1351" data-original-width="1106" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh8Hta2F-jPurxWCyu203diFcEiaBautjxqzC7bqBfKhaDLteDxrWlXqIPxSDVZfhwMDntgIBWE_8GKYcTa1iTDifV6Xt8lTnb4wbg2tnQNv9LSR2ZUMRcq8Q-gOnWfKbgV1g3P7iG11uHUi-009rus5PuoXDbSyUH1yCtb7Dfg7CTGuJEnw06o5JLD/w524-h640/Annex%20-%20Crawford,%20Joan%20(I%20Live%20My%20Life)_01C.jpg" width="524" /></a></div> </span><br /><span style="font-size: 14pt; line-height: 107%;"></span></span></span><span style="font-family: inherit;"><span style="background-color: #274e13; color: white; font-size: 14pt; line-height: 107%;">Dois
Filmes na Warner:</span></span><span style="font-family: inherit;"><span style="color: #3d85c6;"><br /><span style="font-size: 14pt; line-height: 107%;">ALMA em
SUPLÍCIO (Mildred Pierce, 1945)</span><br /><span style="font-size: 14pt; line-height: 107%;">FOGUEIRA
de PAIXÃO (Possessed, 1947)</span><br /><span style="font-size: 14pt; line-height: 107%;"> </span><br /></span><span style="background-color: #274e13; color: white; font-size: 14pt; line-height: 107%;">JOHN
BARRYMORE</span><span style="color: #3d85c6;"><br /><span style="font-size: 14pt; line-height: 107%;">(1882 –
1942. Filadélfia, Pensilvânia / EUA)</span></span></span></div><div style="text-align: center;"><span style="font-family: inherit;"><span style="color: #3d85c6;"><span style="font-size: 14pt; line-height: 107%;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgrgv2mkADbSMnefZi0pM3iZLibS_lj7EDjnB7c_YLIAMdJhf84TQcpxco8c-0VtpCVS3I9PagC3uPkQ5OEjxhbYtpbFyKevxSbBtzqeMz84hIJ9ip_grArhT515gQ2dEnqAAAGIJvkk6h31oNS5wC3AFBB9TujS7yrXg1SdIonS_C1FXJQomvvIE6D/s1600/s-l1600.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1600" data-original-width="1281" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgrgv2mkADbSMnefZi0pM3iZLibS_lj7EDjnB7c_YLIAMdJhf84TQcpxco8c-0VtpCVS3I9PagC3uPkQ5OEjxhbYtpbFyKevxSbBtzqeMz84hIJ9ip_grArhT515gQ2dEnqAAAGIJvkk6h31oNS5wC3AFBB9TujS7yrXg1SdIonS_C1FXJQomvvIE6D/w512-h640/s-l1600.jpg" width="512" /></a></div></span><br /><span style="font-size: 14pt; line-height: 107%;"></span></span></span><span style="font-family: inherit;"><span style="background-color: #274e13; color: white; font-size: 14pt; line-height: 107%;">Dois
Filmes na Warner:</span></span><span style="font-family: inherit;"><span style="color: #3d85c6;"><br /><span style="font-size: 14pt; line-height: 107%;">BEAU
BRUMMEL (Idem, 1924)</span><br /><span style="font-size: 14pt; line-height: 107%;">DON JUAN
(Idem, 1926)</span><br /><span style="font-size: 14pt; line-height: 107%;"> </span><br /></span><span style="background-color: #274e13; color: white; font-size: 14pt; line-height: 107%;">JOHN
GARFIELD</span><span style="color: #3d85c6;"><br /><span style="font-size: 14pt; line-height: 107%;">(1913 -
1952. Nova Iorque / EUA)</span></span></span></div><div style="text-align: center;"><span style="font-family: inherit;"><span style="color: #3d85c6;"><span style="font-size: 14pt; line-height: 107%;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi0p8bZHLniNxsow5tm8C8_7Utr5WbGAcTLaKQfVK5_pAeRlYaXHP2oiOr06u-zB_Ic0XwVxdUDPHvX9YVDLs9VDSJLK5umgicS1PLOKvcmBZ5gzITqlqeKVuWj2gxtm0oFfrzTbEg5vm3lFg_fl-ltDvB147uMs6rsrSBDF_xaZVR2OwEX4vlHYSUK/s1600/Annex%20-%20Garfield,%20John_NRFPT_01.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1600" data-original-width="1196" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi0p8bZHLniNxsow5tm8C8_7Utr5WbGAcTLaKQfVK5_pAeRlYaXHP2oiOr06u-zB_Ic0XwVxdUDPHvX9YVDLs9VDSJLK5umgicS1PLOKvcmBZ5gzITqlqeKVuWj2gxtm0oFfrzTbEg5vm3lFg_fl-ltDvB147uMs6rsrSBDF_xaZVR2OwEX4vlHYSUK/w478-h640/Annex%20-%20Garfield,%20John_NRFPT_01.jpg" width="478" /></a></div> </span><br /><span style="font-size: 14pt; line-height: 107%;"></span></span></span><span style="font-family: inherit;"><span style="background-color: #274e13; color: white; font-size: 14pt; line-height: 107%;">Dois
Filmes na Warner:</span></span><span style="font-family: inherit;"><span style="color: #3d85c6;"><br /><span style="font-size: 14pt; line-height: 107%;">QUANDO a
NOITE CAI (Out of the Fog, 1941)</span><br /><span style="font-size: 14pt; line-height: 107%;">REDENÇÃO
SANGRENTA (The Breaking Point, 1950)</span><br /><span style="font-size: 14pt; line-height: 107%;"> </span><br /></span><span style="background-color: #274e13; color: white; font-size: 14pt; line-height: 107%;">KAY
FRANCIS</span><span style="color: #3d85c6;"><br /><span style="font-size: 14pt; line-height: 107%;">(1905 –
1968. Oklahoma City, Oklahoma / EUA)</span></span></span></div><div style="text-align: center;"><span style="font-family: inherit;"><span style="color: #3d85c6;"><span style="font-size: 14pt; line-height: 107%;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjDuB8X6gmD3OCc4kzivswMPhxz1uQpZsIKODYXDQvbf3VFcxC6yZnlRO08m4Xaq-qv71HCcPKOQkEhfjUj31LzEj5XP2GXQBzW3bm8974oImr1o1oqZ76abAcLMsVXlvfmViC0K_t21_x5BIyG9AGvBbXTEN5MkDcpbwURYgRmCs2siiRDEqv-DnfP/s1800/Annex%20-%20Francis,%20Kay_04C.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1800" data-original-width="1370" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjDuB8X6gmD3OCc4kzivswMPhxz1uQpZsIKODYXDQvbf3VFcxC6yZnlRO08m4Xaq-qv71HCcPKOQkEhfjUj31LzEj5XP2GXQBzW3bm8974oImr1o1oqZ76abAcLMsVXlvfmViC0K_t21_x5BIyG9AGvBbXTEN5MkDcpbwURYgRmCs2siiRDEqv-DnfP/w488-h640/Annex%20-%20Francis,%20Kay_04C.jpg" width="488" /></a></div> </span><br /><span style="font-size: 14pt; line-height: 107%;"></span></span></span><span style="font-family: inherit;"><span style="background-color: #274e13; color: white; font-size: 14pt; line-height: 107%;">Dois
Filmes na Warner:</span></span><span style="font-family: inherit;"><span style="color: #3d85c6;"><br /><span style="font-size: 14pt; line-height: 107%;">CAPRICHO
BRANCO (Mandalay, 1934)</span><br /><span style="font-size: 14pt; line-height: 107%;">CONFISSÃO
(Confession, 1937)</span><br /><span style="font-size: 14pt; line-height: 107%;"> </span><br /></span><span style="background-color: #274e13; color: white; font-size: 14pt; line-height: 107%;">LAUREN
BACALL</span><span style="color: #3d85c6;"><br /><span style="font-size: 14pt; line-height: 107%;">(1924 -
2014. New York / EUA)</span></span></span></div><div style="text-align: center;"><span style="font-family: inherit;"><span style="color: #3d85c6;"><span style="font-size: 14pt; line-height: 107%;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjOO_OyfpeGlJYR4fzyahnlcPWp6cSTGFfnvK0NX1LnajWVfFM_deBDTRaUo5lLmgG1SvxDi-Kxbi7v_03Ew0NYIOSC7CxxK_Lhhq6nDtE5n0PBHpFqh9cLA61C-92q-0bOJUJ8s63EYr1wUP1mZ10W8iHTb_ws9M7IfVOIZk8s6WMjWZb62zXpImEg/s1322/Annex%20-%20Bacall,%20Lauren_NRFPT_11.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1322" data-original-width="981" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjOO_OyfpeGlJYR4fzyahnlcPWp6cSTGFfnvK0NX1LnajWVfFM_deBDTRaUo5lLmgG1SvxDi-Kxbi7v_03Ew0NYIOSC7CxxK_Lhhq6nDtE5n0PBHpFqh9cLA61C-92q-0bOJUJ8s63EYr1wUP1mZ10W8iHTb_ws9M7IfVOIZk8s6WMjWZb62zXpImEg/w474-h640/Annex%20-%20Bacall,%20Lauren_NRFPT_11.jpg" width="474" /></a></div> </span><br /><span style="font-size: 14pt; line-height: 107%;"></span></span></span><span style="font-family: inherit;"><span style="background-color: #274e13; color: white; font-size: 14pt; line-height: 107%;">Dois
Filmes na Warner:</span></span><span style="font-family: inherit;"><span style="color: #3d85c6;"><br /><span style="font-size: 14pt; line-height: 107%;">Uma
AVENTURA na MARTINICA (To Have and Have Not, 1944)</span><br /><span style="font-size: 14pt; line-height: 107%;">PRISIONEIRO
do PASSADO (Dark Passage, 1947)</span><br /><span style="font-size: 14pt; line-height: 107%;"> </span><br /></span><span style="background-color: #274e13; color: white; font-size: 14pt; line-height: 107%;">MIRIAM
HOPKINS</span><span style="color: #3d85c6;"><br /><span style="font-size: 14pt; line-height: 107%;">(1902 –
1972. Bainbridge, Geórgia / EUA)</span></span></span></div><div style="text-align: center;"><span style="font-family: inherit;"><span style="color: #3d85c6;"><span style="font-size: 14pt; line-height: 107%;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhZ7J-GLNvFbXiqWusKbnt2SD6AIyTv3TSYz2EVaF2ODltaxUvboxcBpnTTEzkyeXqi5r0QIyivEyAtpS41G1RpNW0VIkyK_0bRy0r40jLZb8A1j_BcpnnuveI_yNx7nVkWBDlYN-Oq3A3CZO1G1O5Za-Ix5WlqLOIMlEaJVgUVqxhnQ0y9P-pax_Bv/s2439/Annex%20-%20Hopkins,%20Miriam%20(She%20Loves%20Me%20Not)_01S.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="2439" data-original-width="1966" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhZ7J-GLNvFbXiqWusKbnt2SD6AIyTv3TSYz2EVaF2ODltaxUvboxcBpnTTEzkyeXqi5r0QIyivEyAtpS41G1RpNW0VIkyK_0bRy0r40jLZb8A1j_BcpnnuveI_yNx7nVkWBDlYN-Oq3A3CZO1G1O5Za-Ix5WlqLOIMlEaJVgUVqxhnQ0y9P-pax_Bv/w516-h640/Annex%20-%20Hopkins,%20Miriam%20(She%20Loves%20Me%20Not)_01S.jpg" width="516" /></a></div> </span><br /><span style="font-size: 14pt; line-height: 107%;"></span></span></span><span style="font-family: inherit;"><span style="background-color: #274e13; color: white; font-size: 14pt; line-height: 107%;">Dois
Filmes na Warner:</span></span><span style="font-family: inherit;"><span style="color: #3d85c6;"><br /><span style="font-size: 14pt; line-height: 107%;">CARAVANA do
OURO (Virginia City, 1940)</span><br /><span style="font-size: 14pt; line-height: 107%;">Uma VELHA
AMIZADE (Old Acquaintance, 1943)</span><br /><span style="font-size: 14pt; line-height: 107%;"> </span><br /></span><span style="background-color: #274e13; color: white; font-size: 14pt; line-height: 107%;">OLIVIA de
HAVILLAND</span><span style="color: #3d85c6;"><br /><span style="font-size: 14pt; line-height: 107%;">(1916 - 2020.
Tóquio / Japão)</span></span></span></div><div style="text-align: center;"><span style="font-family: inherit;"><span style="color: #3d85c6;"><span style="font-size: 14pt; line-height: 107%;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiBQi7dhVDTXiVz_c8yezCyaKXUpPS8fOMbTDLbkaRRSqRwDTIhXTp5q-oIK6mOG7CnNTay6xjQLcX8SWWJaxy5ST4F2iX93bDitOjIhv7e4K2wOoqvHQ5EQW5P-33iypwTtwfrWt0LwHQIiBY15TH1OPJFoBVXByOt2bnVNjkC579-O6KiRV_UEQth/s2200/Annex%20-%20de%20Havilland,%20Olivia_NRFPT_05C.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="2200" data-original-width="1693" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiBQi7dhVDTXiVz_c8yezCyaKXUpPS8fOMbTDLbkaRRSqRwDTIhXTp5q-oIK6mOG7CnNTay6xjQLcX8SWWJaxy5ST4F2iX93bDitOjIhv7e4K2wOoqvHQ5EQW5P-33iypwTtwfrWt0LwHQIiBY15TH1OPJFoBVXByOt2bnVNjkC579-O6KiRV_UEQth/w492-h640/Annex%20-%20de%20Havilland,%20Olivia_NRFPT_05C.jpg" width="492" /></a></div> </span><br /><span style="font-size: 14pt; line-height: 107%;"></span></span></span><span style="font-family: inherit;"><span style="background-color: #274e13; color: white; font-size: 14pt; line-height: 107%;">Dois
Filmes na Warner:</span></span><span style="font-family: inherit;"><span style="color: #3d85c6;"><br /><span style="font-size: 14pt; line-height: 107%;">As
AVENTURAS de ROBIN HOOD (The Adventures of Robin Hood, 1938) </span><br /><span style="font-size: 14pt; line-height: 107%;">NASCIDA
PARA o MAL (In This Our Life, 1942)</span><br /><span style="font-size: 14pt; line-height: 107%;"> </span><br /></span><span style="background-color: #274e13; color: white; font-size: 14pt; line-height: 107%;">PATRICIA
NEAL</span><span style="color: #3d85c6;"><br /><span style="font-size: 14pt; line-height: 107%;">(1926 -
2010. Packard, Kentucky / EUA)</span></span></span></div><div style="text-align: center;"><span style="font-family: inherit;"><span style="color: #3d85c6;"><span style="font-size: 14pt; line-height: 107%;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh1zgnHs8WJpzGUNwozcbj-VdE76UcXg8e0kTai6vK5l5wApxJxQHvQGA6PhiwGTCTI7AgKjp6V093pqSqBwImTYoAgmKwkuGNq26TBoLYnpSAg7fq9ycAcH8wfEzqGudebbW_bkPxqyiv7fd0mVYYzRZ9m_Pvqp1jjS47EAwvQrw6eptId9TkCQO8p/s1600/Annex%20-%20Neal,%20Patricia_NRFPT_01.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1600" data-original-width="1208" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh1zgnHs8WJpzGUNwozcbj-VdE76UcXg8e0kTai6vK5l5wApxJxQHvQGA6PhiwGTCTI7AgKjp6V093pqSqBwImTYoAgmKwkuGNq26TBoLYnpSAg7fq9ycAcH8wfEzqGudebbW_bkPxqyiv7fd0mVYYzRZ9m_Pvqp1jjS47EAwvQrw6eptId9TkCQO8p/w484-h640/Annex%20-%20Neal,%20Patricia_NRFPT_01.jpg" width="484" /></a></div> </span><br /><span style="font-size: 14pt; line-height: 107%;"></span></span></span><span style="font-family: inherit;"><span style="background-color: #274e13; color: white; font-size: 14pt; line-height: 107%;">Dois
Filmes na Warner:</span></span><span style="font-family: inherit;"><span style="color: #3d85c6;"><br /><span style="font-size: 14pt; line-height: 107%;">VONTADE
INDÔMITA (The Fountainhead, 1949)</span><br /><span style="font-size: 14pt; line-height: 107%;">REDENÇÃO
SANGRENTA (The Breaking Point, 1950)</span><br /><span style="font-size: 14pt; line-height: 107%;"> </span><br /></span><span style="background-color: #274e13; color: white; font-size: 14pt; line-height: 107%;">PAUL
HENREID</span><span style="color: #3d85c6;"><br /><span style="font-size: 14pt; line-height: 107%;">(1908 –
1992. Trieste / Itália)</span></span></span></div><div style="text-align: center;"><span style="font-family: inherit;"><span style="color: #3d85c6;"><span style="font-size: 14pt; line-height: 107%;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg9jNW6L8nKTEFodMhspCCMcS-l3TSRViC5LBNowr6F1OHJHfOi_KrYUfsALPQI8nQ5CjFjJeNzCvztBoJW_GdiyXlp4F34XrKPrdKRXe0FhuW9tmD8ntuAAQVicD4I5kyM3CbwSs6rahPF9kBbnZ6uSUbLZ6W_YhpIN6LZt0iM04QXOvgI_ypB44vK/s2398/Annex%20-%20Henreid,%20Paul_01S.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="2398" data-original-width="1872" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg9jNW6L8nKTEFodMhspCCMcS-l3TSRViC5LBNowr6F1OHJHfOi_KrYUfsALPQI8nQ5CjFjJeNzCvztBoJW_GdiyXlp4F34XrKPrdKRXe0FhuW9tmD8ntuAAQVicD4I5kyM3CbwSs6rahPF9kBbnZ6uSUbLZ6W_YhpIN6LZt0iM04QXOvgI_ypB44vK/w500-h640/Annex%20-%20Henreid,%20Paul_01S.jpg" width="500" /></a></div> </span><br /><span style="font-size: 14pt; line-height: 107%;"></span></span></span><span style="font-family: inherit;"><span style="background-color: #274e13; color: white; font-size: 14pt; line-height: 107%;">Dois
Filmes na Warner:</span></span><span style="font-family: inherit;"><span style="color: #3d85c6;"><br /><span style="font-size: 14pt; line-height: 107%;">A
ESTRANHA PASSAGEIRA (Now, Voyager, 1942)</span><br /><span style="font-size: 14pt; line-height: 107%;">CASABLANCA
(Idem, 1942)</span><br /><span style="font-size: 14pt; line-height: 107%;"> </span><br /></span><span style="background-color: #274e13; color: white; font-size: 14pt; line-height: 107%;">PAUL MUNI</span><span style="color: #3d85c6;"><br /><span style="font-size: 14pt; line-height: 107%;">(1895 -
1967. Lviv / Ucrânia)</span></span></span></div><div style="text-align: center;"><span style="font-family: inherit;"><span style="color: #3d85c6;"><span style="font-size: 14pt; line-height: 107%;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhDMTd6pMQ0FHhwwUgxkWhKn5VSdLrXFMRs_Tm9co4cnXiJdtNKx43aftJURDoiLD9gZcqL-yNWGynypwnHa6Uoz6k4LVib-k0d3XO_oA03efTWZhSs3ku0T7iYF2ZlwnYGuX0co0T4vhKgBDjBOABG8vKq5mwdY4oakPiI_ecpfF7scUqN5bOyetxt/s2122/Muni,%20Paul_02S.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="2122" data-original-width="1747" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhDMTd6pMQ0FHhwwUgxkWhKn5VSdLrXFMRs_Tm9co4cnXiJdtNKx43aftJURDoiLD9gZcqL-yNWGynypwnHa6Uoz6k4LVib-k0d3XO_oA03efTWZhSs3ku0T7iYF2ZlwnYGuX0co0T4vhKgBDjBOABG8vKq5mwdY4oakPiI_ecpfF7scUqN5bOyetxt/w526-h640/Muni,%20Paul_02S.jpg" width="526" /></a></div></span><br /><span style="font-size: 14pt; line-height: 107%;"></span></span></span><span style="font-family: inherit;"><span style="background-color: #274e13; color: white; font-size: 14pt; line-height: 107%;">Dois
Filmes na Warner:</span></span><span style="font-family: inherit;"><span style="color: #3d85c6;"><br /><span style="font-size: 14pt; line-height: 107%;">O
FUGITIVO (I Am a Fugitive from a Chain Gang, 1932)</span><br /><span style="font-size: 14pt; line-height: 107%;">A VIDA de
EMILE ZOLA (The Life of Emile Zola, 1937)</span><br /><span style="font-size: 14pt; line-height: 107%;"> </span><br /></span><span style="background-color: #274e13; color: white; font-size: 14pt; line-height: 107%;">RONALD
REAGAN</span><span style="color: #3d85c6;"><br /><span style="font-size: 14pt; line-height: 107%;">(1911 –
2004. Tampico, Illinois / EUA)</span></span></span></div><div style="text-align: center;"><span style="font-family: inherit;"><span style="color: #3d85c6;"><span style="font-size: 14pt; line-height: 107%;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhN08XHa2Q5nYjfAu_xNSHNreKl6f0xPU8JI3AVg2uqC37RphplGm3_YIF3FvoE5aixMfM3gaQ5Ec1H1chATLadzH6pvjHGUDSmHDnyqoRx627nGDq2dx4AgejpoC4EN9_Q9QnfJw5Jg7G_JDmMoWtnZsuHywxpmcdr-_h6snu2e6ekjTqVHoEd1dPJ/s2568/Annex%20-%20Reagan,%20Ronald_06.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="2568" data-original-width="2080" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhN08XHa2Q5nYjfAu_xNSHNreKl6f0xPU8JI3AVg2uqC37RphplGm3_YIF3FvoE5aixMfM3gaQ5Ec1H1chATLadzH6pvjHGUDSmHDnyqoRx627nGDq2dx4AgejpoC4EN9_Q9QnfJw5Jg7G_JDmMoWtnZsuHywxpmcdr-_h6snu2e6ekjTqVHoEd1dPJ/w518-h640/Annex%20-%20Reagan,%20Ronald_06.jpg" width="518" /></a></div></span><br /><span style="font-size: 14pt; line-height: 107%;"></span></span></span><span style="font-family: inherit;"><span style="background-color: #274e13; color: white; font-size: 14pt; line-height: 107%;">Dois
Filmes na Warner:</span></span><span style="font-family: inherit;"><span style="color: #3d85c6;"><br /><span style="font-size: 14pt; line-height: 107%;">O CAMINHO
de SANTA FÉ (Santa Fe Trail, 1940)</span><br /><span style="font-size: 14pt; line-height: 107%;">Em CADA
CORAÇÃO um PECADO (Kings Row, 1942)</span><br /><span style="font-size: 14pt; line-height: 107%;"> </span><br /></span><span style="background-color: #274e13; color: white; font-size: 14pt; line-height: 107%;">VIVECA
LINDFORS</span><span style="color: #3d85c6;"><br /><span style="font-size: 14pt; line-height: 107%;">(1920 –
1995. Uppsala / Suécia)</span></span></span></div><div style="text-align: center;"><span style="font-family: inherit;"><span style="color: #3d85c6;"><span style="font-size: 14pt; line-height: 107%;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgpwao7rY7x3MLhglVDDkSwoKAkfki083vz7bDbSES1qLHZUW3ihwz0DGyPcfKOE4mCDOCTRO-_QB59e3yjaWZlJNVjbFT4D7jCWWR7UAEl2NDGnFWAKNXYHow6IBqk6xWCE5R-j1adAOBsvsHj1_1X6XrOSe9-W5PwDeuTFK7m6UcTRdJ5xLlD2WOg/s1800/Annex%20-%20Lindfors,%20Viveca_01S.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1800" data-original-width="1452" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgpwao7rY7x3MLhglVDDkSwoKAkfki083vz7bDbSES1qLHZUW3ihwz0DGyPcfKOE4mCDOCTRO-_QB59e3yjaWZlJNVjbFT4D7jCWWR7UAEl2NDGnFWAKNXYHow6IBqk6xWCE5R-j1adAOBsvsHj1_1X6XrOSe9-W5PwDeuTFK7m6UcTRdJ5xLlD2WOg/w516-h640/Annex%20-%20Lindfors,%20Viveca_01S.jpg" width="516" /></a></div><br /></span></span></span></div><div style="text-align: center;"><span style="font-family: inherit;"><span style="color: #3d85c6;"><span style="font-size: 14pt; line-height: 107%;"> </span></span></span><span style="font-family: inherit;"><span style="background-color: #274e13; color: white; font-size: 14pt; line-height: 107%;">Dois
Filmes na Warner:</span></span><span style="font-family: inherit;"><span style="color: #3d85c6;"><span style="font-size: 14pt; line-height: 107%;"></span><br /><span style="font-size: 14pt; line-height: 107%;">As
AVENTURAS de DON JUAN (Adventures of Don Juan, 1948)</span><br /><span style="font-size: 14pt; line-height: 107%;">ALGUÉM
DEIXOU ESTE MUNDO (Backfire, 1950)</span><br /><span style="font-size: 14pt; line-height: 107%;"> </span><br /></span><span style="background-color: #274e13; color: white; font-size: 14pt; line-height: 107%;">WARREN
WILLIAM</span><span style="color: #3d85c6;"><br /><span style="font-size: 14pt; line-height: 107%;">(1894 –
1948. Aitkin, Minnesota / EUA)</span></span></span></div><div style="text-align: center;"><span style="font-family: inherit;"><span style="color: #3d85c6;"><span style="font-size: 14pt; line-height: 107%;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg9ctHMniIUl58yPP3oKRX_4XN-AIYgqr3NaOlHUJPToreCFwTtm3add9FVIrinti-5OLsMmIjGV5acpFe7B1H4igRB7oPmymW9oeXiCxWxtFv-hZZZXOiRsnS7yGpeV8tN4PLOIwohDURgqnqAsKQHwRLOPY9aKeQR-yWiBAmuFKYVgnKpdvglkID_/s1334/W%20William.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1334" data-original-width="967" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg9ctHMniIUl58yPP3oKRX_4XN-AIYgqr3NaOlHUJPToreCFwTtm3add9FVIrinti-5OLsMmIjGV5acpFe7B1H4igRB7oPmymW9oeXiCxWxtFv-hZZZXOiRsnS7yGpeV8tN4PLOIwohDURgqnqAsKQHwRLOPY9aKeQR-yWiBAmuFKYVgnKpdvglkID_/w464-h640/W%20William.jpg" width="464" /></a></div> </span><br /><span style="font-size: 14pt; line-height: 107%;"></span></span></span><span style="font-family: inherit;"><span style="background-color: #274e13; color: white; font-size: 14pt; line-height: 107%;">Dois
Filmes na Warner:</span></span><span style="font-family: inherit;"><span style="color: #3d85c6;"><br /><a name="_Hlk133350701"><span style="font-size: 14pt; line-height: 107%;">CAÇADORAS de OURO (Gold Diggers of 1933, 1933)</span></a><br /><span style="font-size: 14pt; line-height: 107%;">CASADOS
em SEGREDO (The Secret Bride, 1934)</span><br /><span style="font-size: 14pt; line-height: 107%;"> </span></span></span></div><div style="text-align: center;"><span style="font-family: inherit;"><span style="color: #3d85c6;"><span style="font-size: 14pt; line-height: 107%;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg9GnsPSi03K4gZCXm_yDL77eiPUEVJoS_OpKoKNVYeQoSedbJbDQO37-v7RWW2kbMSaY9caVbHuyaWXSg8D6dpTRlJUb-tjikK3Wa6CZxtb1iQQvRrsyKWDQGJr8X1J-pTcNRI3ZR3IaCLgjPlJJvfx_AENJCMySGXgJxbbdrzb0TNy53U4aFxdv-a/s720/1948-1967)%2017.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="299" data-original-width="720" height="266" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg9GnsPSi03K4gZCXm_yDL77eiPUEVJoS_OpKoKNVYeQoSedbJbDQO37-v7RWW2kbMSaY9caVbHuyaWXSg8D6dpTRlJUb-tjikK3Wa6CZxtb1iQQvRrsyKWDQGJr8X1J-pTcNRI3ZR3IaCLgjPlJJvfx_AENJCMySGXgJxbbdrzb0TNy53U4aFxdv-a/w640-h266/1948-1967)%2017.jpg" width="640" /></a></div> <div class="separator" style="clear: both; text-align: center;"><iframe allowfullscreen='allowfullscreen' webkitallowfullscreen='webkitallowfullscreen' mozallowfullscreen='mozallowfullscreen' width='320' height='266' src='https://www.blogger.com/video.g?token=AD6v5dxt8uUoVLGs1UpcO4LCT4IoDZmrMp0saOdEc7qtlJwPWb6HWX-ay9R3AA3gP_FN8yMMUhwORZozAw0DTf_dwA' class='b-hbp-video b-uploaded' frameborder='0'></iframe></div><br /></span></span></span></div>
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</p>ANTONIO NAHUDhttp://www.blogger.com/profile/09829893001743081676noreply@blogger.com6tag:blogger.com,1999:blog-7997398743762234247.post-36760591540976972062023-03-30T21:54:00.016-03:002023-04-01T00:11:09.546-03:00*** CHARME, CARISMA, CINISMO: ROBERT MITCHUM<div><p style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh1EB664cBf86VDRKb55zwJF6ExTHrbwJ9HNjQSk_UAip_yIYAEuMWP28XT9XEo1LRHt9nMb8Hb3sZSZZSPGl5fXNTnFw8Yvu_Sh7QEXtcE3NIXQOIdqnur8tUWdf2PFBaNLVaJoI5Oy58YB0N2VPCPbTYIXL8BmS26via2te3hTlLSEHzkgjV4MpWW/s2493/Annex%20-%20Mitchum,%20Robert_01.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="2493" data-original-width="2000" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh1EB664cBf86VDRKb55zwJF6ExTHrbwJ9HNjQSk_UAip_yIYAEuMWP28XT9XEo1LRHt9nMb8Hb3sZSZZSPGl5fXNTnFw8Yvu_Sh7QEXtcE3NIXQOIdqnur8tUWdf2PFBaNLVaJoI5Oy58YB0N2VPCPbTYIXL8BmS26via2te3hTlLSEHzkgjV4MpWW/w514-h640/Annex%20-%20Mitchum,%20Robert_01.jpg" width="514" /></a><br /></p><p><b style="color: #ffa400;"><span style="font-size: medium;"> </span></b></p><p><b style="color: #ffa400;"><span style="font-size: medium;"> </span></b><span style="color: #3d85c6; font-family: inherit; font-size: 14pt; line-height: 107%;">“Eu tenho
uma ótima vida fora dos filmes. Eu estive em todo o mundo e conheci as pessoas
mais fantásticas. Eu realmente não mereço tudo o que recebi. É uma vida
privilegiada, e eu sei disso.” </span><br /></p><div style="text-align: justify;"><span style="color: #3d85c6;"><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">“Deborah
Kerr é a melhor, minha atriz favorita... A vida seria boa se eu pudesse vivê-la
com Deborah por perto.” </span></span><br /><span style="font-family: inherit;"></span><span style="font-family: inherit;"></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">“Os
filmes me entediam, especialmente os meus.” </span></span></span><br /><span style="font-family: inherit;"><span style="background-color: #274e13; color: white; font-size: 14pt; line-height: 107%;">ROBERT
MITCHUM</span></span><br /><span style="font-family: inherit;"></span><span style="font-family: inherit;"></span><span style="color: #3d85c6;"><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">Altura:
1,85 cm</span></span><span style="font-family: inherit;"></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">Olhos: Azuis</span></span><span style="font-family: inherit;"></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">Cabelos: Castanhos escuros</span></span><span style="font-family: inherit;"></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">Apelido:
Mitch, Old Rumple Eyes e Bob</span></span></span><br /><span style="font-family: inherit;"></span><span style="font-family: inherit;"></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;"> </span></span><span style="font-family: inherit;"></span><br /><span style="font-family: inherit;"><span style="color: white; font-size: 14pt; line-height: 107%;">Ele deslumbrou o público por mais de 50 anos
com 132 filmes e</span><span style="color: black; font-size: 14pt; line-height: 107%;"> </span><span style="font-size: 14pt; line-height: 107%;">telefilmes, mas nunca ganhou um Oscar. Uma
injustiça, tem grandes performances em sua filmografia. Mantinha uma fachada de
indiferença, sempre repetindo que fazia filmes só para transar, comprar maconha
e ganhar dinheiro, e que não se importava com o cinema. Viveu durante os
primeiros anos de vida com a mãe (seu pai morreu em um acidente de trem), que o
fez gostar de livros, especialmente de poesia. Mas era um menino problemático e
foi expulso do colégio por agredir o diretor.</span></span><br /><span style="font-family: inherit;"></span><span style="font-family: inherit;"></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">Aos 16
anos, <span style="background-color: #274e13; color: white;">ROBERT MITCHUM</span> <span style="color: #3d85c6;">(1917 – 1997. Bridgeport, Connecticut / EUA)</span> partiu em
busca de sorte na Califórnia, onde foi preso por 30 dias por vadiagem.
Trabalhou como mineiro, goleiro, boxeador, segurança de boate, roteirista e
outros pequenos empregos. Sua vida mudou quando conheceu o produtor Bob
Sherman, enquanto trabalhava em uma sapataria. Ele tinha uma boa figura e
aprendeu a cavalgar na fazenda dos <span style="color: white;">avós, então ganhou um pequeno papel em</span><span style="color: black; mso-themecolor: text1;"> </span><span style="color: #3d85c6;">“Mantenho a Ordem, / Hoppy Serves
a Writ”</span><span style="color: black; mso-themecolor: text1;"> </span><span style="color: white;">(1943), de George Archainbaud, entre outros faroestes.</span></span></span></div><div style="text-align: justify;"><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;"><span style="color: white;"> </span></span></span><br /><span style="font-family: inherit;"></span><span style="font-family: inherit;"></span></div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjA54ZLTiLzABC7L6fd2PEWC9SNZM3gILrFvO7J_d-1JWq7Vl9MKISqDLQqN4IaLTUeRdzAJmvTwZr_eVB0btcacPtM8Qh6IP9U-M-CwXPjGtUY-2I94cVpfKPHeJfdYJZg8TPxgXCLQxIHgxSAE-Ugihw0_ltynR2ewiNZAtRDGpiKHYBBaPAXdeLE/s672/GettyImages-3170594_master.jpg" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"><img border="0" data-original-height="672" data-original-width="537" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjA54ZLTiLzABC7L6fd2PEWC9SNZM3gILrFvO7J_d-1JWq7Vl9MKISqDLQqN4IaLTUeRdzAJmvTwZr_eVB0btcacPtM8Qh6IP9U-M-CwXPjGtUY-2I94cVpfKPHeJfdYJZg8TPxgXCLQxIHgxSAE-Ugihw0_ltynR2ewiNZAtRDGpiKHYBBaPAXdeLE/w320-h400/GettyImages-3170594_master.jpg" width="320" /></a></div><div style="text-align: justify;"><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">Embora já
tivesse aparecido ao lado de Spencer Tracy no drama de <span style="color: white;">guerra</span><span style="color: black; mso-themecolor: text1;"> </span><span style="color: #3d85c6;">“Trinta Segundos sobre Tóquio / Thirty Seconds
Over Tokyo” </span><span style="color: white;">(1944), o papel que o impulsionou ao estrelato foi o do tenente
Walker em</span><span style="color: black; mso-themecolor: text1;"> </span><span style="color: #3d85c6;">“Também Somos Seres Humanos / Story of G.I. Joe”</span><span style="color: black; mso-themecolor: text1;"> </span><span style="color: white;">(1946), de William
A. Wellman. De acordo com o biógrafo John Belton, durante as filmagens de</span><span style="color: black; mso-themecolor: text1;"> </span><span style="color: #3d85c6;">“Correntes
Ocultas / Undercurrent” </span><span style="color: white;">(1946),</span><span style="color: black; mso-themecolor: text1;"> </span>Katharine Hepburn disse ao ator: </span></span><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;"><span style="color: #3d85c6;">“</span></span></span><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;"><span style="color: #3d85c6;">Você sabe que não sabe atuar e, se não fosse bonito, nunca teria feito
filmes. Eu cansei de interpretar com gente que não tem nada a oferecer.”</span>. </span></span></div><div style="text-align: justify;"><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;"> </span></span><br /><span style="font-family: inherit;"></span><span style="font-family: inherit;"></span><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">Conhecido sobretudo pelos policiais noir. Sua primeira incursão <span style="color: white;">no gênero foi em </span><span style="color: #3d85c6;">“Uma
Estranha Aventura / When Strangers Get Married”</span><span style="color: white;">. Na época, o seu charme cínico
chegou a competir com o astro Humphrey Bogart. Depois do clássico</span><span style="color: black; mso-themecolor: text1;"> </span><span style="color: #3d85c6;">“Rancor”</span><span style="color: white;">,
estrelou o espetacular</span><span style="color: black; mso-themecolor: text1;"> </span><span style="color: #3d85c6;">“Fuga do Passado”</span><span style="color: white;">, ao lado de Kirk Douglas. É
considerada uma de suas melhores</span><span style="color: black; mso-themecolor: text1;"> </span>atuações e a rivalidade com Douglas os
deixou como desafetos pelo resto da vida.</span></span><br /><span style="font-family: inherit;"></span><span style="font-family: inherit;"></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">Talvez
seu papel mais lembrado seja o de Harry Powell no cult <span style="color: #3d85c6;">“O Mensageiro do Diabo”</span>,
o único filme dirigido por Charles Laughton,<span style="mso-spacerun: yes;">
</span>que chamou o protagonista do seu filme como um dos melhores atores do
mundo. O thriller retrata <span style="background-color: #274e13; color: white;">ROBERT MITCHUM</span> como um <i>serial killer</i> monstruoso e
enlouquecido se passando por pastor. Sua atuação o consagrou como um dos
melhores vilões de todos os tempos. Ele disse certa vez que o era seu papel
favorito. </span></span><br /><span style="font-family: inherit;"></span><span style="font-family: inherit;"></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">Em 1940
ele se casou com Dorothy, namorada de longa data, e tiveram três dois filhos:
James, Christopher e Trini. Eles nunca se separaram. Embora <span style="background-color: #274e13; color: white;">ROBERT MITCHUM</span> tenha
tido vários casos durante o casamento, ele permaneceu com a esposa Dorothy
Mitchum por quase 60 anos. Costumava sair para beber com os amigos e passava
noites sem fim enchendo a cara com Frank Sinatra, Orson Welles e John Wayne.
Hollywood não gostou de sua bebedeira exagerada e as más línguas prejudicaram
duramente sua reputação por toda a vida.</span></span></div><div style="text-align: justify;"><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;"> </span></span><br /><span style="font-family: inherit;"></span><span style="font-family: inherit;"></span></div><table cellpadding="0" cellspacing="0" class="tr-caption-container" style="float: right; margin-left: 1em; text-align: right;"><tbody><tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjxGXg7C2bEc8ob1kp5g1zVYwfBi79FlDJuGnh119E2--6fBtFalWnnToWHWfp9lKOnPZLySuc9QkGkQY79HJhuosXicCRAzPqce8PHEBLfjcyFLB9SYVmNvkhFMHdRA-uKPdTlfXo5Amj4h0b8VaiJaRXsYzRuOtNpuJ6MPMBdPH4_Yva6Z_85KFqy/s980/04-familia-bona2.jpg" style="clear: right; margin-bottom: 1em; margin-left: auto; margin-right: auto;"><img border="0" data-original-height="772" data-original-width="980" height="315" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjxGXg7C2bEc8ob1kp5g1zVYwfBi79FlDJuGnh119E2--6fBtFalWnnToWHWfp9lKOnPZLySuc9QkGkQY79HJhuosXicCRAzPqce8PHEBLfjcyFLB9SYVmNvkhFMHdRA-uKPdTlfXo5Amj4h0b8VaiJaRXsYzRuOtNpuJ6MPMBdPH4_Yva6Z_85KFqy/w400-h315/04-familia-bona2.jpg" width="400" /></a></td></tr><tr><td class="tr-caption" style="text-align: center;"><span style="font-family: inherit;"><span style="background-color: black; color: #3d85c6; font-size: large;">bob mitchum, a esposa e filhos</span></span><br /></td></tr></tbody></table><div style="text-align: justify;"><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">Tudo se
complicou quando, em 1948, seu agente o roubou e o deixou falido. Além disso,
em 31 de agosto do mesmo ano, foi preso em uma festa por porte de maconha. Foi
uma das primeiras vezes que um grande ator foi preso por esse crime. De acordo
com a biografia de Lee Server de 2001, <span style="color: #3d85c6;">“Robert Mitchum: Baby I Don't Care”</span>, ele
ainda fumava maconha na velhice. O certo é que essa prisão foi um
escândalo, mas em contrapartida o público não o abandonou, muito pelo
contrário.</span></span><br /><span style="font-family: inherit;"></span><span style="font-family: inherit;"></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;"> </span></span></div><div style="text-align: justify;"><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">Tinha
memória fotográfica. Memorizava as falas
instantaneamente e, como resultado, raramente <span style="color: white;">ensaiava. Trabalhou com Otto Preminger em duas ocasiões,
sendo a primeira em</span><span style="color: black; mso-themecolor: text1;"> </span><span style="color: #3d85c6;">“Alma em Pânico”</span><span style="color: black; mso-themecolor: text1;"> </span><span style="color: white;">(1953), interpretando motorista de
ambulância que se mete em uma teia de mentiras seduzido por sua</span><span style="color: black; mso-themecolor: text1;"> </span>enteada
perigosa (Jean Simmons). Outro marco foi <span style="color: #3d85c6;">“O Céu por Testemunha”</span> (1957), de John
Huston, como fuzileiro naval abandonado com a freira Deborah Kerr em uma ilha
deserta. Química pura.</span></span><br /><span style="font-family: inherit;"></span><span style="font-family: inherit;"></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">Em<span style="color: #3d85c6;"> “Círculo
do Medo”</span>, um thriller dirigido por J. Lee Thompson, ele é um psicopata com
desejo vingativo contra o personagem de Gregory Peck. Em <span style="color: #3d85c6;">“A Filha de Ryan”</span>
(1970), penúltimo filme de David Lean, tem uma das suas melhores performances
como o marido traído de Sarah Miles, em uma pequena cidade irlandesa. Embora na
vida real quem estivesse traindo a esposa fosse o próprio <span style="background-color: #274e13; color: white;">ROBERT MITCHUM</span>, que tinha
um caso com Shirley McLaine , co-estrela de <span style="color: #3d85c6;">“Dois na Gangorra / Two for the
Seesaw”</span> (1962) e <span style="color: #3d85c6;">“A Senhora e seus Maridos / What a Way to Go!”</span> (1964). O
romance veio à tona, mas jamais se separou de Dorothy.</span></span></div><div style="text-align: justify;"><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;"> </span></span><br /><span style="font-family: inherit;"></span><span style="font-family: inherit;"></span></div><table cellpadding="0" cellspacing="0" class="tr-caption-container" style="float: left; margin-right: 1em; text-align: left;"><tbody><tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjB29pph3hivE9cQrj6Kvd4ILiYa_MEDntPHGIiqRPeRrbGsyBmpCr1962tQYXuBk3M8SzRTz6qtAies1Z6myHhm2zvHjbTEkvnpWUzvjye7rC-Vsyn6AChF8AKC2QisdF_cXv6n3nX-yXYVZG3ArdseWHPj6PEbyFr1gBquFrVVNjCm9CDN0ZXwxDP/s580/05-preso.png" style="clear: left; margin-bottom: 1em; margin-left: auto; margin-right: auto;"><img border="0" data-original-height="580" data-original-width="435" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjB29pph3hivE9cQrj6Kvd4ILiYa_MEDntPHGIiqRPeRrbGsyBmpCr1962tQYXuBk3M8SzRTz6qtAies1Z6myHhm2zvHjbTEkvnpWUzvjye7rC-Vsyn6AChF8AKC2QisdF_cXv6n3nX-yXYVZG3ArdseWHPj6PEbyFr1gBquFrVVNjCm9CDN0ZXwxDP/w300-h400/05-preso.png" width="300" /></a></td></tr><tr><td class="tr-caption" style="text-align: center;"><span style="font-family: inherit;"><span style="background-color: black; color: #3d85c6; font-size: large;">bob na prisão</span></span><br /></td></tr></tbody></table><div style="text-align: justify;"><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">Tinha
antipatia de longa data pelos durões Steve McQueen e Charles Bronson. Recusou o
papel de Gene Hackman como o policial antidrogas Popeye Doyle em <span style="color: #3d85c6;">“Operação França / The French Connection”</span><span style="color: black; mso-themecolor: text1;"> </span>(1971)
porque achou a história ofensiva. Se Humphrey Bogart deu uma das interpretações
mais icônicas do detetive de Raymond Chandler, ele não ficou muito atrás e em
dois filmes, <span style="color: #3d85c6;">“O Último dos Valentões / Farewell, My Lovely</span>” (1975) e <span style="color: #3d85c6;">“A Arte de
Matar / The Big Sleep”</span> (1978), deu sua versão do personagem. Decidir entre os
dois é difícil. Martin Scorsese teve o ator para o remake
<span style="color: #3d85c6;">“Cabo do Medo / Cape Fear”</span> (1991), com Robert de Niro como o ex-presidiário
vingador, e reservando <span style="background-color: #274e13; color: white;">ROBERT MITCHUM</span> para o papel do tenente Elgart
(interpretado por Martin Balsam no original).</span></span><br /><span style="font-family: inherit;"></span><span style="font-family: inherit;"></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">Em 1995
teve sua última atuação expressiva, dirigido por Jim Jarmusch <span style="color: white;">em</span><span style="color: black; mso-themecolor: text1;"> </span><span style="color: #3d85c6;">“Dead Man / Idem”</span><span style="color: black; mso-themecolor: text1;">. </span>Lutava contra o alcoolismo desde os anos 80 e havia sido internado algumas vezes. Ela também nunca parou de fumar, mesmo sofrendo de enfisema.
Morreu de câncer de pulmão em 1997. Republicano, fez campanha para George Bush
nas eleições presidenciais de 1992. Nomeado o 23º maior ator pelo American
Film Institute.</span> <span style="font-size: 14pt; line-height: 107%;">Sua expressão debochada sempre
permanecerá na nossa memória.</span></span><br /><span style="font-family: inherit;"></span><span style="font-family: inherit;"></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">Listei
dez filmes incríveis que revelam seu talento, resgatando o que de melhor há em
sua filmografia. Vamos à lista!</span></span><br /><span style="font-family: inherit;"></span><span style="font-family: inherit;"></span></div><div style="text-align: justify;"><br /><span style="font-family: inherit;"></span></div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiO3SQnwcFqUNMgEtsjaEhi7GQxGD8rSTRTzduNzaIabGLzsiaDlZ6GINFlc6DymrD4pae4nOhmgZ1VyS0Mva4ABGmW4FTwvlqkDoa_7IRTEAYWky8k7AIzJArodb5NxGEFZj2zpQa3xFizj6LXFu7-Ka2AXWf8riIyIFhZKlwpW6R7tshXHh0Ii-1z/s2688/Annex%20-%20Mitchum,%20Robert%20(Out%20of%20the%20Past)_01S.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="2688" data-original-width="2146" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiO3SQnwcFqUNMgEtsjaEhi7GQxGD8rSTRTzduNzaIabGLzsiaDlZ6GINFlc6DymrD4pae4nOhmgZ1VyS0Mva4ABGmW4FTwvlqkDoa_7IRTEAYWky8k7AIzJArodb5NxGEFZj2zpQa3xFizj6LXFu7-Ka2AXWf8riIyIFhZKlwpW6R7tshXHh0Ii-1z/w510-h640/Annex%20-%20Mitchum,%20Robert%20(Out%20of%20the%20Past)_01S.jpg" width="510" /></a></div><br />
</div><div style="text-align: center;"><span style="font-family: inherit;"><span style="background-color: #274e13; color: white; font-size: 14pt; line-height: 107%;">DEZ
FILMES de ROBERT MITCHUM</span></span><span style="font-family: inherit;"></span><br /><span style="color: #3d85c6; font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">(por
ordem de preferência)</span></span><span style="color: #3d85c6; font-family: inherit;"></span><span style="color: #3d85c6;"><br /></span></div><div style="text-align: justify;"><span style="color: #3d85c6; font-family: inherit;"></span></div>
<div style="text-align: justify;"><span style="color: #3d85c6; font-family: inherit;"></span><span style="color: #3d85c6;"><br /><span style="font-family: inherit;"></span></span></div><div style="text-align: justify;"><span style="color: #3d85c6; font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">01</span></span><span style="color: #3d85c6; font-family: inherit;"><br /></span></div><div style="text-align: center;"><span style="color: white; font-family: inherit;"><span style="background-color: #274e13; font-size: 14pt; line-height: 107%;">FUGA do
PASSADO</span></span><span style="color: #3d85c6; font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;"> </span></span><span style="color: #3d85c6; font-family: inherit;"><br /><span style="font-size: 14pt; line-height: 107%;">(Out of
the Past, 1947)</span></span><span style="color: #3d85c6; font-family: inherit;"></span></div><div style="text-align: justify;"><div class="separator" style="clear: both; text-align: center;"></div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh3VlBcHyneVlswPmGXT3h922HA3Y8AdrEYIOt17DNGB5jlTfeL_r-5MWgZ02Z6r6UqPbLTpDMrodMm0bXjAAG2lp_WzIDAGgJSXjq1dT_eTp_EDuFDxVEEeHYcLY1mHfjSaQQPE98OFvIKy4sx4DZL_dyokLkaMEANCEUc7_RVEYTmJeIYqJBgPkgt/s2855/Out_of_the_Past_(1947_poster_-_retouched).jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="2855" data-original-width="1940" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh3VlBcHyneVlswPmGXT3h922HA3Y8AdrEYIOt17DNGB5jlTfeL_r-5MWgZ02Z6r6UqPbLTpDMrodMm0bXjAAG2lp_WzIDAGgJSXjq1dT_eTp_EDuFDxVEEeHYcLY1mHfjSaQQPE98OFvIKy4sx4DZL_dyokLkaMEANCEUc7_RVEYTmJeIYqJBgPkgt/s320/Out_of_the_Past_(1947_poster_-_retouched).jpg" width="217" /></a></div></div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgSetAObSqhNPDZu-9qgHKo9pjS8Fa-htQeQ3X2nmgrC_6taGJloDB4Hu7s5IwMqTa1Z7fSzdQvt6CozO8_YEpK7fJ8wBMqjFy-gnOfxsgjhcoLzvrVt4RGwrC11-eD0dBBisJmTkVfVmmJdAfBn_0H5ddXdvESQv8X62cRMFlIVSPlEx-IXOo0NZSA/s2700/Annex%20-%20Mitchum,%20Robert%20(Out%20of%20the%20Past)_NRFPT_01.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="2331" data-original-width="2700" height="345" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgSetAObSqhNPDZu-9qgHKo9pjS8Fa-htQeQ3X2nmgrC_6taGJloDB4Hu7s5IwMqTa1Z7fSzdQvt6CozO8_YEpK7fJ8wBMqjFy-gnOfxsgjhcoLzvrVt4RGwrC11-eD0dBBisJmTkVfVmmJdAfBn_0H5ddXdvESQv8X62cRMFlIVSPlEx-IXOo0NZSA/w400-h345/Annex%20-%20Mitchum,%20Robert%20(Out%20of%20the%20Past)_NRFPT_01.jpg" width="400" /></a></div><div style="text-align: justify;"><span style="color: #3d85c6; font-family: inherit;"><br /><span style="font-size: 14pt; line-height: 107%;">Direção:
Jacques Tourneur</span></span><span style="color: #3d85c6; font-family: inherit;"><br /><span style="font-size: 14pt; line-height: 107%;">Elenco:
Jane Greer, Kirk Douglas e Rhonda Fleming</span><br /></span>
<span style="color: #3d85c6; font-family: inherit;"><br /><span style="font-size: 14pt; line-height: 107%;">02</span></span><span style="color: #3d85c6; font-family: inherit;"><br /></span></div><div style="text-align: center;"><span style="color: white; font-family: inherit;"><span style="background-color: #274e13; font-size: 14pt; line-height: 107%;">CÍRCULO
do MEDO</span></span><span style="color: #3d85c6; font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;"> </span></span><span style="color: #3d85c6; font-family: inherit;"><br /><span style="font-size: 14pt; line-height: 107%;">(Cape
Fear, 1961) </span></span><span style="color: #3d85c6; font-family: inherit;"></span></div><div style="text-align: justify;"><div class="separator" style="clear: both; text-align: center;"></div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjiY0OTLD-bLuoqtWVgFSCl6j5aRhphtchIB0ZYUEaGttg2lSGtwi3VTeOVejD_xYPAqcwHweIpFPIx3k_6kHIyCdrxLkyia4YBt57KAg2qcjxI__2K8BrpUpYfclgP1JXpSPPPm7DvRLGPt7SnW6j08bIZOKkyy_w8twnRfkDY_tnZj4qj0D3CpXqx/s1542/MV5BOWNlMTJmMWUtYjk0MC00M2U4LWI1ODItZDgxNDZiODFmNjc5XkEyXkFqcGdeQXVyMTAwMzUyOTc@._V1_FMjpg_UX1000_.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1542" data-original-width="1000" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjiY0OTLD-bLuoqtWVgFSCl6j5aRhphtchIB0ZYUEaGttg2lSGtwi3VTeOVejD_xYPAqcwHweIpFPIx3k_6kHIyCdrxLkyia4YBt57KAg2qcjxI__2K8BrpUpYfclgP1JXpSPPPm7DvRLGPt7SnW6j08bIZOKkyy_w8twnRfkDY_tnZj4qj0D3CpXqx/s320/MV5BOWNlMTJmMWUtYjk0MC00M2U4LWI1ODItZDgxNDZiODFmNjc5XkEyXkFqcGdeQXVyMTAwMzUyOTc@._V1_FMjpg_UX1000_.jpg" width="208" /></a></div></div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhL5EBwqGRn75E-quFC0e_OFFZ8BUV3QbpK94BYyhw9naBYaBSXmjfViloDcRcUasMlk79PP6buVGjfLHP1A4J1saCd8Lvv_8jncn6EGg1PX3bQcv5v-vK18XvK-1YLWMsUaypU4i_RcJdHqN2U7UIKHer2zJQoDuUI2-lUzpmj5h0HcZ51mSw-_a7V/s720/13-cabo-terror2.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="576" data-original-width="720" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhL5EBwqGRn75E-quFC0e_OFFZ8BUV3QbpK94BYyhw9naBYaBSXmjfViloDcRcUasMlk79PP6buVGjfLHP1A4J1saCd8Lvv_8jncn6EGg1PX3bQcv5v-vK18XvK-1YLWMsUaypU4i_RcJdHqN2U7UIKHer2zJQoDuUI2-lUzpmj5h0HcZ51mSw-_a7V/w400-h320/13-cabo-terror2.jpg" width="400" /></a></div><div style="text-align: justify;"><span style="color: #3d85c6; font-family: inherit;"></span></div><div style="text-align: justify;"><span style="color: #3d85c6; font-family: inherit;"><br /><span style="font-size: 14pt; line-height: 107%;">Direção:
J. Lee Thompson </span></span><span style="color: #3d85c6; font-family: inherit;"><br /><span style="font-size: 14pt; line-height: 107%;">Elenco:
Gregory Peck, Polly Bergen e Martin Balsam</span><br /></span>
<span style="color: #3d85c6; font-family: inherit;"><br /><span style="font-size: 14pt; line-height: 107%;">03</span></span><span style="color: #3d85c6; font-family: inherit;"><br /></span></div><div style="text-align: center;"><span style="color: white; font-family: inherit;"><span style="background-color: #274e13; font-size: 14pt; line-height: 107%;">A FILHA
de RYAN</span></span><span style="color: #3d85c6; font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;"> </span></span><span style="color: #3d85c6; font-family: inherit;"><br /><span style="font-size: 14pt; line-height: 107%;">(Ryan's
Daughter, 1970) </span></span><span style="color: #3d85c6; font-family: inherit;"></span></div><div style="text-align: justify;"><div class="separator" style="clear: both; text-align: center;"></div><div class="separator" style="clear: both; text-align: center;"></div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgm4kWBGk4OwwA8luvaAx06xhGpXoNHTSvOrRIYJAm1r0_pbKgb-MwMhVIyDMYPaxXXohrFWSHjEUUPXG7PFe2x38cLUJuBmgS3uSK88pwahrYTfDRyaHPsog7HQZSLy_PALIKEc8A5SSYb1SCWzL0N5t_1eWDSGmPyxUBV6piIfUrQ7AJWGXIQYsh3/s1519/MV5BMDIxMGJkOTUtNGI0ZS00MDcyLWJjOWMtZGU5MTU5MGUzM2M1L2ltYWdlL2ltYWdlXkEyXkFqcGdeQXVyNjc1NTYyMjg@._V1_FMjpg_UX1000_.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1519" data-original-width="1000" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgm4kWBGk4OwwA8luvaAx06xhGpXoNHTSvOrRIYJAm1r0_pbKgb-MwMhVIyDMYPaxXXohrFWSHjEUUPXG7PFe2x38cLUJuBmgS3uSK88pwahrYTfDRyaHPsog7HQZSLy_PALIKEc8A5SSYb1SCWzL0N5t_1eWDSGmPyxUBV6piIfUrQ7AJWGXIQYsh3/s320/MV5BMDIxMGJkOTUtNGI0ZS00MDcyLWJjOWMtZGU5MTU5MGUzM2M1L2ltYWdlL2ltYWdlXkEyXkFqcGdeQXVyNjc1NTYyMjg@._V1_FMjpg_UX1000_.jpg" width="211" /></a></div></div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiLaWQRil5vYkeQO2UCmZJbzRJBbQFJ0lmujWUshjcflwrlHJ4kTj43eyqdyDRs0k7SB0CqgvCTbVrFxcnhDT0e_05P81AFcELJH4ISavhbnyd43bIy-8Sz8dvlntSVMRKuxk1ar2TxuX5U7b9w1eievcxbGDdH4AAGWMEele5QKOtiKqy5Z9r4CHhW/s3500/ryansdaughter1970.3584.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="2280" data-original-width="3500" height="260" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiLaWQRil5vYkeQO2UCmZJbzRJBbQFJ0lmujWUshjcflwrlHJ4kTj43eyqdyDRs0k7SB0CqgvCTbVrFxcnhDT0e_05P81AFcELJH4ISavhbnyd43bIy-8Sz8dvlntSVMRKuxk1ar2TxuX5U7b9w1eievcxbGDdH4AAGWMEele5QKOtiKqy5Z9r4CHhW/w400-h260/ryansdaughter1970.3584.jpg" width="400" /></a></div><div style="text-align: justify;"><span style="color: #3d85c6; font-family: inherit;"><br /><span style="font-size: 14pt; line-height: 107%;">Direção:
David Lean </span></span><span style="color: #3d85c6; font-family: inherit;"><br /><span style="font-size: 14pt; line-height: 107%;">Elenco:
Trevor Howard, John Mills, Christopher Jones e Sarah Miles</span><br /></span>
<span style="color: #3d85c6; font-family: inherit;"><br /><span style="font-size: 14pt; line-height: 107%;">04</span></span><span style="color: #3d85c6; font-family: inherit;"><br /></span></div><div style="text-align: center;"><span style="color: white; font-family: inherit;"><span style="background-color: #274e13; font-size: 14pt; line-height: 107%;">O CÉU é
TESTEMUNHA</span></span><span style="color: #3d85c6; font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;"> </span></span><span style="color: #3d85c6; font-family: inherit;"><br /><span style="font-size: 14pt; line-height: 107%;">(Heaven
Knows, Mr. Allison, 1957) </span></span><span style="color: #3d85c6; font-family: inherit;"></span></div><div style="text-align: justify;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgY9HNQ4o9OMEeg1P8JC74nIQUd_EMLPY2Ghb0uRyWMNsmPRbI5m4OktS4DE31IzCUTzuluGBmjz_fh8bEKvgqo41nUGmJFnfKPlsALuJF0eBsLMUmtW0rzgdiuMxZFupgW4e9IvIxhsDcP8vi3gjYXnyN1j6PohHqGcRJRgtSTFpNoG8FMd8-MHQOT/s2300/MV5BOTE5NzkzYWUtOWM2My00Nzc0LTg2MmQtM2Y5YzMyY2EwMjZiXkEyXkFqcGdeQXVyMjUxODE0MDY@._V1_.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1759" data-original-width="2300" height="245" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgY9HNQ4o9OMEeg1P8JC74nIQUd_EMLPY2Ghb0uRyWMNsmPRbI5m4OktS4DE31IzCUTzuluGBmjz_fh8bEKvgqo41nUGmJFnfKPlsALuJF0eBsLMUmtW0rzgdiuMxZFupgW4e9IvIxhsDcP8vi3gjYXnyN1j6PohHqGcRJRgtSTFpNoG8FMd8-MHQOT/s320/MV5BOTE5NzkzYWUtOWM2My00Nzc0LTg2MmQtM2Y5YzMyY2EwMjZiXkEyXkFqcGdeQXVyMjUxODE0MDY@._V1_.jpg" width="320" /></a></div></div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgsyLamQsng2dh9NRXTXOH-koqhQw8Cn2BRjuEwFr4iBkG7llPvJB_1h3HTl4XfoHxzFGycs8rl9h7zLKdGwGd83tI8n2oSKp_L9aWeA8UjFijOQyW3DwTAgsBr6gXxwl9x6HhfW9_APjpyc2KeA5LnTEyFkgAGbkSgWGQ5971HH0Rbe8RzlMii4bLT/s2795/MV5BYzBkOTUxNDAtODg0ZS00N2FhLTgzZDItODE4M2Y5ZTIzZTU2XkEyXkFqcGdeQXVyNDgxNDMwNjY@._V1_.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1564" data-original-width="2795" height="224" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgsyLamQsng2dh9NRXTXOH-koqhQw8Cn2BRjuEwFr4iBkG7llPvJB_1h3HTl4XfoHxzFGycs8rl9h7zLKdGwGd83tI8n2oSKp_L9aWeA8UjFijOQyW3DwTAgsBr6gXxwl9x6HhfW9_APjpyc2KeA5LnTEyFkgAGbkSgWGQ5971HH0Rbe8RzlMii4bLT/w400-h224/MV5BYzBkOTUxNDAtODg0ZS00N2FhLTgzZDItODE4M2Y5ZTIzZTU2XkEyXkFqcGdeQXVyNDgxNDMwNjY@._V1_.jpg" width="400" /></a></div><div style="text-align: justify;"><span style="color: #3d85c6; font-family: inherit;"><br /><span style="font-size: 14pt; line-height: 107%;">Direção:
John Huston</span></span><span style="color: #3d85c6; font-family: inherit;"><br /><span style="font-size: 14pt; line-height: 107%;">Elenco:
Deborah Kerr</span><br /></span>
<span style="color: #3d85c6; font-family: inherit;"><br /><span style="font-size: 14pt; line-height: 107%;">05</span></span><span style="color: #3d85c6; font-family: inherit;"><br /></span></div><div style="text-align: center;"><span style="color: white; font-family: inherit;"><span style="background-color: #274e13; font-size: 14pt; line-height: 107%;">O
MENSAGEIRO do DIABO </span></span><span style="color: #3d85c6; font-family: inherit;"><br /><span style="font-size: 14pt; line-height: 107%;">(The
Night of the Hunter, 1955) </span></span><span style="color: #3d85c6; font-family: inherit;"></span></div><div style="text-align: justify;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgQAH7ZF5oQmH1V8cfiHMJWylL-xhNiTtk-CZSaxqPhBAAiaIsFcgE2niSTUg8X247_zAzpI-n8I5PKtlLPj-xfpcnDO5wAk40m75Ae_VVj1yAEi-dD7tizbFY4HnzIw2fXL3XO1YliNa9CgQw6HceQk1o7Ex82QmOfUiXKeitzLa3i_p4t6bHrEcaz/s1515/Poster%20-%20Night%20of%20the%20Hunter,%20The_01.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1515" data-original-width="1008" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgQAH7ZF5oQmH1V8cfiHMJWylL-xhNiTtk-CZSaxqPhBAAiaIsFcgE2niSTUg8X247_zAzpI-n8I5PKtlLPj-xfpcnDO5wAk40m75Ae_VVj1yAEi-dD7tizbFY4HnzIw2fXL3XO1YliNa9CgQw6HceQk1o7Ex82QmOfUiXKeitzLa3i_p4t6bHrEcaz/s320/Poster%20-%20Night%20of%20the%20Hunter,%20The_01.jpg" width="213" /></a></div></div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjwwaxnWGSL9yltxB_uK28uMC0Xx51wC6fqTivOVaSZO5i7pD5n_yFCsEjydqCvbWRXV7rLKEVFZxqo9WIJGW1jsQ-PmtHs6IN1rpa0v0qGtE-X0EhOq8hfmML0IVfOxFKZCccK7OZxbCPLFGUT5cIYh4wWrwX6Luc4QbEsuQ27mGnmkCSI4BPiDaUK/s1600/Annex%20-%20Mitchum,%20Robert%20(Night%20of%20the%20Hunter,%20The)_NRFPT_01.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1243" data-original-width="1600" height="311" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjwwaxnWGSL9yltxB_uK28uMC0Xx51wC6fqTivOVaSZO5i7pD5n_yFCsEjydqCvbWRXV7rLKEVFZxqo9WIJGW1jsQ-PmtHs6IN1rpa0v0qGtE-X0EhOq8hfmML0IVfOxFKZCccK7OZxbCPLFGUT5cIYh4wWrwX6Luc4QbEsuQ27mGnmkCSI4BPiDaUK/w400-h311/Annex%20-%20Mitchum,%20Robert%20(Night%20of%20the%20Hunter,%20The)_NRFPT_01.jpg" width="400" /></a></div><div style="text-align: justify;"><span style="color: #3d85c6; font-family: inherit;"><br /><span style="font-size: 14pt; line-height: 107%;">Direção:
Charles Laughton</span></span><span style="color: #3d85c6; font-family: inherit;"><br /><span style="font-size: 14pt; line-height: 107%;">Elenco:
Shelley Winters, Lillian Gish e James Gleason</span><br /></span>
<span style="color: #3d85c6; font-family: inherit;"><br /><span style="font-size: 14pt; line-height: 107%;">06</span></span><span style="color: #3d85c6; font-family: inherit;"><br /></span></div><div style="text-align: center;"><span style="color: white; font-family: inherit;"><span style="background-color: #274e13; font-size: 14pt; line-height: 107%;">RANCOR </span></span><span style="color: #3d85c6; font-family: inherit;"><br /><span style="font-size: 14pt; line-height: 107%;">(Crossfire,
1947) </span></span><span style="color: #3d85c6; font-family: inherit;"></span></div><div style="text-align: justify;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjJSIpgKLm9QADJaoYVwgmO4D-uUVRWwivB85H02IGazkH7MMPNXd5gTgeagBAVl4UbLFmoCaZETkZfAG-x6BKUK4c2gXohFvsxJtvrNb7fsz2YInZ4fRlV3nR-jYg31MIaBi7QlFQIKW5qC9X3yivVFivGP-kGXtBzIvIjDhbkWYkGJyzr99R1Vt2f/s675/Poster%20-%20Crossfire_08.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="675" data-original-width="524" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjJSIpgKLm9QADJaoYVwgmO4D-uUVRWwivB85H02IGazkH7MMPNXd5gTgeagBAVl4UbLFmoCaZETkZfAG-x6BKUK4c2gXohFvsxJtvrNb7fsz2YInZ4fRlV3nR-jYg31MIaBi7QlFQIKW5qC9X3yivVFivGP-kGXtBzIvIjDhbkWYkGJyzr99R1Vt2f/s320/Poster%20-%20Crossfire_08.jpg" width="248" /></a></div></div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj0m_g3myT0d_cWa0W88KSHeTocJVj_d4KyKW2H-j4b_q04BDKaAaFSzwl4MepOIQ1KgZRfDVIg5A0bzoTVj8jhB2Gd2nLJ5-f97JqNXGEhiZhjMbTtUfTIKYrNKVlodW-2dtsm-Y9qa1UA-pL_xTfLtYQ1cs60ZdgcMxm-NLFomJ415Zz4EC3M-ZVA/s1280/rancor.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="720" data-original-width="1280" height="225" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj0m_g3myT0d_cWa0W88KSHeTocJVj_d4KyKW2H-j4b_q04BDKaAaFSzwl4MepOIQ1KgZRfDVIg5A0bzoTVj8jhB2Gd2nLJ5-f97JqNXGEhiZhjMbTtUfTIKYrNKVlodW-2dtsm-Y9qa1UA-pL_xTfLtYQ1cs60ZdgcMxm-NLFomJ415Zz4EC3M-ZVA/w400-h225/rancor.jpg" width="400" /></a></div><div style="text-align: justify;"><span style="color: #3d85c6; font-family: inherit;"><br /><span style="font-size: 14pt; line-height: 107%;">Direção:
Edward Dmytryk</span></span><span style="color: #3d85c6; font-family: inherit;"><br /><span style="font-size: 14pt; line-height: 107%;">Elenco:
Robert Young, Robert Ryan, Gloria Grahame, Sam Levene e Lex Barker</span><br /></span>
<span style="color: #3d85c6; font-family: inherit;"><br /><span style="font-size: 14pt; line-height: 107%;">07</span></span><span style="color: #3d85c6; font-family: inherit;"><br /></span></div><div style="text-align: justify;"><div style="text-align: center;"><span style="color: white; font-family: inherit;"><span style="background-color: #274e13; font-size: 14pt; line-height: 107%;">PAIXÃO de
BRAVO</span></span><span style="color: #3d85c6; font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;"> </span></span><br /><span style="color: #3d85c6; font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">(The
Lusty Men, 1952) </span></span></div><div style="text-align: center;"><span style="color: #3d85c6; font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhV-DLp-t1GCkG4MhCmYmypRGxrexD3b9bhcYHOHBze0QsRgtJn1rDlhDv-6lKMvd20-HZ6oe-4TLhRxFAEtnU3HwhVvIUtXBU3Z_erqEXpUkP8i_jyyPCokezPyLyyDoe2f0DQNP7sFD70is6xCDBdVD53ogLnjwUPw8DiXkl7E8m9z8KmCywhWgEG/s1302/image-asset.jpeg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1302" data-original-width="1000" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhV-DLp-t1GCkG4MhCmYmypRGxrexD3b9bhcYHOHBze0QsRgtJn1rDlhDv-6lKMvd20-HZ6oe-4TLhRxFAEtnU3HwhVvIUtXBU3Z_erqEXpUkP8i_jyyPCokezPyLyyDoe2f0DQNP7sFD70is6xCDBdVD53ogLnjwUPw8DiXkl7E8m9z8KmCywhWgEG/s320/image-asset.jpeg" width="246" /></a></div></span></span></div><div style="text-align: center;"><span style="color: #3d85c6; font-family: inherit;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjI_U3otVi-XttZTJqkDemXQ5gP7MZlhJ3S8oQAdIHAvlm8QAE6qlsyjIN2fEdnCtwTX0ivUiVZUJ-Gj13tezds9s0hFwpGEg4AyXfIB_PGTP8f745R_3G-jlOLxUBa6ryzbbIaBU8oWQwxBPJ_Dy8O1XzFFjWwMYMLm-FLa6S4NWAKONoL_34efQk3/s1600/thelustymen2.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="900" data-original-width="1600" height="225" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjI_U3otVi-XttZTJqkDemXQ5gP7MZlhJ3S8oQAdIHAvlm8QAE6qlsyjIN2fEdnCtwTX0ivUiVZUJ-Gj13tezds9s0hFwpGEg4AyXfIB_PGTP8f745R_3G-jlOLxUBa6ryzbbIaBU8oWQwxBPJ_Dy8O1XzFFjWwMYMLm-FLa6S4NWAKONoL_34efQk3/w400-h225/thelustymen2.jpg" width="400" /></a></div><div class="separator" style="clear: both; text-align: center;"><br /></div></span></div></div><div style="text-align: justify;"><span style="color: #3d85c6; font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;"></span></span><span style="color: #3d85c6; font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">Direção:
Nicholas Ray</span></span></div><div style="text-align: justify;"><span style="color: #3d85c6; font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">Elenco:
Susan Hayward e Arthur Kennedy</span><br /></span>
<span style="color: #3d85c6; font-family: inherit;"><br /><span style="font-size: 14pt; line-height: 107%;">08</span></span><span style="color: #3d85c6; font-family: inherit;"><br /></span></div><div style="text-align: center;"><span style="color: white; font-family: inherit;"><span style="background-color: #274e13; font-size: 14pt; line-height: 107%;">ALMA em
PÂNICO</span></span><span style="color: #3d85c6; font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;"> </span></span><span style="color: #3d85c6; font-family: inherit;"><br /><span style="font-size: 14pt; line-height: 107%;">(Angel
Face, 1952) </span></span><span style="color: #3d85c6; font-family: inherit;"></span></div><div style="text-align: justify;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjgqaaD9cPivftcWJgsd3GLWCEKISJeNN2gpf3P90G3DrZT_sLffU-QiEGIGvahuLuI23MI3g49w-1pk82rfOskeh87r6k1EKKX1Sy1vJO-qApAUq2-tMVJg3EF8YL2WIR1oukjzg8BtCLUnPSx_LK83T0m3Ra45Zm_AxskepECOl7U9DJdQ57SA01D/s2653/lf.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="2111" data-original-width="2653" height="255" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjgqaaD9cPivftcWJgsd3GLWCEKISJeNN2gpf3P90G3DrZT_sLffU-QiEGIGvahuLuI23MI3g49w-1pk82rfOskeh87r6k1EKKX1Sy1vJO-qApAUq2-tMVJg3EF8YL2WIR1oukjzg8BtCLUnPSx_LK83T0m3Ra45Zm_AxskepECOl7U9DJdQ57SA01D/s320/lf.jpg" width="320" /></a></div></div><div style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgaXjTNLYVAqvXsrHTIJqKJ96w4XH969j15CFvgRQPZA3PQO9-oRn6SKbGUiLpgq5pJgDeWUWA7YphV2nXlzCuSq57QmcWk1jMXcNSVFyoRSdDwWxmZ42OrdTQx7P_z9Nu0z0D18ee5AZEsbv8C0-0dy0ezSusViR3n2h51Q3v0hoKm0Nw4D2PkbsBW/s980/06-angel-face.png" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="723" data-original-width="980" height="295" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgaXjTNLYVAqvXsrHTIJqKJ96w4XH969j15CFvgRQPZA3PQO9-oRn6SKbGUiLpgq5pJgDeWUWA7YphV2nXlzCuSq57QmcWk1jMXcNSVFyoRSdDwWxmZ42OrdTQx7P_z9Nu0z0D18ee5AZEsbv8C0-0dy0ezSusViR3n2h51Q3v0hoKm0Nw4D2PkbsBW/w400-h295/06-angel-face.png" width="400" /></a><span style="color: #3d85c6; font-family: inherit;"></span></div><div style="text-align: justify;"><span style="color: #3d85c6; font-family: inherit;"><br /><span style="font-size: 14pt; line-height: 107%;">Direção:
Otto Preminger</span></span><span style="color: #3d85c6; font-family: inherit;"><br /><span style="font-size: 14pt; line-height: 107%;">Elenco:
Jean Simmons, Mona Freeman, Herbert Marshall e Barbara O'Neil</span><br /></span>
<span style="color: #3d85c6; font-family: inherit;"><br /><span style="font-size: 14pt; line-height: 107%;">09</span></span><span style="color: #3d85c6; font-family: inherit;"><br /></span></div><div style="text-align: center;"><span style="color: white; font-family: inherit;"><span style="background-color: #274e13; font-size: 14pt; line-height: 107%;">A ESTRADA
dos HOMENS SEM LEI </span></span><span style="color: #3d85c6; font-family: inherit;"><br /><span style="font-size: 14pt; line-height: 107%;">(The
Racket, 1951) </span></span><span style="color: #3d85c6; font-family: inherit;"></span></div><div style="text-align: justify;"><div class="separator" style="clear: both; text-align: center;"></div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgm0goLYn-5_brxsYfj_GYkGBNaSz6TpYM78bOci1iiGK2uG2J3TpyHWMlJlmwF6Y8lxdvVWGv8fbjWEism84IECHp7lydVPtMB-iX2d6_LZUPNO2g4NL5nvWuVX3QNC5Q_jHIeNJrqx1TMMKZ7utOK_Knz36cVJUdFyvjMfHe6KrTbgJgLUe0KoUVF/s1048/MV5BNWNlNGJhZjUtOTVkMy00MGYxLWIwMjMtYzNlZGU1MjJkNTc4XkEyXkFqcGdeQXVyMjUxODE0MDY@._V1_.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1048" data-original-width="773" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgm0goLYn-5_brxsYfj_GYkGBNaSz6TpYM78bOci1iiGK2uG2J3TpyHWMlJlmwF6Y8lxdvVWGv8fbjWEism84IECHp7lydVPtMB-iX2d6_LZUPNO2g4NL5nvWuVX3QNC5Q_jHIeNJrqx1TMMKZ7utOK_Knz36cVJUdFyvjMfHe6KrTbgJgLUe0KoUVF/s320/MV5BNWNlNGJhZjUtOTVkMy00MGYxLWIwMjMtYzNlZGU1MjJkNTc4XkEyXkFqcGdeQXVyMjUxODE0MDY@._V1_.jpg" width="236" /></a></div></div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgaaWve0HC_6ekniFxjRfOS8-lUpf3cABIfoh1eszbvGVuqcrjzDmiFdzBiEWa8ndhg7e0bYOhjzLn1uIQ2pYio34crtAZDDAs-N6Tr_b3AUtG4t4v-rtPQVqn43yQhBkVvPOOcsgdDUoAEWIISQibMb0bL0_sfQVuN4oXR3EDFi3XmlqCRGNG7tlkI/s1137/The%20Racket%201.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="865" data-original-width="1137" height="304" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgaaWve0HC_6ekniFxjRfOS8-lUpf3cABIfoh1eszbvGVuqcrjzDmiFdzBiEWa8ndhg7e0bYOhjzLn1uIQ2pYio34crtAZDDAs-N6Tr_b3AUtG4t4v-rtPQVqn43yQhBkVvPOOcsgdDUoAEWIISQibMb0bL0_sfQVuN4oXR3EDFi3XmlqCRGNG7tlkI/w400-h304/The%20Racket%201.jpg" width="400" /></a></div><div style="text-align: justify;"><span style="color: #3d85c6; font-family: inherit;"><br /><span style="font-size: 14pt; line-height: 107%;">Direção:
John Cromwell</span></span><span style="color: #3d85c6; font-family: inherit;"><br /><span style="font-size: 14pt; line-height: 107%;">Elenco:
Lizabeth Scott e Robert Ryan</span><br /></span>
<span style="color: #3d85c6; font-family: inherit;"><br /><span style="font-size: 14pt; line-height: 107%;">10</span></span><span style="color: #3d85c6; font-family: inherit;"><br /></span></div><div style="text-align: center;"><span style="color: white; font-family: inherit;"><span style="background-color: #274e13; font-size: 14pt; line-height: 107%;">O
PEREGRINO da ESPERANÇA</span></span><span style="color: #3d85c6; font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;"> </span></span><span style="color: #3d85c6; font-family: inherit;"><br /><span style="font-size: 14pt; line-height: 107%;">(The
Sundowners, 1960) </span></span><span style="color: #3d85c6; font-family: inherit;"></span></div><div style="text-align: justify;"><div class="separator" style="clear: both; text-align: center;"></div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgEcYr5zhaJfbWpdqQzlxFP_HUrEuoc6XkEYXZ8aB6yr3jXkEVFBTqwcEKF4YTva1IwyO7jIV06_OdRXAOeek6J4FoB6kNr9zhOCMGwrZ8gu5Gg02nsqXRcY706X6rVAmFGAQJb8qAw5JVzAp5hEBSw7sPQeXTSf4zt5_xnWaAFSdshz4mOHvREgbnA/s1751/010561.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1751" data-original-width="1200" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgEcYr5zhaJfbWpdqQzlxFP_HUrEuoc6XkEYXZ8aB6yr3jXkEVFBTqwcEKF4YTva1IwyO7jIV06_OdRXAOeek6J4FoB6kNr9zhOCMGwrZ8gu5Gg02nsqXRcY706X6rVAmFGAQJb8qAw5JVzAp5hEBSw7sPQeXTSf4zt5_xnWaAFSdshz4mOHvREgbnA/s320/010561.jpg" width="219" /></a></div></div><div style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh_vnCx0jWsng_Vugl54_h_ebLJVnLaqKMozlhpsXUoUOD2wHslabIoWwb2_2NrA9qipBW45tlHN7dMdkNQHIKoowf8x1VkdTWhP2Go-STnDTJY7LhQRYuExqg6uJ9L-7g_m4OgmdMx3V_c0y8fv8IRhLj-4dW2Fla6SvzwBRR_G3cf5DnIqC_ccvND/s1120/The%20Sundowners%201.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="624" data-original-width="1120" height="223" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh_vnCx0jWsng_Vugl54_h_ebLJVnLaqKMozlhpsXUoUOD2wHslabIoWwb2_2NrA9qipBW45tlHN7dMdkNQHIKoowf8x1VkdTWhP2Go-STnDTJY7LhQRYuExqg6uJ9L-7g_m4OgmdMx3V_c0y8fv8IRhLj-4dW2Fla6SvzwBRR_G3cf5DnIqC_ccvND/w400-h223/The%20Sundowners%201.jpg" width="400" /></a><span style="color: #3d85c6; font-family: inherit;"></span></div><div style="text-align: justify;"><span style="color: #3d85c6; font-family: inherit;"><br /><span style="font-size: 14pt; line-height: 107%;">Direção:
Fred Zinnemann</span></span><span style="color: #3d85c6; font-family: inherit;"><br /><span style="font-size: 14pt; line-height: 107%;">Elenco:
Deborah Kerr, Peter Ustinov, Glynis Johns e Dina Merrill</span></span></div><div style="text-align: justify;"><span style="color: #3d85c6; font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;"> </span></span></div><div style="text-align: center;"><span style="color: white; font-family: arial; font-size: x-large;"><span style="background-color: #274e13; line-height: 107%;">GALERIA de FOTOS <br /></span></span></div><div style="text-align: justify;"><span style="color: #3d85c6; font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;"> <div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEikegHni-BxdZLslmEXTE3-HwKM1sL1Ec0CLbGAytyyWbcVyXAnUyKz8gPMgtFyblIu_VkO4CgihXBYRNnIP_CT64r82ypgvqWCsmnvdRjBtXnACmsK_N_Bxd4qDNR5EzD1yjkEZRi6qHL_lmwp3o1ox3Iu1WNWuzIUsbdk0fuuEvFlQ9crcgK83Te9/s2652/Annex%20-%20Mitchum,%20Robert_03.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="2652" data-original-width="2100" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEikegHni-BxdZLslmEXTE3-HwKM1sL1Ec0CLbGAytyyWbcVyXAnUyKz8gPMgtFyblIu_VkO4CgihXBYRNnIP_CT64r82ypgvqWCsmnvdRjBtXnACmsK_N_Bxd4qDNR5EzD1yjkEZRi6qHL_lmwp3o1ox3Iu1WNWuzIUsbdk0fuuEvFlQ9crcgK83Te9/w506-h640/Annex%20-%20Mitchum,%20Robert_03.jpg" width="506" /></a></div></span></span></div><div style="text-align: justify;"><span style="color: #3d85c6; font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj9LgZribk_zB5f9OgRZaN32Q9b6-8-CnxdYWyik9kkE6Lo0SqJXfr2H9X2C5nKEf4GI3WgSaTMnSv09ifOQIIQMJV9BZDWPPI4VSRZ5I0yczqqz8T5y7G7o_vq6pzNVBXAntqAcSbZj_VgwQWr176FsR5bc9CCAIZoP5Lf1gJQA9Aow5JZa8_-10Zj/s1600/Annex%20-%20Mitchum,%20Robert_NRFPT_04.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1600" data-original-width="1268" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj9LgZribk_zB5f9OgRZaN32Q9b6-8-CnxdYWyik9kkE6Lo0SqJXfr2H9X2C5nKEf4GI3WgSaTMnSv09ifOQIIQMJV9BZDWPPI4VSRZ5I0yczqqz8T5y7G7o_vq6pzNVBXAntqAcSbZj_VgwQWr176FsR5bc9CCAIZoP5Lf1gJQA9Aow5JZa8_-10Zj/w318-h400/Annex%20-%20Mitchum,%20Robert_NRFPT_04.jpg" width="318" /></a></div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjpJvHcQM0kOhfdQa9YW5C4fG-yf_XJP0uAIZ2hIgyUrvYn61M9dsI2CQe_3tCrqDlt64X6wi9JmA46YlcC1EkAye5aVBwdtIrw4rrfwAvQxyCgD2bo_5b1cNKUtpnr5tyad3-SjKG-qi67snKw6ZIlTzWZqIbU0an6wzz81lg07dqVgmUBsxPBrmka/s1531/Annex%20-%20Mitchum,%20Robert_NRFPT_03.jpg" style="margin-left: 1em; 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<p>
</p></div>ANTONIO NAHUDhttp://www.blogger.com/profile/09829893001743081676noreply@blogger.com1tag:blogger.com,1999:blog-7997398743762234247.post-42141387249058850822023-02-26T22:20:00.013-03:002023-02-26T23:03:11.829-03:00***** Os 10 MELHORES FILMES de RIDLEY SCOTT<div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgH1XAa9q7DaXbK3rkMIy85iezwtxq2WZ8GgsF94hlrYaRiRfpOQ9l-BlU9U8vMzKUKhg2Wr6z-LvxZdziSCKRn-oX3uLfo6jHULVakWsd81SM9d_1XgBs_h70YnOJALO28bx2Eyudk51hCm3GxEn3zgZkH01eGTIW5WIGPrcrGpJ_2a06rmcv6uWyu/s1243/gladiador-curiosidades-tricurioso.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="773" data-original-width="1243" height="398" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgH1XAa9q7DaXbK3rkMIy85iezwtxq2WZ8GgsF94hlrYaRiRfpOQ9l-BlU9U8vMzKUKhg2Wr6z-LvxZdziSCKRn-oX3uLfo6jHULVakWsd81SM9d_1XgBs_h70YnOJALO28bx2Eyudk51hCm3GxEn3zgZkH01eGTIW5WIGPrcrGpJ_2a06rmcv6uWyu/w640-h398/gladiador-curiosidades-tricurioso.jpg" width="640" /></a></div><p> <br /><!--[if gte mso 9]><xml>
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</p><div style="text-align: justify;"><span style="font-family: inherit; font-size: 14pt; line-height: 107%;">Após uma
bem-sucedida passagem pela publicidade, <span style="background-color: #274e13; color: white;">RIDLEY SCOTT</span> <span style="color: #3d85c6;">(1937. South Shields, Tyne
and Wear / Reino Unido) </span>iniciou sua carreira no cinema com o drama histórico <span style="color: #3d85c6;">“Os
Duelistas”</span>, quando já tinha 40 anos. Ao longo de mais de quatro décadas, ele
não parou de nos presentear com longas icônicos,</span><span style="font-family: inherit; font-size: 14pt; line-height: 107%;">acumulando em sua
filmografia alguns dos melhores filmes dos últimos tempos. E não estou
exagerando!</span><span style="font-family: inherit;"><br /><br /><span style="font-size: 14pt; line-height: 107%;">Em sua
carreira houve sucessos incríveis, mas também fracassos retumbantes. E diante
<span style="color: white;">de tudo <span style="mso-themecolor: text1;">isso, aos 85 anos, </span>o
cineasta continua tr</span>abalhando. Aqui ordenei os seus melhores filmes de acordo
com minha avaliação. A lista inclui títulos como <span style="color: #3d85c6;">“Gladiador”</span>, <span style="color: #3d85c6;">“Blade
Runner – o Caçador de Andróides”</span> e <span style="color: #3d85c6;">“Alien, o Oitavo Passageiro”</span>, seus mais
amados, mas também outros subestimados como <span style="color: #3d85c6;">“Cruzada”</span>.</span></span></div><div style="text-align: justify;"><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;"> </span></span></div><div style="text-align: justify;"><table cellpadding="0" cellspacing="0" class="tr-caption-container" style="float: left; margin-right: 1em; text-align: left;"><tbody><tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi8NrtC1znin8OZ94wn0zNFcb2m5rsKbItoPcZi838gA7igGU5qXhqa_w6EIGwtluZtsR7CXB27ivRyFvGCfjJPl6VmGq3uRaK7R_oh1eqp4YLBKWnrg9fbTvm1fWZCStBvwKfEb_rbHjJ-jCv4GvglfP0vdPHUAQsalgB9CLDEnnxRXsqhKmTnWcJl/s600/ridleyscott_photobylorenzoaiguscropped.jpg" style="clear: left; margin-bottom: 1em; margin-left: auto; margin-right: auto;"><img border="0" data-original-height="429" data-original-width="600" height="286" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi8NrtC1znin8OZ94wn0zNFcb2m5rsKbItoPcZi838gA7igGU5qXhqa_w6EIGwtluZtsR7CXB27ivRyFvGCfjJPl6VmGq3uRaK7R_oh1eqp4YLBKWnrg9fbTvm1fWZCStBvwKfEb_rbHjJ-jCv4GvglfP0vdPHUAQsalgB9CLDEnnxRXsqhKmTnWcJl/w400-h286/ridleyscott_photobylorenzoaiguscropped.jpg" width="400" /></a></td></tr><tr><td class="tr-caption" style="text-align: center;"><span style="font-family: inherit;"><span style="background-color: black; color: #3d85c6; font-size: large;">ridley scott</span></span><br /></td></tr></tbody></table><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">Nesta seleção,
títulos que fazem parte da cultura do cinema popular. Alguns foram sucesso
desde o primeiro dia, como <span style="color: #3d85c6;">“Alien, o Oitavo Passageiro”</span>, que foi o segundo
longa-metragem do diretor e o levou direto ao topo graças a uma mistura de
ficção científica e terror no espaço sideral. Outros, porém, precisaram de
tempo para atingir o status atual: <span style="color: #3d85c6;">“Blade Runner - o Caçador de Andróides”</span> foi muito mal recebido em sua
época. Agora é considerado um dos grandes filmes da história do cinema.</span><br /><br /><span style="font-size: 14pt; line-height: 107%;">Confira o
<span style="background-color: #274e13; color: white;">RANKING dos MELHORES FILMES de RIDLEY SCOTT</span>. Do décimo ao primeiro lugar. Viu todos eles? Qual
é o seu favorito?</span><br /><br /></span></div><div style="text-align: justify;"><span style="font-family: inherit;"><span style="color: #3d85c6; font-size: 14pt; line-height: 107%;">10</span><span style="color: #3d85c6;"><br /></span></span><div style="text-align: center;"><span style="font-family: inherit;"><span style="color: #3d85c6;"><span style="font-size: 14pt; line-height: 107%;"><span style="background-color: #274e13; color: white;">CRUZADA</span> </span></span></span><br /><span style="font-family: inherit;"><span style="color: #3d85c6;"><span style="font-size: 14pt; line-height: 107%;">(Kingdom
of Heaven, 2005)</span></span></span></div></div><div style="text-align: justify;"><span style="font-family: inherit;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgs21BjOi4yfbIgw02yUvFJ3-ectOjyA_LxuJWf37kEjxn3LP7f5iAwY1wyVEtgFcXV0nvftXzq3FcVY1J_T-xraD4B0L8PWc600w8TrEuwY9PPCGhgCWbisONn8cpoxjBKfABaC_s0FlM9ZMXbl8RA65rctWC9lygcKCI1Rf39EKWBP0TbbokIqSZu/s676/reino-de-los-cielos-fotogramas-1606747433.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="536" data-original-width="676" height="508" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgs21BjOi4yfbIgw02yUvFJ3-ectOjyA_LxuJWf37kEjxn3LP7f5iAwY1wyVEtgFcXV0nvftXzq3FcVY1J_T-xraD4B0L8PWc600w8TrEuwY9PPCGhgCWbisONn8cpoxjBKfABaC_s0FlM9ZMXbl8RA65rctWC9lygcKCI1Rf39EKWBP0TbbokIqSZu/w640-h508/reino-de-los-cielos-fotogramas-1606747433.jpg" width="640" /></a></div></span></div><div style="text-align: center;"><span style="font-family: inherit;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjpHJCEaC8eDlZAEIEAduSMoYKQx2BUwl9a4uWsrlxRyNd9NRXCs4qgP_AdEHSfdX88xsCDBnPw0ETNLknCH_1IKXp1OlwTmkh3_o1CN7C8hLkFs65cOnWh6pzDnwvTKA38AFhKDqhX22tjJFE1An83VEMjhdk8xj_VSdE9kZxAWbu3c6x8bUNLrLaj/s1024/99-990755_images-of-kingdom-of-heaven-kingdom-of-heaven.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="693" data-original-width="1024" height="217" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjpHJCEaC8eDlZAEIEAduSMoYKQx2BUwl9a4uWsrlxRyNd9NRXCs4qgP_AdEHSfdX88xsCDBnPw0ETNLknCH_1IKXp1OlwTmkh3_o1CN7C8hLkFs65cOnWh6pzDnwvTKA38AFhKDqhX22tjJFE1An83VEMjhdk8xj_VSdE9kZxAWbu3c6x8bUNLrLaj/s320/99-990755_images-of-kingdom-of-heaven-kingdom-of-heaven.jpg" width="320" /></a></div><span style="color: #3d85c6;"><br /></span></span></div><div style="text-align: justify;"><span style="font-family: inherit;"><span style="color: #3d85c6;"><span style="font-size: 14pt; line-height: 107%;"><span style="background-color: #274e13; color: white;">Elenco:</span> Orlando
Bloom, Eva Green, Jeremy Irons, Liam Neeson, Brendan Gleeson, Edward Norton e
Michael Sheen</span></span><br /><br /><span style="font-size: 14pt; line-height: 107%;">Épico
histórico que mergulhou na violência das Cruzadas com grande sucesso. Quando um
ferreiro que perdeu sua família e sua fé, descobre que um cavaleiro que lutou
nas Cruzadas, é seu pai, sua vida muda. Com ele, viaja para Jerusalém. Mas o
fanatismo e a guerra estão prestes a estourar na Terra Santa, e o jovem,
apaixonado pela irmã do rei, deve mostrar sua coragem.</span><br /><br /><span style="color: #3d85c6; font-size: 14pt; line-height: 107%;">09</span><span style="color: #3d85c6;"><br /></span></span></div><div style="text-align: center;"><span style="font-family: inherit;"><span style="color: #3d85c6;"><span style="background-color: #274e13; color: white; font-size: 14pt; line-height: 107%;">O ÚLTIMO
DUELO</span><br /><span style="font-size: 14pt; line-height: 107%;">(The Last
Duel, 2021)</span></span></span></div><div style="text-align: justify;"><span style="font-family: inherit;"><span style="color: #3d85c6;"><span style="font-size: 14pt; line-height: 107%;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj0mHbnxC4Ts7gqFH1etkPFG7PGg8RYhwQdX5KYRIi675wuiLHQXsDyKGsaWYB0TLavTh-3f7fbVyyji13l4wlKUJfN98ZujLoR52jhifVHBnjqCWTF3jvsD7XIIJTRLGREMUWW5Ep8dbTm9EzplTc2Fni_pfve6CemyFgE9GlvxCB9GDUuTN484rX7/s1903/thelastduel.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1353" data-original-width="1903" height="456" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj0mHbnxC4Ts7gqFH1etkPFG7PGg8RYhwQdX5KYRIi675wuiLHQXsDyKGsaWYB0TLavTh-3f7fbVyyji13l4wlKUJfN98ZujLoR52jhifVHBnjqCWTF3jvsD7XIIJTRLGREMUWW5Ep8dbTm9EzplTc2Fni_pfve6CemyFgE9GlvxCB9GDUuTN484rX7/w640-h456/thelastduel.jpg" width="640" /></a></div></span></span></span></div><div style="text-align: center;"><span style="font-family: inherit;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgUpCvLFRxxcpzlbuwZXVIJudolGVstRYMJMFcSEqTjKivkLxGkInRKKCNgtLyK6OCuIGL2q4hRJhpXjLMfanSXoCPqRSPeca5rKPwd9zuB4m8rViAsLY4wOWkC-HVlABuNNQm4ibki3ZvUKP0-AXV59Um4QTgQ8UkNdow-T89j2zgwzBzjR0-Zmzf_/s1480/MV5BZGExZTUzYWQtYWJjZi00OTI4LTk4OGYtNTA2YzcwMmNiZTMxXkEyXkFqcGdeQXVyMTEyMjM2NDc2._V1_FMjpg_UX1000_.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1480" data-original-width="1000" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgUpCvLFRxxcpzlbuwZXVIJudolGVstRYMJMFcSEqTjKivkLxGkInRKKCNgtLyK6OCuIGL2q4hRJhpXjLMfanSXoCPqRSPeca5rKPwd9zuB4m8rViAsLY4wOWkC-HVlABuNNQm4ibki3ZvUKP0-AXV59Um4QTgQ8UkNdow-T89j2zgwzBzjR0-Zmzf_/s320/MV5BZGExZTUzYWQtYWJjZi00OTI4LTk4OGYtNTA2YzcwMmNiZTMxXkEyXkFqcGdeQXVyMTEyMjM2NDc2._V1_FMjpg_UX1000_.jpg" width="216" /></a></div><span style="color: #3d85c6;"><br /></span></span></div><div style="text-align: justify;"><span style="font-family: inherit;"><span style="color: #3d85c6;"><span style="font-size: 14pt; line-height: 107%;"><span style="background-color: #274e13; color: white;">Elenco:</span> Matt
Damon, Adam Driver, Jodie Comer, Harriet Walter e Ben Affleck </span></span><br /><span style="font-size: 14pt; line-height: 107%;"> </span></span></div><div style="text-align: justify;"><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">Filme de aventura que aproveita ao máximo o jogo de perspectiva que
canonizou a obra-prima <span style="color: #3d85c6;">“Rashomon / Idem”</span> (1950), de Akira Kurosawa. Dois
cavalheiros e amigos próximos se desafiam para um duelo até a morte
quando a esposa de um acusa o outro de tê-la estuprado. A verdade vai doer mais
que espadas.</span><br /><br /><span style="color: #3d85c6; font-size: 14pt; line-height: 107%;">08</span><span style="color: #3d85c6;"><br /></span></span></div><div style="text-align: center;"><span style="font-family: inherit;"><span style="color: #3d85c6;"><span style="font-size: 14pt; line-height: 107%;"><span style="background-color: #274e13; color: white;">HANNIBAL</span> </span><br /><span style="font-size: 14pt; line-height: 107%;">(Idem, 2001)</span></span></span></div><div style="text-align: justify;"><span style="font-family: inherit;"><span style="color: #3d85c6;"><span style="font-size: 14pt; line-height: 107%;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjDMfTjt025fH_UGmPBw2sCUalsV9fCwseWqyDKreyPwhASkEwnyLFsIyW7SfgSk_GRAWwatAC0H178Whjb1XSIlExFsllgW3BYxFyhNDgg8ahat1sn8rGLOMgJhxDFGYl-MWpzLF7fahCvCHLvvqgM6o9rx65qPES5y6u_lIWMmYh51A1g43_B3ZSZ/s1108/29530fcc9a1b0c6f55e360daf00dbd3a.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="681" data-original-width="1108" height="394" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjDMfTjt025fH_UGmPBw2sCUalsV9fCwseWqyDKreyPwhASkEwnyLFsIyW7SfgSk_GRAWwatAC0H178Whjb1XSIlExFsllgW3BYxFyhNDgg8ahat1sn8rGLOMgJhxDFGYl-MWpzLF7fahCvCHLvvqgM6o9rx65qPES5y6u_lIWMmYh51A1g43_B3ZSZ/w640-h394/29530fcc9a1b0c6f55e360daf00dbd3a.jpg" width="640" /></a></div></span></span></span></div><div style="text-align: center;"><span style="font-family: inherit;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEixMeoG_kkxmaq3mihJRz_fnV5aSnbhZVjSD6RuzI9Anb3EGcMfrOBXG5o4L-ZTz09j0o42fCKBdQYDcCfDiukdcXNU3slsPqMZFpheXrH2i_mmMosXw-R67DyNi43hG5bxXT-sT7VZZ_aRLpAVsbaAYyNu5JBjBdDsCg0hQWlpqUjbeeEKsR-BCeZS/s1135/MV5BNjVjNjk1NGYtNmJjNC00YTU0LTgyY2UtZWFhOTg2NzhiOGI1XkEyXkFqcGdeQXVyODc0OTEyNDU@._V1_.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1135" data-original-width="792" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEixMeoG_kkxmaq3mihJRz_fnV5aSnbhZVjSD6RuzI9Anb3EGcMfrOBXG5o4L-ZTz09j0o42fCKBdQYDcCfDiukdcXNU3slsPqMZFpheXrH2i_mmMosXw-R67DyNi43hG5bxXT-sT7VZZ_aRLpAVsbaAYyNu5JBjBdDsCg0hQWlpqUjbeeEKsR-BCeZS/s320/MV5BNjVjNjk1NGYtNmJjNC00YTU0LTgyY2UtZWFhOTg2NzhiOGI1XkEyXkFqcGdeQXVyODc0OTEyNDU@._V1_.jpg" width="223" /></a></div><span style="color: #3d85c6;"><br /></span></span></div><div style="text-align: justify;"><span style="font-family: inherit;"><span style="color: #3d85c6;"><span style="font-size: 14pt; line-height: 107%;"><span style="background-color: #274e13; color: white;">Elenco:</span> Anthony
Hopkins, Julianne Moore, Gary Oldman, Ray Liotta, Giancarlo Giannini, Francesca
Neri e Enrico Lo Verso</span><br /></span><br /><span style="font-size: 14pt; line-height: 107%;">O diretor
Jonathan Demme, a atriz Jodie Foster e o roteirista Ted Tally se recusaram a
participar da sequência de <span style="color: #3d85c6;">“O Silêncio dos Inocentes / The Silence of the Lambs”</span>
(1991) e foram substituídos por Ridley Scott, Julianne Moore e Steve Zaillian.
Quem se repetiu, e sem ele não haveria filme, foi Anthony Hopkins no papel de
Hannibal Lecter, um dos mais célebres de sua carreira. Esta sequência não é
nada ruim. O <i>serial killer</i> vive tranquilamente na Itália, camuflado como um
benfeitor das artes, mas é descoberto e deve retornar aos Estados Unidos, onde
um milionário que ele desfigurou anos antes planeja se vingar dele.</span><br /><br /><span style="color: #3d85c6; font-size: 14pt; line-height: 107%;">07</span><span style="color: #3d85c6;"><br /></span></span></div><div style="text-align: center;"><span style="font-family: inherit;"><span style="color: #3d85c6;"><span style="background-color: #274e13; color: white; font-size: 14pt; line-height: 107%;">Os
DUELISTAS</span><br /><span style="font-size: 14pt; line-height: 107%;">(The
Duellists, 1977)</span></span></span></div><div style="text-align: justify;"><span style="font-family: inherit;"><span style="color: #3d85c6;"><span style="font-size: 14pt; line-height: 107%;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiT2PAgTo9Le2Z7yZtNTvkDKMVjHUYisR-FVaMNurdI82HDYS3ryLnTywuF3tFq7hw3IDejVFRPXx3c6gjHWWqOJRk5i29GYx1lI_D9xd6IAfES7Caddq7mp8U0HLNIsBK-sRHcmzbZ0tUjWY-ansFBmo-KNpgkTp8khwmtoItKYqUAUCtRVF2SSYV4/s1108/the-duellists-harvey-keitel-1108x0-c-default.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="831" data-original-width="1108" height="480" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiT2PAgTo9Le2Z7yZtNTvkDKMVjHUYisR-FVaMNurdI82HDYS3ryLnTywuF3tFq7hw3IDejVFRPXx3c6gjHWWqOJRk5i29GYx1lI_D9xd6IAfES7Caddq7mp8U0HLNIsBK-sRHcmzbZ0tUjWY-ansFBmo-KNpgkTp8khwmtoItKYqUAUCtRVF2SSYV4/w640-h480/the-duellists-harvey-keitel-1108x0-c-default.jpg" width="640" /></a></div></span></span></span></div><div style="text-align: center;"><span style="font-family: inherit;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjvbksLoIJK9KxJNVqZhajn5jY9TZ6dspB7bY48OJ-YXKihwklnglbfxcNSsEUlYPOCOPYRUKPbX3Yzg5gO1jdVgbocPVq2o9Z_kFRNoSm7V4yITUnckJhpU9GEIAkuOcjWTljCH4XEkQYyqcOvozXtXPDtpO1qf6ObTHmjOHHR5lSjJ5mJy2YAT8JJ/s1372/MV5BMDViNDlkNjQtZmMyOC00ZTY4LWFkNTktMzliMTk1YWM0MjU0XkEyXkFqcGdeQXVyMTQxNzMzNDI@._V1_FMjpg_UX1000_.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1372" data-original-width="983" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjvbksLoIJK9KxJNVqZhajn5jY9TZ6dspB7bY48OJ-YXKihwklnglbfxcNSsEUlYPOCOPYRUKPbX3Yzg5gO1jdVgbocPVq2o9Z_kFRNoSm7V4yITUnckJhpU9GEIAkuOcjWTljCH4XEkQYyqcOvozXtXPDtpO1qf6ObTHmjOHHR5lSjJ5mJy2YAT8JJ/s320/MV5BMDViNDlkNjQtZmMyOC00ZTY4LWFkNTktMzliMTk1YWM0MjU0XkEyXkFqcGdeQXVyMTQxNzMzNDI@._V1_FMjpg_UX1000_.jpg" width="229" /></a></div><span style="color: #3d85c6;"><br /></span></span></div><div style="text-align: justify;"><span style="font-family: inherit;"><span style="color: #3d85c6;"><span style="font-size: 14pt; line-height: 107%;"><span style="background-color: #274e13; color: white;">Elenco:</span> Keith
Carradine, Harvey Keitel, Albert Finney, Edward Fox, Cristina Raines, Robert
Stephens, Tom Conti e John McEnery </span><br /></span><br /><span style="font-size: 14pt; line-height: 107%;">Ridley
Scott fez sua estreia no cinema neste filme marcante estrelado por Albert
Finney e Harvey Keitel. Seu domínio visual não passou despercebido. Durante as
Guerras Napoleônicas, um talentoso hussardo é forçado a duelar com um colega
oficial. Este último não permite que o assunto seja considerado encerrado, e o
continua em quatro encontros sangrentos. O duelista perde o amor de sua amante,
arrisca sua vida repetidamente e ganha uma péssima reputação. Apesar de todos
esses contratempos e, devido ao código dos hussardos, ele deve obedecer
constantemente aos caprichos do colega. </span><br /><br /><span style="color: #3d85c6; font-size: 14pt; line-height: 107%;">06</span><span style="color: #3d85c6;"><br /></span></span></div><div style="text-align: center;"><span style="font-family: inherit;"><span style="color: #3d85c6;"><span style="font-size: 14pt; line-height: 107%;"><span style="background-color: #274e13; color: white;">FALCÃO
NEGRO em PERIGO</span> </span><br /><span style="font-size: 14pt; line-height: 107%;">(Black
Hawk Down, 2001) </span></span></span></div><div style="text-align: justify;"><span style="font-family: inherit;"><span style="color: #3d85c6;"><span style="font-size: 14pt; line-height: 107%;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhDHK4fRkrG2h6OKrpJIhoKqxULYGRtX5Z7kVEQUztx0FKW0MSbmZdReQrkWmm_ARAHKprQUm7llXJuiGQq8jsDgoZ_VbS4GnQThpGMcG6tzR-VFxQjSYqp5tby9Jg0eSdzcqXhvwJtTpLV9rJVdHy20hR9oOAojvvKgHpR5QerzMDYWTI5mAzyb6yQ/s980/8.-Black-Hawk-derribado-2001.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="551" data-original-width="980" height="360" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhDHK4fRkrG2h6OKrpJIhoKqxULYGRtX5Z7kVEQUztx0FKW0MSbmZdReQrkWmm_ARAHKprQUm7llXJuiGQq8jsDgoZ_VbS4GnQThpGMcG6tzR-VFxQjSYqp5tby9Jg0eSdzcqXhvwJtTpLV9rJVdHy20hR9oOAojvvKgHpR5QerzMDYWTI5mAzyb6yQ/w640-h360/8.-Black-Hawk-derribado-2001.jpg" width="640" /></a></div></span></span></span></div><div style="text-align: center;"><span style="font-family: inherit;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgURZYRrzS2oQcAT_LB3jYZ1trxEY8SCysTo5ibxjAc3A-dQx6dt59S3_QfN7xX2OXu4iJOB0ILWUnyIzvD8d3wE_T8VDrJ1F9QT8Nvf47Ci2my7hN8tRtkkmSGDXp68sT6uebbyUkEYcVVSBLWCeXqS8Phiw-uJUC2qVnFZh5aQeSJ6328pHgEKCy5/s2837/MV5BYWMwMzQxZjQtODM1YS00YmFiLTk1YjQtNzNiYWY1MDE4NTdiXkEyXkFqcGdeQXVyNDYyMDk5MTU@._V1_.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="2837" data-original-width="2008" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgURZYRrzS2oQcAT_LB3jYZ1trxEY8SCysTo5ibxjAc3A-dQx6dt59S3_QfN7xX2OXu4iJOB0ILWUnyIzvD8d3wE_T8VDrJ1F9QT8Nvf47Ci2my7hN8tRtkkmSGDXp68sT6uebbyUkEYcVVSBLWCeXqS8Phiw-uJUC2qVnFZh5aQeSJ6328pHgEKCy5/s320/MV5BYWMwMzQxZjQtODM1YS00YmFiLTk1YjQtNzNiYWY1MDE4NTdiXkEyXkFqcGdeQXVyNDYyMDk5MTU@._V1_.jpg" width="226" /></a></div><span style="color: #3d85c6;"><br /></span></span></div><div style="text-align: justify;"><span style="font-family: inherit;"><span style="color: #3d85c6;"><span style="font-size: 14pt; line-height: 107%;"><span style="background-color: #274e13; color: white;">Elenco:</span> Josh
Hartnett, Ewan McGregor, Tom Sizemore, Eric Bana, William Fichtner, Ewen
Bremner, Sam Shepard, Jason Isaacs, Tom Hardy e Orlando
Bloom</span></span><br /><br /><span style="font-size: 14pt; line-height: 107%;">O drama
dos soldados americanos na Somália ajudou Scott a rodar um excelente filme de
guerra, estrelado por Josh Hartnett e Ewan McGregor, que ganhou o Oscar de Melhor
Som e Melhor Edição. Narra um dos episódios de guerra mais humilhantes da
história norte-americana, em 1993, quando soldados rangers
de elite entram em Mogadíscio, capital da Somália, para capturar dois tenentes
de um senhor da guerra.</span><br /><br /><span style="color: #3d85c6; font-size: 14pt; line-height: 107%;">05</span><span style="color: #3d85c6;"><br /></span></span></div><div style="text-align: center;"><span style="font-family: inherit;"><span style="color: #3d85c6;"><span style="font-size: 14pt; line-height: 107%;"><span style="background-color: #274e13; color: white;">O
GANGSTER</span> </span><br /><span style="font-size: 14pt; line-height: 107%;">(American
Gangster, 2007) </span></span></span></div><div style="text-align: justify;"><span style="font-family: inherit;"><span style="color: #3d85c6;"><span style="font-size: 14pt; line-height: 107%;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgFyDxfSpTf_GsdcpggZ9N2Q8O32C__wauLIJ9WtfbGGxCCRTxfjSBDVUE6adC12w9mMQp6oNPgZmSCxO6ZAOYWCbJVSvxH4TVC2VEO0iPLCP2ELbulBz_abALi_SY61EvSUYuoTttHz8zu3FjuI5ivM11MSsrbm_KyD84EOf-5uskdyOhXetHXNuXt/s980/5.-American-Gangster-2007.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="551" data-original-width="980" height="360" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgFyDxfSpTf_GsdcpggZ9N2Q8O32C__wauLIJ9WtfbGGxCCRTxfjSBDVUE6adC12w9mMQp6oNPgZmSCxO6ZAOYWCbJVSvxH4TVC2VEO0iPLCP2ELbulBz_abALi_SY61EvSUYuoTttHz8zu3FjuI5ivM11MSsrbm_KyD84EOf-5uskdyOhXetHXNuXt/w640-h360/5.-American-Gangster-2007.jpg" width="640" /></a></div></span></span></span></div><div style="text-align: center;"><span style="font-family: inherit;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhC7rk71cWgtZYOwObNKv6AX5mri1aeX___Ds_2MpxlbgMpFdA4Wj9vqA4DdeX2VH8CRvHAZ25hFfUuYSnQD7JHY7xRk_XLjN6WPOZWxSe8al0QJQiIkWziCRxdxsFNvztqRDQQ4MVVTWeBolFDicLaNJs--7sTrx7DIVqA6sf0BHyBavyOOMXk60zi/s1500/MV5BMjFmZGI2YTEtYmJhMS00YTE5LWJjNjAtNDI5OGY5ZDhmNTRlXkEyXkFqcGdeQXVyODAwMTU1MTE@._V1_FMjpg_UX1000_.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1500" data-original-width="1000" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhC7rk71cWgtZYOwObNKv6AX5mri1aeX___Ds_2MpxlbgMpFdA4Wj9vqA4DdeX2VH8CRvHAZ25hFfUuYSnQD7JHY7xRk_XLjN6WPOZWxSe8al0QJQiIkWziCRxdxsFNvztqRDQQ4MVVTWeBolFDicLaNJs--7sTrx7DIVqA6sf0BHyBavyOOMXk60zi/s320/MV5BMjFmZGI2YTEtYmJhMS00YTE5LWJjNjAtNDI5OGY5ZDhmNTRlXkEyXkFqcGdeQXVyODAwMTU1MTE@._V1_FMjpg_UX1000_.jpg" width="213" /></a></div><span style="color: #3d85c6;"><br /></span></span></div><div style="text-align: justify;"><span style="font-family: inherit;"><span style="color: #3d85c6;"><span style="font-size: 14pt; line-height: 107%;"><span style="background-color: #274e13; color: white;">Elenco:</span> Denzel
Washington, Russell Crowe, Chiwetel Ejiofor, Josh Brolin, Lymari Nadal, Ted
Levine, Ruby Dee, Carla Gugino, Cuba Gooding Jr. e Armand Assante</span></span><br /><br /><span style="font-size: 14pt; line-height: 107%;">Thriller
de gângster. Ridley Scott tornou isso possível graças, em
parte, à embalagem que Denzel Washington, Russell Crowe e Ruby Dee trouxeram
para a filmagem. O resultado é um dos filmes mais aclamados do diretor, e
também um dos melhores filmes de Denzel Washington. Em Nova York, 1968, um
policial incorruptível em um corpo infestado pela corrupção enfrenta um
traficante de heroína que se torna o rei da máfia de Nova York. Os caminhos
desses dois homens vão se cruzar sem remissão.</span><br /><br /><span style="color: #3d85c6; font-size: 14pt; line-height: 107%;">04</span><span style="color: #3d85c6;"><br /></span></span></div><div style="text-align: center;"><span style="font-family: inherit;"><span style="color: #3d85c6;"><span style="font-size: 14pt; line-height: 107%;"><span style="background-color: #274e13; color: white;">THELMA
& LOUISE</span> </span><br /><span style="font-size: 14pt; line-height: 107%;">(Thelma
& Louise, 1991) </span></span></span></div><div style="text-align: justify;"><span style="font-family: inherit;"><span style="color: #3d85c6;"><span style="font-size: 14pt; line-height: 107%;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjsvFVLPFpsYfpNq-bw_Af34GmQY8aXT4lUY6JklvF1-Z9tLiM_3XOgbu0MqZSKsc8R2AVwbyjQ-VevQfkyM9l5wDmK12JzSZ1b_Xe6xMuBfUsAX62SPiJkyR6oS5e8dNJSyRBKZCfNyQAs-bc1yx3h32tReU2LuCO1ZOr4JVkczUR0WKabeJ3wcCLN/s1280/susan_sarandon_e_geena_davis_em_thelma__louise_1991_foto_divulgacao.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="720" data-original-width="1280" height="360" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjsvFVLPFpsYfpNq-bw_Af34GmQY8aXT4lUY6JklvF1-Z9tLiM_3XOgbu0MqZSKsc8R2AVwbyjQ-VevQfkyM9l5wDmK12JzSZ1b_Xe6xMuBfUsAX62SPiJkyR6oS5e8dNJSyRBKZCfNyQAs-bc1yx3h32tReU2LuCO1ZOr4JVkczUR0WKabeJ3wcCLN/w640-h360/susan_sarandon_e_geena_davis_em_thelma__louise_1991_foto_divulgacao.jpg" width="640" /></a></div></span></span></span></div><div style="text-align: center;"><span style="font-family: inherit;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiWM4vdIIZvY4Xu_d3v3TeQWVd1XwLrTqeVILy5CCiEV2E-_iz58WwjmthlgjTWIGlqxUhNIbc_XF0LpbWwDyXLlbIj2BrA7k52K6WMG11jgR4U4biHAWWDKro477L5gS46CKDFyvHRATnUNyVe5oAsSt7EjAPWSr-hhHDdd7lMnSEJEY9zjAyeUvzJ/s1200/Thelma_Louise-741769061-large.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1200" data-original-width="815" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiWM4vdIIZvY4Xu_d3v3TeQWVd1XwLrTqeVILy5CCiEV2E-_iz58WwjmthlgjTWIGlqxUhNIbc_XF0LpbWwDyXLlbIj2BrA7k52K6WMG11jgR4U4biHAWWDKro477L5gS46CKDFyvHRATnUNyVe5oAsSt7EjAPWSr-hhHDdd7lMnSEJEY9zjAyeUvzJ/s320/Thelma_Louise-741769061-large.jpg" width="217" /></a></div><span style="color: #3d85c6;"><br /></span></span></div><div style="text-align: justify;"><span style="font-family: inherit;"><span style="color: #3d85c6;"><span style="font-size: 14pt; line-height: 107%;"><span style="background-color: #274e13; color: white;">Elenco:</span> Susan
Sarandon, Geena Davis, Harvey Keitel, Michael Madsen e Brad Pitt</span></span><br /><br /><span style="font-size: 14pt; line-height: 107%;">Vencedor
do Oscar de Melhor Roteiro, e também indicado pela edição, fotografia, direção
e interpretação de suas duas protagonistas, este <i>road movie </i>se tornou um
ícone da época, e um filme feminista que denunciou o abuso e a opressão contra
as mulheres, colocando a importância da amizade e da irmandade no centro. Um
dos filmes mais feministas de todos os tempos. Uma dona de casa, cuja filosofia
é deixar as coisas como estão, tem terrivelmente chata e nada gratificante. Seu
marido detestável e machista, a trata mais como uma garota do que como uma
esposa. Outra mulher, uma garçonete, acredita que todo mundo tem o que procura.
Ela leva uma vida louca e frustrante, e seu namorado não quer
se comprometer. As duas mulheres, cansadas da situação que vivem, decidem tirar
férias improvisadas. Mas desde a primeira noite de liberdade, seu destino é
complicado e tumultuado.</span><br /><br /><span style="color: #3d85c6; font-size: 14pt; line-height: 107%;">03</span><span style="color: #3d85c6;"><br /></span></span></div><div style="text-align: center;"><span style="font-family: inherit;"><span style="color: #3d85c6;"><span style="font-size: 14pt; line-height: 107%;"><span style="background-color: #274e13; color: white;">GLADIADOR</span>
</span><br /><span style="font-size: 14pt; line-height: 107%;">(Idem, 2000) </span></span></span></div><div style="text-align: justify;"><span style="font-family: inherit;"><span style="color: #3d85c6;"><span style="font-size: 14pt; line-height: 107%;"><div class="separator" style="clear: both; text-align: center;"></div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjdRxRezupj7SuxZsqVxrwualm9rSjHSbEkgvThDirQy7CjHdL59d_bEvJYjcOZj5SIbLLob7z5CvJ4KiwNS0BpCFDQgZHovLt8TdgMuVAwuRKpFirHo4pExsxGzBBx7y5XuTH5PLW2JQjU67W-YOz1Hx9AueghrvPI166wkTfBveTZ5ygMqZzpAxJ1/s647/gladiador-7.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="461" data-original-width="647" height="456" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjdRxRezupj7SuxZsqVxrwualm9rSjHSbEkgvThDirQy7CjHdL59d_bEvJYjcOZj5SIbLLob7z5CvJ4KiwNS0BpCFDQgZHovLt8TdgMuVAwuRKpFirHo4pExsxGzBBx7y5XuTH5PLW2JQjU67W-YOz1Hx9AueghrvPI166wkTfBveTZ5ygMqZzpAxJ1/w640-h456/gladiador-7.jpg" width="640" /></a></div></span></span></span></div><div style="text-align: center;"><span style="font-family: inherit;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhdzeYqOGS8kougF33418kstrJ-9vTUPdrQNCAdRZCfduqz8Y1u3tv5JZbP3Q2_fieej1bFM24V-lbHiaIkIA5OXIbTOCuPoO83bNbNos5PBXlfLFgr1f1CSqwIVd3gMXQ8tlDENQjZGQRxeV245QkjDYBWQCLFXZLJHANNBZbcDRfYT-dJAvPCCsQO/s1200/gladiador-filme-2000-critica-poster.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1200" data-original-width="800" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhdzeYqOGS8kougF33418kstrJ-9vTUPdrQNCAdRZCfduqz8Y1u3tv5JZbP3Q2_fieej1bFM24V-lbHiaIkIA5OXIbTOCuPoO83bNbNos5PBXlfLFgr1f1CSqwIVd3gMXQ8tlDENQjZGQRxeV245QkjDYBWQCLFXZLJHANNBZbcDRfYT-dJAvPCCsQO/s320/gladiador-filme-2000-critica-poster.jpg" width="213" /></a></div><span style="color: #3d85c6;"><br /></span></span></div><div style="text-align: justify;"><span style="font-family: inherit;"><span style="color: #3d85c6;"><span style="font-size: 14pt; line-height: 107%;"><span style="background-color: #274e13; color: white;">Elenco:</span> Russell
Crowe, Joaquin Phoenix, Connie Nielsen, Oliver Reed, Richard Harris, Derek
Jacobi, Djimon Hounsou e David Hemmings</span></span><br /><br /><span style="font-size: 14pt; line-height: 107%;">Vencedor
absoluto na noite do Oscar de 2001. A encenação do realizador fez-nos todos
vibrar na arena como na época de ouro do <i>peplum</i>. E é um dos melhores
filmes de Russell Crowe e Joaquin Phoenix. Um general romano mais uma vez volta
vitorioso com suas legiões do campo de batalha. Agora ele só quer ficar com sua
esposa e filho. Mas o imperador tem uma nova missão para ele: torná-lo seu
sucessor. Invejoso, o herdeiro do trono ordena a execução dele e de sua
família. O general escapa de seu destino, mas se torna um escravo se juntando a
uma gangue de gladiadores. Aos poucos, sua fama cresce na arena até que ele
retorna a Roma determinado a vingar a morte de sua família.</span><br /><br /><span style="color: #3d85c6; font-size: 14pt; line-height: 107%;">02</span><span style="color: #3d85c6;"><br /></span></span></div><div style="text-align: center;"><span style="font-family: inherit;"><span style="color: #3d85c6;"><span style="font-size: 14pt; line-height: 107%;"><span style="background-color: #274e13; color: white;">ALIEN, o
OITAVO PASSAGEIRO</span> </span><br /><span style="font-size: 14pt; line-height: 107%;">(Alien, 1979) </span></span></span></div><div style="text-align: justify;"><span style="font-family: inherit;"><span style="color: #3d85c6;"><span style="font-size: 14pt; line-height: 107%;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjC7pp2_tRQOC9_8VmrYZDYT68_fuPF2jJRhv1g-ZSsjE_VBATxlU5DyxYBZdVTl4V94QpIhNLn8_ea890jPd4BytWZPaFxKj_AlRjFLmZsQNeNWbhLw7GT5MHbxvmPhHrzw7Zult1ev_aB0nqzS5sHelM_dZZjO-XANHc_1E00K5Awhk45iczYBYpr/s980/1.-Alien-el-octavo-pasajero-1979.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="551" data-original-width="980" height="360" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjC7pp2_tRQOC9_8VmrYZDYT68_fuPF2jJRhv1g-ZSsjE_VBATxlU5DyxYBZdVTl4V94QpIhNLn8_ea890jPd4BytWZPaFxKj_AlRjFLmZsQNeNWbhLw7GT5MHbxvmPhHrzw7Zult1ev_aB0nqzS5sHelM_dZZjO-XANHc_1E00K5Awhk45iczYBYpr/w640-h360/1.-Alien-el-octavo-pasajero-1979.jpg" width="640" /></a></div></span></span></span></div><div style="text-align: center;"><span style="font-family: inherit;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjEC0bUzuYm7pZlEnCCVgwaav3sjqZ2i8XfPQvupe7GmvIGMh3ecDYw6Wlq__6PmxoXzdv-a3tkeHHVZ21IE4xpy2geTapezIOvorsOY8uXljVpxjxBUjuMh4_tAa4xjjOPxFM_yVp4CQVoK_5BuGgKfzwD4XADbj7fKj5e-KZXgZmrUYLsi8U-TFBW/s1473/mv5bmmq2mmu3nzktzjaxoc00zdzhltk4yzetmdmymzcxy2iwmdayxkeyxkfqcgdeqxvynzkwmjq5nzm._v1_fmjpg_ux1000_.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1473" data-original-width="1000" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjEC0bUzuYm7pZlEnCCVgwaav3sjqZ2i8XfPQvupe7GmvIGMh3ecDYw6Wlq__6PmxoXzdv-a3tkeHHVZ21IE4xpy2geTapezIOvorsOY8uXljVpxjxBUjuMh4_tAa4xjjOPxFM_yVp4CQVoK_5BuGgKfzwD4XADbj7fKj5e-KZXgZmrUYLsi8U-TFBW/s320/mv5bmmq2mmu3nzktzjaxoc00zdzhltk4yzetmdmymzcxy2iwmdayxkeyxkfqcgdeqxvynzkwmjq5nzm._v1_fmjpg_ux1000_.jpg" width="217" /></a></div><span style="color: #3d85c6;"><br /></span></span></div><div style="text-align: justify;"><span style="font-family: inherit;"><span style="color: #3d85c6;"><span style="font-size: 14pt; line-height: 107%;"><span style="background-color: #274e13; color: white;">Elenco:</span> Tom
Skerritt, Sigourney Weaver, Veronica Cartwright, Harry Dean Stanton, John Hurt,
Ian Holm e Yaphet Kotto</span></span><br /><br /><span style="font-size: 14pt; line-height: 107%;">No espaço
ninguém pode ouvir seus gritos, a menos que haja alguns sobreviventes deixados
no Nostromo para aterrorizar nos corredores cheios de cantos e recantos
escuros. Sigourney Weaver, Jerry Goldsmith, H.R. Giger, Moëbius e, claro,
Ridley Scott. Você pode pedir mais? É, claro, um dos melhores filmes espaciais
de ficção científica de todos os tempos. O ano é 2002. O computador Mãe, que
governa a organização dentro e fora da nave Nostromo, detecta sinais de vida
passando por um misterioso planeta. Os sete tripulantes decidem investigar a
origem dos sinais e descobrem que há uma nave abandonado em uma área deserta.
Dentro dela aparece um estranho animal. O segundo-tenente e o resto da
tripulação terão que sobreviver ao ser letal que se infiltra em sua nave.</span><br /><br /><span style="color: #3d85c6; font-size: 14pt; line-height: 107%;">01</span><span style="color: #3d85c6;"><br /></span></span></div><div style="text-align: center;"><span style="font-family: inherit;"><span style="color: #3d85c6;"><span style="font-size: 14pt; line-height: 107%;"><span style="background-color: #274e13; color: white;">BLADE
RUNNER – o CAÇADOR de ANDRÓIDES</span> </span><br /><span style="font-size: 14pt; line-height: 107%;">(Blade
Runner, 1982) </span></span></span></div><div style="text-align: justify;"><span style="font-family: inherit;"><span style="color: #3d85c6;"><span style="font-size: 14pt; line-height: 107%;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjlVUNVcWsMtEvaHhQK7SHdWTDzamh-Z0DwtVa9q2UZeqUM2RyZiBJp89_nKS0ZKmRZzrszPjOKlOqERvH4ltFnWM5SV6F1HkM0oJkLIqbim5cituNurGqX5LU-1U0m1mJHG4zEYkUG1q5B26O5c2XpBIYGRvtgCc3obAw6J_bN10n9yRk02T9ZwwfE/s980/2.-Blade-Runner-1982.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="553" data-original-width="980" height="362" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjlVUNVcWsMtEvaHhQK7SHdWTDzamh-Z0DwtVa9q2UZeqUM2RyZiBJp89_nKS0ZKmRZzrszPjOKlOqERvH4ltFnWM5SV6F1HkM0oJkLIqbim5cituNurGqX5LU-1U0m1mJHG4zEYkUG1q5B26O5c2XpBIYGRvtgCc3obAw6J_bN10n9yRk02T9ZwwfE/w640-h362/2.-Blade-Runner-1982.jpg" width="640" /></a></div></span></span></span></div><div style="text-align: center;"><span style="font-family: inherit;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEii7xuOwRN1NPGdwe0cOr37LnJHrXzFnRMoJ8GzHrrYnrnAL6H3Ha5vAOdHpYwXFKWlo-dACR6vrW4fFGBJw4h9RlSnfafHe2g2NGKFu4PWLr5sAHdfn9tuozylpzBee0WEJN9K1tsEaPOD8dM8qM2V5NZOWXUYP-lvJbxNBEo85Q5QJ5jksFrpuBC2/s1500/big-poster-filme-blade-runner-1982-lo003-tamanho-90x60-cm-poster-cinema.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1500" data-original-width="990" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEii7xuOwRN1NPGdwe0cOr37LnJHrXzFnRMoJ8GzHrrYnrnAL6H3Ha5vAOdHpYwXFKWlo-dACR6vrW4fFGBJw4h9RlSnfafHe2g2NGKFu4PWLr5sAHdfn9tuozylpzBee0WEJN9K1tsEaPOD8dM8qM2V5NZOWXUYP-lvJbxNBEo85Q5QJ5jksFrpuBC2/s320/big-poster-filme-blade-runner-1982-lo003-tamanho-90x60-cm-poster-cinema.jpg" width="211" /></a></div><span style="color: #3d85c6;"><br /></span></span></div><div style="text-align: justify;"><span style="font-family: inherit;"><span style="color: #3d85c6;"><span style="font-size: 14pt; line-height: 107%;"><span style="background-color: #274e13; color: white;">Elenco:</span> Harrison
Ford, Sean Young, Rutger Hauer, Edward James Olmos, M. Emmet Walsh, Daryl
Hannah, William Sanderson e Joanna Cassidy</span></span><br /><br /><span style="color: white; font-size: 14pt; line-height: 107%;">O sucesso de <span style="color: #3d85c6;">“E.T., o Extraterrestre / E.T.
the Extra-Terrestrial”</span> (1982) fez </span><span style="font-size: 14pt; line-height: 107%;">com que esta adaptação de Philip
K. Dick ficasse em segundo plano na sua época. Da música de Vangelis ao
monólogo final do andróide Rutger Hauer, passando pelo meticuloso design de
produção e fotografia, é uma obra-prima. É também um dos melhores filmes de
Harrison Ford. A ação se passa no ano de 2019 na cidade de Los Angeles. Um
ex-policial recebe a missão de perseguir alguns replicantes chamados Nexus 9,
que são usados como escravos nas operações de mineração em Marte. O problema é
que eles são feitos com tanta perfeição que não podem ser diferenciados dos
humanos, e muitos deles conseguiram chegar à Terra ilegalmente. A missão do
ex-policial é localizá-los e eliminá-los antes que constituam um perigo. Os
replicantes são altamente inteligentes e sua capacidade de suportar a dor os
torna muito perigosos.</span></span><br /></div>
<p>
</p>ANTONIO NAHUDhttp://www.blogger.com/profile/09829893001743081676noreply@blogger.com2tag:blogger.com,1999:blog-7997398743762234247.post-32415299121509167242023-01-18T22:08:00.018-03:002024-01-06T21:29:43.494-03:00**** Os MELHORES FILMES ASSISTIDOS em 2022<div style="text-align: justify;"><span style="font-family: inherit;"><table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto;"><tbody><tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhBKR0n_zT6ZfDiULcT2xG9Mzx6X3G2uBCdi9Q2dynHwFClPLmYHtmrvxYmjGa4zR7B_qVMq9gFPfoet9bpxlN845iblPUKEWhW9mEZgvadPhvMCLydsK94WlnXy1hqSOuV-ezE0CwjvX78DdBzL9P-xP5NhqQWJfprFJYkrGCs5lFB-xnSxtPaiqZS/s1280/maxresdefault.jpg" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="720" data-original-width="1280" height="360" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhBKR0n_zT6ZfDiULcT2xG9Mzx6X3G2uBCdi9Q2dynHwFClPLmYHtmrvxYmjGa4zR7B_qVMq9gFPfoet9bpxlN845iblPUKEWhW9mEZgvadPhvMCLydsK94WlnXy1hqSOuV-ezE0CwjvX78DdBzL9P-xP5NhqQWJfprFJYkrGCs5lFB-xnSxtPaiqZS/w640-h360/maxresdefault.jpg" width="640" /></a></td></tr><tr><td class="tr-caption" style="text-align: center;"><span style="background-color: black;"><span style="color: #3d85c6;"><span style="font-size: large;"><span style="font-family: inherit;">marcello mastroianni em <span style="line-height: 107%;">“</span>fellini: oito e meio<span><span style="line-height: 107%;">”</span></span></span></span></span></span></td></tr></tbody></table></span><span style="font-family: inherit;"><br /></span><span style="font-family: inherit;"><div class="separator" style="clear: both; text-align: center;"></div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgKpDgUZw_fQReKlPW1y_9pDyU1yn-7M7Up0oHaIRxKKGnavlNSHnrLkbw-Obr58IDRbrU-D1_R9kz-TButY4MEbxCh-NKYb_0GsxlEzHN_BLl_K3q6WDexNfKAm0DFS-rHYH61NkgcRBtmhSNdEzCptEpHJ0iwB-DU378qWzALA6pk03OVC1pJhm8e/s1280/maxresdefault.jpg" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"></a></div></span><span style="font-family: inherit;"></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">2022 foi
um ano pobre para o cinema. Quando consideramos os filmes que foram lançados,
constatamos que pouca coisa relevante foi produzida - seguindo uma tendência
que já dura há anos. Os prêmios são cada vez mais insignificantes e
os longas premiados são esquecidos poucos meses após o seu coroamento.</span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;"> </span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">Desde
2010 que este blogue lista os <span style="background-color: #274e13;"><span style="color: white;">MELHORES FILMES do ANO</span></span>, destacando lançamentos. Com a banalidade atual, as grandes
experiências cinematográficas passaram a ser filmes antigos. Revendo-os, os
redescobrimos, vemos o que não tínhamos visto, experimentamos uma
percepção surpreendente.</span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;"> </span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">Por isso,
ao repassar minha lista dos 271 filmes assistidos em 2022, elaborei uma menor,
com 12 títulos, os quais, asseguro, propiciarão emoções extremamente mais
significativas do que a maioria dos filmes lançados ano passado. Confira
abaixo.</span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;"> </span></span><span style="background-color: #274e13;"><br /></span></div><div style="text-align: center;"><span style="background-color: #274e13;"><span style="color: white;"><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;"><span style="background-color: #274e13;">Os 12
MELHORES FILMES ASSISTIDOS em 2022</span></span></span></span></span><br /><span style="color: #3d85c6;"><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">(por
ordem de preferência)</span></span><br /></span></div><div style="text-align: justify;"><span style="color: #3d85c6;"><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;"> </span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">01</span></span></span><br /></div><div style="text-align: center;"><span style="background-color: #274e13;"><span style="color: white;"><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">FAUSTO</span></span></span></span><br /><span style="color: #3d85c6;"><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">(Faust:
Eine Deutsche Volkssage, 1926, Alemanha)</span></span></span></div><div style="text-align: justify;"><span style="color: #3d85c6;"><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg1VipiR4B5gNapIq3MxPW7k2tauybql6pBR7aYUJcAkmR76cNvVFyCWWr2Zl_dMwVq96CyvjuuA04DBZ-XzglnkjgI0eyrieTH8Q-bmtB8306lctTnLvIv602Dt967YUCvq3Evwh6KaPgEA3DArVda1M4WsdBXUQHswTgV0eR0yw7S53BwD_icHEGF/s1097/Poster+1.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1097" data-original-width="728" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg1VipiR4B5gNapIq3MxPW7k2tauybql6pBR7aYUJcAkmR76cNvVFyCWWr2Zl_dMwVq96CyvjuuA04DBZ-XzglnkjgI0eyrieTH8Q-bmtB8306lctTnLvIv602Dt967YUCvq3Evwh6KaPgEA3DArVda1M4WsdBXUQHswTgV0eR0yw7S53BwD_icHEGF/w265-h400/Poster+1.jpg" width="265" /></a></div></span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">Direção:
Friedrich Wilhelm Murnau</span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">Elenco: Gösta
Ekman, Emil Jannings, Camilla Horn, William Dieterle e Yvette
Guilbert</span></span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;"> </span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">Último
filme alemão do genial Murnau. Uma saída em grande estilo, um filmaço,
deslumbrante. Levado pelo desespero, alquimista faz um pacto com o diabo,
abrindo mão de sua alma. De quase um século atrás, um espetáculo monumental.
Elenco afiadíssimo, efeitos especiais inovadores e fotografia de extraordinária
beleza. </span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;"> </span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">Nota:
***** (ótimo)</span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;"> </span></span><br /><span style="color: #3d85c6;"><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">02</span></span></span><br /></div><div style="text-align: center;"><span style="background-color: #274e13;"><span style="color: white;"><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">FANNY e
ALEXANDER</span></span></span></span><br /><span style="color: #3d85c6;"><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">(Fanny
och Alexander, 1982, Suécia, França e Alemanha)</span></span></span></div><div style="text-align: justify;"><span style="color: #3d85c6;"><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgQ_d9Xn19ENyAzZduULZJzn7ADRdni0Wz6VhX99xgXfCpIlcWYYyorIQPVxJasYF4gOpQiHC6vv73YZVD3CMxw2nsi3Vj91g87djDBmHyhauE8EWr_RrTRt2b-aZPXNAk-LIyZ14KhMOd6dIneMQ5i73VuTPGz980HLWCYlj264JuBGTG4iNYCvBGP/s1215/kinopoisk.ru-Fanny-och-Alexander-631962.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1215" data-original-width="873" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgQ_d9Xn19ENyAzZduULZJzn7ADRdni0Wz6VhX99xgXfCpIlcWYYyorIQPVxJasYF4gOpQiHC6vv73YZVD3CMxw2nsi3Vj91g87djDBmHyhauE8EWr_RrTRt2b-aZPXNAk-LIyZ14KhMOd6dIneMQ5i73VuTPGz980HLWCYlj264JuBGTG4iNYCvBGP/w288-h400/kinopoisk.ru-Fanny-och-Alexander-631962.jpg" width="288" /></a></div></span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">Direção:
Ingmar Bergman</span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">Elenco: Gunn
Wållgren, Ewa Fröling, Bertil Guve, Jarl Kulle, Gunnar
Björnstrand, Mona Malm, Pernilla August, Harriet Andersson, Lena Olin e Erland
Josephson</span></span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;"> </span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">Numa
cidade do interior da Suécia, em 1907, a história de uma rica família ligada ao
teatro. Outra obra-prima do mestre Bergman. Conto sombrio, visualmente
fascinante, direção espetacular. Comédia, drama profundo, fantasia,
surrealismo. Um denso estudo de personagens, simbolismo religioso e memórias
afetivas da infância.</span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;"> </span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">Nota:
***** (ótimo)</span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;"> </span></span><br /><span style="color: #3d85c6;"><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">03</span></span></span><br /></div><div style="text-align: center;"><span style="background-color: #274e13;"><span style="color: white;"><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">NARCISO
NEGRO</span></span></span></span><br /><span style="color: #3d85c6;"><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">(Black
Narcissus, 1947, Reino Unido)</span></span><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;"><br /></span></span></span></div><div style="text-align: justify;"><span style="color: #3d85c6;"><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhmUmLXJ7iwQ3EMpFSHq8Nf1tyHrYV69heiG4zeT9rntNVn9b2hOz3Lx_3Ena8loePSsGPhyELpm_D5ofyusZzK4jd8dA2ynNhq5Y7nnxt9NyNAf7rPB-fGXr98RRhelDvbiXAlRd7TBtn-9xmqQ5JMlBnR7lo_EntJPBJIqn3RyqnFrpz1BHbQ76-T/s1600/poster_04.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1600" data-original-width="672" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhmUmLXJ7iwQ3EMpFSHq8Nf1tyHrYV69heiG4zeT9rntNVn9b2hOz3Lx_3Ena8loePSsGPhyELpm_D5ofyusZzK4jd8dA2ynNhq5Y7nnxt9NyNAf7rPB-fGXr98RRhelDvbiXAlRd7TBtn-9xmqQ5JMlBnR7lo_EntJPBJIqn3RyqnFrpz1BHbQ76-T/w168-h400/poster_04.jpg" width="168" /></a></div><br /></span></span></span></div><div style="text-align: justify;"><span style="color: #3d85c6;"><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">Direção:
Michael Powell e Emeric Pressburger</span></span><br /></span><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;"><span style="color: #3d85c6;">Elenco: Deborah
Kerr, David Farrar, Flora Robson, Kathleen Byron e Jean Simmons</span></span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;"> </span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">Drama
supremamente belo, fantástico e sensual. Cinco freiras britânicas abrem uma
escola e um hospital numa vila na região do Himalaia. Perturbações, conflitos
psicológicos, religiosos e culturais, com fotografia espetacular. Direção
segura e atuação potente de Deborah Kerr. Uma verdadeira joia.</span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;"> </span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">Nota:
***** (ótimo)</span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;"> </span></span><br /><span style="color: #3d85c6;"><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">04</span></span></span><br /></div><div style="text-align: center;"><span style="background-color: #274e13;"><span style="color: white;"><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">DOUTOR
JIVAGO</span></span></span></span><br /><span style="color: #3d85c6;"><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">(Doctor
Zhivago, 1965, Itália, Reino Unido e EUA)</span></span></span></div><div style="text-align: justify;"><span style="color: #3d85c6;"><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjgTD9iCP5DEoBndBHaSxdYOa6zt0eosvOScRdUhY4-iD5gh6LydbxlyX_WUL0epvTU-Mb2jcly6EZqjVvuNZhHG0-7itBRtpaShVzQpqXdJetPDtHJUTGl6UnWNTPf-zOHWh_jPWWTJNL4R78DkejfXhCqMCaYgHRyRMnaDGdmsstepU_Rf811sdFb/s1784/5f67a696a6b679001ce6cf8f.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1159" data-original-width="1784" height="260" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjgTD9iCP5DEoBndBHaSxdYOa6zt0eosvOScRdUhY4-iD5gh6LydbxlyX_WUL0epvTU-Mb2jcly6EZqjVvuNZhHG0-7itBRtpaShVzQpqXdJetPDtHJUTGl6UnWNTPf-zOHWh_jPWWTJNL4R78DkejfXhCqMCaYgHRyRMnaDGdmsstepU_Rf811sdFb/w400-h260/5f67a696a6b679001ce6cf8f.jpg" width="400" /></a></div></span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">Direção:
David Lean</span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">Elenco: Omar
Sharif, Julie Christie, Geraldine Chaplin, Rod Steiger, Alec Guinness, Tom
Courtenay, Siobhan McKenna, Ralph Richardson e Rita Tushingham </span></span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;"> </span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">Tendo
como pano de fundo a revolução russa, um médico e poeta, casado, se envolve com
uma enfermeira que se torna o grande amor de sua vida. Extraordinário drama
romântico. Terno, cativante e ao mesmo tempo uma lição de história. Grandioso,
impressionante, trilha sonora inesquecível. Arrebatou cinco Oscar.</span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;"> </span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">Nota:
***** (ótimo)</span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;"> </span></span><br /><span style="color: #3d85c6;"><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">05</span></span></span><br /></div><div style="text-align: center;"><span style="background-color: #274e13;"><span style="color: white;"><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">A MALVADA</span></span></span></span><br /><span style="color: #3d85c6;"><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">(All
About Eve, 1950, EUA)</span></span></span></div><div style="text-align: justify;"><span style="color: #3d85c6;"><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgafE1WSkPj1kGVUQGKUv5pF0jvlL689qWQn5I1e9duu8TovyhvvkzgkLl0bQ3bHaHhrO2lTJXi5TGQXDXBFcNVCv7zhmesmmixc7fo1uuP8T0w9-OZ2OM2-KPPHn1dsrhDSfWnE4ZLA9C_R0qsKGhAVemvx2INEMZig-KrBFnkn1WcDx0IbwKLIBoU/s1840/1200px-All_About_Eve_(1950_poster_-_retouch).jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1840" data-original-width="1200" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgafE1WSkPj1kGVUQGKUv5pF0jvlL689qWQn5I1e9duu8TovyhvvkzgkLl0bQ3bHaHhrO2lTJXi5TGQXDXBFcNVCv7zhmesmmixc7fo1uuP8T0w9-OZ2OM2-KPPHn1dsrhDSfWnE4ZLA9C_R0qsKGhAVemvx2INEMZig-KrBFnkn1WcDx0IbwKLIBoU/w261-h400/1200px-All_About_Eve_(1950_poster_-_retouch).jpg" width="261" /></a></div></span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">Direção:
Joseph L. Mankiewicz</span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">Elenco: Bette
Davis, Anne Baxter, George Sanders, Celeste Holm, Gary Merrill, Hugh Marlowe, Gregory
Ratoff, Barbara Bates, Marilyn Monroe e Thelma Ritter</span></span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;"> </span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">Jovem
aspirante a atriz faz intrigas para tomar o lugar de uma estrela que envelhece.
Um dos melhores filmes sobre os bastidores do teatro. A arte dentro da arte.
Diálogos inteligentes, ferinos, amargos. Personagens mordazes e memoráveis. É
uma belíssima trama. Todo o elenco é perfeito – mas o brilho
maior é de Bette Davis.</span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;"> </span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">Nota:
***** (ótimo)</span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;"> </span></span><br /><span style="color: #3d85c6;"><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">06</span></span></span><br /></div><div style="text-align: center;"><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;"><span style="background-color: #274e13;"><span style="color: white;">O ANJO
AZUL</span></span> </span></span><br /><span style="color: #3d85c6;"><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">(Der Blaue
Engel, 1930, Alemanha)</span></span></span></div><div style="text-align: justify;"><span style="color: #3d85c6;"><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiGiGhBj6xoFSMKUrWgr8zS7a1yFDrNdfJ6IfXbvmtEW5cOUTXqj5I4tyOTXm2xkqaiWwuSk1T1HSk9hiMCTZDJ2wzCp9ieQXmKbFBvGPRDT0I3BIE1BGeCR5hDN3E6IRIZzm2U4I7gJLk3gWgXaxPeMj75XVl0bXG2CL0pZWZnOqUAsyqy_Frp9S6-/s1812/6ff0220df39d5597298bf4ca61add670.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1812" data-original-width="1269" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiGiGhBj6xoFSMKUrWgr8zS7a1yFDrNdfJ6IfXbvmtEW5cOUTXqj5I4tyOTXm2xkqaiWwuSk1T1HSk9hiMCTZDJ2wzCp9ieQXmKbFBvGPRDT0I3BIE1BGeCR5hDN3E6IRIZzm2U4I7gJLk3gWgXaxPeMj75XVl0bXG2CL0pZWZnOqUAsyqy_Frp9S6-/w280-h400/6ff0220df39d5597298bf4ca61add670.jpg" width="280" /></a></div></span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">Direção:
Josef von Sternberg</span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">Elenco: Emil
Jannings, Marlene Dietrich, Kurt Gerron, Rosa Valetti e Hans Albers</span></span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;"> </span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">Professor
pomposo e tirânico se apaixona cegamente por uma beldade vulgar de cabaré. O
filme narra a tragédia e o ridículo de sua trajetória. Trata-se de uma
desconstrução gradual de personalidade. Expressionismo melancólico,
com espetacular Emil Jannings e Dietrich extraordinária em sensualidade insolente.</span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;"> </span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">Nota:
***** (ótimo)</span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;"> </span></span><br /><span style="color: #3d85c6;"><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">07</span></span></span><br /></div><div style="text-align: center;"><span style="background-color: #274e13;"><span style="color: white;"><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">Uma
PEQUENA PRAIA TÃO BONITA</span></span></span></span><br /><span style="color: #3d85c6;"><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">(Une si Jolie
Petite Plage, 1949, França e Países Baixos)</span></span></span></div><div style="text-align: justify;"><span style="color: #3d85c6;"><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj5nw2RNkvxR6DMYm0PO9K815F97HFNhudTisnn_nwvGnvHuapvHopgGZU5itGiRXVwe9P8KwpOOUdMWVYiP3GdKiB94nJjAQIbxzYRUDTiYes9f2iXXvQuA16FzF17Wt89Muu0lMQaRYaYTKTBr8D3g4sEq91xvEb3kiJIsxBGpb5KTmUzhHXq-ffd/s1570/MV5BZDM0NTk2OTUtNDYyZi00MzhlLWIzN2QtYTdkYWFkZTgzMTNjXkEyXkFqcGdeQXVyMzg1ODEwNQ@@._V1_FMjpg_UX1000_.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1570" data-original-width="1000" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj5nw2RNkvxR6DMYm0PO9K815F97HFNhudTisnn_nwvGnvHuapvHopgGZU5itGiRXVwe9P8KwpOOUdMWVYiP3GdKiB94nJjAQIbxzYRUDTiYes9f2iXXvQuA16FzF17Wt89Muu0lMQaRYaYTKTBr8D3g4sEq91xvEb3kiJIsxBGpb5KTmUzhHXq-ffd/w255-h400/MV5BZDM0NTk2OTUtNDYyZi00MzhlLWIzN2QtYTdkYWFkZTgzMTNjXkEyXkFqcGdeQXVyMzg1ODEwNQ@@._V1_FMjpg_UX1000_.jpg" width="255" /></a></div></span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">Direção:
Yves Allégret</span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">Elenco: Madeleine
Robinson, Gérard Philipe, Jean Servais e Jane Marken </span></span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;"> </span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">Num
inverno chuvoso, um estranho silencioso e triste se instala num hotel barato,
em uma praia no norte da França, provocando alguma desconfiança. Um drama noir
sobre o passado, brilhantemente dirigido. Sombrio, misterioso, amargo. Poética
fotografia de Alekan e atuações excelentes, principalmente a de Gérard
Philiphe.</span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;"> </span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">Nota:
***** (ótimo)</span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;"> </span></span><br /><span style="color: #3d85c6;"><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">08</span></span></span><br /></div><div style="text-align: center;"><span style="background-color: #274e13;"><span style="color: white;"><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">VIOLÊNCIA
e PAIXÃO</span></span></span></span><br /><span style="color: #3d85c6;"><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">(Gruppo
di Famiglia in un Interno, 1974, Itália e França)</span></span></span></div><div style="text-align: justify;"><span style="color: #3d85c6;"><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgQc4e3TIY050_RgPoYbRnt6jQUggj4cJxlCRnBsUk1rHF-26bOMezDfHd5yHRpzJXqmWsD2vWn7V5go5DlmE3uoMxIuxwE4oIZWitRGxqz5R1lWLxCmeMtRH5hMkD18cyYxo74QUPdikncAzQ3q8Kx65CQb60O8CszgbTKQjpBddn5zrVoJp-VbmY8/s2048/ITLB66_gruppo-di-famiglia-in-un-interno_poster-museum.webp" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="2048" data-original-width="1411" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgQc4e3TIY050_RgPoYbRnt6jQUggj4cJxlCRnBsUk1rHF-26bOMezDfHd5yHRpzJXqmWsD2vWn7V5go5DlmE3uoMxIuxwE4oIZWitRGxqz5R1lWLxCmeMtRH5hMkD18cyYxo74QUPdikncAzQ3q8Kx65CQb60O8CszgbTKQjpBddn5zrVoJp-VbmY8/w275-h400/ITLB66_gruppo-di-famiglia-in-un-interno_poster-museum.webp" width="275" /></a></div></span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">Direção:
Luchino Visconti</span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">Elenco: Burt
Lancaster, Helmut Berger, Silvana Mangano, Claudia Marsani, Stefano Patrizi, Elvira
Cortese, Romolo Valli, Claudia Cardinale e Dominique Sanda</span></span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;"> </span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">Professor
idoso, respeitável, rico, intelectual, que vive cercado de livros e obras de
arte, tem sua solidão perturbada por vizinhos medíocres. Drama magnífico, mas
nada agradável. O bando de fúteis deixa o público desconfortável.
Direção primorosa do mestre italiano Visconti e performances soberbas de Lancaster e Mangano.</span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;"> </span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">Nota:
***** (ótimo)</span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;"> </span></span><br /><span style="color: #3d85c6;"><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">09</span></span></span><br /></div><div style="text-align: center;"><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;"><span style="background-color: #274e13;"><span style="color: white;">A um
PASSO da ETERNIDADE</span></span> </span></span><br /><span style="color: #3d85c6;"><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">(From
Here to Eternity, 1953, EUA)</span></span></span></div><div style="text-align: justify;"><span style="color: #3d85c6;"><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhlk1XiA7lSHQPPj48z2AQjNPTN9hwipMZtulu98IUVxBttmekWJsOXOmdUWH5NTGgcsGmEtF-m1jc2lpv39EwYVP-8YpRphO8MA99vtbLkLwABIBqpib8hfrXzSCb38WohcFEVmOk4AkS_WsttPauiaXrWpeh-gJr7qPX6xMNxyejKeQ9lH3CnRAY4/s1500/From_Here_to_Eternity_Poster.webp" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1500" data-original-width="1001" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhlk1XiA7lSHQPPj48z2AQjNPTN9hwipMZtulu98IUVxBttmekWJsOXOmdUWH5NTGgcsGmEtF-m1jc2lpv39EwYVP-8YpRphO8MA99vtbLkLwABIBqpib8hfrXzSCb38WohcFEVmOk4AkS_WsttPauiaXrWpeh-gJr7qPX6xMNxyejKeQ9lH3CnRAY4/w268-h400/From_Here_to_Eternity_Poster.webp" width="268" /></a></div></span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">Direção:
Fred Zinnemann</span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">Elenco: Burt
Lancaster, Montgomery Clift, Deborah Kerr, Frank Sinatra, Donna Reed, Ernest
Borgnine e Jack Warden</span></span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;"> </span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">Gigantesco
sucesso, adaptado do romance de James Jones, sobre a vida no Exército no Havaí
pouco antes do ataque a Pearl Harbor. Pressionado pelo Código Hays,
ao destacar uma esposa infiel e uma prostituta, recebeu 13 indicações ao Oscar,
e levou oito prêmios. Atuação brilhante de todo o elenco e fotografia
estupenda. </span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;"> </span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">Nota:
***** (ótimo)</span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;"> </span></span><br /><span style="color: #3d85c6;"><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">10</span></span></span><br /></div><div style="text-align: center;"><span style="background-color: #274e13;"><span style="color: white;"><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">AMORES de
APACHE</span></span></span></span><br /><span style="color: #3d85c6;"><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">(Casque
d'Or, 1952, França)</span></span></span></div><div style="text-align: justify;"><span style="color: #3d85c6;"><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEia25vSQx3042tq1jVCAlYvvJHKtIj3C32NG-kV4_WPZI8xPIE_-HNvHSAzgGDfvpGvtW7g3AjkM8aCm-jDe4vb2RjgUg6klZV0kyTs7ShsRdotrh-InY3ndLQFwh5VU4B2j29C4mNJvtikO07LNWTWgogIv_tjNTOQ9rVamU8vvbq5zknWmX6IjbnT/s1023/media.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1023" data-original-width="758" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEia25vSQx3042tq1jVCAlYvvJHKtIj3C32NG-kV4_WPZI8xPIE_-HNvHSAzgGDfvpGvtW7g3AjkM8aCm-jDe4vb2RjgUg6klZV0kyTs7ShsRdotrh-InY3ndLQFwh5VU4B2j29C4mNJvtikO07LNWTWgogIv_tjNTOQ9rVamU8vvbq5zknWmX6IjbnT/w296-h400/media.jpg" width="296" /></a></div></span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">Direção:
Jacques Becker</span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">Elenco: Simone
Signoret, Serge Reggiani, Claude Dauphin e Raymond Bussières</span></span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;"> </span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">Amante de criminoso se apaixona por carpinteiro, gerando um arriscado triângulo
amoroso. Primeiro grande papel da estrela francesa Simone Signoret, num retrato
do submundo parisiense. Uma história sombria da belle époque, interpretada por ótimos atores, e de beleza incomum. Talvez o melhor filme de Jacques
Becker.</span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;"> </span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">Nota:
***** (ótimo)</span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;"> </span></span><br /></div><div style="text-align: justify;"><span style="color: #3d85c6;"><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">11</span></span></span><br /><div style="text-align: center;"><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;"><span style="background-color: #274e13;"><span style="color: white;">FELLINI:
OITO e MEIO</span></span> </span></span><br /><span style="color: #3d85c6;"><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">(8½, 1963,
Itália e França)</span></span></span></div></div><div style="text-align: justify;"><span style="color: #3d85c6;"><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhXcKeocjqy_Y2Acy6xX_8hNzEE4_Z6gXBi_ihB4DRJYAe_PciHZqnixMzMmmID7FbNRCvvW7Ninr3lPIvrYM8KvKRDT4lFMpb39lTSFoxdNKbEwuna0HnyE7lCqxWxpx8sTujxjno77BOsHKLhNSrtXgckY9D3CjA2Fj1bA46RfpztMoTsqao_wI4o/s1172/Eight_and_a_Half_8A-307830622-large.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1172" data-original-width="857" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhXcKeocjqy_Y2Acy6xX_8hNzEE4_Z6gXBi_ihB4DRJYAe_PciHZqnixMzMmmID7FbNRCvvW7Ninr3lPIvrYM8KvKRDT4lFMpb39lTSFoxdNKbEwuna0HnyE7lCqxWxpx8sTujxjno77BOsHKLhNSrtXgckY9D3CjA2Fj1bA46RfpztMoTsqao_wI4o/w293-h400/Eight_and_a_Half_8A-307830622-large.jpg" width="293" /></a></div></span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">Direção:
Federico Fellini</span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">Elenco: Marcello
Mastroianni, Claudia Cardinale, Anouk Aimée, Sandra Milo, Barbara Steele, Madeleine
Lebeau e Caterina Boratto</span></span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;"> </span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">Mergulhado
em crise existencial, famoso cineasta é pressionado pelo produtor, pela mulher
e pela amante, e passa a misturar ficção com o cotidiano. Entre a realidade e
os devaneios, Fellini investe em ousado experimentalismo. O filme tem excelente elenco, qualidades técnicas irretocáveis e trilha sonora
inesquecível. Obra-prima.</span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;"> </span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">Nota:
***** (ótimo)</span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;"> </span></span><br /><span style="color: #3d85c6;"><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">12</span></span></span><br /></div><div style="text-align: center;"><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;"><span style="background-color: #274e13;"><span style="color: white;">TODOS os
HOMENS do PRESIDENTE</span></span> </span></span><br /><span style="color: #3d85c6;"><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">(All the
President's Men, 1976, EUA)</span></span></span></div><div style="text-align: justify;"><span style="color: #3d85c6;"><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhEzvsSLzNpoMS3DbXK2vN4I9GJIev29DtfyqchCLOp0DGHSboy7s0DdZ0FvF-tbV1KFWkO8ske5AZRNgFFtsmo55NrDYAUcup6JixRlcnfyKeyZCc8hcOSqXdzi49WxCjjc21SvIq8Myi0bFgyTKLvk9RRjl3FC7RR2Z8jeEXMQeIsJMGHC3OCg4s7/s1507/MV5BOWI2YWQxM2MtY2U4Yi00YjgzLTgwNzktN2ExNTgzNTIzMmUzXkEyXkFqcGdeQXVyMTAwMzUyOTc@._V1_FMjpg_UX1000_.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1507" data-original-width="1000" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhEzvsSLzNpoMS3DbXK2vN4I9GJIev29DtfyqchCLOp0DGHSboy7s0DdZ0FvF-tbV1KFWkO8ske5AZRNgFFtsmo55NrDYAUcup6JixRlcnfyKeyZCc8hcOSqXdzi49WxCjjc21SvIq8Myi0bFgyTKLvk9RRjl3FC7RR2Z8jeEXMQeIsJMGHC3OCg4s7/w265-h400/MV5BOWI2YWQxM2MtY2U4Yi00YjgzLTgwNzktN2ExNTgzNTIzMmUzXkEyXkFqcGdeQXVyMTAwMzUyOTc@._V1_FMjpg_UX1000_.jpg" width="265" /></a></div></span></span><br /><span style="font-family: inherit;"><a name="_Hlk123504184"><span style="font-size: 14pt; line-height: 107%;">Direção: Alan J. Pakula</span></a></span><br /><span style="font-family: inherit;"><span style="mso-bookmark: _Hlk123504184;"><span style="font-size: 14pt; line-height: 107%;">Elenco: Dustin Hoffman, Robert Redford, Jack
Warden, Martin Balsam, Hal Holbrook, Jason Robards, Jane Alexander, Ned Beatty e
F. Murray Abraham</span></span></span></span><br /><span style="font-family: inherit;"><span style="mso-bookmark: _Hlk123504184;"><span style="font-size: 14pt; line-height: 107%;"> </span></span></span><br /><span style="font-family: inherit;"><span style="mso-bookmark: _Hlk123504184;"><span style="font-size: 14pt; line-height: 107%;">Trata do escândalo de Watergate, que levou o presidente
Nixon à renúncia em 1974. Dois repórteres investigativos do <span style="color: #3d85c6;">“The Washington
Post”</span> em busca da solução de um caso extremamente obscuro. O filme mostra cenas
históricas. Tenso, realista, uma aula de jornalismo honesto. De quebra, um
elenco de feras. Ganhou quatro Oscar.</span></span></span><br /><span style="font-family: inherit;"><span style="mso-bookmark: _Hlk123504184;"><span style="font-size: 14pt; line-height: 107%;"> </span></span></span><br /><span style="font-family: inherit;"><span style="mso-bookmark: _Hlk123504184;"><span style="font-size: 14pt; line-height: 107%;">Nota: ***** (ótimo)</span></span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;"> </span></span><br /></div><div style="text-align: center;"><span style="background-color: #274e13;"><span style="color: white;"><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">Os MELHORES
de 2022</span></span></span></span><br /></div><div style="text-align: justify;"><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;"> </span></span><br /></div><div style="text-align: center;"><span style="background-color: #274e13;"><span style="color: white;"><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">MELHOR
DIREÇÃO</span></span></span></span><br /><span style="color: #3d85c6;"><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;"><b>INGMAR
BERGMAN</b> </span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">(“Fanny e
Alexander”)</span></span></span><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;"><br /><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhp7PLjioVrSKd4zSwGwb0GCZpLtTH2ib9tQlKWVpxLCdfSVkEq3bnHYKOPWf0GAU3lF0EG1QBWnSOxD7kkFuShynavpfzNfDbN0-nZWUygK6Uj_jHwD6FMKecfT-ECs9Zehtl4364VIxWDvEpLR_wnOIZ5ANIZTb4eqpSR3enKnm6LVIbGwvMedK7T/s1200/bergman-lista-plano.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="768" data-original-width="1200" height="256" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhp7PLjioVrSKd4zSwGwb0GCZpLtTH2ib9tQlKWVpxLCdfSVkEq3bnHYKOPWf0GAU3lF0EG1QBWnSOxD7kkFuShynavpfzNfDbN0-nZWUygK6Uj_jHwD6FMKecfT-ECs9Zehtl4364VIxWDvEpLR_wnOIZ5ANIZTb4eqpSR3enKnm6LVIbGwvMedK7T/w400-h256/bergman-lista-plano.jpg" width="400" /></a></div></span></span><br /><span style="background-color: #274e13;"><span style="color: white;"><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">MELHOR
ROTEIRO</span></span></span></span><br /><span style="color: #3d85c6;"><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;"><b>JOSEPH L.
MANKIEWICZ</b> </span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">(“A
Malvada”)</span></span></span><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;"><br /><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjvbTbupHJyYQfU3hfNqeSUyNQBjGJf7-Gyt--ysNMCU6byfxNTLvLLMYlYc-G6eZ8g5uYlyKgQ_f4PPPrxp8lAi-Fl2jhnvWdgBHApaGmgQUm18UKXbB-LlCWvDLGl3jsCuTsJPJxvyH836NDJpIXtJrJD5Dk9ksLfiDf0D7Tnu1E7iy1rVBZxji54/s1298/Joseph_L._Mankiewicz_(1950).jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1298" data-original-width="1079" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjvbTbupHJyYQfU3hfNqeSUyNQBjGJf7-Gyt--ysNMCU6byfxNTLvLLMYlYc-G6eZ8g5uYlyKgQ_f4PPPrxp8lAi-Fl2jhnvWdgBHApaGmgQUm18UKXbB-LlCWvDLGl3jsCuTsJPJxvyH836NDJpIXtJrJD5Dk9ksLfiDf0D7Tnu1E7iy1rVBZxji54/w333-h400/Joseph_L._Mankiewicz_(1950).jpg" width="333" /></a></div></span></span><br /><span style="background-color: #274e13;"><span style="color: white;"><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">MELHOR
FOTOGRAFIA</span></span></span></span><br /><span style="color: #3d85c6;"><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;"><b>ARTHUR
MILLER</b> </span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">(“Como
Era Verde o Meu Vale / How Green Was My Valley”)</span></span></span><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;"><br /><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgtux5svST_lPVgk4Gy9R696Hi6nfd3eQ0Hql-cm-rXXHVyqwTR2r1eif0qDtL8oTluiyYHDyp4SIvFqAQwf5Xckvy_xoUALIGA1U9go7SUsqVaV81_g-1B6Q4GUpC2cTErPKpoXX3jqIfPojHeWiVJfQz0M7yhaPjANlgqdsN4SwzuNePFvMpbQetR/s1329/MPE_130_01_Arthur_Miller_cameraman.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1054" data-original-width="1329" height="318" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgtux5svST_lPVgk4Gy9R696Hi6nfd3eQ0Hql-cm-rXXHVyqwTR2r1eif0qDtL8oTluiyYHDyp4SIvFqAQwf5Xckvy_xoUALIGA1U9go7SUsqVaV81_g-1B6Q4GUpC2cTErPKpoXX3jqIfPojHeWiVJfQz0M7yhaPjANlgqdsN4SwzuNePFvMpbQetR/w400-h318/MPE_130_01_Arthur_Miller_cameraman.jpg" width="400" /></a></div></span></span><br /><span style="background-color: #274e13;"><span style="color: white;"><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">MELHOR
TRILHA SONORA</span></span></span></span><br /><span style="color: #3d85c6;"><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;"><b>MAURICE
JARRE</b> </span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">(“Doutor
Jivago”)</span></span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhZ-zDHTPYfuywEcENs7cmFRZjP1gh_4h01ZarxjpzA1BQwqJOx5UumgFiVWH8MqXbWkA-eMRiCu2KLev3heg-b-CcOetBLtYBZixbX-L8zt7v1Ba9gEn8JSCsJTaFoxT8wD-Cbd6Ks6MR8a5Fa_5N7OKTBX-oi6vOOhV-y4Hng9xISe5F6x4hriFMo/s1018/gettyimages-104422468-1024x1024.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="940" data-original-width="1018" height="369" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhZ-zDHTPYfuywEcENs7cmFRZjP1gh_4h01ZarxjpzA1BQwqJOx5UumgFiVWH8MqXbWkA-eMRiCu2KLev3heg-b-CcOetBLtYBZixbX-L8zt7v1Ba9gEn8JSCsJTaFoxT8wD-Cbd6Ks6MR8a5Fa_5N7OKTBX-oi6vOOhV-y4Hng9xISe5F6x4hriFMo/w400-h369/gettyimages-104422468-1024x1024.jpg" width="400" /></a></div></span></span><br /><span style="background-color: #274e13;"><span style="color: white;"><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">MELHOR
ATRIZ</span></span></span></span><br /><span style="color: #3d85c6;"><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;"><b>GIULIETTA
MASSINA</b> </span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">(“Noites
de Cabíria / Le notti di Cabiria”)</span></span></span><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;"><br /><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjsyBc1d1mgiVPH1sK-yvZPqQwH9WEjsC7sWXW2yUXV4kbGKzcq8Vs8mDf28HCTV4ykNuuizfHaj08LXMV7YTrKubI2VXO5vskepRfPOVvF39JLWdgZzox8vl7nWWAwLEGcS2hntyEmnILGcjZXEs7BtKRb3_Tf0yL9XSeigvjA22QDGhzM0JmC5Grn/s1019/ef672-guil.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="800" data-original-width="1019" height="314" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjsyBc1d1mgiVPH1sK-yvZPqQwH9WEjsC7sWXW2yUXV4kbGKzcq8Vs8mDf28HCTV4ykNuuizfHaj08LXMV7YTrKubI2VXO5vskepRfPOVvF39JLWdgZzox8vl7nWWAwLEGcS2hntyEmnILGcjZXEs7BtKRb3_Tf0yL9XSeigvjA22QDGhzM0JmC5Grn/w400-h314/ef672-guil.jpg" width="400" /></a></div></span></span><br /><span style="background-color: #274e13;"><span style="color: white;"><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">MELHOR
ATOR</span></span></span></span><br /><span style="color: #3d85c6;"><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;"><b>EMIL
JANNINGS</b> </span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">(“O Anjo
Azul”)</span></span></span><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;"><br /><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgm6r1pm8tKlBObef7XFZ8e7yN-er94COsOrkrBtykzv09dgVFkn03OZ36llvRmP01nz-NX_qrQec0lRttP07MklAQexj6xZXyBQ7T9y13vh2jdxE1mleYvJoK5ONvqlel_aS5e22NTJZXAHwJKdKyqJk3Y6tKyQQ0sJOs4knXuMDnk5OT-21mH_oZZ/s659/BlueAngel.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="659" data-original-width="495" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgm6r1pm8tKlBObef7XFZ8e7yN-er94COsOrkrBtykzv09dgVFkn03OZ36llvRmP01nz-NX_qrQec0lRttP07MklAQexj6xZXyBQ7T9y13vh2jdxE1mleYvJoK5ONvqlel_aS5e22NTJZXAHwJKdKyqJk3Y6tKyQQ0sJOs4knXuMDnk5OT-21mH_oZZ/w300-h400/BlueAngel.jpg" width="300" /></a></div></span></span><br /><span style="background-color: #274e13;"><span style="color: white;"><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">MELHOR
ATRIZ COADJUVANTE</span></span></span></span><br /><span style="color: #3d85c6;"><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;"><b>RUTH
GORDON</b> </span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">(“O Bebê
de Rosemary / Rosemary's Baby”)</span></span></span><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;"><br /><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgDFlf-XD8d6QwHm37BigXVFpWPq1ctU_KFUgQQk48r6KPwUW6R6WndWYKigrvtyaalUqTIRww_WkHzOhE0b3xmjVKvYjRyedW_Hsod-6xqeqaHHW2jzt0yJDYkTUTyhAzDWFuDFG11elT0QKEyWgDqJby6iocOIPNMnswxYO4ai7oOxMKTM645vFtd/s1920/gordon-rosemary.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1039" data-original-width="1920" height="216" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgDFlf-XD8d6QwHm37BigXVFpWPq1ctU_KFUgQQk48r6KPwUW6R6WndWYKigrvtyaalUqTIRww_WkHzOhE0b3xmjVKvYjRyedW_Hsod-6xqeqaHHW2jzt0yJDYkTUTyhAzDWFuDFG11elT0QKEyWgDqJby6iocOIPNMnswxYO4ai7oOxMKTM645vFtd/w400-h216/gordon-rosemary.jpg" width="400" /></a></div></span></span><br /><span style="background-color: #274e13;"><span style="color: white;"><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">MELHOR
ATOR COADJUVANTE</span></span></span></span><br /><span style="color: #3d85c6;"><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;"><b>CHARLES
LAUGHTON</b> </span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">(“Os
Miseráveis /</span><span style="font-size: 14pt; line-height: 107%;">Les Misérables”)</span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiqmjWHkVi6vIGNzbvo7kRvpvThzWDaiVA1zkZD_k2PyFWkEVvDodJgdFXuX-ihKQeGBGMLIdY5sHuyYMtRYt1ZhRgURrMKrvVWAK7mAX5BBdchn83D2b_SUyViJPMoAAceSu0M_C0by45df_b5yPTjFQk_QRycix8AXefkE-pqlrlkAC0AtECh-hVe/s1024/laughton.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1024" data-original-width="782" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiqmjWHkVi6vIGNzbvo7kRvpvThzWDaiVA1zkZD_k2PyFWkEVvDodJgdFXuX-ihKQeGBGMLIdY5sHuyYMtRYt1ZhRgURrMKrvVWAK7mAX5BBdchn83D2b_SUyViJPMoAAceSu0M_C0by45df_b5yPTjFQk_QRycix8AXefkE-pqlrlkAC0AtECh-hVe/w305-h400/laughton.jpg" width="305" /></a></div> </span></span></span><br /><span style="background-color: #274e13;"><span style="color: white;"><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">TODOS os
FILMES QUE VI em 2022</span></span></span></span><br /></div><div style="text-align: justify;"><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;"> </span></span><br /></div><div style="text-align: center;"><span style="background-color: #274e13;"><span style="color: white;"><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">JANEIRO</span></span></span></span></div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgN-5mY9KTx6wKi_PU8nIlkQtTZF2seiTEmUA3x3kNW5I4dv4zojT_T09WaaPhgAxuxAHoihGP_-A4H7pyTBW4-wZDkKyHEgEcKZrQc2tByyfSY5etuYAceYxpIWmIq0F4qQGBP3GXj7SjIn7NjyNeMf-tHxJsI-2KGT5k4pCHfiFKhddN1A9rXjpqp/s1200/allthepres.0.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="800" data-original-width="1200" height="426" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgN-5mY9KTx6wKi_PU8nIlkQtTZF2seiTEmUA3x3kNW5I4dv4zojT_T09WaaPhgAxuxAHoihGP_-A4H7pyTBW4-wZDkKyHEgEcKZrQc2tByyfSY5etuYAceYxpIWmIq0F4qQGBP3GXj7SjIn7NjyNeMf-tHxJsI-2KGT5k4pCHfiFKhddN1A9rXjpqp/w640-h426/allthepres.0.jpg" width="640" /></a></div><br /><div style="text-align: justify;"><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">SHAFT –
MÁFIA em NOVA IORQUE (Idem, 1971)</span></span><br /><span style="font-family: inherit;"><a name="_Hlk124950850"><span style="font-size: 14pt; line-height: 107%;">direção </span></a><span style="font-size: 14pt; line-height: 107%;">de Gordon Parks.</span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">*** (bom)</span></span></div><div style="text-align: justify;"><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;"> </span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">1001
FILMs (Idem, 1989)</span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">direção de
André Delvaux.</span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">*** (bom)</span></span></div><div style="text-align: justify;"><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;"> </span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">SEMPRE
CHOVE aos DOMINGOS (It Always Rains on Sunday, 1947)</span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">direção de
Robert Hamer.</span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">****
(muito bom)</span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;"> </span></span></div><div style="text-align: justify;"><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">QUO VADIS
(Idem, 1951)</span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">direção de
Mervyn Leroy.</span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">****
(muito bom)</span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;"> </span></span></div><div style="text-align: justify;"><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">007 – LICENÇA
PARA MATAR (Licence to Kill, 1989)</span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">direção de
John Glen.</span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">** (reg.)</span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;"> </span></span></div><div style="text-align: justify;"><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">CAPITÃO
BLOOD (Captain Blood, 1935)</span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">direção de
Michael Curtiz.</span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">*****
(ótimo)</span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;"> </span></span></div><div style="text-align: justify;"><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">A
CONDESSA DESCALÇA (The Barefoot Contessa, 1954)</span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">direção de
Joseph L. Mankiewicz.</span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">*****
(ótimo)</span></span></div><div style="text-align: justify;"><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;"> </span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">SICARIO:
TERRA de NINGUÉM (Sicario, 2015)</span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">direção de
Denis Villeneuve.</span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">****
(muito bom)</span></span></div><div style="text-align: justify;"><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;"> </span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">GABRIELLE
(Idem, 2005)</span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">direção de
Patrice Chéreau.</span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">****
(muito bom)</span></span></div><div style="text-align: justify;"><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;"> </span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">TUBARÃO
(Jaws, 1975)</span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">direção de
Steven Spielberg.</span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">****
(muito bom)</span></span></div><div style="text-align: justify;"><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;"> </span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">CONTA
COMIGO (Stand by Me, 1986)</span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">direção de
Rob Reiner.</span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">*** (bom)</span></span></div><div style="text-align: justify;"><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;"> </span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">A DAMA
OCULTA (The Lady Vanishes, 1938)</span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">direção de
Alfred Hitchcock.</span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">*** (bom)</span></span></div><div style="text-align: justify;"><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;"> </span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">SCARFACE
(Idem, 1983)</span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">direção de
Brian De Palma.</span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">*** (bom)</span></span></div><div style="text-align: justify;"><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;"> </span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">MIAMI
VICE (Idem, 2006)</span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">direção de
Michael Mann.</span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">*** (bom)</span></span></div><div style="text-align: justify;"><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;"> </span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">Os
ELEITOS – ONDE o FUTURO COMEÇA (The Right Stuff, 1983)</span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">direção de
Philip Kauffman.</span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">****
(muito bom)</span></span></div><div style="text-align: justify;"><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;"> </span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">A
ENCRUZILHADA dos DESTINOS (Bhowani Junction, 1956)</span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">direção de
George Cukor.</span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">*** (bom)</span></span></div><div style="text-align: justify;"><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;"> </span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">A REBELDE
(Achtung! Banditi!, 1951)</span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">direção de
Carlo Lizzani.</span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">*** (bom)</span></span></div><div style="text-align: justify;"><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;"> </span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">A LANÇA
PARTIDA (Broken Lance, 1954)</span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">direção de
Edward Dmytryk.</span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">*** (bom)</span></span></div><div style="text-align: justify;"><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;"> </span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">O AMOR
(L`Amore, 1947)</span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">direção de
Roberto Rossellini.</span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">****
(muito bom)</span></span></div><div style="text-align: justify;"><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;"> </span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">PARACELSO
(Paracelsus, 1943)</span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">direção de
Georg Wilhelm Pabst.</span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">*** (bom)</span></span></div><div style="text-align: justify;"><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;"> </span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">VIVEREMOS
OUTRA VEZ (In Our Time, 1944)</span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">direção de
Vincent Sherman.</span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">*** (bom)</span></span></div><div style="text-align: justify;"><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;"> </span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">ORDEM de
MATAR (Orders to Kill, 1958)</span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">direção de
Anthony Asquith.</span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">*** (bom)</span></span></div><div style="text-align: justify;"><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;"> </span></span><br /><span style="color: #3d85c6;"><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">TODOS os
HOMENS do PRESIDENTE (All the President's Men, 1976)</span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">direção de
Alan J. Pakula.</span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">*****
(ótimo)</span></span></span></div><div style="text-align: justify;"><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;"> </span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">VIDAS
AMARGAS (East of Eden, 1955)</span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">direção de
Elia Kazan.</span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">****
(muito bom)</span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;"> </span></span><br /></div><div style="text-align: center;"><span style="background-color: #274e13;"><span style="color: white;"><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">FEVEREIRO</span></span></span></span><br /></div><div style="text-align: justify;"><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjbA__r6HTDFx_CyRDxTJOPQjKxpMewuJoZDdxLmAJuTht8g-q71EnQg0xlkQM-xVhhjU5x3xr3fkgwgneXb63txUzVqoYMJxfYRrY-3R8JM7AbZNYL95IjUxIlNA9vjQm4Gkbs3mdV1pUpBDAfII4_uNjoQscms80pVpVPgCN9yDipmrgn38QidUev/s1156/Omar-Sharif-Doctor-Zhivago-Julie-Christie-David.webp" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="919" data-original-width="1156" height="508" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjbA__r6HTDFx_CyRDxTJOPQjKxpMewuJoZDdxLmAJuTht8g-q71EnQg0xlkQM-xVhhjU5x3xr3fkgwgneXb63txUzVqoYMJxfYRrY-3R8JM7AbZNYL95IjUxIlNA9vjQm4Gkbs3mdV1pUpBDAfII4_uNjoQscms80pVpVPgCN9yDipmrgn38QidUev/w640-h508/Omar-Sharif-Doctor-Zhivago-Julie-Christie-David.webp" width="640" /></a></div><br /></span></span></div><div style="text-align: justify;"><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">LOLA
MONTÈS (Idem, 1955)</span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">direção de
Max Ophuls.</span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">*****
(ótimo)</span></span></div><div style="text-align: justify;"><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;"> </span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">SOBRE
MENINOS e LOBOS (Mystic River, 2003)</span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">direção de
Clint Eastwood.</span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">****
(muito bom)</span></span></div><div style="text-align: justify;"><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;"> </span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">O COLAR
da RAINHA (L'Affaire du Collier de la Reine, 1946)</span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">direção de
Marcel L'Herbier.</span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">*** (bom)</span></span></div><div style="text-align: justify;"><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;"> </span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">O CAVALO
(La Horse, 1970)</span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">direção de
Pierre Granier-Deferre.</span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">*** (bom)</span></span></div><div style="text-align: justify;"><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;"> </span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">O CHEFÃO
(Un Condé, 1970)</span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">direção de
Yves Boisset.</span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">*** (bom)</span></span></div><div style="text-align: justify;"><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;"> </span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">BULLITT
(Idem, 1968)</span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">direção de
Peter Yates.</span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">****
(muito bom)</span></span></div><div style="text-align: justify;"><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;"> </span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">O
PRISIONEIRO de ZENDA (The Prisoner of Zenda, 1937)</span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">direção de
John Cromwell.</span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">*** (bom)</span></span></div><div style="text-align: justify;"><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;"> </span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">Os
PODERES da MÁFIA (Un Uomo in Ginocchio, 1979)</span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">direção de
Damiano Damiani.</span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">**
(regular)</span></span></div><div style="text-align: justify;"><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;"> </span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">HANUSSEN
(Idem, 1988)</span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">direção de
István Szabó.</span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">*** (bom)</span></span></div><div style="text-align: justify;"><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;"> </span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">REBELIÃO
(Jôi-uchi: Hairyô Tsuma Shimatsu, 1967)</span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">direção de
Masaki Kobayashi.</span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">****
(muito bom)</span></span></div><div style="text-align: justify;"><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;"> </span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">O GRANDE
GATSBY (The Great Gatsby, 1974)</span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">direção de
Jack Clayton.</span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">*** (bom)</span></span></div><div style="text-align: justify;"><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;"> </span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">O BEBÊ de
ROSEMARY (Rosemary`s Baby, 1968)</span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">direção de
Roman Polanski.</span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">*****
(ótimo)</span></span></div><div style="text-align: justify;"><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;"> </span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">MAX MANUS
(Idem, 2008)</span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">direção de
Joachim Rønning e Espen Sandberg.</span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">**
(regular)</span></span></div><div style="text-align: justify;"><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;"> </span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">VÍTIMA de
uma PAIXÃO (Sea of Love, 1989)</span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">direção de
Harold Becker.</span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">**
(regular)</span></span></div><div style="text-align: justify;"><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;"> </span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">MADRE
JOANA dos ANJOS (Matka Joanna od Aniolów, 1961)</span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">direção de
Jerzy Kawalerowicz.</span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">*****
(ótimo)</span></span></div><div style="text-align: justify;"><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;"> </span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">O VALE
das ABELHAS (Údolí Vcel, 1968)</span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">direção de
Frantisek Vlácil.</span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">*** (bom)</span></span></div><div style="text-align: justify;"><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;"> </span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">MARTHE
RICHARD a SERVIÇO da FRANÇA (Marthe Richard au Service de la France, 1937)</span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">direção de
Raymond Bernard.</span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">** (reg.)</span></span></div><div style="text-align: justify;"><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;"> </span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">GULA de
AMOR (Gueule d'Amour, 1937)</span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">direção de
Jean Grémillon.</span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">*** (bom)</span></span></div><div style="text-align: justify;"><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;"> </span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">MORRER
MIL VEZES (8 Million Ways to Die, 1986)</span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">direção de
Has Ashby.</span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">**
(regular)</span></span></div><div style="text-align: justify;"><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;"> </span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">SORTILÉGIO
(Sortilèges, 1945)</span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">direção de
Christian-Jaque.</span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">****
(muito bom)</span></span></div><div style="text-align: justify;"><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;"> </span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">Na TEIA
do DESTINO (The Reckless Moment, 1949)</span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">direção de
Max Ophuls.</span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">****
(muito bom)</span></span></div><div style="text-align: justify;"><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;"> </span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">BALLET
MECÂNICO (Ballet Mécanique, 1924)</span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">direção de
Fernand Léger e Dudley Murphy.</span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">*** (bom)</span></span></div><div style="text-align: justify;"><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;"> </span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">SOB um
TEMA de CHARLESTON (Charleston, 1927)</span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">direção de
Jean Renoir.</span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">**
(regular)</span></span></div><div style="text-align: justify;"><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;"> </span></span><br /><span style="color: #3d85c6;"><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">DOUTOR
JIVAGO (Doctor Zhivago, 1965)</span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">direção de
David Lean.</span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">*****
(ótimo)</span></span></span></div><div style="text-align: justify;"><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;"> </span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">SEDUÇÃO
da CARNE (Senso, 1954)</span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">direção de
Luchino Visconti.</span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">*****
(ótimo)</span></span></div><div style="text-align: justify;"><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;"> </span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">O HOMEM
de KIEV (The Fixer, 1968)</span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">direção de
John Frankenheimer.</span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">*** (bom)</span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;"> </span></span><br /></div><div style="text-align: center;"><span style="background-color: #274e13;"><span style="color: white;"><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">MARÇO</span></span></span></span><br /></div><div style="text-align: justify;"><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjVjjZQ5pyIx1CJySfSY1_A2HpxPtdyvSgQCXJoc3BadMQHsWCvbejW5wvmcGzOpUVq8Kue5NIHFrk6hN3KJNZzK9ymq6REJdm42ONL2tzYm2tXcTLFSfVmISuXc1zPgtBVAI4u3EeU7ugg8QX3AFKKfwU9ezVtLJF7X-9GAfmaBBE8kFfkvDagI6Dz/s1200/such-a-pretty-beach-1200-1200-675-675-crop-000000.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="675" data-original-width="1200" height="360" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjVjjZQ5pyIx1CJySfSY1_A2HpxPtdyvSgQCXJoc3BadMQHsWCvbejW5wvmcGzOpUVq8Kue5NIHFrk6hN3KJNZzK9ymq6REJdm42ONL2tzYm2tXcTLFSfVmISuXc1zPgtBVAI4u3EeU7ugg8QX3AFKKfwU9ezVtLJF7X-9GAfmaBBE8kFfkvDagI6Dz/w640-h360/such-a-pretty-beach-1200-1200-675-675-crop-000000.jpg" width="640" /></a></div><br /></span></span></div><div style="text-align: justify;"><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">O NOME da
ROSA (The Name of the Rose, 1986)</span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">direção de
Jean-Jacques Annaud.</span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">****
(muito bom)</span></span></div><div style="text-align: justify;"><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;"> </span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">DIAS de
PARAÍSO (Days of Heaven, 1978)</span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">direção de
Terrence Malick.</span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">****
(muito bom)</span></span></div><div style="text-align: justify;"><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;"> </span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">TERRA de
NINGUÉM (BADLANDS, 1973)</span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">direção de
Terrence Malick.</span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">****
(muito bom)</span></span></div><div style="text-align: justify;"><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;"> </span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">SÉRIE
NOIRE (Idem, 1979)</span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">direção de
Alain Corneau.</span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">****
(muito bom)</span></span></div><div style="text-align: justify;"><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;"> </span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">INSPETOR
MAIGRET ACERTA (Maigret Voit Rouge, 1963)</span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">direção de
Gilles Grangier.</span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">*** (bom)</span></span></div><div style="text-align: justify;"><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;"> </span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">SENHORES
do CRIME (Eastern Promises, 2007)</span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">direção de
David Cronenberg.</span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">****
(muito bom)</span></span></div><div style="text-align: justify;"><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;"> </span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">GALLIPOLI
(Idem, 1981)</span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">direção de
Peter Weir.</span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">*** (bom)</span></span></div><div style="text-align: justify;"><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;"> </span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">LADRÃO de
CASACA (To Catch a Thief, 1955)</span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">direção de
Alfred Hitchcock.</span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">*****
(ótimo)</span></span></div><div style="text-align: justify;"><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;"> </span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">HANNA K.
(Idem, 1983)</span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">direção de
Costa-Gavras.</span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">*** (bom)</span></span></div><div style="text-align: justify;"><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;"> </span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">TEMPORADA
SANGRENTA (The Mean Season, 1985)</span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">direção de
Phillip Borsos.</span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">**
(regular)</span></span></div><div style="text-align: justify;"><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;"> </span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">A
HISTÓRIA de ADELE H. (L`Histoire D`Adele H., 1975)</span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">direção de
François Truffaut.</span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">***** (ótimo)</span></span></div><div style="text-align: justify;"><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;"> </span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">RALÉ
(Donzoko, 1957)</span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">direção de
Akira Kurosawa.</span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">*****
(ótimo)</span></span></div><div style="text-align: justify;"><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;"> </span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">O
RANCOROSO (The Strange One, 1957)</span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">direção de
Jack Garfein.</span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">*** (bom)</span></span></div><div style="text-align: justify;"><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;"> </span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">MISS
REPÓRTER (The Front Page Woman, 1935)</span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">direção de
Michael Curtiz.</span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">*** (bom)</span></span></div><div style="text-align: justify;"><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;"> </span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">AGONIA de
AMOR (The Paradine Case, 1947)</span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">direção de
Alfred Hitchcock.</span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">****
(muito bom)</span></span></div><div style="text-align: justify;"><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;"> </span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">O
PRESÍDIO (The Big House, 1930)</span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">direção de
George W. Hill.</span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">****
(muito bom)</span></span></div><div style="text-align: justify;"><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;"> </span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">A GUARDA
SECRETA (The Secret Six, 1931)</span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">direção de
George W. Hill.</span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">*** (bom)</span></span></div><div style="text-align: justify;"><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;"> </span></span><br /><span style="color: #3d85c6;"><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">Uma
PEQUENA PRAIA TÃO BONITA (Une Si Jolie Petite Plage, 1949)</span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">direção de
Yves Allégret.</span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">*****
(ótimo)</span></span></span></div><div style="text-align: justify;"><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;"> </span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">BUSCA
FATAL (L'Homme en Colère, 1979)</span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">direção de
Claude Pinoteau.</span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">*** (bom)</span></span></div><div style="text-align: justify;"><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;"> </span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">O PRAZER
(Le Plaisir, 1952)</span></span><br /><span style="font-family: inherit;"><a name="_Hlk124954100"><span style="font-size: 14pt; line-height: 107%;">direção </span></a><span style="font-size: 14pt; line-height: 107%;">de Max Ophuls.</span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">*****
(ótimo)</span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;"> </span></span><br /></div><div style="text-align: center;"><span style="background-color: #274e13;"><span style="color: white;"><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">ABRIL</span></span></span></span><br /></div><div style="text-align: justify;"><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgHiCr6lPcaaFl1Hk-iCtts1R8CVe1al9ZgDIfzhjsZCEMyNmZ612059ixlQGsUAyNp_83nUm221iEBih08CyeediMYnWzO9Ekl-i1cDvc5zopKgrPYvhN1tykmtbA6En_Hy43T4inZH6QOUtpXD-FC2vta9zeHHUbcq8UHhzAdUv_xQXrRonzPq0Fr/s1706/MV5BMzgxYWM3NTctZGViNC00MGFhLTgxZTEtYjhjOGJlZTcxMGVjXkEyXkFqcGdeQXVyOTI2MjI5MQ@@._V1_.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="960" data-original-width="1706" height="360" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgHiCr6lPcaaFl1Hk-iCtts1R8CVe1al9ZgDIfzhjsZCEMyNmZ612059ixlQGsUAyNp_83nUm221iEBih08CyeediMYnWzO9Ekl-i1cDvc5zopKgrPYvhN1tykmtbA6En_Hy43T4inZH6QOUtpXD-FC2vta9zeHHUbcq8UHhzAdUv_xQXrRonzPq0Fr/w640-h360/MV5BMzgxYWM3NTctZGViNC00MGFhLTgxZTEtYjhjOGJlZTcxMGVjXkEyXkFqcGdeQXVyOTI2MjI5MQ@@._V1_.jpg" width="640" /></a></div><br /></span></span></div><div style="text-align: justify;"><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">A NOITE
da ENCRUZILHADA (La Nuit du Carrefour, 1932)</span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">direção de
Jean Renoir.</span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">**
(regular)</span></span></div><div style="text-align: justify;"><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;"> </span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">A VIDA e
NADA MAIS (La Vie et Rien d'Autre, 1989)</span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">direção de
Bertrand Tavernier.</span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">*****
(ótimo)</span></span></div><div style="text-align: justify;"><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;"> </span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">URANO
(Uranus, 1990)</span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">direção de
Claude Berri.</span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">****
(muito bom)</span></span></div><div style="text-align: justify;"><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;"> </span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">O ÉPICO
QUE NUNCA FOI REALIZADO (The Epic That Never Was, 1965) direção de Bill
Duncalf.</span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">****
(muito bom)</span></span></div><div style="text-align: justify;"><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;"> </span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">A NOIVA
ESTAVA de PRETO (La Mariée Etait en Noir, 1967)</span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">direção de
François Truffaut.</span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">****
(muito bom)</span></span></div><div style="text-align: justify;"><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;"> </span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">O ARCO do
TRIUNFO (The Arch of Triumph, 1948)</span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">direção de
Lewis Milestone.</span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">**
(regular)</span></span></div><div style="text-align: justify;"><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;"> </span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">BLADE RUNNER,
o CAÇADOR de ANDRÓIDES (Blade Runner, 1982)</span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">direção de
Ridley Scott.</span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">*****
(ótimo)</span></span></div><div style="text-align: justify;"><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;"> </span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">O FIM de
SÃO PETERSBURGO (Konets Sankt-Peterburga, 1927)</span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">direção de
Vsevolod Pudovkin e Mikhail Doller.</span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">*****
(ótimo)</span></span></div><div style="text-align: justify;"><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;"> </span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">O CORAÇÃO
DELATOR (The Telltale Heart, 1928)</span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">direção de
Charles Klein.</span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">**
(regular)</span></span></div><div style="text-align: justify;"><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;"> </span></span><br /><span style="color: #3d85c6;"><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">NARCISO
NEGRO (Black Narcissus, 1947)</span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">direção de
Michael Powell e Emeric Pressburger.</span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">*****
(ótimo)</span></span></span></div><div style="text-align: justify;"><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;"> </span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">TROPA de
CHOQUE: Um HOMEM a MAIS (1 Homme de Trop, 1967)</span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">direção de
Costa-Gavras.</span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">****
(muito bom)</span></span></div><div style="text-align: justify;"><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;"> </span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">A VOZ do
SANGUE (Behold a Pale Horse, 1964)</span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">direção de
Fred Zinnemann.</span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">****
(muito bom)</span></span></div><div style="text-align: justify;"><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;"> </span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">ALMA das
RUAS (The Informer, 1929)</span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">direção de
Arthur Robinson.</span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">****
(muito bom)</span></span></div><div style="text-align: justify;"><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;"> </span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">O HOMEM
QUE NÃO VENDEU sua ALMA (A Man for All Seasons, 1966) <a name="_Hlk124954648">direção
</a>de Fred Zinnemann.</span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">****
(muito bom)</span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;"> </span></span><br /></div><div style="text-align: center;"><span style="background-color: #274e13;"><span style="color: white;"><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">MAIO</span></span></span></span><br /></div><div style="text-align: justify;"><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjVdCNsRywu9IlOvOKJT1lKGvoETdf7E0n2qTGYNUC_QH2KcBHwBabDZXUubu3Hlt7PoPJz8mj7edkAobeFC4zVLnY2KyCmKDbmnT3IhjSe4eSt58zafL2srq6GCQb1Jxs0Tk0dpkkFQxHNDIk-w48LgsNK2w6GfQ6hmb5vHl2nCaKtnTAgHQVRzuif/s1366/22032017-faust-lista.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="768" data-original-width="1366" height="360" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjVdCNsRywu9IlOvOKJT1lKGvoETdf7E0n2qTGYNUC_QH2KcBHwBabDZXUubu3Hlt7PoPJz8mj7edkAobeFC4zVLnY2KyCmKDbmnT3IhjSe4eSt58zafL2srq6GCQb1Jxs0Tk0dpkkFQxHNDIk-w48LgsNK2w6GfQ6hmb5vHl2nCaKtnTAgHQVRzuif/w640-h360/22032017-faust-lista.jpg" width="640" /></a></div><br /></span></span></div><div style="text-align: justify;"><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">MERCADO
de LADRÕES (Thieves Highway, 1949)</span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">direção de
Jules Dassin.</span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">****
(muito bom)</span></span></div><div style="text-align: justify;"><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;"> </span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">O COBRA
(Le Saut de l'Ange, 1971)</span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">direção de
Yves Boisset.</span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">**
(regular)</span></span></div><div style="text-align: justify;"><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;"> </span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">HARPER, o
CAÇADOR de AVENTURAS (Harper, 1966)</span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">direção de
Jack Smight.</span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">*** (bom)</span></span></div><div style="text-align: justify;"><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;"> </span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">CAIS das
BRUMAS (Le Quai des Brumes, 1938)</span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">direção de
Marcel Carné.</span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">****
(muito bom)</span></span></div><div style="text-align: justify;"><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;"> </span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">ATRÁS da
CORTINA de FERRO (OPRIMIDOS) (Addio Kira!, 1942)</span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">direção de
Goffredo Alessandrini.</span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">**
(regular)</span></span></div><div style="text-align: justify;"><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;"> </span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">O LADRÃO
de BAGDAD (The Thief of Bagdad, 1940)</span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">direção de
Ludwig Berger, Michael Powell e Tim Whelan.</span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">*** (bom)</span></span></div><div style="text-align: justify;"><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;"> </span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">VIRTUDE
SELVAGEM (The Yearling, 1946)</span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">direção de
Clarence Brown.</span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">*****
(ótimo)</span></span></div><div style="text-align: justify;"><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;"> </span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">COMO ERA
VERDE o MEU VALE (How Green Was My Valley, 1941)</span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">direção de
John Ford.</span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">*****
(ótimo)</span></span></div><div style="text-align: justify;"><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;"> </span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">A LUZ é
PARA TODOS (Gentleman`s Agreement, 1947)</span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">direção de
Elia Kazan.</span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">*****
(ótimo)</span></span></div><div style="text-align: justify;"><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;"> </span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">SOB
SUSPEITA (Suspect, 1987)</span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">direção de
Peter Yates.</span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">*** (bom)</span></span></div><div style="text-align: justify;"><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;"> </span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">À SOMBRA
de uma DÚVIDA (Shadow of a Doubt, 1943)</span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">direção de
Alfred Hitchcock.</span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">****
(muito bom)</span></span></div><div style="text-align: justify;"><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;"> </span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">O CORAÇÃO
da RAINHA (Das Herz der Königin, 1940)</span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">direção de
Carl Froelich.</span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">*** (bom)</span></span></div><div style="text-align: justify;"><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;"> </span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">MEDO que
CONDENA (Count the Hours!, 1953)</span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">direção de
Don Siegel.</span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">**
(regular)</span></span></div><div style="text-align: justify;"><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;"> </span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">FRANCES
(Idem, 1982)</span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">direção de
Graeme Clifford.</span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">****
(muito bom)</span></span></div><div style="text-align: justify;"><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;"> </span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">A DÁLIA
AZUL (The Blue Dahlia, 1946)</span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">direção de
George Marshall.</span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">*** (bom)</span></span></div><div style="text-align: justify;"><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;"> </span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">A SARJETA
FOI MEU BERÇO (La Neige Était Sale, 1954)</span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">direção de
Luis Saslavsky.</span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">**
(regular)</span></span></div><div style="text-align: justify;"><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;"> </span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">O SALÁRIO
do PECADO (The Naked Street, 1955)</span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">direção de
Maxwell Shane.</span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">**
(regular)</span></span></div><div style="text-align: justify;"><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;"> </span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">MEIA-NOITE
no JARDIM do BEM e do MAL (Midnight In The Garden of Good and Evil, 1997)</span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">direção de
Clint Eastwood.</span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">****
(muito bom)</span></span></div><div style="text-align: justify;"><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;"> </span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">NOITES de
CABÍRIA (Le Notti di Cabiria, 1957)</span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">direção de
Federico Fellini.</span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">*****
(ótimo)</span></span></div><div style="text-align: justify;"><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;"> </span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">A CONFISSÃO
(The Statement, 2003)</span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">direção de
Norman Jewison.</span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">*** (bom)</span></span></div><div style="text-align: justify;"><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;"> </span></span><br /><span style="color: #3d85c6;"><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">FAUSTO
(Faust – Eine Deutsche Volkssage, 1926)</span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">direção de
Friedrich Wilhelm Murnau.</span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">*****
(ótimo)</span></span></span></div><div style="text-align: justify;"><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;"> </span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">BUNNY
LAKE DESAPARECEU (Bunny Lake is Missing, 1965)</span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">direção de
Otto Preminger.</span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">*** (bom)</span></span></div><div style="text-align: justify;"><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;"> </span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">WINCHESTER
73 (Idem, 1950)</span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">direção de
Anthony Mann.</span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">****
(muito bom)</span></span></div><div style="text-align: justify;"><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;"> </span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">Um CERTO
CAPITÃO LOCKHART (The Man From Laramie, 1955)</span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">direção de
Anthony Mann.</span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">*** (bom)</span></span></div><div style="text-align: justify;"><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;"> </span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">MULHERES
em PERIGO (The Secret of Convict Lake, 1951)</span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">direção de
Michael Gordon.</span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">****
(muito bom)</span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;"> </span></span><br /></div><div style="text-align: center;"><span style="background-color: #274e13;"><span style="color: white;"><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">JUNHO</span></span></span></span><br /></div><div style="text-align: justify;"><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiS85GA4NOE4Oht3pW9bfJl4pva5HHC0YDRQKqyK71xK6f9sSwRUc-rDHyxTgr9H9_wahPzcQUWK2v0blVtVF9fCiLzNPQqWdJwRWrCtbPU6mHgVBvzqjDtGHPsHyIEVMrBaG3JZBmuU5yc425rMbSQZ3toayGCJldXNgnCrIjFQ1xtgDGbCzeyWT7F/s1280/coverlg_home.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="720" data-original-width="1280" height="360" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiS85GA4NOE4Oht3pW9bfJl4pva5HHC0YDRQKqyK71xK6f9sSwRUc-rDHyxTgr9H9_wahPzcQUWK2v0blVtVF9fCiLzNPQqWdJwRWrCtbPU6mHgVBvzqjDtGHPsHyIEVMrBaG3JZBmuU5yc425rMbSQZ3toayGCJldXNgnCrIjFQ1xtgDGbCzeyWT7F/w640-h360/coverlg_home.jpg" width="640" /></a></div><br /></span></span></div><div style="text-align: justify;"><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">MÃOS
ESTRANHAS (La Mano Dello Straniero, 1954)</span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">direção de
Mario Soldati.</span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">**
(regular)</span></span></div><div style="text-align: justify;"><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;"> </span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">Um AMOR
na ALEMANHA (Eine Liebe in Deutschland, 1983)</span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">direção de
Andrzej Wajda.</span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">*** (bom)</span></span></div><div style="text-align: justify;"><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;"> </span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">A
TESTEMUNHA OCULAR (The Public Eye, 1992)</span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">direção de
Howard Franklin.</span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">*** (bom)</span></span></div><div style="text-align: justify;"><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;"> </span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">SEM
PERDÃO (The Lost Son, 1999)</span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">direção de
Chris Menges.</span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">*** (bom)</span></span></div><div style="text-align: justify;"><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;"> </span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">RASTROS
de ÓDIO (The Searchers, 1956)</span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">direção de
John Ford.</span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">*****
(ótimo)</span></span></div><div style="text-align: justify;"><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;"> </span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">A MARCA
da MALDADE (Touch of Evil, 1958)</span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">direção de
Orson Welles.</span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">*****
(ótimo)</span></span></div><div style="text-align: justify;"><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;"> </span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">SANJURO
(Idem, 1962)</span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">direção de
Akira Kurosawa.</span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">*** (bom)</span></span></div><div style="text-align: justify;"><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;"> </span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">QUERO-TE
COMO ÉS (Honky Tonk, 1941)</span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">direção de
Jack Conway.</span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">*** (bom)</span></span></div><div style="text-align: justify;"><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;"> </span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">MINORITY
REPORT - A NOVA LEI (Minority Report, 2002)</span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">direção de
Steven Spielberg.</span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">****
(muito bom)</span></span></div><div style="text-align: justify;"><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;"> </span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">O CAMINHO
AMARGO (La Viaccia, 1961)</span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">direção de
Mauro Bolognini.</span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">****
(muito bom)</span></span></div><div style="text-align: justify;"><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;"> </span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">Os
DELFINS (I Delfini, 1960)</span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">direção de
Francesco Maselli.</span></span></div><div style="text-align: justify;"><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">**** (muito bom) <br /></span></span></div><div style="text-align: justify;"><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;"> </span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">CECÍLIA
ESTÁ MORTA! (Cécile est Morte!, 1944)</span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">direção de
Maurice Tourneur.</span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">**
(regular)</span></span></div><div style="text-align: justify;"><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;"> </span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">INDIANA
JONES e a ÚLTIMA CRUZADA (Indiana Jones and the Last Crusade, 1989)</span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">direção de
Steven Spielberg.</span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">*** (bom)</span></span></div><div style="text-align: justify;"><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;"> </span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">Os
ESTRANHOS na CASA (Les Inconnus dans la Maison, 1942)</span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">direção de
Henri Decoin.</span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">*** (bom)</span></span></div><div style="text-align: justify;"><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;"> </span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">SETE DIAS
em MAIO (Seven Days in May, 1964)</span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">direção de
John Frankenheimer.</span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">****
(muito bom)</span></span></div><div style="text-align: justify;"><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;"> </span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">Os CINCO CAVALHEIROS
AMALDIÇOADOS (Les Cinq Gentlemen Maudits, 1931)</span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">direção de
Julien Duvivier.</span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">**
(regular)</span></span></div><div style="text-align: justify;"><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;"> </span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">INDIANA
JONES e os CAÇADORES da ARCA PERDIDA (Raiders of the Lost Ark, 1981)</span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">direção de
Steven Spielberg.</span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">*** (bom)</span></span></div><div style="text-align: justify;"><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;"> </span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">LEI e
ORDEM (Law and Order, 1932)</span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">direção de
Edward L. Cahn.</span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">* (ruim)</span></span></div><div style="text-align: justify;"><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;"> </span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">O CORONEL
CHABERT (Le Colonel Chabert, 1994)</span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">direção de
Yves Angelo.</span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">*** (bom)</span></span></div><div style="text-align: justify;"><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;"> </span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">A RAINHA
MARGOT (La Reine Margot, 1994)</span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">direção de
Patrice Chéreau.</span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">*****
(ótimo)</span></span></div><div style="text-align: justify;"><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;"> </span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">O HOMEM
que SURGIU de REPENTE (La Course du Lièvre à Travers les Champs, 1972)</span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">direção de
René Clement.</span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">**
(regular)</span></span></div><div style="text-align: justify;"><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;"> </span></span><br /><span style="color: #3d85c6;"><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">VIOLÊNCIA
e PAIXÃO (Gruppo di Famiglia in um Interno, 1974)</span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">direção de
Luchino Visconti.</span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">*****
(ótimo)</span></span></span></div><div style="text-align: justify;"><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;"> </span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">TEOREMA
(Idem, 1968)</span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">direção de
Pier Paolo Pasolini.</span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">*****
(ótimo)</span></span></div><div style="text-align: justify;"><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;"> </span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">BRAVURA
INDÔMITA (True Grit, 1969)</span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">direção de
Henry Hathaway.</span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">**
(regular)</span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;"> </span></span><br /></div><div style="text-align: center;"><span style="background-color: #274e13;"><span style="color: white;"><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">JULHO</span></span></span></span><br /></div><div style="text-align: justify;"><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgCPvzgvFdQ3fzIBubcVKYx9QGVq4xM5x_z_VmfL5nza4_h9h3809YN4sp0VEQXyINM-oAqOcxKmQZgWXlIYqK0fvxIqhm-o9t8D0URflGBSiwp7tRFRYItvhaePkaNgBKGqiAkhC2NDxR1IudeiWgZ1C3cW3OD8dCGmpKBjmSDRv0ePav7aiyg-qn8/s1419/Bette_Davis_and_Gary_Merrill_in_All_About_Eve.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1419" data-original-width="1200" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgCPvzgvFdQ3fzIBubcVKYx9QGVq4xM5x_z_VmfL5nza4_h9h3809YN4sp0VEQXyINM-oAqOcxKmQZgWXlIYqK0fvxIqhm-o9t8D0URflGBSiwp7tRFRYItvhaePkaNgBKGqiAkhC2NDxR1IudeiWgZ1C3cW3OD8dCGmpKBjmSDRv0ePav7aiyg-qn8/w542-h640/Bette_Davis_and_Gary_Merrill_in_All_About_Eve.jpg" width="542" /></a></div><br /></span></span></div><div style="text-align: justify;"><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">A MARCA
da ORQUÍDEA (La Chair de L'Orchidée, 1975)</span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">direção de
Patrice Chéreau.</span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">** (reg.)</span></span></div><div style="text-align: justify;"><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;"> </span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">HERÓIS
ESQUECIDOS (The Roaring Twenties, 1939)</span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">direção de
Raoul Walsh.</span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">*** (bom)</span></span></div><div style="text-align: justify;"><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;"> </span></span><br /><span style="color: #3d85c6;"><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">A MALVADA
(All About Eve, 1950)</span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">direção de
Joseph L. Mankiewicz.</span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">*****
(ótimo)</span></span></span></div><div style="text-align: justify;"><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;"> </span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">O
PRINCÍPE VALENTE (Prince Valiant, 1954)</span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">direção de
Henry Hathaway.</span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">*** (bom)</span></span></div><div style="text-align: justify;"><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;"> </span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">MOMENTO
de DESESPERO (Desperate Moment, 1953)</span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">direção de
Compton Bennett.</span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">*** (bom)</span></span></div><div style="text-align: justify;"><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;"> </span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">A
CALDEIRA do DIABO (Peyton Place, 1957)</span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">direção de
Mark Robson.</span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">*** (bom)</span></span></div><div style="text-align: justify;"><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;"> </span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">HORAS de
DESESPERO (Desperate Hours, 1990)</span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">direção de
Michael Cimino.</span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">*** (bom)</span></span></div><div style="text-align: justify;"><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;"> </span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">HORAS de
DESESPERO (The Desperate Hours, 1955)</span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">direção de
William Wyler.</span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">****
(muito bom)</span></span></div><div style="text-align: justify;"><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;"> </span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">ENTRE o
CÉU e o INFERNO (Between Heaven and Hell, 1956)</span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">direção de
Richard Fleischer.</span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">****
(muito bom)</span></span></div><div style="text-align: justify;"><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;"> </span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">GILDA
(Idem, 1946)</span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">direção de
Charles Vidor.</span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">*** (bom)</span></span></div><div style="text-align: justify;"><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;"> </span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">Os
SUSPEITOS (Prisoners, 2013)</span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">direção de
Denis Villeneuve.</span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">****
(muito bom)</span></span></div><div style="text-align: justify;"><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;"> </span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">MARCAS da
VIOLÊNCIA (A History of Violence, 2005)</span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">direção de
David Cronenberg.</span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">****
(muito bom)</span></span></div><div style="text-align: justify;"><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;"> </span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">VERONICA
GUERIN – O CUSTO da CORAGEM (Veronica Guerin, 2003) direção de Joel Schumacher.</span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">*** (bom)</span></span></div><div style="text-align: justify;"><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;"> </span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">LEVADA à
FORÇA (The Story of Temple Drake, 1933)</span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">direção de
Stephen Roberts.</span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">*** (bom)</span></span></div><div style="text-align: justify;"><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;"> </span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">Os
PROFISSIONAIS (The Professionals, 1966)</span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">direção de
Richard Brooks.</span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">****
(muito bom)</span></span></div><div style="text-align: justify;"><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;"> </span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">Os
CARACÓIS (Les Escargots, 1966)</span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">direção de
René Laloux. </span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">*** (bom)</span></span></div><div style="text-align: justify;"><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;"> </span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">CARAVANA
de BRAVOS (Wagon Master, 1950)</span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">direção de
John Ford.</span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">****
(muito bom)</span></span></div><div style="text-align: justify;"><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;"> </span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">À SOMBRA
da GUILHOTINA (The Black Book / Reign of Terror, 1949) </span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">direção de
Anthony Mann.</span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">****
(muito bom)</span></span></div><div style="text-align: justify;"><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;"> </span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">PILOTO de
PROVAS (Test Pilot, 1938)</span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">direção de
Victor Fleming.</span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">****
(muito bom)</span></span></div><div style="text-align: justify;"><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;"> </span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">BOAS de
MATAR (Bonnes à Tuer, 1954)</span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">direção de
Henri Decoin.</span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">** (regular)</span></span></div><div style="text-align: justify;"><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;"> </span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">Uma TAL
CONDESSA (Quand la Femme s'en Mêle, 1957)</span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">direção de
Yves Allégret.</span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">**
(regular)</span></span></div><div style="text-align: justify;"><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;"> </span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">ONTEM,
HOJE e AMANHÃ (Ieri, Oggi, Domani, 1963)</span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">direção de
Vittorio De Sica.</span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">****
(muito bom)</span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;"> </span></span><br /></div><div style="text-align: center;"><span style="background-color: #274e13;"><span style="color: white;"><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">AGOSTO</span></span></span></span><br /></div><div style="text-align: justify;"><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgVbvXX2YnXaT4XCZ6SWM8m1hjAE_CRnvzRor7vN6PEDbpq82vCEc-V55QvdCJJTRp_ykv5kPHj6IHyNojn6ddTObSs5Og2X4sZpro9wo0gNbiNqB8ehe2CUC-7MZkfJLHjJ5Rg44g9MQ-xYkwL8W7uHKW5DBJZyketpTwQX_YFbSkYSLheWJJE0EoN/s1640/W1siZiIsIjExMzM4OCJdLFsicCIsImNvbnZlcnQiLCItcXVhbGl0eSA5MCAtcmVzaXplIDIwMDB4MTQ0MFx1MDAzZSJdXQ.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1288" data-original-width="1640" height="502" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgVbvXX2YnXaT4XCZ6SWM8m1hjAE_CRnvzRor7vN6PEDbpq82vCEc-V55QvdCJJTRp_ykv5kPHj6IHyNojn6ddTObSs5Og2X4sZpro9wo0gNbiNqB8ehe2CUC-7MZkfJLHjJ5Rg44g9MQ-xYkwL8W7uHKW5DBJZyketpTwQX_YFbSkYSLheWJJE0EoN/w640-h502/W1siZiIsIjExMzM4OCJdLFsicCIsImNvbnZlcnQiLCItcXVhbGl0eSA5MCAtcmVzaXplIDIwMDB4MTQ0MFx1MDAzZSJdXQ.jpg" width="640" /></a></div><br /></span></span></div><div style="text-align: justify;"><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">007 na
MIRA dos ASSASSINOS (A View to a Kill, 1985)</span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">direção de
John Glen.</span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">**
(regular)</span></span></div><div style="text-align: justify;"><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;"> </span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">A MULHER
que PERDEU a ALMA (Paid, 1930)</span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">direção de
Sam Wood.</span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">**
(regular)</span></span></div><div style="text-align: justify;"><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;"> </span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">TUDO PELO
PODER (The Ides of March, 2011)</span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">direção de
George Clooney.</span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">****
(muito bom)</span></span></div><div style="text-align: justify;"><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;"> </span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">FORÇA
POLICIAL (Pride and Glory, 2008)</span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">direção de
Gavin O´Connor.</span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">*** (bom)</span></span></div><div style="text-align: justify;"><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;"> </span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">O PECADO
de MADELON CLAUDET (The Sin of Madelon Claudet, 1931) direção de Edgar Selwyn.</span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">*** (bom)</span></span></div><div style="text-align: justify;"><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;"> </span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">MOINHOS
da MORTE (Death Mills, 1945)</span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">direção de
Hans Burger e Billy Wilder.</span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">****
(muito bom)</span></span></div><div style="text-align: justify;"><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;"> </span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">O HOMEM
do NORTE (The Northman, 2022)</span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">direção de
Robert Eggers. </span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">*** (bom)</span></span></div><div style="text-align: justify;"><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;"> </span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">JANELA
INDISCRETA (Rear Window, 1954)</span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">direção de
Alfred Hitchcock.</span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">*****
(ótimo)</span></span></div><div style="text-align: justify;"><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;"> </span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">Os
PÁSSAROS (The Birds, 1963)</span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">direção de
Alfred Hitchcock.</span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">*****
(ótimo)</span></span></div><div style="text-align: justify;"><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;"> </span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">Uma VIDA
(Une Vie, 1958)</span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">direção de
Alexandre Astruc.</span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">*** (bom)</span></span></div><div style="text-align: justify;"><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;"> </span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">KAGEMUSHA,
a SOMBRA do SAMURAI (Kagemusha, 1980)</span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">direção de
Akira Kurosawa.</span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">*****
(ótimo)</span></span></div><div style="text-align: justify;"><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;"> </span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">DUAS
MULHERES (La Ciociara, 1960)</span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">direção de
Vittorio De Sica.</span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">****
(muito bom)</span></span></div><div style="text-align: justify;"><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;"> </span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">O
GUERREIRO SILENCIOSO (Valhalla Rising, 2009)</span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">direção de
Nicolas Winding Refn.</span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">** (regular)</span></span></div><div style="text-align: justify;"><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;"> </span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">O BOI
(Oxen, 1991)</span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">direção de
Sven Nykvist.</span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">*** (bom)</span></span></div><div style="text-align: justify;"><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;"> </span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">FERA QUE
FORAM HOMENS (Three Came Home, 1950)</span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">direção de
Jean Negulesco.</span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">*** (bom)</span></span></div><div style="text-align: justify;"><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;"> </span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">ALIANÇA
de AÇO (Union Pacific, 1939)</span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">direção de
Cecil B. DeMille.</span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">*** (bom)</span></span></div><div style="text-align: justify;"><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;"> </span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">ATTICA: A
SOLUÇÃO FINAL (Against the Wall, 1994)</span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">direção de
John Frankenheimer.</span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">*** (bom)</span></span></div><div style="text-align: justify;"><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;"> </span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">TROPA de
ELITE (2007)</span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">direção de
José Padilha.</span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">****
(muito bom)</span></span></div><div style="text-align: justify;"><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;"> </span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">007 –
VIVA e DEIXE MORRER (Live and Let Die, 1973)</span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">direção de
Guy Hamilton.</span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">**
(regular)</span></span></div><div style="text-align: justify;"><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;"> </span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">O SEGREDO
do DOUTOR GRINBERG (El Secreto del Doctor Grinberg, 2020)</span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">direção de
Ida Cuéllar.</span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">*** (bom)</span></span></div><div style="text-align: justify;"><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;"> </span></span><br /><span style="color: #3d85c6;"><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">O ANJO
AZUL (Der Blaue Engel, 1930)</span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">direção de
Josef von Sternberg.</span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">*****
(ótimo)</span></span></span></div><div style="text-align: justify;"><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;"> </span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">O
INDOMADO (Hud, 1963)</span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">direção de
Martin Ritt.</span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">****
(muito bom)</span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;"> </span></span><br /></div><div style="text-align: center;"><span style="background-color: #274e13;"><span style="color: white;"><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">SETEMBRO</span></span></span></span><br /></div><div style="text-align: justify;"><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj97alD_DYANDp6y1mKWlqjUt0KJ3hAjRCUrADKyZYewHRjN6wTj9fR5_EDolFUsCQyam4DHtor1qjbqoNpMio6NqvCBygsacDNSyQdCNKryIMj7M3vAPInTlz_EvBmh7bBPLQzj6XY-Z3zi_GaGCRY2UDGHygm9R3t4ogb_SxQ7b-edMUkcaG8wMAW/s1200/ca-times.brightspotcdn.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="880" data-original-width="1200" height="470" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj97alD_DYANDp6y1mKWlqjUt0KJ3hAjRCUrADKyZYewHRjN6wTj9fR5_EDolFUsCQyam4DHtor1qjbqoNpMio6NqvCBygsacDNSyQdCNKryIMj7M3vAPInTlz_EvBmh7bBPLQzj6XY-Z3zi_GaGCRY2UDGHygm9R3t4ogb_SxQ7b-edMUkcaG8wMAW/w640-h470/ca-times.brightspotcdn.jpg" width="640" /></a></div><br /></span></span></div><div style="text-align: justify;"><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">A HORA da
PISTOLA (Hour of the Gun, 1967)</span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">direção de
John Sturges.</span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">*** (bom)</span></span></div><div style="text-align: justify;"><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;"> </span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">Um CORPO
que CAI (Vertigo, 1958)</span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">direção de
Alfred Hitchcock.</span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">*****
(ótimo)</span></span></div><div style="text-align: justify;"><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;"> </span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">CAMINHANDO
nas SOMBRAS (Footsteps in the Dark, 1941)</span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">direção de
Lloyd Bacon.</span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">**
(regular)</span></span></div><div style="text-align: justify;"><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;"> </span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">O CASO
GLEIWITZ (Der Fall Gleiwitz, 1961)</span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">direção de
Gerhard Klein.</span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">*** (bom)</span></span></div><div style="text-align: justify;"><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;"> </span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">CINZAS
que QUEIMAM (On Dangerous Ground, 1952)</span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">direção de
Nicholas Ray.</span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">****
(muito bom)</span></span></div><div style="text-align: justify;"><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;"> </span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">MUSEU de
HORRORES (Crack-Up, 1946)</span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">direção de
Irving Reis.</span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">**
(regular)</span></span></div><div style="text-align: justify;"><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;"> </span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">CONFISSÕES
de um GATO (Confidenze di un Gatto, 1953)</span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">direção de
Giorgio Ferroni.</span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">**
(regular)</span></span></div><div style="text-align: justify;"><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;"> </span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">O ABRIGO
(Il Pensionato, 1955)</span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">direção de
Ermanno Olmi.</span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">**
(regular)</span></span></div><div style="text-align: justify;"><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;"> </span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">DISCRIÇÃO
GARANTIDA (No Questions Asked, 1951)</span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">direção de
Harold F. Kreiss.</span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">**
(regular)</span></span></div><div style="text-align: justify;"><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;"> </span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">OITO
HOMENS de FERRO (Eight Iron Men, 1952)</span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">direção de
Edward Dmytryk.</span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">**
(regular)</span></span></div><div style="text-align: justify;"><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;"> </span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">AMOR de
BOÊMIO (The Beloved Rogue, 1927)</span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">direção de
Alan Crosland.</span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">**
(regular)</span></span></div><div style="text-align: justify;"><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;"> </span></span><br /><span style="color: #3d85c6;"><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">AMORES de
APACHE (Casque Do`r, 1952)</span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">direção de
Jacques Becker.</span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">*****
(ótimo)</span></span></span></div><div style="text-align: justify;"><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;"> </span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">O HOMEM
do ANDAR de CIMA (The Man Upstairs, 1958)</span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">direção de
Don Chaffey.</span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">*** (bom)</span></span></div><div style="text-align: justify;"><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;"> </span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">Os BRUTOS
TAMBÉM AMAM (Shane, 1953)</span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">direção de
George Stevens.</span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">*****
(ótimo)</span></span></div><div style="text-align: justify;"><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;"> </span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">Os
CASTIÇAIS do IMPERADOR (The Emperor's Candlesticks, 1937)</span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">direção de
George Fitzmaurice.</span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">*** (bom)</span></span></div><div style="text-align: justify;"><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;"> </span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">TEREI o
DIREITO de MATAR? (L'Insoumis, 1964)</span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">direção de
Alain Cavalier.</span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">****
(muito bom)</span></span></div><div style="text-align: justify;"><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;"> </span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">PARAÍSO
PERDIDO (Paradis Perdu, 1939)</span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">direção de
Abel Gance.</span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">*** (bom)</span></span></div><div style="text-align: justify;"><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;"> </span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">OO7
CONTRA GOLDENEYE (GoldenEye, 1995)</span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">direção de
Martin Campbell.</span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">*** (bom)</span></span></div><div style="text-align: justify;"><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;"> </span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">OO7 – O
MUNDO NÃO é o BASTANTE (The World Is Not Enough, 1999) direção de Michael
Apted.</span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">*** (bom)</span></span></div><div style="text-align: justify;"><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;"> </span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">TRÁGICA
INOCÊNCIA (Non Coupable, 1947)</span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">direção de
Henri Decoin.</span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">****
(muito bom)</span></span></div><div style="text-align: justify;"><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;"> </span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">ATÉ a
VISTA, QUERIDA (Murder, my Sweet, 1944)</span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">direção de
Edward Dmytryk.</span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">****
(muito bom)</span></span></div><div style="text-align: justify;"><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;"> </span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">À PROCURA
do DESTINO (Inside Daisy Clover, 1965)</span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">direção de
Robert Mulligan.</span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">*** (bom)</span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;"> </span></span><br /></div><div style="text-align: center;"><span style="background-color: #274e13;"><span style="color: white;"><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">OUTUBRO</span></span></span></span><br /></div><div style="text-align: justify;"><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEifYG-qLRuvkWNuLHjUurP9FlsWrUmmE0ptJU8a5sggPrW0o3e6eCZL69NM8CY39nWQFSsrRdBnKATcJyy8IWY2o2BJ_-bs_2YkFR02feM8IKxyoC1ubbTIImRG_-yP5183F0k96dtw3GeqEaoObTK6bultkGLZSRGI73M-_o3W_Osgn9YJPa2XYZNR/s1280/tumblr_5d36d87ec63fb852a0333d7f70424a3c_e40f1da9_1280.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="721" data-original-width="1280" height="360" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEifYG-qLRuvkWNuLHjUurP9FlsWrUmmE0ptJU8a5sggPrW0o3e6eCZL69NM8CY39nWQFSsrRdBnKATcJyy8IWY2o2BJ_-bs_2YkFR02feM8IKxyoC1ubbTIImRG_-yP5183F0k96dtw3GeqEaoObTK6bultkGLZSRGI73M-_o3W_Osgn9YJPa2XYZNR/w640-h360/tumblr_5d36d87ec63fb852a0333d7f70424a3c_e40f1da9_1280.jpg" width="640" /></a></div><br /></span></span></div><div style="text-align: justify;"><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">BEN-HUR
(Idem, 1959)</span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">direção de
William Wyler.</span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">****
(muito bom)</span></span></div><div style="text-align: justify;"><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;"> </span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">CORTINA
de FERRO (The Iron Curtain, 1948)</span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">direção de
William A. Wellman.</span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">*** (bom)</span></span></div><div style="text-align: justify;"><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;"> </span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">PORTO do
PRAZER (Port du Désir, 1955)</span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">direção de
Edmond T. Gréville.</span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">**
(regular)</span></span></div><div style="text-align: justify;"><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;"> </span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">RIO
GRANDE (Idem, 1950)</span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">direção de
John Ford.</span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">****
(muito bom)</span></span></div><div style="text-align: justify;"><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;"> </span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">O CASO da
RUA MONTMARTRE (125 Rua Montmartre, 1959)</span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">direção de
Gilles Grangier.</span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">*** (bom)</span></span></div><div style="text-align: justify;"><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;"> </span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">007 - O
ESPIÃO QUE ME AMAVA (The Spy Who Loved Me, 1977)</span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">direção de
Lewis Gilbert.</span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">*** (bom)</span></span></div><div style="text-align: justify;"><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;"> </span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">O CAPITÃO
de CASTELA (Captain From Castile, 1947)</span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">direção de
Henry King.</span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">*** (bom)</span></span></div><div style="text-align: justify;"><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;"> </span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">O ÓRFÃO
do MAR (Deep Waters, 1948)</span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">direção de
Henry King.</span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">**
(regular)</span></span></div><div style="text-align: justify;"><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;"> </span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">MAMMA
ROMA (Idem, 1963)</span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">direção de
Pier Paolo Pasolini.</span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">*****
(ótimo)</span></span></div><div style="text-align: justify;"><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;"> </span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">MEDÉIA, a
FEITICEIRA do AMOR (Medea, 1969)</span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">direção de
Pier Paolo Pasolini.</span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">****
(muito bom)</span></span></div><div style="text-align: justify;"><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;"> </span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">SATYRICON
de FELLINI (Satyricon, 1968)</span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">direção de
Federico Fellini.</span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">*** (bom)</span></span></div><div style="text-align: justify;"><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;"> </span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">MARES da
CHINA (China Seas, 1935)</span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">direção de
Tay Garnett.</span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">*** (bom)</span></span></div><div style="text-align: justify;"><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;"> </span></span><br /><span style="color: #3d85c6;"><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">FELLINI:
OITO e MEIO (8 1/2, 1963)</span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">direção de
Federico Fellini.</span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">*****
(ótimo)</span></span></span></div><div style="text-align: justify;"><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;"> </span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">A ÚLTIMA
SESSÃO de CINEMA (The Last Picture Show, 1971)</span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">direção de
Peter Bogdanovich.</span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">****
(muito bom)</span></span></div><div style="text-align: justify;"><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;"> </span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">O RELÓGIO
VERDE (The Big Clock, 1948)</span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">direção de
John Farrow.</span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">****
(muito bom)</span></span></div><div style="text-align: justify;"><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;"> </span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">O
SEQUESTRO DO METRÔ 123 (The Taking of Pelham 123, 2009)</span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">direção de
Tony Scott.</span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">*** (bom)</span></span></div><div style="text-align: justify;"><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;"> </span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">LÁBIOS
que ESCRAVIZAM (The Bribe, 1949)</span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">direção de
Robert Z. Leonard.</span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">*** (bom)</span></span></div><div style="text-align: justify;"><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;"> </span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">Os
MISERÁVEIS (Les Misérables, 1935)</span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">direção de
Richard Boleslawski.</span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">****
(muito bom)</span></span></div><div style="text-align: justify;"><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;"> </span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">PESADELO
na RUA CARROLL (The House on Carroll Street, 1988)</span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">direção de
Peter Yates.</span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">*** (bom)</span></span></div><div style="text-align: justify;"><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;"> </span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">SEIS
DESTINOS (Tales of Manhattan, 1942)</span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">direção de
Julien Duvivier.</span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">*** (bom)</span></span></div><div style="text-align: justify;"><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;"> </span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">CINCO
COVAS no EGITO (Five Graves to Cairo, 1943)</span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">direção de
Billy Wilder.</span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">****
(muito bom)</span></span></div><div style="text-align: justify;"><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;"> </span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">AURORA
SANGRENTA (Cry Havoc, 1943)</span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">direção de
Richard Thorpe.</span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">*** (bom)</span></span></div><div style="text-align: justify;"><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;"> </span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">ANJOS do
PECADO (Les Anges du Péché, 1943)</span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">direção de
Robert Bresson.</span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">****
(muito bom)</span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;"> </span></span><br /></div><div style="text-align: center;"><span style="background-color: #274e13;"><span style="color: white;"><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">NOVEMBRO</span></span></span></span><br /></div><div style="text-align: justify;"><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjgVf2q7IPwfJDQSQhmwxVsPnmFylNzgYWc8O-Y7ban8l1vtON0_uB_B09mKrC4zK-8hIgNTcRKPHLWMv83kNCxR3AOHSN-LmN9hrud85GBnO664zGXNMpLGq4wl5v7WTqjmwZdhqrEIrM3_3XyTd-DZTwH_T_hzTEn9dm6MOrDKvoy43kO1MWpWvLZ/s1000/image.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="795" data-original-width="1000" height="508" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjgVf2q7IPwfJDQSQhmwxVsPnmFylNzgYWc8O-Y7ban8l1vtON0_uB_B09mKrC4zK-8hIgNTcRKPHLWMv83kNCxR3AOHSN-LmN9hrud85GBnO664zGXNMpLGq4wl5v7WTqjmwZdhqrEIrM3_3XyTd-DZTwH_T_hzTEn9dm6MOrDKvoy43kO1MWpWvLZ/w640-h508/image.jpg" width="640" /></a></div><br /></span></span></div><div style="text-align: justify;"><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">Os HERÓIS
de MALTA (Malta Story, 1953)</span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">direção de
Brian Desmond Hurst.</span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">*** (bom)</span></span></div><div style="text-align: justify;"><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;"> </span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">GUERRILHEIROS
das FILIPINAS (American Guerrilla in the Philipines, 1950)</span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">direção de
Fritz Lang.</span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">*** (bom)</span></span></div><div style="text-align: justify;"><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;"> </span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">Uma
AVENTURA na ÁFRICA (The African Queen, 1951)</span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">direção de
John Huston.</span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">*****
(ótimo)</span></span></div><div style="text-align: justify;"><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;"> </span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">A MÃO QUE
NOS GUIA (God is my Co-Pilot, 1945)</span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">direção de
Robert Florey.</span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">*** (bom)</span></span></div><div style="text-align: justify;"><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;"> </span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">O ESPIÃO
de DUAS CARAS (The Two-Headed Spy, 1958)</span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">direção de
Andre De Toth.</span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">*** (bom)</span></span></div><div style="text-align: justify;"><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;"> </span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">PAIXÃO
DOS FORTES (My Darling Clementine, 1946)</span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">direção de
John Ford.</span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">*****
(ótimo)</span></span></div><div style="text-align: justify;"><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;"> </span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">NÃO
ESTAMOS SÓS (We Are Not Alone, 1939)</span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">direção de
Edmund Goulding.</span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">*** (bom)</span></span></div><div style="text-align: justify;"><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;"> </span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">NANÁ
(Idem, 1955)</span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">direção de
Christian-Jaque.</span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">**
(regular)</span></span></div><div style="text-align: justify;"><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;"> </span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">Os BRAVOS
MORREM de PÉ (Pork Chop Hill, 1959)</span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">direção de
Lewis Milestone.</span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">****
(muito bom)</span></span></div><div style="text-align: justify;"><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;"> </span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">NEGÓCIOS
de FAMÍLIA (Family Business, 1989)</span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">direção de
Sidney Lumet.</span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">**
(regular)</span></span></div><div style="text-align: justify;"><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;"> </span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">SEM
PERDÃO (No Mercy, 1986)</span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">direção de
Richard Pearce.</span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">**
(regular)</span></span></div><div style="text-align: justify;"><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;"> </span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">QUEM
MANDOU MATAR JAIR MESSIAS BOLSONARO? (2022)</span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">direção da
Brasil Paralelo.</span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">**
(regular)</span></span></div><div style="text-align: justify;"><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;"> </span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">O HOMEM
QUE VENDEU SUA ALMA (Marguerite de La Nuit, 1955)</span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">direção de
Claude Autant-Lara.</span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">**
(regular)</span></span></div><div style="text-align: justify;"><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;"> </span></span><br /><span style="color: #3d85c6;"><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">A um
PASSO da ETERNIDADE (From Here to Eternity, 1953)</span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">direção de
Fred Zinnemann.</span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">*****
(ótimo)</span></span></span></div><div style="text-align: justify;"><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;"> </span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">KARIN
MÅNSDOTTER, RAINHA da SUÉCIA (Karin Månsdotter, 1954)</span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">direção de
Alf Sjöberg.</span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">****
(muito bom)</span></span></div><div style="text-align: justify;"><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;"> </span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">SENHORITA
JÚLIA (Fröken Julie, 1951)</span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">direção de
Alf Sjöberg.</span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">*****
(ótimo)</span></span></div><div style="text-align: justify;"><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;"> </span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">O POÇO e
o PÊNDULO (Le Puits et le Pendule, 1964)</span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">direção de
Alexandre Astruc.</span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">*** (bom)</span></span></div><div style="text-align: justify;"><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;"> </span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">As
PECADORAS de PARIS (L'affaire des Poisons, 1955)</span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">direção de
Henri Decoin.</span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">****
(muito bom)</span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;"> </span></span><br /></div><div style="text-align: center;"><span style="background-color: #274e13;"><span style="color: white;"><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">DEZEMBRO</span></span></span></span><br /></div><div style="text-align: justify;"><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgo4zLY-LJk-uSnr3XSg7_FU137f4VD31zbwELkS4EEt0RADDsB7j9bySyaSYvw0wZdkXRp4NMouztN43YRePruez6fOVA8nTToQdhc8oqcW7Y2zq2Ysq7hv7H38a5LMi805A3pd-9xslNif4qDdC8mpb69LxckOQgnbzvqIkdhhqTmRZrqKMDLF-tA/s2566/fannyandalexander1982.74540.1.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="2260" data-original-width="2566" height="564" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgo4zLY-LJk-uSnr3XSg7_FU137f4VD31zbwELkS4EEt0RADDsB7j9bySyaSYvw0wZdkXRp4NMouztN43YRePruez6fOVA8nTToQdhc8oqcW7Y2zq2Ysq7hv7H38a5LMi805A3pd-9xslNif4qDdC8mpb69LxckOQgnbzvqIkdhhqTmRZrqKMDLF-tA/w640-h564/fannyandalexander1982.74540.1.jpg" width="640" /></a></div><br /></span></span></div><div style="text-align: justify;"><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">JARDINS
de PEDRA (Gardens of Stone, 1987)</span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">direção de
Francis Ford Coppola.</span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">*** (bom)</span></span></div><div style="text-align: justify;"><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;"> </span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">O JARDIM
dos FINZI CONTINI (Il Giardino dei Finzi Contini, 1970)</span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">direção de
Vittorio De Sica.</span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">****
(muito bom)</span></span></div><div style="text-align: justify;"><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;"> </span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">O JARDIM
de ALLAH (The Garden of Allah, 1936)</span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">direção de
Richard Boleslawski.</span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">****
(muito bom)</span></span></div><div style="text-align: justify;"><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;"> </span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">O
ESTRANHO (The Stranger, 1946)</span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">direção de
Orson Welles.</span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">****
(muito bom)</span></span></div><div style="text-align: justify;"><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;"> </span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">No
SILÊNCIO da NOITE (In a Lonely Place, 1950)</span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">direção de
Nicholas Ray.</span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">*****
(ótimo)</span></span></div><div style="text-align: justify;"><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;"> </span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">O
MENSAGEIRO do DIABO (The Night in the Hunter, 1955)</span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">direção de
Charles Laughton.</span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">****
(muito bom)</span></span></div><div style="text-align: justify;"><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;"> </span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">Um PECADO
em CADA ALMA (The Violent Men, 1955)</span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">direção de
Rudolph Maté.</span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">*** (bom)</span></span></div><div style="text-align: justify;"><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;"> </span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">Os DEZ
MANDAMENTOS (The Ten Commandments, 1956)</span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">direção de
Cecil B. DeMille.</span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">*** (bom)</span></span></div><div style="text-align: justify;"><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;"> </span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">AMANTES e
FINANÇAS (Rollover, 1981)</span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">direção de
Alan J. Pakula.</span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">**
(regular)</span></span></div><div style="text-align: justify;"><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;"> </span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">TORTURA
do DESEJO (Hets, 1944)</span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">direção de
Alf Sjöberg.</span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">*** (bom)</span></span></div><div style="text-align: justify;"><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;"> </span></span><br /><span style="color: #3d85c6;"><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">FANNY e
ALEXANDER (Fanny och Alexander, 1982)</span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">direção de
Ingmar Bergman.</span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">*****
(ótimo)</span></span></span></div><div style="text-align: justify;"><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;"> </span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">A FARSA
TRÁGICA (La Cena Delle Beffe, 1942)</span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">direção de
Alessandro Blasetti.</span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">**
(regular)</span></span></div><div style="text-align: justify;"><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;"> </span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">As SOBRAS
da PRISÃO (Avanzi di Galera, 1954)</span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">direção de
Vittorio Cottafavi.</span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">**
(regular)</span></span></div><div style="text-align: justify;"><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;"> </span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">CORREIO
do INFERNO (Rawhide, 1951)</span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">direção de
Henry Hathaway.</span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">*** (bom)</span></span></div><div style="text-align: justify;"><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;"> </span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">SUBLIME
OBSESSÃO (Magnificent Obsession, 1954)</span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">direção de
Douglas Sirk.</span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">****
(muito bom)</span></span></div><div style="text-align: justify;"><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;"> </span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">A
VINGANÇA de MANON (Manon des Sources, 1986)</span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">direção de
Claude Berri.</span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">****
(muito bom)</span></span></div><div style="text-align: justify;"><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;"> </span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">Os SETE
IRMÃOS CERVI (I Sette Fratelli Cervi, 1968)</span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">direção de
Gianni Pucci.</span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">*** (bom)</span></span></div><div style="text-align: justify;"><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;"> </span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">VICENTE,
FRANCISCO, PAULO e os OUTROS (Vincent, François, Paul... et les Autres, 1974)</span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">direção de
Claude Sautet.</span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">****
(muito bom)</span></span></div><div style="text-align: justify;"><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;"> </span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">Os
PEQUENOS VESTÍGIOS (The Little Things, 2021)</span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">direção de
John Lee Hancock.</span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">**
(regular)</span></span></div><div style="text-align: justify;"><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;"> </span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">O
FAVORITO (The Front Runner, 2018)</span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">direção de
Jason Reitman.</span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">*** (bom)</span></span></div><div style="text-align: justify;"><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;"> </span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">NÃO ULTRAPASSE
(Trespass Against Us, 2016)</span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">direção de
Adam Smith.</span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">*** (bom)</span></span></div><div style="text-align: justify;"><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;"> </span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">JEAN de
FLORETTE (Idem, 1986)</span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">direção de
Claude Berri.</span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">****
(muito bom)</span></span></div><div style="text-align: justify;"><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;"> </span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">O
ESQUADRÃO IMPLACÁVEL (The Seven-Ups, 1973)</span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">direção de
Philip D'Antoni.</span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">**
(regular)</span></span></div><div style="text-align: justify;"><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;"> </span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">AMBIÇÃO
que MATA (Bad for Each Other, 1953)</span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">direção de
Irving Rapper.</span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">*** (bom)</span></span></div><div style="text-align: justify;"><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;"> </span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">LUZ SOBRE
o ASSASSINO (Pleins feux sur l'Assassin, 1961)</span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">direção de
Georges Franju.</span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">**
(regular)</span></span></div><div style="text-align: justify;"><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;"> </span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">Na SENDA
do CRIME (1954)</span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">direção de
Flaminio Bollini Cerri.</span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">****
(muito bom)</span></span></div><div style="text-align: justify;"><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;"> </span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">PÉRFIDA
(The Little Foxes, 1941)</span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">direção de
William Wyler.</span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">*****
(ótimo)</span></span></div><div style="text-align: justify;"><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;"> </span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;"><span style="mso-spacerun: yes;"> </span>JOGO do DINHEIRO (Money Monster, 2016)</span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">direção de
Jodie Foster.</span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">**
(regular)</span></span></div><div style="text-align: justify;"><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;"> </span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">NARCISO e
GOLDMUND (Narziss und Goldmund, 2020)</span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">direção de
Stefan Ruzowitzky.</span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">**
(regular)</span></span></div>
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List 5"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List Bullet 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List Bullet 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List Bullet 4"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List Bullet 5"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List Number 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List Number 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List Number 4"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List Number 5"/>
<w:LsdException Locked="false" Priority="10" QFormat="true" Name="Title"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Closing"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Signature"/>
<w:LsdException Locked="false" Priority="1" SemiHidden="true"
UnhideWhenUsed="true" Name="Default Paragraph Font"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Body Text"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Body Text Indent"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List Continue"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List Continue 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List Continue 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List Continue 4"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List Continue 5"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Message Header"/>
<w:LsdException Locked="false" Priority="11" QFormat="true" Name="Subtitle"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Salutation"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Date"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Body Text First Indent"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Body Text First Indent 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Note Heading"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Body Text 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Body Text 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Body Text Indent 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Body Text Indent 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Block Text"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Hyperlink"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="FollowedHyperlink"/>
<w:LsdException Locked="false" Priority="22" QFormat="true" Name="Strong"/>
<w:LsdException Locked="false" Priority="20" QFormat="true" Name="Emphasis"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Document Map"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Plain Text"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="E-mail Signature"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Top of Form"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Bottom of Form"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Normal (Web)"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Acronym"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Address"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Cite"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Code"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Definition"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Keyboard"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Preformatted"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Sample"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Typewriter"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Variable"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Normal Table"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="annotation subject"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="No List"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Outline List 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Outline List 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Outline List 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Simple 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Simple 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Simple 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Classic 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Classic 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Classic 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Classic 4"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Colorful 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Colorful 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Colorful 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Columns 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Columns 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Columns 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Columns 4"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Columns 5"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Grid 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Grid 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Grid 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Grid 4"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Grid 5"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Grid 6"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Grid 7"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Grid 8"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table List 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table List 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table List 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table List 4"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table List 5"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table List 6"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table List 7"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table List 8"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table 3D effects 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table 3D effects 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table 3D effects 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Contemporary"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Elegant"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Professional"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Subtle 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Subtle 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Web 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Web 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Web 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Balloon Text"/>
<w:LsdException Locked="false" Priority="39" Name="Table Grid"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Theme"/>
<w:LsdException Locked="false" SemiHidden="true" Name="Placeholder Text"/>
<w:LsdException Locked="false" Priority="1" QFormat="true" Name="No Spacing"/>
<w:LsdException Locked="false" Priority="60" Name="Light Shading"/>
<w:LsdException Locked="false" Priority="61" Name="Light List"/>
<w:LsdException Locked="false" Priority="62" Name="Light Grid"/>
<w:LsdException Locked="false" Priority="63" Name="Medium Shading 1"/>
<w:LsdException Locked="false" Priority="64" Name="Medium Shading 2"/>
<w:LsdException Locked="false" Priority="65" Name="Medium List 1"/>
<w:LsdException Locked="false" Priority="66" Name="Medium List 2"/>
<w:LsdException Locked="false" Priority="67" Name="Medium Grid 1"/>
<w:LsdException Locked="false" Priority="68" Name="Medium Grid 2"/>
<w:LsdException Locked="false" Priority="69" Name="Medium Grid 3"/>
<w:LsdException Locked="false" Priority="70" Name="Dark List"/>
<w:LsdException Locked="false" Priority="71" Name="Colorful Shading"/>
<w:LsdException Locked="false" Priority="72" Name="Colorful List"/>
<w:LsdException Locked="false" Priority="73" Name="Colorful Grid"/>
<w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 1"/>
<w:LsdException Locked="false" Priority="61" Name="Light List Accent 1"/>
<w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 1"/>
<w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 1"/>
<w:LsdException Locked="false" Priority="64" Name="Medium Shading 2 Accent 1"/>
<w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 1"/>
<w:LsdException Locked="false" SemiHidden="true" Name="Revision"/>
<w:LsdException Locked="false" Priority="34" QFormat="true"
Name="List Paragraph"/>
<w:LsdException Locked="false" Priority="29" QFormat="true" Name="Quote"/>
<w:LsdException Locked="false" Priority="30" QFormat="true"
Name="Intense Quote"/>
<w:LsdException Locked="false" Priority="66" Name="Medium List 2 Accent 1"/>
<w:LsdException Locked="false" Priority="67" Name="Medium Grid 1 Accent 1"/>
<w:LsdException Locked="false" Priority="68" Name="Medium Grid 2 Accent 1"/>
<w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 1"/>
<w:LsdException Locked="false" Priority="70" Name="Dark List Accent 1"/>
<w:LsdException Locked="false" Priority="71" Name="Colorful Shading Accent 1"/>
<w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 1"/>
<w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 1"/>
<w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 2"/>
<w:LsdException Locked="false" Priority="61" Name="Light List Accent 2"/>
<w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 2"/>
<w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 2"/>
<w:LsdException Locked="false" Priority="64" Name="Medium Shading 2 Accent 2"/>
<w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 2"/>
<w:LsdException Locked="false" Priority="66" Name="Medium List 2 Accent 2"/>
<w:LsdException Locked="false" Priority="67" Name="Medium Grid 1 Accent 2"/>
<w:LsdException Locked="false" Priority="68" Name="Medium Grid 2 Accent 2"/>
<w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 2"/>
<w:LsdException Locked="false" Priority="70" Name="Dark List Accent 2"/>
<w:LsdException Locked="false" Priority="71" Name="Colorful Shading Accent 2"/>
<w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 2"/>
<w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 2"/>
<w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 3"/>
<w:LsdException Locked="false" Priority="61" Name="Light List Accent 3"/>
<w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 3"/>
<w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 3"/>
<w:LsdException Locked="false" Priority="64" Name="Medium Shading 2 Accent 3"/>
<w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 3"/>
<w:LsdException Locked="false" Priority="66" Name="Medium List 2 Accent 3"/>
<w:LsdException Locked="false" Priority="67" Name="Medium Grid 1 Accent 3"/>
<w:LsdException Locked="false" Priority="68" Name="Medium Grid 2 Accent 3"/>
<w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 3"/>
<w:LsdException Locked="false" Priority="70" Name="Dark List Accent 3"/>
<w:LsdException Locked="false" Priority="71" Name="Colorful Shading Accent 3"/>
<w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 3"/>
<w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 3"/>
<w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 4"/>
<w:LsdException Locked="false" Priority="61" Name="Light List Accent 4"/>
<w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 4"/>
<w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 4"/>
<w:LsdException Locked="false" Priority="64" Name="Medium Shading 2 Accent 4"/>
<w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 4"/>
<w:LsdException Locked="false" Priority="66" Name="Medium List 2 Accent 4"/>
<w:LsdException Locked="false" Priority="67" Name="Medium Grid 1 Accent 4"/>
<w:LsdException Locked="false" Priority="68" Name="Medium Grid 2 Accent 4"/>
<w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 4"/>
<w:LsdException Locked="false" Priority="70" Name="Dark List Accent 4"/>
<w:LsdException Locked="false" Priority="71" Name="Colorful Shading Accent 4"/>
<w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 4"/>
<w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 4"/>
<w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 5"/>
<w:LsdException Locked="false" Priority="61" Name="Light List Accent 5"/>
<w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 5"/>
<w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 5"/>
<w:LsdException Locked="false" Priority="64" Name="Medium Shading 2 Accent 5"/>
<w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 5"/>
<w:LsdException Locked="false" Priority="66" Name="Medium List 2 Accent 5"/>
<w:LsdException Locked="false" Priority="67" Name="Medium Grid 1 Accent 5"/>
<w:LsdException Locked="false" Priority="68" Name="Medium Grid 2 Accent 5"/>
<w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 5"/>
<w:LsdException Locked="false" Priority="70" Name="Dark List Accent 5"/>
<w:LsdException Locked="false" Priority="71" Name="Colorful Shading Accent 5"/>
<w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 5"/>
<w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 5"/>
<w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 6"/>
<w:LsdException Locked="false" Priority="61" Name="Light List Accent 6"/>
<w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 6"/>
<w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 6"/>
<w:LsdException Locked="false" Priority="64" Name="Medium Shading 2 Accent 6"/>
<w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 6"/>
<w:LsdException Locked="false" Priority="66" Name="Medium List 2 Accent 6"/>
<w:LsdException Locked="false" Priority="67" Name="Medium Grid 1 Accent 6"/>
<w:LsdException Locked="false" Priority="68" Name="Medium Grid 2 Accent 6"/>
<w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 6"/>
<w:LsdException Locked="false" Priority="70" Name="Dark List Accent 6"/>
<w:LsdException Locked="false" Priority="71" Name="Colorful Shading Accent 6"/>
<w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 6"/>
<w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 6"/>
<w:LsdException Locked="false" Priority="19" QFormat="true"
Name="Subtle Emphasis"/>
<w:LsdException Locked="false" Priority="21" QFormat="true"
Name="Intense Emphasis"/>
<w:LsdException Locked="false" Priority="31" QFormat="true"
Name="Subtle Reference"/>
<w:LsdException Locked="false" Priority="32" QFormat="true"
Name="Intense Reference"/>
<w:LsdException Locked="false" Priority="33" QFormat="true" Name="Book Title"/>
<w:LsdException Locked="false" Priority="37" SemiHidden="true"
UnhideWhenUsed="true" Name="Bibliography"/>
<w:LsdException Locked="false" Priority="39" SemiHidden="true"
UnhideWhenUsed="true" QFormat="true" Name="TOC Heading"/>
<w:LsdException Locked="false" Priority="41" Name="Plain Table 1"/>
<w:LsdException Locked="false" Priority="42" Name="Plain Table 2"/>
<w:LsdException Locked="false" Priority="43" Name="Plain Table 3"/>
<w:LsdException Locked="false" Priority="44" Name="Plain Table 4"/>
<w:LsdException Locked="false" Priority="45" Name="Plain Table 5"/>
<w:LsdException Locked="false" Priority="40" Name="Grid Table Light"/>
<w:LsdException Locked="false" Priority="46" Name="Grid Table 1 Light"/>
<w:LsdException Locked="false" Priority="47" Name="Grid Table 2"/>
<w:LsdException Locked="false" Priority="48" Name="Grid Table 3"/>
<w:LsdException Locked="false" Priority="49" Name="Grid Table 4"/>
<w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark"/>
<w:LsdException Locked="false" Priority="51" Name="Grid Table 6 Colorful"/>
<w:LsdException Locked="false" Priority="52" Name="Grid Table 7 Colorful"/>
<w:LsdException Locked="false" Priority="46"
Name="Grid Table 1 Light Accent 1"/>
<w:LsdException Locked="false" Priority="47" Name="Grid Table 2 Accent 1"/>
<w:LsdException Locked="false" Priority="48" Name="Grid Table 3 Accent 1"/>
<w:LsdException Locked="false" Priority="49" Name="Grid Table 4 Accent 1"/>
<w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark Accent 1"/>
<w:LsdException Locked="false" Priority="51"
Name="Grid Table 6 Colorful Accent 1"/>
<w:LsdException Locked="false" Priority="52"
Name="Grid Table 7 Colorful Accent 1"/>
<w:LsdException Locked="false" Priority="46"
Name="Grid Table 1 Light Accent 2"/>
<w:LsdException Locked="false" Priority="47" Name="Grid Table 2 Accent 2"/>
<w:LsdException Locked="false" Priority="48" Name="Grid Table 3 Accent 2"/>
<w:LsdException Locked="false" Priority="49" Name="Grid Table 4 Accent 2"/>
<w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark Accent 2"/>
<w:LsdException Locked="false" Priority="51"
Name="Grid Table 6 Colorful Accent 2"/>
<w:LsdException Locked="false" Priority="52"
Name="Grid Table 7 Colorful Accent 2"/>
<w:LsdException Locked="false" Priority="46"
Name="Grid Table 1 Light Accent 3"/>
<w:LsdException Locked="false" Priority="47" Name="Grid Table 2 Accent 3"/>
<w:LsdException Locked="false" Priority="48" Name="Grid Table 3 Accent 3"/>
<w:LsdException Locked="false" Priority="49" Name="Grid Table 4 Accent 3"/>
<w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark Accent 3"/>
<w:LsdException Locked="false" Priority="51"
Name="Grid Table 6 Colorful Accent 3"/>
<w:LsdException Locked="false" Priority="52"
Name="Grid Table 7 Colorful Accent 3"/>
<w:LsdException Locked="false" Priority="46"
Name="Grid Table 1 Light Accent 4"/>
<w:LsdException Locked="false" Priority="47" Name="Grid Table 2 Accent 4"/>
<w:LsdException Locked="false" Priority="48" Name="Grid Table 3 Accent 4"/>
<w:LsdException Locked="false" Priority="49" Name="Grid Table 4 Accent 4"/>
<w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark Accent 4"/>
<w:LsdException Locked="false" Priority="51"
Name="Grid Table 6 Colorful Accent 4"/>
<w:LsdException Locked="false" Priority="52"
Name="Grid Table 7 Colorful Accent 4"/>
<w:LsdException Locked="false" Priority="46"
Name="Grid Table 1 Light Accent 5"/>
<w:LsdException Locked="false" Priority="47" Name="Grid Table 2 Accent 5"/>
<w:LsdException Locked="false" Priority="48" Name="Grid Table 3 Accent 5"/>
<w:LsdException Locked="false" Priority="49" Name="Grid Table 4 Accent 5"/>
<w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark Accent 5"/>
<w:LsdException Locked="false" Priority="51"
Name="Grid Table 6 Colorful Accent 5"/>
<w:LsdException Locked="false" Priority="52"
Name="Grid Table 7 Colorful Accent 5"/>
<w:LsdException Locked="false" Priority="46"
Name="Grid Table 1 Light Accent 6"/>
<w:LsdException Locked="false" Priority="47" Name="Grid Table 2 Accent 6"/>
<w:LsdException Locked="false" Priority="48" Name="Grid Table 3 Accent 6"/>
<w:LsdException Locked="false" Priority="49" Name="Grid Table 4 Accent 6"/>
<w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark Accent 6"/>
<w:LsdException Locked="false" Priority="51"
Name="Grid Table 6 Colorful Accent 6"/>
<w:LsdException Locked="false" Priority="52"
Name="Grid Table 7 Colorful Accent 6"/>
<w:LsdException Locked="false" Priority="46" Name="List Table 1 Light"/>
<w:LsdException Locked="false" Priority="47" Name="List Table 2"/>
<w:LsdException Locked="false" Priority="48" Name="List Table 3"/>
<w:LsdException Locked="false" Priority="49" Name="List Table 4"/>
<w:LsdException Locked="false" Priority="50" Name="List Table 5 Dark"/>
<w:LsdException Locked="false" Priority="51" Name="List Table 6 Colorful"/>
<w:LsdException Locked="false" Priority="52" Name="List Table 7 Colorful"/>
<w:LsdException Locked="false" Priority="46"
Name="List Table 1 Light Accent 1"/>
<w:LsdException Locked="false" Priority="47" Name="List Table 2 Accent 1"/>
<w:LsdException Locked="false" Priority="48" Name="List Table 3 Accent 1"/>
<w:LsdException Locked="false" Priority="49" Name="List Table 4 Accent 1"/>
<w:LsdException Locked="false" Priority="50" Name="List Table 5 Dark Accent 1"/>
<w:LsdException Locked="false" Priority="51"
Name="List Table 6 Colorful Accent 1"/>
<w:LsdException Locked="false" Priority="52"
Name="List Table 7 Colorful Accent 1"/>
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</p></div></div></div></div>ANTONIO NAHUDhttp://www.blogger.com/profile/09829893001743081676noreply@blogger.com2tag:blogger.com,1999:blog-7997398743762234247.post-65842994712685310912022-12-27T21:36:00.017-03:002022-12-27T22:20:12.239-03:00****** FRED ZINNEMANN – Uma VIDA no CINEMA<p style="text-align: left;"></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgw9Ck38xENeKDHLdoT7JGkJuqy_HRUFKVzJexqp0Lk1Ge2KibAECDYB9nPv5XyxpjJFTkJXSzCcF2JFeIiWbO7sZnF4RqCP8Gow7J0ylD79xm08j1QFtOH--ANQeECjwSTBDdlhz-iXc6MN3VGhA4ebJS2nuanbsN55GS00_tqkuuBxkXxXI0c10sT/s2000/palabra-de-fred-zinnemann-original.jpg" style="font-family: inherit; margin-left: 1em; margin-right: 1em; text-align: center;"><img border="0" data-original-height="1247" data-original-width="2000" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgw9Ck38xENeKDHLdoT7JGkJuqy_HRUFKVzJexqp0Lk1Ge2KibAECDYB9nPv5XyxpjJFTkJXSzCcF2JFeIiWbO7sZnF4RqCP8Gow7J0ylD79xm08j1QFtOH--ANQeECjwSTBDdlhz-iXc6MN3VGhA4ebJS2nuanbsN55GS00_tqkuuBxkXxXI0c10sT/w640-h400/palabra-de-fred-zinnemann-original.jpg" width="640" /></a></div><div style="text-align: justify;"></div><div style="text-align: justify;"><span style="font-family: inherit;"><br /><br /></span></div><div style="text-align: justify;"><span style="font-family: inherit;"><br /></span></div><span style="font-family: inherit;"><span style="font-size: 14pt;"><div style="text-align: justify;"><span style="font-size: 14pt;"><span style="color: #3d85c6;">Entrevista:</span>
<span style="background-color: #274e13; color: white;">DAVID GRITTEN</span></span></div></span><span style="font-size: 14pt;"><div style="text-align: justify;"><span style="font-size: 14pt;"><span style="color: #3d85c6;">“Los
Angeles Times”, 1992</span></span></div></span><span style="font-size: 14pt;"><div style="text-align: justify;"><span style="font-size: 14pt;"><span style="color: #3d85c6;">Tradução:</span>
<span style="background-color: #274e13; color: white;">ANTONIO NAHUD</span></span></div></span><span style="font-size: 14pt;"><div style="text-align: justify;"><span style="font-size: 14pt;"> </span></div></span><span style="font-size: 14pt;"><div style="text-align: justify;"><span style="font-size: 14pt;"> </span></div></span><span style="font-size: 14pt;"><div style="text-align: justify;"><span style="font-size: 14pt;">Há quase
uma década, o veterano diretor <span style="background-color: #274e13; color: white;">FRED ZINNEMANN</span> <span style="color: #3d85c6;">(1907 – 1997. Viena / Áustria)</span>,
cuja assinatura está em alguns dos mais notáveis filmes de
Hollywood, está em aposentadoria voluntária - descartado da indústria do cinema
pelo veneno das críticas ao seu último filme, <span style="color: #3d85c6;">“Cinco Dias de Verão </span></span><span style="font-size: 14pt;"><span style="color: #3d85c6;">/ Five Days One Summer”</span>. </span><span style="font-size: 14pt;">Sua idade
- ele tem 85 anos - e problemas de saúde contribuíram para a decisão,
mas o julgamento perverso ao filme de 1983, uma aventura romântica ambientada
nos Alpes franceses e estrelado por Sean Connery, deixou o diretor desanimado.</span></div></span><span style="font-size: 14pt;"><div style="text-align: justify;"><span style="font-family: inherit; font-size: 14pt;"> </span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 150%;"><span style="color: #3d85c6;">“Não
estou dizendo que foi um bom filme”</span>, diz ele. <span style="color: #3d85c6;">“Mas havia um certo grau de crueldade
nas críticas. O prazer que algumas pessoas tiveram em destruí-lo realmente
doeu.”</span> Ele tinha visto seu amigo, o falecido David Lean, passar pela mesma
experiência. Lean ficou deprimido com a hostilidade a <span style="color: #3d85c6;">“A Filha de Ryan</span></span><span style="font-size: 14pt;"><span style="color: #3d85c6;"> / </span></span><span style="font-size: 14pt; line-height: 150%;"><span style="color: #3d85c6;">Ryan's Daughter”</span>,
em 1970. Depois </span><span style="font-size: 14pt; line-height: 150%;">disso, Lean fez apenas mais um filme, <span style="color: #3d85c6;">“Uma
Passagem para a Índia / A Passage to India”</span>, lançado em 1984, embora estivesse
trabalhando em <span style="color: #3d85c6;">“Nostromo”</span>, de Joseph Conrad, na época de sua morte, no ano
passado.</span></span><br /><span style="font-family: inherit; font-size: 14pt;"> </span></div></span><span style="font-size: 14pt;"><div style="text-align: justify;"><span style="font-size: 14pt;"><span style="color: #3d85c6;">“Cinco
Dias de Verão Five”</span> será o canto do cisne de <span style="background-color: #274e13; color: white;">FRED ZINNEMANN</span> no cinema. Mas a
amargura permanece. <span style="color: #3d85c6;">“Sentimos que, mesmo que o filme não represente nada, temos
direito a algum respeito”</span>, se queixa. <span style="color: #3d85c6;">“Não mais do que isso.”</span> O currículo do
diretor seria elogioso se tivesse </span><span style="font-size: 14pt;">apenas
<span style="color: #3d85c6;">“Espíritos Indômitos / The Men”</span>, o primeiro filme de Marlon </span><span style="font-size: 14pt;">Brando, de
1950. Mas ele dirigiu também os clássicos<span style="color: #3d85c6;"> “Matar ou Morrer”</span>, <span style="color: #3d85c6;">“A Um Passo da
Eternidade</span></span><span style="color: #3d85c6; font-family: inherit; font-size: 14pt;">”</span><span style="font-family: inherit; font-size: 14pt;"> e <span style="color: #3d85c6;">“Júlia”</span>, bem como outros filmes
excelentes: o drama <span style="color: #3d85c6;">“Uma Cruz à Beira do Caminho”</span>, com Audrey
Hepburn, o simpático </span><span style="font-family: inherit; font-size: 14pt;">musical
<span style="color: #3d85c6;">“Oklahoma! / Idem”</span> (1955) e o tenso thriller <span style="color: #3d85c6;">“O Dia do </span></span><span style="font-family: inherit; font-size: 14pt;"><span style="color: #3d85c6;">Chacal”</span>.</span></div></span><span style="font-size: 14pt;"><div style="text-align: justify;"><span style="font-size: 14pt;"><br /><table cellpadding="0" cellspacing="0" class="tr-caption-container" style="float: right; margin-left: 1em; text-align: right;"><tbody><tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhC2VgbeLGha8YovgSs8WPVK6MZqws5yvV-7lJsjPSh8iQ4kGB1Fj5C46gXHV2o_p_nDhm1y4JoVWlI9WFPer8p-1urUzqiCb2ypvfZHdDN438VjzArym3i_ARW0PpD21J9UgCiQjp1yVKT3g8Aymi3uM0S1mtTRg-io4UGbJdeuWqBe4N3UPjfWvKB/s1119/high-noon-behind-the-scenes-still-8x10-r1970-fred-zinnemann-grace-kelly.jpg" imageanchor="1" style="clear: right; margin-bottom: 1em; margin-left: auto; margin-right: auto;"><img border="0" data-original-height="825" data-original-width="1119" height="295" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhC2VgbeLGha8YovgSs8WPVK6MZqws5yvV-7lJsjPSh8iQ4kGB1Fj5C46gXHV2o_p_nDhm1y4JoVWlI9WFPer8p-1urUzqiCb2ypvfZHdDN438VjzArym3i_ARW0PpD21J9UgCiQjp1yVKT3g8Aymi3uM0S1mtTRg-io4UGbJdeuWqBe4N3UPjfWvKB/w400-h295/high-noon-behind-the-scenes-still-8x10-r1970-fred-zinnemann-grace-kelly.jpg" width="400" /></a></td></tr><tr><td class="tr-caption" style="text-align: center;"><span style="background-color: black; color: #3d85c6; font-family: inherit; font-size: large;">zinnemann e grace kelly</span></td></tr></tbody></table></span></div></span><span style="font-size: 14pt;"><div style="text-align: justify;"><span style="font-size: 14pt;">Não ficou ocioso em sua aposentadoria. Nos últimos cinco anos, trabalhou
meticulosamente em sua autobiografia pictórica, <span style="color: #3d85c6;">“Fred Zinnemann: A Life in the
Movies”</span>, recentemente publicada pela Scribners. As críticas têm sido excelentes.
Frederic Raphael, no <span style="color: #3d85c6;">“London Sunday Times”</span>, chamou o volume de fascinante e o
descreveu como <span style="color: #3d85c6;">“um relato admiravelmente conciso de uma carreira de diretor que
coincide com o período clássico de Hollywood”</span>. <span style="color: #3d85c6;">“Ainda outro relato de uma vida
no cinema, mas de alguma forma muito mais do que isso”</span>, afirmou a <span style="color: #3d85c6;">“Entertainment
Weekly”</span>. O <span style="color: #3d85c6;">“Boston Globe”</span> destacou
a “grande riqueza de imagens como matéria-prima” do livro.</span></div></span><span style="font-size: 14pt;"><div style="text-align: justify;"><span style="font-size: 14pt;"> </span></div></span><span style="font-size: 14pt;"><div style="text-align: justify;"><span style="font-size: 14pt;">Em uma
tarde recente em seu escritório perto de Berkeley Square, em Mayfair, <span style="background-color: #274e13; color: white;">FRED ZINNEMANN</span>
admitiu que seu esforço de cinco anos foi <span style="color: #3d85c6;">“uma estrada longa e triste cheia de
armadilhas”</span>. <span style="color: #3d85c6;">“Um problema era o custo de ter tantas fotos. Os editores não
entendiam por que tinha que haver tantas. E uma editora não tinha dinheiro para
continuar com o livro, então fomos para outra. </span><span style="color: #3d85c6;">Mas eu pensei que sem as fotos
seria inútil. Eu não sou um escritor. Tinha
que haver ilustrações. Era preciso ver como Harry Cohn
parecia para entender como ele se comportava”</span>.</span></div></span><span style="font-size: 14pt;"><div style="text-align: justify;"><span style="font-size: 14pt;"> </span></div></span><span style="font-size: 14pt;"><div style="text-align: justify;"><span style="font-size: 14pt;">Existem
agora 440 fotos no livro, algumas delas de valor inestimável. Há uma cena de um
bêbado em um bar vazio, que foi cortada de <span style="color: #3d85c6;">“Matar ou Morrer”</span>, e outra de Gary
Cooper e Grace Kelly almoçando com a equipe. Lá está Brando visitando Zinnemann
e Montgomery Clift no set de <span style="color: #3d85c6;">“A Um Passo da Eternidade”</span>. O livro abrange os
primeiros anos do cineasta em Viena, seguidos por períodos na escola de cinema
em Paris e como assistente de cinegrafista em Berlim. Ele chegou aos Estados
Unidos em 1929, trabalhou para o diretor Berthold Viertel e aprendeu seu ofício
como aprendiz até sua estreia na direção em 1942, <span style="color: #3d85c6;">“Um Assassino de </span></span><span style="font-size: 14pt;"><span style="color: #3d85c6;">Luvas / Kid Glove Killer”</span>, no qual Ava
Gardner teve um papel de duas </span><span style="font-size: 14pt;">falas.</span></div></span><span style="font-size: 14pt;"><div style="text-align: justify;"><span style="font-size: 14pt;"> </span></div></span><span style="font-size: 14pt;"><div style="text-align: justify;"><span style="font-size: 14pt;">Ele
divide sua vida subsequente em capítulos que correspondem a seus filmes e usa
suas experiências como trampolim para uma série de reminiscências. Se lembra
vividamente do jovem Brando, entusiasmado com seu sucesso em <span style="color: #3d85c6;">“Um Bonde Chamado
Desejo”</span> na Broadway, fazendo um teste para ele e os produtores Stanley Kramer e
Carl Foreman para o papel principal em <span style="color: #3d85c6;">“Espíritos Indômitos”</span>. <span style="color: #3d85c6;">“Ele tinha uma
intensidade real”</span>, lembra <span style="background-color: #274e13; color: white;">FRED ZINNEMANN</span>. <span style="color: #3d85c6;">“Era como um vulcão. Não era fácil de
trabalhar. Suspeitava do pessoal de Hollywood e conservava suas próprias
impressões.</span></span><span style="color: #3d85c6;">” </span><span style="font-family: inherit; font-size: 14pt;">Mas aceitou o papel, interpretando um veterano de guerra
paraplégico em uma enfermaria de hospital cheia de ex-soldados paralíticos.</span></div></span></span><span style="font-family: inherit;"><span style="font-size: 14pt;"><div style="text-align: justify;"><span style="font-size: 14pt;"> <div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjfdP0w6DS07AnMKvgJzESFCM2Z8waLZgyKvmn22Q7rCsDx3DvkXhSe_8qo8Mai9jwXdxzmMOSeGXcSGxLXDc-AjwiZhCk1bfwfaS_tBlAWAfYJtRjSRC_e86r-I4O1Xg5AP8tDZxW8bY8sjzz_y1o3EoFjHhTksWrEHxNZxyvbPYr8GbKJ9lQKRc8Z/s2617/1966_03_director_picture_zinnemann.jpg" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"><img border="0" data-original-height="2617" data-original-width="2132" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjfdP0w6DS07AnMKvgJzESFCM2Z8waLZgyKvmn22Q7rCsDx3DvkXhSe_8qo8Mai9jwXdxzmMOSeGXcSGxLXDc-AjwiZhCk1bfwfaS_tBlAWAfYJtRjSRC_e86r-I4O1Xg5AP8tDZxW8bY8sjzz_y1o3EoFjHhTksWrEHxNZxyvbPYr8GbKJ9lQKRc8Z/w326-h400/1966_03_director_picture_zinnemann.jpg" width="326" /></a></div></span></div></span><span style="font-size: 14pt;"><div style="text-align: justify;"><span style="font-size: 14pt;"><span style="color: #3d85c6;">“Kramer e
Foreman fizeram o filme de forma independente. Se alguém tivesse ido a um
estúdio com um tema como este, não chegaria a lugar nenhum.</span></span><span style="color: #3d85c6;">” </span><span style="font-family: inherit; font-size: 14pt;">Fiel ao seu
treinamento do método, Brando viveu em uma verdadeira enfermaria paraplégica
por três semanas, ao final das quais apenas médicos e enfermeiras sabiam que
ele não estava realmente paralisado. Embora alguns atores agora se preparem para papéis com tanta meticulosidade, esta foi sem dúvida a
primeira vez que um ator de cinema se preparou com tanta profundidade.</span></div></span></span><span style="font-family: inherit;"><span style="font-size: 14pt;"><div style="text-align: justify;"><span style="font-size: 14pt;"> </span></div></span><span style="font-size: 14pt;"><div style="text-align: justify;"><span style="font-size: 14pt;"><span style="color: #3d85c6;">“Ele
concebeu um personagem”</span>, disse <span style="background-color: #274e13; color: white;">FRED ZINNEMANN</span>. <span style="color: #3d85c6;">“Minha direção foi puramente a
parte técnica. Não venho do teatro e não pretendo dizer aos atores como fazer
algo. Conto a eles sobre o desenvolvimento do personagem, o que uma cena
específica exige e é isso.</span></span><span style="color: #3d85c6;">” </span><span style="font-family: inherit; font-size: 14pt;">Montgomery Clift foi outro ator incrível que apareceu
em dois </span><span style="font-family: inherit; font-size: 14pt;">filmes do diretor, <span style="color: #3d85c6;">“Perdidos
na Tormenta / The Search”</span> (1948) e <span style="color: #3d85c6;">“A Um </span></span><span style="font-family: inherit; font-size: 14pt;"><span style="color: #3d85c6;">Passo da Eternidade”</span> (1953),
como o soldado individualista e talentoso boxeador que se recusa a ser controlado
pelas duras regras da vida do Exército.</span></div></span></span><span style="font-family: inherit;"><span style="font-size: 14pt;"><div style="text-align: justify;"><span style="font-size: 14pt;"> </span></div></span><span style="font-size: 14pt;"><div style="text-align: justify;"><span style="font-size: 14pt;">O diretor
discutiu com Harry Cohn quando insistiu que queria Clift na produção. <span style="color: #3d85c6;">“Ele
achava que o filme era sobre boxe, e eu achava que era sobre o espírito
humano”</span>, diz. Cohn queria outro ator que, segundo ele, <span style="color: #3d85c6;">“está sob contrato, não
trabalha há 10 semanas, seu salário está subindo, ele parece um boxeador e as
garotas gostam dele”</span>. Quando disse que preferia Clift, retrucou que ele <span style="color: #3d85c6;">“não
era soldado, nem boxeador e provavelmente homossexual”</span>.</span></div></span><span style="font-size: 14pt;"><div style="text-align: justify;"><span style="font-size: 14pt;"> </span></div></span><span style="font-size: 14pt;"><div style="text-align: justify;"><span style="font-size: 14pt;">Acontece
que Cohn estava certo em todos os aspectos, mas subestimou a capacidade de
Clift de se colocar psicologicamente em um papel. <span style="background-color: #274e13; color: white;">FRED ZINNEMANN</span> ameaçou
desistir de um grande robusto se Clift não conseguisse o papel. Ele cedeu e,
diz o diretor <span style="color: #3d85c6;">“quando Monty estava pronto para o papel, poderíamos jurar que
ele era um soldado de primeira linha e um bom boxeador”</span>.</span></div></span><span style="font-size: 14pt;"><div style="text-align: justify;"><span style="font-size: 14pt;"> </span></div></span><span style="font-size: 14pt;"><div style="text-align: justify;"><span style="font-size: 14pt;">Deborah
Kerr foi outra escolha complicada para a esposa adúltera do capitão. <span style="color: #3d85c6;">“Joan
Crawford estava pronta para fazer o papel e, na verdade, já estava reclamando
de seu guarda-roupa”</span>, diz. <span style="color: #3d85c6;">“Mas então, quando Deborah foi sugerida, todos nós
pensamos que seria uma excelente ideia contratar outra atriz. Naquela época,
Deborah era vista quase como a rainha da Inglaterra, fria como um iceberg. Mas
funcionou lindamente.”</span></span></div></span><span style="font-size: 14pt;"><div style="text-align: justify;"><span style="font-size: 14pt;"> <div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiKiWNqRXqd2Js4gZEjbrfTuc2MYgNyipcakAI9d6FvYZSh4fApzXpa_pMS1_IGDSVgcbLGnOGMi4V_UAwDLcxDP4JKcv9eoP4p46iicYynBFqjcgsnUadOJ-cYnrJGbJvJuEbY-Fsx-HkRv5GdusSHjPJBDxpo4Rb_P32lFkeQM67_Vgt50gV1dUxy/s1842/3441436_1.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="1842" data-original-width="1535" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiKiWNqRXqd2Js4gZEjbrfTuc2MYgNyipcakAI9d6FvYZSh4fApzXpa_pMS1_IGDSVgcbLGnOGMi4V_UAwDLcxDP4JKcv9eoP4p46iicYynBFqjcgsnUadOJ-cYnrJGbJvJuEbY-Fsx-HkRv5GdusSHjPJBDxpo4Rb_P32lFkeQM67_Vgt50gV1dUxy/w334-h400/3441436_1.jpg" width="334" /></a></div></span></div></span><span style="font-size: 14pt;"><div style="text-align: justify;"><span style="font-size: 14pt;">Kerr e
Burt Lancaster gravaram uma das cenas mais memoráveis da história do cinema -
um abraço explosivo na praia enquanto as ondas quebravam sobre eles. <span style="background-color: #274e13; color: white;">FRED ZINNEMANN</span>
observa ironicamente que os ônibus turísticos ainda param em Diamond Head, no
Havaí, para apontar onde a cena foi filmada: <span style="color: #3d85c6;">“É uma curiosa contribuição que
demos à cultura popular.”</span></span></div></span><span style="font-size: 14pt;"><div style="text-align: justify;"><span style="font-size: 14pt;"> </span><span style="font-size: 14pt;"> </span></div></span><span style="font-size: 14pt;"><div style="text-align: justify;"><span style="font-size: 14pt;">O
faroeste <span style="color: #3d85c6;">“Matar ou Morrer”</span> continua sendo o filme mais conhecido de Zinnemann e
que rende várias interpretações para diferentes pessoas. Ele não concorda com a
afirmação do roteirista Carl Foreman de que é uma alegoria do macarthismo.
<span style="color: #3d85c6;">“Algumas pessoas até acham que é uma alegoria da Guerra da Coréia”</span>, acrescenta.
<span style="color: #3d85c6;">“Mas eu vejo como um homem lutando para salvar sua própria
vida, um homem que deve tomar uma decisão de acordo com sua consciência.”</span></span></div></span><span style="font-size: 14pt;"><div style="text-align: justify;"><span style="font-size: 14pt;"> </span></div></span><span style="font-size: 14pt;"><div style="text-align: justify;"><span style="font-size: 14pt;">Ele
gostou muito de dirigir o filme e trabalhar com Gary Cooper, que interpretou o
corajoso xerife de uma pequena cidade. Mas diz que gostou igualmente do desafio
de completar o faroeste dentro dos 28 dias previstos. Esse tipo de comentário
levou <span style="background-color: #274e13; color: white;">FRED ZINNEMANN</span> a ser visto por alguns críticos como um mestre da
logística, e não como um diretor com uma visão autoral. Certamente, admite ter
gostado dos problemas técnicos envolvidos na filmagem de <span style="color: #3d85c6;">“Oklahoma!”</span>. E o que
ele lembra melhor sobre <span style="color: #3d85c6;">“O Dia do Chacal”</span> foi <span style="color: #3d85c6;">“ver se o suspense poderia ser
mantido com o público sabendo o final – isto é, que o Chacal falhou em matar De
Gaulle. Esse tipo de coisa me fascinava, tornou-se como um jogo de palavras
cruzadas.”</span></span></div></span><span style="font-size: 14pt;"><div style="text-align: justify;"><span style="font-size: 14pt;"> </span></div></span><span style="font-size: 14pt;"><div style="text-align: justify;"><span style="font-size: 14pt;">A melhor
e mais divulgada história sobre diretor é boa. Cerca de uma
dúzia de anos atrás, com todos os filmes clássicos em
seu currículo, ele foi persuadido a fazer uma reunião com um ousado e jovem executivo
de um estúdio de Hollywood. <span style="color: #3d85c6;">“Então,”</span> iniciou o executivo, destemido na própria
ignorância, <span style="color: #3d85c6;">“nós nunca nos encontramos antes. Conte-me algumas das coisas que
você fez. “Não, não</span>”, disse educadamente. </span><span style="color: #3d85c6;">“</span><span style="font-family: inherit; font-size: 14pt;"><span style="color: #3d85c6;">Você primeiro.”</span> É verdade? Ele
ri. <span style="color: #3d85c6;">“Há anos venho tentando repudiar essa história. Parece-me que Billy Wilder
me contou sobre si mesmo.</span></span><span style="color: #3d85c6;">”</span></div></span></span><span style="font-family: inherit;"><span style="font-size: 14pt;"><div style="text-align: justify;"><span style="font-size: 14pt;"> </span></div></span><span style="font-size: 14pt;"><div style="text-align: justify;"><span style="font-size: 14pt;">Quer a
história seja verdadeira ou não, ela se encaixa. <span style="background-color: #274e13; color: white;">FRED ZINNEMANN</span>, que ainda tem
um forte sotaque austríaco, é educado e cheio da antiga cortesia vienense. Mas
está impaciente com a nova Hollywood. Por mais que ele fale mal de Harry Cohn e
daquela raça autocrática de chefes de estúdio, pelo menos eles conheciam
filmes. <span style="color: #3d85c6;">“Eram gananciosos, e eu sentia desprezo
pela forma como usavam o poder. Mas o amor deles pelo cinema - isso era algo se
poderia discutir com eles.”</span>, diz ele.</span></div><div style="text-align: justify;"><br /></div></span><span style="font-size: 14pt;"><div style="text-align: justify;"><span style="font-size: 14pt;"><table cellpadding="0" cellspacing="0" class="tr-caption-container" style="float: left; margin-right: 1em; text-align: left;"><tbody><tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhgOPg_vVr2T5OrxyCKDKF2KQMzetjLZ5PHtT2obHXnf_89OOwygUs7FblkKAWPkqnij8EOZatlIOUkRFjum2txfRcVknQvMW9krLR-BzzBzUt5q81AuA8ahvBOPsQ-SaC_hAeYRq35s8L4DGIUEGhRgtnzmjzmtUH8JnHGMKs1LdKP3QDQymZCygqj/s1410/Marlon-Brando-set-Fred-Zinnemann-Montgomery-Clift.webp" imageanchor="1" style="clear: left; margin-bottom: 1em; margin-left: auto; margin-right: auto;"><img border="0" data-original-height="1200" data-original-width="1410" height="340" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhgOPg_vVr2T5OrxyCKDKF2KQMzetjLZ5PHtT2obHXnf_89OOwygUs7FblkKAWPkqnij8EOZatlIOUkRFjum2txfRcVknQvMW9krLR-BzzBzUt5q81AuA8ahvBOPsQ-SaC_hAeYRq35s8L4DGIUEGhRgtnzmjzmtUH8JnHGMKs1LdKP3QDQymZCygqj/w400-h340/Marlon-Brando-set-Fred-Zinnemann-Montgomery-Clift.webp" width="400" /></a></td></tr><tr><td class="tr-caption" style="text-align: center;"><span style="background-color: black; color: #3d85c6; font-family: inherit; font-size: large;">marlon brando, zinnemann <br />e montgomery clift</span></td></tr></tbody></table></span></div></span><span style="font-size: 14pt;"><div style="text-align: justify;"><span style="font-size: 14pt;">Agora,
como ele vê, tudo é diferente, contadores e advogados comandam o show. <span style="color: #3d85c6;">“Se
falarmos com esses caras sobre o amor pelo cinema, não tenho certeza se eles
saberão do que estamos falando”</span>, diz ele. A virada que azedou o diretor ocorreu
em 1969, quando a MGM cancelou sua versão do romance de Andre Malraux, <span style="color: #3d85c6;">“Man's
Fate”</span>, no qual ele vinha trabalhando há três anos. Sem motivo, o
estúdio findou o filme três dias antes do início das filmagens em
Londres.</span></div></span><span style="font-size: 14pt;"><div style="text-align: justify;"><span style="font-size: 14pt;"><span style="color: #3d85c6;"> </span></span></div></span><span style="font-size: 14pt;"><div style="text-align: justify;"><span style="font-size: 14pt;"><span style="color: #3d85c6;">“Até
aquele ponto”</span>, diz com um suspiro, <span style="color: #3d85c6;">“havia uma certa honra de ladrão no negócio.
Mas depois disso, um aperto de mão não era mais um aperto de mão.”</span> Ainda assim,
ele é um profissional sem rancor. Sua autobiografia é bastante desprovida de
amargura pessoal, não há contas sendo acertadas com velhos inimigos ou fofocas
maliciosas. Sobre o fiasco de <span style="color: #3d85c6;">“Man's Fate”</span>, se refere a um executivo da MGM com
quem nunca mais falou - mas não o menciona no livro. Ele também se refere a uma
rixa com a dramaturga Lillian Hellman, que escreveu o conto no qual <span style="color: #3d85c6;">“Júlia”</span> foi
baseado, mas nos poupa de quaisquer detalhes.</span></div></span><span style="font-size: 14pt;"><div style="text-align: justify;"><span style="font-size: 14pt;"> </span></div></span><span style="font-size: 14pt;"><div style="text-align: justify;"><span style="font-size: 14pt;"><span style="color: #3d85c6;">“Não vejo
para que serve revisar essas coisas”, diz. “Não estou prestes a julgar
ninguém.”</span> Mas ele admite que viu Hollywood <span style="color: #3d85c6;">“do ponto de vista de um verme. Vi
pessoas se comportando mal. Aprendi muito sobre a natureza humana. Pode ser
engraçado, mas com certeza não é interessante. Achei que a melhor maneira era
rir disso.” </span>A vida privada de <span style="background-color: #274e13; color: white;">FRED ZINNEMANN</span> também não se intromete muito em
seu livro. Renée, sua esposa há mais de 50 anos, recebe sua maior menção por
meio de um pequeno papel que desempenhou em <span style="color: #3d85c6;">“Uma Cruz à Beira do Caminho”</span>. <span style="color: #3d85c6;">“Bem”</span>, diz, <span style="color: #3d85c6;">“há coisas que devem
permanecer privadas. Algumas das coisas que as pessoas escrevem sobre suas
próprias vidas são indecentes.”</span></span></div></span><span style="font-size: 14pt;"><div style="text-align: justify;"><span style="font-size: 14pt;"> </span></div></span><span style="font-size: 14pt;"><div style="text-align: justify;"><span style="font-size: 14pt;">À sua
maneira, ele nada contra a maré - apesar dos críticos que acusam seus filmes de
serem conservadores e convencionais. Ele se lembra de ter lido <span style="color: #3d85c6;">“O Vermelho e o
Negro”</span>, de Stendhal, quando era estudante. <span style="color: #3d85c6;">“Era sobre um jovem se arriscando,
nadando contra a corrente o tempo todo, e isso influenciou toda a minha
atitude.”</span> E quando teve a chance de dirigir seus próprios filmes, eles tendiam
a ser sobre questões em debate. Seus filmes do pós-guerra, influenciados por
cineastas neorrealistas italianos, abordaram temas como a situação dos
veteranos de guerra, noivas de guerra estrangeiras e crianças deslocadas.</span></div><div style="text-align: justify;"><br /></div></span><span style="font-size: 14pt;"><div style="text-align: justify;"><span style="font-size: 14pt;"><table cellpadding="0" cellspacing="0" class="tr-caption-container" style="float: right; margin-left: 1em; text-align: right;"><tbody><tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgiha2nI7rtTlUpbZqmj1L-4GxAycL_f_lxe5WGQTEd6vWEVyBGYOWcprMzF-kCEYUV_t28HLQZjIPId9W3uqs7Dh1mfiMeAz96kQrZlNHXWuC820pq82PrESZsUavncJ4KQWTq8SW2BP6WjPaPo66dreaRpvqY1YR92ijtl2bDwGUFBCuh1eg8pC1D/s975/fred-zinnemann.jpg" imageanchor="1" style="clear: right; margin-bottom: 1em; margin-left: auto; margin-right: auto;"><img border="0" data-original-height="568" data-original-width="975" height="233" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgiha2nI7rtTlUpbZqmj1L-4GxAycL_f_lxe5WGQTEd6vWEVyBGYOWcprMzF-kCEYUV_t28HLQZjIPId9W3uqs7Dh1mfiMeAz96kQrZlNHXWuC820pq82PrESZsUavncJ4KQWTq8SW2BP6WjPaPo66dreaRpvqY1YR92ijtl2bDwGUFBCuh1eg8pC1D/w400-h233/fred-zinnemann.jpg" width="400" /></a></td></tr><tr><td class="tr-caption" style="text-align: center;"><span style="background-color: black; color: #3d85c6; font-family: inherit; font-size: large;">zinnemann e audrey hepburn</span></td></tr></tbody></table></span></div></span><span style="font-size: 14pt;"><div style="text-align: justify;"><span style="font-size: 14pt;">Logo foi
procurado para dirigir filmes de grande orçamento. <span style="color: #3d85c6;">“As pessoas achavam que
havia um certo tipo de história que eu gostava de fazer”</span>, lembra ele. <span style="color: #3d85c6;">“Eu queria cada
vez mais filmar histórias no local a que elas pertenciam. E isso me levou cada
vez mais à Europa.”</span> Ele insiste que nunca deu as costas a
Hollywood, embora viva na Grã-Bretanha, que considera um país civilizado, há
quase 30 anos.</span></div></span><span style="font-size: 14pt;"><div style="text-align: justify;"><span style="font-size: 14pt;"> </span></div></span><span style="font-size: 14pt;"><div style="text-align: justify;"><span style="font-size: 14pt;">No
entanto, admite alguma exasperação com o sistema estelar. <span style="color: #3d85c6;">“É uma coisa
puramente pessoal”</span>, refletiu. <span style="color: #3d85c6;">“Alguns diretores - Billy Wilder, John Huston,
William Wyler - eram muito bons com estrelas, eram espirituosos, sabiam falar
com elas e trabalhar com elas. Descobri que, a menos que se possa retirar esse
elemento de estrelato do trabalho, haveria problemas. Para mim, foi mais fácil
trabalhar com pessoas que podiam esquecer que eram estrelas.”</span></span></div></span><span style="font-size: 14pt;"><div style="text-align: justify;"><span style="font-size: 14pt;"> </span></div></span><span style="font-size: 14pt;"><div style="text-align: justify;"><span style="font-size: 14pt;"><span style="color: #3d85c6;">“Não
apenas as estrelas custam muito dinheiro, mas psicologicamente os produtores, o
estúdio, todo mundo sente que a estrela é a pessoa central e deve ser a história.”</span>
<span style="background-color: #274e13; color: white;">FRED ZINNEMANN</span> descobriu que as demandas das estrelas podem ter um efeito
desgastante sobre todos em um set de filmagem. Outros atores -
menciona Vanessa Redgrave e Paul Scofield, de <span style="color: #3d85c6;">“O Homem que Não
Vendeu sua Alma”</span>, a quem descreve como um santo - são generosos e fornecem
sustento para seus colegas.</span></div></span><span style="font-size: 14pt;"><div style="text-align: justify;"><span style="font-size: 14pt;"> </span></div></span><span style="font-size: 14pt;"><div style="text-align: justify;"><span style="font-size: 14pt;">Ele sente
que se divertiu e teve sorte. Tem uma filmografia para olhar para
trás, que resiste ao teste do tempo. Hoje, ele recebeu um cartão de um amigo na
Alemanha com uma citação de Schopenhauer, que diz: <span style="color: #3d85c6;">“Como é feliz no
final da vida ver que sua obra não envelheceu com você”</span>. O diretor se permite
um sorriso irônico. <span style="color: #3d85c6;">“Não sou louco pelos alemães, mas eles são bons em citações.
E essa é muito boa”</span>.</span></div></span><span style="font-size: 14pt;"><div style="text-align: center;"><span style="font-size: 14pt;"> <div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh2EahnXZGl40DjJGxBgDyZwU-7tLKhPFhtVEPQO2aPy2j988Rm3FLaBhxHFrmcd0g01jhQycCaEXpiVq4MdZ3BfFavb8wdq9deiH8hyC-IF6871zp_GMszO9BZeC-ir179J71U0pnUDoDbESYk1ZHNqyqlCxjj3UJdmtIIsN4BAKO-i118bF8cxcbV/s963/gettyimages-3240506-1024x1024.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="813" data-original-width="963" height="540" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh2EahnXZGl40DjJGxBgDyZwU-7tLKhPFhtVEPQO2aPy2j988Rm3FLaBhxHFrmcd0g01jhQycCaEXpiVq4MdZ3BfFavb8wdq9deiH8hyC-IF6871zp_GMszO9BZeC-ir179J71U0pnUDoDbESYk1ZHNqyqlCxjj3UJdmtIIsN4BAKO-i118bF8cxcbV/w640-h540/gettyimages-3240506-1024x1024.jpg" width="640" /></a></div><br /></span></div></span><span style="font-size: 14pt;"><div style="text-align: center;"><span style="background-color: #274e13; font-size: 14pt;"><span style="color: white;">10 FILMES
de FRED ZINNEMANN</span></span></div></span><span style="color: #3d85c6;"><span style="font-size: 14pt;"><div style="text-align: center;"><span style="font-size: 14pt;">(por
ordem de preferência)</span></div></span><span style="font-size: 14pt;"><div style="text-align: justify;"><span style="font-size: 14pt;"> </span></div></span><span style="font-size: 14pt;"><div style="text-align: justify;"><span style="font-size: 14pt;">01</span></div></span></span><span style="font-size: 14pt;"><div style="text-align: center;"><span style="background-color: #274e13; font-size: 14pt;"><span style="color: white;">A um
PASSO da ETERNIDADE</span></span></div></span><span style="font-size: 14pt;"><div style="text-align: center;"><span style="font-size: 14pt;"><span style="color: #3d85c6;">(From
Here to Eternity, 1953)</span></span></div><div style="text-align: justify;"><span style="font-size: 14pt;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgv_SNpEkvrZ9l9Q_9vKbcSquJlW46hG0xxj3TJBII_6HKjac6zNNBbNkPJe8jM6NIbXPyrMrzXMN6EiR78pG83us770z1AtpJp3NugOsq6ZijpGEZlUlMhLV1JXVplPaSDTuIhJEgfr73VubaziGOQrzCag7uF7dhiJIOeOiebJeNdv3ayBbJam9G4/s1500/from-here-to-eternity.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1500" data-original-width="1001" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgv_SNpEkvrZ9l9Q_9vKbcSquJlW46hG0xxj3TJBII_6HKjac6zNNBbNkPJe8jM6NIbXPyrMrzXMN6EiR78pG83us770z1AtpJp3NugOsq6ZijpGEZlUlMhLV1JXVplPaSDTuIhJEgfr73VubaziGOQrzCag7uF7dhiJIOeOiebJeNdv3ayBbJam9G4/s320/from-here-to-eternity.jpg" width="214" /></a></div><span style="color: #3d85c6;"><br /></span></span></div></span><span style="font-size: 14pt;"><div style="text-align: justify;"><span style="font-size: 14pt;"><span style="background-color: #274e13; color: white;">Elenco:</span> Burt
Lancaster, Montgomery Clift, Deborah Kerr, Donna Reed, Frank Sinatra, Ernest
Borgnine e Jack Warden</span></div></span><span style="font-size: 14pt;"><div style="text-align: justify;"><span style="font-size: 14pt;"> </span></div></span><span style="font-size: 14pt;"><div style="text-align: justify;"><span style="font-size: 14pt;"><span style="color: #3d85c6;">02</span></span></div></span><span style="font-size: 14pt;"><div style="text-align: center;"><span style="background-color: #274e13; font-size: 14pt;"><span style="color: white;">JÚLIA</span></span></div></span><span style="font-size: 14pt;"><div style="text-align: center;"><span style="font-size: 14pt;"><span style="color: #3d85c6;">(Idem, 1977)</span></span></div><div style="text-align: justify;"><span style="font-size: 14pt;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhagQJuyKwufwFa4QchtOZyumn0_RVtFWlZNbURAheEzjhDBLjzEjCbon21MLNklUH3T0x2cruf5WvhItElvQhLhKOfA324ZGPBhnepPCnmxVLocOmiK35abghejq0m2blKXGAEtVXXoPj0OkVEVaoKvn-CVSP79gApJ_Gqi21zcQvQGnz8cGiFJ23S/s1174/Julia-708913225-large.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1174" data-original-width="795" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhagQJuyKwufwFa4QchtOZyumn0_RVtFWlZNbURAheEzjhDBLjzEjCbon21MLNklUH3T0x2cruf5WvhItElvQhLhKOfA324ZGPBhnepPCnmxVLocOmiK35abghejq0m2blKXGAEtVXXoPj0OkVEVaoKvn-CVSP79gApJ_Gqi21zcQvQGnz8cGiFJ23S/s320/Julia-708913225-large.jpg" width="217" /></a></div><span style="color: #3d85c6;"><br /></span></span></div></span><span style="font-size: 14pt;"><div style="text-align: justify;"><span style="font-size: 14pt;"><span style="background-color: #274e13; color: white;">Elenco:</span> Jane
Fonda, Vanessa Redgrave, Jason Robards, Maximilian Schell, Hal Holbrook, Rosemary
Murphy, Meryl Streep, Dora Doll e Cathleen Nesbitt</span></div></span><span style="font-size: 14pt;"><div style="text-align: justify;"><span style="font-size: 14pt;"> </span></div></span><span style="font-size: 14pt;"><div style="text-align: justify;"><span style="font-size: 14pt;"><span style="color: #3d85c6;">03</span></span></div></span><span style="font-size: 14pt;"><div style="text-align: center;"><span style="background-color: #274e13; font-size: 14pt;"><span style="color: white;">MATAR ou
MORRER</span></span></div></span><span style="font-size: 14pt;"><div style="text-align: center;"><span style="font-size: 14pt;"><span style="color: #3d85c6;">(High
Noon, 1952)</span></span></div><div style="text-align: justify;"><span style="font-size: 14pt;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgUEofRAd_NuuFwIyN8DffDhipRYB79k254gakDHTUx4IihOFj592t4PD1kZ2Xrd1lzMc-IyC6u-8pvMmFGdngfsWaJcTxLj0TwZgQf_JZAmTQ3jjCgZ-tBAwXwOfcILTW1keArkLwqf0QMPAeeZGmT1QfaThb1r_HX3ufQiWk7yQjSfcWRL8SFvoXw/s2877/High_Noon_(1952_poster).jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="2877" data-original-width="1925" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgUEofRAd_NuuFwIyN8DffDhipRYB79k254gakDHTUx4IihOFj592t4PD1kZ2Xrd1lzMc-IyC6u-8pvMmFGdngfsWaJcTxLj0TwZgQf_JZAmTQ3jjCgZ-tBAwXwOfcILTW1keArkLwqf0QMPAeeZGmT1QfaThb1r_HX3ufQiWk7yQjSfcWRL8SFvoXw/s320/High_Noon_(1952_poster).jpg" width="214" /></a></div><span style="color: #3d85c6;"><br /></span></span></div></span><span style="font-size: 14pt;"><div style="text-align: justify;"><span style="font-size: 14pt;"><span style="background-color: #274e13; color: white;">Elenco:</span> Gary
Cooper, Grace Kelly, Thomas Mitchell, Lloyd Bridges, Katy Jurado, Otto Kruger, Lon
Chaney Jr. e Lee Van Cleef</span></div></span><span style="font-size: 14pt;"><div style="text-align: justify;"><span style="font-size: 14pt;"> </span></div></span><span style="font-size: 14pt;"><div style="text-align: justify;"><span style="font-size: 14pt;"><span style="color: #3d85c6;">04</span></span></div></span><span style="font-size: 14pt;"><div style="text-align: center;"><span style="background-color: #274e13; font-size: 14pt;"><span style="color: white;">Uma CRUZ à
BEIRA do ABISMO</span></span></div></span><span style="font-size: 14pt;"><div style="text-align: center;"><span style="font-size: 14pt;"><span style="color: #3d85c6;">(The
Nun's Story, 1959)</span></span></div><div style="text-align: justify;"><span style="font-size: 14pt;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi6Ezsm9DAJFzx8WpPw2P-8jd3NxNhoEqwCa6I4akPEZFkPXySc9WSAzQFXLZKqCR9-62xCoJc8JMkjZEuULVPKGHGMqls0vYe0ll2TQ-JN4kAwqa3Js6LT-tEyj122WsJ7AzDyCgdb6LUJMXe2YePNKgYHgDhI3UBhlG8USeb3tdSZQOMyRdmHWMnD/s1818/MV5BZGZhODllYWQtNDg3Yi00ZGQ0LTk3ZGEtOWJlZDVkZTNhYTBmXkEyXkFqcGdeQXVyNjc1NTYyMjg@._V1_.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1818" data-original-width="1280" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi6Ezsm9DAJFzx8WpPw2P-8jd3NxNhoEqwCa6I4akPEZFkPXySc9WSAzQFXLZKqCR9-62xCoJc8JMkjZEuULVPKGHGMqls0vYe0ll2TQ-JN4kAwqa3Js6LT-tEyj122WsJ7AzDyCgdb6LUJMXe2YePNKgYHgDhI3UBhlG8USeb3tdSZQOMyRdmHWMnD/s320/MV5BZGZhODllYWQtNDg3Yi00ZGQ0LTk3ZGEtOWJlZDVkZTNhYTBmXkEyXkFqcGdeQXVyNjc1NTYyMjg@._V1_.jpg" width="225" /></a></div><span style="color: #3d85c6;"><br /></span></span></div></span><span style="font-size: 14pt;"><div style="text-align: justify;"><span style="font-size: 14pt;"><span style="background-color: #274e13; color: white;">Elenco:</span> Audrey
Hepburn, Peter Finch, Edith Evans, Peggy Ashcrof, Dean Jagger, Mildred Dunnock
e Beatrice Straight</span><span style="font-size: 14pt;"> </span></div></span><span style="font-size: 14pt;"><div style="text-align: justify;"><span style="font-size: 14pt;"> </span></div></span><span style="font-size: 14pt;"><div style="text-align: justify;"><span style="font-size: 14pt;"><span style="color: #3d85c6;">05</span></span></div></span><span style="font-size: 14pt;"><div style="text-align: center;"><span style="background-color: #274e13; font-size: 14pt;"><span style="color: white;">O HOMEM que
NÃO VENDEU sua ALMA</span></span></div></span><span style="font-size: 14pt;"><div style="text-align: center;"><span style="font-size: 14pt;"><span style="color: #3d85c6;">(A Man
for All Seasons, 1966)</span></span></div><div style="text-align: justify;"><span style="font-size: 14pt;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjh58APQc4K75GC_3S7PTSwjxhnuwmuWcfPUFqKK_F9X9qcR1-AF6JaUpYtrwzVJz0iv5rcPvVXyNEuLn-3nqSkPMySQVP-kR67K1CG-2mn-j3zbaDQO4PHpI4XHnUA-NXqnpiDjA3FlNJmePUE3__GHCZHRfWq6moBmsFQ0Jcami4z6gQLhC2yD5mv/s1471/A_Man_for_All_Seasons-769062466-large.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1136" data-original-width="1471" height="247" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjh58APQc4K75GC_3S7PTSwjxhnuwmuWcfPUFqKK_F9X9qcR1-AF6JaUpYtrwzVJz0iv5rcPvVXyNEuLn-3nqSkPMySQVP-kR67K1CG-2mn-j3zbaDQO4PHpI4XHnUA-NXqnpiDjA3FlNJmePUE3__GHCZHRfWq6moBmsFQ0Jcami4z6gQLhC2yD5mv/s320/A_Man_for_All_Seasons-769062466-large.jpg" width="320" /></a></div><span style="color: #3d85c6;"><br /></span></span></div></span><span style="font-size: 14pt;"><div style="text-align: justify;"><span style="font-size: 14pt;"><span style="background-color: #274e13; color: white;">Elenco:</span> Paul
Scofield, Wendy Hiller, Robert Shaw, Leo McKern, Orson Welles, Susannah York, John
Hurt e Corin Redgrave</span></div></span><span style="font-size: 14pt;"><div style="text-align: justify;"><span style="font-size: 14pt;"> </span></div></span><span style="font-size: 14pt;"><div style="text-align: justify;"><span style="font-size: 14pt;"><span style="color: #3d85c6;">06</span></span></div></span><span style="font-size: 14pt;"><div style="text-align: center;"><span style="background-color: #274e13; font-size: 14pt;"><span style="color: white;">A VOZ do
SANGUE</span></span></div></span><span style="font-size: 14pt;"><div style="text-align: center;"><span style="font-size: 14pt;"><span style="color: #3d85c6;">(Behold a
Pale Horse, 1964)</span></span></div><div style="text-align: justify;"><span style="font-size: 14pt;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEigagQWYm5uYKHkMu2asCfb8H1qr1_nwK1OJ4fBk_-WsiVvhso-7Xcf6owlgKoF24KCUk4Jpfi8j3KiTAfRVOdkBDqL7-8rkRoTSv0pCqCUKujIeZqCZ4YvAb0HOvlGv1hV2qk8EDq6ilfB1N5PgFekWmDVpnyJQexrnBsFCAISCWaMjQtXXKTfCnGi/s1212/2231.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1212" data-original-width="800" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEigagQWYm5uYKHkMu2asCfb8H1qr1_nwK1OJ4fBk_-WsiVvhso-7Xcf6owlgKoF24KCUk4Jpfi8j3KiTAfRVOdkBDqL7-8rkRoTSv0pCqCUKujIeZqCZ4YvAb0HOvlGv1hV2qk8EDq6ilfB1N5PgFekWmDVpnyJQexrnBsFCAISCWaMjQtXXKTfCnGi/s320/2231.jpg" width="211" /></a></div><span style="color: #3d85c6;"><br /></span></span></div></span><span style="font-size: 14pt;"><div style="text-align: justify;"><span style="font-size: 14pt;"><span style="background-color: #274e13; color: white;">Elenco:</span> </span><span style="font-family: inherit; font-size: 14pt;">Gregory Peck, Anthony Quinn, Omar
Sharif, Raymond Pellegrin, Paolo Stoppa, Mildred Dunnock, Daniela Rocca e Christian
Marquand</span></div></span><span style="font-size: 14pt;"><div style="text-align: justify;"><span style="font-size: 14pt;"> </span></div></span><span style="font-size: 14pt;"><div style="text-align: justify;"><span style="font-size: 14pt;"><span style="color: #3d85c6;">07</span></span></div></span><span style="font-size: 14pt;"><div style="text-align: center;"><span style="background-color: #274e13; font-size: 14pt;"><span style="color: white;">O
PEREGRINO da ESPERANÇA</span></span></div></span><span style="font-size: 14pt;"><div style="text-align: center;"><span style="font-size: 14pt;"><span style="color: #3d85c6;">(The
Sundowners, 1960)</span></span></div><div style="text-align: justify;"><span style="font-size: 14pt;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjd_1Ittn-SAqwL9CuV3MkSwARjptSOU87wvNm9PklzSkUDOkIdsDAt8mnSYls0Pe6VQW4oISyGol9YbntC9vEbJ5MLaBsvqGnMFdHxahQPuKa3Vw64ToFeco6qsyM9vK1evoH5mDoFhHR00Mbonck2grLx-62AE9ENy9BYX11jGcBX3e_dLtgURIsy/s1751/010561.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1751" data-original-width="1200" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjd_1Ittn-SAqwL9CuV3MkSwARjptSOU87wvNm9PklzSkUDOkIdsDAt8mnSYls0Pe6VQW4oISyGol9YbntC9vEbJ5MLaBsvqGnMFdHxahQPuKa3Vw64ToFeco6qsyM9vK1evoH5mDoFhHR00Mbonck2grLx-62AE9ENy9BYX11jGcBX3e_dLtgURIsy/s320/010561.jpg" width="219" /></a></div><span style="color: #3d85c6;"><br /></span></span></div></span><span style="font-size: 14pt;"><div style="text-align: justify;"><span style="font-size: 14pt;"><span style="background-color: #274e13; color: white;">Elenco:</span> Deborah Kerr, Robert
Mitchum, Peter Ustinov, Glynis Johns e Dina Merrill</span></div></span><span style="font-size: 14pt;"><div style="text-align: justify;"><span style="font-size: 14pt;"> </span></div></span><span style="font-size: 14pt;"><div style="text-align: justify;"><span style="font-size: 14pt;"><span style="color: #3d85c6;">08</span></span></div></span><span style="font-size: 14pt;"><div style="text-align: center;"><span style="background-color: #274e13; font-size: 14pt;"><span style="color: white;">O DIA do
CHACAL</span></span></div></span><span style="font-size: 14pt;"><div style="text-align: center;"><span style="font-size: 14pt;"><span style="color: #3d85c6;">(The Day
of the Jackal, 1973)</span></span></div><div style="text-align: justify;"><span style="font-size: 14pt;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh78W2jSXN7zcBhsUTpaMfrzSetjLuZ5HjXyexg5y3R07z2evaNvo_279iJn1LqBiGbjA5DjwAdblwx3-EGO91QUIUlYcXronxVbaVdAHhrHq3Q71VNVjGeVvtzJyHjMOQSkK0lLxt1MuoARp3temac56U6OdFnyi0FlTBFlv93IQTdAT4LIxxhLaHb/s1077/tumblr_c04ee36e8cff5713f8b1341b3e3b3fd3_20628bed_1280.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1077" data-original-width="743" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh78W2jSXN7zcBhsUTpaMfrzSetjLuZ5HjXyexg5y3R07z2evaNvo_279iJn1LqBiGbjA5DjwAdblwx3-EGO91QUIUlYcXronxVbaVdAHhrHq3Q71VNVjGeVvtzJyHjMOQSkK0lLxt1MuoARp3temac56U6OdFnyi0FlTBFlv93IQTdAT4LIxxhLaHb/s320/tumblr_c04ee36e8cff5713f8b1341b3e3b3fd3_20628bed_1280.jpg" width="221" /></a></div><span style="color: #3d85c6;"><br /></span></span></div></span><span style="font-size: 14pt;"><div style="text-align: justify;"><span style="font-size: 14pt;"><span style="background-color: #274e13; color: white;">Elenco:</span> Edward Fox, Michel
Auclair, Alan Bade, Derek Jacobi e Michael Lonsdale</span></div></span><span style="font-size: 14pt;"><div style="text-align: justify;"><span style="font-size: 14pt;"> </span></div></span><span style="font-size: 14pt;"><div style="text-align: justify;"><span style="font-size: 14pt;"><span style="color: #3d85c6;">09</span></span></div></span><span style="font-size: 14pt;"><div style="text-align: center;"><span style="background-color: #274e13; font-size: 14pt;"><span style="color: white;">A SÉTIMA
CRUZ</span></span></div></span><span style="font-size: 14pt;"><div style="text-align: center;"><span style="font-size: 14pt;"><span style="color: #3d85c6;">(The
Seventh Cross, 1944)</span></span></div><div style="text-align: justify;"><span style="font-size: 14pt;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhD5RMQ_xocnvGQJq9XK_IjspeMS8mMw_6CqZR_CvhkMCbCjXpy-cA_p_p-hv6x6IVM_0mJSmGVXWSoWpOm455wjX4TVTTPE0kTbiahEmYmW5vwcKJIh0_n8lnu4H6pqbGgedd_d5uK4cQArKr7w4rc1PhFCTiux3qpyCjZpCmNX7-0QiJ1nxaUUDtJ/s1600/The%20Seventh%20Cross%20Poster.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1600" data-original-width="1063" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhD5RMQ_xocnvGQJq9XK_IjspeMS8mMw_6CqZR_CvhkMCbCjXpy-cA_p_p-hv6x6IVM_0mJSmGVXWSoWpOm455wjX4TVTTPE0kTbiahEmYmW5vwcKJIh0_n8lnu4H6pqbGgedd_d5uK4cQArKr7w4rc1PhFCTiux3qpyCjZpCmNX7-0QiJ1nxaUUDtJ/s320/The%20Seventh%20Cross%20Poster.jpg" width="213" /></a></div><span style="color: #3d85c6;"><br /></span></span></div></span><span style="font-size: 14pt;"><div style="text-align: justify;"><span style="font-size: 14pt;"><span style="background-color: #274e13; color: white;">Elenco:</span> </span><span style="font-family: inherit; font-size: 14pt;">Spencer Tracy, Signe Hasso, Hume
Cronyn, Jessica Tandy, Agnes Moorehead, Felix Bressart, Ray Collins e George
Macready</span></div></span><span style="font-size: 14pt;"><div style="text-align: justify;"><span style="font-size: 14pt;"> </span></div></span><span style="font-size: 14pt;"><div style="text-align: justify;"><span style="font-size: 14pt;"><span style="color: #3d85c6;">10</span></span></div></span><span style="font-size: 14pt;"><div style="text-align: center;"><span style="background-color: #274e13; font-size: 14pt;"><span style="color: white;">ATO de
VIOLÊNCIA</span></span></div></span><span style="font-size: 14pt;"><div style="text-align: center;"><span style="font-size: 14pt;"><span style="color: #3d85c6;">(Act of
Violence, 1948)</span></span></div><div style="text-align: justify;"><span style="font-size: 14pt;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhrtuMc-Zd_Yx2bImr5sZXvYu3U6J7o5U753JiY2SNB6wcG3l8pQV8OSM591jJSEgmqb7p_P80MiyIoLcPzOmxY9il2njxtRkROqgb8OjgixqcZ1XaUbESooN2HiLIV1LWoccvBidCuxPLZPfV5jMePfZWcmCMGdbkXpr_HPV62UFB2mbJrmLYEDSso/s1455/MV5BZmJiZmY3YWItZDgwMi00NGFjLWExOTEtNTBjMzdhZWZkMDAzXkEyXkFqcGdeQXVyNjUwMzI2NzU@._V1_FMjpg_UX1000_.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1455" data-original-width="1000" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhrtuMc-Zd_Yx2bImr5sZXvYu3U6J7o5U753JiY2SNB6wcG3l8pQV8OSM591jJSEgmqb7p_P80MiyIoLcPzOmxY9il2njxtRkROqgb8OjgixqcZ1XaUbESooN2HiLIV1LWoccvBidCuxPLZPfV5jMePfZWcmCMGdbkXpr_HPV62UFB2mbJrmLYEDSso/s320/MV5BZmJiZmY3YWItZDgwMi00NGFjLWExOTEtNTBjMzdhZWZkMDAzXkEyXkFqcGdeQXVyNjUwMzI2NzU@._V1_FMjpg_UX1000_.jpg" width="220" /></a></div><div class="separator" style="clear: both; text-align: center;"><br /></div><div class="separator" style="clear: both; text-align: justify;"><span style="background-color: #274e13; color: white;">Elenco:</span> Van Heflin, Robert Ryan, Janet Leigh, Mary Astor e Phyllis Thaxter</div></span></div></span><div style="text-align: justify;"><br /></div></span><p></p>ANTONIO NAHUDhttp://www.blogger.com/profile/09829893001743081676noreply@blogger.com0tag:blogger.com,1999:blog-7997398743762234247.post-65084406175058219052022-11-29T21:09:00.016-03:002022-11-30T23:48:18.646-03:00***** À BEIRA do ABISMO: 20 ESTRELAS BÊBADAS<p style="text-align: left;"></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEherhAWp7rsxVOpbNEqIfu_5D1UC5RDoKcSJKM7YcaGRKPQbq8AQb-ShlG2yUu_WHQ8y_lr4PMWErs-iTG1zQTWGEyz2TCWhs1UUxRlSca1Ahs5nzApXeqYPo4Rme8zNFvNVb2g--JfzJ6f-qvpVxRGhjaFLnaNFnKsIlXM-cC_iv8e_Stk0QVvHW9O/s636/vl37289.jpg" style="margin-left: 1em; margin-right: 1em; text-align: center;"><img border="0" data-original-height="490" data-original-width="636" height="494" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEherhAWp7rsxVOpbNEqIfu_5D1UC5RDoKcSJKM7YcaGRKPQbq8AQb-ShlG2yUu_WHQ8y_lr4PMWErs-iTG1zQTWGEyz2TCWhs1UUxRlSca1Ahs5nzApXeqYPo4Rme8zNFvNVb2g--JfzJ6f-qvpVxRGhjaFLnaNFnKsIlXM-cC_iv8e_Stk0QVvHW9O/w640-h494/vl37289.jpg" width="640" /></a></div><div style="text-align: justify;"> <br /><br /></div><div style="text-align: justify;"><span style="font-family: inherit;"><br /></span></div><span style="font-family: inherit;"><span style="font-size: 14pt;"><div style="text-align: justify;"><span style="font-size: 14pt;"><span style="color: #3d85c6;">“Eu me sinto como
no inferno. Estou passando por abstinência alcoólica. Meu coração parece
acelerado. Minhas pálpebras tremem. Oh Deus, estou tão, tão cansada.”</span></span></div></span><span style="font-size: 14pt;"><div style="text-align: justify;"><span style="font-size: 14pt;"><span style="background-color: #274e13; color: white;">ELIZABETH TAYLOR</span> <span style="color: #3d85c6;">em
1983</span></span></div></span><span style="font-size: 14pt;"><div style="text-align: justify;"><span style="font-size: 14pt;"> </span></div></span><span style="font-size: 14pt;"><div style="text-align: justify;"><span style="font-size: 14pt;"> </span></div></span><span style="font-size: 14pt;"><div style="text-align: justify;"><span style="font-size: 14pt;"><span style="font-family: inherit;">Ao longo da existência
de Hollywood, a bebida tem sido predominante e arruinou diversas carreiras
célebres. Na cidade das ilusões, a fama, o álcool e as drogas andam muitas
vezes de mãos dadas. Conheça a história de estrelas que tiveram dificuldades em
lidar com o vício e viram o seu nome associado à bebida. Mulheres maravilhosas,
festas suntuosas, longas horas de trabalho, comportamentos viciantes. </span></span></div><div style="text-align: justify;"><span style="font-size: 14pt;"><span style="font-family: inherit;"><br /></span></span></div><div style="text-align: justify;"><span style="font-size: 14pt;"><span style="font-family: inherit;">Durante a Era de
Ouro cinematográfica (1920 a 1950), os astros e estrelas tinham rédea solta
para fazer o que quisessem - contanto que pudessem ser discretamente varridos
para debaixo do tapete por um agente de estúdio. Eles bebiam em excesso em
festas e bares famosos todas as noites, bebiam quando estavam no set e bebiam
quando dirigiam. São bizarros os casos mais loucos. </span></span></div><div style="text-align: justify;"><span style="font-size: 14pt;"><span style="font-family: inherit;"><br /></span></span></div><div style="text-align: justify;"><span style="font-size: 14pt;"><span style="font-family: inherit;">Contos de
incidentes insanos, comportamentos violentos e personalidades descontroladas. O
consumo maciço de álcool resultou também em filmes, com atuações impecáveis,
não incomum indicadas a prêmios importantes. Se antes o cinema evitava retratar
o alcoolismo, mudou com o drama de Billy Wilder, em 1945, <span style="color: #3d85c6;">“Farrapo
Humano / The
Lost Weekend”</span>. Mostra Ray Milland dominado pelo vício. </span></span></div></span></span><p></p><p style="text-align: left;"><span style="font-family: inherit;"><span style="line-height: 115%;"></span><span style="font-size: 14pt;"></span></span></p><div style="text-align: center;"><span style="font-family: inherit;"><span style="background-color: #274e13; font-size: 14pt;"><span style="color: white;">20 ATRIZES ALCOÓLATRAS</span></span></span></div><span style="font-family: inherit;"><span style="font-size: 14pt;"><div style="text-align: justify;"><span style="font-size: 14pt;"> </span></div></span><span style="font-size: 14pt;"><div style="text-align: justify;"><span style="font-size: 14pt;"><span style="color: #3d85c6;">01</span></span></div></span><span style="font-size: 14pt;"><div style="text-align: center;"><span style="background-color: #274e13; font-size: 14pt;"><span style="color: white;">ALI MacGRAW</span></span></div></span><span style="font-size: 14pt;"><div style="text-align: center;"><span style="font-size: 14pt;"><span style="color: #3d85c6;">(83 anos. Pound
Ridge, Nova York / EUA)</span></span></div><div style="text-align: justify;"><span style="font-size: 14pt;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgOjPhZnrrgxSbnhh2i99dUdSFLHF5KeNRp30TtYvTx-PxnrZkTpc5JjaJV1Qo8dQfHustGbHYTCn6pmkOY1cF7ed9HR9krBTJH1-iPl6bzYcIBalZIXLzUpJ6C37WFjT0wqah7gyBCL8pJiMOhaO5flAsPIMK5_4T04_-iLMMkgMAjGEALRFEaWuzN/s890/portrait-of-ali-macgraw-bert-stern.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="890" data-original-width="796" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgOjPhZnrrgxSbnhh2i99dUdSFLHF5KeNRp30TtYvTx-PxnrZkTpc5JjaJV1Qo8dQfHustGbHYTCn6pmkOY1cF7ed9HR9krBTJH1-iPl6bzYcIBalZIXLzUpJ6C37WFjT0wqah7gyBCL8pJiMOhaO5flAsPIMK5_4T04_-iLMMkgMAjGEALRFEaWuzN/w358-h400/portrait-of-ali-macgraw-bert-stern.jpg" width="358" /></a></div><span style="color: #3d85c6;"><br /></span></span></div></span><span style="font-size: 14pt;"><div style="text-align: justify;"><span style="font-size: 14pt;">Protagonista do
romântico <span style="color: #3d85c6;">“Love Story – Uma História de Amor / Love Story”</span> (1970), vencedora de
dois Globo de Ouro e durante três anos casada com o chefe de produção da
Paramount, Robert Evans. Tinha tudo para ser uma super estrela e era certo que
interpretaria os papéis principais de <span style="color: #3d85c6;">“O Grande Gatsby / The Great Gatsby”</span> (1974), de Jack Clayton, e <span style="color: #3d85c6;">“Chinatown / Idem”</span> (1974), de Roman Polanski.</span></div></span><span style="font-size: 14pt;"><div style="text-align: justify;"><span style="font-size: 14pt;"> </span></div></span><span style="font-size: 14pt;"><div style="text-align: justify;"><span style="font-size: 14pt;">Ao filmar <span style="color: #3d85c6;">“Os
Implacáveis / The Getaway” </span>(1972), apaixonou-se por Steve McQueen e pediu o
divórcio do marido poderoso. O filme de ação foi seu último sucesso.
Steve bebia, se drogava (cocaína, peyote, LSD e nitrito de amila para
suas maratonas sexuais) e a proibiu de trabalhar durante os cinco anos que
estiveram juntos.</span></div></span><span style="font-size: 14pt;"><div style="text-align: justify;"><span style="font-size: 14pt;"> </span></div></span><span style="font-size: 14pt;"><div style="text-align: justify;"><span style="font-size: 14pt;">Tornou-se
alcoólatra. Dominada, tinha como missão servir ao marido carne com batatas
todas as noites, às 18h em ponto, e não abrir a boca enquanto ele via
televisão. Com a separação fez filmes e séries de TV. Em 1995, lançou a
autobiografia <span style="color: #3d85c6;">“Moving Pictures”</span>, onde conta sobre seu alcoolismo e dependência de sexo.</span></div></span><span style="font-size: 14pt;"><div style="text-align: justify;"><span style="font-size: 14pt;"> </span></div></span><span style="font-size: 14pt;"><div style="text-align: justify;"><span style="font-size: 14pt;"><span style="color: #3d85c6;">02</span></span></div></span><span style="font-size: 14pt;"><div style="text-align: center;"><span style="background-color: #274e13; font-size: 14pt;"><span style="color: white;">AVA GARDNER</span></span></div></span><span style="font-size: 14pt;"><div style="text-align: center;"><span style="font-size: 14pt;"><span style="color: #3d85c6;">(1922 – 1990.
Grabtown, Carolina do Norte / EUA)</span></span></div><div style="text-align: justify;"><span style="font-size: 14pt;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgTNk7byFAoNcJsI6Y__NFfCb_MAHAPiSPJZjYw_wPX976EAYR4SQff-rRj0PzbDbp3KkyhEeAgSy_Bwc_tlsHsHPgPcbK0RDHkk62fOCAmuzONJ8M870O1gssjFKG8vDrmaqItSp1E_KmdSU1Clv_OUTqm3Duwn9BcU9oGDWLdLTUEbkbl45OVTUvE/s792/317296299_559478952685004_4245732616388190621_n.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="792" data-original-width="632" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgTNk7byFAoNcJsI6Y__NFfCb_MAHAPiSPJZjYw_wPX976EAYR4SQff-rRj0PzbDbp3KkyhEeAgSy_Bwc_tlsHsHPgPcbK0RDHkk62fOCAmuzONJ8M870O1gssjFKG8vDrmaqItSp1E_KmdSU1Clv_OUTqm3Duwn9BcU9oGDWLdLTUEbkbl45OVTUvE/w319-h400/317296299_559478952685004_4245732616388190621_n.jpg" width="319" /></a></div><span style="color: #3d85c6;"><br /></span></span></div></span><span style="font-size: 14pt;"><div style="text-align: justify;"><span style="font-family: inherit; font-size: 14pt;">O poeta Jean
Cocteau a descreveu como o animal mais belo do mundo. Umas das atrizes mais
rebeldes do cinema, bebia vorazmente conhaque, tequila e o que mais aparecesse.
Independente e impetuosa, colecionou escândalos mundo afora e sua união
com Frank Sinatra foi marcada por separações, tapas, álcool e drogas. </span></div><div style="text-align: justify;"><span style="font-family: inherit; font-size: 14pt;"><br /></span></div><div style="text-align: justify;"><span style="font-family: inherit; font-size: 14pt;">Na tumultuada
visita ao Brasil, nos meados dos anos 50, para o lançamento de <span style="color: #3d85c6;">“A Condessa
Descalça / The
Barefoot Contessa”</span> (1954), ela foi manchete mundial. Bêbada, num acesso de
fúria, quebrou a mobília do quarto do luxuoso Hotel Glória e jogou os objetos
de decoração pela janela. Também assediou o cantor Carlos Augusto, garotão cearense da
Rádio Nacional. Só que ele era gay. </span></div><div style="text-align: justify;"><span style="font-family: inherit; font-size: 14pt;"><br /></span></div><div style="text-align: justify;"><span style="font-family: inherit; font-size: 14pt;">O relato de uma sua
saída noturna em Roma, em amores com Tony Franciosa, casado então com Shelley
Winters, terminou numa batalha campal com os paparazzis, servindo de inspiração
a Federico Fellini para a deslumbrante Anita Ekberg de <span style="color: #3d85c6;">“A Doce Vida / La Dolve
Vita” </span>(1960). Por onde passava, o alcoolismo e aventuras sexuais deixavam um
rastro de excessos. </span></div><div style="text-align: justify;"><span style="font-family: inherit; font-size: 14pt;"><br /></span></div><div style="text-align: justify;"><span style="font-family: inherit; font-size: 14pt;">A união com Sinatra
resultou em três tentativas de suicídio dele e dois abortos dela. Sexo ela gostava. A
bebida e o cigarro foram companheiros de vida. Declarava que morreria com um
cigarro na mão e um uísque na outra. Assim foi, até o dia de sua morte, isolada
em Londres, cultivando a bebida, sempre com um copo perto dela. </span></div></span></span><p></p><div style="text-align: justify;"></div><p style="text-align: left;"><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 115%;"></span></span></p><div style="text-align: justify;"></div><p style="text-align: left;"><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 115%;"></span><span style="font-size: 14pt;"></span></span></p><div style="text-align: justify;"><span style="font-family: inherit;"><span style="font-size: 14pt;"><span style="color: #3d85c6;">03</span></span></span></div><span style="font-family: inherit;"><span style="font-size: 14pt;"><div style="text-align: center;"><span style="background-color: #274e13; font-size: 14pt;"><span style="color: white;">BARBARA PAYTON</span></span></div></span><span style="font-size: 14pt;"><div style="text-align: center;"><span style="font-size: 14pt;"><span style="color: #3d85c6;">(1927 – 1967. Cloquet, Minnesota / EUA)</span></span></div><div style="text-align: justify;"><span style="font-size: 14pt;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjmvUke97PpPnXEb3GVT50PDGoVfyIksMbsYolKBAfT8Z-6rpOjfdexDF_7tUlnbN0mLEnDF8n5TCqfYVzZtsnjef6Slp71N1c0PLJl1oNEyKqMgSZHf2amPF8TlNIM1RYJWWhVxECmilWg_UiC2LRrHhnEynveoq-kCNRpkFSS6YXLoQTZJkYP1nJr/s640/bpayton3289.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="640" data-original-width="529" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjmvUke97PpPnXEb3GVT50PDGoVfyIksMbsYolKBAfT8Z-6rpOjfdexDF_7tUlnbN0mLEnDF8n5TCqfYVzZtsnjef6Slp71N1c0PLJl1oNEyKqMgSZHf2amPF8TlNIM1RYJWWhVxECmilWg_UiC2LRrHhnEynveoq-kCNRpkFSS6YXLoQTZJkYP1nJr/w331-h400/bpayton3289.jpg" width="331" /></a></div><span style="color: #3d85c6;"><br /></span></span></div></span><span style="font-size: 14pt;"><div style="text-align: justify;"><span style="font-size: 14pt;">A sexy loura de olhos azuis apareceu em 12 filmes entre 1949 e 1955. Seus
casamentos fracassaram e de 1955 a 1963 teve vários problemas com a lei - entre
eles cheques sem fundos, embriaguez pública e prostituição. Foi forçada a
dormir em bancos de rua, espancada por amantes ocasionais e perdeu dentes em
brigas.</span></div></span><span style="font-size: 14pt;"><div style="text-align: justify;"><span style="font-size: 14pt;"> </span></div></span><span style="font-size: 14pt;"><div style="text-align: justify;"><span style="font-size: 14pt;">Em 1967, tentando parar de beber, foi morar com os pais em San Diego. Era
tarde demais. A ex-estrela de 39 anos foi encontrada no chão do banheiro, morta
por insuficiência cardíaca e hepática. De alguma forma, em meio a essa tragédia,
deixou uma autobiografia reveladora, ironicamente intitulada <span style="color: #3d85c6;">“Não Tenho Vergonha”</span>.</span></div></span><span style="font-size: 14pt;"><div style="text-align: justify;"><span style="font-size: 14pt;"> </span></div></span><span style="font-size: 14pt;"><div style="text-align: justify;"><span style="font-size: 14pt;"><span style="color: #3d85c6;">04</span></span></div></span><span style="font-size: 14pt;"><div style="text-align: center;"><span style="background-color: #274e13; font-size: 14pt;"><span style="color: white;">CLARA BOW</span></span></div></span><span style="font-size: 14pt;"><div style="text-align: center;"><span style="font-size: 14pt;"><span style="color: #3d85c6;">(1905 – 1965. Brooklyn, New York / EUA)</span></span></div><div style="text-align: justify;"><span style="font-size: 14pt;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjWp6wB9Wk8JMGyWsOweQMoRUxv9Cj4IgGKDnLbXRYjlFv4Kw7SO4pKWKcqkv4OxcZYg30bw8KsXa4ZBKXtE0NqWMDyUWdwBW4odKEKWMS0qF5Yl6qGpJEn1uNMiqcWfdmTznTyJXBNm64Q0vpZtJHuMuRUoUibMqwYO7Sm-uH4FI19ZHEN9cJkQ9An/s640/cb64329870.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="640" data-original-width="517" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjWp6wB9Wk8JMGyWsOweQMoRUxv9Cj4IgGKDnLbXRYjlFv4Kw7SO4pKWKcqkv4OxcZYg30bw8KsXa4ZBKXtE0NqWMDyUWdwBW4odKEKWMS0qF5Yl6qGpJEn1uNMiqcWfdmTznTyJXBNm64Q0vpZtJHuMuRUoUibMqwYO7Sm-uH4FI19ZHEN9cJkQ9An/w324-h400/cb64329870.jpg" width="324" /></a></div><span style="color: #3d85c6;"><br /></span></span></div></span><span style="font-size: 14pt;"><div style="text-align: justify;"><span style="font-family: inherit; font-size: 14pt;">Primeiro símbolo sexual de Hollywood e uma das maiores estrelas do cinema
mudo, a talentosa e carismática ruiva era totalmente descontrolada. Teve uma
longa série de amantes, bebia como um cossaco e mergulhou em problemas
finaceiros alimentados por dívidas de jogo e sonegação de impostos. </span></div><div style="text-align: justify;"><span style="font-family: inherit; font-size: 14pt;"><br /></span></div><div style="text-align: justify;"><span style="font-family: inherit; font-size: 14pt;">Escandalosa, dizia que adorava <span style="color: #3d85c6;">“beber, jogar, xingar e transar”</span>. Esteve
envolvida em batalhas judiciais por <span style="color: #3d85c6;">“roubar”</span> maridos alheios. Amava festas,
sempre pendurada em um amante (alguns casados) e enchendo a cara. Sua roupa suja foi exposta em 1930, quando uma ex-secretária julgada por
roubo denunciou sua vida sexual selvagem. </span></div><div style="text-align: justify;"><span style="font-family: inherit; font-size: 14pt;"><br /></span></div><div style="text-align: justify;"><span style="font-family: inherit; font-size: 14pt;">O escândalo abalou sua carreira, que nunca mais se reergueu. Terminou
casando com um ator cowboy. Atormentada por crises pessoais, alcoolismo,
instabilidade mental e problemas de peso, não fez mais outro filme. Morreu em
1965, aos 60 anos de idade, após um inesperado e fulminante ataque cardíaco.</span></div></span></span><p></p><p style="text-align: left;"><span style="font-family: inherit;"><span style="font-size: 14pt;"></span></span></p><div style="text-align: justify;"><span style="font-family: inherit;"><span style="font-size: 14pt;"><span style="color: #3d85c6;">05</span></span></span></div><span style="font-family: inherit;"><span style="font-size: 14pt;"><div style="text-align: center;"><span style="background-color: #274e13; font-size: 14pt;"><span style="color: white;">ELIZABETH TAYLOR</span></span></div></span><span style="font-size: 14pt;"><div style="text-align: center;"><span style="font-size: 14pt;"><span style="color: #3d85c6;">(1932 – 2011. Hampstead, Londres, Inglaterra / Reino Unido)</span></span></div><div style="text-align: justify;"><span style="font-size: 14pt;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiuSEP5VRdd2Z9gD1Mhwo0p_bPcJW0_apPbTi6bKrRUNJCT2IlrRzkPcL1FKTIrGxVz_9T6_f-TQGGREUV_Tm40Cp84pED3tuQr9p8p5LV-uk-K3BRZ0UrqIwTp7vowT3K1jYLCa-c7aDBPCdiCPG1QpZbvJXs-mN5w-cP_NtKWHQdBYTBPAWhf9bmi/s586/et45362.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="586" data-original-width="501" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiuSEP5VRdd2Z9gD1Mhwo0p_bPcJW0_apPbTi6bKrRUNJCT2IlrRzkPcL1FKTIrGxVz_9T6_f-TQGGREUV_Tm40Cp84pED3tuQr9p8p5LV-uk-K3BRZ0UrqIwTp7vowT3K1jYLCa-c7aDBPCdiCPG1QpZbvJXs-mN5w-cP_NtKWHQdBYTBPAWhf9bmi/w343-h400/et45362.jpg" width="343" /></a></div><span style="color: #3d85c6;"><br /></span></span></div></span><span style="font-size: 14pt;"><div style="text-align: justify;"><span style="font-family: inherit; font-size: 14pt;">Oito casamentos, alcoolismo e doenças marcaram a conturbada vida da estrela. A lenda de Hollywood passava dias no set bêbada demais para
recordar suas falas. Ao finalmente tentar se recuperar, no Centro de
Reabilitação Betty Ford, em 1983, no final da carreira, disse: <span style="color: #3d85c6;">“Não ficar
bêbada é a única maneira de permanecer viva.” </span></span></div><div style="text-align: justify;"><span style="font-family: inherit; font-size: 14pt;"><br /></span></div><div style="text-align: justify;"><span style="font-family: inherit; font-size: 14pt;">Seu primeiro casamento com Conrad Hilton era conhecido pela bebedeira. Com Richard Burton resultou também em álcool excessivo e
agressões públicas. Durante as filmagens de <span style="color: #3d85c6;">“A Noite da Iguana / The Night of the Iguana”</span> (1964), acompanhando
Burton, começava a beber às 10h da manhã, com vodca e a seguir tequila. </span></div><div style="text-align: justify;"><span style="font-family: inherit; font-size: 14pt;"><br /></span></div><div style="text-align: justify;"><span style="font-family: inherit; font-size: 14pt;">O alcoolismo deles tornaram os dois infelizes. O
Vaticano os condenou, chamando-os de <span style="color: #3d85c6;">“vagabundos eróticos”</span>. A cada briga, na
manhã seguinte ele a presenteava com um diamante, inclusive o diamante mais
caro do mundo, um Cartier de 70 quilates avaliado em um milhão de dólares, rebatizado hoje como <span style="color: #3d85c6;">“diamante Taylor-Burton”</span>. </span></div><div style="text-align: justify;"><span style="font-family: inherit; font-size: 14pt;"><br /></span></div><div style="text-align: justify;"><span style="font-family: inherit; font-size: 14pt;">Assim viveu a grande estrela, quase sempre bêbada e envolvida em conflitos
matrimoniais vulgares. Apesar do alcoolismo, da saúde precária e do vício em
analgésicos e pílulas para dormir, que durou grande parte da vida, conseguiu sobreviver
quase 80 anos. Morreu por insuficiência cardíaca congestiva.</span></div></span></span><p></p><div style="text-align: justify;"></div><p style="text-align: left;"><span style="font-family: inherit;"><span lang="EN-US" style="font-size: 14pt; line-height: 115%;"></span><span style="font-size: 14pt;"></span></span></p><div style="text-align: justify;"><span style="font-family: inherit;"><span style="font-size: 14pt;"> </span></span></div><span style="font-family: inherit;"><span style="font-size: 14pt;"><div style="text-align: justify;"><span style="font-size: 14pt;"><span style="color: #3d85c6;">06</span></span></div></span><span style="font-size: 14pt;"><div style="text-align: center;"><span style="background-color: #274e13; font-size: 14pt;"><span style="color: white;">FRANCES FARMER</span></span></div></span><span style="font-size: 14pt;"><div style="text-align: center;"><span style="font-size: 14pt;"><span style="color: #3d85c6;">(1913 – 1970. Seattle, Washington / EUA)</span></span></div><div style="text-align: justify;"><span style="font-size: 14pt;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhLChUk1NU-DJYCx0WpoW-oM2lmBJAZeDotwvT9U1TGZDvDpMPvUtnYoM-lXFQdxBzPtnyivIJR9SMo8cZREJxSmgi4UmVD7RAYVJaYFDv2EA4NVss0B5-fFz2QU8ygtjtc9GrVNBilHebSO0xUJithIiW1ncbPoVEMCdClpzPXibxcouP8mVeBUPbp/s640/ff53978612.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="640" data-original-width="526" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhLChUk1NU-DJYCx0WpoW-oM2lmBJAZeDotwvT9U1TGZDvDpMPvUtnYoM-lXFQdxBzPtnyivIJR9SMo8cZREJxSmgi4UmVD7RAYVJaYFDv2EA4NVss0B5-fFz2QU8ygtjtc9GrVNBilHebSO0xUJithIiW1ncbPoVEMCdClpzPXibxcouP8mVeBUPbp/w329-h400/ff53978612.jpg" width="329" /></a></div><span style="color: #3d85c6;"><br /></span></span></div></span><span style="font-size: 14pt;"><div style="text-align: justify;"><span style="font-size: 14pt;">Em 1935, ela foi para Hollywood, onde assinou contrato de sete anos
com a Paramount. Rebelde, teve conflitos e tentou a Broadway. A
partir de 1939, seu comportamento errático e a bebedeira descontrolada resultou
no cancelamento do contrato. A seguir foi presa por dirigir com os faróis
acesos em zona de blecaute.</span></div></span><span style="font-size: 14pt;"><div style="text-align: justify;"><span style="font-size: 14pt;"> </span></div></span><span style="font-size: 14pt;"><div style="text-align: justify;"><span style="font-size: 14pt;">Um ano depois, a bela atriz foi presa mais uma vez por deslocar a
mandíbula de um cabeleireiro. No julgamento, agrediu dois policiais e jogou um
tinteiro no juiz. Terminou em um asilo. Em 1943, foi declarada mentalmente
incapaz e internada por seus pais em uma série de hospitais psiquiátricos
públicos. Era o fim da sua carreira.</span></div></span><span style="font-size: 14pt;"><div style="text-align: justify;"><span style="font-size: 14pt;"> </span></div></span><span style="font-size: 14pt;"><div style="text-align: justify;"><span style="font-size: 14pt;">Tentou retornar ao cinema em 1957 e durante alguns anos apresentou um
programa de variedades na TV. Em 1964, o alcoolismo havia se tornado tão agudo que emissora a
demitiu. Passou seus últimos anos fazendo trabalho simplórios e bebendo sem
parar, até morrer de câncer de esôfago em 1970.</span></div></span><span style="font-size: 14pt;"><div style="text-align: justify;"><span style="font-size: 14pt;"> </span></div></span><span style="font-size: 14pt;"><div style="text-align: justify;"><span style="font-size: 14pt;"><span style="color: #3d85c6;">07</span></span></div></span><span style="font-size: 14pt;"><div style="text-align: center;"><span style="background-color: #274e13; font-size: 14pt;"><span style="color: white;">GAIL RUSSELL</span></span></div></span><span style="font-size: 14pt;"><div style="text-align: center;"><span style="font-size: 14pt;"><span style="color: #3d85c6;">(1924 – 1961. Chicago, Illinois / EUA)</span></span></div><div style="text-align: justify;"><span style="font-size: 14pt;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgikCIccAUAFsBG2lj5n_2IL7MpL1xXA8rxUoi6icmELRPzPdiilJNWMIqUxFowTx8Ax5EKbLR8BFEPeo3jJV3moJM9ZXE8uR_UlWvB1SusFFgbLLhsUHN1BQB-ut22yWT5bKPJHV_SI2M8ST_moeDCUgPN8zddrGYmCmzAT_nG-Qux9LFmH6-yEsgc/s622/grussell42890.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="622" data-original-width="456" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgikCIccAUAFsBG2lj5n_2IL7MpL1xXA8rxUoi6icmELRPzPdiilJNWMIqUxFowTx8Ax5EKbLR8BFEPeo3jJV3moJM9ZXE8uR_UlWvB1SusFFgbLLhsUHN1BQB-ut22yWT5bKPJHV_SI2M8ST_moeDCUgPN8zddrGYmCmzAT_nG-Qux9LFmH6-yEsgc/w294-h400/grussell42890.jpg" width="294" /></a></div><span style="color: #3d85c6;"><br /></span></span></div></span><span style="font-size: 14pt;"><div style="text-align: justify;"><span style="font-size: 14pt;"><span style="font-family: inherit;">Descoberta pelo cinema aos 17 anos, sofreu problemas emocionais ao longo
de uma carreira meteórica. De beleza etérea, tímida, inicialmente usava álcool
para acalmar os nervos no set. Em 1950,
a Paramount não renovou seu contrato por causa do problema com a
bebida. Sua dispensa do estúdio arruinou sua carreira. </span></span></div><div style="text-align: justify;"><span style="font-size: 14pt;"><span style="font-family: inherit;"><br /></span></span></div><div style="text-align: justify;"><span style="font-size: 14pt;"><span style="font-family: inherit;">Desapareceu das telas por cinco anos. Presa
várias vezes por dirigir embriagada, tentou voltar ao cinema em 1956, mas não
deu certo. A essa altura, estava possuída pelo álcool. Em 1961, foi encontrada
morta em seu apartamento em Los Angeles, Califórnia. Morreu de alcoolismo crônico, cercada por garrafas de vodca vazias.</span></span><span style="font-family: inherit; font-size: 14pt;"> </span></div></span></span><p></p><div style="text-align: justify;"></div><p style="text-align: left;"><span style="font-family: inherit;"><span lang="EN-US" style="font-size: 14pt; line-height: 115%;"></span><span style="font-size: 14pt;"></span></span></p><div style="text-align: justify;"><span style="font-family: inherit;"><span style="font-size: 14pt;"><span style="color: #3d85c6;">08</span></span></span></div><span style="font-family: inherit;"><span style="font-size: 14pt;"><div style="text-align: center;"><span style="background-color: #274e13; font-size: 14pt;"><span style="color: white;">GIA SCALA</span></span></div></span><span style="font-size: 14pt;"><div style="text-align: center;"><span style="font-size: 14pt;"><span style="color: #3d85c6;">(1934 – 1972. Liverpool, Merseyside, Inglaterra / Reino Unido)</span></span></div><div style="text-align: justify;"><span style="font-size: 14pt;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhYjm3hKA76Z5mGVb0Sbshjar_M_E4Vsu4SYI2xsIp7HL4jh-rP4_Tac37WFKjIca-Tgp_xx6MAf2p_kIg6iuM3K4pLTsrJZPB9cvadUa1fFilenbXOdVscRFUUSno9hrJ2JLbr_tF4hEWd_B_dbK81cfv3Ldo8nUA4xL_gp_8rnQiKCzNeJh62sGbt/s609/GScala.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="609" data-original-width="509" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhYjm3hKA76Z5mGVb0Sbshjar_M_E4Vsu4SYI2xsIp7HL4jh-rP4_Tac37WFKjIca-Tgp_xx6MAf2p_kIg6iuM3K4pLTsrJZPB9cvadUa1fFilenbXOdVscRFUUSno9hrJ2JLbr_tF4hEWd_B_dbK81cfv3Ldo8nUA4xL_gp_8rnQiKCzNeJh62sGbt/w334-h400/GScala.jpg" width="334" /></a></div><span style="color: #3d85c6;"><br /></span></span></div></span><span style="font-size: 14pt;"><div style="text-align: justify;"><span style="font-size: 14pt;">Alta e deslumbrante, teve uma carreira promissora no cinema e na
televisão. O seu papel mais conhecido foi a resistente grega em <span style="color: #3d85c6;">“Os
Canhões de Navarone / The Guns of Navarone”</span> (1961). Sofrendo de depressão, bebia muito. Presa, perdeu o contrato na Universal e tentou se matar,
jogando-se da Ponte de Waterloo, em Londres.</span></div></span><span style="font-size: 14pt;"><div style="text-align: justify;"><span style="font-size: 14pt;"> </span></div></span><span style="font-size: 14pt;"><div style="text-align: justify;"><span style="font-size: 14pt;">Os surtos de depressão tornaram-se graves. Em 1971, embriagada, seu carro
esportivo capotou em uma estrada sinuosa de um desfiladeiro e ela perdeu parte
do dedo indicador. Em 30 de abril de 1972, foi encontrada morta em seu quarto
em Hollywood Hills, após uma overdose de álcool e pílulas para dormir. Tinha 38
anos.</span></div></span><span style="font-size: 14pt;"><div style="text-align: justify;"><span style="font-size: 14pt;"> </span></div></span><span style="font-size: 14pt;"><div style="text-align: justify;"><span style="font-size: 14pt;"><span style="color: #3d85c6;">09</span></span></div></span><span style="font-size: 14pt;"><div style="text-align: center;"><span style="background-color: #274e13; font-size: 14pt;"><span style="color: white;">JEANNE EAGELS</span></span></div></span><span style="font-size: 14pt;"><div style="text-align: center;"><span style="font-size: 14pt;"><span style="color: #3d85c6;">(1890 – 1929. Kansas City, Missouri/ EUA)</span></span></div><div style="text-align: justify;"><span style="font-size: 14pt;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgBKKKFHMV8KVuvgXBPPMt-rYRBMXDl71PtkSe_HR5jqSUsWWH5dduEoLV6e8cbqq_0j8pzRaifHSymuagz7bBfToI5Mw8LkWBVJ8gTZfwyF3e3uRzXUsWlRATe4V80EQTVR3iAwYttCDDYycItthGCE06B1HA8luPgZExlwPuvjOQV9YenXSWjWp8q/s1500/jeanne%20eageks.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1500" data-original-width="1091" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgBKKKFHMV8KVuvgXBPPMt-rYRBMXDl71PtkSe_HR5jqSUsWWH5dduEoLV6e8cbqq_0j8pzRaifHSymuagz7bBfToI5Mw8LkWBVJ8gTZfwyF3e3uRzXUsWlRATe4V80EQTVR3iAwYttCDDYycItthGCE06B1HA8luPgZExlwPuvjOQV9YenXSWjWp8q/w291-h400/jeanne%20eageks.jpg" width="291" /></a></div><span style="color: #3d85c6;"><br /></span></span></div></span><span style="font-size: 14pt;"><div style="text-align: justify;"><span style="font-size: 14pt;">Garota Ziegfeld, atuou na Broadway e em Hollywood, recebendo uma
indicação ao Oscar de Melhor Atriz por seu papel em <span style="color: #3d85c6;">“A Carta”</span> (1929). Em 1920,
no auge do sucesso teatral, começou a abusar do álcool e da heroína.
Debilitada, perdeu trabalhos devido ao seu estado físico e ficou proibida de
trabalhar por dezoito meses.</span></div></span><span style="font-size: 14pt;"><div style="text-align: justify;"><span style="font-size: 14pt;"> </span></div></span><span style="font-size: 14pt;"><div style="text-align: justify;"><span style="font-size: 14pt;">Protagonizou oito filmes e o penúltimo deles fez enorme sucesso. Sofria
de problemas respiratórios, mas nunca deixou a bebida e as drogas. Em 1929, a caminho
de consulta médica, sofreu convulsões e morreu, sucumbindo a overdose de heroína. Em 1957, Kim Novak estrelou <span style="color: #3d85c6;">“Lágrimas de Triunfo / Jeanne
Eagels”</span>, contando sua vida.</span></div></span><span style="font-size: 14pt;"><div style="text-align: justify;"><span style="font-size: 14pt;"> </span></div></span><span style="font-size: 14pt;"><div style="text-align: justify;"><span style="font-size: 14pt;"><span style="color: #3d85c6;">10</span></span></div></span><span style="font-size: 14pt;"><div style="text-align: center;"><span style="background-color: #274e13; font-size: 14pt;"><span style="color: white;">JOAN CRAWFORD</span></span></div></span><span style="font-size: 14pt;"><div style="text-align: center;"><span style="font-size: 14pt;"><span style="color: #3d85c6;">(1904 – 1977. Texas / EUA)</span></span></div><div style="text-align: justify;"><span style="font-size: 14pt;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgjDcVyMii9uIxk7Ky4yYUlGYKcVo0P5JNapxLmm2oXqv2HSnpk-HNCW9F4McFEVb1_4QJcuB3sP7NpqWGZkThqOdD1J84eIcXTg_yXOyzsRao6oQ1hMXd22hcz0kinTRF2FhMrcmLtxIEBfnYCSCzZKjUaJg1aQTCPb8IcoZJNNEyYkSEdzwROjXRc/s640/jc390-12.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="640" data-original-width="466" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgjDcVyMii9uIxk7Ky4yYUlGYKcVo0P5JNapxLmm2oXqv2HSnpk-HNCW9F4McFEVb1_4QJcuB3sP7NpqWGZkThqOdD1J84eIcXTg_yXOyzsRao6oQ1hMXd22hcz0kinTRF2FhMrcmLtxIEBfnYCSCzZKjUaJg1aQTCPb8IcoZJNNEyYkSEdzwROjXRc/w291-h400/jc390-12.jpg" width="291" /></a></div><span style="color: #3d85c6;"><br /></span></span></div></span><span style="font-size: 14pt;"><div style="text-align: justify;"><span style="font-size: 14pt;">Uma das estrelas mais populares, glamourosas e magnéticas dos anos 30 e
40, disse certa vez: <span style="color: #3d85c6;">“O alcoolismo é um risco ocupacional de se ser ator, viúva
e ou de se estar sozinho. E eu sou os três.”</span>. Ganhadora do Oscar, protagonista
de filmes inesquecíveis, tornou-se alcoólatra e para
onde ia carregava na bolsa uma bebida.</span></div></span><span style="font-size: 14pt;"><div style="text-align: justify;"><span style="font-size: 14pt;"> </span></div></span><span style="font-size: 14pt;"><div style="text-align: justify;"><span style="font-size: 14pt;">De alcoolismo discreto, casada com o dono da Pepsi, tornou-se sua
embaixadora oficial. Viajava pelo mundo representando a Pepsi e, a cada
parada da turnê, pedia Smirnoff, bourbon Old Forester, uísque, gim Beefeater e garrafas
de champanhe. Nas tardes e noites enchia a cara, mas sempre impecável,
nunca deu vexame.</span></div></span><span style="font-size: 14pt;"><div style="text-align: justify;"><span style="font-size: 14pt;"> </span></div></span><span style="font-size: 14pt;"><div style="text-align: justify;"><span style="font-size: 14pt;"><span style="color: #3d85c6;">11</span></span></div></span><span style="font-size: 14pt;"><div style="text-align: center;"><span style="background-color: #274e13; font-size: 14pt;"><span style="color: white;">JUDY GARLAND</span></span></div></span><span style="font-size: 14pt;"><div style="text-align: center;"><span style="font-size: 14pt;"><span style="color: #3d85c6;">(1922 – 1969. Grand Rapids, Minnesota / EUA)</span></span></div><div style="text-align: justify;"><span style="font-size: 14pt;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi-DqKGVJeUsSCgyXqB0YWQ7RlmIBqDu-thW6tinRpAAlFGCMIMaYiR6-eZFsjwUnToKsZIEoBBYslobYYConW4f_J3B2G33mHRQ_GRCi8js72GrfH3LlokOtpyKFXsXHZaKVp7vPm-YNzcIL2r5njHQJrgvIrIIAwyCthHpDGr62xpreysdvInX1A-/s640/jg6837298.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="640" data-original-width="493" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi-DqKGVJeUsSCgyXqB0YWQ7RlmIBqDu-thW6tinRpAAlFGCMIMaYiR6-eZFsjwUnToKsZIEoBBYslobYYConW4f_J3B2G33mHRQ_GRCi8js72GrfH3LlokOtpyKFXsXHZaKVp7vPm-YNzcIL2r5njHQJrgvIrIIAwyCthHpDGr62xpreysdvInX1A-/w309-h400/jg6837298.jpg" width="309" /></a></div><span style="color: #3d85c6;"><br /></span></span></div></span><span style="font-size: 14pt;"><div style="text-align: justify;"><span style="font-size: 14pt;"><span style="font-family: inherit;">Conhecida por desempenhos marcantes e voz excepcional, é uma das maiores
artistas de Hollywood. Apesar de triunfos profissionais, ela teve vários
problemas pessoais ao longo da vida. Insegura com sua aparência, seus
sentimentos foram agravados por executivos de cinema que disseram que ela era
feia e gorda. </span></span></div><div style="text-align: justify;"><span style="font-size: 14pt;"><span style="font-family: inherit;"><br /></span></span></div><div style="text-align: justify;"><span style="font-size: 14pt;"><span style="font-family: inherit;">O uso de anfetaminas e barbitúricos no estúdio terminou em dependência
química. Em pouco tempo, seus medicamentos foram misturados a bebida alcoólica.
Atormentada por uma instabilidade financeira, seus cinco casamentos terminaram
em divórcios. Sem nunca parar de beber, acabou em clínicas psiquiátricas. </span></span></div><div style="text-align: justify;"><span style="font-size: 14pt;"><span style="font-family: inherit;"><br /></span></span></div><div style="text-align: justify;"><span style="font-size: 14pt;"><span style="font-family: inherit;">Viciada em soníferos, álcool e morfina, cortou a
garganta. Morreu aos 47 anos, de overdose de medicamentos. Nessa época,
decadente, atuava em shows em Londres com enormes dificuldades. Um especialista britânico, que acompanhou sua carreira, diz que sua morte
foi causada por uma cirrose hepática. </span></span></div></span></span><p></p><div style="text-align: justify;"></div><p style="text-align: left;"><span style="font-family: inherit;"><span lang="EN-US" style="font-size: 14pt; line-height: 115%;"></span><span style="font-size: 14pt;"></span></span></p><div style="text-align: justify;"><span style="font-family: inherit;"><span style="font-size: 14pt;"><span style="color: #3d85c6;">12</span></span></span></div><span style="font-family: inherit;"><span style="font-size: 14pt;"><div style="text-align: center;"><span style="background-color: #274e13; font-size: 14pt;"><span style="color: white;">LANA TURNER</span></span></div></span><span style="font-size: 14pt;"><div style="text-align: center;"><span style="font-size: 14pt;"><span style="color: #3d85c6;">(1921 – 1995. Wallace, Idaho / EUA)</span></span></div><div style="text-align: justify;"><span style="font-size: 14pt;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg8kZqjGjm5ZxwFxfYraiyBtK0BcDvWKN6scj5LA6Z81ZpCTeb1cUtmyBvGslQcPK4D9WdA2j8wgHWLI_FvHE0ewsrrzIxaeH7iNxr8dWqPYxrk0rc24YKCS8vyXmPK17xQoU3BrYUgaCak0jBUhnLOW4eTUIx9Z0MbCOIKI--x6rwOe2UJCdcsD0mh/s640/lt302.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="640" data-original-width="495" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg8kZqjGjm5ZxwFxfYraiyBtK0BcDvWKN6scj5LA6Z81ZpCTeb1cUtmyBvGslQcPK4D9WdA2j8wgHWLI_FvHE0ewsrrzIxaeH7iNxr8dWqPYxrk0rc24YKCS8vyXmPK17xQoU3BrYUgaCak0jBUhnLOW4eTUIx9Z0MbCOIKI--x6rwOe2UJCdcsD0mh/w310-h400/lt302.jpg" width="310" /></a></div><span style="color: #3d85c6;"><br /></span></span></div></span><span style="font-size: 14pt;"><div style="text-align: justify;"><span style="font-size: 14pt;">Mesmo se não fosse por sua vida pessoal, com sete casamentos e um
assassinato, seria sempre um dos maiores ícones do cinema. Grande estrela da
Metro-Goldwyn-Mayer, símbolo sexual entre as décadas de 1940 e 1950, tornou-se
uma das estrelas mais bem pagas da época. Boa atriz, deixou um legado de filmes
clássicos.</span></div></span><span style="font-size: 14pt;"><div style="text-align: justify;"><span style="font-size: 14pt;"> </span></div></span><span style="font-size: 14pt;"><div style="text-align: justify;"><span style="font-size: 14pt;">Ficou falada por diversas controvérsias fora das telas do cinema, como
relacionamentos violentos, ostentação excessiva de itens de luxo e graves
problemas com bebida. Ela lutou contra o vício e passou um longo tempo em
depressão, mas nunca conseguiu superá-lo. No entanto, seu alcoolismo sempre foi
discreto.</span></div></span><span style="font-size: 14pt;"><div style="text-align: justify;"><span style="font-size: 14pt;"> </span></div></span><span style="font-size: 14pt;"><div style="text-align: justify;"><span style="font-size: 14pt;"><span style="color: #3d85c6;">13</span></span></div></span><span style="font-size: 14pt;"><div style="text-align: center;"><span style="background-color: #274e13; font-size: 14pt;"><span style="color: white;">LINDA DARNELL</span></span></div></span><span style="font-size: 14pt;"><div style="text-align: center;"><span style="font-size: 14pt;"><span style="color: #3d85c6;">(1923 – 1965. Dallas, Texas / EUA)</span></span></div><div style="text-align: justify;"><span style="font-size: 14pt;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjCvPaprdmym9cw0sOiqOI0GlmhlTOqRcTMn-zqc6RjRv_xemvSoYiDK5uJvND31s4CioNVjR0eI44WBZ0lis4AF03wDgqZHcmjrfYQB8qORUq-C0gpv9THwGmQX_BOu4zXukLRhgS8zH1AD3zG5XsD00mK0Th2BIhMBEwNoY_zM5EQisK5sRQFkCzV/s640/ld4234.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="640" data-original-width="510" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjCvPaprdmym9cw0sOiqOI0GlmhlTOqRcTMn-zqc6RjRv_xemvSoYiDK5uJvND31s4CioNVjR0eI44WBZ0lis4AF03wDgqZHcmjrfYQB8qORUq-C0gpv9THwGmQX_BOu4zXukLRhgS8zH1AD3zG5XsD00mK0Th2BIhMBEwNoY_zM5EQisK5sRQFkCzV/w319-h400/ld4234.jpg" width="319" /></a></div><span style="color: #3d85c6;"><br /></span></span></div></span><span style="font-size: 14pt;"><div style="text-align: justify;"><span style="font-size: 14pt;">Uma das mais belas estrelas de cinema, teve uma carreira sólida na 20</span><sup>th</sup><span style="font-size: 14pt;">
Century-Fox nos anos 40. Atuou em filmes excelentes. Sofrendo de alcoolismo
durante a maior parte da vida, quando seu contador roubou suas economias mergulhou
em um período sombrio, marcado ainda mais pela bebida e três casamentos
fracassados.</span></div></span><span style="font-size: 14pt;"><div style="text-align: justify;"><span style="font-size: 14pt;"> </span></div></span><span style="font-size: 14pt;"><div style="text-align: justify;"><span style="font-size: 14pt;">A profissão naufragou. De grande estrela, perdeu o contrato com a Fox e os
convites de trabalho desapareceram. Surtos de depressão e muito álcool marcaram
seus últimos anos, até que morreu ébria e queimada em incêndio na
casa de uma ex-secretária, causado por ter adormecido com cigarro aceso. Aos 41 anos de idade.</span></div></span><span style="font-size: 14pt;"><div style="text-align: justify;"><span style="font-size: 14pt;"> </span></div></span><span style="font-size: 14pt;"><div style="text-align: justify;"><span style="font-size: 14pt;"><span style="color: #3d85c6;">14</span></span></div></span><span style="font-size: 14pt;"><div style="text-align: center;"><span style="background-color: #274e13; font-size: 14pt;"><span style="color: white;">MABEL NORMAND</span></span></div></span><span style="font-size: 14pt;"><div style="text-align: center;"><span style="font-size: 14pt;"><span style="color: #3d85c6;">(1892 – 1930. New
Brighton, Staten Island, New York / EUA)</span></span></div><div style="text-align: justify;"><span style="font-size: 14pt;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhTbxwLaQUw0mqdG62ezchWpjMS2EAkwlHl75OFWD9kTVgbxj0zePgiQge1_H81-kSkLtoMnNrstKRG5830PySoQsV1JhBTtpOhGKIOLKXdTaaJoNX31RnU9UORyVIgS8Y6-5n9D6yynhWN4K39zW-RJ96kJ9O2LytQHm-H-ENhQLlPYs7zbyqxnUeS/s640/MabelN.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="640" data-original-width="531" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhTbxwLaQUw0mqdG62ezchWpjMS2EAkwlHl75OFWD9kTVgbxj0zePgiQge1_H81-kSkLtoMnNrstKRG5830PySoQsV1JhBTtpOhGKIOLKXdTaaJoNX31RnU9UORyVIgS8Y6-5n9D6yynhWN4K39zW-RJ96kJ9O2LytQHm-H-ENhQLlPYs7zbyqxnUeS/w333-h400/MabelN.jpg" width="333" /></a></div><span style="color: #3d85c6;"><br /></span></span></div></span><span style="font-size: 14pt;"><div style="text-align: justify;"><span style="font-size: 14pt;"><span style="font-family: inherit;">Comediante de destaque na companhia Keystone, atuando ao lado de Charles Chaplin, era extremamente popular. Astuta e
talentosa, foi uma das primeiras mulheres a dirigir filmes. Decepções amorosas
com o namorado Mack Sennett, dentre outras coisas, contribuíram para que ela
sucumbisse ao álcool e a cocaína. </span></span></div><div style="text-align: justify;"><span style="font-size: 14pt;"><span style="font-family: inherit;"><br /></span></span></div><div style="text-align: justify;"><span style="font-size: 14pt;"><span style="font-family: inherit;">Ébria e irresponsável, não
conseguia cumprir horários e envolvia-se em escândalos. Foi a primeira a chegar
ao local do assassinato de seu amante, o produtor William Desmond Taylor, e
posteriormente seu motorista atiraria em um homem com a sua pistola. Sua
carreira se acabou. Internada, morreu de tuberculose aos 37
anos.</span></span><span style="font-family: inherit; font-size: 14pt;"> </span></div></span></span><p></p><div style="text-align: justify;"></div><p style="text-align: left;"><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 115%;"></span><span style="font-size: 14pt;"></span></span></p><div style="text-align: justify;"><span style="font-family: inherit;"><span style="font-size: 14pt;"><span style="color: #3d85c6;">15</span></span></span></div><span style="font-family: inherit;"><span style="font-size: 14pt;"><div style="text-align: center;"><span style="background-color: #274e13; font-size: 14pt;"><span style="color: white;">MARILYN MONROE</span></span></div></span><span style="font-size: 14pt;"><div style="text-align: center;"><span style="font-size: 14pt;"><span style="color: #3d85c6;">(1926 – 1962. Los
Angeles, Califórnia / EUA)</span></span></div><div style="text-align: justify;"><span style="font-size: 14pt;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEioJZI0zUBA9YP-6T5Q2jh6K3x8WLV6Q0ZAeYoZAzwMykxKGvh193pKYixUOgR_mgpK9OUsjZrv_z_sI2epuuuiJ0BKe5pRQD6iR0SVhqxv7DW6QogtTOU4cd_WHRRampw4LyoGsFuOr36wJTvbUu-NLToVKS2L19zsmgiv2Dn5f-pM7x7KMpNkkiMj/s640/mm753898.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="640" data-original-width="492" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEioJZI0zUBA9YP-6T5Q2jh6K3x8WLV6Q0ZAeYoZAzwMykxKGvh193pKYixUOgR_mgpK9OUsjZrv_z_sI2epuuuiJ0BKe5pRQD6iR0SVhqxv7DW6QogtTOU4cd_WHRRampw4LyoGsFuOr36wJTvbUu-NLToVKS2L19zsmgiv2Dn5f-pM7x7KMpNkkiMj/w308-h400/mm753898.jpg" width="308" /></a></div><span style="color: #3d85c6;"><br /></span></span></div></span><span style="font-size: 14pt;"><div style="text-align: justify;"><span style="font-size: 14pt;"><span style="font-family: inherit;">Encontrada morta,
aos 36 anos, vítima de uma overdose de tranquilizantes, em sua casa em Los
Angeles. Era a atriz mais amada de Hollywood e atraía multidões aos cinemas. No
entanto, a dependência de drogas e álcool eram mais fortes do que o glamour, a profissão bem sucedida e a própria vida. </span></span></div><div style="text-align: justify;"><span style="font-size: 14pt;"><span style="font-family: inherit;"><br /></span></span></div><div style="text-align: justify;"><span style="font-size: 14pt;"><span style="font-family: inherit;">A loira construiu
uma péssima reputação nos bastidores de cinema, com atrasos constantes, problemas pessoais e de saúde. Internada várias vezes em clínicas psiquiátricas,
enfurecia diretores com sua falta de profissionalismo. As suas tendências
depressivas aumentaram com dois abortos e duas tentativas de suicídio. </span></span></div><div style="text-align: justify;"><span style="font-size: 14pt;"><span style="font-family: inherit;"><br /></span></span></div><div style="text-align: justify;"><span style="font-size: 14pt;"><span style="font-family: inherit;">Dona de uma capacidade
fotogênica miraculosa, carisma, beleza e sensualidade, a mulher mais desejada
de seu tempo passou a sua curta vida tentando encontrar um amor verdadeiro. Segundo
relatos, a rejeição do presidente John Fitzgerald Kennedy alimentou a queda final em
bebidas e pílulas que finalmente a mataram. </span></span></div></span></span><p></p><div style="text-align: justify;"></div><p style="text-align: left;"><span style="font-family: inherit;"><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 115%;"></span><span style="font-size: 14pt;"></span></span></span></p><div style="text-align: justify;"><span style="font-family: inherit;"><span style="font-family: inherit;"><span style="font-size: 14pt;"><span style="color: #3d85c6;">16</span></span></span></span></div><span style="font-family: inherit;"><span style="font-size: 14pt;"><div style="text-align: center;"><span style="background-color: #274e13; font-size: 14pt;"><span style="color: white;">NATALIE WOOD</span></span></div></span><span style="font-size: 14pt;"><div style="text-align: center;"><span style="font-size: 14pt;"><span style="color: #3d85c6;">(1938 – 1981. São
Francisco, Califórnia / EUA)</span></span></div><div style="text-align: justify;"><span style="font-size: 14pt;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgFYqyME1EIH6E_l6Zm9CM38Go37wJimHhUmH6a2MBR4M_ENL2fqncoj43ke3wF1lBtIWablwNyLr728CiVDxY9spoKwDqcb5vYj6xLQhnEPQUyRvRLX-C3CkiWz9qAg97KJgqtYUxgHo-qE5uuLUBcgQbbdpr_uU2E8f--NXnKqKF-C253yxOfoP36/s571/nw83092.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="571" data-original-width="504" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgFYqyME1EIH6E_l6Zm9CM38Go37wJimHhUmH6a2MBR4M_ENL2fqncoj43ke3wF1lBtIWablwNyLr728CiVDxY9spoKwDqcb5vYj6xLQhnEPQUyRvRLX-C3CkiWz9qAg97KJgqtYUxgHo-qE5uuLUBcgQbbdpr_uU2E8f--NXnKqKF-C253yxOfoP36/w353-h400/nw83092.jpg" width="353" /></a></div><span style="color: #3d85c6;"><br /></span></span></div></span><span style="font-size: 14pt; line-height: 115%;"><div style="text-align: justify;"><span style="font-size: 14pt; line-height: 115%;">Viciada em álcool,
cigarros, anfetaminas e barbitúricos, fez sucesso nos anos 60, iniciando a
carreira criança e se tornando uma atriz adulta bem sucedida.</span> <span style="font-size: 14pt; line-height: 115%;">Recebeu três
indicações ao Oscar. Adolescente, foi estuprada durante horas por Kirk
Douglas e obrigada a fazer sexo com o diretor Nicholas Ray para o papel de
<span style="color: #3d85c6;">“Juventude Transviada</span></span><span style="color: #3d85c6;"> / </span><span style="font-size: 14pt; line-height: 115%;"><span style="color: #3d85c6;">Rebel Without a Cause”</span> (1955).</span></div></span><span style="font-size: 14pt;"><div style="text-align: justify;"><span style="font-size: 14pt;"> </span></div></span><span style="font-size: 14pt;"><div style="text-align: justify;"><span style="font-size: 14pt;">Criança selvagem,
bebia vinho ainda menina. Os problemas conjugais com o marido Robert Wagner e as
pressões na carreira levaram a atriz ao alcoolismo. Morreu afogada após um controverso
acidente. Rumores indicam que foi assassinada pelo esposo, a bordo de um iate
em um passeio regado à muita bebida e drogas.</span></div></span><span style="font-size: 14pt;"><div style="text-align: justify;"><span style="font-size: 14pt;"> </span></div></span><span style="font-size: 14pt;"><div style="text-align: justify;"><span style="font-size: 14pt;">Há falatórios sobre
um romance entre a atriz e o ator Christopher Walken, presente no iate onde
ocorreu o acidente que a vitimou. A versão mais aceita, porém, é que os três
estavam totalmente bêbados e drogados, e depois de muitas discussões entre o
casal, causadas pelo ciúme, ela se desequilibrou e caiu no mar.</span></div></span><span style="font-size: 14pt;"><div style="text-align: justify;"><span style="font-size: 14pt;"> </span></div></span><span style="font-size: 14pt;"><div style="text-align: justify;"><span style="font-size: 14pt;"><span style="color: #3d85c6;">17</span></span></div></span><span style="font-size: 14pt;"><div style="text-align: center;"><span style="background-color: #274e13; font-size: 14pt;"><span style="color: white;">RITA HAYWORTH</span></span></div></span><span style="font-size: 14pt;"><div style="text-align: center;"><span style="font-size: 14pt;"><span style="color: #3d85c6;">(1918 – 1987.
Brooklyn, Nova Iorque / EUA)</span></span></div><div style="text-align: justify;"><span style="font-size: 14pt;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEja9MAVE42F-EyyjxnJJ6Mk7JtzQHFuSSjl4JpLtxQdVsshSVVPRn9PXmbK7L1IuyeMOrYuHT5MIHBTC3BpLxqOvLdEbGmqE3kOTiv-hAxlz6IplxrD8S55gHiqhiaoCCsD1h09OY8yous4v35NwaILX5Rc2AtkoCMR84d_ZnlVhDtUPqCPare2_D7t/s640/RH478923.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="640" data-original-width="508" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEja9MAVE42F-EyyjxnJJ6Mk7JtzQHFuSSjl4JpLtxQdVsshSVVPRn9PXmbK7L1IuyeMOrYuHT5MIHBTC3BpLxqOvLdEbGmqE3kOTiv-hAxlz6IplxrD8S55gHiqhiaoCCsD1h09OY8yous4v35NwaILX5Rc2AtkoCMR84d_ZnlVhDtUPqCPare2_D7t/w318-h400/RH478923.jpg" width="318" /></a></div><span style="color: #3d85c6;"><br /></span></span></div></span><span style="font-size: 14pt;"><div style="text-align: justify;"><span style="font-size: 14pt;">Tímida, mantinha a
tempestuosa vida pessoal em segredo. O alcoolismo e a tendência a maridos
dominadores criaram uma vida doméstica incrivelmente difícil para a estrela. Seus
casamentos tendiam a terminar em disputas, agressões e batalhas judiciais
prolongadas. Um relacionamento se misturava no outro.</span></div></span><span style="font-size: 14pt;"><div style="text-align: justify;"><span style="font-size: 14pt;"> </span></div></span><span style="font-size: 14pt;"><div style="text-align: justify;"><span style="font-size: 14pt;">O estresse e o
álcool envelheceram a atriz prematuramente, enquanto o Alzheimer matou
sua memória. Aos 50 anos, ela não memorizava as falas de seus filmes e
passou o resto de seus dias em um apartamento em Nova York, bebendo sem
controle e a memória desaparecendo, à medida que a conta bancária diminuía.</span></div></span><span style="font-size: 14pt;"><div style="text-align: justify;"><span style="font-size: 14pt;"> </span></div></span><span style="font-size: 14pt;"><div style="text-align: justify;"><span style="font-size: 14pt;">A garotinha
espancada e abusada sexualmente por seu pai se casou cinco vezes. <span style="color: #3d85c6;">“Os homens
vão para a cama com Gilda, mas acordam comigo”</span>, lamentava. Ela vivia
aterrorizada pela atenção midiática, por seu complexo de inferioridade e pela
certeza de que os homens só estavam interessados em seu corpo.</span></div></span><span style="font-size: 14pt;"><div style="text-align: justify;"><span style="font-size: 14pt;"> </span></div></span><span style="font-size: 14pt;"><div style="text-align: justify;"><span style="font-size: 14pt;">Consumida pela
ansiedade, ataques de pânico e alcoolismo, dizia que só foi feliz durante seu
conturbado casamento com Orson Welles, o único homem na indústria que a
valorizou como intérprete. Como resultado do que disse, Welles afirmou: <span style="color: #3d85c6;">“Se aquilo
foi felicidade para ela, não quero nem imaginar como foi o resto de sua vida”</span>.</span></div></span><span style="font-size: 14pt;"><div style="text-align: justify;"><span style="font-size: 14pt;"> </span></div></span><span style="font-size: 14pt;"><div style="text-align: justify;"><span style="font-size: 14pt;"><span style="color: #3d85c6;">18</span></span></div></span><span style="font-size: 14pt;"><div style="text-align: center;"><span style="background-color: #274e13; font-size: 14pt;"><span style="color: white;">SYLVIA KRISTEL</span></span></div></span><span style="font-size: 14pt;"><div style="text-align: center;"><span style="font-size: 14pt;"><span style="color: #3d85c6;">(1952 - 2012.
Utrecht / Países Baixos)</span></span></div><div style="text-align: justify;"><span style="font-size: 14pt;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg88SDwZOOyqFqMJJZ5HgF8IMvoX5aHnu63TaupiWFpvOb1iehTTfaoQ8ZyxqO49i3hvPbdSaqpw-nC7q_2bFBZDwSzDOI9dwVCXSoICBamAUJIIgLkpM7eALrsPizuM9a8ri6d-RbKoXtHVOOUWUz_T6isRnJjfzWQuREVuxpHKzqumaNfQ2mggz9U/s1880/gettyimages-542334092-2048x2048.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1880" data-original-width="1434" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg88SDwZOOyqFqMJJZ5HgF8IMvoX5aHnu63TaupiWFpvOb1iehTTfaoQ8ZyxqO49i3hvPbdSaqpw-nC7q_2bFBZDwSzDOI9dwVCXSoICBamAUJIIgLkpM7eALrsPizuM9a8ri6d-RbKoXtHVOOUWUz_T6isRnJjfzWQuREVuxpHKzqumaNfQ2mggz9U/w305-h400/gettyimages-542334092-2048x2048.jpg" width="305" /></a></div><span style="color: #3d85c6;"><br /></span></span></div></span><span style="font-size: 14pt;"><div style="text-align: justify;"><span style="font-size: 14pt;">A atriz holandesa,
mais conhecida como Emmanuelle, personagem da série de filmes eróticos que a
fez ficar famosa, esteve no Brasil para a divulgação de <span style="color: #3d85c6;">“A
Margem / La Marge”</span> (1976) e participou da telenovela <span style="color: #3d85c6;">“Espelho Mágico”</span>, sempre embriagada.
Quando maquiada para fotos, mal conseguia se equilibrar de tanto que tinha
bebido.</span></div></span><span style="font-size: 14pt;"><div style="text-align: justify;"><span style="font-size: 14pt;"> </span></div></span><span style="font-size: 14pt;"><div style="text-align: justify;"><span style="font-size: 14pt;">Durante a vida,
carregou o carma de deusa do sexo. Declarou que fez filmes baratos pela
dependência da cocaína. Em 2006, lançou a autobiografia <span style="color: #3d85c6;">“Nue”</span>, em que revela o
declínio financeiro e os problemas com álcool e drogas, inclusive heroína. Seus
últimos anos foram em Amsterdã e faleceu aos 60 anos, de um câncer.</span></div></span><span style="font-size: 14pt;"><div style="text-align: justify;"><span style="font-size: 14pt;"> </span></div></span><span style="font-size: 14pt;"><div style="text-align: justify;"><span style="font-size: 14pt;"><span style="color: #3d85c6;">19</span></span></div></span><span style="font-size: 14pt;"><div style="text-align: center;"><span style="background-color: #274e13; font-size: 14pt;"><span style="color: white;">VERONICA LAKE</span></span></div></span><span style="font-size: 14pt;"><div style="text-align: center;"><span style="font-size: 14pt;"><span style="color: #3d85c6;">(1922 – 1973.
Brooklyn, Nova Iorque / EUA)</span></span></div><div style="text-align: justify;"><span style="font-size: 14pt;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEii28w0nOxQrNB2-pHWIfcQRfXgvCxauxfQGoBAuQ2QD8ATEhKZIZc5yFdiid9-fu76sH9uPsNB8qMJLWTusw3ZtJ4X9xsCaQiFrmP6CL_FNXCBHecki7TOLu1ByThT3HX8Y7oIyGXgv9UvRWGjEo7SpYXh0Py0MzeX2cqprQFPvtcyYuRh53BkysgD/s640/vl38190.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="640" data-original-width="538" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEii28w0nOxQrNB2-pHWIfcQRfXgvCxauxfQGoBAuQ2QD8ATEhKZIZc5yFdiid9-fu76sH9uPsNB8qMJLWTusw3ZtJ4X9xsCaQiFrmP6CL_FNXCBHecki7TOLu1ByThT3HX8Y7oIyGXgv9UvRWGjEo7SpYXh0Py0MzeX2cqprQFPvtcyYuRh53BkysgD/w336-h400/vl38190.jpg" width="336" /></a></div><span style="color: #3d85c6;"><br /></span></span></div></span><span style="font-size: 14pt;"><div style="text-align: justify;"><span style="font-size: 14pt;">Na década de 1940,
era uma das maiores <i>femme fatales</i> de Hollywood. O longo cabelo loiro, caído
sobre o olho, virou moda, e sua parceria com Alan Ladd foi um grande sucesso. Considerada difícil, sua trajetória entrou em declínio e ela caiu no alcoolismo,
acabando por falecer muito cedo, com apenas 50 anos de idade.</span></div></span><span style="font-size: 14pt;"><div style="text-align: justify;"><span style="font-size: 14pt;"> </span></div></span><span style="font-size: 14pt; line-height: 115%;"><div style="text-align: justify;"><span style="font-size: 14pt; line-height: 115%;">Estrela da
Paramount, ao longo da carreira vários atores fizeram críticas públicas sobre a
dificuldade em trabalhar com ela. Após amargar fracassos, um aborto espontâneo
e um divórcio, entrou em depressão e começou a beber compulsivamente.</span> <span style="font-size: 14pt; line-height: 115%;">Demitida pela
Paramount, sem trabalho, recorreu à televisão.</span></div></span><span style="font-size: 14pt;"><div style="text-align: justify;"><span style="font-size: 14pt;"> </span></div></span><span style="font-size: 14pt;"><div style="text-align: justify;"><span style="font-size: 14pt;">Na mesma época, o
Imposto de Renda confiscou sua casa e todos os seus bens, por dívidas com
impostos atrasados.</span><span style="font-size: 14pt;"> </span><span style="font-size: 14pt;">Eventualmente,
trabalhou no teatro. Mas o vício em bebida a fez abandonar os filhos e desmaiar
durante a apresentação de uma peça, em Londres, em 1955. Passou a morar em
hotéis baratos e perdeu os dentes.</span></div></span><span style="font-size: 14pt;"><div style="text-align: justify;"><span style="font-size: 14pt;"> </span></div></span><span style="font-size: 14pt;"><div style="text-align: justify;"><span style="font-size: 14pt;">Era constantemente
presa por embriaguez. Trabalhou como garçonete em Nova York e em 1969 publicou
uma biografia. Usou os lucros obtidos para produzir o filme de terror <span style="color: #3d85c6;">“Flesh
Feast”</span> (1970), que ela também estrelou.</span><span style="font-size: 14pt;"> </span><span style="font-size: 14pt;">Foi
um fiasco.</span></div></span><span style="font-size: 14pt;"><div style="text-align: justify;"><span style="font-size: 14pt;"> </span></div></span><span style="font-size: 14pt;"><div style="text-align: justify;"><span style="font-size: 14pt;"><span style="color: #3d85c6;">20</span></span></div></span><span style="font-size: 14pt;"><div style="text-align: center;"><span style="background-color: #274e13; font-size: 14pt;"><span style="color: white;">VIVIEN LEIGH</span></span></div></span><span style="font-size: 14pt;"><div style="text-align: center;"><span style="font-size: 14pt;"><span style="color: #3d85c6;">(1913 – 1967.
Darjeeling / Índia)</span></span></div><div style="text-align: justify;"><span style="font-size: 14pt;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjAds5lDFydKanzbJGdONBUW8d1YnVYqo4sQpfnH2qh1OL8GpphEqKnPcVu8TPV1XWvjCS8C1s4ZsP-CFKwRkcfYyOLCGpwaAGoLauQhtZegjykH_U2hBmizh4pu50Fm0wISo0q_MSpdoigSQ8cKViKS6MRpX1cJgPnS-XScF4OAGvDFCRifnmaK9zV/s553/vl4803.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="553" data-original-width="511" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjAds5lDFydKanzbJGdONBUW8d1YnVYqo4sQpfnH2qh1OL8GpphEqKnPcVu8TPV1XWvjCS8C1s4ZsP-CFKwRkcfYyOLCGpwaAGoLauQhtZegjykH_U2hBmizh4pu50Fm0wISo0q_MSpdoigSQ8cKViKS6MRpX1cJgPnS-XScF4OAGvDFCRifnmaK9zV/w370-h400/vl4803.jpg" width="370" /></a></div><span style="color: #3d85c6;"><br /></span></span></div></span><span style="font-size: 14pt;"><div style="text-align: justify;"><span style="font-size: 14pt;">Grande êxito nas
telas e palcos, a atriz teve uma vida de exageros na bebida e no sexo, e um
transtorno mental grave tardiamente identificado. Tudo começou com uma overdose
acidental nos bastidores de <span style="color: #3d85c6;">“...E o Vento Levou / Gone with the Wind”</span> (1939), gerada
por uma mistura explosiva de tranquilizantes e álcool.</span></div></span><span style="font-size: 14pt;"><div style="text-align: justify;"><span style="font-size: 14pt;"> </span></div></span><span style="font-size: 14pt;"><div style="text-align: justify;"><span style="font-size: 14pt;">O transtorno
bipolar, à época conhecido como depressão maníaca, impactou na sua vida
profissional. Ela passou por diversas tentativas de suicídio. A frágil saúde, o
alcoolismo e os problemas psicológicos tornaram-na indesejada.
Apesar da fama, sua carreira foi limitada, fazendo com que atuasse em poucos
filmes.</span></div></span><span style="font-size: 14pt;"><div style="text-align: justify;"><span style="font-size: 14pt;"> </span></div></span><span style="font-size: 14pt;"><div style="text-align: justify;"><span style="font-size: 14pt;">Passou por dois
abortos e o casamento de 20 anos com Laurence Olivier naufragou. Isto
a deixou em um profundo estado de depressão. Em maio de 1962, esteve no Brasil
com a trupe do Old Vic, interpretando Marguerite Gautier em <span style="color: #3d85c6;">“A
Dama das Camélias”</span>, no Teatro Municipal do Rio de Janeiro e de São Paulo.</span></div></span><span style="font-size: 14pt;"><div style="text-align: justify;"><span style="font-size: 14pt;"> </span></div></span><div style="font-size: 14pt; text-align: justify;"><span style="font-size: 14pt;">A diva tinha
episódios de raiva, paranoia e histerismo que depois esquecia completamente. Durante
uma turnê teatral na Austrália, ébria, se negou a entrar no palco por ter
perdido seus sapatos, Olivier a esbofeteou e ela revidou. O divórcio veio logo
depois, em 1960. Terminou morrendo de tuberculose, com somente 53 anos.</span></div><div style="font-size: 14pt; text-align: justify;"><span style="font-size: 14pt;"><br /></span></div><div style="text-align: center;"><span style="background-color: #274e13; color: white; font-family: inherit; font-size: large;">GALERIA de FOTOS</span></div><div style="text-align: center;"><span style="background-color: #274e13; color: white; font-family: inherit; font-size: large;"><br /></span></div><div style="font-size: 14pt; text-align: justify;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiBpsFZnTCzyrfWOrQgW2IpZe7hx6kdBmIFFG6KjBBDpOGhbzi7qTR9q1JGmdNb8Hw-23L2xeW65OkV-F-g9i5WHz0CHxt8JY6M3hZJ5A5nffRv6e_w6Nd7cZsxn9I8aK5_gDFv0BOs6J26Fa0BJx2mk9GowUvf6HtgM6Yw3ciuasq8XA0uyeOR2a2Y/s602/rh27890.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="602" data-original-width="508" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiBpsFZnTCzyrfWOrQgW2IpZe7hx6kdBmIFFG6KjBBDpOGhbzi7qTR9q1JGmdNb8Hw-23L2xeW65OkV-F-g9i5WHz0CHxt8JY6M3hZJ5A5nffRv6e_w6Nd7cZsxn9I8aK5_gDFv0BOs6J26Fa0BJx2mk9GowUvf6HtgM6Yw3ciuasq8XA0uyeOR2a2Y/w540-h640/rh27890.jpg" width="540" /></a></div><div class="separator" style="clear: both; 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text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiW3rxgiWUQ6nxVc1R36csJo_3tUl9M20LBwA6gVDMcYiwfh0dyEV2pSnsiV6L0zv8Sjbn9DQwDy26Gsss_cER4RzX6L2K-Bubj7Yb8gJObUNLP1630XKjtjDIm1_89K89koCEpCgCqx7B0ZvfsSqdfEk6L-C4o3bB5g97kq_YEsEZVYPqiKdCGSq5M/s1149/vl984028.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1149" data-original-width="906" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiW3rxgiWUQ6nxVc1R36csJo_3tUl9M20LBwA6gVDMcYiwfh0dyEV2pSnsiV6L0zv8Sjbn9DQwDy26Gsss_cER4RzX6L2K-Bubj7Yb8gJObUNLP1630XKjtjDIm1_89K89koCEpCgCqx7B0ZvfsSqdfEk6L-C4o3bB5g97kq_YEsEZVYPqiKdCGSq5M/w504-h640/vl984028.jpg" width="504" /></a></div><br /><span style="font-size: 14pt;"><br /></span></div></span><p></p>ANTONIO NAHUDhttp://www.blogger.com/profile/09829893001743081676noreply@blogger.com10tag:blogger.com,1999:blog-7997398743762234247.post-16947034449356121392022-10-31T22:24:00.022-03:002022-11-01T21:35:13.371-03:00**************** TRIBUTO a CHARLES LAUGHTON <p style="text-align: left;"></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjxiH9Um-R0qd5bXZzJlNYuwJy4GqPASS7I_VP9L2dM_fRSRefPyTl-2GMXxjKDygdLW6ZYYuPOPWCFXS04Ttb38PYzXjlsIrVccGSpVm-FtaRBDutPz8uAQP3PlOVataXD4zcAcwba2BSbVT2BraqvP8NV5t15yfbnYb24iNoKuEs5q3N1IXRLj9p4/s1396/61EYDxKsP7L.jpg" style="font-family: inherit; margin-left: 1em; margin-right: 1em; text-align: center;"><img border="0" data-original-height="1396" data-original-width="1196" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjxiH9Um-R0qd5bXZzJlNYuwJy4GqPASS7I_VP9L2dM_fRSRefPyTl-2GMXxjKDygdLW6ZYYuPOPWCFXS04Ttb38PYzXjlsIrVccGSpVm-FtaRBDutPz8uAQP3PlOVataXD4zcAcwba2BSbVT2BraqvP8NV5t15yfbnYb24iNoKuEs5q3N1IXRLj9p4/w548-h640/61EYDxKsP7L.jpg" width="548" /></a></div><div style="text-align: justify;"><span style="font-family: inherit;"><br /></span></div><div style="text-align: justify;"><br /></div><span style="font-family: inherit;"><span style="font-size: 14pt;"><div style="text-align: justify;"><span style="font-size: 14pt;"><span style="color: #3d85c6;">“Hollywood
é um lugar estúpido. Mas eu gosto. É a casa perfeita dos caricatos. Se eu não
fosse um pouco louco, não moraria lá.”</span></span></div></span><span style="font-size: 14pt;"><div style="text-align: justify;"><span style="background-color: #274e13; font-size: 14pt;"><span style="color: white;">CHARLES
LAUGHTON</span></span></div></span><span style="font-size: 14pt;"><div style="text-align: justify;"><span style="font-size: 14pt;"> </span></div></span></span><p></p><p class="MsoNormal" style="line-height: 150%; margin-bottom: 0cm; text-align: justify;"><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 150%;">Nasceu
em uma família rica de proprietários de hotéis. Após a morte do seu pai,
<span style="background-color: #274e13; color: white;">CHARLES LAUGHTON</span> <span style="color: #3d85c6;">(1899 – 1962. Scarborough, Yorkshire / Inglaterra)</span> estudou
atuação e rapidamente se tornou um bem sucedido ator. Construiu uma filmografia expressiva, mesmo que sua figura corpulenta e seu rosto nada
bonito significassem que a maioria dos papéis principais não estava disponível
para ele.</span> R<span style="font-size: 14pt; line-height: 150%;">ecebeu três indicações ao Oscar de
Melhor Ator, ganhando em 1933 por <span style="color: #3d85c6;">“A Vida Privada de Henrique VIII”</span>. Foi o
primeiro ator britânico a arrebatar a famosa estatueta dourada.</span><br /></span></p><p class="MsoNormal" style="line-height: 150%; margin-bottom: 0cm; text-align: justify;"><span style="font-size: 14pt; line-height: 150%;"><span style="font-family: inherit;">Presença
imponente no palco e na tela, estrela de cinquenta filmes e quarenta peças,
ele infelizmente está esquecido nos dias de hoje. Extremamente talentoso e
complexo - uma lenda artística que, no entanto, vivia em conflito com seu rosto
pouco atraente e o corpo obeso. Sua personalidade abrigava uma alma torturada e
insegura, um menino-homem desajeitado. Perfeccionista, achava o teatro
frustrante, preferindo as possibilidades do cinema. Apesar do sucesso imediato
e duradouro, ele nunca estava satisfeito e se considerava um fracasso. </span></span></p><p class="MsoNormal" style="line-height: 150%; margin-bottom: 0cm; text-align: justify;"><span style="font-size: 14pt; line-height: 150%;"></span></p><div class="separator" style="clear: both; text-align: center;"><span style="font-size: 14pt; line-height: 150%;"></span></div><span style="font-size: 14pt; line-height: 150%;"><span style="font-family: inherit; font-size: 14pt; line-height: 150%;"><div style="text-align: justify;"><table cellpadding="0" cellspacing="0" class="tr-caption-container" style="float: right; margin-left: 1em; text-align: right;"><tbody><tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgAOuxPqQV3LWx4rajgnp9rfCAin8jA5U-1K0ennvR-2tMS5p3YfCMd3CUld0kBOlXKlvncwy-Z1iwR3dWbvuZg54xBADaMpuR4VEQbEweLkc1tXBi0SLWVQ6kQw922XG2ku50LVtpo87Ygjl1KtcklLPjw0Xzq_FBlnKIBwzW2uT3ZpX9QvJky4huO/s1236/2994cb15ed04be626862b04993994ea5.jpg" style="clear: right; margin-bottom: 1em; margin-left: auto; margin-right: auto;"><img border="0" data-original-height="1236" data-original-width="866" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgAOuxPqQV3LWx4rajgnp9rfCAin8jA5U-1K0ennvR-2tMS5p3YfCMd3CUld0kBOlXKlvncwy-Z1iwR3dWbvuZg54xBADaMpuR4VEQbEweLkc1tXBi0SLWVQ6kQw922XG2ku50LVtpo87Ygjl1KtcklLPjw0Xzq_FBlnKIBwzW2uT3ZpX9QvJky4huO/w280-h400/2994cb15ed04be626862b04993994ea5.jpg" width="280" /></a></td></tr><tr><td class="tr-caption" style="text-align: center;"><span style="background-color: black; color: #3d85c6; font-family: inherit; font-size: large;">laughton e o oscar</span></td></tr></tbody></table><span style="font-family: inherit; font-size: 14pt; line-height: 150%;">Estudou
na Royal Academy of Dramatic Art de Londres e fez sua primeira aparição no palco
em 1926, em <span style="color: #3d85c6;">“O Inspetor Geral”</span>, de Gogol. Depois de performances bem sucedidas</span><span style="font-family: inherit; font-size: 14pt;">
</span><span style="font-family: inherit; font-size: 14pt; line-height: 150%;">no
West End londrino, estreou no cinema em 1928, numa comédia silenciosa, <span style="color: #3d85c6;">“Blue Bottles”</span>. Em uma peça, <span style="color: #3d85c6;">“Mr
Prohack”</span>, conheceu sua futura esposa, Elsa Lanchester, com quem se casou em
1929. Em 1931, se apresentou em Nova York e no ano seguinte faria seu primeiro
filme em Hollywood, <span style="color: #3d85c6;">“The Old
Dark House / A Casa Sinistra”</span>. Retornou à Inglaterra em 1933 para quatro
peças de Shakespeare no Old Vic: <span style="color: #3d85c6;">“Macbeth”</span>, <span style="color: #3d85c6;">“Henrique VIII”</span>, <span style="color: #3d85c6;">“Medida por
Medida”</span> e <span style="color: #3d85c6;">“A Tempestade”</span>. Em 1936, em Paris, brilhou em um clássico de Molière na Comédie Française.</span></div></span></span><p></p><p class="MsoNormal" style="line-height: 150%; margin-bottom: 0cm; text-align: justify;"><span style="font-size: 14pt; line-height: 150%;"><span style="font-family: inherit;">Exuberante,
<span style="background-color: #274e13; color: white;">CHARLES LAUGHTON</span> era um ator excelente, encarnando personagens sádicos e cordiais,
assassinos e advogados, artistas e simplórios, e todos com o mesmo poder de
convicção. Voz poderosa e penetrante, interpretava com paixão e imaginação. Muito
longe do protótipo de um astro pela sua gordura, traços exagerados e voz
peculiar, tornou-se uma presença estelar no cinema de
Hollywood, especializando-se em papéis ambíguos.
Seu modo particular de abordar o personagem conseguia dotá-lo de um pano de
fundo de moralidade suspeita.<o:p></o:p></span></span></p><p class="MsoNormal" style="line-height: 150%; margin-bottom: 0cm; text-align: justify;"><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 150%;">No
histórico <span style="color: #3d85c6;">“A Vida Privada de Henrique VIII”</span> (1933), fez um monarca vigoroso.
Pouco depois foi a vez do tirânico Capitão Bligh em <span style="color: #3d85c6;">“O Grande Motim”</span> (1935) e
outros filmes populares. Originalmente escalado para <span style="color: #3d85c6;">“David Copperfield</span></span><span style="color: #3d85c6;"> / </span><span style="font-size: 14pt; line-height: 150%;"><span style="color: #3d85c6;">The Personal
History, Adventures, Experience, & Observation of David Copperfield the
Younger”</span> (1935), clássico de George Cukor adaptado de Charles Dickens, abandonou
as filmagens. Na época, nos bastidores, foi dito que </span><span style="font-size: 14pt; line-height: 150%;">ele
assediou sexualmente o ator infantil Freddie Bartholomew. WC Fields ficou com o
papel de Micawber. Convidado para <span style="color: #3d85c6;">“O Corcunda de Notre Dame”</span> (1939), adaptado de Victor Hugo, hesitou diante
do deformado e patético Quasimodo, já que tinha problemas com sua própria
aparência. Por fim, assumiu o projeto, tornando-se o seu filme mais popular.</span><br /></span></p><p class="MsoNormal" style="line-height: 150%; margin-bottom: 0cm; text-align: justify;"><span style="font-family: inherit;"></span></p><div class="separator" style="clear: both; text-align: center;"><span style="font-family: inherit;"></span></div><span style="font-family: inherit;"><span style="font-family: inherit; font-size: 14pt;"><div style="text-align: justify;"><span style="font-family: inherit; font-size: 14pt;"><table cellpadding="0" cellspacing="0" class="tr-caption-container" style="float: right; margin-left: 1em; text-align: right;"><tbody><tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhF7y4Uq0H3SpPjbkIFEGpwQKMaIoxZugDQtDxDvu4LgCwznckga8fbzESaCYOIrhK5FUSTDH9OoyxkTnZuOJM9gphhw_rriZ52uJmDrlVQFCHFFUqRaeLQhUSa8H51O_6OimwD53u9RYA67zZ_cJeQ9-6krlOSrgzaOLanci5oS0h-Bak6TJRQmHYv/s2775/Annex%20-%20Laughton,%20Charles_03C.jpg" style="clear: right; margin-bottom: 1em; margin-left: auto; margin-right: auto;"><img border="0" data-original-height="2193" data-original-width="2775" height="316" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhF7y4Uq0H3SpPjbkIFEGpwQKMaIoxZugDQtDxDvu4LgCwznckga8fbzESaCYOIrhK5FUSTDH9OoyxkTnZuOJM9gphhw_rriZ52uJmDrlVQFCHFFUqRaeLQhUSa8H51O_6OimwD53u9RYA67zZ_cJeQ9-6krlOSrgzaOLanci5oS0h-Bak6TJRQmHYv/w400-h316/Annex%20-%20Laughton,%20Charles_03C.jpg" width="400" /></a></td></tr><tr><td class="tr-caption" style="text-align: center;"><span style="background-color: black; color: #3d85c6; font-family: inherit; font-size: large;">laughton e elsa lanchester</span></td></tr></tbody></table>Em
1937, em sociedade com Erich Pommer, formou sua própria companhia
cinematográfica, a Mayflower Pictures Corp., produzindo três filmes, um deles
dirigido por Alfred Hitchcock. No mesmo ano, estrelou a versão
cinematográfica do romance </span><span style="color: #3d85c6; font-family: inherit; font-size: 14pt;">“I, Claudius”</span><span style="font-family: inherit; font-size: 14pt;">, de Robert Graves, que terminou
abandonada após os ferimentos sofridos por Merle Oberon em um
acidente de carro. Com a Segunda Guerra Mundial, a produtora fechou
as portas e </span><span style="background-color: #274e13; color: white; font-family: inherit; font-size: 14pt;">CHARLES LAUGHTON</span><span style="font-family: inherit; font-size: 14pt;"> voltou para Hollywood.</span></div></span></span><p></p><p class="MsoNormal" style="line-height: 150%; margin-bottom: 0cm; text-align: justify;"><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 150%;">A
voz clara e distinta do ator fez muito sucesso em leituras no palco de grandes
obras da literatura, viajando pela América do Norte e Inglaterra. As leituras
começaram como entretenimento para as tropas hospitalizadas na Segunda Guerra
Mundial, e mais tarde se desenvolveram em performances públicas aclamadas e
altamente populares. Foram centenas de espetáculos. No palco, de
uma sacola cheia de livros, selecionava trechos de obras de Charles Dickens, Thomas Wolfe, William Shakespeare, Esopo e, muitas vezes, a <span style="color: #3d85c6;">“Bíblia”</span>.</span> <span style="font-size: 14pt; line-height: 150%;">Muitas
das leituras foram preservadas em gravações de áudio e na série
de televisão <span style="color: #3d85c6;">“This is Charles Laughton”</span> (1953).</span><br /><span style="font-size: 14pt;"> </span><br /><span style="font-size: 14pt; line-height: 150%;">O
ator não temia a experimentação, colaborando com Bertolt Brecht em 1947 em <span style="color: #3d85c6;">“A
Vida de Galileu”.</span> Na direção, Joseph Losey. Um de seus sucessos mais notáveis
no teatro foi ao interpretar o Diabo em <span style="color: #3d85c6;">“Don Juan no Inferno”</span>, de
Bernard Shaw, em 1950. Ele dirigiu várias peças na Broadway. Desde um
poema épico da Guerra Civil, em 1953, estrelado por Tyrone
Power, a <span style="color: #3d85c6;">“A Nave da Revolta”</span>, em 1954, um sucesso estrelado por Henry
Fonda que teve 415 apresentações.</span> <span style="font-size: 14pt; line-height: 150%;">Também foi um conceituado
professor de teatro, tendo entre seus alunos, Albert Finney.</span><br /></span></p><p class="MsoNormal" style="line-height: 150%; margin-bottom: 0cm; text-align: justify;"><span style="font-family: inherit;"></span></p><div class="separator" style="clear: both; text-align: center;"><span style="font-family: inherit;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjB0d_awQVvMM1pfP7wIoW_Dl19KemEoWvGirurFXrK-sP3sRdFGSywCTKKu_wT66fPaIBrQ-A8ymSCT8KISSIdaVqgDdKJVAVRx0aOMSzLyMDlDiV3dW7LkYi8RTVGIWPOp9JDxavsi01ska8ATRv20MfjF-3Lja8AqB9t3S6SryUZpsEFNP3_ZJwI/s1779/gettyimages-526876032-2048x2048.jpg" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="1779" data-original-width="1659" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjB0d_awQVvMM1pfP7wIoW_Dl19KemEoWvGirurFXrK-sP3sRdFGSywCTKKu_wT66fPaIBrQ-A8ymSCT8KISSIdaVqgDdKJVAVRx0aOMSzLyMDlDiV3dW7LkYi8RTVGIWPOp9JDxavsi01ska8ATRv20MfjF-3Lja8AqB9t3S6SryUZpsEFNP3_ZJwI/w373-h400/gettyimages-526876032-2048x2048.jpg" width="373" /></a></span></div><span style="font-family: inherit;"><span style="font-family: inherit; font-size: 14pt;"><div style="text-align: justify;"><span style="font-family: inherit; font-size: 14pt;">Para
dissipar sua solidão, </span><span style="background-color: #274e13; color: white; font-family: inherit; font-size: 14pt;">CHARLES LAUGHTON</span><span style="font-family: inherit; font-size: 14pt;"> procurava a companhia de belos jovens,
muitos dos quais começavam como seu massagista ou assistente pessoal. Com
alguns deles, desenvolveu longos relacionamentos românticos. Ele era feliz e
produtivo quando envolvido nesses romances, mas quando se separavam, entrava em
crise. Em </span><span style="color: #3d85c6; font-family: inherit; font-size: 14pt;">“O Grande Motim”</span><span style="font-family: inherit; font-size: 14pt;">, a homofobia de Clark Gable criou tanta tensão no
set que o produtor Irving Thalberg teve que intervir. Casado com Elsa
Lanchester, ele estava profundamente descontente com suas tendências
homossexuais. Permaneceu com a esposa até sua morte e, embora tivesse vários
amantes, nunca teve um parceiro significativo.</span></div></span></span><p></p><p class="MsoNormal" style="line-height: 150%; margin-bottom: 0cm; text-align: justify;"><span style="font-size: 14pt; line-height: 150%;"><span style="font-family: inherit;">Embora
temesse um escândalo, sempre trazia amantes para as filmagens para ajudá-lo a
relaxar. O seu pior medo se materializou enquanto dirigia Henry Fonda em <span style="color: #3d85c6;">“A Nave da Revolta”</span> (1954). Fonda, irritado com o desenvolvimento da peça,
atacou o diretor na frente de todos: <span style="color: #3d85c6;">“O que você sabe sobre os homens, sua
bicha gorda?”</span>. Parte da homofobia internalizada de <span style="background-color: #274e13; color: white;">CHARLES LAUGHTON</span> foi
aliviada em 1960, depois que ele e sua esposa compraram uma casa em Santa
Monica, ao lado do escritor gay Christopher Isherwood e seu companheiro Don
Bachardy. Os dois casais se tornaram amigos íntimos, e o orgulho gay de
Isherwood e Bachardy ajudaram o ator a alcançar uma certa aceitação emocional.</span></span></p><p class="MsoNormal" style="line-height: 150%; margin-bottom: 0cm; text-align: justify;"><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 150%;">Dirigiu
apenas um filme, <span style="color: #3d85c6;">“O Mensageiro
do Diabo</span></span><span style="color: #3d85c6;"> / <span style="font-size: 14pt; line-height: 150%;">The Night of the Hunter</span></span><span style="font-size: 14pt; line-height: 150%;"><span style="color: #3d85c6;">”</span>, de
1955, estrelado por Robert Mitchum, Shelley Winters e Lillian Gish. Embora
tenha sido um fracasso de crítica e bilheteria, desde então vem sendo citado
como um dos maiores filmes da década de 1950. Na vida privada, <span style="background-color: #274e13; color: white;">CHARLES LAUGHTON</span>
tinha o ator Burgess Meredith como um dos seus melhores amigos. Homem sensível,
apaixonado pela arte japonesa, era um conhecedor de arte, acumulando uma
coleção valiosa.</span><br /></span></p><p class="MsoNormal" style="line-height: 150%; margin-bottom: 0cm; text-align: justify;"><span style="font-family: inherit;"></span></p><div class="separator" style="clear: both; text-align: center;"><span style="font-family: inherit;"></span></div><span style="font-family: inherit;"><span style="font-family: inherit; font-size: 14pt;"><div style="text-align: justify;"><table cellpadding="0" cellspacing="0" class="tr-caption-container" style="float: left; margin-right: 1em; text-align: left;"><tbody><tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjhKGkaeWG3ne7DZuOJF-Vurg3DnJ6D2i9JYgsl8E6zrEYs6Ku280eoCwrzrM8Zl7nAiKxxmgLVsIjOtrGh7v1GvPytbEwAQDVADH0rj_Vww3vXM2eLzpdIC9nX6dC9d3Lcl12M2YIXMUF18WWFzyqsToHvweabaMJh6jsxZ_jIfbvGelv0TeN4g4on/s971/1933_actor_laughton.jpg" style="clear: left; margin-bottom: 1em; margin-left: auto; margin-right: auto;"><img border="0" data-original-height="971" data-original-width="685" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjhKGkaeWG3ne7DZuOJF-Vurg3DnJ6D2i9JYgsl8E6zrEYs6Ku280eoCwrzrM8Zl7nAiKxxmgLVsIjOtrGh7v1GvPytbEwAQDVADH0rj_Vww3vXM2eLzpdIC9nX6dC9d3Lcl12M2YIXMUF18WWFzyqsToHvweabaMJh6jsxZ_jIfbvGelv0TeN4g4on/w283-h400/1933_actor_laughton.jpg" width="283" /></a></td></tr><tr><td class="tr-caption" style="text-align: center;"><span style="background-color: black; color: #3d85c6; font-family: inherit; font-size: large;">laughton e lanchester</span></td></tr></tbody></table><span style="font-family: inherit; font-size: 14pt;">Seu
casamento não era feliz, e eles seguiam caminhos separados na maior parte do
tempo, embora nunca se separassem. Um dos últimos projetos de direção dele foi
um espetáculo que criou para a esposa, em 1960, </span><span style="color: #3d85c6; font-family: inherit; font-size: 14pt;">“Elsa Lanchester – Ela Mesma”</span><span style="font-family: inherit; font-size: 14pt;">. Após
a morte dele, Elsa escreveu um livro alegando que eles nunca tiveram filhos
porque não faziam sexo, mas não se considerava enganada, sabia que ele era
homossexual quando se casaram. Atormentado pelo desejo, o ator vivia
envergonhado de seus anseios homossexuais. Nunca discutiu publicamente ou
declarou sua homossexualidade, exceto para sua esposa.</span></div></span></span><p></p><p class="MsoNormal" style="line-height: 150%; margin-bottom: 0cm; text-align: justify;">
</p><p class="MsoNormal" style="line-height: 150%; margin-bottom: 0cm; text-align: justify;"><span style="font-size: 14pt; line-height: 150%;"><span style="font-family: inherit;">Suas
últimas peças foram <span style="color: #3d85c6;">“Sonhos de Uma Noite de Verão”</span> e o papel título de <span style="color: #3d85c6;">“Rei
Lear”</span>, em 1959. Foi muito elogiado por seu retrato de um senador desonesto em
seu derradeiro filme, <span style="color: #3d85c6;">“Tempestade em Washigton”</span>. Em 1962, diagnosticado com
câncer na coluna, seu peso caiu para apenas quarenta quilos. Ficou em coma e morreu em dezembro do mesmo ano. Talento criativo completo,
certa vez Daniel Day-Lewis o citou como uma de suas inspirações: <span style="color: #3d85c6;">“Ele foi o melhor ator de cinema da sua época. Tinha algo notável. Sua
generosidade como ator alimentava seu trabalho e impedia o público de tirar os
olhos dele em cena.”</span><o:p></o:p></span></span></p><p class="MsoNormal" style="line-height: 150%; margin-bottom: 0cm; text-align: justify;"><span style="font-size: 14pt; line-height: 150%;"><span style="font-family: inherit;"></span></span></p><table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto;"><tbody><tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhwrT-Jre8UKblb3HRjsuBoH0pzy34ceOtOeYsqJvEGH3Zhr-CJd5Y8tb-Iy1Blg7jb80KQMaSH98mzGE1DxWVJalPW8LU1RypbGqtgZl7qNITWKWTKH8ptJQWrkof96Cmj3vSPi-BhK43SOc0tj59gk_otLT2u1ZcA2FvVVNGSG5wMguWUHr2CE7b8/s2700/Annex%20-%20Laughton,%20Charles%20(Private%20Life%20of%20Henry%20the%20VIII,%20The)_01S.jpg" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="2010" data-original-width="2700" height="476" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhwrT-Jre8UKblb3HRjsuBoH0pzy34ceOtOeYsqJvEGH3Zhr-CJd5Y8tb-Iy1Blg7jb80KQMaSH98mzGE1DxWVJalPW8LU1RypbGqtgZl7qNITWKWTKH8ptJQWrkof96Cmj3vSPi-BhK43SOc0tj59gk_otLT2u1ZcA2FvVVNGSG5wMguWUHr2CE7b8/w640-h476/Annex%20-%20Laughton,%20Charles%20(Private%20Life%20of%20Henry%20the%20VIII,%20The)_01S.jpg" width="640" /></a></td></tr><tr><td class="tr-caption" style="text-align: center;"><span style="text-align: justify;"><span style="color: #3d85c6; font-family: inherit; font-size: large;"><span style="background-color: black;">no premiado “a vida privada de henrique VIII”</span></span></span></td></tr></tbody></table><div class="separator" style="clear: both; text-align: center;"><span style="font-size: 14pt; line-height: 150%;"><span style="font-family: inherit;"></span></span></div><p></p><p><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;"></span></span></p><p style="text-align: left;"><span style="font-family: inherit;"><span style="font-size: 14pt;"></span></span></p><div style="text-align: center;"><span style="font-family: inherit;"><span style="background-color: #274e13; font-size: 14pt;"><span style="color: white;">DEZ FILMES
de CHARLES LAUGHTON</span></span></span></div><span style="font-family: inherit;"><span style="color: #3d85c6; font-size: 14pt;"><div style="text-align: center;"><span style="font-size: 14pt;">(por
ordem de preferência)</span></div></span><span style="color: #3d85c6; font-size: 14pt;"><div style="text-align: justify;"><span style="font-size: 14pt;"> </span></div></span><span style="color: #3d85c6; font-size: 14pt;"><div style="text-align: justify;"><span style="font-size: 14pt;">01</span></div></span><span style="font-size: 14pt;"><div style="text-align: center;"><span style="background-color: #274e13; font-size: 14pt;"><span style="color: white;">Os
MISERÁVEIS</span></span></div></span><span style="color: #3d85c6; font-size: 14pt;"><div style="text-align: center;"><span style="font-size: 14pt;">(Les
Misérables, 1935)</span></div><div style="text-align: justify;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj6P0GndxhD5aMtb88vpJyj4EbZXqT3v_6kIuL8h9isrbwwrDzw23P4g27ZrBOuEF5eu_U4Jlb0JJO74J82WX0TOtNt4p76KqPqaoPkvHdekakbmh2Mm2dYs0BRcKm09h18szseVW2Hbk-Y3SK-iuSq85Bdy796QTDar7IMUac2YD-d7OAF9EGrwxrF/s2429/les-miserables-1935-poster.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="2429" data-original-width="1868" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj6P0GndxhD5aMtb88vpJyj4EbZXqT3v_6kIuL8h9isrbwwrDzw23P4g27ZrBOuEF5eu_U4Jlb0JJO74J82WX0TOtNt4p76KqPqaoPkvHdekakbmh2Mm2dYs0BRcKm09h18szseVW2Hbk-Y3SK-iuSq85Bdy796QTDar7IMUac2YD-d7OAF9EGrwxrF/s320/les-miserables-1935-poster.jpg" width="246" /></a></div><span style="font-size: 14pt;"><br /></span></div></span><span style="color: #3d85c6; font-size: 14pt;"><div style="text-align: justify;"><span style="font-size: 14pt;">Direção
de Richard Boleslawski</span></div></span><span style="color: #3d85c6; font-size: 14pt;"><div style="text-align: justify;"><span style="font-size: 14pt;">Elenco: Fredric
March, Cedric Hardwicke, Rochelle Hudson e Florence Eldridge</span></div></span><span style="color: #3d85c6; font-size: 14pt;"><div style="text-align: justify;"><span style="font-size: 14pt;"> </span></div></span><span style="color: #3d85c6; font-size: 14pt;"><div style="text-align: justify;"><span style="font-size: 14pt;">02</span></div></span><span style="font-size: 14pt;"><div style="text-align: center;"><span style="background-color: #274e13; font-size: 14pt;"><span style="color: white;">TESTEMUNHA
de ACUSAÇÃO</span></span></div></span><span style="color: #3d85c6; font-size: 14pt;"><div style="text-align: center;"><span style="font-size: 14pt;">(Witness
for the Prosecution, 1957)</span></div><div style="text-align: justify;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgQuHr4eOGs_-D-IRrUAVvK9lCGa_sxCZ91pLahHmyb0xOK3PiPD_KSn2yJk4d-ZKGPblV_mTcby7tAS8mzPpcut55ip9yqjOh7f_CnPTZ7-6QFElxKWHrmWN7w7nzl3kduV-gUyn4kxKwOVgZ3GXRJN6QrZIlcVwDcQI1__RKRE-MvXL--w24hzZnV/s2156/MV5BZDA4MWNkMTctZDQ0Mi00MTY2LThjYTAtNWM5OTY3NzA4MzIyXkEyXkFqcGdeQXVyNTE1NjY5Mg@@._V1_.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="2156" data-original-width="1525" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgQuHr4eOGs_-D-IRrUAVvK9lCGa_sxCZ91pLahHmyb0xOK3PiPD_KSn2yJk4d-ZKGPblV_mTcby7tAS8mzPpcut55ip9yqjOh7f_CnPTZ7-6QFElxKWHrmWN7w7nzl3kduV-gUyn4kxKwOVgZ3GXRJN6QrZIlcVwDcQI1__RKRE-MvXL--w24hzZnV/s320/MV5BZDA4MWNkMTctZDQ0Mi00MTY2LThjYTAtNWM5OTY3NzA4MzIyXkEyXkFqcGdeQXVyNTE1NjY5Mg@@._V1_.jpg" width="226" /></a></div><span style="font-size: 14pt;"><br /></span></div></span><span style="color: #3d85c6; font-size: 14pt;"><div style="text-align: justify;"><span style="font-size: 14pt;">Direção
de Billy Wilder</span></div></span><span style="color: #3d85c6; font-size: 14pt;"><div style="text-align: justify;"><span style="font-size: 14pt;">Elenco: Tyrone
Power, Marlene Dietrfich, Elsa Lanchester e Una O'Connor</span></div></span><span style="color: #3d85c6; font-size: 14pt;"><div style="text-align: justify;"><span style="font-size: 14pt;"> </span></div></span><span style="color: #3d85c6; font-size: 14pt;"><div style="text-align: justify;"><span style="font-size: 14pt;">03</span></div></span><span style="font-size: 14pt;"><div style="text-align: center;"><span style="background-color: #274e13; font-size: 14pt;"><span style="color: white;">O
CORCUNDA de NOTRE DAME</span></span></div></span><span style="color: #3d85c6; font-size: 14pt;"><div style="text-align: center;"><span style="font-size: 14pt;">(The Hunchback
of Notre Dame, 1939)</span></div><div style="text-align: justify;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiSidAE1a9VUhaK0E4yT6oocHfoNj9ekQKBo7iD16t4NUqDzyMaGFeZapVZ2AV2U0o1_mrHuEE_LG1gTSJeUqEP5QjENv0E80baMt5MPf4oR3FRWA65HYZril_wxhcq3u5sjDwtgeBw22xovKCowJGo9dgtQxgdda4mbZMXs3uUpm0Ss95YfE6X60Dh/s1172/The_Hunchback_of_Notre_Dame-659208978-large.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1172" data-original-width="914" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiSidAE1a9VUhaK0E4yT6oocHfoNj9ekQKBo7iD16t4NUqDzyMaGFeZapVZ2AV2U0o1_mrHuEE_LG1gTSJeUqEP5QjENv0E80baMt5MPf4oR3FRWA65HYZril_wxhcq3u5sjDwtgeBw22xovKCowJGo9dgtQxgdda4mbZMXs3uUpm0Ss95YfE6X60Dh/s320/The_Hunchback_of_Notre_Dame-659208978-large.jpg" width="250" /></a></div><span style="font-size: 14pt;"><br /></span></div></span><span style="color: #3d85c6; font-size: 14pt;"><div style="text-align: justify;"><span style="font-size: 14pt;">Direção
de William Dieterle</span></div></span><span style="color: #3d85c6; font-size: 14pt;"><div style="text-align: justify;"><span style="font-size: 14pt;">Elenco: Maureen
O´Hara, Cedric Hardwicke, Thomas Mitchell e Edmond O´Brien</span></div></span><span style="color: #3d85c6; font-size: 14pt;"><div style="text-align: justify;"><span style="font-size: 14pt;"> </span></div></span><span style="color: #3d85c6; font-size: 14pt;"><div style="text-align: justify;"><span style="font-size: 14pt;">04</span></div></span><span style="font-size: 14pt;"><div style="text-align: center;"><span style="background-color: #274e13; font-size: 14pt;"><span style="color: white;">O GRANDE</span></span><span style="background-color: #274e13; color: white; font-family: inherit; font-size: 14pt;"> MOTIM</span></div></span><span style="color: #3d85c6; font-size: 14pt;"><div style="text-align: center;"><span style="font-size: 14pt;">(Mutiny on the Bounty, 1935)</span></div></span><span style="color: #3d85c6; font-size: 14pt;"><div style="text-align: justify;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg19ZRLAK7k3qll626fHgJK0k__5sMLnX_O4W-CFNhPi4Qyu3AeC2Y91vJAMHjsEuHUPt6oTdE-8EYJELvA0f_nnwthIV6jGUfrgd3iJ5sQMWezsFBUV1DEqypAtB3nzabQMwuGCrOjuy7t4qw3SOSD2wPSEPMvVopMPmi8x6w_UlaLfoCG0sZi3tvt/s1208/1566176d135d14cf8c9b0139b3b0de4f.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1208" data-original-width="800" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg19ZRLAK7k3qll626fHgJK0k__5sMLnX_O4W-CFNhPi4Qyu3AeC2Y91vJAMHjsEuHUPt6oTdE-8EYJELvA0f_nnwthIV6jGUfrgd3iJ5sQMWezsFBUV1DEqypAtB3nzabQMwuGCrOjuy7t4qw3SOSD2wPSEPMvVopMPmi8x6w_UlaLfoCG0sZi3tvt/s320/1566176d135d14cf8c9b0139b3b0de4f.jpg" width="212" /></a></div><span style="font-size: 14pt;"><br /></span></div></span><span style="color: #3d85c6; font-size: 14pt;"><div style="text-align: justify;"><span style="font-size: 14pt;">Direção
de Frank Lloyd</span></div></span><span style="color: #3d85c6; font-size: 14pt;"><div style="text-align: justify;"><span style="font-size: 14pt;">Elenco: Clark
Gable, Franchot Tone, Donald Crisp, Spring Byington e Movita</span></div></span><span style="color: #3d85c6; font-size: 14pt;"><div style="text-align: justify;"><span style="font-size: 14pt;"> </span></div></span><span style="color: #3d85c6; font-size: 14pt;"><div style="text-align: justify;"><span style="font-size: 14pt;">05</span></div></span><span style="font-size: 14pt;"><div style="text-align: center;"><span style="background-color: #274e13; font-size: 14pt;"><span style="color: white;">TEMPESTADE
sobre WASHINGTON</span></span></div></span><span style="color: #3d85c6; font-size: 14pt;"><div style="text-align: center;"><span style="font-size: 14pt;">(Advise
& Consent, 1962)</span></div><div style="text-align: justify;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiFkXFJJRRpEtAuJucMrV6ZE6797Qdp8bII3Ga5YrcqGXcg-pTITbt3E44zNrD_H5-Th3SyU164u4shzd70U3mmun-BYKfV3QBGmZcsnY3jkoATSdFar8WWqrNE3i-SuSVHwNUCKZIeTLXvn-DhS0emv6iN-xzoxEh7Krc2_rg9jqLe9-Y2jt39c-W8/s1089/MV5BMjE3NzU1MTc0Nl5BMl5BanBnXkFtZTgwMzUxNTIxMDE@._V1_.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1089" data-original-width="519" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiFkXFJJRRpEtAuJucMrV6ZE6797Qdp8bII3Ga5YrcqGXcg-pTITbt3E44zNrD_H5-Th3SyU164u4shzd70U3mmun-BYKfV3QBGmZcsnY3jkoATSdFar8WWqrNE3i-SuSVHwNUCKZIeTLXvn-DhS0emv6iN-xzoxEh7Krc2_rg9jqLe9-Y2jt39c-W8/s320/MV5BMjE3NzU1MTc0Nl5BMl5BanBnXkFtZTgwMzUxNTIxMDE@._V1_.jpg" width="153" /></a></div><span style="font-size: 14pt;"><br /></span></div></span><span style="color: #3d85c6; font-size: 14pt;"><div style="text-align: justify;"><span style="font-size: 14pt;">Direção
de Otto Preminger</span></div></span><span style="color: #3d85c6; font-size: 14pt;"><div style="text-align: justify;"><span style="font-size: 14pt;">Elenco: Franchot
Tone, Lew Ayres, Henry Fonda, Walter Pidgeon, Don Murray, Peter Lawford, Gene
Tierney e Burgess Meredith</span></div></span><span style="color: #3d85c6; font-size: 14pt;"><div style="text-align: justify;"><span style="font-size: 14pt;"> </span></div></span><span style="color: #3d85c6; font-size: 14pt;"><div style="text-align: justify;"><span style="font-size: 14pt;">06</span></div></span><span style="font-size: 14pt;"><div style="text-align: center;"><span style="background-color: #274e13; font-size: 14pt;"><span style="color: white;">SPARTACUS</span></span></div></span><span style="color: #3d85c6; font-size: 14pt;"><div style="text-align: center;"><span style="font-size: 14pt;">(Idem, 1960)</span></div><div style="text-align: justify;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiaS_-7xFYJ80UvQIWjxv9eYI1uo6Jj5jA0uVahHssxUI2KXPmUmouYkSghlW-MPM8LDp4ZQmos_d1LL3eUgkLinO-Jf1EmWF01WaJ74uSLJ1i4Ejz7v7vQen2BKeLhW-UwMdRvLhOkvFsjwY4szdR-hY64Y5FvRtAXRvb3L-ZrMB9CSznt2p_PLSgd/s3000/poster-spartacus_04.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="3000" data-original-width="1935" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiaS_-7xFYJ80UvQIWjxv9eYI1uo6Jj5jA0uVahHssxUI2KXPmUmouYkSghlW-MPM8LDp4ZQmos_d1LL3eUgkLinO-Jf1EmWF01WaJ74uSLJ1i4Ejz7v7vQen2BKeLhW-UwMdRvLhOkvFsjwY4szdR-hY64Y5FvRtAXRvb3L-ZrMB9CSznt2p_PLSgd/s320/poster-spartacus_04.jpg" width="206" /></a></div><span style="font-size: 14pt;"><br /></span></div></span><span style="color: #3d85c6; font-size: 14pt;"><div style="text-align: justify;"><span style="font-size: 14pt;">Direção
de Stanley Kubrick</span></div></span><span style="color: #3d85c6; font-size: 14pt;"><div style="text-align: justify;"><span style="font-size: 14pt;">Elenco: Kirk
Douglas, Laurence Olivier, Jean Simmons, Peter Ustinov, Nina Foch, John Gavin e
John Ireland</span></div></span><span style="color: #3d85c6; font-size: 14pt;"><div style="text-align: justify;"><span style="font-size: 14pt;"> </span></div></span><span style="color: #3d85c6; font-size: 14pt;"><div style="text-align: justify;"><span style="font-size: 14pt;">07</span></div></span><span style="font-size: 14pt;"><div style="text-align: center;"><span style="background-color: #274e13; font-size: 14pt;"><span style="color: white;">O SINAL
da CRUZ</span></span></div></span><span style="color: #3d85c6; font-size: 14pt;"><div style="text-align: center;"><span style="font-size: 14pt;">(The Sign
of the Cross, 1932)</span></div><div style="text-align: justify;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg3J3aiMmIjp3Cx7_FH9luElLkawYcrunFMcuH27jDo2WgwaPYBV4FaY4LejOMtvtP9GQcx6loNShDRyvyubIYWi-evKcrACFLaUPExtBXaWHtI0kuMwOkn96OzIfVNPvfujSn6Ioa6JbeWbZbSN803suj0m2s2xpW04lTuQDT1g7JsAiLqurvUBqEr/s1493/MV5BMTcyMDk3NzAwMF5BMl5BanBnXkFtZTgwMjk1Nzk1MjE@._V1_FMjpg_UX1000_.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1493" data-original-width="1000" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg3J3aiMmIjp3Cx7_FH9luElLkawYcrunFMcuH27jDo2WgwaPYBV4FaY4LejOMtvtP9GQcx6loNShDRyvyubIYWi-evKcrACFLaUPExtBXaWHtI0kuMwOkn96OzIfVNPvfujSn6Ioa6JbeWbZbSN803suj0m2s2xpW04lTuQDT1g7JsAiLqurvUBqEr/s320/MV5BMTcyMDk3NzAwMF5BMl5BanBnXkFtZTgwMjk1Nzk1MjE@._V1_FMjpg_UX1000_.jpg" width="214" /></a></div><span style="font-size: 14pt;"><br /></span></div></span><span style="color: #3d85c6; font-size: 14pt;"><div style="text-align: justify;"><span style="font-size: 14pt;">Direção
de Cecil B. DeMille</span></div></span><span style="color: #3d85c6; font-size: 14pt;"><div style="text-align: justify;"><span style="font-size: 14pt;">Elenco: Fredric
March, Claudette Colbert e Elissa Landi</span></div></span><span style="color: #3d85c6; font-size: 14pt;"><div style="text-align: justify;"><span style="font-size: 14pt;"> </span></div></span><span style="color: #3d85c6; font-size: 14pt;"><div style="text-align: justify;"><span style="font-size: 14pt;">08</span></div></span><span style="font-size: 14pt;"><div style="text-align: center;"><span style="background-color: #274e13; font-size: 14pt;"><span style="color: white;">ESTA
TERRA é MINHA</span></span></div></span><span style="color: #3d85c6; font-size: 14pt;"><div style="text-align: center;"><span style="font-size: 14pt;">(This
Land Is Mine, 1943)</span></div><div style="text-align: justify;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi44R_xYyttfg7PGAQ7_G8vMJoGoBWPYyLx3X26BNZF4Yo2_c7tHRozexxZLu51CsKWt9XmmK3RMStYHVIniKUY2EL9tiZj53_M186CPL5U40kmFX-Ona0D4FXSPZDcxJBtORdXFbyAqAY187_qIs0AW-BrqrsMeAL1krMZ7Trq_k0DyaFGgFs68jUG/s2782/This_Land_Is_Mine_(1943_poster).jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="2782" data-original-width="1948" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi44R_xYyttfg7PGAQ7_G8vMJoGoBWPYyLx3X26BNZF4Yo2_c7tHRozexxZLu51CsKWt9XmmK3RMStYHVIniKUY2EL9tiZj53_M186CPL5U40kmFX-Ona0D4FXSPZDcxJBtORdXFbyAqAY187_qIs0AW-BrqrsMeAL1krMZ7Trq_k0DyaFGgFs68jUG/s320/This_Land_Is_Mine_(1943_poster).jpg" width="224" /></a></div><span style="font-size: 14pt;"><br /></span></div></span><span style="color: #3d85c6; font-size: 14pt;"><div style="text-align: justify;"><span style="font-size: 14pt;">Direção
de Jean Renoir</span></div></span><span style="color: #3d85c6; font-size: 14pt;"><div style="text-align: justify;"><span style="font-size: 14pt;">Elenco: Maureen
O´Hara, George Sanders, Walter Slezak e Una O´Connor</span></div></span><span style="color: #3d85c6; font-size: 14pt;"><div style="text-align: justify;"><span style="font-size: 14pt;"> </span></div></span><span style="color: #3d85c6; font-size: 14pt;"><div style="text-align: justify;"><span style="font-size: 14pt;">09</span></div></span><span style="font-size: 14pt;"><div style="text-align: center;"><span style="background-color: #274e13; font-size: 14pt;"><span style="color: white;">Os AMORES
de HENRIQUE VIII</span></span></div></span><span style="color: #3d85c6; font-size: 14pt;"><div style="text-align: center;"><span style="font-size: 14pt;">(The
Private Life of Henry VIII, 1933)</span></div><div style="text-align: justify;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi8_5DUUGfCkk8Rf_tUAZM8O7QBrZaUx__VmdIpeKKs_LdJsUL365RDgXRmfB6eB4jbpuTxjg6j_SUtBpXu5s-bRlAWWrqX2t072FlAfKBAPf1HJUUoIkwaU4qI3xNyQI0egAgLNuBfB14cOIAjTkXkWuChwmAG3K1deBfc2Myyzqczki_6sG2IvQXX/s840/0012549-the-private-life-of-henry-viii-1933.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="836" data-original-width="840" height="318" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi8_5DUUGfCkk8Rf_tUAZM8O7QBrZaUx__VmdIpeKKs_LdJsUL365RDgXRmfB6eB4jbpuTxjg6j_SUtBpXu5s-bRlAWWrqX2t072FlAfKBAPf1HJUUoIkwaU4qI3xNyQI0egAgLNuBfB14cOIAjTkXkWuChwmAG3K1deBfc2Myyzqczki_6sG2IvQXX/s320/0012549-the-private-life-of-henry-viii-1933.jpg" width="320" /></a></div><span style="font-size: 14pt;"><br /></span></div></span><span style="color: #3d85c6; font-size: 14pt;"><div style="text-align: justify;"><span style="font-size: 14pt;">Direção
de Alexander Korda</span></div></span><span style="color: #3d85c6; font-size: 14pt;"><div style="text-align: justify;"><span style="font-size: 14pt;">Elenco: Robert
Donat, Merle Oberon e Elsa Lanchester</span></div></span><span style="color: #3d85c6; font-size: 14pt;"><div style="text-align: justify;"><span style="font-size: 14pt;"> </span></div></span><span style="color: #3d85c6; font-size: 14pt;"><div style="text-align: justify;"><span style="font-size: 14pt;">10</span></div></span><span style="font-size: 14pt;"><div style="text-align: center;"><span style="background-color: #274e13; font-size: 14pt;"><span style="color: white;">O RELÓGIO
VERDE</span></span></div></span><span style="color: #3d85c6; font-size: 14pt;"><div style="text-align: center;"><span style="font-size: 14pt;">(The Big
Clock, 1948)</span></div><div style="text-align: justify;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiHLTCnO5Y29MF-doK9QAPW9qlW1iQVzqSjkY3LNrGdBoNSb7Mt5lsee2fSKHkTadA3QIDBEdS8pLFYqQED4-Cr_jt0zTQtubLMMfMn0bnTiwboxmWYjKbWT4O2LyGyCxk8p_o90F9V7JCkuynRaYN56sJC6N8JntsG5ApzOPFI7sIk5cSntwsslBbb/s3000/MV5BYjM0ODQ2N2ItNDRmMC00MjZkLWI1NmUtN2U5NTI4MGEzMmE5XkEyXkFqcGdeQXVyMDI2NDg0NQ@@._V1_.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="3000" data-original-width="1982" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiHLTCnO5Y29MF-doK9QAPW9qlW1iQVzqSjkY3LNrGdBoNSb7Mt5lsee2fSKHkTadA3QIDBEdS8pLFYqQED4-Cr_jt0zTQtubLMMfMn0bnTiwboxmWYjKbWT4O2LyGyCxk8p_o90F9V7JCkuynRaYN56sJC6N8JntsG5ApzOPFI7sIk5cSntwsslBbb/s320/MV5BYjM0ODQ2N2ItNDRmMC00MjZkLWI1NmUtN2U5NTI4MGEzMmE5XkEyXkFqcGdeQXVyMDI2NDg0NQ@@._V1_.jpg" width="211" /></a></div><span style="font-size: 14pt;"><br /></span></div></span><span style="color: #3d85c6; font-size: 14pt;"><div style="text-align: justify;"><span style="font-size: 14pt;">Direção
de John Farrow</span></div></span><span><div style="color: #3d85c6; font-size: 14pt; text-align: justify;"><span style="font-size: 14pt;">Elenco: Ray
Milland, Maureen O`Sullivan, George Macready e Elsa Lanchester</span></div><div style="color: #3d85c6; font-size: 14pt; text-align: justify;"><span style="font-size: 14pt;"><br /></span></div><div style="text-align: center;"><span style="background-color: #274e13; color: white; font-size: large;">GALERIA de FOTOS</span></div><div style="text-align: center;"><span style="background-color: #274e13; color: white; font-size: large;"><br /></span></div><div style="color: #3d85c6; font-size: 14pt; text-align: justify;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjDNwVr11fAjPWH4SoNjPicfDkpuZXSxI30hIueMsEEBoJtVGr4KHXp76FNKo4w4I34Q2G-aqIfOoZvhfSFh56KY6lFwYj2PEJ0sAsMRbQoyanmiHi6gcoQvy7zVd5MCfwTnHpee5IXLeymWK7tcnaTU77RfXZqu-nKmVz9KxgNhYslStUTrV4jhY0d/s854/10506808_1.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="854" data-original-width="684" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjDNwVr11fAjPWH4SoNjPicfDkpuZXSxI30hIueMsEEBoJtVGr4KHXp76FNKo4w4I34Q2G-aqIfOoZvhfSFh56KY6lFwYj2PEJ0sAsMRbQoyanmiHi6gcoQvy7zVd5MCfwTnHpee5IXLeymWK7tcnaTU77RfXZqu-nKmVz9KxgNhYslStUTrV4jhY0d/w320-h400/10506808_1.jpg" width="320" /></a></div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjeufKgF9hZ_HvnG0cCCkJHCfaAGECIGuVB8t0WATKLaSrve9j4Mfx1Tf52f6jySdKSP1h85FwIWV3OOS-xUc4zxodN0KQozMQS2zbXco0_KP_EZ_L7-MYLpf9MPzbmLy1ylH0FvPmmWiKAl5HLQsbe2qBf5AJISyKkMB5VmmmlysPwhlXUh2Yu52PE/s1425/Annex%20-%20Laughton,%20Charles%20(Big%20Clock,%20The)_01.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1425" data-original-width="1241" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjeufKgF9hZ_HvnG0cCCkJHCfaAGECIGuVB8t0WATKLaSrve9j4Mfx1Tf52f6jySdKSP1h85FwIWV3OOS-xUc4zxodN0KQozMQS2zbXco0_KP_EZ_L7-MYLpf9MPzbmLy1ylH0FvPmmWiKAl5HLQsbe2qBf5AJISyKkMB5VmmmlysPwhlXUh2Yu52PE/w349-h400/Annex%20-%20Laughton,%20Charles%20(Big%20Clock,%20The)_01.jpg" width="349" /></a></div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhOCuAph0Mpb6okYvqFTo3DPBjOK-kjk-34zfGqQAiEuEDfUb8pMSalql-jBO3JVrvBPIrfKRVX-EAu3wu88UU2qrBqG_kA8h5B3A3lsiZkHXJ2_8fW_Wa4OrH4xbtKDDCc5hBkx-KH-3JeJqe-ii1atI13s35npdBkVeowSTPEQGwERg_30UlZUUCb/s1600/Annex%20-%20Laughton,%20Charles%20(Big%20Clock,%20The)_02C.jpg" imageanchor="1" style="margin-left: 1em; 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margin-right: 1em;"><img border="0" data-original-height="882" data-original-width="1119" height="315" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiPK5Xe7Tw0FvAEuJ7nnMeTkagvGN4jmAhkxIa3CTYhowlQa-ey_xB8eJ4ru3NVZJ2ehDORW6NuzdwAaSH0mI9zgEtV6G9Se7NAJ0rdVv9mK3vdYwbCF68vMFWedMFu1lB1XIsEkZIeWKtWDjnpgLpCRc0dUW1-AsJ1zDN1JXo_ecfauXc9PXbRPm90/w400-h315/Les-Miserables-1935-Bricorn-worn-by-Javert-Charles-Laughton-1.jpg" width="400" /></a></div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjOHd06YA5zfVSWt-ywdil081zjtUqxX141SD_vUTLLZ-0BYO9lwacRs4Zch8nJ-Ce6-syXodbYaxckfroxRX9H0fmPyrLTpjaZLuVsfd7G_Z3Hx1Qi7mIiBE8BP_RP0ZQEoQh-rjb8Cq3N_0Dd4dy5ODBkyZFrChI5U__GVeGUCzukgDyc98N5Fmh0/s1264/s-l1600.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1264" data-original-width="1110" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjOHd06YA5zfVSWt-ywdil081zjtUqxX141SD_vUTLLZ-0BYO9lwacRs4Zch8nJ-Ce6-syXodbYaxckfroxRX9H0fmPyrLTpjaZLuVsfd7G_Z3Hx1Qi7mIiBE8BP_RP0ZQEoQh-rjb8Cq3N_0Dd4dy5ODBkyZFrChI5U__GVeGUCzukgDyc98N5Fmh0/w351-h400/s-l1600.jpg" width="351" /></a></div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgrmTPXcgRameI8WE86-SX7e2jP-v0g0U295TpAEE-T_FM_vo5MeDvGgDTA07DV4SIed5_pQUi9eKmg9HW32sLeZMbyF2E2rd4yJvPjkYEaEkln7ormM9NGhLpXpvDzxJGp2mT4OX-Klbf56EPJdEEuRnhKyemuCmgKecoMqmV15qZJ5CuZLRMMid9r/s1699/Yousuf-Karsh-Charles-Laughton-1958-1555x1960.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1699" data-original-width="1555" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgrmTPXcgRameI8WE86-SX7e2jP-v0g0U295TpAEE-T_FM_vo5MeDvGgDTA07DV4SIed5_pQUi9eKmg9HW32sLeZMbyF2E2rd4yJvPjkYEaEkln7ormM9NGhLpXpvDzxJGp2mT4OX-Klbf56EPJdEEuRnhKyemuCmgKecoMqmV15qZJ5CuZLRMMid9r/w366-h400/Yousuf-Karsh-Charles-Laughton-1958-1555x1960.jpg" width="366" /></a></div><br /><span style="font-size: 14pt;"><br /></span></div></span></span><p></p>ANTONIO NAHUDhttp://www.blogger.com/profile/09829893001743081676noreply@blogger.com5tag:blogger.com,1999:blog-7997398743762234247.post-15921658383766309822022-09-29T20:55:00.028-03:002022-09-30T21:32:46.408-03:00*********** 50 FILMES: os MELHORES do CINEMA<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto;"><tbody><tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjdL-WGzfrY-5XO7La444JitiIR62ta-hYXc7PpVLudgTcPpVrIJkmRMZxA9rdcfHcdRXnHEIvfSXtkWh7HEFfPmHJS2qgeMtAM_Vs68xCrKPBBz1UpQUce45IuvKWZ_Zn1Zq-7FS0sKnfaAxTfvudN5m1rnCMYevgDzWMYtM5fcRvYXH4lE6It4otr/s2362/The-Seventh-Seal-xadrez-com-a-morte.jpg" style="margin-left: auto; margin-right: auto; text-align: center;"><img border="0" data-original-height="1695" data-original-width="2362" height="460" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjdL-WGzfrY-5XO7La444JitiIR62ta-hYXc7PpVLudgTcPpVrIJkmRMZxA9rdcfHcdRXnHEIvfSXtkWh7HEFfPmHJS2qgeMtAM_Vs68xCrKPBBz1UpQUce45IuvKWZ_Zn1Zq-7FS0sKnfaAxTfvudN5m1rnCMYevgDzWMYtM5fcRvYXH4lE6It4otr/w640-h460/The-Seventh-Seal-xadrez-com-a-morte.jpg" width="640" /></a></td></tr><tr><td class="tr-caption" style="text-align: center;"><span style="background-color: black; color: #3d85c6; font-family: inherit; font-size: large;">“o sétimo selo”, de ingmar bergman</span></td></tr></tbody></table><p><br /></p><p>
</p><p class="MsoNormal" style="margin-bottom: 0cm; text-align: justify;"><span style="font-family: inherit; font-size: large;"><span style="line-height: 107%;"><span>Blogueiros,
jornalistas, críticos, revistas e institutos costumam selecionar os
<span style="background-color: #274e13; color: white;">MELHORES FILMES do CINEMA</span>. Nessas listas nunca faltam títulos
que são unanimidade, como <span style="color: #3d85c6;">“Cidadão
Kane / Citizen Kane”</span> (1941) ou <span style="color: #3d85c6;">“Um Corpo que Cai / Vertigo”</span> (1958). Aprecio esses
clássicos, mas prefiro outros dos mesmos diretores. Como não vou na onda da galera, faço mais uma vez uma lista cinéfila de acordo com os meus próprios
critérios.</span></span><br /><span> </span><br /><span>O
evidente é que muitas listas não se sustentam. Basta lembrar que há </span><span>algumas com opções altamente
questionáveis, como incluir <span style="color: #3d85c6;">“Avatar / Idem”</span> (2009) ou qualquer longa de Quentin
Tarantino. De olho no </span><span>apuro artístico dos filmes e na emoção que me
provocam, não tive nenhum cuidado de incluir cineastas geniais ou filmes
célebres, fui de acordo com o achismo da cabeça e com o que o coração manda.</span></span></p><p class="MsoNormal" style="margin-bottom: 0cm; text-align: justify;"><span style="font-family: inherit;"><span style="font-size: large;"><span style="line-height: 107%;">Existem
diversos filmes que fazem parte da história da sétima arte e se tornaram
referências, outros são tesouros que vamos descobrindo ao longo do
caminho. 50 títulos parecem muito, mas é ilusório tendo em vista o número de
candidatos potenciais. Conheça, abaixo, os principais filmes que marcaram minha
vida.</span><span> </span><span style="line-height: 107%;">A
lista é definitiva mesmo? Duvido. Dentro de algum tempo poderá ser bem
diferente</span></span><span style="font-size: 14pt; line-height: 107%;">.</span></span><br /><span style="font-family: inherit; font-size: 14pt;"> </span><br /><span style="font-family: inherit; font-size: 14pt;"><span style="color: #3d85c6;">01</span></span><br /></p><div style="text-align: center;"><span style="background-color: #274e13; color: white; font-family: inherit; font-size: 14pt;">ROCCO e
SEUS IRMÃOS</span></div><span style="color: #3d85c6;"><div style="text-align: center;"><a name="_Hlk114521558"><span style="font-size: 14pt; line-height: 107%;"><span style="font-family: inherit;">(Rocco e i suoi Fratelli, 1960)</span></span></a></div></span><p></p><p class="MsoNormal" style="margin-bottom: 0cm; text-align: justify;"><span style="color: #3d85c6;"></span></p><div class="separator" style="clear: both; text-align: center;"><span style="color: #3d85c6;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi7ijwN8eLLbYJDj6DmbsPDlUSN4fI86uccIjBNnIPvEZsO9IYF8sdCrhqIBQm_jAeYqaMfS8ANw4hprlXHIQWoDZYycpu_vPnrxJUET1aileWGsk3mnnQYMWQQEvAXtyAwd0KuQ0gt0RmmJc-nbp0Ziz1tQp0qSOKJ8g-fONgpsGpT9XvjIinJbzKT/s1589/r_Rocco-e-seus-irmaos_poster.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1589" data-original-width="1112" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi7ijwN8eLLbYJDj6DmbsPDlUSN4fI86uccIjBNnIPvEZsO9IYF8sdCrhqIBQm_jAeYqaMfS8ANw4hprlXHIQWoDZYycpu_vPnrxJUET1aileWGsk3mnnQYMWQQEvAXtyAwd0KuQ0gt0RmmJc-nbp0Ziz1tQp0qSOKJ8g-fONgpsGpT9XvjIinJbzKT/w224-h320/r_Rocco-e-seus-irmaos_poster.jpg" width="224" /></a></span></div><span style="color: #3d85c6;"><span style="font-size: 18.6667px;"><br /></span><span style="font-family: inherit; font-size: 14pt;">Itália e França</span><br /><div style="text-align: justify;"><span style="font-family: inherit; font-size: 14pt;">Direção: Luchino Visconti</span></div><span style="font-family: inherit; font-size: 14pt;"><div style="text-align: justify;"><span style="font-family: inherit; font-size: 14pt;">Elenco: Alain Delon, Renato Salvatori, Annie
Girardot, Claudia Cardinale, Katina Paxinou, Adriana Asti e Paolo Stoppa</span></div><div style="text-align: justify;"><span style="font-family: inherit; font-size: 14pt;"><br /></span></div><div style="text-align: justify;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgHvr5Iy_gPmHiJ8Rdt6YD8kHOgUNubVq4kOzDyf0h_UpTCxaCADT0ZYJa3l9p4G_tG_ZG1aD2tuhY5Ha9O56DNa89LbX0XqiYimx7sh0zK12YL56-o2XWGCmfpyDtDdkgAxf4tnQQ4-piYN_eQ7gJTut1iWSmX7UlYjLIN5SrzzhZ6N2Sf3es7cKLr/s1170/rocco_e_seus_irmaos.jpg" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="780" data-original-width="1170" height="266" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgHvr5Iy_gPmHiJ8Rdt6YD8kHOgUNubVq4kOzDyf0h_UpTCxaCADT0ZYJa3l9p4G_tG_ZG1aD2tuhY5Ha9O56DNa89LbX0XqiYimx7sh0zK12YL56-o2XWGCmfpyDtDdkgAxf4tnQQ4-piYN_eQ7gJTut1iWSmX7UlYjLIN5SrzzhZ6N2Sf3es7cKLr/w400-h266/rocco_e_seus_irmaos.jpg" width="400" /></a></div></div></span></span><span style="font-family: inherit; font-size: 14pt;"><div style="text-align: justify;"><span style="font-family: inherit; font-size: 14pt;">Vindos do sul de Itália para Milão, uma mãe (extraordinária
Katina Paxinou) e quatro dos seus cinco filhos se deparam com conflitos familiares,
fracassos, paixões, pugilismo, prostituição, jogo, bebida e assassinato. Inspirado
no livro </span><span style="color: #3d85c6; font-family: inherit; font-size: 14pt;">“l Ponte della Ghisolfa”</span><span style="font-family: inherit; font-size: 14pt;">, de Giovanni Testori, é uma co-produção
italo-francesa que utiliza cenários naturais e aborda os confrontos sociais
numa Itália em transformação, e onde a luta por progresso e melhoria financeira
pode levar à descaracterização moral. Primeiro sucesso comercial de Visconti,
abrindo-lhe caminho para obras mais suntuosas do ponto de vista de produção.</span></div></span><span style="font-family: inherit; font-size: 14pt;"> </span><br /><span style="font-family: inherit; font-size: 14pt;"><span style="color: #3d85c6;">02</span></span><br /><div style="text-align: center;"><span style="background-color: #274e13; color: white; font-family: inherit; font-size: 14pt;">FAUSTO</span></div><span style="color: #3d85c6;"><div style="text-align: center;"><span style="font-family: inherit; font-size: 14pt;">(Faust:
Eine Deutsche Volkssage, 1926)</span></div></span><p></p><p class="MsoNormal" style="margin-bottom: 0cm; text-align: justify;"><span style="color: #3d85c6;"></span></p><div class="separator" style="clear: both; text-align: center;"><span style="color: #3d85c6;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhImMm03y_DeU8h9wq2xqCXGoDWV5IlTUZGRsjxABmW86GDaYYYyGXfcuqtg1hEIeAgiVBk-ODLBQWG8xtHlcl3cSHpzdXQtw6taTOjy4g1J2wA0fNIKfnEZLEjDxnbNOLqNKS5iOGh41t7avVErcuedt4Y6NlukJFfPsP9P9Q1aE4vW3tPMtTjfrGy/s1097/Poster+1.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1097" data-original-width="728" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhImMm03y_DeU8h9wq2xqCXGoDWV5IlTUZGRsjxABmW86GDaYYYyGXfcuqtg1hEIeAgiVBk-ODLBQWG8xtHlcl3cSHpzdXQtw6taTOjy4g1J2wA0fNIKfnEZLEjDxnbNOLqNKS5iOGh41t7avVErcuedt4Y6NlukJFfPsP9P9Q1aE4vW3tPMtTjfrGy/w212-h320/Poster+1.jpg" width="212" /></a></span></div><span style="color: #3d85c6;"><span style="font-size: 18.6667px;"><br /><div style="text-align: justify;"><span style="font-family: inherit; font-size: 14pt;">Alemanha</span></div></span><span style="font-family: inherit; font-size: 14pt;"><div style="text-align: justify;"><span style="font-family: inherit; font-size: 14pt;">Direção: F.
W. Murnau</span></div></span><span style="font-family: inherit; font-size: 14pt;"><div style="text-align: justify;"><span style="font-family: inherit; font-size: 14pt;">Elenco: Gösta
Ekman, Emil Jannings, Camilla Horn e Yvette Guilbert</span></div><div style="text-align: justify;"><span style="font-family: inherit; font-size: 14pt;"><br /></span></div><div style="text-align: justify;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjm_4wtYIOqMdP2cjPp9_SEVVYxJdeAtIOkeu9YqG2_4PshwokcJkQXdfzUa6MxTK9fq2wkgft9L7xgV_DJLRndOzqu0EWDd_eyPwIYhFWgN-I1COcRsLAxalvsZMldhhjkEgmqoycOobgj2nKe5gUBamhsPjnCdSVX2NtRhPldLzJuUUb23E5f54A9/s1060/faust-1200-1200-675-675-crop-000000.jpg" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="667" data-original-width="1060" height="251" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjm_4wtYIOqMdP2cjPp9_SEVVYxJdeAtIOkeu9YqG2_4PshwokcJkQXdfzUa6MxTK9fq2wkgft9L7xgV_DJLRndOzqu0EWDd_eyPwIYhFWgN-I1COcRsLAxalvsZMldhhjkEgmqoycOobgj2nKe5gUBamhsPjnCdSVX2NtRhPldLzJuUUb23E5f54A9/w400-h251/faust-1200-1200-675-675-crop-000000.jpg" width="400" /></a></div></div></span></span><span style="font-family: inherit; font-size: 14pt;"><div style="text-align: justify;"><span style="font-family: inherit; font-size: 14pt;">Ao fazer
um pacto com o diabo, um velho médico e alquimista recupera a juventude e é tentado
com uma vida de opulência e luxúria. Produção de enorme beleza cênica. A mais
cara da UFA até então. Fiel às características expressionistas, com um ritmo
impetuoso, encanta pelo cuidado colocado em cada plano, e pelo uso da luz e das
sombras, que tornam cada cena como se de uma pintura se tratasse. O filme
brilha também pelas interpretações de Emil Jannings, que compõe um demônio
manipulador, astuto, mas ainda assim sedutor, e de Gösta Ekman, no papel do
anti-herói bem intencionado, mas atormentado pelas consequências das suas
decisões. Para muitos trata-se do melhor filme de Murnau. É sem dúvida uma magnífica lição de cinema.</span></div></span><span style="font-family: inherit; font-size: 14pt;"> </span><br /><span style="font-family: inherit; font-size: 14pt;"><span style="color: #3d85c6;">03</span></span><br /><div style="text-align: center;"><span style="background-color: #274e13; color: white; font-family: inherit; font-size: 14pt;">O
PODEROSO CHEFÃO</span></div><span style="color: #3d85c6;"><div style="text-align: center;"><span style="font-family: inherit; font-size: 14pt;">(The
Godfather, 1972)</span></div></span><p></p><p class="MsoNormal" style="margin-bottom: 0cm; text-align: justify;"><span style="color: #3d85c6;"></span></p><div class="separator" style="clear: both; text-align: center;"><span style="color: #3d85c6;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhafs5H0q_OQUIFAwLk4Ub4pNoDGM0jtQk95HETouJJMafGBm1zXFcngsWCdB_Nxcd_GKapUlVQUMSRs6POVdmEm21pUdb6I9VSLs4z24ZqrkEdnh4gpaEGcAzhmRtefLdJogOryiY0BkY2WqGtHBNNXYivsi4WHZ_KtoMsQYxhsZ8S1-jKG2wF6iP7/s1982/MV5BM2MyNjYxNmUtYTAwNi00MTYxLWJmNWYtYzZlODY3ZTk3OTFlXkEyXkFqcGdeQXVyNzkwMjQ5NzM@._V1_.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1982" data-original-width="1396" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhafs5H0q_OQUIFAwLk4Ub4pNoDGM0jtQk95HETouJJMafGBm1zXFcngsWCdB_Nxcd_GKapUlVQUMSRs6POVdmEm21pUdb6I9VSLs4z24ZqrkEdnh4gpaEGcAzhmRtefLdJogOryiY0BkY2WqGtHBNNXYivsi4WHZ_KtoMsQYxhsZ8S1-jKG2wF6iP7/w225-h320/MV5BM2MyNjYxNmUtYTAwNi00MTYxLWJmNWYtYzZlODY3ZTk3OTFlXkEyXkFqcGdeQXVyNzkwMjQ5NzM@._V1_.jpg" width="225" /></a></span></div><span style="color: #3d85c6;"><span style="font-size: 18.6667px;"><br /></span><span style="font-family: inherit; font-size: 14pt;">EUA</span><br /><div style="text-align: justify;"><span style="font-family: inherit; font-size: 14pt;">Direção: Francis
Ford Coppola</span></div><span style="font-family: inherit; font-size: 14pt;"><div style="text-align: justify;"><span style="font-family: inherit; font-size: 14pt;">Elenco: Marlon
Brando, Al Pacino, James Caan, Diane Keaton, Robert Duvall, John Cazale,
Sterling Hayden, John Marley, Richard Conte e Talia Shire</span></div><div style="text-align: justify;"><span style="font-family: inherit; font-size: 14pt;"><br /></span></div><div style="text-align: justify;"><div class="separator" style="clear: both; text-align: right;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgeVGFJ2BJ5rXvQrAHR5TB9vk7sXHSsnVIODhzjb4fmhDsZkaFbXJZNikWZfAzkOeYkOX5oen-GcC0b2ZdMxW6jZ8AlXOgegOI3kNO9SKQmqNm2zfamrg1T5xfcI2FXsj2_-9EW8t9UdgxZDB7qJcm6iwVdnn3yE9dNqtvf6EZeEote9lGbDh6ZAw4L/s2048/MV5BMTQ5MjY5NDU4NV5BMl5BanBnXkFtZTgwMTM1NjAyMDI@._V1_.jpg" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"><img border="0" data-original-height="1376" data-original-width="2048" height="269" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgeVGFJ2BJ5rXvQrAHR5TB9vk7sXHSsnVIODhzjb4fmhDsZkaFbXJZNikWZfAzkOeYkOX5oen-GcC0b2ZdMxW6jZ8AlXOgegOI3kNO9SKQmqNm2zfamrg1T5xfcI2FXsj2_-9EW8t9UdgxZDB7qJcm6iwVdnn3yE9dNqtvf6EZeEote9lGbDh6ZAw4L/w400-h269/MV5BMTQ5MjY5NDU4NV5BMl5BanBnXkFtZTgwMTM1NjAyMDI@._V1_.jpg" width="400" /></a></div></div></span></span><span style="font-family: inherit; font-size: 14pt;"><div style="text-align: justify;"><span style="font-family: inherit; font-size: 14pt;">O primeiro
da trilogia épica de Coppola sobre a mafiosa família Corleone. Adaptado do
romance homônimo de Mario Puzo, nos mostra a máfia ítalo-americana por dentro,
como um acontecimento de família, cheio de intrigas palacianas, uma pompa
impensável e um jogo criminal com ramificações e ambições. Com Don Vito
Corleone (Marlon Brando, antológico) e o seu filho Michael (Al Pacino),
entre outros, conhecemos a frieza de lidar com o perigo
e as decisões mais violentas. Vemos como se conduzem negócios por entre sangue
e corrupção, a força da lealdade familiar, a tradição siciliana e a
implacabilidade com cada traição.</span></div></span><span style="font-family: inherit; font-size: 14pt;"> </span><br /><span style="font-family: inherit; font-size: 14pt;"><span style="color: #3d85c6;">04</span></span><br /><div style="text-align: center;"><span style="background-color: #274e13; color: white; font-family: inherit; font-size: 14pt;">RASHOMON</span></div><span style="color: #3d85c6;"><div style="text-align: center;"><span style="font-family: inherit; font-size: 14pt;">(Idem,
1950)</span></div></span><p></p><p class="MsoNormal" style="margin-bottom: 0cm; text-align: justify;"><span style="color: #3d85c6;"></span></p><div class="separator" style="clear: both; text-align: center;"><span style="color: #3d85c6;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgk2PfA6vWJRd5APYVBmsK-adsjKfGIjqHSIpuRYx11TyRsrEyBnVAThCWuBRESek_pDeJwDrM6qOPknageVxRXt8O190udkoTws9U8zgJujltIsqBiOBTPNrLPZaW2gt62SC6gz--7MqveaA05Ukm3d9wUczrdzJTZwmWXhXnnzWKO8beAkFMukeh8/s3000/Rashomon_poster_3.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="3000" data-original-width="2110" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgk2PfA6vWJRd5APYVBmsK-adsjKfGIjqHSIpuRYx11TyRsrEyBnVAThCWuBRESek_pDeJwDrM6qOPknageVxRXt8O190udkoTws9U8zgJujltIsqBiOBTPNrLPZaW2gt62SC6gz--7MqveaA05Ukm3d9wUczrdzJTZwmWXhXnnzWKO8beAkFMukeh8/w225-h320/Rashomon_poster_3.jpg" width="225" /></a></span></div><span style="color: #3d85c6;"><span style="font-size: 18.6667px;"><br /></span><span style="font-family: inherit; font-size: 14pt;">Japão</span><br /><div style="text-align: justify;"><span style="font-family: inherit; font-size: 14pt;">Direção: Akira
Kurosawa</span></div><span style="font-family: inherit; font-size: 14pt;"><div style="text-align: justify;"><span style="font-family: inherit; font-size: 14pt;">Elenco: Toshiro
Mifune, Machiko Kyô, Masayuki Mori e Takashi Shimura</span></div><div style="text-align: justify;"><span style="font-family: inherit; font-size: 14pt;"><br /></span></div><div style="text-align: justify;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiaXesuxGE9TV9xVA6YTQEHGC3z1c26GvxIzoNcmRcsZP2I6gCWzbXqOCgYzqQqwcaxjo-rHSVBYXK6kHBy8Av6vy7MlzmKolGrbMzxJNoE4DeV4fp3ToCSqvjW37XCWoAOZnAmjmlfOLhqg5KWm_nAxGWEJ6sc31Bqp0cJwTDdkRavqgbuG_flr4kK/s1200/cccccccccc.jpg" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"><img border="0" data-original-height="675" data-original-width="1200" height="225" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiaXesuxGE9TV9xVA6YTQEHGC3z1c26GvxIzoNcmRcsZP2I6gCWzbXqOCgYzqQqwcaxjo-rHSVBYXK6kHBy8Av6vy7MlzmKolGrbMzxJNoE4DeV4fp3ToCSqvjW37XCWoAOZnAmjmlfOLhqg5KWm_nAxGWEJ6sc31Bqp0cJwTDdkRavqgbuG_flr4kK/w400-h225/cccccccccc.jpg" width="400" /></a></div></div></span></span><span style="font-family: inherit; font-size: 14pt;"><div style="text-align: justify;"><span style="font-family: inherit; font-size: 14pt;">Numa
floresta, o assassinato de um samurai de quatro perspectivas diferentes. Ganhou
o Leão de Ouro do Festival de Veneza, abrindo as portas internacionais para o
cinema japonês. A partir de duas histórias do escritor Ryūnosuke Akutagawa, o
diretor criou uma obra complexa, chamando a atenção para a natureza humana, da
ambição ao desejo, passando pelo aprisionamento a valores, e a necessidade da
mentira. Célebre pelos dilemas morais, pelo estudo sobre as
motivações humanas, pela técnica narrativa de flashbacks dentro de flashbacks.
Recebeu um Oscar Honorário, tornando-se responsável pela criação
do Oscar de Melhor Filme Estrangeiro.</span></div></span><span style="color: #3d85c6;"><span style="font-family: inherit; font-size: 14pt;"> </span><br /><span style="font-family: inherit; font-size: 14pt;">05</span></span><br /><div style="text-align: center;"><span style="background-color: #274e13; color: white; font-family: inherit; font-size: 14pt;">ANDREI
RUBLEV</span></div><span style="color: #3d85c6;"><div style="text-align: center;"><span style="font-family: inherit; font-size: 14pt;">(Idem, 1966)</span></div></span><p></p><p class="MsoNormal" style="margin-bottom: 0cm; text-align: justify;"><span style="color: #3d85c6;"></span></p><div class="separator" style="clear: both; text-align: center;"><span style="color: #3d85c6;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhD6U3e7aZrrfqw-p4uCfEKaI2_UcD5nB8VjOsaFs2UNkUtEBtEqCpCVwMDSi8v9mOrfi9V3w-VFRvVD5vPWrOrBytQd0cUY4aq4YIVkxxxW9UuLbxH-PWWqKMAQIh6qtzZQS2NRZ4pGC-Jgq-xks8d4Cxa0ojeiG6Un1ahk5Ca9qCyD1oJqItNaGHd/s1436/andreirublev.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1436" data-original-width="968" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhD6U3e7aZrrfqw-p4uCfEKaI2_UcD5nB8VjOsaFs2UNkUtEBtEqCpCVwMDSi8v9mOrfi9V3w-VFRvVD5vPWrOrBytQd0cUY4aq4YIVkxxxW9UuLbxH-PWWqKMAQIh6qtzZQS2NRZ4pGC-Jgq-xks8d4Cxa0ojeiG6Un1ahk5Ca9qCyD1oJqItNaGHd/w216-h320/andreirublev.jpg" width="216" /></a></span></div><span style="color: #3d85c6;"><span style="font-size: 18.6667px;"><br /><div style="text-align: justify;"><span style="font-family: inherit; font-size: 14pt;">Rússia</span></div></span><span style="font-family: inherit; font-size: 14pt;"><div style="text-align: justify;"><span style="font-family: inherit; font-size: 14pt;">Direção: Andrei
Tarkovsky</span></div></span><span style="font-family: inherit; font-size: 14pt;"><div style="text-align: justify;"><span style="font-family: inherit; font-size: 14pt;">Elenco: Anatoliy
Solonitsyn, Ivan Lapikov e Nikolay Grinko</span></div><div style="text-align: justify;"><span style="font-family: inherit; font-size: 14pt;"><br /></span></div><div style="text-align: justify;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjAKzUixg7BWjQ-KJDGw0rqrDV8DEfs_09F1TmJOdB5KgYFiopyQ0Y6CjiKTzwSwxIWUdgN5DtcwFRrKDsCexWQGETgbh64vUdXQH_TwIJOXrgJPS8jtmDbusNnF9Trt8u0EiVwnPBFM6_T0ZJpmvpwf8VxJ6gu6E5C_H7v8DtStPxiniIUWTeBBROA/s1170/andrei-rublev.jpg" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="780" data-original-width="1170" height="266" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjAKzUixg7BWjQ-KJDGw0rqrDV8DEfs_09F1TmJOdB5KgYFiopyQ0Y6CjiKTzwSwxIWUdgN5DtcwFRrKDsCexWQGETgbh64vUdXQH_TwIJOXrgJPS8jtmDbusNnF9Trt8u0EiVwnPBFM6_T0ZJpmvpwf8VxJ6gu6E5C_H7v8DtStPxiniIUWTeBBROA/w400-h266/andrei-rublev.jpg" width="400" /></a></div></div></span></span><span style="font-family: inherit; font-size: 14pt;"><div style="text-align: justify;"><span style="font-family: inherit; font-size: 14pt;">Na Rússia
do século XV, ainda perdida entre cristianismo e paganismo, num regime feudal
de príncipes rivais, e invasões tártaras, vive um monge famoso pelas suas
pinturas de ícones religiosos. Filmando em cenários naturais, em locais
históricos, procura ser fiel à época, e não à biografia do monge-pintor, do
qual pouco se sabe. Tarkovsky apresenta uma Idade Média suja, feia, violenta e
confusa, na qual há ainda assim espaço para valores como a arte, a vocação
artística, a liberdade individual, e o papel da religião. Divide-se em oito
partes, precedidas de um prólogo, e terminando com um epílogo no qual, a cores,
vemos alguns dos afrescos de Rublev ainda existentes. É um
dos mais influentes filmes da história do cinema.</span></div></span><span style="font-family: inherit; font-size: 14pt;"> </span><br /><span style="font-family: inherit; font-size: 14pt;"><span style="color: #3d85c6;">06</span></span><br /><div style="text-align: center;"><span style="background-color: #274e13; color: white; font-family: inherit; font-size: 14pt;">A MARCA
da MALDADE</span></div><span style="color: #3d85c6;"><div style="text-align: center;"><span style="font-family: inherit; font-size: 14pt;">(The
Touch of Evil, 1958)</span></div></span><p></p><p class="MsoNormal" style="margin-bottom: 0cm; text-align: justify;"><span style="color: #3d85c6;"></span></p><div class="separator" style="clear: both; text-align: center;"><span style="color: #3d85c6;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhjq3D0I1Uog5loUh3qSvnGnaAUfp7LLNR3V4heIRHJFU5mVSIvlHdzt8vu8keFoHlVzdRn49Xm3l42-FxMrSkRnKmKKF2Zk-8GUmXf59fPQ06zoH1TQcVilKXEDldiDjYv_rVLBrIhrnYmIPXln44uMA3SVncucGJWMaRUdQDeTap7L-hS4JPdetAT/s1500/poster_04.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1500" data-original-width="950" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhjq3D0I1Uog5loUh3qSvnGnaAUfp7LLNR3V4heIRHJFU5mVSIvlHdzt8vu8keFoHlVzdRn49Xm3l42-FxMrSkRnKmKKF2Zk-8GUmXf59fPQ06zoH1TQcVilKXEDldiDjYv_rVLBrIhrnYmIPXln44uMA3SVncucGJWMaRUdQDeTap7L-hS4JPdetAT/w203-h320/poster_04.jpg" width="203" /></a></span></div><span style="color: #3d85c6;"><span style="font-size: 18.6667px;"><br /></span><span style="font-family: inherit; font-size: 14pt;">EUA</span><br /><div style="text-align: justify;"><span style="font-family: inherit; font-size: 14pt;">Direção: Orson
Welles</span></div><span style="font-family: inherit; font-size: 14pt;"><div style="text-align: justify;"><span style="font-family: inherit; font-size: 14pt;">Elenco: Charlton
Heston, Orson Welles, Janet Leigh, Akim Tamiroff e Marlene Dietrich</span></div><div style="text-align: justify;"><span style="font-family: inherit; font-size: 14pt;"><br /></span></div><div style="text-align: justify;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhr2DVaBZmV9JniE7TLqBMhk-JQHHZV9jjvHjEdjcZp5ob_dgMtAtmQLxbvipUi8wGukoilJTbllVhZxSJGUd4CW3pOtqXfMppM-DlAXSBIek8GFbIys0DLGnhVLeJDWkYVeY-3g999szoH0LQiPahSEShbGoV4-gScB4zOcVhX01Cb5F2sPCuk8Y30/s1547/Touch_of_Evil-105273604-large.jpg" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="1200" data-original-width="1547" height="310" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhr2DVaBZmV9JniE7TLqBMhk-JQHHZV9jjvHjEdjcZp5ob_dgMtAtmQLxbvipUi8wGukoilJTbllVhZxSJGUd4CW3pOtqXfMppM-DlAXSBIek8GFbIys0DLGnhVLeJDWkYVeY-3g999szoH0LQiPahSEShbGoV4-gScB4zOcVhX01Cb5F2sPCuk8Y30/w400-h310/Touch_of_Evil-105273604-large.jpg" width="400" /></a></div></div></span></span><span style="font-family: inherit; font-size: 14pt;"><div style="text-align: justify;"><span style="font-family: inherit; font-size: 14pt;">Um casal
em lua-de-mel atravessa a fronteira do México para os Estados Unidos e
testemunha a explosão de um carro. A partir daí se envolve numa trama perigosa
e sinistra. Último grande noir da era clássica, tem Orson Welles na pele de um
policial corrupto. Ele assusta pela crueldade e desumanidade. Numa
interpretação brilhante (desfigurado pelo peso excessivo) transpira antipatia a
cada movimento. Sua performance ofusca os demais atores, contracenando com um
Charlton Heston criticado por interpretar um mexicano sem naturalidade. Apresentado como policial B, passou despercebido nos
Estados Unidos, mas foi aplaudido na Europa na década seguinte.</span></div></span><span style="font-family: inherit; font-size: 14pt;"> </span><br /><span style="font-family: inherit; font-size: 14pt;"><span style="color: #3d85c6;">07</span></span><br /><div style="text-align: center;"><span style="background-color: #274e13; color: white; font-family: inherit; font-size: 14pt;">AURORA</span></div><span style="color: #3d85c6; font-size: 18.6667px;"><div style="text-align: center;">(Sunrise: A Song of Two Humans, 1927)</div></span><p></p><p class="MsoNormal" style="margin-bottom: 0cm; text-align: justify;"><span style="background-color: #274e13; font-family: inherit; font-size: 14pt;"><span style="color: white;"></span></span></p><div class="separator" style="clear: both; text-align: center;"><span style="color: white;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgdFLymYcagTMUlpbXqkvafBpBEKkIVWymUs9C-EdGC-3B7-KRZufTdsB2Ns3GbgLFVaq6GXmYKCEtn-p_qL-zJskOcbwqiX1FgiDlh0QOvovJ7vRpSQjouOYIsevc80Z-IsL3y8O6JnQ0K6cnBLHzLjDW83WuFjwrG7_kjeRR3mnmFxsDAdTx-4zav/s1680/Sunrise_vintage.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1680" data-original-width="1271" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgdFLymYcagTMUlpbXqkvafBpBEKkIVWymUs9C-EdGC-3B7-KRZufTdsB2Ns3GbgLFVaq6GXmYKCEtn-p_qL-zJskOcbwqiX1FgiDlh0QOvovJ7vRpSQjouOYIsevc80Z-IsL3y8O6JnQ0K6cnBLHzLjDW83WuFjwrG7_kjeRR3mnmFxsDAdTx-4zav/w242-h320/Sunrise_vintage.jpg" width="242" /></a></span></div><p></p><p class="MsoNormal" style="margin-bottom: 0cm; text-align: justify;"><span style="color: #3d85c6;"><span style="font-family: inherit; font-size: 14pt;">EUA</span><br /></span></p><div style="text-align: justify;"><span style="color: #3d85c6;"><span style="font-family: inherit; font-size: 14pt;">Direção: F.
W. Murnau</span></span></div><span style="color: #3d85c6;"><span style="font-family: inherit; font-size: 14pt;"><div style="text-align: justify;"><span style="font-family: inherit; font-size: 14pt;">Elenco: George
O`Brien, Janet Gaynor e Margaret Livingston</span></div><div style="text-align: justify;"><span style="font-family: inherit; font-size: 14pt;"><br /></span></div><div style="text-align: justify;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEizaEBA4oUqvcxT6pqPmwEta0RQl4GQUcxyzpXhF9PkryRwa24hYsLj-XO_nsb9mLEFA6FDuQSqG99Zu8X0EfIlJVloG7mD_sWun9ZXp5DKNyZ0oFH4qc3x_eZsbf929N7Ln7hpscbnwNumpc8P7rb6EPV4LntJc6WD1ezPOkg1UB9e9rXgdkPjxFtO/s1103/sunrise-song-of-two-humans-1200-1200-675-675-crop-000000.jpg" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"><img border="0" data-original-height="675" data-original-width="1103" height="245" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEizaEBA4oUqvcxT6pqPmwEta0RQl4GQUcxyzpXhF9PkryRwa24hYsLj-XO_nsb9mLEFA6FDuQSqG99Zu8X0EfIlJVloG7mD_sWun9ZXp5DKNyZ0oFH4qc3x_eZsbf929N7Ln7hpscbnwNumpc8P7rb6EPV4LntJc6WD1ezPOkg1UB9e9rXgdkPjxFtO/w400-h245/sunrise-song-of-two-humans-1200-1200-675-675-crop-000000.jpg" width="400" /></a></div></div></span></span><span style="font-family: inherit; font-size: 14pt;"><div style="text-align: justify;"><span style="font-family: inherit; font-size: 14pt;">No final
de 1926, F. W. Murnau deixou a sua Alemanha natal, para continuar sua carreira
em Hollywood. Com seu primeiro filme norte-americano criou uma das mais poderosas
obras-primas do cinema mudo. Um conto moral sobre tentação e luxúria sobre um
casal que vive uma vida triste no campo. Ele tem uma amante, uma garota da
cidade que o tenta convencer a matar a esposa. Com uma fotografia deslumbrante
e planos de enorme riqueza cênica, o filme passou despercebido inicialmente,
mas levou o Oscar de Melhor Atriz para Janet Gaynor (foi uma segunda escolha,
Murnau preferira a alemã Camilla Horn). Desde então, tem sido considerado um
dos marcos do cinema.</span></div></span><span style="font-family: inherit; font-size: 14pt;"> </span><br /><span style="font-family: inherit; font-size: 14pt;"><span style="color: #3d85c6;">08</span></span><br /><p></p><div style="text-align: center;"><span style="background-color: #274e13; color: white; font-family: inherit; font-size: 14pt;">MORANGOS
SILVESTRES</span></div><span style="color: #3d85c6;"><div style="text-align: center;"><span style="font-family: inherit; font-size: 14pt;">(Smultronstället,
1957)</span></div></span><p></p><p class="MsoNormal" style="margin-bottom: 0cm; text-align: justify;"><span style="color: #3d85c6;"></span></p><div class="separator" style="clear: both; text-align: center;"><span style="color: #3d85c6;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEikybxFFwh5vP55D5J8vCSvicvAYkWcWl2U65nogvIR49WePAjA55YY3lqm5SW9NfqvpsWPlt2HEOLp8ymA5Fdsrcy2TC-FLERlvu1395bOGc0_zThx-4AAf-Di2I2uSBZjSZcdDk2Gpop7CPYfy3HtZpNNDGufrCnfaeqvvTqOE4RiXV8_lFoawDoP/s1076/9d990a0fb463be3237b0c46c72b5127c.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1076" data-original-width="736" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEikybxFFwh5vP55D5J8vCSvicvAYkWcWl2U65nogvIR49WePAjA55YY3lqm5SW9NfqvpsWPlt2HEOLp8ymA5Fdsrcy2TC-FLERlvu1395bOGc0_zThx-4AAf-Di2I2uSBZjSZcdDk2Gpop7CPYfy3HtZpNNDGufrCnfaeqvvTqOE4RiXV8_lFoawDoP/w219-h320/9d990a0fb463be3237b0c46c72b5127c.jpg" width="219" /></a></span></div><span style="color: #3d85c6;"><span style="font-size: 18.6667px;"><br /></span><span style="font-family: inherit; font-size: 14pt;">Suécia</span><br /><span style="font-family: inherit; font-size: 14pt;">Direção: Ingmar
Bergman</span><br /><div style="text-align: justify;"><span style="font-family: inherit; font-size: 14pt;">Elenco: Victor
Sjöström, Bibi Andersson, Ingrid Thulin e Max von Sydow</span></div><div style="text-align: justify;"><span style="font-family: inherit; font-size: 14pt;"><br /></span></div><div style="text-align: justify;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi5ZmNS8sLirYdTH2gxUZ2IuiSK5Hg0kJO02fycVulHJAQR_G60b2I0oYJloJtNXMKm5JRnZ4uo3VQRvluxmqAcj9prt194E0hUnhrTTeo7eDsbbQF0TnFWFF1SNQ4eTAmzurNeOZvWqPqbjRsLjWYdWzRv8btN3T5eUSnVTpDVLYcYbuJL-OA7RwkZ/s2995/2b5c364daf9d41c2b07584d8a1916f70-smultronst_C3_A4llet2.jpg" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"><img border="0" data-original-height="1632" data-original-width="2995" height="217" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi5ZmNS8sLirYdTH2gxUZ2IuiSK5Hg0kJO02fycVulHJAQR_G60b2I0oYJloJtNXMKm5JRnZ4uo3VQRvluxmqAcj9prt194E0hUnhrTTeo7eDsbbQF0TnFWFF1SNQ4eTAmzurNeOZvWqPqbjRsLjWYdWzRv8btN3T5eUSnVTpDVLYcYbuJL-OA7RwkZ/w400-h217/2b5c364daf9d41c2b07584d8a1916f70-smultronst_C3_A4llet2.jpg" width="400" /></a></div></div></span><span style="font-family: inherit; font-size: 14pt;"><div style="text-align: justify;"><span style="font-family: inherit; font-size: 14pt;">Em uma
viagem para receber um diploma honorário, um acadêmico idoso e viúvo (interpretado
magistralmente pelo veterano cineasta Victor Sjöström), acompanhado da nora, relembra
a infância, um antigo amor que o abandonou e a traição da esposa. As
experiências da viagem, as memórias, o descoberto carinho da família e novos
amigos dão ao protagonista um sentimento de paz. Compreende assim como os caminhos
seguidos e as escolhas passadas o afastaram de ter relações felizes. Vencedor
do Urso de Ouro de Berlim e do Globo de Ouro, toca-nos pelo olhar sincero e
humano, numa narrativa nostálgica e bucólica. Uma lição de
Bergman (de toques autobiográficos), tantas vezes seguida por outros diretores.</span></div></span><span style="font-family: inherit; font-size: 14pt;"> </span><br /><span style="font-family: inherit; font-size: 14pt;"><span style="color: #3d85c6;">09</span></span><br /><div style="text-align: center;"><span style="background-color: #274e13; color: white; font-family: inherit; font-size: 14pt;">CANTANDO
na CHUVA</span></div><span style="color: #3d85c6;"><div style="text-align: center;"><span style="font-family: inherit; font-size: 14pt;">(Singin'
in the Rain, 1951)</span></div></span><p></p><p class="MsoNormal" style="margin-bottom: 0cm; text-align: justify;"><span style="color: #3d85c6;"></span></p><div class="separator" style="clear: both; text-align: center;"><span style="color: #3d85c6;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj-LLI8nGhyNW6eaGSG5uAYIUHLuvmKwvjsVvk11tMPFKmbJwBudB8QLidC3LmFVJBVKTgo1jUg6FRmtnCo7u5N8JcWF5SnVpiJL_SEbxMWxYTBefxSs8VFTrYidtF9YvZyR3j2L-aZZKmr28QBr3otr3GOwH0Ix9_jT8EwWKwbi5YrA_A6Lwwp6SeW/s1600/poster_09.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1189" data-original-width="1600" height="238" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj-LLI8nGhyNW6eaGSG5uAYIUHLuvmKwvjsVvk11tMPFKmbJwBudB8QLidC3LmFVJBVKTgo1jUg6FRmtnCo7u5N8JcWF5SnVpiJL_SEbxMWxYTBefxSs8VFTrYidtF9YvZyR3j2L-aZZKmr28QBr3otr3GOwH0Ix9_jT8EwWKwbi5YrA_A6Lwwp6SeW/w320-h238/poster_09.jpg" width="320" /></a></span></div><span style="color: #3d85c6;"><span style="font-size: 18.6667px;"><br /></span><span style="font-family: inherit; font-size: 14pt;">EUA</span><br /><div style="text-align: justify;"><span style="font-family: inherit; font-size: 14pt;">Direção: Stanley
Donen & Gene Kelly</span></div><span style="font-family: inherit; font-size: 14pt;"><div style="text-align: justify;"><span style="font-family: inherit; font-size: 14pt;">Elenco: Gene
Kelly, Donald O´Connor, Debbie Reynolds, Jean Hagen e Cyd Charisse</span></div><div style="text-align: justify;"><span style="font-family: inherit; font-size: 14pt;"><br /></span></div><div style="text-align: justify;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhnH4bsM16nF5DWPhTGTPbe3vBo1GNNjhcm2gUYbGKr7I6S5XHNymb3yaBgLVtrPHWoWNQWJCWDhZTsfLE-p71WV6Hj9Me8Y51fL9eFMeVNVbrMDJxny8MaShvOj5C1FlM73EUGcfX--25dukLN2oK9dwhrS7UULr2tXAdFnDS5ljNls6v5Zx8fQzGr/s1200/ob_666861_singin-in-the-rain.jpg" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="920" data-original-width="1200" height="306" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhnH4bsM16nF5DWPhTGTPbe3vBo1GNNjhcm2gUYbGKr7I6S5XHNymb3yaBgLVtrPHWoWNQWJCWDhZTsfLE-p71WV6Hj9Me8Y51fL9eFMeVNVbrMDJxny8MaShvOj5C1FlM73EUGcfX--25dukLN2oK9dwhrS7UULr2tXAdFnDS5ljNls6v5Zx8fQzGr/w400-h306/ob_666861_singin-in-the-rain.jpg" width="400" /></a></div></div></span></span><span style="font-family: inherit; font-size: 14pt;"><div style="text-align: justify;"><span style="font-family: inherit; font-size: 14pt;">Tendo
como pano de fundo a conturbada transição de Hollywood do cinema mudo para o
falado no final da década de 1920, conta a história de uma estrela de Hollywood
que tem uma voz ridícula. Para dar continuidade a sua carreira no sonoro, o
estúdio contrata uma atriz iniciante para dublá-la. Com um toque cômico, tem uma
soberba e hilária interpretação de Jean Hagen na irritante Lina Lamont (num
papel pensado para Judy Holliday). Mas, sendo um musical, é pelas sequências de
canto e dança que é mais memorável. Estranhamente não fez sucesso na estreia. Com
o passar do tempo, foi-se tornando popular, surgindo nas listas dos melhores filmes e constando quase sempre como o melhor
musical do cinema.</span></div></span><span style="font-family: inherit; font-size: 14pt;"> </span><br /><span style="font-family: inherit; font-size: 14pt;"><span style="color: #3d85c6;">10</span></span><br /><div style="text-align: center;"><span style="background-color: #274e13; color: white; font-family: inherit; font-size: 14pt;">O
EXÉRCITO das SOMBRAS</span></div><span style="color: #3d85c6;"><div style="text-align: center;"><span style="font-family: inherit; font-size: 14pt;">(L'Armée
des Ombres, 1969)</span></div></span><p></p><p class="MsoNormal" style="margin-bottom: 0cm; text-align: justify;"><span style="color: #3d85c6;"></span></p><div class="separator" style="clear: both; text-align: center;"><span style="color: #3d85c6;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEheRyTWjZqvjqbR7P3_XwFXBqc7r8ISpyeDASFp9-wF8QjykTCENYfeAV3Bx_FvtgNF0XLqssKdjiwQ8BbpwsRnHrCEbftzFn8XeedQD4Ai4pnif8VH9jYf3M88m6c_rCcPX4S69ZnfYWYo9MsLO-D_PnW__W9uH0z14r8Z_kdc9g_4YN81GHONiu8Q/s1493/MV5BMTk5MTUyNTA2Nl5BMl5BanBnXkFtZTgwNTQzMDg1NjE@._V1_.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1493" data-original-width="1062" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEheRyTWjZqvjqbR7P3_XwFXBqc7r8ISpyeDASFp9-wF8QjykTCENYfeAV3Bx_FvtgNF0XLqssKdjiwQ8BbpwsRnHrCEbftzFn8XeedQD4Ai4pnif8VH9jYf3M88m6c_rCcPX4S69ZnfYWYo9MsLO-D_PnW__W9uH0z14r8Z_kdc9g_4YN81GHONiu8Q/w228-h320/MV5BMTk5MTUyNTA2Nl5BMl5BanBnXkFtZTgwNTQzMDg1NjE@._V1_.jpg" width="228" /></a></span></div><span><span style="color: #3d85c6; font-size: 18.6667px;"><br /></span><span style="color: #3d85c6; font-family: inherit; font-size: 14pt;">França e
Itália</span><br /><span style="color: #3d85c6; font-family: inherit; font-size: 14pt;">Direção: Jean-Pierre
Melville</span><br /><div style="color: #3d85c6; text-align: justify;"><span style="font-family: inherit; font-size: 14pt;">Elenco: Lino
Ventura, Paul Meurisse, Simone Signoret e Serge Reggiani</span></div><div style="text-align: justify;"><div class="separator" style="clear: both; text-align: center;"><p class="MsoNormal" style="margin-bottom: 0cm; text-align: justify;"></p><div class="separator" style="clear: both; color: #3d85c6; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiZ9VHT2K1CQHwfTOVjWB99HlhyYE1mEQAF2RakDxsVrdCwq3wWtYUz9zcxQqHxHxYzCwpRruF34rsiO1j67E_ipPP8X5z5Wybp6pSRWnregZMVH1Z8JIF0muQ6SDfed7FKb58OmMI0q-M-LKyc64q5c9SIVt072Nrpm18Rw3xJ5JExYfn0iv8lAOx3/s1918/x1080.jpg" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="1080" data-original-width="1918" height="225" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiZ9VHT2K1CQHwfTOVjWB99HlhyYE1mEQAF2RakDxsVrdCwq3wWtYUz9zcxQqHxHxYzCwpRruF34rsiO1j67E_ipPP8X5z5Wybp6pSRWnregZMVH1Z8JIF0muQ6SDfed7FKb58OmMI0q-M-LKyc64q5c9SIVt072Nrpm18Rw3xJ5JExYfn0iv8lAOx3/w400-h225/x1080.jpg" width="400" /></a></div><span style="font-family: inherit;"><div style="text-align: justify;"><span style="font-family: inherit; font-size: large;"><span style="line-height: 107%;">Obra-prima
sobre a resistência francesa à invasão nazista na Segunda Guerra Mundial. Em
1942, as tropas alemãs ocupam todo o território da França. A trama acompanha
vários meses na vida de alguns combatentes congregados em torno de um sossegado
engenheiro civil que, na realidade, é um dos maiores líderes da resistência. Baseado no romance de Joseph Kessel, é o terceiro filme do diretor a abordar a ocupação <span style="color: #3d85c6;">nazista, após “O Silêncio
do Mar</span></span><span style="color: #3d85c6;"> / <span style="line-height: 107%;">Le Silence de la Mer” (1949) e “Léon Morin, o
Padre</span> / </span><span style="line-height: 107%;"><span style="color: #3d85c6;">Léon Morin, Prêtre”</span> (1961). A adaptação de
Melville aborda a condição dos resistentes, sujeitos a uma </span></span><span style="font-family: inherit; line-height: 107%;"><span style="font-family: inherit; font-size: large;">solidão
física e moral e assolados pelo medo da traição.</span></span></div></span><p></p></div></div></span><span style="font-family: inherit; font-size: 14pt;"><span style="color: #3d85c6;">11</span></span><br /><div style="text-align: center;"><span style="background-color: #274e13; color: white; font-family: inherit; font-size: 14pt;">IVAN, o
TERRÍVEL – Parte 1</span></div><span style="color: #3d85c6;"><div style="text-align: center;"><span style="font-family: inherit; font-size: 14pt;">(Ivan
Groznyy, 1944)</span></div></span><p></p><p class="MsoNormal" style="margin-bottom: 0cm; text-align: justify;"><span style="color: #3d85c6;"></span></p><div class="separator" style="clear: both; text-align: center;"><span style="color: #3d85c6;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhnmeguNTuL8sDOzVlLXROcACZICkdIvyMmZ3rYaVBCHgX2i85Lbd7lKAeWvpuSybpkf52QF4fJIx7UQeJuWLP4brhlUtSgYq2dmqiezMpXu3xI1ohc0FxVqIHBf0fafHSTVNhu9U9kZKOHXuepMlGyQzwm76OpU8-95S0__VOBvsZRGENw0pH_eLpi/s1200/ivan2.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1200" data-original-width="818" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhnmeguNTuL8sDOzVlLXROcACZICkdIvyMmZ3rYaVBCHgX2i85Lbd7lKAeWvpuSybpkf52QF4fJIx7UQeJuWLP4brhlUtSgYq2dmqiezMpXu3xI1ohc0FxVqIHBf0fafHSTVNhu9U9kZKOHXuepMlGyQzwm76OpU8-95S0__VOBvsZRGENw0pH_eLpi/w218-h320/ivan2.jpg" width="218" /></a></span></div><span style="color: #3d85c6;"><span style="font-size: 18.6667px;"><br /></span><span style="font-family: inherit; font-size: 14pt;">Rússia</span><br /><span style="font-family: inherit; font-size: 14pt;">Direção:
Sergei Eisenstein</span><br /><span style="font-family: inherit; font-size: 14pt;">Elenco: Nikolay
Cherkasov, Lyudmila Tselikovskaya e</span><span style="font-family: inherit; font-size: 14pt;"> </span><span style="font-family: inherit; font-size: 14pt;">Serafima
Birman</span><br /><span style="font-family: inherit; font-size: 14pt;"> </span></span><br /><span style="color: #3d85c6; font-family: inherit; font-size: 14pt;">12</span><br /><div style="text-align: center;"><span style="background-color: #274e13; color: white; font-family: inherit; font-size: 14pt;">NARCISO
NEGRO</span></div><span style="color: #3d85c6;"><div style="text-align: center;"><span style="font-family: inherit; font-size: 14pt;">(Black
Narcissus, 1947)</span></div></span><p></p><p class="MsoNormal" style="margin-bottom: 0cm; text-align: justify;"><span style="color: #3d85c6;"></span></p><div class="separator" style="clear: both; text-align: center;"><span style="color: #3d85c6;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgw_5ZcsHVtVEeOXxBXb71FxUpibz07PiI598ETJyb47uPOFXU7sYqEJTnaPnuVcEGAcEo8J0JclPvgUhY867r2hWP94F0qAIJhsxRzwTmCkn1A07IBWsgb7SQgBpqRHSJ9WG-q1lhyz-QTZHUIp8la_D5k9CJZw_zeOZ0VaRqYiTJtjPX48OuhgzhL/s1600/poster_04000.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1600" data-original-width="672" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgw_5ZcsHVtVEeOXxBXb71FxUpibz07PiI598ETJyb47uPOFXU7sYqEJTnaPnuVcEGAcEo8J0JclPvgUhY867r2hWP94F0qAIJhsxRzwTmCkn1A07IBWsgb7SQgBpqRHSJ9WG-q1lhyz-QTZHUIp8la_D5k9CJZw_zeOZ0VaRqYiTJtjPX48OuhgzhL/w134-h320/poster_04000.jpg" width="134" /></a></span></div><span style="color: #3d85c6;"><span style="font-size: 18.6667px;"><br /></span><span style="font-family: inherit; font-size: 14pt;">Reino
Unido</span><br /><span style="font-family: inherit; font-size: 14pt;">Direção: Michael Powell e Emeric Pressburguer</span><br /><span style="font-family: inherit; font-size: 14pt;">Elenco: Deborah
Kerr, David Farrar, Flora Robson, Kathleen Byron e Jean Simmons</span><br /><span style="font-family: inherit; font-size: 14pt;"> </span><br /><span style="font-family: inherit; font-size: 14pt;">13</span></span><br /><div style="text-align: center;"><span style="background-color: #274e13; color: white; font-family: inherit; font-size: 14pt;">DESEJOS
PROIBIDOS</span></div><span style="color: #3d85c6;"><div style="text-align: center;"><span style="font-family: inherit; font-size: 14pt;">(Madame
de..., 1953)</span></div></span><div><span style="color: #3d85c6;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgQaNxqs3_6lk2fUMag20IKJPXpe1kZCKd2EAaAL-0NLTJBPQH5-s313g5brc9CQflzM3EQjkw4cCQyf_oQQSaFjGzNAwhZrsD_7d0sNoFP8fReiXmgIrPRYh1ZRWL0Ti16m7kUXSIdCPWkizlezvUMigq4QTqYHlCpr2Er6q_FCBWtGM2-bP0wK1UC/s2415/madame-de...-scaled.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="2415" data-original-width="1680" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgQaNxqs3_6lk2fUMag20IKJPXpe1kZCKd2EAaAL-0NLTJBPQH5-s313g5brc9CQflzM3EQjkw4cCQyf_oQQSaFjGzNAwhZrsD_7d0sNoFP8fReiXmgIrPRYh1ZRWL0Ti16m7kUXSIdCPWkizlezvUMigq4QTqYHlCpr2Er6q_FCBWtGM2-bP0wK1UC/w223-h320/madame-de...-scaled.jpg" width="223" /></a></div><span style="font-size: 18.6667px;"><br /></span><span style="font-family: inherit; font-size: 14pt;">França e
Itália</span><br /><span style="font-family: inherit; font-size: 14pt;">Direção: Max
Ophüls</span><br /><span style="font-family: inherit; font-size: 14pt;">Elenco: Charles
Boyer, Danielle Darrieux e Vittorio De Sica</span><br /><span style="font-family: inherit; font-size: 14pt;"> </span><br /><span style="font-family: inherit; font-size: 14pt;">14</span></span><br /><div style="text-align: center;"><span style="background-color: #274e13; color: white; font-family: inherit; font-size: 14pt;">APOCALIPSE
NOW</span></div><span style="color: #3d85c6;"><div style="text-align: center;"><span style="font-family: inherit; font-size: 14pt;">(Idem,
1979)</span></div></span></div><div><span style="color: #3d85c6;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhmy_pxWfPMHffL9sxgQLMnpHDorLZz0SYZGQMlUghH6VuCNBiSinf0shOR32Txy0bgB45BWH8_phzaxt09s5gTvzZwE9nZ3Y8w3nrzcMFAk19qSQH7TTInFWBjUQQysSADT19_1L4lzPnInfd32Esz4Jz4ATEC9TVaKYyK_GRYEhb3kPT3hsuxXLmu/s1382/apocalypse-now.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1382" data-original-width="936" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhmy_pxWfPMHffL9sxgQLMnpHDorLZz0SYZGQMlUghH6VuCNBiSinf0shOR32Txy0bgB45BWH8_phzaxt09s5gTvzZwE9nZ3Y8w3nrzcMFAk19qSQH7TTInFWBjUQQysSADT19_1L4lzPnInfd32Esz4Jz4ATEC9TVaKYyK_GRYEhb3kPT3hsuxXLmu/s320/apocalypse-now.jpg" width="217" /></a></div><span style="font-size: 18.6667px;"><br /></span><span style="font-family: inherit; font-size: 14pt;">EUA</span><br /><span style="font-family: inherit; font-size: 14pt;">Direção: Francis
Ford Coppola</span><br /><span style="font-family: inherit; font-size: 14pt;">Elenco: Martin
Sheen, Marflon Brando, Robert Duvall, Frederic Forrest, Laurence Fishburne,
Harrison Ford e Dennis Hopper</span><br /><span style="font-family: inherit; font-size: 14pt;"> </span><br /><span style="font-family: inherit; font-size: 14pt;">15</span></span><br /><div style="text-align: center;"><span style="background-color: #274e13; color: white; font-family: inherit; font-size: 14pt;">DIAS de
IRA</span></div><span style="color: #3d85c6;"><div style="text-align: center;"><span style="font-family: inherit; font-size: 14pt;">(Vredens Dag,
1943)</span></div></span></div><div><span style="color: #3d85c6;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEij8YiJl8CgiTVsfL-BVRVgVMHZ5IMAgMpjQJDjpvKgrnQpAaxPap37QRFbqveeH0PcRYEKIyj-P2tXK1K-P03M5jYXKRV_sHMSlUW8LGp3PjnnW-mft7DBNYMpZKgZ7tnRTF2OsnRetW4GrO_GkFZ1hQ_khwxH3D5wjftLhZkR3NsKnqXL8TQr_8sD/s1200/0004106-vredens-dag-day-of-wrath-1943-with-switchable-english-subtitles.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1200" data-original-width="870" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEij8YiJl8CgiTVsfL-BVRVgVMHZ5IMAgMpjQJDjpvKgrnQpAaxPap37QRFbqveeH0PcRYEKIyj-P2tXK1K-P03M5jYXKRV_sHMSlUW8LGp3PjnnW-mft7DBNYMpZKgZ7tnRTF2OsnRetW4GrO_GkFZ1hQ_khwxH3D5wjftLhZkR3NsKnqXL8TQr_8sD/s320/0004106-vredens-dag-day-of-wrath-1943-with-switchable-english-subtitles.jpg" width="232" /></a></div><span style="font-family: inherit; font-size: 14pt;"><br /></span></span></div><div><span style="color: #3d85c6;"><span style="font-family: inherit; font-size: 14pt;">Dinamarca</span><br /><span style="font-family: inherit; font-size: 14pt;">Direção: Carl
Theodor Dreyer</span><br /><span style="font-family: inherit; font-size: 14pt;">Elenco: Lisbeth
Movin, Thorkild Roose e Preben Lerdorff Rye</span><br /><span style="font-family: inherit; font-size: 14pt;"> </span><br /><span style="font-family: inherit; font-size: 14pt;">16</span></span><br /><div style="text-align: center;"><span style="background-color: #274e13; color: white; font-family: inherit; font-size: 14pt;">AMARCORD</span></div><span style="color: #3d85c6;"><div style="text-align: center;"><span style="font-family: inherit; font-size: 14pt;">(Idem,
1973)</span></div></span></div><div><span style="color: #3d85c6;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhjd9kGWEJkcGdhXV_RFI0BTCwbQR-hFYifvQXjZrED6pXImIDCCfx4BpToqMn69uJSa1rXxAbfdWcoO68Kp8oilTGw8XHzVLNiMFzsXS-FtmLxRPppjg7SuYJv_O_pQE0UUpjJPJBY7K8oFE97jy-KOSLeJ5sMNrJ08YG1Vu8e6hS7p7RoRPrKCM36/s1292/cartaz-amarcord.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1292" data-original-width="936" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhjd9kGWEJkcGdhXV_RFI0BTCwbQR-hFYifvQXjZrED6pXImIDCCfx4BpToqMn69uJSa1rXxAbfdWcoO68Kp8oilTGw8XHzVLNiMFzsXS-FtmLxRPppjg7SuYJv_O_pQE0UUpjJPJBY7K8oFE97jy-KOSLeJ5sMNrJ08YG1Vu8e6hS7p7RoRPrKCM36/s320/cartaz-amarcord.jpg" width="232" /></a></div><span style="font-size: 18.6667px;"><br /></span><span style="font-family: inherit; font-size: 14pt;">Itália e
França</span><br /><span style="font-family: inherit; font-size: 14pt;">Direção: Federico
Fellini</span><br /><span style="font-family: inherit; font-size: 14pt;">Elenco: Armando
Brancia, Luigi Rossi e Magali Noël</span><br /><span style="font-family: inherit; font-size: 14pt;"> </span><br /><span style="font-family: inherit; font-size: 14pt;">17</span></span><br /><div style="text-align: center;"><span style="background-color: #274e13; color: white; font-family: inherit; font-size: 14pt;">AMÉRICA,
AMÉRICA – TERRA de um SONHO DISTANTE</span></div><span style="color: #3d85c6;"><div style="text-align: center;"><span style="font-family: inherit; font-size: 14pt;">(America,
America, 1963)</span></div></span></div><div><span style="color: #3d85c6;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhrwG5hw_ykE8SWdLZD3Q2_deVkuvEndOc3BqxrAneyDdq0sdA8kILtKH31a49LdgaygGnDGtgG2vP4HR_xwQgWyTL-ZgvQ8SdZ1uNqP42o-db1-inAgttXlZc5Oef4WZKA2J-L4Q31uAekRCUpLVQkXBxL15HVl3aGRDdgPq8EtQ787uDueS5b_xWm/s1517/MV5BNTQ3NWJiZGQtMjkwMC00MzQyLWI3YWMtNjA2NTBiYWI3Mjg2XkEyXkFqcGdeQXVyMTY5Nzc4MDY@._V1_FMjpg_UX1000_.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1517" data-original-width="994" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhrwG5hw_ykE8SWdLZD3Q2_deVkuvEndOc3BqxrAneyDdq0sdA8kILtKH31a49LdgaygGnDGtgG2vP4HR_xwQgWyTL-ZgvQ8SdZ1uNqP42o-db1-inAgttXlZc5Oef4WZKA2J-L4Q31uAekRCUpLVQkXBxL15HVl3aGRDdgPq8EtQ787uDueS5b_xWm/s320/MV5BNTQ3NWJiZGQtMjkwMC00MzQyLWI3YWMtNjA2NTBiYWI3Mjg2XkEyXkFqcGdeQXVyMTY5Nzc4MDY@._V1_FMjpg_UX1000_.jpg" width="210" /></a></div><span style="font-size: 18.6667px;"><br /></span><span style="font-family: inherit; font-size: 14pt;">EUA</span><br /><span style="font-family: inherit; font-size: 14pt;">Direção: Elia
Kazan</span><br /><span style="font-family: inherit; font-size: 14pt;">Elenco: Frank
Wolff e Lou Antonio</span><br /><span style="font-family: inherit; font-size: 14pt;"> </span><br /><span style="font-family: inherit; font-size: 14pt;">18</span></span><br /><div style="text-align: center;"><span style="background-color: #274e13; color: white; font-family: inherit; font-size: 14pt;">O SAMURAI</span></div><span style="color: #3d85c6;"><div style="text-align: center;"><span style="font-family: inherit; font-size: 14pt;">(Le Samouraï,
1967)</span></div></span></div><div><span style="color: #3d85c6;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj_69Eb836Ai-xLI5DwD8Irb9S7L-Gg-kA2d8uVGglmK49p-pewa4KEj3ljsnjEtvm_8WSZzJaShTnHaRqZEOWrfIhNfAhqFI3x--AUAEgnf_9VaxHnG2wW_7OUgJidYT3n4TqlkhDSlJo3brnnlrUI2GfGxnptcGCFNv4OW83-fbTn3ujfO87wbNg3/s1225/20532635.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1225" data-original-width="900" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj_69Eb836Ai-xLI5DwD8Irb9S7L-Gg-kA2d8uVGglmK49p-pewa4KEj3ljsnjEtvm_8WSZzJaShTnHaRqZEOWrfIhNfAhqFI3x--AUAEgnf_9VaxHnG2wW_7OUgJidYT3n4TqlkhDSlJo3brnnlrUI2GfGxnptcGCFNv4OW83-fbTn3ujfO87wbNg3/w235-h320/20532635.jpg" width="235" /></a></div><span style="font-size: 18.6667px;"><br /></span><span style="font-family: inherit; font-size: 14pt;">França e
Itália</span><br /><span style="font-family: inherit; font-size: 14pt;">Direção: Jean-Pierre
Melville</span><br /><span style="font-family: inherit; font-size: 14pt;">Elenco: Alain
Delon e François Périer</span><br /><span style="font-family: inherit; font-size: 14pt;"> </span></span><br /><span style="font-family: inherit; font-size: 14pt;">19</span><br /><div style="text-align: center;"><span style="background-color: #274e13; color: white; font-family: inherit; font-size: 14pt;">METROPÓLIS</span></div><span style="color: #3d85c6;"><div style="text-align: center;"><span style="font-family: inherit; font-size: 14pt;">(Metropolis,
1927)</span></div></span></div><div><span style="color: #3d85c6;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi6YgrhocrosvBsGXuaZWzTSPs-jM3yRIbCLBY-w9ggbJetpkalD6lsxYRSzalvaLIh2tCEpyeTNBH62vM_KxBxwXwcFH6VDOMtLsZm5U3lAfGJPh8TRuszIV06bwZorIi2Sp8w83n2t0sB4bqPkEtxjNnfd7jpcA64pKpAY40bFs-2NeZev1YxRRpJ/s1280/maxresdefault.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="720" data-original-width="1280" height="180" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi6YgrhocrosvBsGXuaZWzTSPs-jM3yRIbCLBY-w9ggbJetpkalD6lsxYRSzalvaLIh2tCEpyeTNBH62vM_KxBxwXwcFH6VDOMtLsZm5U3lAfGJPh8TRuszIV06bwZorIi2Sp8w83n2t0sB4bqPkEtxjNnfd7jpcA64pKpAY40bFs-2NeZev1YxRRpJ/s320/maxresdefault.jpg" width="320" /></a></div><span style="font-size: 18.6667px;"><br /></span><span style="font-family: inherit; font-size: 14pt;">Alemanha</span><br /><span style="font-family: inherit; font-size: 14pt;">Direção: Fritz
Lang</span><br /><span style="font-family: inherit; font-size: 14pt;">Elenco: Brigitte
Helm, Alfred Abel, Gustav Fröhlich e Theodor Loos</span><br /><span style="font-family: inherit; font-size: 14pt;"> </span><br /><span style="font-family: inherit; font-size: 14pt;">20</span></span><br /><div style="text-align: center;"><span style="background-color: #274e13; color: white; font-family: inherit; font-size: 14pt;">CONTOS da
LUA CHEIA</span></div><span style="color: #3d85c6;"><div style="text-align: center;"><span style="font-family: inherit; font-size: 14pt;">(Ugetsu Monogatari,
1953)</span></div></span></div><div><span style="color: #3d85c6;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjqZKHrSubC-KfeAipl-aExJ981f6O-WwKFW9dBadxhQJASnlcwDjkDSDSjJidQwbSHKY3xb99C9f9mabfZN9NqYDUiJ-tyxjTK-0RxFMn69EJvLxFivb8lSdCL8yl1xfHEYZ1fgJVwr9PKmdG0sGqSUv7OODD_6hiooCdqaQ1TfIEeV9aAMGk4OrRL/s1055/aEOb0f.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1055" data-original-width="750" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjqZKHrSubC-KfeAipl-aExJ981f6O-WwKFW9dBadxhQJASnlcwDjkDSDSjJidQwbSHKY3xb99C9f9mabfZN9NqYDUiJ-tyxjTK-0RxFMn69EJvLxFivb8lSdCL8yl1xfHEYZ1fgJVwr9PKmdG0sGqSUv7OODD_6hiooCdqaQ1TfIEeV9aAMGk4OrRL/s320/aEOb0f.jpg" width="227" /></a></div><span style="font-size: 18.6667px;"><br /></span><span style="font-family: inherit; font-size: 14pt;">Japão</span><br /><span style="font-family: inherit; font-size: 14pt;">Direção: Kenji
Mizoguchi</span><br /><span style="font-family: inherit; font-size: 14pt;">Elenco: Masayuki
Mori, Machiko Kyô e Kinuyo Tanaka</span><br /><span style="font-family: inherit; font-size: 14pt;"> </span><br /><span style="font-family: inherit; font-size: 14pt;">21</span></span><br /><div style="text-align: center;"><span style="background-color: #274e13; color: white; font-family: inherit; font-size: 14pt;">A
QUERMESSE HEROICA</span></div><span style="color: #3d85c6;"><div style="text-align: center;"><span style="font-family: inherit; font-size: 14pt;">(La
Kermesse Héroique, 1935)</span></div></span></div><div><span style="color: #3d85c6;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg5734HOpuC_Z509B1ROD59eYctMDr4BXkVIKlD6KtaFgVodjmYq2i5xrx8ff0UJAwJ9170TV54HYVbHBIkSb3LoKrZ7J6yY02s9iYbuyWVzjC62PDhOEKe9TXWn-o7U1CzKJ2c69y4T6FExrogDK2qnom_Q1AXJs19BgEGlXprHa4swmK0EEgZ-9su/s1020/8c454f4673ffdb244620e003556ba0cc.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="723" data-original-width="1020" height="227" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg5734HOpuC_Z509B1ROD59eYctMDr4BXkVIKlD6KtaFgVodjmYq2i5xrx8ff0UJAwJ9170TV54HYVbHBIkSb3LoKrZ7J6yY02s9iYbuyWVzjC62PDhOEKe9TXWn-o7U1CzKJ2c69y4T6FExrogDK2qnom_Q1AXJs19BgEGlXprHa4swmK0EEgZ-9su/s320/8c454f4673ffdb244620e003556ba0cc.jpg" width="320" /></a></div><span style="font-size: 18.6667px;"><br /></span><span style="font-family: inherit; font-size: 14pt;">França</span><br /><span style="font-family: inherit; font-size: 14pt;">Direção: Jacques
Feyder</span><br /><span style="font-family: inherit; font-size: 14pt;">Elenco: Françoise
Rosay, Louis Jouvet e Jean Murat</span><br /><span style="font-family: inherit; font-size: 14pt;"> </span></span><br /><span style="font-family: inherit; font-size: 14pt;">22</span><br /><div style="text-align: center;"><span style="background-color: #274e13; color: white; font-family: inherit; font-size: 14pt;">TRONO
MANCHADO de SANGUE</span></div><span style="color: #3d85c6;"><div style="text-align: center;"><span style="font-family: inherit; font-size: 14pt;">(Kumonosu-jō,
1957)</span></div></span></div><div><span style="color: #3d85c6;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgD2_6-CDOp6QyOZD_Bg3jJ2wgn5mJ1HQVEEKUf4axs7ifovhHKAv74CenbQIJSFYer8aG-AhlUMDRQSTBGc6QMPIg4JGn5BG04ikG80ev6ud9Tm7FdyqX4ZwR9_WREBxhpOuv8dmb1FobUHLLszi5oW9P23caStyX9Ig9ZjQ98YRRhLn2Oy-8fwd0Z/s1600/trono%20m.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1600" data-original-width="1132" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgD2_6-CDOp6QyOZD_Bg3jJ2wgn5mJ1HQVEEKUf4axs7ifovhHKAv74CenbQIJSFYer8aG-AhlUMDRQSTBGc6QMPIg4JGn5BG04ikG80ev6ud9Tm7FdyqX4ZwR9_WREBxhpOuv8dmb1FobUHLLszi5oW9P23caStyX9Ig9ZjQ98YRRhLn2Oy-8fwd0Z/s320/trono%20m.jpg" width="226" /></a></div><span style="font-size: 18.6667px;"><br /></span><span style="font-family: inherit; font-size: 14pt;">Japão</span><br /><span style="font-family: inherit; font-size: 14pt;">Direção: Akira
Kurosawa</span><br /><span style="font-family: inherit; font-size: 14pt;">Elenco: Toshirô
Mifune, Isuzu Yamada e Takashi Shimura</span><br /><span style="font-family: inherit; font-size: 14pt;"> </span></span><br /><span style="font-family: inherit; font-size: 14pt;">23</span><br /><div style="text-align: center;"><span style="background-color: #274e13; color: white; font-family: inherit; font-size: 14pt;">A GRANDE
ILUSÃO</span></div><span style="color: #3d85c6;"><div style="text-align: center;"><span style="font-family: inherit; font-size: 14pt;">(La
Grande Illusion, 1937)</span></div></span></div><div><span style="color: #3d85c6;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiI5iXwHA0TQEkWPend3ErjavLsaR5VSuUYJSnFGfvCfzOBP6jGcNQ-4ETymwaqzWxevQd7jpwsw835FtjzTXaPMafYlfiByL2oX3ke0gMe9FjA5O9WLmuMgFPvWw1Dr9hkU1R_me2ui3nS2lRMgbqk16nZRpdFrLc7aj5HSUeLnouhNKD1UpASKDtO/s1200/La_Grande_Illusion-475521471-large.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1200" data-original-width="861" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiI5iXwHA0TQEkWPend3ErjavLsaR5VSuUYJSnFGfvCfzOBP6jGcNQ-4ETymwaqzWxevQd7jpwsw835FtjzTXaPMafYlfiByL2oX3ke0gMe9FjA5O9WLmuMgFPvWw1Dr9hkU1R_me2ui3nS2lRMgbqk16nZRpdFrLc7aj5HSUeLnouhNKD1UpASKDtO/s320/La_Grande_Illusion-475521471-large.jpg" width="230" /></a></div><span style="font-size: 18.6667px;"><br /></span><span style="font-family: inherit; font-size: 14pt;">França</span><br /><span style="font-family: inherit; font-size: 14pt;">Direção: Jean
Renoir</span><br /><span style="font-family: inherit; font-size: 14pt;">Elenco: Jean
Gabin, Erich von Stroheim, Pierre Fresnay, Dita Parlo e Marcel Dalio</span><br /><span style="font-family: inherit; font-size: 14pt;"> </span><br /><span style="font-family: inherit; font-size: 14pt;">24</span></span><br /><div style="text-align: center;"><span style="background-color: #274e13; color: white; font-family: inherit; font-size: 14pt;">CREPÚSCULO
dos DEUSES</span></div><span style="color: #3d85c6;"><div style="text-align: center;"><span style="font-family: inherit; font-size: 14pt;">(Sunset
Boulevard, 1950)</span></div></span></div><div><span style="color: #3d85c6;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj1Q7qlqorwwYXnSTltVKvp9ca6hW-ZEyfwJI4njDBZxpDLvxpuX2Uts9CoS9NdUpwmAI_LOFiDwS8-cMlNomSAhNjB4AqYYn4U-GIHT_cBKs4W6yuR6fNCimyjBqYOaRKY0eKtUS7S_J4AwrxUnc9qRjTT6mHvHmKqToN5uLtalwtvSqD65Lmyr-7Q/s1200/Sunset_Boulevard-171067833-large.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1200" data-original-width="822" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj1Q7qlqorwwYXnSTltVKvp9ca6hW-ZEyfwJI4njDBZxpDLvxpuX2Uts9CoS9NdUpwmAI_LOFiDwS8-cMlNomSAhNjB4AqYYn4U-GIHT_cBKs4W6yuR6fNCimyjBqYOaRKY0eKtUS7S_J4AwrxUnc9qRjTT6mHvHmKqToN5uLtalwtvSqD65Lmyr-7Q/s320/Sunset_Boulevard-171067833-large.jpg" width="219" /></a></div><span style="font-size: 18.6667px;"><br /></span><span style="font-family: inherit; font-size: 14pt;">EUA</span><br /><span style="font-family: inherit; font-size: 14pt;">Direção: </span><span style="font-family: inherit; font-size: 14pt;"> </span><span style="font-family: inherit; font-size: 14pt;">Billy Wilder</span><br /><span style="font-family: inherit; font-size: 14pt;">Elenco: Gloria
Swanson, William Holden, Erich von Stroheim e Nancy Olson</span><br /><span style="font-family: inherit; font-size: 14pt;"> </span><br /><span style="font-family: inherit; font-size: 14pt;">25</span></span><br /><div style="text-align: center;"><span style="background-color: #274e13; color: white; font-family: inherit; font-size: 14pt;">A PAIXÃO
de JOANA DARC</span></div><span style="color: #3d85c6;"><div style="text-align: center;"><span style="font-family: inherit; font-size: 14pt;">(La
Passion de Jeanne d'Arc, 1928)</span></div></span></div><div><span style="color: #3d85c6;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhbDWfUYjS-rh6uAaUvNjACqCKTIoV7x7cKaCdtkzV0QsJzjPaVEXS9ujFbvgYaeyOTyB0gb6fwpkwPaVmrdTzNgMYwdIF-aBYow4kM10Vc6e_8Kbo-ypqfk9fyHByo_elr0zLRSpLvp5j6XInl1_66fLuB1Jc9OjVXUjQdAz4aCKGGgHOrEM61JUqR/s2785/2298103416_1ba63e2ee9_o.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="2084" data-original-width="2785" height="239" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhbDWfUYjS-rh6uAaUvNjACqCKTIoV7x7cKaCdtkzV0QsJzjPaVEXS9ujFbvgYaeyOTyB0gb6fwpkwPaVmrdTzNgMYwdIF-aBYow4kM10Vc6e_8Kbo-ypqfk9fyHByo_elr0zLRSpLvp5j6XInl1_66fLuB1Jc9OjVXUjQdAz4aCKGGgHOrEM61JUqR/s320/2298103416_1ba63e2ee9_o.jpg" width="320" /></a></div><span style="font-size: 18.6667px;"><br /></span><span style="font-family: inherit; font-size: 14pt;">França</span><br /><span style="font-family: inherit; font-size: 14pt;">Direção: Carl
Theodor Dreyer</span><br /><span style="font-family: inherit; font-size: 14pt;">Elenco: Renée
Falconetti e Antonin Artaud</span><br /><span style="font-family: inherit; font-size: 14pt;"> </span><br /><span style="font-family: inherit; font-size: 14pt;">26</span></span><br /><div style="text-align: center;"><span style="background-color: #274e13; color: white; font-family: inherit; font-size: 14pt;">A DOCE
VIDA</span></div><span style="color: #3d85c6;"><div style="text-align: center;"><span style="font-family: inherit; font-size: 14pt;">(La Dolce
Vita, 1960)</span></div></span></div><div><span style="color: #3d85c6;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjhn-HmDvMm83D_a6WnfU8yg7s5gcC8eQTQhkvEeOiasgrvElWn9-kd-E3VKBFSMHvp69-GcEKJiP8IChBC7y0BjBTNdpo2ncYDN2ydF9EcFguupTBeRDY5rjgOIi80Lco6wpq7xMal4p-3b71-b4VeLkUqC5sCAkQrOS-vNwl88yCc9DOkLyuIKjnk/s2362/MV5BYmFjNmM3ZjctMWNhNS00ZDMwLWEwNTUtZGJhN2Y4NWQyMzA4XkEyXkFqcGdeQXVyNzkwMjQ5NzM@._V1_.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="2362" data-original-width="1575" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjhn-HmDvMm83D_a6WnfU8yg7s5gcC8eQTQhkvEeOiasgrvElWn9-kd-E3VKBFSMHvp69-GcEKJiP8IChBC7y0BjBTNdpo2ncYDN2ydF9EcFguupTBeRDY5rjgOIi80Lco6wpq7xMal4p-3b71-b4VeLkUqC5sCAkQrOS-vNwl88yCc9DOkLyuIKjnk/s320/MV5BYmFjNmM3ZjctMWNhNS00ZDMwLWEwNTUtZGJhN2Y4NWQyMzA4XkEyXkFqcGdeQXVyNzkwMjQ5NzM@._V1_.jpg" width="213" /></a></div><span style="font-size: 18.6667px;"><br /></span><span style="font-family: inherit; font-size: 14pt;">Itália e
França</span><br /><span style="font-family: inherit; font-size: 14pt;">Direção: Federico
Fellini</span><br /><span style="font-family: inherit; font-size: 14pt;">Elenco: Marcello
Mastroianni, Anita Ekberg, Anouk Aimée, Yvonne Furneaux, Alain Cuny, Magali
Noel e Laura Betti</span><br /><span style="font-family: inherit; font-size: 14pt;"> </span><br /><span style="font-family: inherit; font-size: 14pt;">27</span></span><br /><div style="text-align: center;"><span style="background-color: #274e13; color: white; font-family: inherit; font-size: 14pt;">NOITE e
NEBLINA</span></div><span style="color: #3d85c6;"><div style="text-align: center;"><span style="font-family: inherit; font-size: 14pt;">(Nuit et Brouillard,
1956)</span></div></span></div><div><span style="color: #3d85c6;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjpIlHPWjQQxfBTCtMyrWNjpRSkyjI3YIu7Ls5Hr0HDlFsyGCbHRM_Ke2yxl7yO56HI4O24f6ZG8oehep1VKb8MSLiooNcKqxKWORKSUHbCOKJFr1IFrEOIc7TjQukIamMNQ3OSY2P334AjKJatxy-b2V7oJL1K747gCO6hfnmLY84JZ8zzpDAA3217/s1471/00e72e60006858ea2d67e317bed89baf.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1471" data-original-width="1123" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjpIlHPWjQQxfBTCtMyrWNjpRSkyjI3YIu7Ls5Hr0HDlFsyGCbHRM_Ke2yxl7yO56HI4O24f6ZG8oehep1VKb8MSLiooNcKqxKWORKSUHbCOKJFr1IFrEOIc7TjQukIamMNQ3OSY2P334AjKJatxy-b2V7oJL1K747gCO6hfnmLY84JZ8zzpDAA3217/s320/00e72e60006858ea2d67e317bed89baf.jpg" width="244" /></a></div><span style="font-size: 18.6667px;"><br /></span><span style="font-family: inherit; font-size: 14pt;">França</span><br /><span style="font-family: inherit; font-size: 14pt;">Direção: Alain
Resnais</span><br /><span style="font-family: inherit; font-size: 14pt;"> </span><br /><span style="font-family: inherit; font-size: 14pt;">28</span></span><br /><div style="text-align: center;"><span style="background-color: #274e13; color: white; font-family: inherit; font-size: 14pt;">TRÁGICO
AMANHECER</span></div><span style="color: #3d85c6;"><div style="text-align: center;"><span style="font-family: inherit; font-size: 14pt;">(Le Jour
se Leve, 1939)</span></div></span></div><div><span style="color: #3d85c6;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh5dcffmez8FukeHimXS5WIVmTaKPfoCVInc9x9WCkIOW3incMC36bTLtkCu1fGrk7gJI254ac4nf142YrWCmmcoaX0NrA0_qHgeHuW3ajj6_8OyAxt5iKQeEZRXTXOCqwAbAZ4k9e9lpzInIQss2dQ7IimU2izazq03rUOT6QBLYvHiss0xVgwGeT7/s1302/213.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1302" data-original-width="1000" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh5dcffmez8FukeHimXS5WIVmTaKPfoCVInc9x9WCkIOW3incMC36bTLtkCu1fGrk7gJI254ac4nf142YrWCmmcoaX0NrA0_qHgeHuW3ajj6_8OyAxt5iKQeEZRXTXOCqwAbAZ4k9e9lpzInIQss2dQ7IimU2izazq03rUOT6QBLYvHiss0xVgwGeT7/s320/213.jpg" width="246" /></a></div><span style="font-size: 18.6667px;"><br /></span><span style="font-family: inherit; font-size: 14pt;">França</span><br /><span style="font-family: inherit; font-size: 14pt;">Direção: Marcel
Carné</span><br /><span style="font-family: inherit; font-size: 14pt;">Elenco: Jean
Gabin, Arletty, Jules Berry e Bernard Blier</span><br /><span style="font-family: inherit; font-size: 14pt;"> </span><br /><span style="font-family: inherit; font-size: 14pt;">29</span></span><br /><div style="text-align: center;"><span style="background-color: #274e13; color: white; font-family: inherit; font-size: 14pt;">Os
CORRUPTOS</span></div><span style="color: #3d85c6;"><div style="text-align: center;"><span style="font-family: inherit; font-size: 14pt;">(The Big
Heat, 1953)</span></div></span></div><div><span style="color: #3d85c6;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiuryRf5I7z1ugpBKEASQKV1t1U4Qg7uZRII9mlP3jRfqDR6OoDFP-0Rte7s3ZuQYjmh0PHktPF_--9ZJ2ea_tJv7fASKBAqTmUsRH6C4AMAxkJvRZYUEvMnzHy0XYQLeELo4vM5AZFBPU-sg9-C9lhpx9nujDkSr13N-eY_XF9_yhrXiA725_3H73L/s3000/699e392942fa295a2681c60bbdb89d94.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="3000" data-original-width="1546" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiuryRf5I7z1ugpBKEASQKV1t1U4Qg7uZRII9mlP3jRfqDR6OoDFP-0Rte7s3ZuQYjmh0PHktPF_--9ZJ2ea_tJv7fASKBAqTmUsRH6C4AMAxkJvRZYUEvMnzHy0XYQLeELo4vM5AZFBPU-sg9-C9lhpx9nujDkSr13N-eY_XF9_yhrXiA725_3H73L/s320/699e392942fa295a2681c60bbdb89d94.jpg" width="165" /></a></div><span style="font-size: 18.6667px;"><br /></span><span style="font-family: inherit; font-size: 14pt;">EUA</span><br /><span style="font-family: inherit; font-size: 14pt;">Direção: Fritz
Lang</span><br /><span style="font-family: inherit; font-size: 14pt;">Elenco: Glenn
Ford, Gloria Grahame, Lee Marvin, Jeanette Nolan e Carolyn Jones</span><br /><span style="font-family: inherit; font-size: 14pt;"> </span><br /><span style="font-family: inherit; font-size: 14pt;">30</span></span><br /><div style="text-align: center;"><span style="background-color: #274e13; color: white; font-family: inherit; font-size: 14pt;">O FALCÃO
MALTÊS</span></div><span style="color: #3d85c6;"><div style="text-align: center;"><span style="font-family: inherit; font-size: 14pt;">(The
Maltese Falcon, 1941)</span></div></span></div><div><span style="color: #3d85c6;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjBjB55_9CKYfW1doVNnE9qCpUwF4Cmxdrh5apn_Rtum4u8CvP_TyQ9EfkHbEVCIA1Yj4g7JjoliJMfsAuZHjPw1uOVrLQkjbZpJyxByann_yMQ2YRXQNs3YoQ9AokwXrmCHJL7gS_dmroIU3hInoOWuOT6YSU5v4216GXBo857VoROkdJngW89mts4/s918/Poster%20-%20Maltese%20Falcon,%20The%20(1941)_02.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="918" data-original-width="908" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjBjB55_9CKYfW1doVNnE9qCpUwF4Cmxdrh5apn_Rtum4u8CvP_TyQ9EfkHbEVCIA1Yj4g7JjoliJMfsAuZHjPw1uOVrLQkjbZpJyxByann_yMQ2YRXQNs3YoQ9AokwXrmCHJL7gS_dmroIU3hInoOWuOT6YSU5v4216GXBo857VoROkdJngW89mts4/s320/Poster%20-%20Maltese%20Falcon,%20The%20(1941)_02.jpg" width="317" /></a></div><span style="font-size: 18.6667px;"><br /></span><span style="font-family: inherit; font-size: 14pt;">EUA</span><br /><span style="font-family: inherit; font-size: 14pt;">Direção: John
Huston</span><br /><div style="text-align: justify;"><span style="font-family: inherit; font-size: 14pt;">Elenco: Humphrey
Bogart, Mary Astor, Peter Lorre e Sydney Greenstreet</span></div><span style="font-family: inherit; font-size: 14pt;"><div style="text-align: justify;"><span style="font-family: inherit; font-size: 14pt;"> </span></div></span><span style="font-family: inherit; font-size: 14pt;">31</span></span><br /><div style="text-align: center;"><span style="background-color: #274e13; color: white; font-family: inherit; font-size: 14pt;">O
INTENDENTE SANSHO</span></div><span style="color: #3d85c6;"><div style="text-align: center;"><span style="font-family: inherit; font-size: 14pt;">(Sansho
Dayu, 1954)</span></div></span></div><div><span style="color: #3d85c6;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgqq_vBNZPsK6VLjwSgQrmRiwCuLdCqQVKEiw28xgmgH2VPY9C3jGNeHrfNZ5M-oEUnp5vdcfsWR4SkzQ6peedobMt7mB_OWKI9KF5dpJcqIQ8KN2qFxFsi0HxDwFBOIn7vmB8L7-ROAns6faow84r7JMFIdNTkUBtlAhBnCZRqgt9Vtbj7P1rHzvrC/s1200/o%20intendente.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1200" data-original-width="845" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgqq_vBNZPsK6VLjwSgQrmRiwCuLdCqQVKEiw28xgmgH2VPY9C3jGNeHrfNZ5M-oEUnp5vdcfsWR4SkzQ6peedobMt7mB_OWKI9KF5dpJcqIQ8KN2qFxFsi0HxDwFBOIn7vmB8L7-ROAns6faow84r7JMFIdNTkUBtlAhBnCZRqgt9Vtbj7P1rHzvrC/s320/o%20intendente.jpg" width="225" /></a></div><span style="font-size: 18.6667px;"><br /></span><span style="font-family: inherit; font-size: 14pt;">Japão</span><br /><span style="font-family: inherit; font-size: 14pt;">Direção: Kenji
Mizoguchi</span><br /><span style="font-family: inherit; font-size: 14pt;">Elenco: Kinuyo
Tanaka, Yoshiaki Hanayagi e Kyôko Kagawa</span><br /><span style="font-family: inherit; font-size: 14pt;"> </span><br /><span style="font-family: inherit; font-size: 14pt;">32</span></span><br /><div style="text-align: center;"><span style="background-color: #274e13; color: white; font-family: inherit; font-size: 14pt;">OLIMPÍADAS</span></div><span style="color: #3d85c6;"><div style="text-align: center;"><span style="font-family: inherit; font-size: 14pt;">(Olympia,
1938)</span></div></span></div><div><span style="color: #3d85c6;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh-1zt6lG4jguEniFP4RVodNbFthZFfRU9A7RpVjqbhB1pHwSwxfD4UkH75gV1ECnB4PH_GSzfiXu5a7dCW9bsGe4oF_T0-YcDtD5z03s2BID20RoDMhPD9QQsZO6g81aqRVd1s1N5HEtKNNt27O0xZzvUX-2yiYEGWbX8YjAI3Ld0drcDmG8NCtpF2/s1395/MV5BMjAxMzM4NDk5MF5BMl5BanBnXkFtZTgwNjUzOTA2MjE@._V1_FMjpg_UX1000_.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1395" data-original-width="900" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh-1zt6lG4jguEniFP4RVodNbFthZFfRU9A7RpVjqbhB1pHwSwxfD4UkH75gV1ECnB4PH_GSzfiXu5a7dCW9bsGe4oF_T0-YcDtD5z03s2BID20RoDMhPD9QQsZO6g81aqRVd1s1N5HEtKNNt27O0xZzvUX-2yiYEGWbX8YjAI3Ld0drcDmG8NCtpF2/s320/MV5BMjAxMzM4NDk5MF5BMl5BanBnXkFtZTgwNjUzOTA2MjE@._V1_FMjpg_UX1000_.jpg" width="206" /></a></div><span style="font-size: 18.6667px;"><br /></span><span style="font-family: inherit; font-size: 14pt;">Alemanha</span><br /><span style="font-family: inherit; font-size: 14pt;">Direção: Leni
Riefenstahl</span><br /><span style="font-family: inherit; font-size: 14pt;"> </span><br /><span style="font-family: inherit; font-size: 14pt;">33</span></span><br /><div style="text-align: center;"><span style="background-color: #274e13; color: white; font-family: inherit; font-size: 14pt;">As VINHAS
da IRA</span></div><span style="color: #3d85c6;"><div style="text-align: center;"><span style="font-family: inherit; font-size: 14pt;">(The
Grapes of Wrath, 1940)</span></div></span></div><div><span style="color: #3d85c6;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiv4ls4-wsFaHRun7W9zxNTgg2HGR_zj0lFIMUzs_r7UiIP01vwqFpBpVVruHhfWZ6IWcw178ZwrFQ85oIhVrU0wCgmmEPYi-n73drCvTAUQgwvUmtmktC663FK0-jhhEZbWO9osjmQuiVI5YMQELIlDXTPPVgRAXK0uXOrUv1LkVTPQq9SaNy-ps3K/s2917/The_Grapes_of_Wrath_(1940_poster).jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="2917" data-original-width="1964" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiv4ls4-wsFaHRun7W9zxNTgg2HGR_zj0lFIMUzs_r7UiIP01vwqFpBpVVruHhfWZ6IWcw178ZwrFQ85oIhVrU0wCgmmEPYi-n73drCvTAUQgwvUmtmktC663FK0-jhhEZbWO9osjmQuiVI5YMQELIlDXTPPVgRAXK0uXOrUv1LkVTPQq9SaNy-ps3K/s320/The_Grapes_of_Wrath_(1940_poster).jpg" width="215" /></a></div><span style="font-size: 18.6667px;"><br /></span><span style="font-family: inherit; font-size: 14pt;">EUA</span><br /><span style="font-family: inherit; font-size: 14pt;">Direção: John
Ford</span><br /><span style="font-family: inherit; font-size: 14pt;">Elenco: Henry
Fonda, Jane Darwell, John Carradine e Charley Grapewin</span><br /><span style="font-family: inherit; font-size: 14pt;"> </span><br /><span style="font-family: inherit; font-size: 14pt;">34</span></span><br /><div style="text-align: center;"><span style="background-color: #274e13; color: white; font-family: inherit; font-size: 14pt;">PACTO de
SANGUE</span></div><span style="color: #3d85c6;"><div style="text-align: center;"><span style="font-family: inherit; font-size: 14pt;">(Double
Indemnity, 1944)</span></div></span></div><div><span style="color: #3d85c6;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEis5mSMlb52MKE1J5dx8LBghzVZyksjUU8Xkqbswy1eZu4Gbrt75I0ZvQiOJUh5i0lFqsi5iDRtygPjtPEKRd-snnRDFoc5rhcTQkWq6Dupgv6lbWbsqhj6VrlMw92J9RmEWwqoBGyPxkNgj1G8ZXDvF8te2GwXrR6ETZCOL1V6fREp36wFLrUHu9Ka/s2937/Double_Indemnity_(1944_poster).jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="2937" data-original-width="1948" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEis5mSMlb52MKE1J5dx8LBghzVZyksjUU8Xkqbswy1eZu4Gbrt75I0ZvQiOJUh5i0lFqsi5iDRtygPjtPEKRd-snnRDFoc5rhcTQkWq6Dupgv6lbWbsqhj6VrlMw92J9RmEWwqoBGyPxkNgj1G8ZXDvF8te2GwXrR6ETZCOL1V6fREp36wFLrUHu9Ka/s320/Double_Indemnity_(1944_poster).jpg" width="212" /></a></div><span style="font-size: 18.6667px;"><br /></span><span style="font-family: inherit; font-size: 14pt;">EUA</span><br /><span style="font-family: inherit; font-size: 14pt;">Direção: Billy
Wilder</span><br /><span style="font-family: inherit; font-size: 14pt;">Elenco: Fred
MacMurray, Barbara Stanwyck e Edward G. Robinson</span><span style="font-family: inherit; font-size: 14pt;"> </span><br /><span style="font-family: inherit; font-size: 14pt;"> </span><br /><div style="text-align: justify;"><span style="font-family: inherit; font-size: 14pt;">35</span></div></span><span style="color: white; font-family: inherit; font-size: 14pt;"><div style="text-align: center;"><span style="background-color: #274e13; font-family: inherit; font-size: 14pt;">CLAMOR do
SEXO</span></div></span><span style="color: #3d85c6;"><div style="text-align: center;"><span style="font-family: inherit; font-size: 14pt;">(Splendor
in the Grass, 1961)</span></div></span></div><div><span style="color: #3d85c6;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjwpAs0_kE0JEhoYseS7NPVghRCY9-NKRyDirmsIkNbjo8S8Xvpg7ynx20R12k2oyDNUTNoTSAS3CgJNSYWE6kXFzirv5k09BTCOnInXntVxPGiIX8B-N1NQ5m4740xtHAfbyvntFNQkEBpVUFJnEv0CpG0g6ockC4eQpuH2vxTwMhg4liiLk8ARloH/s1453/MV5BM2Y4YzczMjItMjU0NC00N2ZjLWFmZTEtNTk0YmRkNzY2MTJkL2ltYWdlL2ltYWdlXkEyXkFqcGdeQXVyNjc1NTYyMjg@._V1_FMjpg_UX1000_.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1453" data-original-width="994" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjwpAs0_kE0JEhoYseS7NPVghRCY9-NKRyDirmsIkNbjo8S8Xvpg7ynx20R12k2oyDNUTNoTSAS3CgJNSYWE6kXFzirv5k09BTCOnInXntVxPGiIX8B-N1NQ5m4740xtHAfbyvntFNQkEBpVUFJnEv0CpG0g6ockC4eQpuH2vxTwMhg4liiLk8ARloH/s320/MV5BM2Y4YzczMjItMjU0NC00N2ZjLWFmZTEtNTk0YmRkNzY2MTJkL2ltYWdlL2ltYWdlXkEyXkFqcGdeQXVyNjc1NTYyMjg@._V1_FMjpg_UX1000_.jpg" width="219" /></a></div><span style="font-size: 18.6667px;"><br /></span><span style="font-family: inherit; font-size: 14pt;">EUA</span><br /><span style="font-family: inherit; font-size: 14pt;">Direção: Elia
Kazan</span><br /><span style="font-family: inherit; font-size: 14pt;">Elenco: Natalie
Wood, Warren Beatty, Pat Hingle e Sandy Dennis</span><br /><span style="font-family: inherit; font-size: 14pt;"> </span><br /><span style="font-family: inherit; font-size: 14pt;">36</span></span><br /><div style="text-align: center;"><span style="background-color: #274e13; color: white; font-family: inherit; font-size: 14pt;">Um DIA
MUITO ESPECIAL</span></div><span style="color: #3d85c6;"><div style="text-align: center;"><span style="font-family: inherit; font-size: 14pt;">(Una Giornata
Particolare, 1977)</span></div></span></div><div><span style="color: #3d85c6;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjBUuzNZCrmXMdQuMkTmTl4jUG7KEQn1hItjmPALvVrfZ3ZLYUCv7ULjut2LjnuuOvKFh0qV_glIllI2ovxvGNMxZF96GSLW7Hi8JHAPCsKgJ8EYe82fWM3cQBql-heOyibxoH9uLIHh50VrqP8TMMob7o3a7pGWgIFdRA12wgceYpaHRwWYQdrd11o/s1570/una-giornatapart.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1570" data-original-width="1113" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjBUuzNZCrmXMdQuMkTmTl4jUG7KEQn1hItjmPALvVrfZ3ZLYUCv7ULjut2LjnuuOvKFh0qV_glIllI2ovxvGNMxZF96GSLW7Hi8JHAPCsKgJ8EYe82fWM3cQBql-heOyibxoH9uLIHh50VrqP8TMMob7o3a7pGWgIFdRA12wgceYpaHRwWYQdrd11o/s320/una-giornatapart.jpg" width="227" /></a></div><span style="font-size: 18.6667px;"><br /></span><span style="font-family: inherit; font-size: 14pt;">Itália e
Canadá</span><br /><span style="font-family: inherit; font-size: 14pt;">Direção: Ettore
Scola</span><br /><span style="font-family: inherit; font-size: 14pt;">Elenco: Sophia
Loren e Marcello Mastroianni</span><br /><span style="font-family: inherit; font-size: 14pt;"> </span><br /><span style="font-family: inherit; font-size: 14pt;">37</span></span><br /><div style="text-align: center;"><span style="background-color: #274e13; color: white; font-family: inherit; font-size: 14pt;">A
PRIMEIRA NOITE de TRANQUILIDADE</span></div><span style="color: #3d85c6;"><div style="text-align: center;"><span style="font-family: inherit; font-size: 14pt;">(La Prima
Notte di Quiete, 1972)</span></div></span></div><div><span style="color: #3d85c6;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjjzk2a5S29gFVjqdeudOeMiM64fAIWKlsw2q792IO10CnAf1U6J3kUqWPOaOCxv3DBT0S55NZMrRnhaRBe_xlxLWkUur12a-bbWjkg5PYpU1AxbF8k2ewkmNAm6WHjpx8ltphJER-jTcswVlO0_ETLon-M4OoMf98PToS--bXuH8QvowAAv_L11EYZ/s1909/1080x1620_1569517007.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1909" data-original-width="1217" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjjzk2a5S29gFVjqdeudOeMiM64fAIWKlsw2q792IO10CnAf1U6J3kUqWPOaOCxv3DBT0S55NZMrRnhaRBe_xlxLWkUur12a-bbWjkg5PYpU1AxbF8k2ewkmNAm6WHjpx8ltphJER-jTcswVlO0_ETLon-M4OoMf98PToS--bXuH8QvowAAv_L11EYZ/s320/1080x1620_1569517007.jpg" width="204" /></a></div><span style="font-size: 18.6667px;"><br /></span><span style="font-family: inherit; font-size: 14pt;">Itália e
França</span><br /><span style="font-family: inherit; font-size: 14pt;">Direção: Valerio
Zurlini</span><br /><span style="font-family: inherit; font-size: 14pt;">Elenco: Alain
Delon, Giancarlo Giannini, Sonia Petrova, Alida Valli e Lea
Massari</span><br /><span style="font-family: inherit; font-size: 14pt;"> </span><br /><span style="font-family: inherit; font-size: 14pt;">38</span></span><br /><div style="text-align: center;"><span style="background-color: #274e13; color: white; font-family: inherit; font-size: 14pt;">DOUTOR
JIVAGO</span></div><span style="color: #3d85c6;"><div style="text-align: center;"><span style="font-family: inherit; font-size: 14pt;">(Doctor
Zhivago, 1965)</span></div></span></div><div><span style="color: #3d85c6;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhb1CkUn1XsY1T7HeBxMBjI2Y9wVyHLbp-rj2p4jselhKKIWvSrNyKKVBWWocD9piWl62PWhfKJsjR9P0Nt-F06Zt1nS4EKse0AOhH8hpJmdxv7fxsP7o8O3gR7RxUgW4qcJAwh79yQHSaSkQblQ8jzwpwNLz7AB-t-0AQcWKjJKUbeLTm4pC5xShTf/s1790/5f67a696a6b679001ce6cf8f.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1309" data-original-width="1790" height="234" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhb1CkUn1XsY1T7HeBxMBjI2Y9wVyHLbp-rj2p4jselhKKIWvSrNyKKVBWWocD9piWl62PWhfKJsjR9P0Nt-F06Zt1nS4EKse0AOhH8hpJmdxv7fxsP7o8O3gR7RxUgW4qcJAwh79yQHSaSkQblQ8jzwpwNLz7AB-t-0AQcWKjJKUbeLTm4pC5xShTf/s320/5f67a696a6b679001ce6cf8f.jpg" width="320" /></a></div><span style="font-size: 18.6667px;"><br /></span><span style="font-family: inherit; font-size: 14pt;">Itália,
Reino Unido e EUA</span><br /><span style="font-family: inherit; font-size: 14pt;">Direção: David
Lean</span><br /><span style="font-family: inherit; font-size: 14pt;">Elenco: Omar
Shariff, Julie Christie, Rod Steiger, Geraldine Chaplin, Alec Guinness, Tom
Courtenay, Siobhan McKenna, Ralph Richardson e Klaus Kinsky</span><br /><span style="font-family: inherit; font-size: 14pt;"> </span><br /><span style="font-family: inherit; font-size: 14pt;">39</span></span><br /><div style="text-align: center;"><span style="background-color: #274e13; color: white; font-family: inherit; font-size: 14pt;">O SÉTIMO
SELO</span></div><span style="color: #3d85c6;"><div style="text-align: center;"><span style="font-family: inherit; font-size: 14pt;">(Det Sjunde
Inseglet, 1957)</span></div></span></div><div><span style="color: #3d85c6;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiYRKqRtE0J958F1sos2JL-XwLJ139EEO0M-57MLuQ19Y_JUqW-ZnXwcYsWDcu0M_d0qEe3KYPx52QjtlDB0fhoJgSbbZiZdEQTw4TmO5FdQxYGUtdBRuidQdBO2Sw3Hn0XgGRkUYgR4EURjt4s2g3wZ0GFGkObVolPfbW-tWLwWY-QKb60uIOW1E88/s1050/8459420152ddf59f1ae5a64ef3885842.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1050" data-original-width="730" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiYRKqRtE0J958F1sos2JL-XwLJ139EEO0M-57MLuQ19Y_JUqW-ZnXwcYsWDcu0M_d0qEe3KYPx52QjtlDB0fhoJgSbbZiZdEQTw4TmO5FdQxYGUtdBRuidQdBO2Sw3Hn0XgGRkUYgR4EURjt4s2g3wZ0GFGkObVolPfbW-tWLwWY-QKb60uIOW1E88/s320/8459420152ddf59f1ae5a64ef3885842.jpg" width="222" /></a></div><span style="font-size: 18.6667px;"><br /></span><span style="font-family: inherit; font-size: 14pt;">Suécia</span><br /><span style="font-family: inherit; font-size: 14pt;">Direção: Ingmar
Bergman</span><br /><span style="font-family: inherit; font-size: 14pt;">Elenco: Max
von Sydow, Gunnar Björnstrand, Bengt Ekerot e Bibi Andersson</span><br /><span style="font-family: inherit; font-size: 14pt;"> </span><br /><span style="font-family: inherit; font-size: 14pt;">40</span></span><br /><div style="text-align: center;"><span style="background-color: #274e13; color: white; font-family: inherit; font-size: 14pt;">A um
PASSO da ETERNIDADE</span></div><span style="color: #3d85c6;"><div style="text-align: center;"><span style="font-family: inherit; font-size: 14pt;">(From
Here to Eternity, 1953)</span></div></span></div><div><span style="color: #3d85c6;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjT18R22QXDiXRvIhWvjQWK61dbnR60fCozoWAp6GGmEIc2p1yjNWNtiwAeynrCwLGTJvRNhiqkFnf5dRtXSRcycrWlwBMQ92N7hKcqT8QUjx-7IqJTRrtdYOEO32Oyh7ecsgz4bt4A4jkGjcHP0LBgI0DW2DwoMSkonaCSjuAOUWqpPrPmaIUm_F-B/s1356/56b5941483eaa05727a4a7112d7a6e8f.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1356" data-original-width="600" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjT18R22QXDiXRvIhWvjQWK61dbnR60fCozoWAp6GGmEIc2p1yjNWNtiwAeynrCwLGTJvRNhiqkFnf5dRtXSRcycrWlwBMQ92N7hKcqT8QUjx-7IqJTRrtdYOEO32Oyh7ecsgz4bt4A4jkGjcHP0LBgI0DW2DwoMSkonaCSjuAOUWqpPrPmaIUm_F-B/s320/56b5941483eaa05727a4a7112d7a6e8f.jpg" width="142" /></a></div><span style="font-size: 18.6667px;"><br /></span><span style="font-family: inherit; font-size: 14pt;">EUA</span><br /><span style="font-family: inherit; font-size: 14pt;">Direção: Fred
Zinnemann</span><br /><span style="font-family: inherit; font-size: 14pt;">Elenco: Burt
Lancaster, Montgomery Clift, Deborah Kerr, Frank Sinatra e Donna Reed</span><br /><span style="font-family: inherit; font-size: 14pt;"> </span><br /><span style="font-family: inherit; font-size: 14pt;">41</span></span><br /><div style="text-align: center;"><span style="background-color: #274e13; color: white; font-family: inherit; font-size: 14pt;">A MALVADA</span></div><span style="color: #3d85c6;"><div style="text-align: center;"><span style="font-family: inherit; font-size: 14pt;">(All
About Eve, 1950)</span></div></span></div><div><span style="color: #3d85c6;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg3V2aUaZi7sP-p-WsT7FIXs77pqpTxjF51p78jnEtuWnh9N7yXwsPKubYpRYBfnjAWeJpN6zsKBBOqw6R1Ur2ZjXxf4sNTEvdukTNbybdsAcAqNJh7ubJvnlqN8NDLjcj3iFhkDwv8RGb_5ukWK7uQdImn8XJ64xuspi9rqYBE0_TP6t-fyKqDYBb1/s2936/All_About_Eve_(1950_poster_-_retouch).jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="2936" data-original-width="1915" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg3V2aUaZi7sP-p-WsT7FIXs77pqpTxjF51p78jnEtuWnh9N7yXwsPKubYpRYBfnjAWeJpN6zsKBBOqw6R1Ur2ZjXxf4sNTEvdukTNbybdsAcAqNJh7ubJvnlqN8NDLjcj3iFhkDwv8RGb_5ukWK7uQdImn8XJ64xuspi9rqYBE0_TP6t-fyKqDYBb1/s320/All_About_Eve_(1950_poster_-_retouch).jpg" width="209" /></a></div><span style="font-size: 18.6667px;"><br /></span><span style="font-family: inherit; font-size: 14pt;">EUA</span><br /><span style="font-family: inherit; font-size: 14pt;">Direção: Joseph
L. Mankiewicz</span><br /><span style="font-family: inherit; font-size: 14pt;">Elenco: Bette
Davis, Anne Baxter, George Sanders, Celeste Holm, Gary Merrill, Hugh Marlowe,
Gregory Ratoff, Marilyn Monroe e Thelma Ritter</span><br /><span style="font-family: inherit; font-size: 14pt;"> </span><br /><span style="font-family: inherit; font-size: 14pt;">42</span></span><br /><div style="text-align: center;"><span style="background-color: #274e13; color: white; font-family: inherit; font-size: 14pt;">INTRIGA
INTERNACIONAL</span></div><span style="color: #3d85c6;"><div style="text-align: center;"><span style="font-family: inherit; font-size: 14pt;">(North by
Northwest, 1959)</span></div></span></div><div><span style="color: #3d85c6;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgWbUaeZRlut670-vAdu1vWZggz0DrWmDAuWYQa0LcHNoNy070dg-t48J-vzXVBERx4jBtoUVd1ArlIrXxYrdwxzzN30O2b7zsFf9M8CQC-v22PoD-FGIeaZI4vdZscxcPk1DpB-QmBSeAXQmpsBRSITMwtt08_sIsRZKsinB6KxEm1ALivXOnj1Oxv/s3782/Northbynorthwest1.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="3782" data-original-width="2420" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgWbUaeZRlut670-vAdu1vWZggz0DrWmDAuWYQa0LcHNoNy070dg-t48J-vzXVBERx4jBtoUVd1ArlIrXxYrdwxzzN30O2b7zsFf9M8CQC-v22PoD-FGIeaZI4vdZscxcPk1DpB-QmBSeAXQmpsBRSITMwtt08_sIsRZKsinB6KxEm1ALivXOnj1Oxv/s320/Northbynorthwest1.jpg" width="205" /></a></div><span style="font-size: 18.6667px;"><br /></span><span style="font-family: inherit; font-size: 14pt;">EUA</span><br /><span style="font-family: inherit; font-size: 14pt;">Direção: Alfred
Hitchcock</span><br /><span style="font-family: inherit; font-size: 14pt;">Elenco: Cary
Grant, Eva Marie Saint, James Mason e Jessie Royce Landis</span><br /><span style="font-family: inherit; font-size: 14pt;"> </span><br /><span style="font-family: inherit; font-size: 14pt;">43</span></span><br /><div style="text-align: center;"><span style="background-color: #274e13; color: white; font-family: inherit; font-size: 14pt;">Um LUGAR
ao SOL</span></div><span style="color: #3d85c6;"><div style="text-align: center;"><span style="font-family: inherit; font-size: 14pt;">(A Place
in the Sun, 1951)</span></div></span></div><div><span style="color: #3d85c6;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgu3gipTXcPAMoBeKkE8bP8Qs4H7IGFpRtOvg4Gd-0v7iSNpgIEwih9b7S65zBdtPrf_BvQfOlII6JC8peRRT4UMbITPE06DfTjnsnRv-XZORtYkxYADovyQdPscdiEL1cg8i_SXJ7t9hK-jD2Bd0KVGUYiyQCcUCnAXxMuAcSpvn06IWflFY8FjIGs/s1600/786a7d_a5d6fb74fe5a480d92e2fe96cddae303~mv2.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1600" data-original-width="1053" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgu3gipTXcPAMoBeKkE8bP8Qs4H7IGFpRtOvg4Gd-0v7iSNpgIEwih9b7S65zBdtPrf_BvQfOlII6JC8peRRT4UMbITPE06DfTjnsnRv-XZORtYkxYADovyQdPscdiEL1cg8i_SXJ7t9hK-jD2Bd0KVGUYiyQCcUCnAXxMuAcSpvn06IWflFY8FjIGs/s320/786a7d_a5d6fb74fe5a480d92e2fe96cddae303~mv2.jpg" width="211" /></a></div><span style="font-size: 18.6667px;"><br /></span><span style="font-family: inherit; font-size: 14pt;">EUA</span><br /><span style="font-family: inherit; font-size: 14pt;">Direção: George
Stevens</span><br /><span style="font-family: inherit; font-size: 14pt;">Elenco: Montgomery
Clift, Elizabeth Taylor, Shelley Winters e Anne Revere</span><br /><span style="font-family: inherit; font-size: 14pt;"> </span><br /><span style="font-family: inherit; font-size: 14pt;">44</span></span><br /><div style="text-align: center;"><span style="background-color: #274e13; color: white; font-family: inherit; font-size: 14pt;">O MORRO
dos VENTOS UIVANTES (1939)</span></div><span style="color: #3d85c6;"><div style="text-align: center;"><span style="font-family: inherit; font-size: 14pt;">(Wuthering
Heights, 1939)</span></div></span></div><div><span style="color: #3d85c6;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi34q95RGQcnuYHSUXyP5kX2lhd0nOdOctwpeJts0l5XWXxU5tnWpfVTza_Jb-NMXM8BTHlYJrKbUOAqkyRize2aGs3wp2GbO8rbkJaJahpQ76idma47GUCJhoaKIY5dCUl32ORVMVXAgjGVL5yMNhOBpfo-ZMEekUF67iYgJ8rRmp-A0DZSlBClkhF/s2842/Wuthering_Heights_(1939_poster).jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="2842" data-original-width="1957" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi34q95RGQcnuYHSUXyP5kX2lhd0nOdOctwpeJts0l5XWXxU5tnWpfVTza_Jb-NMXM8BTHlYJrKbUOAqkyRize2aGs3wp2GbO8rbkJaJahpQ76idma47GUCJhoaKIY5dCUl32ORVMVXAgjGVL5yMNhOBpfo-ZMEekUF67iYgJ8rRmp-A0DZSlBClkhF/s320/Wuthering_Heights_(1939_poster).jpg" width="220" /></a></div><span style="font-size: 18.6667px;"><br /></span><span style="font-family: inherit; font-size: 14pt;">EUA</span><br /><span style="font-family: inherit; font-size: 14pt;">Direção: Willyam
Wyler</span><br /><span style="font-family: inherit; font-size: 14pt;">Elenco: Merle
Oberon, Laurence Olivier, Flora Robson e Geraldine
Fitzgerald</span><br /><span style="font-family: inherit; font-size: 14pt;"> </span><br /><span style="font-family: inherit; font-size: 14pt;">45</span></span><br /><div style="text-align: center;"><span style="background-color: #274e13; color: white; font-family: inherit; font-size: 14pt;">O SOL por
TESTEMUNHA</span></div><span style="color: #3d85c6;"><div style="text-align: center;"><span style="font-family: inherit; font-size: 14pt;">(Plein Soleil,
1960)</span></div></span></div><div><span style="color: #3d85c6;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiigfhj7op0azw45NPdRkQz4Rdtn1hgioZ8WFbApHa5cE65HVqHwLlmz816U-k00L9gThoStYoTQcRHAYVNPayckyaq7xgbFjzzqemY6G0tjCX3wIePbXipgoPseuas22gArNQAHAkBn8epX1BDGjxzV7ivhzOBBsvP1xHyxIgwPFAcbDmlJHvhN41y/s1187/Plein_soleil-840286002-large.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1187" data-original-width="818" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiigfhj7op0azw45NPdRkQz4Rdtn1hgioZ8WFbApHa5cE65HVqHwLlmz816U-k00L9gThoStYoTQcRHAYVNPayckyaq7xgbFjzzqemY6G0tjCX3wIePbXipgoPseuas22gArNQAHAkBn8epX1BDGjxzV7ivhzOBBsvP1xHyxIgwPFAcbDmlJHvhN41y/s320/Plein_soleil-840286002-large.jpg" width="221" /></a></div><span style="font-size: 18.6667px;"><br /></span><span style="font-family: inherit; font-size: 14pt;">França e
Itália</span><br /><span style="font-family: inherit; font-size: 14pt;">Direção: René
Clèment</span><br /><span style="font-family: inherit; font-size: 14pt;">Elenco: Alain
Delon, Maurice Ronet, Marie Laforêt, Erno Crisa e Ave Ninchi</span><br /><span style="font-family: inherit; font-size: 14pt;"> </span><br /><span style="font-family: inherit; font-size: 14pt;">46</span></span><br /><div style="text-align: center;"><span style="background-color: #274e13; color: white; font-family: inherit; font-size: 14pt;">TODOS os
HOMENS do PRESIDENTE</span></div><span style="color: #3d85c6;"><div style="text-align: center;"><span style="font-family: inherit; font-size: 14pt;">(All the
President's Men, 1976)</span></div></span></div><div><span style="color: #3d85c6;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhTsBnZ_PmhV-WbYjLW-2rHCrNAuKQrzTS87PmEaExd7wwXbGRixsXQD30TfGPl-Azg_1X3KHzlbLuKsCkRTg9WbaVX9UKx9X3w_z616vq5DcOWouQ_hTa0XbL12opLeki3kU0tpPQ0C87nM1u-MW8qG2i1mQ-nB96VkvyXgqzq51RjNT8lh2hjhilI/s1507/MV5BOWI2YWQxM2MtY2U4Yi00YjgzLTgwNzktN2ExNTgzNTIzMmUzXkEyXkFqcGdeQXVyMTAwMzUyOTc@._V1_FMjpg_UX1000_.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1507" data-original-width="1000" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhTsBnZ_PmhV-WbYjLW-2rHCrNAuKQrzTS87PmEaExd7wwXbGRixsXQD30TfGPl-Azg_1X3KHzlbLuKsCkRTg9WbaVX9UKx9X3w_z616vq5DcOWouQ_hTa0XbL12opLeki3kU0tpPQ0C87nM1u-MW8qG2i1mQ-nB96VkvyXgqzq51RjNT8lh2hjhilI/s320/MV5BOWI2YWQxM2MtY2U4Yi00YjgzLTgwNzktN2ExNTgzNTIzMmUzXkEyXkFqcGdeQXVyMTAwMzUyOTc@._V1_FMjpg_UX1000_.jpg" width="212" /></a></div><span style="font-size: 18.6667px;"><br /></span><span style="font-family: inherit; font-size: 14pt;">EUA</span><br /><span style="font-family: inherit; font-size: 14pt;">Direção: Alan
J. Pakula</span><br /><span style="font-family: inherit; font-size: 14pt;">Elenco: Dustin
Hoffman, Robert Redford, Jack Warden, Martin Balsam, Hal Halbrook, Jason
Robards, Jane Alexander e Ned Beatty</span><br /><span style="font-family: inherit; font-size: 14pt;"> </span><br /><span style="font-family: inherit; font-size: 14pt;">47</span></span><br /><div style="text-align: center;"><span style="background-color: #274e13; color: white; font-family: inherit; font-size: 14pt;">RIO
VERMELHO</span></div><span style="color: #3d85c6;"><div style="text-align: center;"><span style="font-family: inherit; font-size: 14pt;">(Red
River, 1948)</span></div></span></div><div><span style="color: #3d85c6;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjRMI1OK33AwnIHoSdbY3urvKBiqHbDQ4dOa4J2DfxJU4s2zU6Qlb1THjM-5LuexzxpveqhRDNc5CaeCjHWvYhyBDbcKrL1yW-U8qNM0TrtlKqqyJ8Kfb2gtPzvEBZro7DMH2sNcl7LvvML84Y_hDD9PixHf-7htFshnCSeVDn1JZT0RksUz8qzY8nG/s1108/RedRiver.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="834" data-original-width="1108" height="241" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjRMI1OK33AwnIHoSdbY3urvKBiqHbDQ4dOa4J2DfxJU4s2zU6Qlb1THjM-5LuexzxpveqhRDNc5CaeCjHWvYhyBDbcKrL1yW-U8qNM0TrtlKqqyJ8Kfb2gtPzvEBZro7DMH2sNcl7LvvML84Y_hDD9PixHf-7htFshnCSeVDn1JZT0RksUz8qzY8nG/s320/RedRiver.jpg" width="320" /></a></div><span style="font-size: 18.6667px;"><br /></span><span style="font-family: inherit; font-size: 14pt;">EUA</span><br /><span style="font-family: inherit; font-size: 14pt;">Direção: Howard
Hawks</span><br /><span style="font-family: inherit; font-size: 14pt;">Elenco: John
Wayne, Montgomery Clift, Joanne Dru, Walter Brennan e
John Ireland</span><br /><span style="font-family: inherit; font-size: 14pt;"> </span><br /><span style="font-family: inherit; font-size: 14pt;">48</span></span><br /><div style="text-align: center;"><span style="background-color: #274e13; color: white; font-family: inherit; font-size: 14pt;">MAIS
FORTE QUE a VINGANÇA</span></div><span style="color: #3d85c6;"><div style="text-align: center;"><span style="font-family: inherit; font-size: 14pt;">(Jeremiah
Johnson, 1972)</span></div></span></div><div><span style="color: #3d85c6;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh0lkRbCQyp23qWMTsxU7FBg0uJ3XqD-N0I2lvb38ETt_Ggc6TXl3RkbLvTs-ddNkOnqHbdKE5VpxFWstXLMQOTINetKtPUMRfeUVWqkEz4vvpPmom2c4xVP3NbQNyOSkaB-Ue_sI75H8yj7ITNDsO3wx0OJqc5skLLihKcLLkxAAWpQBwVLE0V1gqr/s1463/MV5BYzE0NWI0ZDctYjkwNi00YTM3LWI4MjYtZGRlN2JiMjZmYzY3XkEyXkFqcGdeQXVyMjUzOTY1NTc@._V1_FMjpg_UX1000_.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1463" data-original-width="994" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh0lkRbCQyp23qWMTsxU7FBg0uJ3XqD-N0I2lvb38ETt_Ggc6TXl3RkbLvTs-ddNkOnqHbdKE5VpxFWstXLMQOTINetKtPUMRfeUVWqkEz4vvpPmom2c4xVP3NbQNyOSkaB-Ue_sI75H8yj7ITNDsO3wx0OJqc5skLLihKcLLkxAAWpQBwVLE0V1gqr/s320/MV5BYzE0NWI0ZDctYjkwNi00YTM3LWI4MjYtZGRlN2JiMjZmYzY3XkEyXkFqcGdeQXVyMjUzOTY1NTc@._V1_FMjpg_UX1000_.jpg" width="217" /></a></div><span style="font-size: 18.6667px;"><br /></span><span style="font-family: inherit; font-size: 14pt;">EUA</span><br /><span style="font-family: inherit; font-size: 14pt;">Direção: Sydney
Pollack</span><br /><span style="font-family: inherit; font-size: 14pt;">Elenco: Robert
Redford e Will Geer</span><br /><span style="font-family: inherit; font-size: 14pt;"> </span></span><br /><span style="font-family: inherit; font-size: 14pt;">49</span><br /><div style="text-align: center;"><span style="background-color: #274e13; color: white; font-family: inherit; font-size: 14pt;">SEVEN –
os SETE PECADOS CAPITAIS</span></div><span style="color: #3d85c6;"><div style="text-align: center;"><span style="font-family: inherit; font-size: 14pt;">(Se7en,
1995)</span></div></span></div><div><span style="color: #3d85c6;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiTVFmzjpm8OWeWkmCrmJU4y32V2i_ZvBgaFQVv-NCcft9iFD7QOEnTTdJPJCF14noPfKIhNn0Sri1blRTuQTNUiUkbbM77hyo-ab4cro0mIIeyZH2UtglFjHly-jDTEPEFx2Y1I3zPIU3TvuBiIREkI6RyauNu6bhBpjCkOUeVQjVNBQbRldu5m-Sd/s1205/full-seven-1sh.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1205" data-original-width="799" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiTVFmzjpm8OWeWkmCrmJU4y32V2i_ZvBgaFQVv-NCcft9iFD7QOEnTTdJPJCF14noPfKIhNn0Sri1blRTuQTNUiUkbbM77hyo-ab4cro0mIIeyZH2UtglFjHly-jDTEPEFx2Y1I3zPIU3TvuBiIREkI6RyauNu6bhBpjCkOUeVQjVNBQbRldu5m-Sd/s320/full-seven-1sh.jpg" width="212" /></a></div><span style="font-size: 18.6667px;"><br /></span><span style="font-family: inherit; font-size: 14pt;">EUA</span><br /><span style="font-family: inherit; font-size: 14pt;">Direção: David
Fincher</span><br /><span style="font-family: inherit; font-size: 14pt;">Elenco: Morgan
Freeman, Brad Pitt, Kevin Spacey e Gwyneth Paltrow</span><br /><span style="font-family: inherit; font-size: 14pt;"> </span><br /><span style="font-family: inherit; font-size: 14pt;">50</span></span><br /><div style="text-align: center;"><span style="background-color: #274e13; color: white; font-family: inherit; font-size: 14pt;">BLADE
RUNNER, o CAÇADOR de ANDRÓIDES</span></div><span style="color: #3d85c6;"><div style="text-align: center;"><span style="font-family: inherit; font-size: 14pt;">(Blade
Runner, 1982)</span></div></span></div><div><span style="color: #3d85c6;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhsuTti7gVf9Zc9YnVbodkv3tz6ujtR4O28Z_Cgev8b5vl7E-HbiZMgeqgbeZsvmxopvFXCoLbXvxMi31XflV0ec5Oj5nRX03v_2rn8iXaEM6-z0SDLXex5n7hutiHIfEwq_w0rIX5ueXZxCiEdA8P4jjYI4cH3yaw5--Eiyo0UrrEvUuefAlt7ZBba/s3551/Blade-Runner-5467LB.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="3551" data-original-width="2346" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhsuTti7gVf9Zc9YnVbodkv3tz6ujtR4O28Z_Cgev8b5vl7E-HbiZMgeqgbeZsvmxopvFXCoLbXvxMi31XflV0ec5Oj5nRX03v_2rn8iXaEM6-z0SDLXex5n7hutiHIfEwq_w0rIX5ueXZxCiEdA8P4jjYI4cH3yaw5--Eiyo0UrrEvUuefAlt7ZBba/s320/Blade-Runner-5467LB.jpg" width="211" /></a></div><span style="font-size: 18.6667px;"><br /></span><span style="font-family: inherit; font-size: 14pt;">EUA</span><br /><span style="font-family: inherit; font-size: 14pt;">Direção: Ridley
Scott</span><br /><span style="font-family: inherit; font-size: 14pt;">Elenco: Harrison
Ford, Rutger Hauer, Sean Young, Daryl Hannah e Joanna Cassidy</span><br /><span style="font-family: inherit; font-size: 14pt;"> </span></span><br /><p></p><p></p></div>ANTONIO NAHUDhttp://www.blogger.com/profile/09829893001743081676noreply@blogger.com4tag:blogger.com,1999:blog-7997398743762234247.post-10026528335357221622022-08-31T20:08:00.050-03:002022-09-02T00:22:08.474-03:00************* A CATIVANTE CLAUDETTE COLBERT<div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh7Hyupc4XF3Yt_NrHPnJiw7V36uxq1eRD1muWVvJkTCudu-K1hlyKn7gHlBL8-6WJU0Qs7bhkDGUEBQ4JOBvhNk-ehx-7BvOILFtCnUS6vCuMaHJPi-4oh6WhbcYCPQJxQZJL79Z-grgLru_WUywcDUupvUjEOCTCz37ja0XuG4ICv29ntvVcyp7gV/s1088/ocjscjsp.jpg" style="font-family: inherit; margin-left: 1em; margin-right: 1em; text-align: center;"><img border="0" data-original-height="1064" data-original-width="1088" height="626" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh7Hyupc4XF3Yt_NrHPnJiw7V36uxq1eRD1muWVvJkTCudu-K1hlyKn7gHlBL8-6WJU0Qs7bhkDGUEBQ4JOBvhNk-ehx-7BvOILFtCnUS6vCuMaHJPi-4oh6WhbcYCPQJxQZJL79Z-grgLru_WUywcDUupvUjEOCTCz37ja0XuG4ICv29ntvVcyp7gV/w640-h626/ocjscjsp.jpg" width="640" /></a></div><div style="text-align: center;"><br /></div><div style="text-align: justify;"><span style="font-family: inherit;"><span style="color: #3d85c6; font-family: inherit; font-size: 14pt;"><br /></span></span></div><div style="text-align: justify;"><span style="font-family: inherit;"><span style="color: #3d85c6; font-family: inherit; font-size: 14pt;">“Tive uma
vida adorável. Fui abençoada. Conheci o sucesso nos palcos e no cinema”.</span></span></div><span><span style="color: #3d85c6; font-family: inherit;"><div style="text-align: justify;"><span style="font-family: inherit; font-size: 14pt;"> </span></div><span style="font-size: 14pt;"><div style="text-align: justify;"><span style="font-family: inherit; font-size: 14pt;">“Sempre
acreditei que atuar é um instinto. Ou você tem ou não tem”.</span></div></span></span><span style="font-family: inherit; font-size: 14pt;"><div style="text-align: justify;"><span style="background-color: #274e13; font-family: inherit; font-size: 14pt;"><span style="color: white;">CLAUDETTE
COLBERT</span></span></div></span><span style="font-family: inherit; font-size: 14pt;"><div style="text-align: justify;"><span style="font-family: inherit; font-size: 14pt;"> </span></div></span><span style="color: #3d85c6; font-family: inherit;"><div style="text-align: justify;"><span style="font-family: inherit; font-size: 14pt;">Altura:
1,64 m</span></div><span style="font-size: 14pt;"><div style="text-align: justify;"><span style="font-family: inherit; font-size: 14pt;">Olhos: negros</span></div></span><span style="font-size: 14pt; line-height: 107%;"><div style="text-align: justify;"><span style="font-family: inherit; font-size: 14pt; line-height: 107%;">Cabelos:</span><span style="font-family: inherit;">
</span><span style="font-family: inherit; font-size: 14pt; line-height: 107%;">castanhos-avermelhados</span></div></span><span style="font-size: 14pt;"><div style="text-align: justify;"><span style="font-family: inherit; font-size: 14pt;">Apelido:
Lírio e Tio Claude</span></div></span></span><span style="font-family: inherit; font-size: 14pt;"><div style="text-align: justify;"><span style="font-family: inherit; font-size: 14pt;"> </span></div></span><span style="font-family: inherit; font-size: 14pt;"><div style="text-align: justify;"><span style="font-family: inherit; font-size: 14pt;"> </span></div></span><span style="font-family: inherit; font-size: 14pt;"><div style="text-align: justify;"><span style="font-family: inherit; font-size: 14pt;">Ela foi
uma estrela por quase três décadas. Desfrutou de popularidade do início dos
anos 1930 até meados da década de 1950. Famosa por comédias malucas, era também
uma excelente atriz dramática. Seu êxito nas telas começou realmente em 1932,
com uma cena sensual em <span style="color: #3d85c6;">“O Sinal da Cruz”</span>, do mítico Cecil B. DeMille. Seguiu-se
uma série de sucessos. Em 1935, recebeu o Oscar de Melhor Atriz</span><span style="font-family: inherit; font-size: 14pt;">. Logo seria conhecida pel</span><span style="font-family: inherit; font-size: 14pt;">a respeitável
marca da atriz mais bem paga, superando Greta Garbo, Barbara Stanwyck, Bette
Davis ou Joan Crawford. Em 1938, seu salário de US$ 426.944 foi
nomeado pelo Departamento do Tesouro como o segundo maior em Hollywood (depois
do chefão da M-G-M, Louis B. Mayer) e o quarto nos EUA.</span></div></span><span style="font-family: inherit; font-size: 14pt;"><div style="text-align: justify;"><span style="font-family: inherit; font-size: 14pt;"> </span></div></span><span style="font-family: inherit; font-size: 14pt;"><div style="text-align: justify;"><span style="font-family: inherit; font-size: 14pt;">Com grandes olhos castanhos, eternas franjas, bochechas de maçã e pernas
deslumbrantes, </span><span style="background-color: #274e13; color: white; font-family: inherit; font-size: 14pt;">CLAUDETTE COLBERT</span><span style="font-family: inherit; font-size: 14pt;"> <span style="color: #3d85c6;">(1903 - 1996. Paris / França)</span> parecia que
jamais envelheceria, continuando sensacional por muitos anos. Não era uma
aparência artificial, mas de uma naturalidade encantadora. Da geração de estrelas que devia a si mesmo e ao seu público
ter a melhor aparência possível. Certa vez, a famosa e ferina colunista Hedda
Hopper a definiu como <span style="color: #3d85c6;">“a mais inteligente, mais suave e mais sagaz senhora de
18 quilates que eu já vi em Hollywood.”</span></span></div></span><span style="font-family: inherit; font-size: 14pt;"><div style="text-align: justify;"><span style="font-family: inherit; font-size: 14pt;"> <div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjrh1UXcF1Nu7zRDlYl-ohCu_Zrx-yI5tOQhSijvvryz81hNekM_LqHmxq4JFtRyiNvF0S49SW3gexYfxUa_IzAdHSrpXzPi9LGMZFe5I9iORAHpVUdOMGm2hJhKmsvLNpkRVqm3rqmC_on0X-BCC3imDeR-6a_kgLICoes2ksxUScNy7x_XXhtlb32/s1800/Annex%20-%20Colbert,%20Claudette_01.jpg" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"><img border="0" data-original-height="1800" data-original-width="1309" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjrh1UXcF1Nu7zRDlYl-ohCu_Zrx-yI5tOQhSijvvryz81hNekM_LqHmxq4JFtRyiNvF0S49SW3gexYfxUa_IzAdHSrpXzPi9LGMZFe5I9iORAHpVUdOMGm2hJhKmsvLNpkRVqm3rqmC_on0X-BCC3imDeR-6a_kgLICoes2ksxUScNy7x_XXhtlb32/w291-h400/Annex%20-%20Colbert,%20Claudette_01.jpg" width="291" /></a></div></span></div></span><span style="font-family: inherit; font-size: 14pt;"><div style="text-align: justify;"><span style="font-family: inherit; font-size: 14pt;">Trouxe uma inteligência instantânea e autoconfiança para uma ampla gama
de papéis. Essas qualidades brilharam na tela em mais de 60 filmes. Podia ser
engraçada, comovente, espirituosa, atordoada, sofisticada, sexy. No set, fazia exigências sobre como deveria ser iluminada e fotografada,
e só trabalhava até as 17 horas. Segundo o diretor de fotografia Joseph August,
Frank Capra e ela <span style="color: #3d85c6;">“acabaram se odiando” </span>nas filmagens de <span style="color: #3d85c6;">“Filhos da
Fortuna / For the Love of Mike” </span>(1927), piorando a situação em <span style="color: #3d85c6;">“Aconteceu Naquela Noite”</span>. </span></div></span><span style="font-family: inherit; font-size: 14pt;"><div style="text-align: justify;"><span style="font-family: inherit; font-size: 14pt;"> </span></div></span><span style="font-family: inherit; font-size: 14pt;"><div style="text-align: justify;"><span style="font-family: inherit; font-size: 14pt;">Seja por
causa de seu intenso treinamento na Broadway, ou simplesmente porque tinha o
talento nato para se comportar na frente da câmera, as suas
performances se mantém notavelmente atuais. Apesar dos penteados estranhos, dos
vestidos glamourosos e das sobrancelhas desenhadas, a galante </span><span style="background-color: #274e13; color: white; font-family: inherit; font-size: 14pt;">CLAUDETTE COLBERT</span><span style="font-family: inherit; font-size: 14pt;">
exala frescor entre artistas que acreditavam que atuar no cinema significava caras
e bocas. Ela tinha uma mistura sedutora de sofisticação, encanto e realidade, independentemente
de o filme exigir que fosse cômica, pungente, sensual ou romântica.</span><span style="font-family: Cambria, serif; font-size: 14pt;"> </span></div><div style="text-align: justify;"><span style="font-family: inherit; font-size: 14pt;"><br /></span></div><div style="text-align: justify;"><span style="font-family: inherit; font-size: 14pt;">Ao contrário de
sua imagem pública graciosa e elegante, a deusa do celulóide era determinada e podia ser dura com colegas artistas/técnicos que não atendiam aos
seus padrões de profissionalismo. Descontente, xingava como um brutamontes. Era
uma empresária astuta, negociando termos favoráveis para atuar em filmes ou
peças. Além disso, se alguém
tentasse mexer em seu imutável penteado ou maquiagem, descartava com as palavras <span style="color: #3d85c6;">“Estou no negócio de Claudette
Colbert há muito tempo”</span>.</span></div></span><span style="font-family: inherit; font-size: 14pt;"><div style="text-align: justify;"><span style="font-family: inherit; font-size: 14pt;"> <div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiuHQGS3HhAhk6H7fwl57C_2SuAk1ipohbQYS9g9dFGMbYOjOLKbb-RGvDwtx1LdZJaaxGBby2gsPmWcF-9r_nUSe8Vr2nqShZUxsKi4zLk8nXbHK0hGy3h-vuXNJCFEZPM95qlcy_jRl2-WdFOPr9EJBej-1tYj9jAOAwqKMi8NOYHXSnudAkAoFmi/s1200/Annex%20-%20Colbert,%20Claudette%20(Sign%20of%20the%20Cross,%20The)_04.jpg" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"><img border="0" data-original-height="1200" data-original-width="924" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiuHQGS3HhAhk6H7fwl57C_2SuAk1ipohbQYS9g9dFGMbYOjOLKbb-RGvDwtx1LdZJaaxGBby2gsPmWcF-9r_nUSe8Vr2nqShZUxsKi4zLk8nXbHK0hGy3h-vuXNJCFEZPM95qlcy_jRl2-WdFOPr9EJBej-1tYj9jAOAwqKMi8NOYHXSnudAkAoFmi/w308-h400/Annex%20-%20Colbert,%20Claudette%20(Sign%20of%20the%20Cross,%20The)_04.jpg" width="308" /></a></div></span></div></span><span style="font-family: inherit; font-size: 14pt;"><div style="text-align: justify;"><span style="font-family: inherit; font-size: 14pt;">Não era
bonita. Tinha um rosto em forma de coração e um sorriso brilhante. A maioria dos
seus filmes mostra seu perfil esquerdo. Ela considerava seu melhor lado e
raramente permitia fotos de rosto inteiro ou de perfil direito. Uma lesão no
nariz havia criado uma insignificante protuberância à direita. Certa vez, um
set teve que ser reconstruído para que ela não mostrasse seu lado direito,
resultando que Mary Astor apelidou o perfil direito do seu rosto de <span style="color: #3d85c6;">“o
lado escuro da lua”</span>.</span></div></span><span style="font-family: inherit; font-size: 14pt;"><div style="text-align: justify;"><span style="font-family: inherit; font-size: 14pt;"> </span></div></span><span style="font-family: inherit; font-size: 14pt;"><div style="text-align: justify;"><span style="font-family: inherit; font-size: 14pt;">Uma
vez disse que nunca considerou atuar a coisa principal em sua vida, afirmando
que nunca teve a intenção de ser atriz. Nascida Lily Claudette Chauchoin, em um
subúrbio de Paris, seu pai era dono de uma confeitaria. A família mudou-se para Nova York em 1906, quando ela tinha três anos. A futura estrela queria ser
pintora, estudando arte e design. Após a formatura, conseguiu um emprego em uma
loja de roupas para aprender mais sobre moda e dava aulas de francês para
aumentar sua renda. Ao longo da vida, continuou a pensar, sonhar e orar em
francês, e falava em sua língua nativa com a mãe.</span></div></span><span style="font-family: inherit; font-size: 14pt;"><div style="text-align: justify;"><span style="font-family: inherit; font-size: 14pt;"> </span></div></span><span style="font-size: 14pt;"><div style="font-family: inherit; text-align: justify;"><span style="font-family: inherit; font-size: 14pt;">Ao
conhecer a </span><span style="font-family: inherit; font-size: 14pt;">dramaturga Anne
Morrison, em 1923</span><span style="font-family: inherit; font-size: 14pt;">, foi convidada por ela para um pequeno papel em uma peça de </span><span style="font-family: inherit; font-size: 14pt;">teatro, <span style="color: #3d85c6;">“The Wild Westcotts”</span>, com </span><span style="font-family: inherit; font-size: 14pt;">Edna
May Oliver. Durante os ensaios, mudou de nome, adotando o <span style="background-color: #274e13; color: white;">CLAUDETTE COLBERT</span>. Nos
três anos seguintes, a jovem atriz fez papéis menores e turnês mal sucedidas. Em 1927 teve sua chance em
<span style="color: #3d85c6;">“The Barker”</span>. A peça teve 172 apresentações na Broadway. Em 1928, casou-se com
o ator e diretor Norman Foster, divorciando-se em 1935. No mesmo ano, casou-se com o cirurgião Joel Pressman, até a morte dele em 1968.</span></div><div style="font-family: inherit; text-align: justify;"><span style="font-family: Cambria, serif; font-size: 14pt; line-height: 107%;"><br /></span></div><div style="text-align: justify;"><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">Seu primeiro filme, o drama mudo <span style="color: #3d85c6;">“Filhos da Fortuna”</span>,
dirigido por Frank Capra, fracassou. Desanimada com os resultados pouco
inspirados, jurou nunca mais atuar nas telas. </span><span style="font-size: 14pt; line-height: 107%;">No entanto, com a crise na
Broadway, aceitou o contrato oferecido pela Paramount Pictures, fazendo um
filme atrás do outro, geralmente papéis ingratos de mocinhas doces e virtuosas. Seu talento finalmente foi revelado em <span style="color: #3d85c6;">“O
Sinal da Cruz”,</span> como a lasciva e cruel imperatriz Pompéia. A cena em que nua toma
banho de leite de burra foi uma bomba para a época pudica. Seguiu como a principal
estrela feminina da Paramount por quinze anos, finalizando o contrato em
1944. Versátil, escolhia os papéis que queria, adorando trabalhar e estando
constantemente ocupada.</span></span></div><div style="text-align: justify;"><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;"><br /></span></span></div><div style="text-align: justify;"><span style="font-family: inherit;"><table cellpadding="0" cellspacing="0" class="tr-caption-container" style="float: left; margin-right: 1em; text-align: left;"><tbody><tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhxP1DTVvxU-M1mCzI_iGzRfdmlbZx6huK1Z52DlwRa9LN3hlL_LmZ5h1q49K3EvSlzZPx67sNSvvs_T1NlOJOIvP3M0_LOtEh6juITOOk8saZIckPBoWK6_Gjo0aGzQ9bCNczNhgn0TTOrpZVTbzV5Cgm7mi4SEWquhp-WVRu3S2FRqsB84cpcjtII/s2600/Annex%20-%20Colbert,%20Claudette%20(It%20Happened%20One%20Night)_01.jpg" style="clear: left; margin-bottom: 1em; margin-left: auto; margin-right: auto;"><img border="0" data-original-height="1904" data-original-width="2600" height="293" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhxP1DTVvxU-M1mCzI_iGzRfdmlbZx6huK1Z52DlwRa9LN3hlL_LmZ5h1q49K3EvSlzZPx67sNSvvs_T1NlOJOIvP3M0_LOtEh6juITOOk8saZIckPBoWK6_Gjo0aGzQ9bCNczNhgn0TTOrpZVTbzV5Cgm7mi4SEWquhp-WVRu3S2FRqsB84cpcjtII/w400-h293/Annex%20-%20Colbert,%20Claudette%20(It%20Happened%20One%20Night)_01.jpg" width="400" /></a></td></tr><tr><td class="tr-caption" style="text-align: center;"><span style="background-color: black; color: #3d85c6; font-family: inherit; font-size: large;">clark gable e colbert <br />em “aconteceu naquela noite”</span></td></tr></tbody></table></span></div></span><span style="font-family: inherit; font-size: 14pt;"><div style="text-align: justify;"><span style="font-family: inherit; font-size: 14pt;">Em 1934, atraída
pela possibilidade de atuar ao lado do lendário Clark Gable e também pelo alto
salário oferecido, aceitou ser emprestada para a Columbia Pictures, estrelando
<span style="color: #3d85c6;">“Aconteceu Naquela Noite”</span>. Trata-se de uma comédia inteligente sobre uma
herdeira mimada fugitiva que se apaixona por um jornalista charmoso e
desempregado. </span></div><div style="text-align: justify;"><span style="font-family: inherit; font-size: 14pt;"><br /></span></div><div style="text-align: justify;"><span style="font-family: inherit; font-size: 14pt;">Antes dela, Miriam Hopkins, Myrna Loy, Margaret Sullavan e
Constance Bennett foram convidadas para protagonizar o futuro clássico. Todas
recusaram, mas </span><span style="background-color: #274e13; color: white; font-family: inherit; font-size: 14pt;">CLAUDETTE COLBERT</span><span style="font-family: inherit; font-size: 14pt;"> aceitou a tarefa, mesmo sem acreditar no
projeto e odiando o diretor. </span><span style="font-family: inherit; font-size: 14pt;">Para
espanto de todos, o filme foi indicado a cinco prêmios da Academia e ganhou em
todas as categorias: Melhor Filme, Melhor Ator, Melhor Atriz, Melhor Diretor e
Melhor Roteiro.
</span><span style="background-color: #274e13; color: white; font-family: inherit; font-size: 14pt;">CLAUDETTE COLBERT</span><span style="font-family: inherit; font-size: 14pt;"> não tinha esperanças de vencer e, na noite da
cerimônia, estava pegando um trem para Nova York, quando foi levada por
funcionários do estúdio para o Biltmore Hotel, onde recebeu a estatueta.</span></div></span><span style="font-family: inherit; font-size: 14pt;"><div style="text-align: justify;"><span style="font-family: inherit; font-size: 14pt;"> </span></div></span><span style="font-size: 14pt;"><div style="font-family: inherit; text-align: justify;"><span style="font-family: inherit; font-size: 14pt;">A atriz protagonizou
inúmeros sucessos nos anos 1930. Durante a Segunda Guerra Mundial, seu preço
por filme oscilava entre US$ 150.000 e US$ 200.000, e ela fazia cerca de dois
por ano. Cooperou na Cruz Vermelha, na Hollywood Victory Caravan e se preocupou
com parentes presos na França ocupada. A guerra inspirou duas de suas
performances mais poderosas: a enfermeira do Exército durante a batalha de
Bataan, em <span style="color: #3d85c6;">“A Legião </span></span><span style="font-family: inherit; font-size: 14pt;"><span style="color: #3d85c6;">Branca / So
Proudly We Hail”</span> (1943), e a esposa e mãe em <span style="color: #3d85c6;">“Desde que Partiste”</span>, ganhando uma
terceira indicação ao Oscar.</span></div><div style="font-family: inherit; text-align: justify;"><span style="font-family: inherit; font-size: 14pt;"><br /></span></div><div style="font-family: inherit; text-align: justify;"><table cellpadding="0" cellspacing="0" class="tr-caption-container" style="float: left; margin-right: 1em; text-align: left;"><tbody><tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjubn9jk7QUJapd_8O0UD3u-EzvChRwUbY2bYGUnB2sVW_fWoSZZF2xB9pUKT6uEU-6JUPpWvRvrxF78hAnDTLrDPoAHcJa17-5IVNTZAaCBw6IlxSA3n3ML18GaKaHYxYDRstKKZ--v-1xjbIsplvBU_DPhL61tsEhJQuJMtCM5JX3rZu2wLbiW0nY/s681/claudette-colbert-oscar-shirley.jpg" style="clear: left; margin-bottom: 1em; margin-left: auto; margin-right: auto;"><img border="0" data-original-height="536" data-original-width="681" height="315" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjubn9jk7QUJapd_8O0UD3u-EzvChRwUbY2bYGUnB2sVW_fWoSZZF2xB9pUKT6uEU-6JUPpWvRvrxF78hAnDTLrDPoAHcJa17-5IVNTZAaCBw6IlxSA3n3ML18GaKaHYxYDRstKKZ--v-1xjbIsplvBU_DPhL61tsEhJQuJMtCM5JX3rZu2wLbiW0nY/w400-h315/claudette-colbert-oscar-shirley.jpg" width="400" /></a></td></tr><tr><td class="tr-caption" style="text-align: center;"><span style="background-color: black; color: #3d85c6; font-family: inherit; font-size: large;">recebendo o oscar das mãos de shirley temple</span></td></tr></tbody></table></div><div style="text-align: justify;"><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">Conseguiu elogios da crítica com <span style="color: #3d85c6;">“Feras
que Foram Homens / Three Came Home”</span> (1950), um relato angustiante da vida real de uma mulher em um campo de prisioneiros de guerra japonês.
Infelizmente sofreu </span><span style="font-size: 14pt; line-height: 107%;">uma lesão nas filmagens, quebrando uma
vértebra em uma cena violenta. </span></span></div><div style="text-align: justify;"><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;"><br /></span></span></div><div style="text-align: justify;"><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">Hospitalizada, perdeu o papel principal de <span style="color: #3d85c6;">“A
Malvada / All About Eve”</span> para Bette Davis. Entre 1951 a 1953 fez dois filmes na
Europa. Embora sua carreira cinematográfica estivesse em um declínio
irreversível, financeiramente, pelo menos, ela estava em excelente forma. Por fim, sua última aparição na tela foi em <span style="color: #3d85c6;">“No Vale das Grandes Batalhas / Parrish”</span> (1961).</span></span></div><div style="text-align: justify;"><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;"><br /></span></span></div></span><span style="font-family: inherit; font-size: 14pt;"><div style="text-align: justify;"><span style="font-family: inherit; font-size: 14pt;">Em 1956,
</span><span style="background-color: #274e13; color: white; font-family: inherit; font-size: 14pt;">CLAUDETTE COLBERT</span><span style="font-family: inherit; font-size: 14pt;"> retornou à Broadway, substituindo Margaret Sullavan por dois
meses em <span style="color: #3d85c6;">“Janus”</span>, de Carolyn Green. Em 1958, reuniu-se com Charles Boyer em
<span style="color: #3d85c6;">“The Marriage-Go-Round”</span>, de Leslie Stevens, que teve 450 apresentações e
percorreu 13 estados. Ela voltou regularmente ao teatro até meados dos anos 80.
Sua última peça foi <span style="color: #3d85c6;">“Are't We All?”</span>, de 1985, com Rex Harrison, que viajou por
todo o país e por cinco meses na Austrália. Ao
mesmo tempo, participou de vários programas de TV, atuou em produções especiais
e em 1957 numa produção da CBS, <span style="color: #3d85c6;">“One Coat of White”</span>, com Paul Henreid. Apresentou
uma série de documentários, <span style="color: #3d85c6;">“Woman”</span>, e estrelou ao lado de Edward G. Robinson o
programa <span style="color: #3d85c6;">“Maxwell House Coffee”</span>, nas temporadas de 1963 a 1965.</span></div></span><span style="font-family: inherit; font-size: 14pt;"><div style="text-align: justify;"><span style="font-family: inherit; font-size: 14pt;"> </span></div></span><span style="font-family: inherit; font-size: 14pt;"><div style="text-align: justify;"><span style="font-family: inherit; font-size: 14pt;">Sua aparição final diante das câmeras foi em uma minissérie da NBC, <span style="color: #3d85c6;">“O Crime do
Século / The Two Mrs. Grenvilles”</span> (1987), interpretando uma matrona nobre que
protege sua nora homicida. Baseada no best-seller de Dominick Dunne, o produtor
queria Loretta Young para o papel, mas ela recusou. Ginger Rogers, Bette Davis,
Olivia de Havilland e Jane Wyman lutaram por ele. </span><span style="background-color: #274e13; color: white; font-family: inherit; font-size: 14pt;">CLAUDETTE COLBERT</span><span style="font-family: inherit; font-size: 14pt;"> acabou ganhando o Globo de Ouro e uma indicação ao Emmy. Ao aposentar-se, morando em Barbados, nas Antilhas, numa casa de
fazenda do século 18, hospedava celebridades como Frank Sinatra, Mia
Farrow, Ronald Reagan e esposa.</span></div><div style="text-align: justify;"><br /></div></span><span style="font-family: inherit; font-size: 14pt;"><div style="text-align: justify;"><span style="font-family: inherit; font-size: 14pt;"><table cellpadding="0" cellspacing="0" class="tr-caption-container" style="float: right; margin-left: 1em; text-align: right;"><tbody><tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh0kpn8PWBii1wJonz4mNbpjBDnDSDUoMx36TTvORQXTgvR3k0EnmFZXY7u5V7l8fYQ4D2ssM2aKO8tXy5MHhB5HRuNfVlWO9Zk9i7_sQrkJnc6vWIZ3RR1h_isZX0hR6RIyzEvvCz6AY36VNtyDMd6kp0k0i0krWAqfdpcRGKkiMuM7dqDgXgRmMoi/s640/mdcc38029.jpg" style="clear: right; margin-bottom: 1em; margin-left: auto; margin-right: auto;"><img border="0" data-original-height="640" data-original-width="511" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh0kpn8PWBii1wJonz4mNbpjBDnDSDUoMx36TTvORQXTgvR3k0EnmFZXY7u5V7l8fYQ4D2ssM2aKO8tXy5MHhB5HRuNfVlWO9Zk9i7_sQrkJnc6vWIZ3RR1h_isZX0hR6RIyzEvvCz6AY36VNtyDMd6kp0k0i0krWAqfdpcRGKkiMuM7dqDgXgRmMoi/w320-h400/mdcc38029.jpg" width="320" /></a></td></tr><tr><td class="tr-caption" style="text-align: center;"><span style="background-color: black; color: #3d85c6; font-family: inherit; font-size: large;">marlene dietrich e colbert</span></td></tr></tbody></table></span></div></span><span style="font-family: inherit; font-size: 14pt;"><div style="text-align: justify;"><span style="font-family: inherit; font-size: 14pt;">A estrela
nunca assumiu que era lésbica nem que viveu casamentos de aparência. Não dividia a mesma casa em Hollywood com seu primeiro marido, Norman Foster. Vivia
com sua mãe dominadora. Com o segundo marido, Joel Pressman, também moravam em
residências separadas. Ficavam juntos apenas em eventos sociais. </span></div><div style="text-align: justify;"><span style="font-family: inherit; font-size: 14pt;"><br /></span></div><div style="text-align: justify;"><span style="font-family: inherit; font-size: 14pt;">Em meados da
década de 1950, quando </span><span style="background-color: #274e13; color: white; font-family: inherit; font-size: 14pt;">CLAUDETTE COLBERT</span><span style="font-family: inherit; font-size: 14pt;"> mudou-se para Nova York, continuaram separados, mas eram bons amigos e a morte dele foi um choque
para ela. Diversos livros e artigos afirmam que a atriz teve casos com Joan
Crawford, Barbara Stanwyck e Marlene Dietrich. Com a rica artista plástica
Verna Hull, a união durou de 1958 a 1967. Terminando num rompimento brusco.</span></div></span><span style="font-family: inherit; font-size: 14pt;"><div style="text-align: justify;"><span style="font-family: inherit; font-size: 14pt;"> </span></div></span><span style="font-family: inherit; font-size: 14pt;"><div style="text-align: justify;"><span style="font-family: inherit; font-size: 14pt;">Ao longo
dos anos, ela teve várias amigas íntimas. Talvez o relacionamento com Helen
O'Hagan, executiva da Saks, tenha sido o mais importante. Sua companheira
por 20 anos, viveram uma vida glamorosa. Embora fosse quase 30 anos
mais velha, viajavam juntas, se divertiam em Barbados e dividiam um
apartamento em Nova York. Helen conhecia toda a história da parceira, ano por ano, filme por filme. Ela a idolatrava. Em 1993, </span><span style="background-color: #274e13; color: white; font-family: inherit; font-size: 14pt;">CLAUDETTE COLBERT</span><span style="font-family: inherit; font-size: 14pt;"> teve um
derrame, Helen cuidou dela. Quando faleceu, deixou a maior parte da
sua fortuna para a amada.</span></div></span><span style="font-family: inherit; font-size: 14pt;"><div style="text-align: justify;"><span style="font-family: inherit; font-size: 14pt;"> </span></div></span><span style="font-family: inherit; font-size: 14pt;"><div style="text-align: justify;"><span style="font-family: inherit; font-size: 14pt;">Em 30 de
julho de 1996, às 15h15, a estrela morreu aos 92 anos, olhando pela janela para
o mar. Beulah, a cozinheira, desmaiou. Catherine, outra cozinheira, se
jogou no chão, soluçando. O padre Jim Grear pediu que todos dessem as mãos. Suas
cinzas foram colocadas em uma caixa de mogno no túmulo ao lado do marido
e da mãe. E ela não foi esquecida. Recentemente ficou no décimo segundo lugar
entre as 50 maiores lendas do cinema, na conceituada lista do American Film Institute
(AFI). </span></div></span><span style="font-family: inherit; font-size: 14pt;"><div style="text-align: justify;"><span style="font-family: inherit; font-size: 14pt;"> <table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto;"><tbody><tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiRbELTTCN1ilf_HAgPQ0UEH_CwNKd34hRar87bIQQFsGELT86DYAzILTuCLWaw9IWmEgFcw7VVkrzphADQpeW0w5Wy5PG_R6tlu-v0289yJOyIYNAqnatbOvhqJOuJ7U_W_PC-zKpa93xJjoIZTbBOKHJX_k6JCIj0Cx5wlK0dW6en2th1iak_dIj-/s1200/show-photo.jpg" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="933" data-original-width="1200" height="498" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiRbELTTCN1ilf_HAgPQ0UEH_CwNKd34hRar87bIQQFsGELT86DYAzILTuCLWaw9IWmEgFcw7VVkrzphADQpeW0w5Wy5PG_R6tlu-v0289yJOyIYNAqnatbOvhqJOuJ7U_W_PC-zKpa93xJjoIZTbBOKHJX_k6JCIj0Cx5wlK0dW6en2th1iak_dIj-/w640-h498/show-photo.jpg" width="640" /></a></td></tr><tr><td class="tr-caption" style="text-align: center;"><span style="background-color: black; color: #3d85c6; font-family: inherit; font-size: large;">fredric march e colbert em “o sinal da cruz”</span></td></tr></tbody></table></span></div></span><span style="font-family: inherit; font-size: 14pt;"><div style="text-align: center;"><span style="background-color: #274e13; font-family: inherit; font-size: 14pt;"><span style="color: white;">15 FILMES
de CLAUDETTE COLBERT</span></span></div></span><span style="font-family: inherit; font-size: 14pt;"><div style="text-align: center;"><span style="font-family: inherit; font-size: 14pt;"><span style="color: #3d85c6;">(por
ordem de preferência)</span></span></div></span><span style="font-family: inherit; font-size: 14pt;"><div style="text-align: justify;"><span style="font-family: inherit; font-size: 14pt;"> </span></div></span><span style="color: #3d85c6; font-family: inherit; font-size: 14pt;"><div style="text-align: justify;"><span style="font-family: inherit; font-size: 14pt;">01</span></div></span><span style="font-family: inherit; font-size: 14pt;"><div style="text-align: center;"><span style="background-color: #274e13; font-family: inherit; font-size: 14pt;"><span style="color: white;">A OITAVA ESPOSA do BARBA AZUL</span></span></div></span><span style="color: #3d85c6; font-family: inherit; font-size: 14pt;"><div style="text-align: center;"><span style="font-family: inherit; font-size: 14pt;">(Bluebeard's
Eighth Wife, 1938)</span></div><div style="text-align: justify;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhOke_28iV_EHTU9x4feLXzpRwfU5tMoiyRi2PXUr6sLti17CiTx7nCb5Xo6-rJLWPfrMsmd3vUx2iWQqC-SKWRfbW7O8HNltbQ-yu-jN9BWpmVjP6bW5kiL2JpZABldDYuf5TaFjdNJtckWnuI8yxdTwMbbwg6ynvQrDwGuOerMb7V8yK096lRo48d/s2279/MV5BMzIzZDY4YWItZWJkMS00OTg5LTgxMWYtZWIyYzBiNGJkZDVkXkEyXkFqcGdeQXVyMjUxODE0MDY@._V1_.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="2279" data-original-width="1834" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhOke_28iV_EHTU9x4feLXzpRwfU5tMoiyRi2PXUr6sLti17CiTx7nCb5Xo6-rJLWPfrMsmd3vUx2iWQqC-SKWRfbW7O8HNltbQ-yu-jN9BWpmVjP6bW5kiL2JpZABldDYuf5TaFjdNJtckWnuI8yxdTwMbbwg6ynvQrDwGuOerMb7V8yK096lRo48d/s320/MV5BMzIzZDY4YWItZWJkMS00OTg5LTgxMWYtZWIyYzBiNGJkZDVkXkEyXkFqcGdeQXVyMjUxODE0MDY@._V1_.jpg" width="258" /></a></div><span style="font-family: inherit; font-size: 14pt;"><br /></span></div></span><span style="font-family: inherit;"><a name="_Hlk112362974" style="color: #3d85c6;"></a></span><div style="font-family: inherit; text-align: justify;"><span style="color: #3d85c6;"><a name="_Hlk112362974"></a><a name="_Hlk112362974" style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">Direção de Ernst Lubitsch</span></a></span></div><span style="color: #3d85c6; font-family: inherit; font-size: 14pt;"><div style="text-align: justify;"><span style="font-family: inherit; font-size: 14pt;">Elenco: Gary Cooper, Edward Everett Horton e
David Niven</span></div></span><span style="color: #3d85c6; font-family: inherit; font-size: 14pt;"><div style="text-align: justify;"><span style="font-family: inherit; font-size: 14pt;"> </span></div></span><span style="color: #3d85c6; font-family: inherit; font-size: 14pt;"><div style="text-align: justify;"><span style="font-family: inherit; font-size: 14pt;">02</span></div></span><span style="font-family: inherit; font-size: 14pt;"><div style="text-align: center;"><span style="background-color: #274e13; font-family: inherit; font-size: 14pt;"><span style="color: white;">ACONTECEU NAQUELA NOITE</span></span></div></span><span style="color: #3d85c6; font-family: inherit; font-size: 14pt;"><div style="text-align: center;"><span style="font-family: inherit; font-size: 14pt;">(It
Happened One Night, 1934)</span></div><div style="text-align: justify;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgbMmSfyVSguwqkHdeyYC9G0ZsFLQ0hFbBaU-XjZvfBuIe0Djq_OM2sdhQOJesGBwZlIZlGxkvOvAaDo9xKkeI25hqxmYXGAH-rD3jrkMT_5J31fZZMWHYW06FkaBtd9YyxS2EGSIO3yEBXgNxZ4a5ryp3CgkWVyzKgrapA35f9ryhRV_hHcMN4zVgz/s1156/It-happened-one-night-poster_(cropped).jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1156" data-original-width="753" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgbMmSfyVSguwqkHdeyYC9G0ZsFLQ0hFbBaU-XjZvfBuIe0Djq_OM2sdhQOJesGBwZlIZlGxkvOvAaDo9xKkeI25hqxmYXGAH-rD3jrkMT_5J31fZZMWHYW06FkaBtd9YyxS2EGSIO3yEBXgNxZ4a5ryp3CgkWVyzKgrapA35f9ryhRV_hHcMN4zVgz/s320/It-happened-one-night-poster_(cropped).jpg" width="208" /></a></div><span style="font-family: inherit; font-size: 14pt;"><br /></span></div></span><span style="color: #3d85c6; font-family: inherit; font-size: 14pt;"><div style="text-align: justify;"><span style="font-family: inherit; font-size: 14pt;">Direção
de Frank Capra</span></div></span><span style="color: #3d85c6; font-family: inherit; font-size: 14pt;"><div style="text-align: justify;"><span style="font-family: inherit; font-size: 14pt;">Elenco: Clark
Gable, Walter Connolly e Alan Hale</span></div></span><span style="color: #3d85c6; font-family: inherit; font-size: 14pt;"><div style="text-align: justify;"><span style="font-family: inherit; font-size: 14pt;"> </span></div></span><span style="color: #3d85c6; font-family: inherit; font-size: 14pt;"><div style="text-align: justify;"><span style="font-family: inherit; font-size: 14pt;">03</span></div></span><span style="font-family: inherit; font-size: 14pt;"><div style="text-align: center;"><span style="background-color: #274e13; font-family: inherit; font-size: 14pt;"><span style="color: white;">MULHER de
VERDADE</span></span></div></span><span style="color: #3d85c6; font-family: inherit; font-size: 14pt;"><div style="text-align: center;"><span style="font-family: inherit; font-size: 14pt;">(The Palm
Beach Story, 1942)</span></div><div style="text-align: justify;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhapJZyExEFIcwplj4NnOIfftfncr9-d123pNCITk8PKHEtcysfQqTEQj5AN_Mer-cIi5kpcNuKLFHDwFK3U7ScWsDXFVGnhp5OqBA-38fKvoVZkU_HtPEOnqKTP1lYWw8i5E05cRsVR7rhbTM0BPUottWMn7ZiGkAI22gNWVJzJYxInKGeqYU33eGq/s1504/MV5BMjU3MTlmNmUtZmMxZS00YTNmLTlkZWQtOTBhYjNkYjkyMWUxXkEyXkFqcGdeQXVyMTMxMTY0OTQ@._V1_FMjpg_UX1000_.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1504" data-original-width="1000" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhapJZyExEFIcwplj4NnOIfftfncr9-d123pNCITk8PKHEtcysfQqTEQj5AN_Mer-cIi5kpcNuKLFHDwFK3U7ScWsDXFVGnhp5OqBA-38fKvoVZkU_HtPEOnqKTP1lYWw8i5E05cRsVR7rhbTM0BPUottWMn7ZiGkAI22gNWVJzJYxInKGeqYU33eGq/s320/MV5BMjU3MTlmNmUtZmMxZS00YTNmLTlkZWQtOTBhYjNkYjkyMWUxXkEyXkFqcGdeQXVyMTMxMTY0OTQ@._V1_FMjpg_UX1000_.jpg" width="213" /></a></div><span style="font-family: inherit; font-size: 14pt;"><br /></span></div></span><span style="color: #3d85c6; font-family: inherit; font-size: 14pt;"><div style="text-align: justify;"><span style="font-family: inherit; font-size: 14pt;">Direção
de Preston Sturges</span></div></span><span style="color: #3d85c6; font-family: inherit; font-size: 14pt;"><div style="text-align: justify;"><span style="font-family: inherit; font-size: 14pt;">Elenco: Joel
McCrea, Mary Astor e Rudy Vallee</span></div></span><span style="color: #3d85c6; font-family: inherit; font-size: 14pt;"><div style="text-align: justify;"><span style="font-family: inherit; font-size: 14pt;"> </span></div></span><span style="color: #3d85c6; font-family: inherit; font-size: 14pt;"><div style="text-align: justify;"><span style="font-family: inherit; font-size: 14pt;">04</span></div></span><span style="font-family: inherit; font-size: 14pt;"><div style="text-align: center;"><span style="background-color: #274e13; font-family: inherit; font-size: 14pt;"><span style="color: white;">CLEÓPATRA</span></span></div></span><span style="color: #3d85c6; font-family: inherit; font-size: 14pt;"><div style="text-align: center;"><span style="font-family: inherit; font-size: 14pt;">(Cleopatra,
1934)</span></div><div style="text-align: justify;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjDvNtaFb_VhEnRsg1qC84mHc81kafN7uCG5S9LHCJuQuHRL-K4kxpGPpxnNhzH4Q4yQoz14Rhs-0W9Tz8x5l0WZ1-5DRbCCaNwz2h1mQaXLZJyjgP5Mu09IBTccxpGTOGGv-ixs_JLbCQvwQD8L9UJl7eY_M6lLQMJBfh46K_umOupVbJSXrV9dkQ2/s1493/MV5BMjgzMTgwNTI1M15BMl5BanBnXkFtZTgwMTgxNjk3MjE@._V1_FMjpg_UX1000_.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1493" data-original-width="1000" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjDvNtaFb_VhEnRsg1qC84mHc81kafN7uCG5S9LHCJuQuHRL-K4kxpGPpxnNhzH4Q4yQoz14Rhs-0W9Tz8x5l0WZ1-5DRbCCaNwz2h1mQaXLZJyjgP5Mu09IBTccxpGTOGGv-ixs_JLbCQvwQD8L9UJl7eY_M6lLQMJBfh46K_umOupVbJSXrV9dkQ2/s320/MV5BMjgzMTgwNTI1M15BMl5BanBnXkFtZTgwMTgxNjk3MjE@._V1_FMjpg_UX1000_.jpg" width="214" /></a></div><span style="font-family: inherit; font-size: 14pt;"><br /></span></div></span><span style="color: #3d85c6; font-family: inherit; font-size: 14pt;"><div style="text-align: justify;"><span style="font-family: inherit; font-size: 14pt;">Direção
de Cecil B. DeMille</span></div></span><span style="color: #3d85c6; font-family: inherit; font-size: 14pt;"><div style="text-align: justify;"><span style="font-family: inherit; font-size: 14pt;">Elenco: Warren
William, Henry Wilcoxon, Joseph Schildkraut e C. Aubrey Smith</span></div></span><span style="color: #3d85c6; font-family: inherit; font-size: 14pt;"><div style="text-align: justify;"><span style="font-family: inherit; font-size: 14pt;"> </span></div></span><span style="color: #3d85c6; font-family: inherit; font-size: 14pt;"><div style="text-align: justify;"><span style="font-family: inherit; font-size: 14pt;">05</span></div></span><span style="font-family: inherit; font-size: 14pt;"><div style="text-align: center;"><span style="background-color: #274e13; font-family: inherit; font-size: 14pt;"><span style="color: white;">DESDE que PARTISTE</span></span></div></span><span style="color: #3d85c6; font-family: inherit; font-size: 14pt;"><div style="text-align: center;"><span style="font-family: inherit; font-size: 14pt;">(Since
You Went Away, 1944)</span></div><div style="text-align: justify;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhxyH24_MHhH8YWJg4WNQUfukjnqKS32AMS2meQ7qVnsaLj0U_CxvUzwznBXMKcXWxyX1WQo2F73328w4lkXFDjwSEgVdttqVTArSjSOhan4573Rxw0y9CD3FaF9fyHcXtwO1qUlfFbNh-4htB5X6DktxtTQsV8xXnhOSmTUabfmQ7zp1OUkDIRa49N/s763/desde-que-partiste-1944-to.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="600" data-original-width="763" height="252" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhxyH24_MHhH8YWJg4WNQUfukjnqKS32AMS2meQ7qVnsaLj0U_CxvUzwznBXMKcXWxyX1WQo2F73328w4lkXFDjwSEgVdttqVTArSjSOhan4573Rxw0y9CD3FaF9fyHcXtwO1qUlfFbNh-4htB5X6DktxtTQsV8xXnhOSmTUabfmQ7zp1OUkDIRa49N/s320/desde-que-partiste-1944-to.jpg" width="320" /></a></div><span style="font-family: inherit; font-size: 14pt;"><br /></span></div></span><span style="color: #3d85c6; font-family: inherit; font-size: 14pt;"><div style="text-align: justify;"><span style="font-family: inherit; font-size: 14pt;">Direção
de John Cromwell</span></div></span><span style="color: #3d85c6; font-family: inherit; font-size: 14pt;"><div style="text-align: justify;"><span style="font-family: inherit; font-size: 14pt;">Elenco: Jennifer
Jones, Joseph Cotten, Shirley Temple, Monty Woolley, Lionel Barrymore, Robert
Walker, Hattie MacDaniel, Agnes Moorehead, Alla Nazimova, Keenan Wynn e Guy
Madison</span></div></span><span style="color: #3d85c6; font-family: inherit; font-size: 14pt;"><div style="text-align: justify;"><span style="font-family: inherit; font-size: 14pt;"> </span></div></span><span style="color: #3d85c6; font-family: inherit; font-size: 14pt;"><div style="text-align: justify;"><span style="font-family: inherit; font-size: 14pt;">06</span></div></span><span style="font-family: inherit; font-size: 14pt;"><div style="text-align: center;"><span style="background-color: #274e13; font-family: inherit; font-size: 14pt;"><span style="color: white;">IMITAÇÃO da VIDA</span></span></div></span><span style="color: #3d85c6; font-family: inherit; font-size: 14pt;"><div style="text-align: center;"><span style="font-family: inherit; font-size: 14pt;">(Imitation
of Life, 1934)</span></div><div style="text-align: justify;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiITaDBqPptgn_E7OVNmxX2avv-B4weC_CnXAwQFD_HQkz2cJAAsF_H813Sj0jgi-3UwbLgdCin_Fd8juawjq1hJhmMb4E50NDrBg2HvyeBfdoWjJ4qU-PFFDooI7nRGwVm8IDoB8x0xukd-6p8Ututp_82KMOUwM2FRqxzbIdavCRWCcZc6TKdoO6F/s1261/imitation-of-life-1934-directed-by-john-m-stahl-credit-universal-pictures-album-2H3M5X7.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="989" data-original-width="1261" height="251" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiITaDBqPptgn_E7OVNmxX2avv-B4weC_CnXAwQFD_HQkz2cJAAsF_H813Sj0jgi-3UwbLgdCin_Fd8juawjq1hJhmMb4E50NDrBg2HvyeBfdoWjJ4qU-PFFDooI7nRGwVm8IDoB8x0xukd-6p8Ututp_82KMOUwM2FRqxzbIdavCRWCcZc6TKdoO6F/s320/imitation-of-life-1934-directed-by-john-m-stahl-credit-universal-pictures-album-2H3M5X7.jpg" width="320" /></a></div><span style="font-family: inherit; font-size: 14pt;"><br /></span></div></span><span style="color: #3d85c6; font-family: inherit; font-size: 14pt;"><div style="text-align: justify;"><span style="font-family: inherit; font-size: 14pt;">Direção
de John M. Stahl</span></div></span><span style="color: #3d85c6; font-family: inherit; font-size: 14pt;"><div style="text-align: justify;"><span style="font-family: inherit; font-size: 14pt;">Elenco: Warren
William, Rochelle Hudson, Louise Beavers e Alan Hale</span></div></span><span style="color: #3d85c6; font-family: inherit; font-size: 14pt;"><div style="text-align: justify;"><span style="font-family: inherit; font-size: 14pt;"> </span></div></span><span style="color: #3d85c6; font-family: inherit; font-size: 14pt;"><div style="text-align: justify;"><span style="font-family: inherit; font-size: 14pt;">07</span></div></span><span style="font-family: inherit; font-size: 14pt;"><div style="text-align: center;"><span style="background-color: #274e13; font-family: inherit; font-size: 14pt;"><span style="color: white;">O SINAL
da CRUZ</span></span></div></span><span style="color: #3d85c6; font-family: inherit; font-size: 14pt;"><div style="text-align: center;"><span style="font-family: inherit; font-size: 14pt;">(The Sign
of the Cross, 1932)</span></div><div style="text-align: justify;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgUGiheHl7r2JuW-NX2UNsUPgaD4wSNKM6uhka1YaowiY7CT2jte11qUncBrn6Fd1z0PIoyzKi3SMmLeLRBlsJI7JbkOtK9G5CvdBKfdr4rXAWbLZ3wtdNJDi9qw1-8Xeo_u9lxRKkboJyy9_vD0Jogaxp21qaL5em04Qw7yE8rPKPyXgVZP6VZpP99/s1493/MV5BMTcyMDk3NzAwMF5BMl5BanBnXkFtZTgwMjk1Nzk1MjE@._V1_FMjpg_UX1000_.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1493" data-original-width="1000" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgUGiheHl7r2JuW-NX2UNsUPgaD4wSNKM6uhka1YaowiY7CT2jte11qUncBrn6Fd1z0PIoyzKi3SMmLeLRBlsJI7JbkOtK9G5CvdBKfdr4rXAWbLZ3wtdNJDi9qw1-8Xeo_u9lxRKkboJyy9_vD0Jogaxp21qaL5em04Qw7yE8rPKPyXgVZP6VZpP99/s320/MV5BMTcyMDk3NzAwMF5BMl5BanBnXkFtZTgwMjk1Nzk1MjE@._V1_FMjpg_UX1000_.jpg" width="214" /></a></div><span style="font-family: inherit; font-size: 14pt;"><br /></span></div></span><span style="color: #3d85c6; font-family: inherit; font-size: 14pt;"><div style="text-align: justify;"><span style="font-family: inherit; font-size: 14pt;">Direção
de Cecil B. DeMille</span></div></span><span style="color: #3d85c6; font-family: inherit; font-size: 14pt;"><div style="text-align: justify;"><span style="font-family: inherit; font-size: 14pt;">Elenco: Fredric
March, Elissa Landi e Charles Laughton</span></div></span><span style="color: #3d85c6; font-family: inherit; font-size: 14pt;"><div style="text-align: justify;"><span style="font-family: inherit; font-size: 14pt;"> </span></div></span><span style="color: #3d85c6; font-family: inherit; font-size: 14pt;"><div style="text-align: justify;"><span style="font-family: inherit; font-size: 14pt;">08</span></div></span><span style="font-family: inherit; font-size: 14pt;"><div style="text-align: center;"><span style="background-color: #274e13; font-family: inherit; font-size: 14pt;"><span style="color: white;">FRUTO PROIBIDO</span></span></div></span><span style="color: #3d85c6; font-family: inherit; font-size: 14pt;"><div style="text-align: center;"><span style="font-family: inherit; font-size: 14pt;">(Boom
Town, 1940)</span></div><div style="text-align: justify;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj6vqfzSZ6OkrS3Ifcdw7qetq3EejIFIT9TYPwtfyBGuMkB1KfP22g3PD-UQnBdXc_0fU5mtrE1qnpuAMZKSmgsNqoEHSdB2iXmcXbKeS5JhzcQ0uwud4gg5_nZIRJSGUaLt_zODu7Zk4KIwVR-cGoTWVvQuRD0yH80KGb8dEzCnJN9KcqHIXYsDOFR/s1093/MV5BNWIzZDA3ZmUtYWRmZC00NWE0LWI3MWItMjM4ZGFmZWM0NTZmXkEyXkFqcGdeQXVyMjUxODE0MDY@._V1_.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="892" data-original-width="1093" height="261" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj6vqfzSZ6OkrS3Ifcdw7qetq3EejIFIT9TYPwtfyBGuMkB1KfP22g3PD-UQnBdXc_0fU5mtrE1qnpuAMZKSmgsNqoEHSdB2iXmcXbKeS5JhzcQ0uwud4gg5_nZIRJSGUaLt_zODu7Zk4KIwVR-cGoTWVvQuRD0yH80KGb8dEzCnJN9KcqHIXYsDOFR/s320/MV5BNWIzZDA3ZmUtYWRmZC00NWE0LWI3MWItMjM4ZGFmZWM0NTZmXkEyXkFqcGdeQXVyMjUxODE0MDY@._V1_.jpg" width="320" /></a></div><span style="font-family: inherit; font-size: 14pt;"><br /></span></div></span><span style="color: #3d85c6; font-family: inherit; font-size: 14pt;"><div style="text-align: justify;"><span style="font-family: inherit; font-size: 14pt;">Direção
de Jack Conway</span></div></span><span style="color: #3d85c6; font-family: inherit; font-size: 14pt;"><div style="text-align: justify;"><span style="font-family: inherit; font-size: 14pt;">Elenco: Clark
Gable, Spencer Tracy, Hedy Lamarr, Frank Morgan e Chill Wills</span></div></span><span style="color: #3d85c6; font-family: inherit; font-size: 14pt;"><div style="text-align: justify;"><span style="font-family: inherit; font-size: 14pt;"> </span></div></span><span style="color: #3d85c6; font-family: inherit; font-size: 14pt;"><div style="text-align: justify;"><span style="font-family: inherit; font-size: 14pt;">09</span></div></span><span style="font-family: inherit; font-size: 14pt;"><div style="text-align: center;"><span style="background-color: #274e13; font-family: inherit; font-size: 14pt;"><span style="color: white;">ZAZÁ</span></span></div></span><span style="color: #3d85c6; font-family: inherit; font-size: 14pt;"><div style="text-align: center;"><span style="font-family: inherit; font-size: 14pt;">(Zaza, 1938)</span></div><div style="text-align: justify;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgj4tuQOboPtmiZCk_qrCgh1mHCd0YqIUpyNddOrRZksZ7SkZlWU8RxDddOix0IgO2D1O0eBPm7ycXm3EFaTU1OtHbQnZPXNpxgWbi4zSbWft6ocfoYw-QRDKWrYadJ1x3Xbh7_ArawpCCOojKLT0zVOfis7YlZR6xCYwxi20nwiK5nQ7zkqRLNl8jX/s1173/hvEd9Ji2gRmLTGoony02OTRoMmB.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1173" data-original-width="782" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgj4tuQOboPtmiZCk_qrCgh1mHCd0YqIUpyNddOrRZksZ7SkZlWU8RxDddOix0IgO2D1O0eBPm7ycXm3EFaTU1OtHbQnZPXNpxgWbi4zSbWft6ocfoYw-QRDKWrYadJ1x3Xbh7_ArawpCCOojKLT0zVOfis7YlZR6xCYwxi20nwiK5nQ7zkqRLNl8jX/s320/hvEd9Ji2gRmLTGoony02OTRoMmB.jpg" width="213" /></a></div><span style="font-family: inherit; font-size: 14pt;"><br /></span></div></span><span style="color: #3d85c6; font-family: inherit; font-size: 14pt;"><div style="text-align: justify;"><span style="font-family: inherit; font-size: 14pt;">Direção
de George Cukor</span></div></span><span style="color: #3d85c6; font-family: inherit; font-size: 14pt;"><div style="text-align: justify;"><span style="font-family: inherit; font-size: 14pt;">Elenco: Herbert
Marshall, Bert Lahr, Helen Westley e Constance Collier</span></div></span><span style="color: #3d85c6; font-family: inherit; font-size: 14pt;"><div style="text-align: justify;"><span style="font-family: inherit; font-size: 14pt;"> </span></div></span><span style="color: #3d85c6; font-family: inherit; font-size: 14pt;"><div style="text-align: justify;"><span style="font-family: inherit; font-size: 14pt;">10</span><span style="font-family: inherit; font-size: 14pt;"> </span></div></span><span style="font-family: inherit; font-size: 14pt;"><div style="text-align: center;"><span style="background-color: #274e13; font-family: inherit; font-size: 14pt;"><span style="color: white;">Ao RUFAR
dos TAMBORES</span></span></div></span><span style="color: #3d85c6; font-family: inherit; font-size: 14pt;"><div style="text-align: center;"><span style="font-family: inherit; font-size: 14pt;">(Drums
Along the Mohawk, 1939)</span></div><div style="text-align: justify;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjNHTSGG-Q8ViZJ81dfh88b9mL5GoZvGQ0bESaC4vFj-SDpvdkYDsM6oqnnA1yU-qQdxZnPYUJYkcbMipzrNlgpE0aWMfhnFCTLm6vL__dfHiSKc1DfsFJRdI0XkU39K3_kS5pqnOOvxFhEukifTkhSb7VxCq-YUD_i-vn6_-BHyTFbIgwYzm26cJwf/s1200/Drums_Along_the_Mohawk-764610120-large.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1200" data-original-width="804" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjNHTSGG-Q8ViZJ81dfh88b9mL5GoZvGQ0bESaC4vFj-SDpvdkYDsM6oqnnA1yU-qQdxZnPYUJYkcbMipzrNlgpE0aWMfhnFCTLm6vL__dfHiSKc1DfsFJRdI0XkU39K3_kS5pqnOOvxFhEukifTkhSb7VxCq-YUD_i-vn6_-BHyTFbIgwYzm26cJwf/s320/Drums_Along_the_Mohawk-764610120-large.jpg" width="214" /></a></div><span style="font-family: inherit; font-size: 14pt;"><br /></span></div></span><span style="font-family: inherit;"><a name="_Hlk112611425" style="color: #3d85c6;"></a></span><div style="font-family: inherit; text-align: justify;"><span style="color: #3d85c6;"><a name="_Hlk112611425"></a><a name="_Hlk112611425" style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">Direção de John Ford</span></a></span></div><span style="color: #3d85c6; font-family: inherit; font-size: 14pt;"><div style="text-align: justify;"><span style="font-family: inherit; font-size: 14pt;">Elenco: Henry Fonda, Edna May Olivier, John
Carradine e Ward Bond</span></div></span><span style="color: #3d85c6; font-family: inherit; font-size: 14pt;"><div style="text-align: justify;"><span style="font-family: inherit; font-size: 14pt;"> </span></div></span><span style="color: #3d85c6; font-family: inherit; font-size: 14pt;"><div style="text-align: justify;"><span style="font-family: inherit; font-size: 14pt;">11</span></div></span><span style="font-family: inherit; font-size: 14pt;"><div style="text-align: center;"><span style="background-color: #274e13; font-family: inherit; font-size: 14pt;"><span style="color: white;">MEIA-NOITE</span></span></div></span><span style="color: #3d85c6; font-family: inherit; font-size: 14pt;"><div style="text-align: center;"><span style="font-family: inherit; font-size: 14pt;">(Midnight,
1939)</span></div><div style="text-align: justify;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiq3wZ4EqTDeFbgB1QbKTS_FCOvJKYyp8W0OVF_AQM-xioH2wXuLcao0FvIHvBxnQPj5h5EVf-KV_eKGLR9qibdbyS06F8EtP4hvZMPu497izW1PVnaN05-noj24q2gu9rHEOstQ5XDtYtKhfgwf1IVwQtn27E6jM9MBBp7rZ8y4bBgFjVtcIsfKeGO/s2930/Midnight_(1939_film_one-sheet_poster).jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="2930" data-original-width="1933" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiq3wZ4EqTDeFbgB1QbKTS_FCOvJKYyp8W0OVF_AQM-xioH2wXuLcao0FvIHvBxnQPj5h5EVf-KV_eKGLR9qibdbyS06F8EtP4hvZMPu497izW1PVnaN05-noj24q2gu9rHEOstQ5XDtYtKhfgwf1IVwQtn27E6jM9MBBp7rZ8y4bBgFjVtcIsfKeGO/s320/Midnight_(1939_film_one-sheet_poster).jpg" width="211" /></a></div><span style="font-family: inherit; font-size: 14pt;"><br /></span></div></span><span style="color: #3d85c6; font-family: inherit; font-size: 14pt;"><div style="text-align: justify;"><span style="font-family: inherit; font-size: 14pt;">Direção
de Mitchell Leisen</span><span style="font-family: inherit; font-size: 14pt;"> </span></div></span><span style="color: #3d85c6; font-family: inherit; font-size: 14pt;"><div style="text-align: justify;"><span style="font-family: inherit; font-size: 14pt;">Elenco: Don
Ameche, John Barrymore, Mary Astor e Monty Wooley</span></div></span><span style="color: #3d85c6; font-family: inherit; font-size: 14pt;"><div style="text-align: justify;"><span style="font-family: inherit; font-size: 14pt;"> </span></div></span><span style="color: #3d85c6; font-family: inherit; font-size: 14pt;"><div style="text-align: justify;"><span style="font-family: inherit; font-size: 14pt;">12</span></div></span><span style="font-family: inherit; font-size: 14pt;"><div style="text-align: center;"><span style="background-color: #274e13; font-family: inherit; font-size: 14pt;"><span style="color: white;">O TENENTE
SEDUTOR</span></span></div></span><span style="color: #3d85c6; font-family: inherit; font-size: 14pt;"><div style="text-align: center;"><span style="font-family: inherit; font-size: 14pt;">(The
Smiling Lieutenant, 1931)</span></div><div style="text-align: justify;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgwBf1wCsADa80o65ALDs_pk6wsToHrOvL-I65ePqm1EpK85s4m0y58PaSHqMUeeKbvpV-AuEncJUfAUYuF7e_UFzbSIXFBnrbJpFj28kJRy4fF-PWGAhdaBctM8wLgnNczWPEZRSjAtiTFbJQOk2F2RCg4MJN8hc8qZyO4r6kF6opP1iaj4CD6HaHb/s1279/007ccbf845f65a2679067622a77d81bd.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1000" data-original-width="1279" height="250" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgwBf1wCsADa80o65ALDs_pk6wsToHrOvL-I65ePqm1EpK85s4m0y58PaSHqMUeeKbvpV-AuEncJUfAUYuF7e_UFzbSIXFBnrbJpFj28kJRy4fF-PWGAhdaBctM8wLgnNczWPEZRSjAtiTFbJQOk2F2RCg4MJN8hc8qZyO4r6kF6opP1iaj4CD6HaHb/s320/007ccbf845f65a2679067622a77d81bd.jpg" width="320" /></a></div><span style="font-family: inherit; font-size: 14pt;"><br /></span></div></span><span style="color: #3d85c6; font-family: inherit; font-size: 14pt;"><div style="text-align: justify;"><span style="font-family: inherit; font-size: 14pt;">Direção
de Ernst Lubitsch</span></div></span><span style="color: #3d85c6; font-family: inherit; font-size: 14pt;"><div style="text-align: justify;"><span style="font-family: inherit; font-size: 14pt;">Elenco: Maurice
Chevalier, Miriam Hopkins, Charles Ruggles e Elizabeth Patterson</span></div></span><span style="color: #3d85c6; font-family: inherit; font-size: 14pt;"><div style="text-align: justify;"><span style="font-family: inherit; font-size: 14pt;"> </span></div></span><span style="color: #3d85c6; font-family: inherit; font-size: 14pt;"><div style="text-align: justify;"><span style="font-family: inherit; font-size: 14pt;">13</span></div></span><span style="font-family: inherit; font-size: 14pt;"><div style="text-align: center;"><span style="background-color: #274e13; font-family: inherit; font-size: 14pt;"><span style="color: white;">O LÍRIO DOURADO</span></span></div></span><span style="color: #3d85c6; font-family: inherit; font-size: 14pt;"><div style="text-align: center;"><span style="font-family: inherit; font-size: 14pt;">(The Gilded Lily, 1935)</span></div><div style="text-align: justify;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEil3ir9x3WS322UvY7ZKFBPb2wASoXrRKo4Zhv_XfpYtrDcs0rmVHQXl4yZSIDoKtuV5ZMPewddVXRUyHCpuQjifvCehNNPV0g42xCZf4dIOSisRg4MdrKYqoOMr5R3lpOl0W7ciI5emwEr0q3WHWmaKTqr-I2340fVdktntwYLw9xKAngr7dBpTTy2/s1319/MV5BNDFlYjA5NzYtY2MzMC00MWQ0LWI5YTgtZjVmZWFkMjU3YmNjL2ltYWdlL2ltYWdlXkEyXkFqcGdeQXVyMjUxODE0MDY@._V1_FMjpg_UX1000_.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1319" data-original-width="1000" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEil3ir9x3WS322UvY7ZKFBPb2wASoXrRKo4Zhv_XfpYtrDcs0rmVHQXl4yZSIDoKtuV5ZMPewddVXRUyHCpuQjifvCehNNPV0g42xCZf4dIOSisRg4MdrKYqoOMr5R3lpOl0W7ciI5emwEr0q3WHWmaKTqr-I2340fVdktntwYLw9xKAngr7dBpTTy2/s320/MV5BNDFlYjA5NzYtY2MzMC00MWQ0LWI5YTgtZjVmZWFkMjU3YmNjL2ltYWdlL2ltYWdlXkEyXkFqcGdeQXVyMjUxODE0MDY@._V1_FMjpg_UX1000_.jpg" width="243" /></a></div><span style="font-family: inherit; font-size: 14pt;"><br /></span></div></span><span style="color: #3d85c6; font-family: inherit; font-size: 14pt;"><div style="text-align: justify;"><span style="font-family: inherit; font-size: 14pt;">Direção de Wesley Ruggles</span></div></span><span style="color: #3d85c6; font-family: inherit; font-size: 14pt;"><div style="text-align: justify;"><span style="font-family: inherit; font-size: 14pt;">Elenco: Fred MacMurray, Ray Milland e C.
Aubrey Smith</span></div></span><span style="color: #3d85c6; font-family: inherit; font-size: 14pt;"><div style="text-align: justify;"><span style="font-family: inherit; font-size: 14pt;"> </span></div></span><span style="color: #3d85c6; font-family: inherit; font-size: 14pt;"><div style="text-align: justify;"><span style="font-family: inherit; font-size: 14pt;">14</span></div></span><span style="font-family: inherit; font-size: 14pt;"><div style="text-align: center;"><span style="background-color: #274e13; font-family: inherit; font-size: 14pt;"><span style="color: white;">SONHA,
MEU AMOR</span></span></div></span><span style="color: #3d85c6; font-family: inherit; font-size: 14pt;"><div style="text-align: center;"><span style="font-family: inherit; font-size: 14pt;">(Sleep,
My Love, 1948)</span></div><div style="text-align: justify;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjXEljjo987U3Vtw2pI2JET25aI4noE2IFb_fhF2zTBJaLca54NWndnqoGywYmn_7vJtFFmqenkFByui0Yc_EbZrTdsu8ouKcr4e8Cb9M6R4WhwfTm_zSza1t9b3dYfoZxJirLWgdq2VXgInMWR0Dbm2XGd19y8oFzc5HxxZYn2rzY-Y5RHlATCzLvy/s848/Arise,%20My%20Love-900x900.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="848" data-original-width="545" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjXEljjo987U3Vtw2pI2JET25aI4noE2IFb_fhF2zTBJaLca54NWndnqoGywYmn_7vJtFFmqenkFByui0Yc_EbZrTdsu8ouKcr4e8Cb9M6R4WhwfTm_zSza1t9b3dYfoZxJirLWgdq2VXgInMWR0Dbm2XGd19y8oFzc5HxxZYn2rzY-Y5RHlATCzLvy/s320/Arise,%20My%20Love-900x900.jpg" width="206" /></a></div><span style="font-family: inherit; font-size: 14pt;"><br /></span></div></span><span style="color: #3d85c6; font-family: inherit; font-size: 14pt;"><div style="text-align: justify;"><span style="font-family: inherit; font-size: 14pt;">Direção
de Douglas Sirk</span></div></span><span style="color: #3d85c6; font-family: inherit; font-size: 14pt;"><div style="text-align: justify;"><span style="font-family: inherit; font-size: 14pt;">Elenco: Robert
Cummings, Don Ameche e Rita Johnson</span></div></span><span style="color: #3d85c6; font-family: inherit; font-size: 14pt;"><div style="text-align: justify;"><span style="font-family: inherit; font-size: 14pt;"> </span></div></span><span style="color: #3d85c6; font-family: inherit; font-size: 14pt;"><div style="text-align: justify;"><span style="font-family: inherit; font-size: 14pt;">15</span></div></span><span style="font-family: inherit; font-size: 14pt;"><div style="text-align: center;"><span style="background-color: #274e13; font-family: inherit; font-size: 14pt;"><span style="color: white;">LEVANTA-TE,
MEU AMOR</span></span></div></span><span style="color: #3d85c6; font-family: inherit; font-size: 14pt;"><div style="text-align: center;"><span style="font-family: inherit; font-size: 14pt;">(Arise,
My Love, 1940)</span></div><div style="text-align: justify;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh2LXcCjeSdjXaT1TuBd1oRIe9cnEOm4swv7l_RafZ6Hu7BBLcP7pmA3o-S5sL_ayvN0wDTvs2e-DJg2niqpjIQOCLTvjC6DxYwDJgHKDhjw69aFgbIxKQPLi8A25nA3EUxuLVtnS6OGElBni8RzHtTvYKQxed2RIyOrw5IPVhaPcrQJfdoQsm-fxet/s1440/MV5BNTc1ZWExOTAtNzBmYy00YWZiLTlhMzItYTVkZmM5OTRhZDI2XkEyXkFqcGdeQXVyNjc0MzMzNjA@._V1_.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1440" data-original-width="960" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh2LXcCjeSdjXaT1TuBd1oRIe9cnEOm4swv7l_RafZ6Hu7BBLcP7pmA3o-S5sL_ayvN0wDTvs2e-DJg2niqpjIQOCLTvjC6DxYwDJgHKDhjw69aFgbIxKQPLi8A25nA3EUxuLVtnS6OGElBni8RzHtTvYKQxed2RIyOrw5IPVhaPcrQJfdoQsm-fxet/s320/MV5BNTc1ZWExOTAtNzBmYy00YWZiLTlhMzItYTVkZmM5OTRhZDI2XkEyXkFqcGdeQXVyNjc0MzMzNjA@._V1_.jpg" width="213" /></a></div><span style="font-family: inherit; font-size: 14pt;"><br /></span></div></span><span style="color: #3d85c6; font-family: inherit; font-size: 14pt;"><div style="text-align: justify;"><span style="font-family: inherit; font-size: 14pt;">Direção
de Mitchell Leisen</span></div></span><span style="color: #3d85c6; font-family: inherit; font-size: 14pt;"><div style="text-align: justify;"><span style="font-family: inherit; font-size: 14pt;">Elenco: Ray
Milland, Dennis O`Keefe e George Zucco</span></div></span><span style="color: #3d85c6; font-family: inherit; font-size: 14pt;"><div style="text-align: justify;"><span style="font-family: inherit; font-size: 14pt;"> </span></div></span><span style="font-family: inherit; font-size: 14pt;"><div style="text-align: center;"><span style="background-color: #274e13; font-family: inherit; font-size: 14pt;"><span style="color: white;">GALERIA
de FOTOS</span></span></div></span><span style="color: #3d85c6; font-family: inherit; font-size: 14pt;"><div style="text-align: justify;"><span style="font-family: inherit; font-size: 14pt;"> </span></div><div style="text-align: center;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjNfEi9smzMh7WuzDWKSBYNE01pzZAFP2NvzXxVwunSrklxodOBYaPayX4qnQnw3luWJ1fZxwL5OzM23c4gYzByJHXyaDurU5QqrZ4Vs8cDYomPtL3_lc6hVCZ78JVCppYpj66RcSm0AYMryH5HHQ-HoHtAXlQ6Zujpw6FkXIK5zK1dT1K8JqyHUpTq/s700/claudette-colbert-in-cleopatra-1934--album.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="700" data-original-width="500" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjNfEi9smzMh7WuzDWKSBYNE01pzZAFP2NvzXxVwunSrklxodOBYaPayX4qnQnw3luWJ1fZxwL5OzM23c4gYzByJHXyaDurU5QqrZ4Vs8cDYomPtL3_lc6hVCZ78JVCppYpj66RcSm0AYMryH5HHQ-HoHtAXlQ6Zujpw6FkXIK5zK1dT1K8JqyHUpTq/w458-h640/claudette-colbert-in-cleopatra-1934--album.jpg" width="458" /></a></div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi8RUhIFab0dffto9-D-EY-pXnv_Y4rVWriLpwN3vm9iyS6QMPGe5nRR4QBjejvqaGfBYuUc-hLwE4oM8LGpyP0u6bvxIL_1Ri1vDG2BVbRlG3iIOTjHU9GWIBUJWIPA01FxL87w50FPGrmm6NkpVzrxDB0Qa0a75d8R29idF-LbU-8Ymk3peJAMCuN/s612/$(KGrHqJ,!loFErfs0ZojBScSMBFWMg~~60_57.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="612" data-original-width="498" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi8RUhIFab0dffto9-D-EY-pXnv_Y4rVWriLpwN3vm9iyS6QMPGe5nRR4QBjejvqaGfBYuUc-hLwE4oM8LGpyP0u6bvxIL_1Ri1vDG2BVbRlG3iIOTjHU9GWIBUJWIPA01FxL87w50FPGrmm6NkpVzrxDB0Qa0a75d8R29idF-LbU-8Ymk3peJAMCuN/w325-h400/$(KGrHqJ,!loFErfs0ZojBScSMBFWMg~~60_57.jpg" width="325" /></a></div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj9ldm4-7EhY7esSvUYk_RmkoDvHG8ib_iWkkKI0ExLcEQ7VaE4EhCqZescorxgUUGYSuglSFOzffCY0Qh00F6XYTBiVrkyCYQhY1HCwh6cvmzPrsUGpob6fHmNecMNnpMyr4do08UYDU9lVoJTy0rTaMI5kCi8HPTIqUMrLPDuUVdGfgMcwDm1IgoP/s640/$(KGrHqZ,!qUE88fkKScVBPgfNnqgHg~~60_57.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="640" data-original-width="503" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj9ldm4-7EhY7esSvUYk_RmkoDvHG8ib_iWkkKI0ExLcEQ7VaE4EhCqZescorxgUUGYSuglSFOzffCY0Qh00F6XYTBiVrkyCYQhY1HCwh6cvmzPrsUGpob6fHmNecMNnpMyr4do08UYDU9lVoJTy0rTaMI5kCi8HPTIqUMrLPDuUVdGfgMcwDm1IgoP/w315-h400/$(KGrHqZ,!qUE88fkKScVBPgfNnqgHg~~60_57.jpg" width="315" /></a></div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiRMttx7cXiRsrIBorZHHh2g0HhbXnqLo7vIbDSBRLTmbzi2oH0so917Ethq_J7uAJeVBbBByB1IULMgbDk7nf18hcs2UymbNvVVzCBNPZpBZvOnHvcJwV9cU7I2EmXkO4e0aMxNSLHvnkDpBvO3268X2QV8er_9awTSAz0MWk7dLtF13wjL-rgW84i/s932/27c24e431a3e6c282f0a57885af1e7b5.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="932" data-original-width="762" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiRMttx7cXiRsrIBorZHHh2g0HhbXnqLo7vIbDSBRLTmbzi2oH0so917Ethq_J7uAJeVBbBByB1IULMgbDk7nf18hcs2UymbNvVVzCBNPZpBZvOnHvcJwV9cU7I2EmXkO4e0aMxNSLHvnkDpBvO3268X2QV8er_9awTSAz0MWk7dLtF13wjL-rgW84i/w328-h400/27c24e431a3e6c282f0a57885af1e7b5.jpg" width="328" /></a></div><div class="separator" style="clear: both; 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text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhR_Cxya2tzpRVtnJDBbkQnv8vWnPUNGTOw2N045Bwb9ZvQmQPrqQ2xR7l2W1bv7sJIWp16VQcFE4SBWP8trIky4VJiFNnbRGr9xaMn-hVMrRkF_NBtptcKJpnoPH1G-bHCoEB1ACB7CDmWbmIkbAXJ_rUKi5tz-4xPcSv7wBjSL9EdDtgnxwakS6hq/s2163/Photoplay%20Cover%20(1934-05).jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="2163" data-original-width="1602" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhR_Cxya2tzpRVtnJDBbkQnv8vWnPUNGTOw2N045Bwb9ZvQmQPrqQ2xR7l2W1bv7sJIWp16VQcFE4SBWP8trIky4VJiFNnbRGr9xaMn-hVMrRkF_NBtptcKJpnoPH1G-bHCoEB1ACB7CDmWbmIkbAXJ_rUKi5tz-4xPcSv7wBjSL9EdDtgnxwakS6hq/w237-h320/Photoplay%20Cover%20(1934-05).jpg" width="237" /></a></div><div class="separator" style="clear: both; text-align: center;"><br /></div></span>ANTONIO NAHUDhttp://www.blogger.com/profile/09829893001743081676noreply@blogger.com6tag:blogger.com,1999:blog-7997398743762234247.post-91941623541272179102022-07-31T23:03:00.022-03:002022-08-03T16:48:57.233-03:00*************** O GARANHÃO WARREN BEATTY <table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto;"><tbody><tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg51jfO3rlq-3gLXPmO-Pc6aJlgmHuMtK927lvDBTl012I7nnqcUxDp0371vikH0vnbull2aJAUC3Gos2W-AqcWr5jya4EGL8meDkQhUCe6TIIRKRga3Ag_XYhph314OJHzMP3c8prdKuwg2DaOZuOQ9c7yPRz01r1hlxpNoitGYoBFqDu9YZrWD8P2/s2059/3000.jpeg" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="1993" data-original-width="2059" height="620" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg51jfO3rlq-3gLXPmO-Pc6aJlgmHuMtK927lvDBTl012I7nnqcUxDp0371vikH0vnbull2aJAUC3Gos2W-AqcWr5jya4EGL8meDkQhUCe6TIIRKRga3Ag_XYhph314OJHzMP3c8prdKuwg2DaOZuOQ9c7yPRz01r1hlxpNoitGYoBFqDu9YZrWD8P2/w640-h620/3000.jpeg" width="640" /></a></td></tr><tr><td class="tr-caption" style="text-align: center;"><span style="background-color: black; color: #3d85c6; font-family: inherit; font-size: large;">faye dunaway e warren beatty</span></td></tr></tbody></table><div class="separator" style="clear: both; text-align: center;"><br /></div><p class="MsoNormal" style="margin-bottom: 0cm; text-align: justify;"><span style="color: #3d85c6; font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">Altura:
1,85 m</span><br /><span style="font-size: 14pt;">Cabelos: Negros</span><br /><span style="font-size: 14pt;">Olhos: Azuis</span><br /><span style="font-size: 14pt;">Apelidos: Pro, The Chief</span></span></p><p class="MsoNormal" style="margin-bottom: 0cm; text-align: justify;"><span style="font-family: inherit;"><span style="font-size: 14pt;"><br /></span></span></p><p class="MsoNormal" style="margin-bottom: 0cm; text-align: justify;"><span style="font-family: inherit;"><span style="font-size: 14pt;">Ele é sem
dúvida um dos atores mais bonitos que surgiram nas telas de cinema, além de talentoso.
Partiu incontáveis corações e foi o mais cobiçado solteirão de Hollywood, despertando
paixões em muitas estrelas por mais de três décadas. Finalmente se casou com a atriz
Annette Bening, em 1992, depois das filmagens de <span style="color: #3d85c6;">“Bugsy”</span>. <span style="background-color: #274e13; color: white;">WARREN BEATTY</span> <span style="color: #3d85c6;">(1937.
Richmond, Virgínia / EUA) </span>teve romances com Natalie Wood, Vivien Leigh, Joan
Collins, Leslie Caron, Faye Dunaway, Elizabeth Taylor, Julie Christie, Candice
Bergen, Isabelle Adjani e Madonna, entre outras.</span><br /><span style="font-size: 14pt;"> </span><br /><span style="font-size: 14pt;">Conhecido pelos fofoqueiros de plantão como super dotado, só perdendo na história de Hollywood para Humphrey Bogart, a lista
de namoradas do ator ao longo de sua carreira é gigantesca. Incluem também Brigitte
Bardot, Maria Callas, Claudia Cardinale, Cher, Samantha Eggar, Jane Fonda,
Melanie Griffith, Daryl Hannah, Barbara Harris, Goldie Hawn, Margaux Hemingway,
Barbara Hershey, Lauren Hutton, Jacqueline Kennedy, Sylvia Kristel, Vanessa
Redgrave, Diana Ross, Jean Seberg, Britt Ekland, Mary Tyler
Moore, Barbra Streisand, Liv Ullmann, Raquel Welch etc. </span></span></p><p class="MsoNormal" style="margin-bottom: 0cm; text-align: justify;"><span style="font-family: inherit;"></span></p><div class="separator" style="clear: both; text-align: center;"><span style="font-family: inherit;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEivp7sQY91fUHMkGlsFF5TVLbJigwBR0sg318SOtB1v_LLDqxiYvo_vheE-QETdXdk3dQG2-FabITgB38Rqdr5WWR8q9xNpPup7qszjZxbrmFbru08m-KCZWQ7SlbaG-GmCKKBRSonBG7nGVbGDU5xenQLE68ibWspDQRnJhikyQz0BIZhLEsaXhNv6/s1600/GTY-warren-beatty-tty-01-jef-170328_4x5_1600.jpg" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="1600" data-original-width="1280" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEivp7sQY91fUHMkGlsFF5TVLbJigwBR0sg318SOtB1v_LLDqxiYvo_vheE-QETdXdk3dQG2-FabITgB38Rqdr5WWR8q9xNpPup7qszjZxbrmFbru08m-KCZWQ7SlbaG-GmCKKBRSonBG7nGVbGDU5xenQLE68ibWspDQRnJhikyQz0BIZhLEsaXhNv6/w320-h400/GTY-warren-beatty-tty-01-jef-170328_4x5_1600.jpg" width="320" /></a></span></div><span style="font-family: inherit;"><span style="font-family: inherit; font-size: 14pt;"><div style="text-align: justify;"><span style="font-family: inherit; font-size: 14pt;">Ele namorou a cantora Carly Simon, e há rumores que a música </span><span style="color: #3d85c6; font-family: inherit; font-size: 14pt;">“You So Vain”</span><span style="font-family: inherit; font-size: 14pt;"> (</span><span style="color: #3d85c6; font-family: inherit; font-size: 14pt;">“Você é
tão Egoísta”</span><span style="font-family: inherit; font-size: 14pt;">) teria sido feita para ele. </span><span style="font-family: inherit; font-size: 14pt;">Segundo Elizabeth
Taylor, </span><span style="color: #3d85c6; font-family: inherit; font-size: 14pt;">“De zero a dez, minha nota é quinze. Ele é o máximo!”</span><span style="font-family: inherit; font-size: 14pt;">. Joan Collins foi
outra que fez publicidade sobre o desempenho sexual do amado: </span><span style="color: #3d85c6; font-family: inherit; font-size: 14pt;">“Warren Beatty é um amante insaciável, capaz de ter várias relações
sexuais por dia!”</span><span style="font-family: inherit; font-size: 14pt;">. Nem a discreta Faye Dunaway conseguiu manter-se calada a
respeito do ex-namorado e declarou: </span><span style="color: #3d85c6; font-family: inherit; font-size: 14pt;">“Ele teve uma infância infeliz e isso fez com
que passasse a querer todas as mulheres do mundo. Mais que um garanhão, ele é sensível e cheio de qualidades”</span><span style="font-family: inherit; font-size: 14pt;">.</span></div></span></span><p></p><p class="MsoNormal" style="margin-bottom: 0cm; text-align: justify;"><span style="font-family: inherit;"><span style="font-size: 14pt;">A fama de
conquistador começou a partir do rebuliço sexual e afetivo que <span style="background-color: #274e13; color: white;">WARREN BEATTY</span>
provocou no coração de Natalie Wood, com quem contracenou em <span style="color: #3d85c6;">“Clamor do Sexo”</span>. A
atriz, até então muito bem casada com Robert Wagner, não resistiu às ardentes
cenas de amor com o novo astro e capitulou ao charme dele. Resultado: o
casamento da estrela foi para o espaço. E o astro em ascensão iniciou numa série formidável de conquistas amorosas. Quando parecia que seria
um eterno solteirão, casou-se com Annette Bening. O casamento dura até hoje,
tiveram quatro filhos e atuaram juntos em dois filmes.</span><br /><span style="font-size: 14pt;"> </span><br /><span style="font-size: 14pt;">Nem
sempre foi assim. O irmão caçula de Shirley MacLaine vivia à sombra da irmã
famosa, com quem nunca se relacionou muito bem, e era profundamente tímido. As
coisas só começaram a mudar quando decidiu que tentaria a carreira de ator em
Nova Iorque, onde foi morar aos 18 anos, saindo de uma pequena cidade. Para
pagar o curso de interpretação com a fera Stella Adler, tocava piano num
conjunto de jazz e fazia participações em seriados de tevê. Depois da estreia
num filme do mestre Elia Kazan, em 1961, se tornaria definitivamente um astro
em 1967, com o êxito de crítica e de público de <span style="color: #3d85c6;">“Bonnie e Clyde – Uma Rajada de
Bala”</span>. O resto é história.</span><br /><span style="font-size: 14pt;"> </span><br /></span></p><div style="text-align: center;"><span><span style="background-color: #274e13; color: white; font-family: inherit; font-size: 14pt;">DEZ FILMES
de WARREN BEATTY</span></span></div><span style="font-family: inherit;"><span style="color: #3d85c6;"><span style="font-size: 14pt;"><div style="text-align: center;"><span style="font-size: 14pt;">(por
ordem de preferência)</span></div></span><span style="font-size: 14pt;"> </span><br /><span style="font-size: 14pt;">01</span></span><br /><div style="text-align: center;"><span style="background-color: #274e13; color: white; font-family: inherit; font-size: 14pt;">CLAMOR do SEXO</span><span style="font-family: inherit; font-size: 14pt;"> </span></div></span><div style="text-align: center;"><span style="font-family: inherit;"><span style="color: #3d85c6;"><span style="font-size: 14pt;">(Splendor in the Grass, 1961)</span></span></span></div><div><span style="font-family: inherit;"><span style="color: #3d85c6;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhInoecLNRXVGk-9c1OC-H38_mUtTKQQsCI5UfEHzsKJOjY5WNOptyn9ADDH1zvCh5fcEn9EAZ3JE9U778yJR38Tg2hqbFEioWgGuby-05QxFvK9m2RxiNC-faelnjJEK_-Imu_CI8UYillBTt4LMLsgKb6tKALq6yRIfD9sdxhvYL8kP09DuptTh3x/s1440/MV5BM2Y4YzczMjItMjU0NC00N2ZjLWFmZTEtNTk0YmRkNzY2MTJkL2ltYWdlL2ltYWdlXkEyXkFqcGdeQXVyNjc1NTYyMjg@._V1_.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1440" data-original-width="960" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhInoecLNRXVGk-9c1OC-H38_mUtTKQQsCI5UfEHzsKJOjY5WNOptyn9ADDH1zvCh5fcEn9EAZ3JE9U778yJR38Tg2hqbFEioWgGuby-05QxFvK9m2RxiNC-faelnjJEK_-Imu_CI8UYillBTt4LMLsgKb6tKALq6yRIfD9sdxhvYL8kP09DuptTh3x/s320/MV5BM2Y4YzczMjItMjU0NC00N2ZjLWFmZTEtNTk0YmRkNzY2MTJkL2ltYWdlL2ltYWdlXkEyXkFqcGdeQXVyNjc1NTYyMjg@._V1_.jpg" width="213" /></a></div><span style="font-size: 18.6667px;"><br /></span><span style="font-size: 14pt;">Direção
de Elia Kazan</span><br /><span style="font-size: 14pt;">Elenco: Natalie Wood, Pat Hingle e Sandy Dennis</span><br /><span style="font-size: 14pt;"> </span><br /><span style="font-size: 14pt;">02</span></span><br /><div style="text-align: center;"><span style="background-color: #274e13; color: white; font-family: inherit; font-size: 14pt;">BONNIE e CLYDE – uma RAJADA de BALAS</span><span style="font-family: inherit; font-size: 14pt;"> </span></div></span></div><div style="text-align: center;"><span style="font-family: inherit;"><span style="color: #3d85c6;"><span style="font-size: 14pt;">(Bonnie and Clyde, 1967)</span></span></span></div><div><span style="font-family: inherit;"><span style="color: #3d85c6;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi3QpcKtO-NEZ-b_2tAth8Dq5OEyBruKeoVgHp9zL6J7IH5wgJTtm3WysZzjSTmGZVxw00bYyglut5tDv0Hr6a1Lfc4Gcfbg2efcXXCC29-N6YrA9Fqc8_NiknyW_5jm_j9mPntrQile-Cg0x4Z27L1MObjwYQKGFan6cELY7Tg-r9kyaUXDBfLxu0c/s1600/1967_Bonnie%20&%20Clyde_05.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1600" data-original-width="1115" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi3QpcKtO-NEZ-b_2tAth8Dq5OEyBruKeoVgHp9zL6J7IH5wgJTtm3WysZzjSTmGZVxw00bYyglut5tDv0Hr6a1Lfc4Gcfbg2efcXXCC29-N6YrA9Fqc8_NiknyW_5jm_j9mPntrQile-Cg0x4Z27L1MObjwYQKGFan6cELY7Tg-r9kyaUXDBfLxu0c/s320/1967_Bonnie%20&%20Clyde_05.jpg" width="223" /></a></div><span style="font-size: 18.6667px;"><br /></span><span style="font-size: 14pt;">Direção
de Arthur Penn</span><br /><span style="font-size: 14pt;">Elenco: Faye Dunaway, Gene Hackman e Estelle Parsons</span><br /><span style="font-size: 14pt;"> </span><br /><span style="font-size: 14pt;">03</span></span></span></div><div><span><span><div style="font-family: inherit; text-align: center;"><span style="font-family: inherit;"><span><span style="background-color: #274e13; color: white; font-size: 14pt;">ONDE os HOMENS são HOMENS</span></span></span></div><div style="color: black; font-family: inherit; text-align: center;"><span style="font-family: inherit;"><span style="color: #3d85c6;"><span style="font-size: 14pt;">(McCabe & Mrs. Miller, 1971)</span></span></span></div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg5Oddn9MLx8xnA1D9Pu_I2aFyL6un5TINUQx61cIbLj_gjduJyLs77e28JuxwFyQaEZxA8O-0_EVeVBHg8YGDXgFzCrQQ5ytZ9PXcr03ymmJ0nP8oXaXfCEss1ieGcP6KL8_apHgvaFezvMIs8kfCEkF6bVyry66EDfrxEYjLmmKQgCqsxH8CM855n/s1421/MV5BMmMxMTk0MmMtY2I0YS00NjcwLTk2NjYtOWFlOTA0M2EzNjgxL2ltYWdlL2ltYWdlXkEyXkFqcGdeQXVyMTQxNzMzNDI@._V1_FMjpg_UX1000_.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1421" data-original-width="994" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg5Oddn9MLx8xnA1D9Pu_I2aFyL6un5TINUQx61cIbLj_gjduJyLs77e28JuxwFyQaEZxA8O-0_EVeVBHg8YGDXgFzCrQQ5ytZ9PXcr03ymmJ0nP8oXaXfCEss1ieGcP6KL8_apHgvaFezvMIs8kfCEkF6bVyry66EDfrxEYjLmmKQgCqsxH8CM855n/s320/MV5BMmMxMTk0MmMtY2I0YS00NjcwLTk2NjYtOWFlOTA0M2EzNjgxL2ltYWdlL2ltYWdlXkEyXkFqcGdeQXVyMTQxNzMzNDI@._V1_FMjpg_UX1000_.jpg" width="224" /></a></div><div style="text-align: center;"><br /></div><span style="color: #3d85c6; font-family: inherit; font-size: 14pt;">Direção
de Robert Altman</span><br /><span style="color: #3d85c6; font-family: inherit; font-size: 14pt;">Elenco: </span><span style="color: #3d85c6; font-family: inherit; font-size: 18.6667px;">Julie Christie, Rene Auberjonois, William Davane e Keith Carradine</span><br /><span style="color: #3d85c6; font-family: inherit; font-size: 14pt;"> </span><br /><span style="color: #3d85c6; font-family: inherit; font-size: 14pt;">04</span></span><div class="separator" style="clear: both; font-family: inherit; text-align: center;"><span style="background-color: #274e13; color: white; font-family: inherit; font-size: 14pt; text-align: left;">REDS</span><span style="font-family: inherit; font-size: 14pt; text-align: left;"> </span></div></span></div><div style="text-align: center;"><span style="font-family: inherit;"><span style="color: #3d85c6;"><span style="font-size: 14pt;">(Idem, 1981)</span></span></span></div><div><span style="font-family: inherit;"><span style="color: #3d85c6;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgNo0b4cz6XTVCJ3oWNjcQkaYCHcaxRMbBpp00d_j2pa0UdsHayFKuG6sSzAtjXEOIh16gQcizkUH3kx9xCa5j2xkwyEfOv2UQ5R_MIMTro4KChKMuspcFCAyu4CkSw89zTkcw1LxsQ9EuCH3qM_UzJXV6LpKJoEuUrldNe0POcYsOFX3JdTueFIazP/s2117/fa2f36e1bc15f4a1116a1ac31032be64_XL.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="2117" data-original-width="1500" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgNo0b4cz6XTVCJ3oWNjcQkaYCHcaxRMbBpp00d_j2pa0UdsHayFKuG6sSzAtjXEOIh16gQcizkUH3kx9xCa5j2xkwyEfOv2UQ5R_MIMTro4KChKMuspcFCAyu4CkSw89zTkcw1LxsQ9EuCH3qM_UzJXV6LpKJoEuUrldNe0POcYsOFX3JdTueFIazP/s320/fa2f36e1bc15f4a1116a1ac31032be64_XL.jpg" width="227" /></a></div><span style="font-size: 18.6667px;"><br /></span><span style="font-size: 14pt;">Direção
de Warren Beatty</span><br /><span style="font-size: 14pt;">Elenco: Diane Keaton, Jack Nicholson e Maureen Stapleton</span><br /><span style="font-size: 14pt;"> </span><br /><span style="font-size: 14pt;">05</span></span><br /><div style="text-align: center;"><span style="background-color: #274e13; color: white; font-family: inherit; font-size: 14pt;">A TRAMA</span><span style="font-family: inherit; font-size: 14pt;"> </span></div></span></div><div style="text-align: center;"><span style="font-family: inherit;"><span style="color: #3d85c6;"><span style="font-size: 14pt;">(The Parallax View, 1974)</span></span></span></div><div><span style="font-family: inherit;"><span style="color: #3d85c6;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiqWOrW5CYEf6VRk2rxuDsRvQGnMgmn6wtlk9_88KGo-axQkJUUQQNat9Eh_xLBC332l7tMRkJCPQ62sfWKtuJiZFibJepvfhhqW4f9sO_cqWKotC-55XMe0-lq0CmC9Y2rd7MGL5rYnqXOCA-KK6bt2W0RElMSwAeQs6e_f2SoFQCZWnNRbnCqzdai/s1433/MV5BMzljZDcyNGEtYWMyOC00MTJmLTljMzEtYmJiZjY1NDA1ZDU4XkEyXkFqcGdeQXVyMjI4MjA5MzA@._V1_FMjpg_UX1000_.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1433" data-original-width="994" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiqWOrW5CYEf6VRk2rxuDsRvQGnMgmn6wtlk9_88KGo-axQkJUUQQNat9Eh_xLBC332l7tMRkJCPQ62sfWKtuJiZFibJepvfhhqW4f9sO_cqWKotC-55XMe0-lq0CmC9Y2rd7MGL5rYnqXOCA-KK6bt2W0RElMSwAeQs6e_f2SoFQCZWnNRbnCqzdai/s320/MV5BMzljZDcyNGEtYWMyOC00MTJmLTljMzEtYmJiZjY1NDA1ZDU4XkEyXkFqcGdeQXVyMjI4MjA5MzA@._V1_FMjpg_UX1000_.jpg" width="222" /></a></div><span style="font-size: 18.6667px;"><br /></span><span style="font-size: 14pt;">Direção
de Alan J. Pakula</span><br /><span style="font-size: 14pt;">Elenco: Paula Prentiss e Hume Cronyn</span><br /><span style="font-size: 14pt;"> </span><br /><span style="font-size: 14pt;">06</span></span><br /><div style="text-align: center;"><span style="background-color: #274e13; color: white; font-family: inherit; font-size: 14pt;">SHAMPOO</span><span style="font-family: inherit; font-size: 14pt;"> </span></div></span></div><div style="text-align: center;"><span style="font-family: inherit;"><span style="color: #3d85c6;"><span style="font-size: 14pt;">(Idem, 1975)</span></span></span></div><div><span style="font-family: inherit;"><span style="color: #3d85c6;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiZvDCH7dmKyymBnxm8BHrFuzFrec0iEKHVgD2DO8Y5rM-gf79aiRoVTC4B9qfzduRXuVq1uVc8-Bcr0FsY5QShX8wv6887DQESjkK4VQbDgeBFvU3YHHz11WG6ILbds1rzOENI07JKAD_FaoLQicPYzEoh9aVOkmVatfWczVsEa7F154yAEd1m59af/s1838/1280px-Shampooposter.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1838" data-original-width="1272" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiZvDCH7dmKyymBnxm8BHrFuzFrec0iEKHVgD2DO8Y5rM-gf79aiRoVTC4B9qfzduRXuVq1uVc8-Bcr0FsY5QShX8wv6887DQESjkK4VQbDgeBFvU3YHHz11WG6ILbds1rzOENI07JKAD_FaoLQicPYzEoh9aVOkmVatfWczVsEa7F154yAEd1m59af/s320/1280px-Shampooposter.jpg" width="221" /></a></div><span style="font-size: 18.6667px;"><br /></span><span style="font-size: 14pt;">Direção
de Hal Ashby</span><br /><span style="font-size: 14pt;">Elenco: Julie Christie, Goldie Hawn, Lee Grant e Jack Warden</span><br /><span style="font-size: 14pt;"> </span><br /><span style="font-size: 14pt;">07</span></span><br /><div style="text-align: center;"><span style="background-color: #274e13; color: white; font-family: inherit; font-size: 14pt;">BUGSY</span></div><span style="color: #3d85c6;"><div style="text-align: center;"><span style="font-family: inherit; font-size: 14pt;">(Idem, 1991)</span></div></span></span></div><div><span style="font-family: inherit;"><span style="color: #3d85c6;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgBp9LKjXvY9ovNEOXGYxe8_OCSIiLz5Llu3-VHvJ7u5hAgXQctvmn3sIYfAqc2rD8D_b2u05K_AwA8xau0HvLnkWBHFLsxhmjjYy9dkaaCosheLl-nuvzFbwCZvarLV83O4XYccWssW0_FggFrYNQYbe8Ot9Vm__ijdqZFZ3WCl5x01px_Q8uJTdwu/s1920/1080x1620_1592218976.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1920" data-original-width="1280" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgBp9LKjXvY9ovNEOXGYxe8_OCSIiLz5Llu3-VHvJ7u5hAgXQctvmn3sIYfAqc2rD8D_b2u05K_AwA8xau0HvLnkWBHFLsxhmjjYy9dkaaCosheLl-nuvzFbwCZvarLV83O4XYccWssW0_FggFrYNQYbe8Ot9Vm__ijdqZFZ3WCl5x01px_Q8uJTdwu/s320/1080x1620_1592218976.jpg" width="213" /></a></div><span style="font-size: 14pt;"><br /></span></span></span></div><div><span style="font-family: inherit;"><span style="color: #3d85c6;"><span style="font-size: 14pt;">Direção
de Barry Levinson</span><br /><span style="font-size: 14pt;">Elenco: Annette Bening, Harvey Keitel, Ben Kingsley e Elliott Gould</span><br /><span style="font-size: 14pt;"> </span><br /><span style="font-size: 14pt;">08</span></span><br /><div style="text-align: center;"><span style="background-color: #274e13; color: white; font-family: inherit; font-size: 14pt;">DICK
TRACY</span></div><span style="color: #3d85c6;"><div style="text-align: center;"><span style="font-family: inherit; font-size: 14pt;">(Idem, 1990)</span></div></span></span></div><div><span style="font-family: inherit;"><span style="color: #3d85c6;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiuLUYopwgaVsMFq9VRPgSFAJr6jpHRfYCsS640lM_0AdmiA2e8kBNQSiv_Kn-CVrIAJM4utYOh3ykmeI24swIcm_mkbaoQ1JIbSVLv88_EK1TA4OeyRDkYfiHo9S5yjkZOQpCh91gZGEYis6k8QAYp3gE-8RUkiwpCNUUFH6rOsDzqNwsn5TwJQR1_/s2560/f8d64ef49d0c034b248f43a1bd352a1c546f73771c03b0f4470b2bd663eab518._RI_V_TTW_.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="2560" data-original-width="1920" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiuLUYopwgaVsMFq9VRPgSFAJr6jpHRfYCsS640lM_0AdmiA2e8kBNQSiv_Kn-CVrIAJM4utYOh3ykmeI24swIcm_mkbaoQ1JIbSVLv88_EK1TA4OeyRDkYfiHo9S5yjkZOQpCh91gZGEYis6k8QAYp3gE-8RUkiwpCNUUFH6rOsDzqNwsn5TwJQR1_/s320/f8d64ef49d0c034b248f43a1bd352a1c546f73771c03b0f4470b2bd663eab518._RI_V_TTW_.jpg" width="240" /></a></div><span style="font-size: 14pt;"><br /></span></span></span></div><div><span style="font-family: inherit;"><span style="color: #3d85c6;"><span style="font-size: 14pt;">Direção
de Warren Beatty</span><br /><span style="font-size: 14pt;">Elenco: Madonna, Al Pacino e Charles Durning</span><br /><span style="font-size: 14pt;"> </span><br /><span style="font-size: 14pt;">09</span></span><br /><div style="text-align: center;"><span style="background-color: #274e13; color: white; font-family: inherit; font-size: 14pt;">POLITICAMENTE
INCORRETO</span></div><span style="color: #3d85c6;"><div style="text-align: center;"><span style="font-family: inherit; font-size: 14pt;">(Bulworth, 1998)</span></div></span></span></div><div><span style="font-family: inherit;"><span style="color: #3d85c6;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi4HL-grF349wSmMDrkm6bNDg-JIAmf7ayUxV5HLeA-zyDBa8sCqAMaEULteRrVHfiyNczgd2oTqqh89NPk7ZeWlN4VR91QZi1ClnhTTTwLLdiWS2rVhD_Ikbppc6aLYNog9iMU-1IqTbmjr_CtkOAgGWAhbFDxkGqm9YwJ5DnzQcmHFq156SLH8UUo/s1500/MV5BMTY2NTM5NjIyOV5BMl5BanBnXkFtZTgwMzUwNzc3NjE@._V1_.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1500" data-original-width="1010" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi4HL-grF349wSmMDrkm6bNDg-JIAmf7ayUxV5HLeA-zyDBa8sCqAMaEULteRrVHfiyNczgd2oTqqh89NPk7ZeWlN4VR91QZi1ClnhTTTwLLdiWS2rVhD_Ikbppc6aLYNog9iMU-1IqTbmjr_CtkOAgGWAhbFDxkGqm9YwJ5DnzQcmHFq156SLH8UUo/s320/MV5BMTY2NTM5NjIyOV5BMl5BanBnXkFtZTgwMzUwNzc3NjE@._V1_.jpg" width="215" /></a></div><span style="font-size: 14pt;"><br /></span></span></span></div><div><span style="font-family: inherit;"><span style="color: #3d85c6;"><span style="font-size: 14pt;">Direção
de Warren Beatty</span><br /><span style="font-size: 14pt;">Elenco: Halle Berry</span><br /><span style="font-size: 14pt;"> </span><br /><span style="font-size: 14pt;">10</span></span><br /><div style="text-align: center;"><span style="background-color: #274e13; font-family: inherit; font-size: 14pt;"><span style="color: white;">O CÉU
PODE ESPERAR</span></span><span style="font-family: inherit; font-size: 14pt;"> </span></div></span></div><div style="text-align: center;"><span><span style="color: #3d85c6; font-family: inherit;"><span style="font-size: 14pt;">(</span></span></span><span style="color: #3d85c6; font-family: inherit; font-size: 14pt;">Heaven Can Wait, 1978)</span></div><div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg4hpFZceXE-5PRjKfpOROL5v9QWt-cO9euO01DzFljGNmcmu9jqjEKq-B8miCED5NdhJ6-COAimD8qOymUdk37MBpbalmqfnfRHgiQuxaqGcL189aLsxXgCeM70pdCQ8Sshs5Gam3g_jfar90ljz_PkQJC9bCkylwJRNT0cic4qwjDkg7qdWctJgVA/s1148/12039.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1148" data-original-width="787" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg4hpFZceXE-5PRjKfpOROL5v9QWt-cO9euO01DzFljGNmcmu9jqjEKq-B8miCED5NdhJ6-COAimD8qOymUdk37MBpbalmqfnfRHgiQuxaqGcL189aLsxXgCeM70pdCQ8Sshs5Gam3g_jfar90ljz_PkQJC9bCkylwJRNT0cic4qwjDkg7qdWctJgVA/s320/12039.jpg" width="219" /></a></div><span style="color: #3d85c6; font-family: inherit; font-size: 14pt;"><br /></span></div><div><span><span style="color: #3d85c6; font-family: inherit;"><a name="_Hlk110197455"><span style="font-size: 14pt; line-height: 107%;">Direção de Warren Beatty e Buck Henry</span></a><br /><span style="font-size: 14pt;">Elenco: James Mason, Julie Christie, Jack Warden e Dyan Cannon</span></span></span></div><div><span><span style="color: #3d85c6; font-family: inherit;"><span style="font-size: 18.6667px;"><br /></span></span></span></div><div style="text-align: center;"><span><span style="background-color: #274e13; color: white; font-family: inherit; font-size: x-large;">GALERIA de FOTOS</span></span></div><div style="text-align: center;"><br /></div><div style="text-align: center;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhIppJpieS-xdv22CqOY4QmBY2QgpCQG7cT7Qyl60rJ-oWspwo3ult0Q2qDlus3GYQYANtFikpIfM9ILp5qGI5M0L3yb9hdxxrq2b4olZ6lHvDR-MWggyxbIE5sjEunKCAopM8YNFpEl0pun3PRzJEkQyXDRoaRpksXOd_bWZRgQlHAumDnITElJmwJ/s1440/warren-beatty-interview-natalie-wood-05.webp" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1440" data-original-width="1012" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhIppJpieS-xdv22CqOY4QmBY2QgpCQG7cT7Qyl60rJ-oWspwo3ult0Q2qDlus3GYQYANtFikpIfM9ILp5qGI5M0L3yb9hdxxrq2b4olZ6lHvDR-MWggyxbIE5sjEunKCAopM8YNFpEl0pun3PRzJEkQyXDRoaRpksXOd_bWZRgQlHAumDnITElJmwJ/w281-h400/warren-beatty-interview-natalie-wood-05.webp" width="281" /></a></div></div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiYdux-53aGORGcEAlQyuVDf-nqbZd62k2o3kOEn0c4dRurj4pcgTOcWYUmwqXfXykbWuyd9UgMJEccNYDNbXfyVWazF0pQ2vIhu5lUa48Q-sgUf1-gbtgd74HQwewuVJ394xuC9cYwOrodjma2ZTzKR7skhJqS83AophQrF9Mzx6B1LZyBWMpTwBkh/s736/4f398b09ab9a13791c30b60578618510.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="736" data-original-width="720" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiYdux-53aGORGcEAlQyuVDf-nqbZd62k2o3kOEn0c4dRurj4pcgTOcWYUmwqXfXykbWuyd9UgMJEccNYDNbXfyVWazF0pQ2vIhu5lUa48Q-sgUf1-gbtgd74HQwewuVJ394xuC9cYwOrodjma2ZTzKR7skhJqS83AophQrF9Mzx6B1LZyBWMpTwBkh/w391-h400/4f398b09ab9a13791c30b60578618510.jpg" width="391" /></a><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhztv91DGE141RPMGDJcvTt4pBazm8ySP38uK4-NBz4kre6GTh_yLd9J2rTHHzbbosNq5OPO5QkeVL_9Mu0eG1KapyMTPiXaecr_e-HWF_FZomL3o-pGfH8Ch6cke2MGMQUKP_cJsDJlZOf2wJPx7T-ZO-IdVyNo4eVHL5YKjnehGb4w28NfgZCwjOD/s1168/d9f1b3f3556639056b7a23ae3a294987.jpg" style="margin-left: 1em; 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margin-right: 1em;"><img border="0" data-original-height="1647" data-original-width="1772" height="371" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjmUxotu0BvIDP9zRe3wSwvFHaO728wneResyqOKsOBkx88glTkouuYEJF1jK2AYbB-ew7pWqXxV-4Fu5-EuoBczT1qXcRYTQBR28QghtM84jFEh6ueki7XsnsVejhhXsPEKAofk5OkR251hddlP2Bg9FT1uc7Dia5t_tbTxodEPfjHtL8_v6d20sTV/w400-h371/warren-beatty-diane-keaton.jpg" width="400" /></a></div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiUfUmHteTChZ8zFgC5uzEc19sqEOMGPuObHzd7zPnbWbHkmAMk9yXtT36jl7hainV1Sax1d9sb4ZkhKfqzK2lQRXXgmdpdqvnwNJtddcaPXdkiM0tQNgtvAeBfZORrFk0t_2S338LuxZvvTd5Fd8rrwuHjkJwtzSHkGhVXAoKMKxJjd41Hlea5B-jG/s1023/warren-beatty-madonna-3.webp" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1023" data-original-width="804" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiUfUmHteTChZ8zFgC5uzEc19sqEOMGPuObHzd7zPnbWbHkmAMk9yXtT36jl7hainV1Sax1d9sb4ZkhKfqzK2lQRXXgmdpdqvnwNJtddcaPXdkiM0tQNgtvAeBfZORrFk0t_2S338LuxZvvTd5Fd8rrwuHjkJwtzSHkGhVXAoKMKxJjd41Hlea5B-jG/w314-h400/warren-beatty-madonna-3.webp" width="314" /></a></div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj6A9UJWHgBsKpbdz0oy4tpDf7RlcqLF5wLJtG3jw0zunCyO0vXdVic4CXu51TKiP1vsSvpel-kjPDh9T9JmRPt7SnDWOqZEESc5Iauu9K6oaLyfEzMeG6tyCvWA8_WGdKgbCYPMRj_IOERD7gUqjqtWAgpfjsL9JYqyMTe-Bkp60aXiGtkK3QBbxVH/s1440/warren-beatty-interview-annette-bening-06.webp" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1440" data-original-width="1016" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj6A9UJWHgBsKpbdz0oy4tpDf7RlcqLF5wLJtG3jw0zunCyO0vXdVic4CXu51TKiP1vsSvpel-kjPDh9T9JmRPt7SnDWOqZEESc5Iauu9K6oaLyfEzMeG6tyCvWA8_WGdKgbCYPMRj_IOERD7gUqjqtWAgpfjsL9JYqyMTe-Bkp60aXiGtkK3QBbxVH/w283-h400/warren-beatty-interview-annette-bening-06.webp" width="283" /></a></div><br /><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjz6AhOT22NTMwKpj44SqQJFmKPf_e0bnEcJ_WA-y-W4GfqUVAWemxy_CzO0D-V3pPQWOFCYdLVlLNRxDIoyrJvXS9NThIBCXWW_BcpkFEI4Uy3IegdW678He-9XE_judN3qkhyz3t2GlbnxHh2zYKoEac9Py_mwwpEGpLMDZmzGvkbTHdG7jX0Mqo0/s1418/warren-beatty-interview-life-in-pictures-ss01.webp" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1418" data-original-width="1052" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjz6AhOT22NTMwKpj44SqQJFmKPf_e0bnEcJ_WA-y-W4GfqUVAWemxy_CzO0D-V3pPQWOFCYdLVlLNRxDIoyrJvXS9NThIBCXWW_BcpkFEI4Uy3IegdW678He-9XE_judN3qkhyz3t2GlbnxHh2zYKoEac9Py_mwwpEGpLMDZmzGvkbTHdG7jX0Mqo0/w474-h640/warren-beatty-interview-life-in-pictures-ss01.webp" width="474" /></a></div><div><br /></div>ANTONIO NAHUDhttp://www.blogger.com/profile/09829893001743081676noreply@blogger.com30tag:blogger.com,1999:blog-7997398743762234247.post-44197447297242888862022-06-28T22:32:00.011-03:002022-06-28T23:27:57.296-03:00***** KATHARINE HEPBURN – Uma SENHORA ATRIZ<p><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi0psHz9fIXgNKyfV5iKP15l3TLtBTNGLLrVXdMZ4ISpVXzO16hn9PrOhWVlCgji9gSrcUpf5au0n2n8Ctm192q6NIRZMP7IikCQbJVP0iXhTJAg16MtKj8861JGgBkf3Iygd6fSyQ9tv1rYjFX3uWIqlRrwXvsJdncyZ1XxRLa3tUxd2aWpTIh9Z5p/s1722/Annex%20-%20Hepburn,%20Katharine_13.jpg" style="margin-left: 1em; margin-right: 1em; text-align: center;"><img border="0" data-original-height="1374" data-original-width="1722" height="510" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi0psHz9fIXgNKyfV5iKP15l3TLtBTNGLLrVXdMZ4ISpVXzO16hn9PrOhWVlCgji9gSrcUpf5au0n2n8Ctm192q6NIRZMP7IikCQbJVP0iXhTJAg16MtKj8861JGgBkf3Iygd6fSyQ9tv1rYjFX3uWIqlRrwXvsJdncyZ1XxRLa3tUxd2aWpTIh9Z5p/w640-h510/Annex%20-%20Hepburn,%20Katharine_13.jpg" width="640" /></a><br /><br /></p><p><br /></p><p class="MsoNormal" style="margin-bottom: 0cm; text-align: justify;"><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;"><span style="color: #3d85c6;">“Nunca
fui vítima da época em que vivi. Na verdade, fui um sucesso. Meu estilo de
personalidade se tornou o estilo da época. Eu era uma espécie de Nova Mulher.”</span></span><br /><span style="background-color: #274e13; font-size: 14pt;"><span style="color: white;">KATHARINE
HEPBURN</span></span><br /><span style="font-size: 14pt;"> </span><br /><span style="color: #3d85c6;"><span style="font-size: 14pt;">Altura:</span><span style="font-size: 14pt;"> </span><span style="font-size: 14pt;">1,73 m</span><br /><span style="font-size: 14pt;">Cabelos: ruiva</span><br /><span style="font-size: 14pt;">Olhos: azuis</span><br /><span style="font-size: 14pt;">Apelidos:
Primeira-dama do Cinema, Kate, A Grande Kate e Kathy</span></span><br /><span style="font-size: 14pt;"> </span><br /><span style="font-size: 14pt;"> </span><br /><span style="font-size: 14pt;">Inteligente, classuda e nada convencional. Ela era estranha. Sardenta, magra
e ambígua, mas sua determinação e talento a levaram longe, conquistando o
respeito da indústria e o amor de seus fãs. Apesar do comportamento duro e
por vezes temperamental, <span style="background-color: #274e13; color: white;">KATHARINE HEPBURN</span> <span style="color: #3d85c6;">(1907 – 2004. Hartford, Connecticut
/ EUA)</span> provou muitas vezes ser leal e de bom coração. </span><span style="font-size: 14pt;"> </span><span style="font-size: 14pt;">Grande atriz no drama e na comédia, ganhou quatro Oscars da Academia e recebeu
outras oito indicações.</span><br /><span style="font-size: 14pt;"> </span><br /><span style="font-size: 14pt;">Não se
dobrava facilmente diante das tramoias da vida. Aos doze anos, encontrou o
irmão Tom, três anos mais velho, enforcado no sótão. Respirou fundo, chorou,
mas a vida tinha de continuar. Quase cinco décadas depois, em 1967, enfrentou
mais um rude golpe: Spencer Tracy, amado companheiro durante 25 anos, com quem
viveu uma relação delicada (foi a outra na vida dele, o ator nunca se separou
legalmente da esposa oficial, Louise), morreu de ataque cardíaco.</span><br /><span style="font-size: 14pt;"> </span></span></p><div class="separator" style="clear: both; text-align: center;"><span style="font-family: inherit;"><span style="font-size: 14pt;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgnwFGr_b-UfU6SvEo6Yoabbv4gZaPPdaaUrd19fCpcozpdAW9nJKK2Jrv4OPLTgoDvmimGn_hx5UnpzCdqLOQtPXKYzoUzaEudH3VETCm65jg1_S5iqeng0xXqjbtYvQqXg_gKs-XNABjq6_Nz100z8S688FgcgIm6vb8Y6o4N2wulVpj3uQyCxmPD/s690/tumblr_lm8fnbG2Xy1qzdvhio1_500.jpg" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"><img border="0" data-original-height="690" data-original-width="500" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgnwFGr_b-UfU6SvEo6Yoabbv4gZaPPdaaUrd19fCpcozpdAW9nJKK2Jrv4OPLTgoDvmimGn_hx5UnpzCdqLOQtPXKYzoUzaEudH3VETCm65jg1_S5iqeng0xXqjbtYvQqXg_gKs-XNABjq6_Nz100z8S688FgcgIm6vb8Y6o4N2wulVpj3uQyCxmPD/w290-h400/tumblr_lm8fnbG2Xy1qzdvhio1_500.jpg" width="290" /></a></span></span></div><span style="font-family: inherit;"><span style="font-size: 14pt;"><div style="text-align: justify;"><span style="font-family: inherit; font-size: 14pt;">A atriz
respirou fundo outra vez, chorou novamente, mas a vida tinha de continuar. E
como continuou! Permaneceu lépida e fagueira. Sempre agitada, ganhou mais três
Oscars e foi indicada a dois Tony Awards, em 1970 por </span><span style="color: #3d85c6; font-family: inherit; font-size: 14pt;">“Coco”</span><span style="font-family: inherit; font-size: 14pt;"> e em 1982 por </span><span style="color: #3d85c6; font-family: inherit; font-size: 14pt;">“The
West Side Waltz”</span><span style="font-family: inherit; font-size: 14pt;">. Em 1991 lançou a autobiografia </span><span style="color: #3d85c6; font-family: inherit; font-size: 14pt;">“Me – Stories of my Life”</span><span style="font-family: inherit; font-size: 14pt;"> e aos 84 anos costumava pedalar bicicleta pelo Central
Park, em Nova Iorque. Na época, afirmou que não tinha tempo de temer a morte, </span><span style="color: #3d85c6; font-family: inherit; font-size: 14pt;">“mas
se ela chegar, vai ser um alívio”</span><span style="font-family: inherit; font-size: 14pt;">.</span></div></span><span style="font-size: 14pt;"><div style="text-align: justify;"><span style="font-family: inherit; font-size: 14pt;"> </span></div></span><span style="font-size: 14pt;"><div style="text-align: justify;"><span style="font-family: inherit; font-size: 14pt;">Filha de
um urologista e uma pioneira do feminismo, </span><span style="background-color: #274e13; color: white; font-family: inherit; font-size: 14pt;">KATHARINE HEPBURN</span><span style="font-family: inherit; font-size: 14pt;"> sempre teve personalidade
forte. Sabia o que queria e, principalmente, fazia o que queria. Aos três anos
já era escalada para atuar em espetáculos criados pela mãe, propagandeando a
ideia do voto entre as mulheres. Aos nove, decidiu se transformar em menino,
raspou a cabeça e disse a todo mundo que seu nome era Jimmy. A brincadeira
acabou depois de algum tempo, mas a postura masculina diante da vida perduraria
para sempre.</span></div></span><span style="font-size: 14pt;"><div style="text-align: justify;"><span style="font-family: inherit; font-size: 14pt;"> </span></div></span><span style="font-size: 14pt;"><div style="text-align: justify;"><span style="font-family: inherit; font-size: 14pt;">Aos
dezessete anos, entrou para a faculdade, pensando em estudar Medicina, e seus
modos nada femininos chocaram colegas mais conservadoras. Começou no teatro aos
21 anos, fazendo pequena participação num espetáculo intitulado </span><span style="color: #3d85c6; font-family: inherit; font-size: 14pt;">“Czarina”</span><span style="font-family: inherit; font-size: 14pt;">. Em
seguida, ganhou outros papéis em peças montadas na Broadway. O pai não gostou,
mas ela, obstinada, bateu pé firme e venceu. Além disso, casou-se
com Ludlow Ogden Smith, da alta sociedade da Filadélfia e tornou-se dona do próprio nariz.</span></div></span><span style="font-size: 14pt;"><div style="text-align: justify;"><span style="font-family: inherit; font-size: 14pt;"> </span></div></span><span style="font-size: 14pt;"><div style="text-align: justify;"><span style="font-family: inherit; font-size: 14pt;">O
casamento não durou, mas a paixão pela arte de representar seria para sempre. Aos 25 anos, surgiu o primeiro expressivo papel no teatro e, logo em
seguida, veio o convite para fazer cinema. Desinteressada, pediu
um cachê astronômico. Os produtores, no entanto, aceitaram a proposta e ela
estreou em <span style="color: #3d85c6;">“Vítimas do Divórcio / A Bill of Divorcement”</span> (1932),
dirigido por George Cukor. Dois filmes depois, atuando em <span style="color: #3d85c6;">“Manhã de Glória /
Morning </span></span><span style="font-family: inherit; font-size: 14pt;"><span style="color: #3d85c6;">Glory”</span> (1933), </span><span style="font-family: inherit; font-size: 14pt;">ganhou
o primeiro Oscar de Melhor Atriz.</span></div></span><span style="font-size: 14pt;"><div style="text-align: justify;"><span style="font-family: inherit; font-size: 14pt;"> </span></div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhHkpcRrOd8gGFnreYFcewzKXv4DZbZ0x2ovKZWm-w051gLQcI_ai1uhYhl0uurbkrXVc6pTQ3Rwq6167L0WLDidXrPj3vHI-BZuv059YTdxLSrf6Fb_tLgsOeefXoLtBjWlhF8fTSVSvCFwh4R8YIL7-2hl_NF3LwmLWHu7jsU1MV-_H_okpVz-72y/s1146/Katharine%20Hepburn%20Screen%20Romances_01.jpg" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em; text-align: justify;"><img border="0" data-original-height="1146" data-original-width="834" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhHkpcRrOd8gGFnreYFcewzKXv4DZbZ0x2ovKZWm-w051gLQcI_ai1uhYhl0uurbkrXVc6pTQ3Rwq6167L0WLDidXrPj3vHI-BZuv059YTdxLSrf6Fb_tLgsOeefXoLtBjWlhF8fTSVSvCFwh4R8YIL7-2hl_NF3LwmLWHu7jsU1MV-_H_okpVz-72y/w291-h400/Katharine%20Hepburn%20Screen%20Romances_01.jpg" width="291" /></a></div></span><span style="font-size: 14pt;"><div style="text-align: justify;"><span style="font-family: inherit; font-size: 14pt;">Indomada,
ela não se submetia à ditadura dos executivos dos estúdios, que determinavam
como as estrelas deveriam se comportar. Fazia tudo o que irritava
os chefões: fugia de caçadores de autógrafos (achava-os chatos),
mantinha a vida particular em segredo (escondeu o relacionamento com o
bilionário Howard Hughes, com quem viveu alguns anos) e, mais grave para
os rígidos padrões morais da época, não abria mão das calças compridas, que
usava estivesse onde estivesse.</span></div></span><span style="font-size: 14pt;"><div style="text-align: justify;"><span style="font-family: inherit; font-size: 14pt;"> </span></div></span><span style="font-size: 14pt;"><div style="text-align: justify;"><span style="font-family: inherit; font-size: 14pt;">As
histórias começaram a vazar. Falava-se de seu comportamento arrogante e sua
recusa em jogar o jogo de Hollywood, sempre usando calças e sem maquiagem,
nunca posando para fotos ou dando entrevistas. O público terminou chocado com
seu comportamento nada convencional e seus filmes deixaram de fazer sucesso. Em
1939, apaixonada pelo papel de Scarlett em </span><span style="color: #3d85c6; font-family: inherit; font-size: 14pt;">“... E o Vento Levou / Gone With the
Wind”</span><span style="font-family: inherit; font-size: 14pt;">, submeteu-se aos testes para a escolha da protagonista, mas foi recusada.
Rotulada de </span><span style="color: #3d85c6; font-family: inherit; font-size: 14pt;">“veneno de bilheteria”</span><span style="font-family: inherit; font-size: 14pt;">, voltou a Broadway em </span><span style="color: #3d85c6; font-family: inherit; font-size: 14pt;">“The Philadelphia Story” </span><span style="font-family: inherit; font-size: 14pt;">(1938). Foi um sucesso. Ela comprou os direitos da
peça e os vendeu para a M-G-M, assumindo o papel principal. A versão
cinematográfica foi um êxito de bilheteria, e a atriz ganhou sua terceira
indicação ao Oscar.</span></div></span><span style="font-size: 14pt;"><div style="text-align: justify;"><span style="font-family: inherit; font-size: 14pt;"> </span></div></span><span style="font-size: 14pt;"><div style="text-align: justify;"><span style="font-family: inherit; font-size: 14pt;">Em 1942,
juntou-se a Spencer Tracy pela primeira vez, em </span><span style="color: #3d85c6; font-family: inherit; font-size: 14pt;">“A Mulher do Ano”</span><span style="font-family: inherit; font-size: 14pt;">, e assim
começou um dos maiores pares românticos na história do cinema - e um dos mais
controversos casos de amor fora das telas. Ele era o par perfeito para aquela
mulher inteligente, dura e peculiar. A abordagem dela mais cerebral das coisas
era o oposto dos métodos naturais e instintivos de Spencer. Sua atuação sutil a
deixou impressionada. Ela a princípio o desconcertou, mas depois o seduziu com
sua lealdade, e caráter firme. Também agiu como protetora, mantendo o ator
complexo e atormentado longe da bebida e ensinando-lhe que poderia superar seu
vício. Ele desfrutaria de alguns dos mais longos períodos de sobriedade sob sua
vigilância.</span></div><div style="text-align: justify;"><br /></div></span><span style="font-size: 14pt;"><table cellpadding="0" cellspacing="0" class="tr-caption-container" style="float: left; margin-right: 1em; text-align: left;"><tbody><tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiLPLHh9HfPLT0pjp1qGT4sbhiRcHF8ScXiqX31m6ePIbtvdqzxFx3mgONZ1UlBiil80d8ZF6aqHUFXFeTblFg2QHIjHbuuUknbq2Ak_9isd34O_zi9WUJue9RtOoh-_pT9L89142e9_ziyAdc1lesOIuylAzO6tXJd_2WKRDph3UOhgHm2M5xmVR54/s1527/Annex%20-%20Hepburn,%20Katharine%20(Woman%20of%20the%20Year)_04.jpg" style="clear: left; margin-bottom: 1em; margin-left: auto; margin-right: auto;"><img border="0" data-original-height="1163" data-original-width="1527" height="305" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiLPLHh9HfPLT0pjp1qGT4sbhiRcHF8ScXiqX31m6ePIbtvdqzxFx3mgONZ1UlBiil80d8ZF6aqHUFXFeTblFg2QHIjHbuuUknbq2Ak_9isd34O_zi9WUJue9RtOoh-_pT9L89142e9_ziyAdc1lesOIuylAzO6tXJd_2WKRDph3UOhgHm2M5xmVR54/w400-h305/Annex%20-%20Hepburn,%20Katharine%20(Woman%20of%20the%20Year)_04.jpg" width="400" /></a></td></tr><tr><td class="tr-caption" style="text-align: center;"><span style="background-color: black; color: #3d85c6; font-family: inherit; font-size: large;">spencer tracy e kate</span></td></tr></tbody></table></span><span style="font-size: 14pt;"><div style="text-align: justify;"><span style="font-family: inherit; font-size: 14pt;">O fato de
que forças tão opostas da natureza e amantes improváveis devam se unir é um
mistério em si. De alguma forma, os dois se apaixonaram, e seu caso fora e na
tela durou 25anos. Foi um caso, já que Spencer era casado com Louise Treadwell
desde 1923. </span><span style="background-color: #274e13; color: white; font-family: inherit; font-size: 14pt;">KATHARINE HEPBURN</span><span style="font-family: inherit; font-size: 14pt;"> não foi seu primeiro flerte extraconjugal, nem
seria o último, e os mesmos demônios que o enviaram continuamente em busca de
refúgio na garrafa também o levaram a pular de cama em cama. Durante o
relacionamento deles, ela foi uma fonte de conforto nos seus momentos
atormentados. Quando Spencer desaparecia por até meses, ela estava
pronta para cuidar dele quando voltasse.</span></div></span><span style="font-size: 14pt;"><div style="text-align: justify;"><span style="font-family: inherit; font-size: 14pt;"> </span></div></span><span style="font-size: 14pt;"><div style="text-align: justify;"><span style="font-family: inherit; font-size: 14pt;">Muitos
historiadores afirmam que <span style="background-color: #274e13; color: white;">KATHARINE HEPBURN</span> era lésbica e que o relacionamento com
Spencer não passava de um estratagema para encobrir suas preferências sexuais.
Em contrapartida, os amigos íntimos descrevem os altos e baixos do casal,
sua devoção um ao outro e o profundo e permanente amor. No livro <span style="color: #3d85c6;">“Serviço
Completo - A Secreta Vida Sexual das Estrelas de Hollywood”</span>, de Scotty Bowers e
Lionel Friedberg, um famoso cafetão de Hollywood garante que a atriz era uma
lésbica insaciável, e que ao longo dos anos levou cerca de 150 jovens mulheres para
ela. Segundo ele, Spencer era bissexual e o</span><i style="font-family: inherit; font-size: 14pt;"> affair</i><span style="font-family: inherit; font-size: 14pt;"> apenas uma bonita amizade.</span></div></span><span style="font-size: 14pt;"><div style="text-align: justify;"><span style="font-family: inherit; font-size: 14pt;"> </span></div></span><span style="font-size: 14pt;"><div style="text-align: justify;"><span style="font-family: inherit; font-size: 14pt;">Acho até possível
a atriz apreciar mulheres, ela tem todas as ferramentas para isso, mas creio no
romance com Spencer Tracy. Uma coisa não impede a outra. Eles fizeram nove
filmes e ela estava com ele na noite em que morreu. O ator havia se levantado
no meio da noite para pegar um copo de leite. Ela o seguiu o até a cozinha, mas
antes de chegar lá ouviu um vidro se estilhaçar e depois um baque alto.
Encontrou Spencer morto. Havia sofrido um ataque cardíaco fulminante.</span></div></span><span style="font-size: 14pt;"> <div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjDd8jjiZ5Ms7vA_Bw7cLkdwW55gE8Oe7GnPkiHj-FPtGH6VyxXKNX-ZhDN7ycDqfw8DkrER9ceeEBvv0IrpMxeyNdtHyRXFOhaUlaT2HfrBIRXjLErTkaV92TReUD_xX6eyCbbA7P5fFQbXJbBQ9mzTl2aqxsPpZKhsFsLUO0vF0-Aw4RZoS-ypteS/s1488/Annex%20-%20Hepburn,%20Katharine%20(Holiday)_01.jpg" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="1488" data-original-width="1190" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjDd8jjiZ5Ms7vA_Bw7cLkdwW55gE8Oe7GnPkiHj-FPtGH6VyxXKNX-ZhDN7ycDqfw8DkrER9ceeEBvv0IrpMxeyNdtHyRXFOhaUlaT2HfrBIRXjLErTkaV92TReUD_xX6eyCbbA7P5fFQbXJbBQ9mzTl2aqxsPpZKhsFsLUO0vF0-Aw4RZoS-ypteS/w320-h400/Annex%20-%20Hepburn,%20Katharine%20(Holiday)_01.jpg" width="320" /></a></div></span><span style="font-size: 14pt;"><div style="text-align: justify;"><span style="font-family: inherit; font-size: 14pt;">Na década
de 1950, com <span style="color: #3d85c6;">“Uma Aventura na África”</span>, recebeu sua quinta indicação ao Oscar.
Suas performances no cinema diminuíram nos anos 60, dedicando o seu tempo ao
parceiro enfermo. Por uma de suas aparições na tela, em <span style="color: #3d85c6;">“Longa Jornada Noite
Adentro”</span>, recebeu sua nona indicação ao Oscar. Nos anos 1970, fez bons filmes
para a TV, entre eles <span style="color: #3d85c6;">“Algemas de Cristal / </span></span><span style="font-family: inherit; font-size: 14pt;"><span style="color: #3d85c6;">The Glass Menagerie”</span> (1973), <span style="color: #3d85c6;">“Um Amor Entre Ruínas / Love
Among the Ruins”</span> (1975) e <span style="color: #3d85c6;">“O Coração Não Envelhece / The Corn Is Green”</span> (1978). No cinema brilhou em <span style="color: #3d85c6;">“Justiceiro Implacável / Rooster Cogburn</span></span><span style="font-family: inherit; font-size: 14pt;"><span style="color: #3d85c6;">”
</span>(1975), com John Wayne, e <span style="color: #3d85c6;">“Num Lago Dourado / On Golden Pond” </span>(1981), com Henry
Fonda, rendendo sua quarta vitória ao Oscar.</span></div></span><span style="font-size: 14pt;"><div style="text-align: justify;"><span style="font-family: inherit; font-size: 14pt;"> </span></div></span><span style="font-size: 14pt;"><div style="text-align: justify;"><span style="font-family: inherit; font-size: 14pt;">Seu
último longa foi <span style="color: #3d85c6;">“Segredos do Coração / Love Affair”</span> (1994), com
Warren Beatty e Annette Bening, e seu derradeiro filme para TV, <span style="color: #3d85c6;">“O Poder do
Natal / One Christmas” </span>(1994). Com a saúde em declínio, aposentou-se, morrendo
aos 96 anos. Além do marido e de Spencer Tracy, teve como amantes Howard
Hughes, Humphrey Bogart, John Ford e o empresário Leland Hayward. De acordo com biógrafo A. Scott Berg, <span style="color: #3d85c6;">“A Mulher que Soube Amar / Alice Adams”</span>
(1935) e <span style="color: #3d85c6;">“Longa Jornada Noite Adentro”</span> eram seus filmes favoritos. Suas atrizes
preferidas, Bette Davis e Vanessa Redgrave. Adorava Vanessa e dizia que ela era
</span><span style="color: #3d85c6; font-family: inherit;"><span>“</span><span style="font-size: 14pt;">uma emoção de se ver e ouvir</span><span>”</span></span><span style="font-family: inherit; font-size: 14pt;">.</span></div></span></span><p></p><p class="MsoNormal" style="margin-bottom: 0cm; text-align: justify;"></p><div style="text-align: justify;"><span style="font-family: inherit; font-size: 14pt;">De fato, </span><span style="background-color: #274e13; color: white; font-family: inherit; font-size: 14pt;">KATHARINE
HEPBURN</span><span style="font-family: inherit; font-size: 14pt;"> sempre se recusou a ser rotulada, constrangida ou predeterminada por quaisquer
estatutos sociais sobre o </span><span style="color: #3d85c6; font-family: inherit; font-size: 14pt;">“comportamento feminino convencional”.</span><span style="font-family: inherit; font-size: 14pt;"> Ela foi uma das
poucas estrelas de Hollywood que não fez nenhuma tentativa de adoçar sua
verdadeira personalidade, claramente anti-glamour, sincera e mal-humorada. Além
de extraordinária atriz, era conhecida também por ser uma ótima jogadora de
golfe, tenista e nadadora. Realmente, uma mulher original.</span></div><div style="text-align: justify;"><span style="font-family: inherit; font-size: 14pt;"><br /></span></div><div style="text-align: center;"><table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto;"><tbody><tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjponsfyXhhdtpsqW8Yf3_e4dZSApoYVyh9lDVz6kLupadd_9zaylsICQ4huZat1SLOCmaSRydWlHGVdRKUMG-T487xrLOtf7m7PTA23zgTZEV22Tv29xmBgMaa5d87NY2YK3R0U7bPylibumuCOCQKesoMSYVBthAAbueieaV-0Le5phSUn9Mi1sDu/s1554/Annex%20-%20Hepburn,%20Katharine%20(Philadelphia%20Story,%20The)_12.jpg" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="1262" data-original-width="1554" height="520" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjponsfyXhhdtpsqW8Yf3_e4dZSApoYVyh9lDVz6kLupadd_9zaylsICQ4huZat1SLOCmaSRydWlHGVdRKUMG-T487xrLOtf7m7PTA23zgTZEV22Tv29xmBgMaa5d87NY2YK3R0U7bPylibumuCOCQKesoMSYVBthAAbueieaV-0Le5phSUn9Mi1sDu/w640-h520/Annex%20-%20Hepburn,%20Katharine%20(Philadelphia%20Story,%20The)_12.jpg" width="640" /></a></td></tr><tr><td class="tr-caption" style="text-align: center;"><span style="background-color: black; color: #3d85c6; font-family: inherit; font-size: large;">cary grant e kate em “núpcias do escândalo”</span></td></tr></tbody></table></div><p></p><div style="text-align: center;"><span style="background-color: #274e13; font-size: 14pt;"><span style="color: white; font-family: inherit;">10 FILMES
de KATHARINE HEPBURN</span></span></div><span style="font-family: inherit;"><span style="color: #3d85c6; font-size: 14pt;"><div style="text-align: center;"><span style="font-size: 14pt;">(por
ordem de preferência)</span></div></span><span style="color: #3d85c6; font-size: 14pt;"> </span><br /><span style="color: #3d85c6; font-size: 14pt;">01</span><br /><div style="text-align: center;"><span style="background-color: #274e13; color: white; font-family: inherit; font-size: 14pt;">NÚPCIAS
do ESCÂNDALO</span></div><span style="color: #3d85c6; font-size: 14pt;"><div style="text-align: center;"><span style="font-family: inherit; font-size: 14pt;">(The
Philadelphia Story, 1940)</span></div></span></span><div><span style="font-family: inherit;"><span style="color: #3d85c6;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgyybeRku8jzBHBW9fVIWS5V_kZSGcHjEBG_MWgXYTe5jhtc7A1Uxv7mGFFrp6x3k0GAWO6Zxb71T6WjPwLVyzKZMUW-JfDdYcPoXXpMtI37luBB9O8vlC8b5qyqzAYCxAIlKIxJjPKt4__OZ7KUjaEEKHckN4XaPUbhxJfqskKNS7TTLtwnKKw95OG/s1610/852007c148620c149e3fca2f14d489cf.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1610" data-original-width="1125" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgyybeRku8jzBHBW9fVIWS5V_kZSGcHjEBG_MWgXYTe5jhtc7A1Uxv7mGFFrp6x3k0GAWO6Zxb71T6WjPwLVyzKZMUW-JfDdYcPoXXpMtI37luBB9O8vlC8b5qyqzAYCxAIlKIxJjPKt4__OZ7KUjaEEKHckN4XaPUbhxJfqskKNS7TTLtwnKKw95OG/s320/852007c148620c149e3fca2f14d489cf.jpg" width="224" /></a></div><span style="font-size: 18.6667px;"><br /></span></span><span style="color: #3d85c6; font-size: 14pt;">direção
de George Cukor</span><br /><span style="color: #3d85c6; font-size: 14pt;">elenco: Cary
Grant, James Stewart e Ruth Hussey</span><br /><span style="color: #3d85c6; font-size: 14pt;"> </span><br /><span style="color: #3d85c6; font-size: 14pt;">02</span><br /><div style="text-align: center;"><span style="background-color: #274e13; color: white; font-family: inherit; font-size: 14pt;">De
REPENTE, no ÚLTIMO VERÃO</span></div><span style="color: #3d85c6; font-size: 14pt;"><div style="text-align: center;"><span style="font-family: inherit; font-size: 14pt;">(Suddenly,
Last Summer, 1959)</span></div></span></span></div><div><span style="font-family: inherit;"><span style="color: #3d85c6;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj3SOrmYUAni3-aBXz7fFTVwO4--6r94HFErY2TC8g8Az92cc5zO_wQ30a4ydi_89t2VvP_WNlKb2DH7xBKD-tcpZ7Of6n-4XSNUsleXVQgpdPSQ66uoPaH5LTW8GaCpji6oe7XPLtdV62s1R4XfY1eN3rLldmpLDn8qrzz4FTquoFpk_53d0wNkYBE/s1239/pop-up-beijing-classic-movie-tuesday-suddenly-last-summer-elizabeth-taylor-katharine-hepburn-montgomery-clift-poster-2.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="968" data-original-width="1239" height="250" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj3SOrmYUAni3-aBXz7fFTVwO4--6r94HFErY2TC8g8Az92cc5zO_wQ30a4ydi_89t2VvP_WNlKb2DH7xBKD-tcpZ7Of6n-4XSNUsleXVQgpdPSQ66uoPaH5LTW8GaCpji6oe7XPLtdV62s1R4XfY1eN3rLldmpLDn8qrzz4FTquoFpk_53d0wNkYBE/s320/pop-up-beijing-classic-movie-tuesday-suddenly-last-summer-elizabeth-taylor-katharine-hepburn-montgomery-clift-poster-2.jpg" width="320" /></a></div><span style="font-size: 18.6667px;"><br /></span></span><span style="color: #3d85c6; font-size: 14pt;">direção
de Joseph L. Mankiewicz</span><br /><span style="color: #3d85c6; font-size: 14pt;">elenco: Elizabeth
Taylor, Montgomery Clift, Albert Dekker e Mercedes McCambridge</span><br /><span style="color: #3d85c6; font-size: 14pt;"> </span><br /><span style="color: #3d85c6; font-size: 14pt;">03</span><br /><div style="text-align: center;"><span style="background-color: #274e13; color: white; font-family: inherit; font-size: 14pt;">Uma
AVENTURA na ÁFRICA</span></div><span style="color: #3d85c6; font-size: 14pt;"><div style="text-align: center;"><span style="font-family: inherit; font-size: 14pt;">(The
African Queen, 1951)</span></div></span></span></div><div><span style="font-family: inherit;"><span style="color: #3d85c6;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi_IKgIxXIrIB3-d3ohdjIwyRm8vrOCJ1BQ0iYTWfYzm8KJU5DCFpZVLvkbZb8SweCErLWFDl9YV00oYMITgXOPffMr4SzDVJ6S_o_GPBhlX_FRSBDUUJ3BtOOqk9xoalMjy0_fL4AQ7Nlk_VfIRSmFWxKuj21s8okhPjodD1hoSpNL7a0-RfRJvVcj/s2852/The_African_Queen_(1952_US_poster).jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="2852" data-original-width="1917" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi_IKgIxXIrIB3-d3ohdjIwyRm8vrOCJ1BQ0iYTWfYzm8KJU5DCFpZVLvkbZb8SweCErLWFDl9YV00oYMITgXOPffMr4SzDVJ6S_o_GPBhlX_FRSBDUUJ3BtOOqk9xoalMjy0_fL4AQ7Nlk_VfIRSmFWxKuj21s8okhPjodD1hoSpNL7a0-RfRJvVcj/s320/The_African_Queen_(1952_US_poster).jpg" width="215" /></a></div><span style="font-size: 18.6667px;"><br /></span></span><span style="color: #3d85c6; font-size: 14pt;">direção
de John Huston</span><br /><span style="color: #3d85c6; font-size: 14pt;">elenco: Humphrey
Bogart e Robert Morley</span><br /><span style="color: #3d85c6; font-size: 14pt;"> </span><br /><span style="color: #3d85c6; font-size: 14pt;">04</span><br /><div style="text-align: center;"><span style="background-color: #274e13; color: white; font-family: inherit; font-size: 14pt;">QUANDO o
CORAÇÃO FLORESCE</span></div><span style="color: #3d85c6; font-size: 14pt;"><div style="text-align: center;"><span style="font-family: inherit; font-size: 14pt;">(Summertime,
1955)</span></div></span></span></div><div><span style="font-family: inherit;"><span style="color: #3d85c6;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjTdZl9OtnLyh-8UsizlxwWAOr7oVStwq8sRCdN68ETL1m7OR86lmO7qHtI2hmIaSp5PFKefCz19m6jiUF2tK657bFLkj38vU2S1hTe_pNWh7F48lz98qrnkSxyumgirtnDHdoYrPzN7fCoRWmfucsXpgWJmE-mdaWH_506ajd1eGECEtfcJs7F-udX/s1500/MV5BZTdmMTRjNTMtYmUzMy00YmE5LWI1ZDYtNGEyYTRkOTIwMTk1XkEyXkFqcGdeQXVyMjUxODE0MDY@._V1_FMjpg_UX1000_.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1500" data-original-width="1000" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjTdZl9OtnLyh-8UsizlxwWAOr7oVStwq8sRCdN68ETL1m7OR86lmO7qHtI2hmIaSp5PFKefCz19m6jiUF2tK657bFLkj38vU2S1hTe_pNWh7F48lz98qrnkSxyumgirtnDHdoYrPzN7fCoRWmfucsXpgWJmE-mdaWH_506ajd1eGECEtfcJs7F-udX/s320/MV5BZTdmMTRjNTMtYmUzMy00YmE5LWI1ZDYtNGEyYTRkOTIwMTk1XkEyXkFqcGdeQXVyMjUxODE0MDY@._V1_FMjpg_UX1000_.jpg" width="213" /></a></div><span style="font-size: 18.6667px;"><br /></span></span><span style="color: #3d85c6; font-size: 14pt;">direção
de David Lean</span><br /><span style="color: #3d85c6; font-size: 14pt;">elenco: Rossano
Brazzi e Isa Miranda</span><br /><span style="color: #3d85c6; font-size: 14pt;"> </span><br /><div style="text-align: left;"><span style="color: #3d85c6; font-family: inherit; font-size: 14pt;">05</span></div><span style="font-size: 14pt;"><div style="text-align: center;"><span style="background-color: #274e13; font-family: inherit; font-size: 14pt;"><span style="color: white;">A COSTELA
de ADÃO</span></span></div></span><span style="color: #3d85c6; font-size: 14pt;"><div style="text-align: center;"><span style="font-family: inherit; font-size: 14pt;">(Adam's
Rib, 1949)</span></div></span></span></div><div><span style="font-family: inherit;"><span style="color: #3d85c6;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjmGgSEAUZYguRC9X8OaawU3ggDIKGT5uMTFhI6QlI4LRF_g0QKhPiJSWGHKZtvF1b83D9yBrPtC-SR3fsUhaLu2ZQceo7ANkRPR0VFiyG4XbLl0rKxl8WOHWvNQExh-dhoBiqIPFk-hND1CEEctZ4ZmmakgCpkWcnxBYUCaiL7tkONDPlqQW1tPEU_/s2933/Adam's_Rib_(1949_alternate_poster).jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="2933" data-original-width="2222" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjmGgSEAUZYguRC9X8OaawU3ggDIKGT5uMTFhI6QlI4LRF_g0QKhPiJSWGHKZtvF1b83D9yBrPtC-SR3fsUhaLu2ZQceo7ANkRPR0VFiyG4XbLl0rKxl8WOHWvNQExh-dhoBiqIPFk-hND1CEEctZ4ZmmakgCpkWcnxBYUCaiL7tkONDPlqQW1tPEU_/s320/Adam's_Rib_(1949_alternate_poster).jpg" width="242" /></a></div><span style="font-size: 18.6667px;"><br /></span></span><span style="color: #3d85c6; font-size: 14pt;">direção
de George Cukor</span><br /><span style="color: #3d85c6; font-size: 14pt;">elenco: Spencer
Tracy, Judy Holliday, Tom Ewell e Jean Hagen</span><br /><span style="color: #3d85c6; font-size: 14pt;"> </span><br /><span style="color: #3d85c6; font-size: 14pt;">06</span><br /><div style="text-align: center;"><span style="background-color: #274e13; color: white; font-family: inherit; font-size: 14pt;">As
TROIANAS</span></div><span style="color: #3d85c6; font-size: 14pt;"><div style="text-align: center;"><span style="font-family: inherit; font-size: 14pt;">(The
Trojan Women, 1971)</span></div></span></span></div><div><span style="font-family: inherit;"><span style="color: #3d85c6;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiKVlq9I9QyPpNhzhZcL9ImZx7dpnUYqxnYj0PsUctbxOro0DqpD1Q0LkT6_GJnlYSmGWcjp5iHqpf7LtQZXf5eK77VlAXKr4zn5lBk7kKhg8cQkHm3AmE9e8g40vZ1sJf61NeZOvZnH2RBXLXpkIlUVK2enhOUuEpVVPx-EarNyQO6tu2U6Bz_--Kx/s1372/xl_67881_9f522591.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1372" data-original-width="579" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiKVlq9I9QyPpNhzhZcL9ImZx7dpnUYqxnYj0PsUctbxOro0DqpD1Q0LkT6_GJnlYSmGWcjp5iHqpf7LtQZXf5eK77VlAXKr4zn5lBk7kKhg8cQkHm3AmE9e8g40vZ1sJf61NeZOvZnH2RBXLXpkIlUVK2enhOUuEpVVPx-EarNyQO6tu2U6Bz_--Kx/s320/xl_67881_9f522591.jpg" width="135" /></a></div><span style="font-size: 18.6667px;"><br /></span></span><span style="color: #3d85c6; font-size: 14pt;">direção
de Michael Cacoyannis</span><br /><span style="color: #3d85c6; font-size: 14pt;">elenco: Vanessa
Redgrave, Genèvieve Bujold e Irene Papas</span><br /><span style="color: #3d85c6; font-size: 14pt;"> </span><br /><span style="color: #3d85c6; font-size: 14pt;">07</span><br /><div style="text-align: center;"><span style="background-color: #274e13; color: white; font-family: inherit; font-size: 14pt;">LONGA
JORNADA NOITE ADENTRO</span></div><span style="color: #3d85c6; font-size: 14pt;"><div style="text-align: center;"><span style="font-family: inherit; font-size: 14pt;">(Long
Day's Journey Into Night, 1962)</span></div></span></span></div><div><span style="font-family: inherit;"><span style="color: #3d85c6;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhB_FgifPrbJXCFT0xlqUgj7shPhXnbOASEh8VjNabEMAGVwSh3Kb1sS3IZFH1LPPME8FwQCPuk6Y3a2R0LoumA8ktemJwyZR2ruRl9FoLFnAFIm9CBfRbO_uO5STIYnhw46w37yjaGB513pb3zPt4Xr77zNxVtrYDV7MnFAvgLpWqee1Le69WfRoIY/s1176/MV5BODNiMjdmYzYtYjQwOC00NWE5LTk5NzktZDUwM2UwNDY4MmM4XkEyXkFqcGdeQXVyMjUxODE0MDY@._V1_.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1176" data-original-width="780" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhB_FgifPrbJXCFT0xlqUgj7shPhXnbOASEh8VjNabEMAGVwSh3Kb1sS3IZFH1LPPME8FwQCPuk6Y3a2R0LoumA8ktemJwyZR2ruRl9FoLFnAFIm9CBfRbO_uO5STIYnhw46w37yjaGB513pb3zPt4Xr77zNxVtrYDV7MnFAvgLpWqee1Le69WfRoIY/s320/MV5BODNiMjdmYzYtYjQwOC00NWE5LTk5NzktZDUwM2UwNDY4MmM4XkEyXkFqcGdeQXVyMjUxODE0MDY@._V1_.jpg" width="212" /></a></div><span style="font-size: 18.6667px;"><br /></span></span><span style="color: #3d85c6; font-size: 14pt;">direção
de Sidney Lumet</span><br /><span style="color: #3d85c6; font-size: 14pt;">elenco: Ralph
Richardson, Jason Robards e Dean Stockwell</span><br /><span style="color: #3d85c6; font-size: 14pt;"> </span><br /><span style="color: #3d85c6; font-size: 14pt;">08</span><br /><div style="text-align: center;"><span style="background-color: #274e13; color: white; font-family: inherit; font-size: 14pt;">LEVADA da
BRECA</span></div><span style="color: #3d85c6; font-size: 14pt;"><div style="text-align: center;"><span style="font-family: inherit; font-size: 14pt;">(Bringing
Up Baby, 1938)</span></div></span></span></div><div><span style="font-family: inherit;"><span style="color: #3d85c6;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjToDJpNTWitiQqRtm-On9rlgdKkiJrU2r31qCGlTO8wROrZyQalW0FDL057oK27G1GA-NWyzuSOdoYbmfVI_lKMfLTBrfXNTP763Vnbetlx7rZfOa9WBbNjnDNplBkB1PMFymkVKIPItUVtsUClOFqTQnCArztDKslTUQq_9RU1lJfFy1CLpWc3B78/s1514/bringing-up-baby.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1167" data-original-width="1514" height="247" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjToDJpNTWitiQqRtm-On9rlgdKkiJrU2r31qCGlTO8wROrZyQalW0FDL057oK27G1GA-NWyzuSOdoYbmfVI_lKMfLTBrfXNTP763Vnbetlx7rZfOa9WBbNjnDNplBkB1PMFymkVKIPItUVtsUClOFqTQnCArztDKslTUQq_9RU1lJfFy1CLpWc3B78/s320/bringing-up-baby.jpg" width="320" /></a></div><span style="font-size: 18.6667px;"><br /></span></span><a name="_Hlk107147887" style="color: #3d85c6;"><span style="font-size: 14pt; line-height: 107%;">direção de Howard Hawks</span></a><br /><span style="color: #3d85c6; font-size: 14pt;">elenco: Cary Grant, Charles Ruggles e Barry
Fitzgerald</span><br /><span style="color: #3d85c6; font-size: 14pt;"> </span><br /><span style="color: #3d85c6; font-size: 14pt;">09</span><br /><div style="text-align: center;"><span style="background-color: #274e13; color: white; font-family: inherit; font-size: 14pt;">A MULHER
do DIA</span></div><span style="color: #3d85c6; font-size: 14pt;"><div style="text-align: center;"><span style="font-family: inherit; font-size: 14pt;">(Woman of
the Year, 1942)</span></div></span></span></div><div><span style="font-family: inherit;"><span style="color: #3d85c6;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgze9N4MHZ-BeIRdM0Z8OFTQ1NVs_-Xuzi0RtAaQ_XSKX1GB8DVAqJZ2WCLeUd4D0Dvozhkl2Ne4csmdoMupP__XbvO6Kku5MTLEXpIZzadt0wPE_P6pRWYbC8_rK6gy0esHg2kSkuD2hP8BvmwQCjDxncKR8W3jxhRybSYSl5gHOmROu6TBBsPN3sl/s2936/Woman_of_the_Year_(1942_poster_-_Style_D).jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="2936" data-original-width="1964" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgze9N4MHZ-BeIRdM0Z8OFTQ1NVs_-Xuzi0RtAaQ_XSKX1GB8DVAqJZ2WCLeUd4D0Dvozhkl2Ne4csmdoMupP__XbvO6Kku5MTLEXpIZzadt0wPE_P6pRWYbC8_rK6gy0esHg2kSkuD2hP8BvmwQCjDxncKR8W3jxhRybSYSl5gHOmROu6TBBsPN3sl/s320/Woman_of_the_Year_(1942_poster_-_Style_D).jpg" width="214" /></a></div><span style="font-size: 18.6667px;"><br /></span></span><span style="color: #3d85c6; font-size: 14pt;">direção
de George Stevens</span><br /><span style="color: #3d85c6; font-size: 14pt;">elenco: Spencer
Tracy, Fay Bainter e William Bendix</span><br /><span style="color: #3d85c6; font-size: 14pt;"> </span><br /><span style="color: #3d85c6; font-size: 14pt;">10</span><br /><div style="text-align: center;"><span style="background-color: #274e13; color: white; font-family: inherit; font-size: 14pt;">O LEÃO no INVERNO</span></div><span style="color: #3d85c6; font-size: 14pt;"><div style="text-align: center;"><span style="font-family: inherit; font-size: 14pt;">(The Lion
in Winter, 1968)</span></div></span></span></div><div><span style="font-family: inherit;"><span style="color: #3d85c6;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiGLppnC5dDF6fgMSADZpMnRCSF-sYSSrBNDXPxLkv2rd0trDbobddt_-jquAHVuBDzm5TMjHH_EY8AXCv610RNuc0k_QtcKEzLTJ7OSSl9KGt8MVYUrLhpFE16ltC6I_sjxH7zUTpOoO159BgPVs_sT0E0RfVm4xC2YPvA3tO-HZ6n0Iwy036qx9X-/s1500/tumblr_og5hvmNJI71qzkgzqo1_1280.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1500" data-original-width="988" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiGLppnC5dDF6fgMSADZpMnRCSF-sYSSrBNDXPxLkv2rd0trDbobddt_-jquAHVuBDzm5TMjHH_EY8AXCv610RNuc0k_QtcKEzLTJ7OSSl9KGt8MVYUrLhpFE16ltC6I_sjxH7zUTpOoO159BgPVs_sT0E0RfVm4xC2YPvA3tO-HZ6n0Iwy036qx9X-/s320/tumblr_og5hvmNJI71qzkgzqo1_1280.jpg" width="211" /></a></div><span style="font-size: 18.6667px;"><br /></span></span><span style="color: #3d85c6; font-size: 14pt;">direção
de Anthony Harvey</span><br /><span style="color: #3d85c6; font-size: 14pt;">elenco: Peter
O´Toole, Anthony Hopkins e Timothy Dalton</span><br /><span style="color: #3d85c6; font-size: 14pt;"> </span><br /></span><div style="text-align: center;"><span style="background-color: #274e13; font-size: 14pt;"><span style="color: white; font-family: inherit;">ENTREVISTANDO
KATHARINE HEPBURN</span></span></div><span style="font-family: inherit;"><span style="color: #3d85c6;"><span style="font-size: 14pt;"><div style="text-align: center;"><span style="font-size: 14pt;">Barbara
Walters,1981</span></div></span><span style="font-size: 14pt;"> </span><br /><span style="font-size: 14pt;">Hepburn:
“Eu não vivi como mulher. Eu vivi como um homem... Acabei fazendo o que eu
queria e ganhei dinheiro suficiente para me sustentar. E não tenho medo de
ficar sozinha.”</span><br /><span style="font-size: 14pt;">Walters:
“É por isso que você também usa calças?”</span><br /><span style="font-size: 14pt;">Hepburn:
“Não, eu só uso calças porque são confortáveis.”</span><br /><span style="font-size: 14pt;">Walters:
“A propósito, você já usou saia?”</span><br /><span style="font-size: 14pt;">Hepburn:
“Eu tenho uma.”</span><br /><span style="font-size: 14pt;">Walters:
“Você tem uma?”</span><br /><span style="font-size: 14pt;">Hepburn:
“Vou usá-lo no seu funeral.”</span></span><br /><span style="font-size: 14pt;"> </span><br /></span><div style="text-align: center;"><span><span style="color: white; font-family: inherit; font-size: large;"><span style="background-color: #274e13;">GALERIA
de FOTOS</span></span></span></div><div style="text-align: center;"><span style="background-color: #274e13; font-size: 14pt;"><span style="color: white; font-family: inherit;"><br /></span></span></div><div style="text-align: center;"><span style="background-color: #274e13; font-size: 14pt;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgAuBplEb-FGSvXajzQVO_bFrvHIGQsOwahXDiLV1ZlCtiKMU7qnjv3B8VgWYq4ohZmM4_11_vL6xniX6OZp3sD8ZfD-ztqXuGHeu3ON34qy90_FahcdNfH_SWXgxgGkNudosloaKk6KIxSd5Llm49pRSTzc3Kzf-d2YM1QOjNk6aqBHnThEnlCj8hu/s640/kh738920.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="640" data-original-width="523" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgAuBplEb-FGSvXajzQVO_bFrvHIGQsOwahXDiLV1ZlCtiKMU7qnjv3B8VgWYq4ohZmM4_11_vL6xniX6OZp3sD8ZfD-ztqXuGHeu3ON34qy90_FahcdNfH_SWXgxgGkNudosloaKk6KIxSd5Llm49pRSTzc3Kzf-d2YM1QOjNk6aqBHnThEnlCj8hu/w328-h400/kh738920.jpg" width="328" /></a></div><div class="separator" style="clear: both; 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<span style="mso-bookmark: _Hlk107147887;"></span>
</div>ANTONIO NAHUDhttp://www.blogger.com/profile/09829893001743081676noreply@blogger.com10tag:blogger.com,1999:blog-7997398743762234247.post-77088034384030593722022-05-31T22:12:00.034-03:002022-06-01T17:50:40.229-03:00**************** DAVID LEAN: ÉPICO e ROMÂNTICO<div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjZzVBXk8O96g3ExmOGL6LNbkvyVgSN_yIdDNsBCBOOZ8v4TRxvWLvc7IJQFT2tmd1O07Dh8Gue2JxWfvLL027IUmGv4xvNMNpa9ZJCApBNSPiCY-kdauiNchIfYZVaAow9AgVtxoOBcGJ30VKQvHTz43NHhtk0DQxOSZKgdxyu3TAztwa4YX_-taEu/s967/DavidLeane.jpg" style="margin-left: 1em; margin-right: 1em; text-align: center;"><img border="0" data-original-height="742" data-original-width="967" height="492" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjZzVBXk8O96g3ExmOGL6LNbkvyVgSN_yIdDNsBCBOOZ8v4TRxvWLvc7IJQFT2tmd1O07Dh8Gue2JxWfvLL027IUmGv4xvNMNpa9ZJCApBNSPiCY-kdauiNchIfYZVaAow9AgVtxoOBcGJ30VKQvHTz43NHhtk0DQxOSZKgdxyu3TAztwa4YX_-taEu/w640-h492/DavidLeane.jpg" width="640" /></a></div><p><br /></p><p class="MsoNormal" style="margin-bottom: 0cm; text-align: center;"><span style="font-family: inherit;"><span style="font-size: 14pt;"></span></span></p><div style="text-align: justify;"><span style="font-family: inherit;"><span style="font-family: inherit; font-size: 14pt;"> </span></span></div><span style="font-family: inherit;"><span style="font-family: inherit; font-size: large;"><div style="text-align: justify;"><span style="color: #3d85c6;">“Há três
filmes de David Lean que me influenciaram muito. Um é Lawrence da Arábia, meu
favorito. O outro, A Ponte do Rio Kwai. Mas quando vi Doutor Jivago, achei-o
uma obra-prima, e fiquei muito emocionado. Portanto, estes são os três que
costumo rever antes de realizar meus filmes.”</span></div><div style="text-align: justify;"><span style="background-color: #274e13;"><span style="color: white;">STEVEN
SPIELBERG</span></span></div><div style="text-align: justify;"> </div><div style="text-align: justify;"><span style="color: #3d85c6;">“Sempre
quis fazer filmes que gostaria de ver quando fosse ao cinema. Adoro bons
filmes. E o fundamental para poder fazer um é contar uma boa história que tenha
bons personagens. Talvez por isso tenha dirigido apenas 16 longas-metragens.
Passei parte da vida lendo histórias, escolhendo cuidadosamente projetos e
trabalhando em roteiros.</span><span style="color: #3d85c6;">”</span></div></span><div style="text-align: justify;"><span style="color: white; font-size: large;"><span style="background-color: #274e13;">DAVID
LEAN</span></span></div><div style="text-align: justify;"><span style="font-size: large;"> </span></div><div style="text-align: justify;"><span style="font-size: large;"> </span></div><div style="text-align: justify;"><span style="font-size: large;">Para
diretores como Steven Spielberg, Francis Ford Coppola ou Bernardo Bertolucci, <span style="background-color: #274e13; color: white;">DAVID
LEAN</span> <span style="color: #3d85c6;">(1908 - 1991. Croydon, Surrey, Inglaterra / Reino Unido)</span> é uma referência
fundamental. A obstinação do cineasta britânico, numa busca inabalável pela
perfeição, resultou em épicos arrebatadores e dramas íntimos. Suas imagens
fazem parte da história do cinema pelo senso inspirado de contar histórias. Seu
excepcional talento pictórico e dramático, a grandiloquência e sofisticação
técnica, a densidade psicológica, a construção realista dos personagens e a
montagem precisa, impressionaram o mundo.</span></div><div style="text-align: justify;"><span style="font-size: large;"> </span></div><div style="text-align: justify;"><span style="font-size: large;">Por causa
do perfeccionismo, realizou apenas 16 filmes, mas conseguiu o respeito e a
admiração da crítica e do público. <span style="color: #3d85c6;">“Gosto de uma boa história, bem consistente,
com começo, meio e fim. A maioria dos filmes novos não têm construção
dramática. E devo dizer que gosto de uma boa construção dramática. Gosto de me
emocionar quando vou ao cinema”</span>, afirmou o cineasta. Ele construiu uma carreira marcada
pela busca de qualidade. Descrito como bastante frio e obsessivo,
mergulhava de corpo e alma em uma filmagem. Tinha pouca paciência com os
atores e estava sempre em conflito com seu ator favorito, Alec Guinness, com
quem rodou cinco filmes e cuja carreira lançou.</span></div><div style="text-align: justify;"><span style="font-size: large;"><br /></span></div><div style="text-align: justify;"><table cellpadding="0" cellspacing="0" class="tr-caption-container" style="float: right; margin-left: 1em; text-align: right;"><tbody><tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjsWyRXtSLgrOJY9Fn15BAxjN0sFAQQq6wXldfM8hGriy9PbtHYERxb4JxQbazq6gssA_867UgcNgzWGZemnJMkazogY2lck3gxTGpknJds_2h7qSRw5WwEHqJoiFnXJvrNkAmV2OnAlicniidN03Q9MmdYUsH3aznvMC1i6P0jHlCTTXnesT4XPtY4/s1398/852219113.0.x.jpg" style="clear: right; margin-bottom: 1em; margin-left: auto; margin-right: auto;"><img border="0" data-original-height="1373" data-original-width="1398" height="393" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjsWyRXtSLgrOJY9Fn15BAxjN0sFAQQq6wXldfM8hGriy9PbtHYERxb4JxQbazq6gssA_867UgcNgzWGZemnJMkazogY2lck3gxTGpknJds_2h7qSRw5WwEHqJoiFnXJvrNkAmV2OnAlicniidN03Q9MmdYUsH3aznvMC1i6P0jHlCTTXnesT4XPtY4/w400-h393/852219113.0.x.jpg" width="400" /></a></td></tr><tr><td class="tr-caption" style="text-align: center;"><span style="background-color: black; color: #3d85c6; font-family: inherit; font-size: large;">david lean nos anos 40</span></td></tr></tbody></table><span style="font-size: large;">Possuía
um domínio profundo das técnicas cinematográficas, interessado, sobretudo, em
contar uma história e comunicar sentimentos. <span style="color: #3d85c6;">“Gosto de manter um controle
rígido sobre todos os elementos de um filme. Acho que ser diretor é isso:
estimular o talento dos outros e extrair deles todas as coisas que imaginou quando estava trabalhando no roteiro. Nesse sentido, acho que sou um
bom ditador”</span>, disse numa entrevista. </span></div><div style="text-align: justify;"><span style="font-size: large;"><br /></span></div><div style="text-align: justify;"><span style="font-family: inherit; font-size: large;"><span>Ele construiu um estilo próprio e uma
perspectiva de mundo única, desenvolvendo uma linguagem de planos gerais
grandiosos e elaborados movimentos de câmera. Lutava para fazer os filmes a
seu modo e sem interferências. </span>Nascido
filho de um contador no elegante subúrbio londrino de Croydon, cresceu como o
mais velho de dois irmãos em uma rigorosa família que olhava o cinema com
desaprovação. Sempre que podia, ele se refugiava no cinema local, onde se
entusiasmava com os filmes silenciosos norte-americanos, impressionando-se
fortemente com <span style="color: #3d85c6;">“Os Quatro Cavaleiros do Apocalipse / The Four Horsemen of the
Apocalypse”</span> (1921) e <span style="color: #3d85c6;">“Mare Nostrum”</span> (1926), ambos de Rex Ingram, diretor que
admirava. </span></div><div style="text-align: justify;"><span style="font-family: inherit; font-size: large;"><br /></span></div><div style="text-align: justify;"><span style="font-family: inherit; font-size: large;">Em 1927, aos 19 anos, embarcou na carreira cinematográfica, depois de
um ano sem sucesso na firma de contabilidade de seu pai. Foi contratado sem
remuneração no Gaumont Studios, de Londres, onde sua principal funções era
servir chá. <span style="line-height: 107%;">Depois de
curto período de tempo neste e em outros serviços, incluindo assistente de
câmera, tornou-se o terceiro assistente de direção. Queria aprender tudo e
começou a assistir ao trabalho na sala de montagem. Em 1930, foi nomeado editor-chefe
e logo se tornou o editor mais bem pago da Inglaterra.</span> <span style="line-height: 107%;">Da
edição, voltou a atenção para a direção. Recebeu várias propostas para dirigir
filmes, porém rejeitou-as, temendo que produções medíocres prejudicassem o seu
futuro. Finalmente a oportunidade esperada surgiu, quando o consagrado
teatrólogo de comédias sofisticadas, Noel Coward, resolveu realizar <span style="color: #3d85c6;">“Nosso
Barco, Nossa Alma”</span> e ofereceu a <span style="background-color: #274e13; color: white;">DAVID LEAN</span> o cargo de co-diretor.</span></span></div><div style="text-align: justify;"><span style="font-size: large;"><span style="line-height: 107%;"><br /></span></span></div><div style="text-align: justify;"><span style="font-size: large;"><table cellpadding="0" cellspacing="0" class="tr-caption-container" style="float: right; margin-left: 1em; text-align: right;"><tbody><tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjqX1Gb5P6ujB0toXtuYKGRzBBm-9Wfojjf1Pq0qjqG3lpmJyMfOsZGi3fNjK_xMmWqaY2QlXrtj2kzlbvL-ynsD1P-6xFsOQEMMKL5q19QOY8P_SgjZsX69Helry_daaNQJLE6sjCZNHmcmd5UOIhfzPUz8T1GcEGh0WI5q9pnw5n54l4YlowCU5i0/s1000/omar-sharif-e-david-lean-no-set-de-filmagem.jpg" style="clear: right; margin-bottom: 1em; margin-left: auto; margin-right: auto;"><img border="0" data-original-height="1000" data-original-width="798" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjqX1Gb5P6ujB0toXtuYKGRzBBm-9Wfojjf1Pq0qjqG3lpmJyMfOsZGi3fNjK_xMmWqaY2QlXrtj2kzlbvL-ynsD1P-6xFsOQEMMKL5q19QOY8P_SgjZsX69Helry_daaNQJLE6sjCZNHmcmd5UOIhfzPUz8T1GcEGh0WI5q9pnw5n54l4YlowCU5i0/w319-h400/omar-sharif-e-david-lean-no-set-de-filmagem.jpg" width="319" /></a></td></tr><tr><td class="tr-caption" style="text-align: center;"><span style="background-color: black; color: #3d85c6; font-family: inherit; font-size: large;">omar sharif e david lean em 1965</span></td></tr></tbody></table></span></div><div style="text-align: justify;"><span style="font-size: large;">Em estilo
semi-documentário e tom patriótico, a história de um destroier da Marinha
Britânica, desde a sua construção até seu torpedeamento durante a Segunda
Guerra Mundial, e dos homens que nele serviam. Concorreu ao Oscar nas
categorias Melhor Filme e Melhor Roteiro Original. Na Inglaterra, foi
considerado o longa mais popular do ano. A segunda parceria de Coward-Lean, <span style="color: #3d85c6;">“Este Povo Alegre”</span>, da peça de Coward, mostra o cotidiano num lar suburbano entre as duas guerras. Evitando o
sentimentalismo e o clima de teatro filmado, a crônica familiar de <span style="background-color: #274e13; color: white;">DAVID LEAN</span> foi
um dos maiores êxitos na Inglaterra em 1944.</span></div><div style="text-align: justify;"><span style="font-size: large;"> </span></div><div style="text-align: justify;"><span style="font-size: large;">Depois da
comédia <span style="color: #3d85c6;">“Uma Mulher do Outro Mundo”</span>, baseada também em peça de Coward,
dirigiu <span style="color: #3d85c6;">“Desencanto”</span>, um dos filmes britânicos românticos mais populares de
todos os tempos. Narrando um frustrado romance com sinceridade e sutileza,
através de flashbacks e em espaços confinados, o diretor realizou uma
obra-prima intimista, recebendo indicação para o Oscar de Melhor Diretor e
outra, juntamente com Coward e Havelock-Allan, para o de Melhor Roteiro. Em Cannes, levou o Prix International de
Critique. Encorajado pelo sucesso, com seus parceiros da Cineguild produziu
adaptações de dois romances de Charles Dickens: <span style="color: #3d85c6;">“Grandes
Esperanças”</span> e <span style="color: #3d85c6;">“Oliver Twist”</span>.</span></div><div style="text-align: justify;"><span style="font-size: large;"> </span></div><div style="text-align: justify;"><span style="font-size: large;">Para o
papel título de <span style="color: #3d85c6;">“Oliver Twist”</span> selecionaram – entre 1.500 candidatos – John
Howard Davies. Ao lado do melodrama, o aspecto social foi abordado, evocando-se
condições desumanas, a miséria e a sordidez da Londres do século dezenove. Seu
filme seguinte, <span style="color: #3d85c6;">“A História de uma Mulher”</span>, baseado num romance de H. G. Wells,
trata das dificuldades afetivas de um triângulo amoroso. Durante a filmagem, o
diretor (então casado com Kay Walsh, sua segunda esposa – a primeira foi Isabel
Lean, que lhe deu um filho, Peter) apaixonou-se por Ann Todd. Eles se
divorciaram de seus respectivos companheiros e se casaram no ano seguinte. <span style="background-color: #274e13; color: white;">DAVID
LEAN</span> se casaria pela quarta vez com Leila Matkar, pela quinta vez com Sandra
Hotz e pela sexta vez com Sandra Cooke. Apesar de casado, morou muitos anos com
Barbara Cole.</span></div><div style="text-align: justify;"><span style="font-size: large;"><br /></span></div><div style="text-align: justify;"><span style="font-size: large;"><table cellpadding="0" cellspacing="0" class="tr-caption-container" style="float: left; margin-right: 1em; text-align: left;"><tbody><tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgG-Zc_hyh8Z8pBsJokPaX8E1UvE0yywVC-kYD8BY_nTy2mKgNu-MR0LAkkaMg7DGQjWNZWUGbceE4DjFnaiOKs-KlrVCS2kMvSCOAHRDl27Z6DfiEIS2HSRCAmPU0nkZKve1Z5-D1LTIUFUAhqQMwBlxpTvOZ5QMWgk2MqDuY9kUgXdUcK5LF5JsHK/s1273/apigfqqpo__58576.1626371561.jpg" style="clear: left; margin-bottom: 1em; margin-left: auto; margin-right: auto;"><img border="0" data-original-height="1273" data-original-width="1085" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgG-Zc_hyh8Z8pBsJokPaX8E1UvE0yywVC-kYD8BY_nTy2mKgNu-MR0LAkkaMg7DGQjWNZWUGbceE4DjFnaiOKs-KlrVCS2kMvSCOAHRDl27Z6DfiEIS2HSRCAmPU0nkZKve1Z5-D1LTIUFUAhqQMwBlxpTvOZ5QMWgk2MqDuY9kUgXdUcK5LF5JsHK/w341-h400/apigfqqpo__58576.1626371561.jpg" width="341" /></a></td></tr><tr><td class="tr-caption" style="text-align: center;"><span style="background-color: black; color: #3d85c6; font-family: inherit; font-size: large;">lean, sophia loren e o oscar</span></td></tr></tbody></table></span></div><div style="text-align: justify;"><span style="font-size: large;">Novamente
com Ann Todd fez <span style="color: #3d85c6;">“As Cartas de Madeleine”</span>, mas o drama fracassou. Voltaria aos
estúdios no final de 1951 quando, a convite de Alexander Korda, rodou <span style="color: #3d85c6;">“Sem
Barreira no Céu”</span>, cuja verdadeira força está nas cenas aéreas fotografadas por
Jack Hildyard. Voltou à comédia com <span style="color: #3d85c6;">“Papai é do Contra”</span>. Cheia de sátira e sentimento, foi o Melhor Filme do Ano da British Film Academy e tem excelente
performance de Charles Laughton, como o dono beberrão de uma loja de calçados. Rodado em Veneza, <span style="color: #3d85c6;">“Quando o Coração Floresce”</span> inaugurou a carreira
internacional de <span style="background-color: #274e13; color: white;">DAVID LEAN</span>.</span></div><div style="text-align: justify;"><span style="font-size: large;"> </span></div><div style="text-align: justify;"><span style="font-size: large;">Ultrapassando
o filme turístico, retrata a evolução de uma mulher que descobre o amor.
Katharine Hepburn, em comovente desempenho, refletindo toda a luta interior
entre o desejo e o medo de uma secretária de meia-idade frustrada, domina
completamente o drama num papel sob medida para seu talento. Foi candidata ao
Oscar de Melhor Atriz. <span style="color: #3d85c6;">“A Ponte do Rio Kwai”</span> marcou a entrada triunfal do
cineasta no superespetáculo. O autor do romance que serviu de base para o
filme, Pierre Boulle, havia sido procurado pelo cineasta francês Henri-Georges
Clouzot e por Alexander Korda. Sam Spiegel, porém, foi quem assinou o contrato,
investindo três milhões e meio de dólares na produção.</span></div><div style="text-align: justify;"><span style="font-size: large;"> </span></div><div style="text-align: justify;"><span style="font-size: large;">Com
locações no Ceilão, a produção levou três anos em preparo. Só a ponte, onde se
dá o clímax da narrativa, levou oito meses para ser construída. O roteiro,
assinado por Boulle – mas, na realidade, escrito por Carl Foreman e Michael
Wilson, ambos então na Lista Negra comunista de Hollywood – traz uma mensagem
pacifista, criticando não só a guerra como também o espírito militar
exacerbado. O talento do diretor foi finalmente reconhecido com o Oscar. O
segundo veio em 1962 com <span style="color: #3d85c6;">“Lawrence da Arábia”</span>, o longa suntuoso pela qual <span style="background-color: #274e13; color: white;">DAVID
LEAN</span> ficou conhecido pelo resto de sua carreira.</span></div><div style="text-align: justify;"><span style="font-size: large;"><br /></span></div><div style="text-align: justify;"><span style="color: #3d85c6; font-family: inherit; font-size: large;"><table cellpadding="0" cellspacing="0" class="tr-caption-container" style="float: left; margin-right: 1em; text-align: left;"><tbody style="background-color: black;"><tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjMOxBsT4lJzsoDE1lS3cIRJAjg_Yc6hJ33uS834wvnrqDQeBR-uGlRvjQXxecV2NHyHpS2udWOFoCvfurK34WI9yrkflaBDqXLqLjyZuxoT9JjhhFvNUykIxl2tT8fnXXSUljLr5_bjI0juybzl3SiY9Sx3lgs6-23fh8avi1R13gV-9sYRhKMN_zQ/s1038/0000.jpg" style="clear: left; margin-bottom: 1em; margin-left: auto; margin-right: auto;"><img border="0" data-original-height="669" data-original-width="1038" height="258" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjMOxBsT4lJzsoDE1lS3cIRJAjg_Yc6hJ33uS834wvnrqDQeBR-uGlRvjQXxecV2NHyHpS2udWOFoCvfurK34WI9yrkflaBDqXLqLjyZuxoT9JjhhFvNUykIxl2tT8fnXXSUljLr5_bjI0juybzl3SiY9Sx3lgs6-23fh8avi1R13gV-9sYRhKMN_zQ/w400-h258/0000.jpg" width="400" /></a></td></tr><tr><td class="tr-caption" style="text-align: center;"><span style="background-color: black; color: #3d85c6; font-family: inherit; font-size: large;">lean nos anos 40</span></td></tr></tbody></table></span></div><div style="text-align: justify;"><span style="font-size: large;">Ele
trouxe intensidade para o projeto, que levou três anos para ser produzido e
mais de um ano para ser filmado. Superprodução espetacular e, ao mesmo tempo, o
retrato de um homem, uma figura histórica complexa e ambígua. Agente secreto,
líder militar, agitador, exibicionista, sádico, masoquista, homossexual. Para o
papel de Lawrence foi anunciado Marlon Brando, Cary Grant, Kirk Douglas e
Albert Finney, mas terminou com Peter O’Toole (então com 28 anos) que se tornou
um astro. 12 milhões de dólares foram investidos no filme rodado na Jordânia,
Espanha, Egito, Damasco, Jerusalém e Marrocos. Conquistou sete Oscar. O
produtor Sam Spiegel disse em entrevista: <span style="color: #3d85c6;">“Em toda a minha carreira não
trabalhei com ninguém que se aproximasse remotamente da capacidade de David
Lean de colocar imagens na tela”</span>.</span></div><div style="text-align: justify;"><span style="font-size: large;"> </span></div><div style="text-align: justify;"><span style="font-family: inherit; font-size: large;"><span>O próximo
assunto a interessar o diretor – <span style="color: #3d85c6;">“por sua boa história de amor”</span> - foi <span style="color: #3d85c6;">“Dr. Jivago”</span>,
o volumoso romance de Boris Pasternak, laureado com o Prêmio Nobel. Traça a
trajetória de Yuri Jivago (Omar Sharif, depois de cogitados Paul Newman, Max
Von Sydow e Burt Lancaster), médico e poeta, na Rússia do começo do século
vinte, casado, que se apaixona por uma enfermeira também casada. Cinco anos
depois, <span style="background-color: #274e13; color: white;">DAVID LEAN</span> voltou à atividade, desta vez usando um argumento original
de Robert Bolt, sobre uma jovem em remota aldeia irlandesa durante a Primeira
Guerra Mundial. </span><span style="color: #3d85c6;">“</span><span><span style="color: #3d85c6;">A Filha de Ryan</span></span><span style="color: #3d85c6;">”</span><span>, drama à maneira de Thomas Hardy, foi mal recebido, mas levou
dois Oscar: Melhor Ator Coadjuvante (John Mills) e Melhor Fotografia (Freddie A.
Young).</span></span></div></span><span style="font-family: inherit;"><div style="text-align: justify;"><span style="font-size: large;"> </span></div><div style="text-align: justify;"><span style="font-size: large;">Na década
de 1970, tentou filmar um remake de <span style="color: #3d85c6;">“O Grande Motim / Mutiny on the Bounty”</span>
(1936), um sonho que acalentava há anos, mas não deu certo. Inativo por 14 anos,
finalmente rodou um clássico da literatura inglesa, <span style="color: #3d85c6;">“Passagem para a
Índia”</span>, de E. M. Foster. Nos mostra um
drama psicológico entrelaçado com a difícil convivência entre colonizadores e
colonizados. Obteve 11 indicações para o Oscar (Lean concorreu em três
categorias) e conquistou os de Melhor Atriz Coadjuvante e Melhor Trilha
Sonora. Em 1990, o American Film
Institute (AFI) o premiou com o Lifetime Achievement Award. </span></div><div style="text-align: justify;"><span style="font-size: large;"> </span></div><div style="text-align: justify;"><span style="font-size: large;">Em 1999,
o British Film Institute fez uma lista com os 100 melhores filmes britânicos. Cinco de <span style="background-color: #274e13; color: white;">DAVID LEAN</span> ficaram entre os 30 primeiros e três entre os cinco primeiros colocados. Ele morreu aos 83 anos, de câncer na
garganta. Filmava <span style="color: #3d85c6;">“Nostromo”</span>, do romance de Joseph Conrad. Provavelmente,
seria mais uma grande obra de um cineasta para quem o cinema era fonte de prazer e expressão de beleza.</span></div><div style="text-align: justify;"><span style="font-size: large;"><br /></span></div><div style="text-align: center;"><table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto;"><tbody><tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjd0Z0DQ9YXIcTf_XBVJ95CT4euw3WlOkVLnuFZVTRINHtikVXXJNovbSa2lgkcRalVUXb0qd1ffaEbcnO4IpVZegoqhS8iRnqnKFEhkG9gbssGa0--so40oDEKibA5quJ1Kq2S31FqAmKP5jmfh1F1QAXexFL9gZQkFBBL9Z6Oz08XFb68TWZR-x21/s1532/david-lean-alec-guinness-and-sessue-hayakawa-enjoy-a-joke-on-location-during-the-shooting-of-this-sumptuous.jpg" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="1417" data-original-width="1532" height="370" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjd0Z0DQ9YXIcTf_XBVJ95CT4euw3WlOkVLnuFZVTRINHtikVXXJNovbSa2lgkcRalVUXb0qd1ffaEbcnO4IpVZegoqhS8iRnqnKFEhkG9gbssGa0--so40oDEKibA5quJ1Kq2S31FqAmKP5jmfh1F1QAXexFL9gZQkFBBL9Z6Oz08XFb68TWZR-x21/w400-h370/david-lean-alec-guinness-and-sessue-hayakawa-enjoy-a-joke-on-location-during-the-shooting-of-this-sumptuous.jpg" width="400" /></a></td></tr><tr><td class="tr-caption" style="text-align: center;"><span style="background-color: black; color: #3d85c6; font-family: inherit; font-size: large;">david lean, alec guinness e sessue hayakawa</span></td></tr></tbody></table><br /></div><div style="text-align: center;"><span style="color: white; font-size: large;"><span style="background-color: #274e13;">TODOS os
FILMES de DAVID LEAN</span></span></div><div style="text-align: center;"><span style="color: #3d85c6; font-size: large;">(por
ordem de preferência)</span></div><div style="text-align: justify;"><span style="color: #3d85c6; font-size: large;"> </span></div><div style="text-align: justify;"><span style="color: #3d85c6; font-size: large;">01</span></div><div style="text-align: center;"><span style="color: white; font-size: large;"><span style="background-color: #274e13;">DESENCANTO</span></span></div><div style="text-align: center;"><span style="color: #3d85c6; font-size: large;">(Brief
Encounter, 1945)</span></div><div style="text-align: justify;"><span style="color: #3d85c6; font-size: large;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEibwo6kGGF8CNJt1_0YGaEn-rSYWtCBZRsmcDiWItfwgG-qVrToSLgIWISvZ29z22p3SObh5Wc89GX4CtTxPxAtQIadQhg_krIP53vHy0krV7vY5hkgpKSLSzTjWWMTYQ2W84cG8MZhLvwS-3J4F3z_FhJNaBLL9TffYI0QOH0f8AhytACGS72oK7Ve/s1200/brief_encounter-830826273-large.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1200" data-original-width="780" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEibwo6kGGF8CNJt1_0YGaEn-rSYWtCBZRsmcDiWItfwgG-qVrToSLgIWISvZ29z22p3SObh5Wc89GX4CtTxPxAtQIadQhg_krIP53vHy0krV7vY5hkgpKSLSzTjWWMTYQ2W84cG8MZhLvwS-3J4F3z_FhJNaBLL9TffYI0QOH0f8AhytACGS72oK7Ve/s320/brief_encounter-830826273-large.jpg" width="208" /></a></div></span><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi_5_hgLsgIK83kVME_ON6P3g9zEJeTyzu7GWxHc4XizDcLl9H-Mch85xSQG_VbwYwfLpJWlAupWpNNxURXtBUJ02NnU7BcgD96TqxvdAnHWW2Gkt3HzHY7Q-KhsM72bBKB_I4h2hHOPUM65BBQ4L9XGOimW4qSmXkazZmKq44wsb-89zgS4kf0BbpQ/s1024/trevor-howard-and-celia-johnson-in-brief-encounter-1945.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="801" data-original-width="1024" height="313" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi_5_hgLsgIK83kVME_ON6P3g9zEJeTyzu7GWxHc4XizDcLl9H-Mch85xSQG_VbwYwfLpJWlAupWpNNxURXtBUJ02NnU7BcgD96TqxvdAnHWW2Gkt3HzHY7Q-KhsM72bBKB_I4h2hHOPUM65BBQ4L9XGOimW4qSmXkazZmKq44wsb-89zgS4kf0BbpQ/w400-h313/trevor-howard-and-celia-johnson-in-brief-encounter-1945.jpg" width="400" /></a></div><br /></div><div style="text-align: justify;"><span style="color: #3d85c6; font-size: large;">Elenco: Celia
Johnson, Trevor Howard e Stanley Holloway</span></div><div style="text-align: justify;"><span style="font-size: large;">Médico
e dona de casa se conhecem em uma estação de trem. Ambos são razoavelmente
felizes em seus casamentos. Passam a se encontrar todas as
quintas-feiras, surgindo uma paixão, apesar de saberem que este amor é
impossível.</span></div><div style="text-align: justify;"><span style="font-size: large;"> </span></div><div style="text-align: justify;"><span style="color: #3d85c6; font-size: large;">02</span></div><div style="text-align: center;"><span style="color: white; font-size: large;"><span style="background-color: #274e13;">A PONTE
do RIO KWAI</span></span></div><div style="text-align: center;"><span style="color: #3d85c6; font-size: large;">(The
Bridge on the River Kwai, 1957)</span></div><div style="text-align: justify;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgVQcYCLkmofIDGdPRdrcYfoq2JM-iZ_sAY__WpwL_t0BxrSaVzAf0AYJDbjNPJqjv0UtExrlQRY22afgWpy4Z98is-uL-Bn8BK5xEFV7UMTF3eFPIwwO6s19k9MRKqY95YOTRXCWYx7bm1IABtN6ExQYCPfnDdKdbzciS0g1jXWoVfIYZqcXjgsU7d/s1393/mv5bmgvhnjhjodktodgxys00mddhltlkzjktytkynzqxmtu0zdyxxkeyxkfqcgdeqxvynzkwmjq5nzm40._v1_.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1393" data-original-width="885" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgVQcYCLkmofIDGdPRdrcYfoq2JM-iZ_sAY__WpwL_t0BxrSaVzAf0AYJDbjNPJqjv0UtExrlQRY22afgWpy4Z98is-uL-Bn8BK5xEFV7UMTF3eFPIwwO6s19k9MRKqY95YOTRXCWYx7bm1IABtN6ExQYCPfnDdKdbzciS0g1jXWoVfIYZqcXjgsU7d/s320/mv5bmgvhnjhjodktodgxys00mddhltlkzjktytkynzqxmtu0zdyxxkeyxkfqcgdeqxvynzkwmjq5nzm40._v1_.jpg" width="203" /></a></div></div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgQG1WBalSkm19kLzccU-F1a6RY23z0vT4twVvXw7lByzAe5yXlqvCL-6Go6vxJwukAbd8GeCI0J6q-T3qrGcejfAXAchoNXsNo-AkefdCajZeLwjiNdmsCzuOIfptqiSbsycYoSX6RwqaDs6aVdr-1u1izHKdIeANMyLmbDU6c1b1YfZ0cROvNBNNS/s1330/5c2232a0-dd62-11ea-bed7-1fe09a9aee51.jpeg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="748" data-original-width="1330" height="225" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgQG1WBalSkm19kLzccU-F1a6RY23z0vT4twVvXw7lByzAe5yXlqvCL-6Go6vxJwukAbd8GeCI0J6q-T3qrGcejfAXAchoNXsNo-AkefdCajZeLwjiNdmsCzuOIfptqiSbsycYoSX6RwqaDs6aVdr-1u1izHKdIeANMyLmbDU6c1b1YfZ0cROvNBNNS/w400-h225/5c2232a0-dd62-11ea-bed7-1fe09a9aee51.jpeg" width="400" /></a></div><div style="text-align: justify;"><br /></div><div style="text-align: justify;"><span style="color: #3d85c6; font-size: large;">Elenco: William
Holden, Alec Guinness, Jack Hawkins e Sessue Hayakawa</span></div><div style="text-align: justify;"><span style="font-size: large;">Na Segunda
Guerra Mundial, soldados ingleses se tornam prisioneiros em um campo de
concentração japonês. Este grupo é escolhido para construir uma ponte sobre o
rio Kwai, mas um norte-americano que é prisioneiro do mesmo campo, decide destruí-la.</span></div><div style="text-align: justify;"><span style="font-size: large;"> </span></div><div style="text-align: justify;"><span style="color: #3d85c6; font-size: large;">03</span></div><div style="text-align: center;"><span style="color: white; font-size: large;"><span style="background-color: #274e13;">DOUTOR
JIVAGO</span></span></div><div style="text-align: center;"><span style="color: #3d85c6; font-size: large;">(Doctor
Zhivago, 1965)</span></div><div style="text-align: justify;"><span style="color: #3d85c6; font-size: large;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhKZYCsCFhUo4g1KAgfz6vQ2JHgs4RXRWRnEg4lzBafCDdmQeguC-9rDlSX8jNNlX3mhUuBy6pqwTVrrdh9t_nSdS8uHJpTmE4zVaHcEnjrMq-suYeiVqUyVNEZ_D3jJcwg6P_TGRiQU4kK8zhtMEnaIYkw56wGQbSSMVVsk9BWrG79sOpy6whZPV2G/s1734/zzzzzz%20j%20chr.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1127" data-original-width="1734" height="208" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhKZYCsCFhUo4g1KAgfz6vQ2JHgs4RXRWRnEg4lzBafCDdmQeguC-9rDlSX8jNNlX3mhUuBy6pqwTVrrdh9t_nSdS8uHJpTmE4zVaHcEnjrMq-suYeiVqUyVNEZ_D3jJcwg6P_TGRiQU4kK8zhtMEnaIYkw56wGQbSSMVVsk9BWrG79sOpy6whZPV2G/s320/zzzzzz%20j%20chr.jpg" width="320" /></a></div></span><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiwJb3SZvJH1MeMzsITbbyvW4r1aZGOriTRAWBaXIWJe4PrcL1kicPfh0Rh9BoltKMHn_LcY1TdbPSCllU1dekfolS7OS-zBDJ1HOacpaUItap0RTL2Z-jqhNmsvHOjE66hlK4Pj23oyJqmUuEGlVIJUb2-LJnCoQpZfnidFizJpJq_Lh4YAoMoYHJ8/s1123/doctor-zhivago-original-lobby-card-n09-9x12-in-1965-omar-sharif-julie-christie-david-lean.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="798" data-original-width="1123" height="284" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiwJb3SZvJH1MeMzsITbbyvW4r1aZGOriTRAWBaXIWJe4PrcL1kicPfh0Rh9BoltKMHn_LcY1TdbPSCllU1dekfolS7OS-zBDJ1HOacpaUItap0RTL2Z-jqhNmsvHOjE66hlK4Pj23oyJqmUuEGlVIJUb2-LJnCoQpZfnidFizJpJq_Lh4YAoMoYHJ8/w400-h284/doctor-zhivago-original-lobby-card-n09-9x12-in-1965-omar-sharif-julie-christie-david-lean.jpg" width="400" /></a></div><br /></div><div style="text-align: justify;"><span style="color: #3d85c6; font-size: large;">Elenco:
Omar Sharif, Julie Christie, Geraldine Chaplin, Rod Steiger, Alec Guinness, Tom
Courtenay, Siobhan McKenna, Ralph Richardson, Rita Tushingham e Klaus Kinski</span></div><div style="text-align: justify;"><span style="font-size: large;">Durante e
após a Revolução Russa, um médico e poeta casado tem um envolvimento com
enfermeira que se torna o grande amor da sua vida.</span></div><div style="text-align: justify;"><span style="font-size: large;"> </span></div><div style="text-align: justify;"><span style="color: #3d85c6; font-size: large;">04</span></div><div style="text-align: center;"><span style="color: white; font-size: large;"><span style="background-color: #274e13;">GRANDES
ESPERANÇAS</span></span></div><div style="text-align: center;"><span style="color: #3d85c6; font-size: large;">(Great
Expectations, 1946)</span></div><div style="text-align: justify;"><span style="color: #3d85c6; font-size: large;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh1Y3xwPoS-ZZQnTwoyqv8b6VeeVzQNi4Tq5KDq7oW-NyTu8B92Nsuui0N5MHI9G4xwPrGOcgr0oloSO0YcX6oDOsd-P8eX5dcvSKyclQ1BhWjeJc4mZLqdxZOkX9F_UUJuOJFNp71Tl53ZANQ7N6PqYhA4AyvaNnfwWOxtX0Nkt8XAnvRc5HHE4PG0/s2048/lf-1.webp" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1501" data-original-width="2048" height="235" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh1Y3xwPoS-ZZQnTwoyqv8b6VeeVzQNi4Tq5KDq7oW-NyTu8B92Nsuui0N5MHI9G4xwPrGOcgr0oloSO0YcX6oDOsd-P8eX5dcvSKyclQ1BhWjeJc4mZLqdxZOkX9F_UUJuOJFNp71Tl53ZANQ7N6PqYhA4AyvaNnfwWOxtX0Nkt8XAnvRc5HHE4PG0/s320/lf-1.webp" width="320" /></a></div></span><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiEmWNKAbOpuuwVlShfGsomt6KJ3ph8PApOvgzIPmMw3h9BeIMg9OdLsiSeLNvt5EsUdCmXP0TYvELaMmn_ewKfhEVqNiPojEzTtcDRMHXNNkoE-15qi_QlpeI5wTaivfGd8zJzEOdfRch3mRBpssHv0fpvejYSAUYSiXJLveR5pNZ_8ygn2wW5Skqy/s1400/grandes.jpeg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1028" data-original-width="1400" height="294" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiEmWNKAbOpuuwVlShfGsomt6KJ3ph8PApOvgzIPmMw3h9BeIMg9OdLsiSeLNvt5EsUdCmXP0TYvELaMmn_ewKfhEVqNiPojEzTtcDRMHXNNkoE-15qi_QlpeI5wTaivfGd8zJzEOdfRch3mRBpssHv0fpvejYSAUYSiXJLveR5pNZ_8ygn2wW5Skqy/w400-h294/grandes.jpeg" width="400" /></a></div><br /></div><div style="text-align: justify;"><span style="color: #3d85c6; font-size: large;">Elenco:
John Mills, Valerie Hobson, Jean Simmons, Martita Hunt e Alec
Guinness</span></div><div style="text-align: justify;"><span style="font-size: large;">Criança humilde convive com senhora amargurada pela perda do
seu amor. Quando cresce, recebe de um patrocinador misterioso uma chance
para viver em Londres.</span></div><div style="text-align: justify;"><span style="font-size: large;"> </span></div><div style="text-align: justify;"><span style="color: #3d85c6; font-size: large;">05</span></div><div style="text-align: center;"><span style="color: white; font-size: large;"><span style="background-color: #274e13;">LAWRENCE
da ARÁBIA</span></span></div><div style="text-align: center;"><span style="color: #3d85c6; font-size: large;">(Lawrence
of Arabia, 1962)</span></div><div style="text-align: justify;"><span style="color: #3d85c6; font-size: large;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEikmBedWEbvdSrh6iVp0LuE1OpHavXG7oOwbpKZPkLR4rVOFERMQ9ufGfFXII8zACGqkwvMdtcpH1PXVF7YBB6A2X19fyIZ5UpWkbYWkmjYjFdv4-UQAqitLnk2g2zFOU2dAeIplXKUIbEkDQ4271zqEbGlyBI-KRxTj6xQfE1WmXRncrPvdf_kK159/s2046/lawrence_of_arabia_ver3_xxlg.webp" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="2046" data-original-width="1344" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEikmBedWEbvdSrh6iVp0LuE1OpHavXG7oOwbpKZPkLR4rVOFERMQ9ufGfFXII8zACGqkwvMdtcpH1PXVF7YBB6A2X19fyIZ5UpWkbYWkmjYjFdv4-UQAqitLnk2g2zFOU2dAeIplXKUIbEkDQ4271zqEbGlyBI-KRxTj6xQfE1WmXRncrPvdf_kK159/s320/lawrence_of_arabia_ver3_xxlg.webp" width="210" /></a></div></span><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhFF5udzQqUtzu3JFdK5Bxb7BVPm0yNcAMz0zCB3G5WpOtq0BK9NqWui3xgnnGOYpb0r0T1xL6EJEHLoGzG5_nmKt2kw1ILDt8o-u1kpp-_TAzeg1TFwtD82nZqtZEReKSGXVDL8Sepw6pYeMGbli5Mis-4j5lVpOkTlDN5wARdGvw6l6MhADVPN8fV/s1280/maxresdefault.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="720" data-original-width="1280" height="225" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhFF5udzQqUtzu3JFdK5Bxb7BVPm0yNcAMz0zCB3G5WpOtq0BK9NqWui3xgnnGOYpb0r0T1xL6EJEHLoGzG5_nmKt2kw1ILDt8o-u1kpp-_TAzeg1TFwtD82nZqtZEReKSGXVDL8Sepw6pYeMGbli5Mis-4j5lVpOkTlDN5wARdGvw6l6MhADVPN8fV/w400-h225/maxresdefault.jpg" width="400" /></a></div><br /></div><div style="text-align: justify;"><span style="color: #3d85c6; font-size: large;">Elenco: Peter
O'Toole, Alec Guinness, Anthony Quinn, Jack Hawkins, Omar Sharif, Jose Ferrer,
Anthony Quayle, Claude Rains e Arthur Kennedy</span></div><div style="text-align: justify;"><span style="font-size: large;">Em 1916, na Primeira Guerra Mundial, tenente do exército britânico, admirador do
deserto e da vida beduína, se oferece para ajudar os árabes a se
libertarem dos turcos.</span></div><div style="text-align: justify;"><span style="font-size: large;"> </span></div><div style="text-align: justify;"><span style="color: #3d85c6; font-size: large;">06</span></div><div style="text-align: center;"><span style="color: white; font-size: large;"><span style="background-color: #274e13;">OLIVER
TWIST</span></span></div><div style="text-align: center;"><span style="color: #3d85c6; font-size: large;">(Idem,
1948)</span></div><div style="text-align: justify;"><span style="color: #3d85c6; font-size: large;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi3IABugKX1DOkMCQx6WnSwhiNEIUn0MrCjWVOItKlebuG0EqAL5VUCQVLCi3ouNam5ACre80dkpOMUrkzaXQe88P9V3ksTe9cHnSmNTy4CR1Sis6TjVpF0ki-i0LmmkYBylizeJ5MPS_SFRCyBbgbKX-0LcdLFJ2__UtQwQJYbJ7KiKw_Q8tQTp5F9/s1879/1280px-Oliver_Twist1948.movieposter.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1879" data-original-width="1232" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi3IABugKX1DOkMCQx6WnSwhiNEIUn0MrCjWVOItKlebuG0EqAL5VUCQVLCi3ouNam5ACre80dkpOMUrkzaXQe88P9V3ksTe9cHnSmNTy4CR1Sis6TjVpF0ki-i0LmmkYBylizeJ5MPS_SFRCyBbgbKX-0LcdLFJ2__UtQwQJYbJ7KiKw_Q8tQTp5F9/s320/1280px-Oliver_Twist1948.movieposter.jpg" width="210" /></a><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiyRar6TfyWuy3fy2GAvgLmesRJcGA7BRkUAlYAN6dAD4IyLMOpSf1z4rmdNXwMEeReHhgMufOqAInkBrZIwyiL8t024I8E8e6zWEwMHdJYjgWgD3hbn5XIiGvRdFG0p01apdNLjqRXYMBx6L7PzKEsTt-Y5BiSGBCLo_D2Lu3C77mo7YHKm70BKqQb/s1039/oliver-twist-1948-ievenn-1.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="742" data-original-width="1039" height="286" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiyRar6TfyWuy3fy2GAvgLmesRJcGA7BRkUAlYAN6dAD4IyLMOpSf1z4rmdNXwMEeReHhgMufOqAInkBrZIwyiL8t024I8E8e6zWEwMHdJYjgWgD3hbn5XIiGvRdFG0p01apdNLjqRXYMBx6L7PzKEsTt-Y5BiSGBCLo_D2Lu3C77mo7YHKm70BKqQb/w400-h286/oliver-twist-1948-ievenn-1.jpg" width="400" /></a></div></div><br /></span></div><div style="text-align: justify;"><span style="color: #3d85c6; font-size: large;">Elenco: John
Howard Davies, Robert Newton, Alec Guinness e Francis L. Sullivan</span></div><div style="text-align: justify;"><span style="font-size: large;">Órfão
sofrido foge para Londres, onde acaba se unindo a um bando de delinquentes
liderados por um vigarista que usa os garotos para cometer pequenos roubos.</span></div><div style="text-align: justify;"><span style="font-size: large;"> </span></div><div style="text-align: justify;"><span style="color: #3d85c6; font-size: large;">07</span></div><div style="text-align: center;"><span style="color: white; font-size: large;"><span style="background-color: #274e13;">A
HISTÓRIA de uma MULHER</span></span></div><div style="text-align: center;"><span style="color: #3d85c6; font-size: large;">(The
Passionate Friends, 1949)</span></div><div style="text-align: justify;"><span style="color: #3d85c6; font-size: large;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgAKFapoyTZKfuw5Rx_40406rf3bSeosIGdK_bJUO4FXKca8a3w6wBUIYFGIS4iBTYJG9gsAftE4LK2YvnkhyJ-FxOVNshEb2PEGt6OAOKRkuFXUuqu6685FUUz_vv5qE6L65_6VZ7sDDJgBQgaeN6Y_3G51Iy-bANkYaaBe36aWK8noT_NA0d2W5Gx/s1138/MV5BNTVjNDQ3ZjQtMDljYi00N2Q4LWE2YjQtNDZkOTJmOGNkY2U0L2ltYWdlL2ltYWdlXkEyXkFqcGdeQXVyMjUxODE0MDY@._V1_.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1138" data-original-width="761" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgAKFapoyTZKfuw5Rx_40406rf3bSeosIGdK_bJUO4FXKca8a3w6wBUIYFGIS4iBTYJG9gsAftE4LK2YvnkhyJ-FxOVNshEb2PEGt6OAOKRkuFXUuqu6685FUUz_vv5qE6L65_6VZ7sDDJgBQgaeN6Y_3G51Iy-bANkYaaBe36aWK8noT_NA0d2W5Gx/s320/MV5BNTVjNDQ3ZjQtMDljYi00N2Q4LWE2YjQtNDZkOTJmOGNkY2U0L2ltYWdlL2ltYWdlXkEyXkFqcGdeQXVyMjUxODE0MDY@._V1_.jpg" width="214" /></a></div></span><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiU99MiAF2QXWYXryPPkgA0U9YUmC2_e490EOVxRTjbTsMuRxBV3BjXQzUElm0_0oV7Rotc4S-6Zg5PxbMkyRMJxi4-d9tN2jghzZGzOnTlk1NSwBvirFErkzKPVdoA_fh-2hd_W_f4cEkc6MjgidNh3h1zUGNZiNELogScmu2Leg1WcFC2gdeD1lN6/s2660/857_a-historia-de-uma-mulher-5.webp" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1970" data-original-width="2660" height="296" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiU99MiAF2QXWYXryPPkgA0U9YUmC2_e490EOVxRTjbTsMuRxBV3BjXQzUElm0_0oV7Rotc4S-6Zg5PxbMkyRMJxi4-d9tN2jghzZGzOnTlk1NSwBvirFErkzKPVdoA_fh-2hd_W_f4cEkc6MjgidNh3h1zUGNZiNELogScmu2Leg1WcFC2gdeD1lN6/w400-h296/857_a-historia-de-uma-mulher-5.webp" width="400" /></a></div><br /></div><div style="text-align: justify;"><span style="color: #3d85c6; font-size: large;">Elenco: Ann
Todd, Trevor Howard e Claude Rains</span></div><div style="text-align: justify;"><span style="font-size: large;">Em busca
de segurança financeira, jovem abandona o homem que ama e casa com um rico mais
velho. Anos depois, reencontra seu antigo namorado.</span></div><div style="text-align: justify;"><span style="color: #3d85c6; font-size: large;"> </span></div><div style="text-align: justify;"><span style="color: #3d85c6; font-size: large;">08</span></div><div style="text-align: center;"><span style="color: white; font-size: large;"><span style="background-color: #274e13;">ESTE POVO
ALEGRE</span></span></div><div style="text-align: center;"><span style="color: #3d85c6; font-size: large;">(This
Happy Breed, 1944)</span></div><div style="text-align: justify;"><span style="color: #3d85c6; font-size: large;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEikyXspLDQGoY5k-a29yB4KIy9UGbWEyMAGHmEiAm5jc7S5_8B-RNrDd0-BvUuRW7e4wqIgpqC_R6T5Lfiv7oQlPmHyv61YMK_w_ncX0nuqlFe3WUcItDwXkJszOzcYs8QJMY6SrleCkWtC_8ByBJv6uKVzOjJbrkYqvvW5ksERDyJTvu447a4Wqd9w/s1440/mv5bywjintu1mzctyzg0ys00zwjjlwiwzdetnzk0ztuwnmfmmde3l2ltywdll2ltywdlxkeyxkfqcgdeqxvynjc1ntyymjg40._v1_.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1440" data-original-width="960" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEikyXspLDQGoY5k-a29yB4KIy9UGbWEyMAGHmEiAm5jc7S5_8B-RNrDd0-BvUuRW7e4wqIgpqC_R6T5Lfiv7oQlPmHyv61YMK_w_ncX0nuqlFe3WUcItDwXkJszOzcYs8QJMY6SrleCkWtC_8ByBJv6uKVzOjJbrkYqvvW5ksERDyJTvu447a4Wqd9w/s320/mv5bywjintu1mzctyzg0ys00zwjjlwiwzdetnzk0ztuwnmfmmde3l2ltywdll2ltywdlxkeyxkfqcgdeqxvynjc1ntyymjg40._v1_.jpg" width="213" /></a></div></span><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgI_FsGnJvTr02a8ljx9BpYjUdNG-I_x5mS_jezLBvhUQN5zli_d3fw8iyTEwTAoV-HYZZLrwdFd-6WceOwnKCMzlil569et7cEkQjAvJpCedzdl1wb7IAsVP6-ONpMU_0TTfoR5jPQEvXXCKoJCooFXtly7OW-UqV47Ts8mJ7X5erUD66WnTSjva2C/s1280/maxresdefault000.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="720" data-original-width="1280" height="225" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgI_FsGnJvTr02a8ljx9BpYjUdNG-I_x5mS_jezLBvhUQN5zli_d3fw8iyTEwTAoV-HYZZLrwdFd-6WceOwnKCMzlil569et7cEkQjAvJpCedzdl1wb7IAsVP6-ONpMU_0TTfoR5jPQEvXXCKoJCooFXtly7OW-UqV47Ts8mJ7X5erUD66WnTSjva2C/w400-h225/maxresdefault000.jpg" width="400" /></a></div><br /></div><span style="line-height: 107%;"><div style="text-align: justify;"><span style="color: #3d85c6; font-size: large;"><span style="line-height: 107%;">Elenco: John
Mills, Celia Johnson e</span> <span style="line-height: 107%;">Robert Newton</span></span></div></span><div style="text-align: justify;"><span style="font-size: large;">Após a
Primeira Guerra Mundial, família operária se muda para subúrbio inglês. Até a Segunda Guerra, o cotidiano deles compõe variação de
alegrias e infelicidades.</span></div><div style="text-align: justify;"><span style="font-size: large;"> </span></div><div style="text-align: justify;"><span style="color: #3d85c6; font-size: large;">09</span></div><div style="text-align: center;"><span style="color: white; font-size: large;"><span style="background-color: #274e13;">A FILHA
de RYAN</span></span></div><div style="text-align: center;"><span style="color: #3d85c6; font-size: large;">(Ryan's
Daughter, 1970)</span></div><div style="text-align: justify;"><span style="color: #3d85c6; font-size: large;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi7wADkaYigyOIfSVaDANb7mmAdAonKnQmlSW4qhDaX2M2frrG6QJFxXGiZJVpRn8Q5ID4pjUXUCboxBdcYSo4q-b_mPZcjqGyeXEvIegeVsrdz8T_XrqXi4qToJjOOTgaosb1LFIYnpXsqfO_rwUpEJ4DuwbCYjWnhE0Y47IrDHKhFDESMZ4QOJR33/s1118/full-ryans-daughter.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="851" data-original-width="1118" height="244" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi7wADkaYigyOIfSVaDANb7mmAdAonKnQmlSW4qhDaX2M2frrG6QJFxXGiZJVpRn8Q5ID4pjUXUCboxBdcYSo4q-b_mPZcjqGyeXEvIegeVsrdz8T_XrqXi4qToJjOOTgaosb1LFIYnpXsqfO_rwUpEJ4DuwbCYjWnhE0Y47IrDHKhFDESMZ4QOJR33/s320/full-ryans-daughter.jpg" width="320" /></a></div></span><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiZq1I9-Nu0AR7pRb0idf6lT_bYJ16enndFJ-VhG2TILAL7e9kSTCwWpFsrTYXtGwcO6-_CgtR0DzHQmYgRhKSEf6KyVmFnDafEnU333u_8MGGCVN_7w0XeIGykUwRyJIXzQ3cySSQDvvUUHJdbN0xJkdJ30kpNdNtkok8S5s3UxrzoRo6EoUIhXc7m/s2048/ryansdaughter1970.3584.webp" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1334" data-original-width="2048" height="260" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiZq1I9-Nu0AR7pRb0idf6lT_bYJ16enndFJ-VhG2TILAL7e9kSTCwWpFsrTYXtGwcO6-_CgtR0DzHQmYgRhKSEf6KyVmFnDafEnU333u_8MGGCVN_7w0XeIGykUwRyJIXzQ3cySSQDvvUUHJdbN0xJkdJ30kpNdNtkok8S5s3UxrzoRo6EoUIhXc7m/w400-h260/ryansdaughter1970.3584.webp" width="400" /></a></div><br /></div><div style="text-align: justify;"><span style="color: #3d85c6; font-size: large;">Elenco: Sarah
Miles, Robert Mitchum, Trevor Howard, John Mills e Christoper Jones</span></div><div style="text-align: justify;"><span style="font-size: large;">Na Primeira
Guerra Mundial, em cidade irlandesa, deficiente mental expõe para todos que mulher casada tem caso com um oficial britânico, provocando revolta nos
habitantes.</span></div><div style="text-align: justify;"><span style="font-size: large;"> </span></div><div style="text-align: justify;"><span style="color: #3d85c6; font-size: large;">10</span></div><div style="text-align: center;"><span style="color: white; font-size: large;"><span style="background-color: #274e13;">QUANDO o
CORAÇÃO FLORESCE</span></span></div><div style="text-align: center;"><span style="color: #3d85c6; font-size: large;">(Summertime,
1955)</span></div><div style="text-align: justify;"><span style="color: #3d85c6; font-size: large;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiXQ9ixNfSd9n0WUETz_ichI2TcczZFc3kIcR1iIP3Uela2ZWc3ifd4GdRsjBeYBRh2-7n9PtYgrFpFPAkfKsadeERSJ1esdy5yeOOqzYqH4IocVBOIlZTUXmpYUC85OU_1-8hqbg4_KPTPLlB2pagLRG1ajdyUjxDJwR4vGxMX0Sny1RhyJF7hzgtw/s2049/e459ba06aab6efba52f3d26be64f7c23.webp" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="2049" data-original-width="1366" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiXQ9ixNfSd9n0WUETz_ichI2TcczZFc3kIcR1iIP3Uela2ZWc3ifd4GdRsjBeYBRh2-7n9PtYgrFpFPAkfKsadeERSJ1esdy5yeOOqzYqH4IocVBOIlZTUXmpYUC85OU_1-8hqbg4_KPTPLlB2pagLRG1ajdyUjxDJwR4vGxMX0Sny1RhyJF7hzgtw/s320/e459ba06aab6efba52f3d26be64f7c23.webp" width="213" /></a></div></span><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgpotFlTbpF7PBcWHHDbBFPtD9TX72IbcjShppoj_p3UVzkOXZzOymRXPeqVDCD7y0uLT6NdWpzJsheELL0aaZuko4xjaSuTfoEQaIedpGrX94lVSl-ZxTDLbI3GWR252otkj8rGBf3oaF0cdCiKQEGedY_hJ1XHQ2kYt3Q3U_8bcdNL0mj_eV05B83/s1024/8e45db79c68a1b47100caadfbaab4539.webp" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="769" data-original-width="1024" height="300" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgpotFlTbpF7PBcWHHDbBFPtD9TX72IbcjShppoj_p3UVzkOXZzOymRXPeqVDCD7y0uLT6NdWpzJsheELL0aaZuko4xjaSuTfoEQaIedpGrX94lVSl-ZxTDLbI3GWR252otkj8rGBf3oaF0cdCiKQEGedY_hJ1XHQ2kYt3Q3U_8bcdNL0mj_eV05B83/w400-h300/8e45db79c68a1b47100caadfbaab4539.webp" width="400" /></a></div><br /></div><div style="text-align: justify;"><span style="color: #3d85c6; font-size: large;">Elenco: Katharine
Hepburn, Rossano Brazzi e Isa Miranda</span></div><div style="text-align: justify;"><span style="font-size: large;">Norte-america en Veneza, apaixona-se por italiano. Sua
alegria é abalada quando descobre que ele é casado, mas decide encarar as adversidades.</span></div><div style="text-align: justify;"><span style="font-size: large;"> </span></div><div style="text-align: justify;"><span style="color: #3d85c6; font-size: large;">11</span></div><div style="text-align: center;"><span style="color: white; font-size: large;"><span style="background-color: #274e13;">PASSAGEM
para a ÍNDIA</span></span></div><div style="text-align: center;"><span style="color: #3d85c6; font-size: large;">(A
Passage to India, 1984)</span></div><div style="text-align: justify;"><span style="color: #3d85c6; font-size: large;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi_qW7vknE4vnFb9k2I5fAvHzJvotmme1q3NsWVB8wFHyIm07azCPcWgc1S0KpbNTV9PdHsFmxfy-7YWHvjtHcYQVESSZFSK1UhyLwfl7qpq0LwrK7ctCx6bt2V4otQ7uowDESeViBjaT0BwnyS-xWZzbZ1_1ey4S0Gj8v7qdC_kPQQIiW2EjSqSF4O/s1400/c2d83a83f686886d8d93a321baba272a.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1400" data-original-width="995" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi_qW7vknE4vnFb9k2I5fAvHzJvotmme1q3NsWVB8wFHyIm07azCPcWgc1S0KpbNTV9PdHsFmxfy-7YWHvjtHcYQVESSZFSK1UhyLwfl7qpq0LwrK7ctCx6bt2V4otQ7uowDESeViBjaT0BwnyS-xWZzbZ1_1ey4S0Gj8v7qdC_kPQQIiW2EjSqSF4O/s320/c2d83a83f686886d8d93a321baba272a.jpg" width="227" /></a></div></span><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjwkeDelzgLZIh5lM37jMSu5jVkdZZN1M7lJnRxOe1VFP9DAD5gZEcK6pVpmLL8wTqA4luaYnYncByCtccG_Jt1-V8h91o4I48YAOIP_DT3L6qo1pXH2BleaBihUDYWEiZTXJ_a7sO7B-JaukWtHFf8YlGH0DAMhtgU53QnTDMPGc9tqpAjeB3qdJQF/s1330/ViewerGuide_APassagetoIndia.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="748" data-original-width="1330" height="225" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjwkeDelzgLZIh5lM37jMSu5jVkdZZN1M7lJnRxOe1VFP9DAD5gZEcK6pVpmLL8wTqA4luaYnYncByCtccG_Jt1-V8h91o4I48YAOIP_DT3L6qo1pXH2BleaBihUDYWEiZTXJ_a7sO7B-JaukWtHFf8YlGH0DAMhtgU53QnTDMPGc9tqpAjeB3qdJQF/w400-h225/ViewerGuide_APassagetoIndia.jpg" width="400" /></a></div><br /></div><div style="text-align: justify;"><span style="color: #3d85c6; font-size: large;">Elenco:
Judy Davis, Victor Banerjee, Peggy Ashcroft, James Fox e Alec Guinness</span></div><div style="text-align: justify;"><span style="font-size: large;">Duas
inglesas fazem uma viagem pela Índia nos anos 1920, imersa em intensos
problemas raciais. Um médico local lhes serve de guia e, em visita às grutas de
Marabar, um incidente se transforma em acusação de estupro.</span></div><div style="text-align: justify;"><span style="font-size: large;"> </span></div><div style="text-align: justify;"><span style="color: #3d85c6; font-size: large;">12</span></div><div style="text-align: center;"><span style="color: white; font-size: large;"><span style="background-color: #274e13;">As CARTAS
de MADELEINE</span></span></div><div style="text-align: center;"><span style="color: #3d85c6; font-size: large;">(Madeleine,
1950)</span></div><div style="text-align: justify;"><span style="color: #3d85c6; font-size: large;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjflil3zdVGqL__wNB56MnI_BAOWNW7QkwsMTvOoAMtOnq8cD-g3q0J3zFM8K9ArBhkjkBfiDcOw8tfSnwxzU9RfjY0HvMQtZFwyqpOc1hjM88KskNotMQRmReLXLAUImpMKjrcTMIoqtkrrkKuOziVU1rahzemiKEsV2wLoJnXirdleJvydGYBp0wf/s1125/madeleine-1950-film-53a5146b-1f18-4826-89b7-d2552be579a-resize-750.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1125" data-original-width="750" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjflil3zdVGqL__wNB56MnI_BAOWNW7QkwsMTvOoAMtOnq8cD-g3q0J3zFM8K9ArBhkjkBfiDcOw8tfSnwxzU9RfjY0HvMQtZFwyqpOc1hjM88KskNotMQRmReLXLAUImpMKjrcTMIoqtkrrkKuOziVU1rahzemiKEsV2wLoJnXirdleJvydGYBp0wf/s320/madeleine-1950-film-53a5146b-1f18-4826-89b7-d2552be579a-resize-750.jpg" width="213" /></a></div></span><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg3PPBHDs_FMKKdLoT38UWla5x6fF--gEfPFFHmErmQQWww_8W_W1-VolvbG-W3MibmtUQQH5K1NkrommcvR2o7nLreDhIqOPv3Ew07fL8lVOmR69FHVIpyDVtsU8wIpPiOglAO0UjQ6ak8EVHgKam2CevEGXULTtMWKSlAO38vbkasmZxAEUiNl0S4/s1093/madeleine-1200-1200-675-675-crop-000000.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="672" data-original-width="1093" height="246" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg3PPBHDs_FMKKdLoT38UWla5x6fF--gEfPFFHmErmQQWww_8W_W1-VolvbG-W3MibmtUQQH5K1NkrommcvR2o7nLreDhIqOPv3Ew07fL8lVOmR69FHVIpyDVtsU8wIpPiOglAO0UjQ6ak8EVHgKam2CevEGXULTtMWKSlAO38vbkasmZxAEUiNl0S4/w400-h246/madeleine-1200-1200-675-675-crop-000000.jpg" width="400" /></a></div><br /></div><div style="text-align: justify;"><span style="color: #3d85c6; font-size: large;">Elenco: Ann
Todd, Norman Wooland, Ivan Desny e Leslie Banks</span></div><div style="text-align: justify;"><span style="font-size: large;">No século
XIX, uma poderosa e rica família muda-se para uma casa nova. Uma das filhas, menina
dos olhos do pai, envolve-se com um jovem humilde.</span></div><div style="text-align: justify;"><span style="font-size: large;"> </span></div><div style="text-align: justify;"><span style="color: #3d85c6; font-size: large;">13</span></div><div style="text-align: center;"><span style="color: white; font-size: large;"><span style="background-color: #274e13;">NOSSO
BARCO, NOSSA ALMA</span></span></div><div style="text-align: center;"><span style="color: #3d85c6; font-size: large;">(In Which
We Serve, 1942)</span></div><div style="text-align: justify;"><span style="color: #3d85c6; font-size: large;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgdpS466CZ-sqAkEhm1iEsUDVdx4L88GGwsn_ACB-0HleKfdGCGQqPrs0WahIwcMEi0_ot3GTTrpJaNBX-jHEpEDN6SHNheFRQNUBdcRsiPjXg_A1wNd2tqH3PPXiekEpU11UybdQ0UtYgR0vzjsefuFYOP6xlq5RV15tUtVcpDz68sitIdaXPeNdZN/s2047/mv5bzjjmytm1otytotmzzc00ndjhltlhnwytywvlodbkn2zmogiyxkeyxkfqcgdeqxvymdi2ndg0nq4040._v1_.webp" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="2047" data-original-width="1520" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgdpS466CZ-sqAkEhm1iEsUDVdx4L88GGwsn_ACB-0HleKfdGCGQqPrs0WahIwcMEi0_ot3GTTrpJaNBX-jHEpEDN6SHNheFRQNUBdcRsiPjXg_A1wNd2tqH3PPXiekEpU11UybdQ0UtYgR0vzjsefuFYOP6xlq5RV15tUtVcpDz68sitIdaXPeNdZN/w298-h400/mv5bzjjmytm1otytotmzzc00ndjhltlhnwytywvlodbkn2zmogiyxkeyxkfqcgdeqxvymdi2ndg0nq4040._v1_.webp" width="298" /></a></div></span><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgNe0peKzz0kGHPabV5qGqjrKrBb3yBBjUPXjJzn_s7eFIUOTOhKtU8iB_HF1Zh3DRUs0zxO59uk3uFTAOCyFM9-zCLPMJaakjCwETOoEPGwz9SPuwqFfTLYQAA3giLu-bf0vruzyg1qR1Wne65zCK48z7cVPkTqUh5GlMZyKwg3yxWMMiIOhN8weaR/s1024/08.09-nosso-barco-nosa-alma.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="816" data-original-width="1024" height="319" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgNe0peKzz0kGHPabV5qGqjrKrBb3yBBjUPXjJzn_s7eFIUOTOhKtU8iB_HF1Zh3DRUs0zxO59uk3uFTAOCyFM9-zCLPMJaakjCwETOoEPGwz9SPuwqFfTLYQAA3giLu-bf0vruzyg1qR1Wne65zCK48z7cVPkTqUh5GlMZyKwg3yxWMMiIOhN8weaR/w400-h319/08.09-nosso-barco-nosa-alma.jpg" width="400" /></a></div><br /></div><div style="text-align: justify;"><span style="color: #3d85c6; font-size: large;">Elenco: Noël
Coward, John Mills, Bernard Miles, Celia Johnson e Michael Wilding</span></div><div style="text-align: justify;"><span style="font-size: large;">Análise
psicológica dos sentimentos e reações de grupo de náufragos, enquanto esperam
pelo resgate que talvez não chegue a tempo.</span></div><div style="text-align: justify;"><span style="font-size: large;"> </span></div><div style="text-align: justify;"><span style="color: #3d85c6; font-size: large;">14</span></div><div style="text-align: center;"><span style="color: white; font-size: large;"><span style="background-color: #274e13;">PAPAI é
do CONTRA</span></span></div><div style="text-align: center;"><span style="color: #3d85c6; font-size: large;">(Hobson's
Choice, 1954)</span></div><div style="text-align: justify;"><span style="color: #3d85c6; font-size: large;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhrXQ63Z-bBg9-4m8JuJSJJXqwEsEUolX8m7IdRde6jwQLivTX0ZUPORFrMs6mOmxRegPVNhp7R97_-wMoQadTivPnv0lNmUZgRjp06YMfqgtARfAjmNdU9uXnQ4qTmGJ4C9QMEwrUp-7pN9rwC-p_k0Lu3JQv760IBf-WtQ7yFj1ApTD4Wj3yeF75h/s2048/q3ykshn.webp" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="2048" data-original-width="1382" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhrXQ63Z-bBg9-4m8JuJSJJXqwEsEUolX8m7IdRde6jwQLivTX0ZUPORFrMs6mOmxRegPVNhp7R97_-wMoQadTivPnv0lNmUZgRjp06YMfqgtARfAjmNdU9uXnQ4qTmGJ4C9QMEwrUp-7pN9rwC-p_k0Lu3JQv760IBf-WtQ7yFj1ApTD4Wj3yeF75h/s320/q3ykshn.webp" width="216" /></a></div></span><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEguQAKVd8BqzjfXB8wfPW9nxPHQYx3qKooKt4-uhTvE-MTwUDAQ4f7ToRs2NaNe0otGLyh3zNSzM2LhS-IXGmTr819KjWJ5401QD3mx021fTT-BH3APuPj2c-BoGz8xU_R1PR9xXlYOwn2H9KOuOZd1C8F_PWPuj2vaKo971nn_r1UnhztXNS4V2tDV/s1200/hobsons-1200-1200-675-675-crop-000000.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="675" data-original-width="1200" height="225" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEguQAKVd8BqzjfXB8wfPW9nxPHQYx3qKooKt4-uhTvE-MTwUDAQ4f7ToRs2NaNe0otGLyh3zNSzM2LhS-IXGmTr819KjWJ5401QD3mx021fTT-BH3APuPj2c-BoGz8xU_R1PR9xXlYOwn2H9KOuOZd1C8F_PWPuj2vaKo971nn_r1UnhztXNS4V2tDV/w400-h225/hobsons-1200-1200-675-675-crop-000000.jpg" width="400" /></a></div><br /></div><div style="text-align: justify;"><span style="color: #3d85c6; font-size: large;">Elenco: Charles
Laughton, John Mills e Brenda de Banzie</span></div><div style="text-align: justify;"><span style="font-size: large;">Alcoólatra
viúvo, dono de sapataria que tem uma boa clientela,
calunia a filha mais velha para evitar que ela se case e abandone a
administração do negócio familiar.</span></div><div style="text-align: justify;"><span style="font-size: large;"> </span></div><div style="text-align: justify;"><span style="color: #3d85c6; font-size: large;">15</span></div><div style="text-align: center;"><span style="color: white; font-size: large;"><span style="background-color: #274e13;">SEM
BARREIRA no CÉU</span></span></div><div style="text-align: center;"><span style="color: #3d85c6; font-size: large;">(The
Sound Barrier, 1952)</span></div><div style="text-align: justify;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi23pDkXLaTwWlW3paDSIClSIIwdCj3c6bV-_isPN4EtjMXGmzR0UZ7TluvYu0eqQHGPeCnOY5eFK29dBA7AXTN92rFsz0i3vfiMGA0jkz_QKGg9qI0LFoVKRvDVnpGujeqbqsQyoyWArA94PFiRsIeTRSQgNMeK9b79Yz6Ppbt8jseVRxCZyA807b9/s2047/738329246419.webp" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="2047" data-original-width="1454" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi23pDkXLaTwWlW3paDSIClSIIwdCj3c6bV-_isPN4EtjMXGmzR0UZ7TluvYu0eqQHGPeCnOY5eFK29dBA7AXTN92rFsz0i3vfiMGA0jkz_QKGg9qI0LFoVKRvDVnpGujeqbqsQyoyWArA94PFiRsIeTRSQgNMeK9b79Yz6Ppbt8jseVRxCZyA807b9/s320/738329246419.webp" width="227" /></a><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhkT1XLUXgJt_yhaJI9d-_wR_kWBgXwrZt-tXdZ9RdT9KGZaTb17URvRaJsqBp58AqLfiWNEEJ0w4Rn-x8uI-yu96_NxDU6BKI5Oew5mnY1LUAB3v5m-iDIb7ZWqoN4wf6BN6pkqXKY43zo1KC5BZIj1EtpYfdp1RH5xRfS-oeVR1cv9_iXI89OHz77/s1280/AAAABQ79DF2ht55dEhBwHz4cY8augki_v-dR9JSJp9yKzSichayEUuoiT_mVKsdjJBqIWmnZ8mSOFLR-RsMbrpiBvViMz2M3VjeVxmyX.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="720" data-original-width="1280" height="225" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhkT1XLUXgJt_yhaJI9d-_wR_kWBgXwrZt-tXdZ9RdT9KGZaTb17URvRaJsqBp58AqLfiWNEEJ0w4Rn-x8uI-yu96_NxDU6BKI5Oew5mnY1LUAB3v5m-iDIb7ZWqoN4wf6BN6pkqXKY43zo1KC5BZIj1EtpYfdp1RH5xRfS-oeVR1cv9_iXI89OHz77/w400-h225/AAAABQ79DF2ht55dEhBwHz4cY8augki_v-dR9JSJp9yKzSichayEUuoiT_mVKsdjJBqIWmnZ8mSOFLR-RsMbrpiBvViMz2M3VjeVxmyX.jpg" width="400" /></a></div></div><span style="color: #3d85c6; font-size: large;"><br /></span></div><span style="line-height: 107%;"><div style="text-align: justify;"><span style="color: #3d85c6; font-size: large;"><span style="line-height: 107%;">Elenco:</span>
<span style="line-height: 107%;">Ralph
Richardson, Ann Todd, Nigel Patrick e Denholm Elliott</span></span></div></span><div style="text-align: justify;"><span style="font-size: large;">Piloto se casa com a herdeira de um magnata da aviação. O sogro
está obcecado em romper a barreira do som com seu novo modelo a jato. As
habilidades do rapaz facilitam a sua aceitação, sendo que sua esposa passa a temer ficar viúva a qualquer momento.</span></div><div style="text-align: justify;"><span style="font-size: large;"> </span></div><div style="text-align: justify;"><span style="color: #3d85c6; font-size: large;">16</span></div><div style="text-align: center;"><span style="color: white; font-size: large;"><span style="background-color: #274e13;">Uma
MULHER do OUTRO MUNDO</span></span></div><div style="text-align: center;"><span style="color: #3d85c6; font-size: large;">(Blithe
Spirit, 1945)</span></div><div style="text-align: justify;"><span style="color: #3d85c6; font-size: large;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj2lSrbj8ANHK0sKbPLDBX_ybVuSKCO_aycogT0u-8M2jPQdEpRVt1Crs4MimqDwzSc0Ew0wMyVOt4vipen4keH3DxCklnIV-c98qS9yO_arQf_OIU9rgK10eeJ-q3SsirU_ig4BGl4xW_tPjm5aXF5e1Ww5TURP6_R258fq8kYKhJ0ZAUw4GtWMsWy/s1825/No%C3%ABl_Coward's_Blithe_Spirit_(1945_film).jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1825" data-original-width="1279" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj2lSrbj8ANHK0sKbPLDBX_ybVuSKCO_aycogT0u-8M2jPQdEpRVt1Crs4MimqDwzSc0Ew0wMyVOt4vipen4keH3DxCklnIV-c98qS9yO_arQf_OIU9rgK10eeJ-q3SsirU_ig4BGl4xW_tPjm5aXF5e1Ww5TURP6_R258fq8kYKhJ0ZAUw4GtWMsWy/s320/No%C3%ABl_Coward's_Blithe_Spirit_(1945_film).jpg" width="224" /></a></div></span><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhBiXFLodMtiuXi1IYl96Ut8SIdhJT_jY4o8dFQXyEyfigbypJyA4Ocq8r5xjahKNBByGBg2j7NbrnujnBs-qB6GRupUFBVroq1d1ZqhUv6_xmLJ-vDjCFtae2ATYCueVepUKn68Lh4SP5s0yCTnLCFcS0LxATV4LppFABVm2h7L7sh3yQek5DLHFac/s1189/image1.jpeg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="904" data-original-width="1189" height="304" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhBiXFLodMtiuXi1IYl96Ut8SIdhJT_jY4o8dFQXyEyfigbypJyA4Ocq8r5xjahKNBByGBg2j7NbrnujnBs-qB6GRupUFBVroq1d1ZqhUv6_xmLJ-vDjCFtae2ATYCueVepUKn68Lh4SP5s0yCTnLCFcS0LxATV4LppFABVm2h7L7sh3yQek5DLHFac/w400-h304/image1.jpeg" width="400" /></a></div><br /></div><span style="line-height: 107%;"><div style="text-align: justify;"><span style="color: #3d85c6; font-size: large;"><span style="line-height: 107%;">Elenco:</span>
<span style="line-height: 107%;">Rex
Harrison, Constance Cummings, Kay Hammond e Margaret Rutherford</span></span></div></span><div style="text-align: justify;"><span style="font-size: large;">Depois de
uma sessão de espiritismo, um escritor é atormentado pela visita de sua
ex-mulher falecida. No entanto, sua atual esposa se recusa a acreditar nele.</span></div><div style="text-align: justify;"><span style="font-size: large;"><br /></span></div><div style="text-align: justify;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhbIemDJ7oepLeqdJTqDIuErn6OOZTuQ1OvcqyQFbDP377rkDkfIS_zNy2mbat61mT9PGULrXlXKEy8EtreyEt2aoyrqcUKSh9uBYoFY85UmPh2ayrk-NNY3VowQ-yEIgFCAnn6PF0rqGFWheJHeDRapge8csga5b2yK8EaMUM0povQ-feBrf6pho-T/s1905/gettyimages-80101979-2048x2048.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1905" data-original-width="1444" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhbIemDJ7oepLeqdJTqDIuErn6OOZTuQ1OvcqyQFbDP377rkDkfIS_zNy2mbat61mT9PGULrXlXKEy8EtreyEt2aoyrqcUKSh9uBYoFY85UmPh2ayrk-NNY3VowQ-yEIgFCAnn6PF0rqGFWheJHeDRapge8csga5b2yK8EaMUM0povQ-feBrf6pho-T/w486-h640/gettyimages-80101979-2048x2048.jpg" width="486" /></a></div></div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhJK4S0Jc-8IV9mkx9K-oqLY0OSOiKS1z5SPNqTyYie6Rl4DGdSESAbcV2rMiWjzXwdT9MRyAnmMpSTlcTyZtc0cHEYyxdpXH1a4DbFsXKE6ODRfz4_WmL4NzeBKtjVGO8NKbcIMcQPZiU7S0AiUe9tOfBcaI9qmcbCL6ICeOH4Mhn1xfvfVcjw6PiD/s1280/ExU1oJPWQAI9iPd.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1050" data-original-width="1280" height="329" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhJK4S0Jc-8IV9mkx9K-oqLY0OSOiKS1z5SPNqTyYie6Rl4DGdSESAbcV2rMiWjzXwdT9MRyAnmMpSTlcTyZtc0cHEYyxdpXH1a4DbFsXKE6ODRfz4_WmL4NzeBKtjVGO8NKbcIMcQPZiU7S0AiUe9tOfBcaI9qmcbCL6ICeOH4Mhn1xfvfVcjw6PiD/w400-h329/ExU1oJPWQAI9iPd.jpg" width="400" /></a></div></span><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEidxFRDBo9ZTbhZxtp_GhzZaNJwJFE7e4rS5-BglVoQtlFIbdXaO6JqlI2mOWSXZAfCLo_cm3LxdH6Nib2biEJVmPVsMaHibv57QyajHCKcCCx6OHPjMMFD1IChgdsUgxSxHBGAMOj5WwB5OXrIbabyjnW47rcqYEeGg_nc4PeTi1tNGZ1gVGd5UgEI/s1006/MV5BYTZkNGNlM2MtZDJmMi00OWI3LTg3OWEtZWM1MDU2MDY1ZTkyXkEyXkFqcGdeQXVyNjUwNzk3NDc@._V1_.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="803" data-original-width="1006" height="319" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEidxFRDBo9ZTbhZxtp_GhzZaNJwJFE7e4rS5-BglVoQtlFIbdXaO6JqlI2mOWSXZAfCLo_cm3LxdH6Nib2biEJVmPVsMaHibv57QyajHCKcCCx6OHPjMMFD1IChgdsUgxSxHBGAMOj5WwB5OXrIbabyjnW47rcqYEeGg_nc4PeTi1tNGZ1gVGd5UgEI/w400-h319/MV5BYTZkNGNlM2MtZDJmMi00OWI3LTg3OWEtZWM1MDU2MDY1ZTkyXkEyXkFqcGdeQXVyNjUwNzk3NDc@._V1_.jpg" width="400" /></a></div><br /><p></p>
ANTONIO NAHUDhttp://www.blogger.com/profile/09829893001743081676noreply@blogger.com1tag:blogger.com,1999:blog-7997398743762234247.post-69778016432826064412022-04-30T23:30:00.031-03:002022-05-01T19:57:51.511-03:00******* GÉRARD PHILIPE: um ASTRO, um MITO<div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgu8TlslZVw2DQDxZqaSMfp6RNzs0SUVxY5MiVoSaVWsvsC9mPV80b4C53ebousp2XOyZy5gjGbODyQsoGPdp5NP3JyPqGuNpGLqB1Zx3XiBmhUYyPtwSfLBf1tHw-VTvuzFyfS9buppJM1ZlJA7bNQt7Dpv11l_wD06xrawSPdVbATjTc2O870mAx7/s763/3507046784_df3953c7ab_b.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="763" data-original-width="607" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgu8TlslZVw2DQDxZqaSMfp6RNzs0SUVxY5MiVoSaVWsvsC9mPV80b4C53ebousp2XOyZy5gjGbODyQsoGPdp5NP3JyPqGuNpGLqB1Zx3XiBmhUYyPtwSfLBf1tHw-VTvuzFyfS9buppJM1ZlJA7bNQt7Dpv11l_wD06xrawSPdVbATjTc2O870mAx7/w510-h640/3507046784_df3953c7ab_b.jpg" width="510" /></a></div><br /><div class="separator" style="clear: both; text-align: center;"><br /></div><div class="separator" style="clear: both; text-align: center;"><br /></div><p style="text-align: left;"></p><div style="text-align: justify;"><span style="color: #3d85c6; font-family: inherit; font-size: medium;">“Quando o
ator não está atuando, ele se sente doente, deprimido, inquieto”</span></div><span style="font-family: inherit;"><div style="text-align: justify;"><span style="background-color: #274e13; color: white; font-family: inherit; font-size: medium;">GÉRARD
PHILIPE</span></div><div style="text-align: justify;"><span style="font-family: inherit; font-size: medium;"> </span></div><div style="text-align: justify;"><span style="color: #3d85c6; font-family: inherit; font-size: medium;">Altura: 1,83
m</span></div><div style="text-align: justify;"><span style="color: #3d85c6; font-family: inherit; font-size: medium;">Cor dos olhos: castanhos</span></div><div style="text-align: justify;"><span style="color: #3d85c6; font-family: inherit; font-size: medium;">Cor do
cabelo: castanho claro</span></div><div style="text-align: justify;"><span style="font-family: inherit; font-size: medium;"> </span></div><div style="text-align: justify;"><span style="font-family: inherit; font-size: medium;"> </span></div><div style="text-align: justify;"><span style="font-family: inherit; font-size: medium;">Um dos
atores mais populares e versáteis da Europa, cujas brilhantes atuações no palco
e na tela estabeleceram sua reputação. Bonito como um deus, comprometido, carismático,
ele morreu jovem, com apenas trinta e seis anos, e o tempo o transformou em um
mito. A sua arte é o retrato dos anos 1950. Desde
seu primeiro papel, em 1943, até sua última aparição nas telas, <span style="background-color: #274e13; color: white;">GÉRARD PHILIPE</span> <span style="color: #3d85c6;">(1922
- 1959. Cannes / França)</span> encarnou o herói ideal da França, em uma
carreira iluminada.</span></div><div style="text-align: justify;"><span style="font-family: inherit; font-size: medium;"> </span></div><div style="text-align: justify;"><span style="font-family: inherit; font-size: medium;">Ele
escondeu de todos a tragédia que o atingiu na juventude: a condenação de seu pai pelos
tribunais, em 1945, por colaborar com o nazismo, forçado ao exílio na Espanha
para escapar de uma sentença de morte. Um
episódio doloroso. O ator nasceu nos Alpes-Maritimes. Ele e seu irmão, Jean,
vivenciaram uma infância ensolarada. Em 1940, teve um encontro decisivo no Parc
Hôtel Palace, em Grasse, dirigido por seu pai, com o cineasta Marc Allégret,
refugiado como muitos artistas na Côte d'Azur. Este descobridor de talentos notou o jovem. No final de uma audição, ele o aconselhou a se
matricular no Centre des Jeunes du Cinema, em Nice, e no Jean Wall, em Cannes. </span></div><div style="text-align: justify;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi2V-0Jq4E0xU5L53jh5S4749vfHzO1HhDYo7G3jn6XUj1PPl30kGmsgog9Do4H2wJifvbI5HHZlH7E7XgNPB7OaSSfKFx__5s-73TIogU7B_QVq2tgYIcd1aRovTX-yQNyvYE_j2vMe7PClGRDo-Znr2ZRTRGsPKm7QDtud0BfjDD5chlPJCP5IzMn/s1441/image-w856_Edited.jpg" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><span style="font-family: inherit; font-size: medium;"><img border="0" data-original-height="1441" data-original-width="1279" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi2V-0Jq4E0xU5L53jh5S4749vfHzO1HhDYo7G3jn6XUj1PPl30kGmsgog9Do4H2wJifvbI5HHZlH7E7XgNPB7OaSSfKFx__5s-73TIogU7B_QVq2tgYIcd1aRovTX-yQNyvYE_j2vMe7PClGRDo-Znr2ZRTRGsPKm7QDtud0BfjDD5chlPJCP5IzMn/w355-h400/image-w856_Edited.jpg" width="355" /></span></a></div><span style="font-family: inherit; font-size: medium; line-height: 107%;"><br /></span></div><div style="text-align: justify;"><span style="font-family: inherit; font-size: medium;"><span style="line-height: 107%;">Em 1942, <span style="background-color: #274e13; color: white;">GÉRARD
PHILIPE</span> estreia no teatro e dois anos depois atua em seu primeiro filme, dirigido por Marc Allégret. Convidado para Paris, interpreta um anjo em <span style="color: #3d85c6;">“Sodoma e Gomorra”</span>, uma performance
que o torna uma estrela da noite para o dia, sendo notado pela crítica e
elogiado por Jean Cocteau e René Clair. Seu sucesso no palco levou a ofertas de
filmes e, em poucos anos, suas aparições na tela lhe trouxeram fama
internacional.</span> <span style="line-height: 107%;">Marlene Dietrich viu uma de suas apresentações em
Paris, no final dos anos 40, e tentou persuadir Ernst Lubitsch a fazer uma versão
cinematográfica de <span style="color: #3d85c6;">“Der Rosenkavalier”</span>, com ela como a condessa envelhecida,
mas ainda adorável, e o ator francês como o amante mais jovem. </span></span></div><div style="text-align: justify;"><span style="font-family: inherit; font-size: medium; line-height: 107%;"><br /></span></div><div style="text-align: justify;"><span style="font-family: inherit; font-size: medium;"><span style="line-height: 107%;">A fama cinematográfica não diminuiu o entusiasmo de <span style="background-color: #274e13; color: white;">GÉRARD PHILIPE</span> pelo palco. Ele
criou papéis memoráveis em <span style="color: #3d85c6;">“Calígula”</span> (1945), de Albert Camus; <span style="color: #3d85c6;">“O
Príncipe de Hombourg”</span> (1951), de</span> <span style="line-height: 107%;">Heinrich von Kleist; <span style="color: #3d85c6;">“Lorenzaccio”</span>
(1952), de Alfred de Musset; <span style="color: #3d85c6;">“Ruy Blas”</span> (1954), de Victor Hugo, e <span style="color: #3d85c6;">“Richard II</span><span style="color: #3d85c6;">”</span>
(1954), de Shakespeare. Foi aplaudido em <span style="color: #3d85c6;">“El
Cid”</span>, de Corneille, no Festival de Avignon, em 1951. No Théâtre
National Populaire, dirigido por Jean Vilar, aderiu aos dogmas do grupo: uma aventura coletiva sem estrelato, marcada pela simplicidade a serviço de um público de todas as classes sociais,
apresentando-se em subúrbios e províncias, em salas improvisadas, para performances
acompanhadas de debates. </span></span></div><div style="text-align: justify;"><span style="font-family: inherit; font-size: medium; line-height: 107%;"><br /></span></div><div style="text-align: justify;"><span style="font-family: inherit; font-size: medium;"><span style="line-height: 107%;">Em 1951, casou-se
com Nicole Fourcade. Jornalista, cineasta e etnóloga, ela acompanha o marido em
suas viagens, realizando filmagens, apresentações teatrais e participando de festivais de cinema. O ator era recebido em todos os lugares como uma figura
notável da cultura francesa. O casal aproveitava para explorar os
contornos políticos e sociais de diversos países.</span> O casamento deles f<span style="line-height: 107%;">oi uma
intensa história de amor. Tiveram dois filhos. Ela adotou o pseudônimo
Anne Philipe, escrevendo sobre seu marido nos livros <span style="color: #3d85c6;">“Souvenirs” </span><span>(</span>1960) e
<span style="color: #3d85c6;">“Le Temps d'un Soupir” </span>(1963). </span></span></div><div style="text-align: justify;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhpd878VeZ0q9e80App-iuvK0Q_dkVxYipepVMx1ymFOGbu2FkYsy3qVR7PfsTPzSZtflhr8q-qJfbW4vDbC3c737fdtts2DjAFVS21tm5B43nq_-pBrAiGQQnBp56-rwOXVbtfhX-So525IPv-jh29Qm1YASmy5lM1yCAZUQv5E-8NEJ_cfEAcekDh/s766/Scan-105-2-e1529158654375.jpeg" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><span style="font-family: inherit; font-size: medium;"><img border="0" data-original-height="766" data-original-width="504" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhpd878VeZ0q9e80App-iuvK0Q_dkVxYipepVMx1ymFOGbu2FkYsy3qVR7PfsTPzSZtflhr8q-qJfbW4vDbC3c737fdtts2DjAFVS21tm5B43nq_-pBrAiGQQnBp56-rwOXVbtfhX-So525IPv-jh29Qm1YASmy5lM1yCAZUQv5E-8NEJ_cfEAcekDh/w264-h400/Scan-105-2-e1529158654375.jpeg" width="264" /></span></a></div><span style="font-family: inherit; font-size: medium; line-height: 107%;"><br /></span></div><div style="text-align: justify;"><span style="font-family: inherit; font-size: medium;"><span style="line-height: 107%;">Em 1953, <span style="background-color: #274e13; color: white;">GÉRARD
PHILIPE</span> afasta-se dos papéis românticos, partindo para personagens complexos: um médico alcoólatra em <span style="color: #3d85c6;">“Os
Orgulhosos / Les Orgueilleux”</span> (1953), um almofadinha em <span style="color: #3d85c6;">“As Grandes Manobras”</span>, um
cínico empregado de loja em <span style="color: #3d85c6;">“As Mulheres dos Outros/ Pot-Bouille”</span> (1958), o
fraco secretário de <span style="color: #3d85c6;">“Os Ambiciosos / La Fièvre Monte à El Pao”</span> (1959), entre
outros. Gravou em discos textos literários de François Villon, Arthur Rimbaud,
Paul Éluard e <span style="color: #3d85c6;">“O Pequeno Príncipe”</span>, de Antoine de Saint-Exupéry. Em 1956 co-dirige
com Joris Ivens o filme <span style="color: #3d85c6;">“As Aventuras de Till /</span></span><span style="color: #3d85c6;"> </span><span style="line-height: 107%;"><span style="color: #3d85c6;">Les Aventures de Till
L'Espiègle”</span>, um projeto sonhado por muitos anos, mas que não obteve êxito. </span></span></div><div style="text-align: justify;"><span style="font-family: inherit; font-size: medium; line-height: 107%;"><br /></span></div><div style="text-align: justify;"><span style="font-family: inherit; font-size: medium;"><span style="line-height: 107%;">O
mistério e a aura o associam a atores como James Dean. Havia algo em sua
atuação que era maduro e infantil ao mesmo tempo. Em vida era muito alegre,
adorava fazer rir os que o rodeavam, uma atitude quase de um eterno
adolescente.</span> <span style="line-height: 107%;">Seu eterno sucesso se deve ao fato de que ele foi tão bom nas
telas quanto no palco, fazendo malabarismos com os dois mundos como poucos.
Outra razão é a vastidão de sua filmografia e performances teatrais que ele
realizou em um tempo muito curto. Em 1958, retornando ao Théâtre National
Populaire, interpretou seu autor favorito, Alfred de Musset, em <span style="color: #3d85c6;">“Les Caprices
de Marianne”</span> e <span style="color: #3d85c6;">“On ne Badine pas avec l'amour”</span>. </span></span></div><div style="text-align: justify;"><span style="font-family: inherit; font-size: medium; line-height: 107%;"><br /></span></div><div style="text-align: justify;"><span style="font-family: inherit; font-size: medium;"><span style="line-height: 107%;">Ator
hipnótico, politicamente comprometido, ativista pela defesa de sua
profissão, fundou o Sindicato Francês de Artistas (SFA).</span>
<span style="line-height: 107%;">Além
do astro de cinema que encantava multidões, era conhecido como generoso e
discreto, bom pai de família, marido apaixonado, amigo leal, profissional
dedicado à sua arte. No entanto, os diretores da Nouvelle Vague não gostavam dele.
François Truffaut parece ter tido especial antipatia pela sua persona nas
telas. Ele escrevia sobre o ator coisas como: <span style="color: #3d85c6;">“terror dos bons diretores de
cinema”</span>, <span style="color: #3d85c6;">“comprometido com personagens melancólicos e tuberculosos de olhar
marejado”</span>. Especula-se que essa atitude antagônica era causada por divergências
ideológicas.</span></span></div><div style="text-align: justify;"><table cellpadding="0" cellspacing="0" class="tr-caption-container" style="float: right; margin-left: 1em; text-align: right;"><tbody><tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgsCuuxvRqLb6Iy3szJ_U-8I6rbtLxBiZH-SJ345JS-ERnIv1zL0RiWfrrmXXWL_fUa2uOPT4UjwN9sThmPPQLWvj6MvIhe391d06g6xR10J4HeRIJLpOe_quZibNOIjs-A_VBYk6_b0FDqGhdmmIgCGulEGB8cl1vbHc99sH-C03ht_ujYVpvEw4U8/s1200/Th%C3%A9%C3%A2tre_G%C3%A9rard_Philipe_St_Denis_Seine_St_Denis_3.jpg" style="clear: right; margin-bottom: 1em; margin-left: auto; margin-right: auto;"><span style="font-family: inherit; font-size: medium;"><img border="0" data-original-height="766" data-original-width="1200" height="255" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgsCuuxvRqLb6Iy3szJ_U-8I6rbtLxBiZH-SJ345JS-ERnIv1zL0RiWfrrmXXWL_fUa2uOPT4UjwN9sThmPPQLWvj6MvIhe391d06g6xR10J4HeRIJLpOe_quZibNOIjs-A_VBYk6_b0FDqGhdmmIgCGulEGB8cl1vbHc99sH-C03ht_ujYVpvEw4U8/w400-h255/Th%C3%A9%C3%A2tre_G%C3%A9rard_Philipe_St_Denis_Seine_St_Denis_3.jpg" width="400" /></span></a></td></tr><tr><td class="tr-caption" style="text-align: center;"><span style="background-color: black; color: #3d85c6; font-family: inherit; font-size: medium;">Teatro Gérard Philipe</span></td></tr></tbody></table><span style="font-family: inherit; font-size: medium;"><br /></span></div><div style="text-align: justify;"><span style="font-family: inherit; font-size: medium;">Uma
fadiga repentina invadiu <span style="background-color: #274e13; color: white;">GÉRARD PHILIPE</span> na primavera de 1959. Ele normalmente era
a própria vitalidade. Na época, fazia planos para começar a rodar uma versão cinematográfica de <span style="color: #3d85c6;">“O Conde de Monte-Cristo”</span>. Estudava
também a possibilidade de interpretar <span style="color: #3d85c6;">“Hamlet”</span> nos palcos. Uma constante dor no
ventre e um cansaço contínuo criavam indagações, mas não preocupação excessiva.
Tinha acabado de voltar do México, onde trabalhou em um filme de Buñuel,<span style="color: #3d85c6;"> “Os
Orgulhosos”</span>. A indisposição era atribuída aos hábitos alimentares adotados em
Acapulco. Terminou hospitalizado e os médicos descobriram um tumor no
fígado. Morreu dias depois de uma embolia brutal.</span></div><div style="text-align: justify;"><span style="font-family: inherit; font-size: medium;"> </span></div><div style="text-align: justify;"><span style="font-family: inherit; font-size: medium;">Manchetes
em todo o mundo anunciaram seu fim. Partiu em plena glória e está enterrado em
uma cova simples em um pequeno cemitério em Ramatuelle, perto da costa do Mar
Mediterrâneo. Em 1961, seu retrato apareceu em um selo postal comemorativo
francês. Em 1995, o governo francês lançou uma série de moedas de edição
limitada que incluíam uma moeda de 100 francos com a imagem do ator. Além
disso, escolas e teatros foram nomeados em sua homenagem, como o Collège Gérard
Philipe, em Cogolin, e um teatro de Berlim, Alemanha. Eu vi a maioria dos seus trinta filmes. Ele é espetacular. Um dos monstros sagrados do cinema.</span></div><div style="text-align: justify;"><span style="font-family: inherit; font-size: medium;"><br /></span></div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgBk_8AGx8FzOujNcGMdxMQ-2HGm_8ZiFc022zZoEHJASZaC8mRehwu9YWbn9GQiyYyHmcCo8oghL6e8KD6RXfePmdN7bqwVbDl1pvidMH-qtz_xq1gxokZ-lqQKgfWt4qqrt6EYgPXYcYmROoWywDlwfG9GN0zLw08_zw00K6g8Ed0O6ZhTXVoKJWg/s588/gettyimages-160690406-612x612.jpg" style="margin-left: 1em; margin-right: 1em;"><span style="font-family: inherit; font-size: medium;"><img border="0" data-original-height="588" data-original-width="568" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgBk_8AGx8FzOujNcGMdxMQ-2HGm_8ZiFc022zZoEHJASZaC8mRehwu9YWbn9GQiyYyHmcCo8oghL6e8KD6RXfePmdN7bqwVbDl1pvidMH-qtz_xq1gxokZ-lqQKgfWt4qqrt6EYgPXYcYmROoWywDlwfG9GN0zLw08_zw00K6g8Ed0O6ZhTXVoKJWg/w386-h400/gettyimages-160690406-612x612.jpg" width="386" /></span></a></div><div style="text-align: center;"><span style="font-family: inherit; font-size: medium;"><br /></span></div><div style="text-align: center;"><span style="background-color: #274e13; color: white; font-family: inherit; font-size: medium;">10 FILMES
de GÉRARD PHILIPE</span></div><div style="text-align: center;"><span style="color: #3d85c6; font-family: inherit; font-size: medium;">(por
ordem de preferência)</span></div><div style="text-align: justify;"><span style="color: #3d85c6; font-family: inherit; font-size: medium;"> </span></div><div style="text-align: justify;"><span style="color: #3d85c6; font-family: inherit; font-size: medium;">01</span></div><div style="text-align: center;"><span style="background-color: #274e13; color: white; font-family: inherit; font-size: medium;">Os
AMANTES de MONTPARNASSE</span></div><div style="text-align: center;"><span style="color: #3d85c6; font-family: inherit; font-size: medium;">(Les
Amants de Montparnasse, 1958)</span></div><div style="text-align: justify;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjquC5iMnhKFskySoQGNXBMbtQ8fbD4jaXUKC7p2I1MxaN4JSQnn5dw2IwIvrLqvhT386YLbFS3vo8lxbHM05ZOnMutHKUp9_G9LQ-IwQZ5yTHdQRXVRqCQEbGq4oAIzAb6t7q_47aP3XOcNwq89N1wBr6tJBi7Gs24zueo0uYlrG5tH6I7CFW9bRCx/s1291/MV5BNjk4OGEwODUtYzUxOS00YmY1LWI2ZTgtYTljMDdjMWM1OGJmXkEyXkFqcGdeQXVyODcwODg0OQ@@._V1_FMjpg_UX1000_.jpg" style="margin-left: 1em; margin-right: 1em;"><span style="font-family: inherit; font-size: medium;"><img border="0" data-original-height="1291" data-original-width="965" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjquC5iMnhKFskySoQGNXBMbtQ8fbD4jaXUKC7p2I1MxaN4JSQnn5dw2IwIvrLqvhT386YLbFS3vo8lxbHM05ZOnMutHKUp9_G9LQ-IwQZ5yTHdQRXVRqCQEbGq4oAIzAb6t7q_47aP3XOcNwq89N1wBr6tJBi7Gs24zueo0uYlrG5tH6I7CFW9bRCx/w299-h400/MV5BNjk4OGEwODUtYzUxOS00YmY1LWI2ZTgtYTljMDdjMWM1OGJmXkEyXkFqcGdeQXVyODcwODg0OQ@@._V1_FMjpg_UX1000_.jpg" width="299" /></span></a></div><span style="color: #3d85c6; font-family: inherit; font-size: medium;"><br /></span></div><div style="text-align: justify;"><span style="color: #3d85c6; font-family: inherit; font-size: medium;">Direção
de Jacques Becker</span></div><div style="text-align: justify;"><span style="color: #3d85c6; font-family: inherit; font-size: medium;">Elenco:
Lilli Palmer, Anouk Aimée, Lila Kedrova e Lea Padovani</span></div><div style="text-align: justify;"><span style="color: #3d85c6; font-family: inherit; font-size: medium;"> </span></div><div style="text-align: justify;"><span style="color: #3d85c6; font-family: inherit; font-size: medium;">02</span></div><div style="text-align: center;"><span style="background-color: #274e13; color: white; font-family: inherit; font-size: medium;">Uma
PEQUENA PRAIA TÃO BONITA</span></div><div style="text-align: center;"><span style="color: #3d85c6; font-family: inherit; font-size: medium;">(Une si
Jolie Petite Plage, 1949)</span></div><div style="text-align: justify;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgDOZCGLFKxundAzzyLa1DdXyGjVY6Pq4C1iBsyxAfxICWqVObpIIMr-UKR-ClP5HEXJQypIQw2D1jTUUz_q7y5taest0U567OlyGAOkK4vF7yvO5GXE1j99mvX8_k6OX_MGw5tMcKqTFJYlBp5DgAwdn-oZnLFwQKUbzD5Gm0Q6gwV33intzKNDuEP/s1570/MV5BZDM0NTk2OTUtNDYyZi00MzhlLWIzN2QtYTdkYWFkZTgzMTNjXkEyXkFqcGdeQXVyMzg1ODEwNQ@@._V1_FMjpg_UX1000_.jpg" style="margin-left: 1em; margin-right: 1em;"><span style="font-family: inherit; font-size: medium;"><img border="0" data-original-height="1570" data-original-width="1000" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgDOZCGLFKxundAzzyLa1DdXyGjVY6Pq4C1iBsyxAfxICWqVObpIIMr-UKR-ClP5HEXJQypIQw2D1jTUUz_q7y5taest0U567OlyGAOkK4vF7yvO5GXE1j99mvX8_k6OX_MGw5tMcKqTFJYlBp5DgAwdn-oZnLFwQKUbzD5Gm0Q6gwV33intzKNDuEP/w255-h400/MV5BZDM0NTk2OTUtNDYyZi00MzhlLWIzN2QtYTdkYWFkZTgzMTNjXkEyXkFqcGdeQXVyMzg1ODEwNQ@@._V1_FMjpg_UX1000_.jpg" width="255" /></span></a></div><span style="color: #3d85c6; font-family: inherit; font-size: medium;"><br /></span></div><div style="text-align: justify;"><span style="color: #3d85c6; font-family: inherit; font-size: medium;">Direção
de Yves Allégret</span></div><div style="text-align: justify;"><span style="color: #3d85c6; font-family: inherit; font-size: medium;">Elenco:
Madeleine Robinson, Jean Servais, Jane Marken e Julien Carette</span></div><div style="text-align: justify;"><span style="color: #3d85c6; font-family: inherit; font-size: medium;"> </span></div><div style="text-align: justify;"><span style="color: #3d85c6; font-family: inherit; font-size: medium;">03</span></div><div style="text-align: center;"><span style="background-color: #274e13; color: white; font-family: inherit; font-size: medium;">CONFLITOS
DE AMOR</span></div><div style="text-align: center;"><span style="color: #3d85c6; font-family: inherit; font-size: medium;">(La
Ronde, 1950)</span></div><div style="text-align: justify;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhyPeYb78H5YA8GiSnwi8k6Edy_ArbnZ7sWSutRxLdn8sjt-Gv-yAreKt5QaHHbkHTzZtsd0MqaELrnEFV_8gsoVP0O1BZD2p7FwFlQELTrxdB5xKAuAnpew0gK7UNcDCWbiSX6zYvzf2Z94VsF1f45mNhOLrmZN5G5BfK-InrrhBXzIQSpXUDaDE0m/s1276/la-ronde-md-web.jpg" style="margin-left: 1em; margin-right: 1em;"><span style="font-family: inherit; font-size: medium;"><img border="0" data-original-height="1276" data-original-width="960" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhyPeYb78H5YA8GiSnwi8k6Edy_ArbnZ7sWSutRxLdn8sjt-Gv-yAreKt5QaHHbkHTzZtsd0MqaELrnEFV_8gsoVP0O1BZD2p7FwFlQELTrxdB5xKAuAnpew0gK7UNcDCWbiSX6zYvzf2Z94VsF1f45mNhOLrmZN5G5BfK-InrrhBXzIQSpXUDaDE0m/w301-h400/la-ronde-md-web.jpg" width="301" /></span></a></div><span style="color: #3d85c6; font-family: inherit; font-size: medium;"><br /></span></div><div style="text-align: justify;"><span style="color: #3d85c6; font-family: inherit; font-size: medium;">Direção
de Max Ophüls</span></div><div style="text-align: justify;"><span style="color: #3d85c6; font-family: inherit; font-size: medium;">Elenco:
Anton Walbrook, Simone Signoret, Serge Reggiani, Simone Simon, Daniel Gélin,
Danielle Darrieux, Fernand Gravey, Jean-Louis Barrault e Isa Miranda</span></div><div style="text-align: justify;"><span style="color: #3d85c6; font-family: inherit; font-size: medium;"> </span></div><div style="text-align: justify;"><span style="color: #3d85c6; font-family: inherit; font-size: medium;">04</span></div><div style="text-align: center;"><span style="background-color: #274e13; color: white; font-family: inherit; font-size: medium;">À SOMBRA
do PATÍBULO</span></div><div style="text-align: center;"><span style="color: #3d85c6; font-family: inherit; font-size: medium;">(La
Chartreuse de Parme, 1948)</span></div><div style="text-align: justify;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhvwXpeIJME8yrOaxGicggb_UpKNibcbQH0X2BvyMZBsYcI3OURNIgR8PsQt9mGnmvYxpA3fAEZqcP2PBKoOBqs7kX3Atfmx25UUv4l2ET7E4ZSlbKwf0BzT1IQTwwpUvP2AoB81G0ATpcWa3zFJDjAcE_v1aYNA-rDj5ACBSLF-77tQEAyPlfmXFVq/s1600/484252.jpg" style="margin-left: 1em; margin-right: 1em;"><span style="font-family: inherit; font-size: medium;"><img border="0" data-original-height="1600" data-original-width="1164" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhvwXpeIJME8yrOaxGicggb_UpKNibcbQH0X2BvyMZBsYcI3OURNIgR8PsQt9mGnmvYxpA3fAEZqcP2PBKoOBqs7kX3Atfmx25UUv4l2ET7E4ZSlbKwf0BzT1IQTwwpUvP2AoB81G0ATpcWa3zFJDjAcE_v1aYNA-rDj5ACBSLF-77tQEAyPlfmXFVq/w291-h400/484252.jpg" width="291" /></span></a></div><span style="color: #3d85c6; font-family: inherit; font-size: medium;"><br /></span></div><div style="text-align: justify;"><span style="color: #3d85c6; font-family: inherit; font-size: medium;">Direção
de Christian-Jaque</span></div><div style="text-align: justify;"><span style="color: #3d85c6; font-family: inherit; font-size: medium;">Elenco:
Renée Faure, María Casares, Lucien Coëdel e Louis Salou</span></div><div style="text-align: justify;"><span style="color: #3d85c6; font-family: inherit; font-size: medium;"> </span></div><div style="text-align: justify;"><span style="color: #3d85c6; font-family: inherit; font-size: medium;">05</span></div><div style="text-align: center;"><span style="background-color: #274e13; color: white; font-family: inherit; font-size: medium;">A BELEZA
do DIABO</span></div><div style="text-align: center;"><span style="color: #3d85c6; font-family: inherit; font-size: medium;">(La
Beauté du Diable, 1950)</span></div><div style="text-align: justify;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh_o5Bs4I1MDdxvytF10RQ8SczMTFcVAYeVXITUSg0hkj2sWtNVsCsgvHvs9nNO8LcStgyx6M8-KgdoOv9jlS3Wtmg14xe5R3WVFTwX0KF0q16JDhCU6ZW1DumqMub4EZHsS_dipFYcva5q71tsZNxvg7MjMpQsOAru1i32OL0BGHAXukhqKCGLjreX/s1327/MV5BYjc2YmUxMGQtYzM0ZC00MTNlLWFhMTMtZDMyYjRkNjQ2MGFiXkEyXkFqcGdeQXVyNTcwNjUwNzk@._V1_FMjpg_UX1000_.jpg" style="margin-left: 1em; margin-right: 1em;"><span style="font-family: inherit; font-size: medium;"><img border="0" data-original-height="1327" data-original-width="1000" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh_o5Bs4I1MDdxvytF10RQ8SczMTFcVAYeVXITUSg0hkj2sWtNVsCsgvHvs9nNO8LcStgyx6M8-KgdoOv9jlS3Wtmg14xe5R3WVFTwX0KF0q16JDhCU6ZW1DumqMub4EZHsS_dipFYcva5q71tsZNxvg7MjMpQsOAru1i32OL0BGHAXukhqKCGLjreX/w301-h400/MV5BYjc2YmUxMGQtYzM0ZC00MTNlLWFhMTMtZDMyYjRkNjQ2MGFiXkEyXkFqcGdeQXVyNTcwNjUwNzk@._V1_FMjpg_UX1000_.jpg" width="301" /></span></a></div><span style="color: #3d85c6; font-family: inherit; font-size: medium;"><br /></span></div><div style="text-align: justify;"><span style="color: #3d85c6; font-family: inherit; font-size: medium;">Direção
de René Clair</span></div><div style="text-align: justify;"><span style="color: #3d85c6; font-family: inherit; font-size: medium;">Elenco:
Michel Simon, Nicole Bernard e Paolo Stoppa</span></div><div style="text-align: justify;"><span style="color: #3d85c6; font-family: inherit; font-size: medium;"> </span></div><div style="text-align: justify;"><span style="color: #3d85c6; font-family: inherit; font-size: medium;">06</span></div><div style="text-align: center;"><span style="background-color: #274e13; color: white; font-family: inherit; font-size: medium;">FANFAN la
TULIPE</span></div><div style="text-align: center;"><span style="color: #3d85c6; font-family: inherit; font-size: medium;">(Idem,
1952)</span></div><div style="text-align: justify;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjMqiYoij3xYliOqGGPhlVAxBVpydG3yZzX9u-8iS1QwuqZhwuxQ7_2deT9eK3jFnecA-jNVPYb5xMnc3k9barLjkgCJd_EB9k8KmKQH7WlNCOBrDmXp_vjc0XYRIZL_nMtdtHU-0aOAqJl7bxza_SSbNnbXwdyrX5iRqyeDUpScz7OSBLyKYV-gIn8/s1101/MV5BZDQwM2NlZTgtOTY3MC00NGQ5LThlNTgtODI2MGZlZDJiNjAzXkEyXkFqcGdeQXVyNjg3MTIwODI@._V1_.jpg" style="margin-left: 1em; margin-right: 1em;"><span style="font-family: inherit; font-size: medium;"><img border="0" data-original-height="1101" data-original-width="800" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjMqiYoij3xYliOqGGPhlVAxBVpydG3yZzX9u-8iS1QwuqZhwuxQ7_2deT9eK3jFnecA-jNVPYb5xMnc3k9barLjkgCJd_EB9k8KmKQH7WlNCOBrDmXp_vjc0XYRIZL_nMtdtHU-0aOAqJl7bxza_SSbNnbXwdyrX5iRqyeDUpScz7OSBLyKYV-gIn8/w291-h400/MV5BZDQwM2NlZTgtOTY3MC00NGQ5LThlNTgtODI2MGZlZDJiNjAzXkEyXkFqcGdeQXVyNjg3MTIwODI@._V1_.jpg" width="291" /></span></a></div><span style="color: #3d85c6; font-family: inherit; font-size: medium;"><br /></span></div><div style="text-align: justify;"><span style="color: #3d85c6; font-family: inherit; font-size: medium;">Direção
de Christian-Jaque</span></div><div style="text-align: justify;"><span style="color: #3d85c6; font-family: inherit; font-size: medium;">Elenco:
Gina Lollobrigida, Marcel Herrand e Geneviève Page</span></div><div style="text-align: justify;"><span style="color: #3d85c6; font-family: inherit; font-size: medium;"> </span></div><div style="text-align: justify;"><span style="color: #3d85c6; font-family: inherit; font-size: medium;">07</span></div><div style="text-align: center;"><span style="background-color: #274e13; color: white; font-family: inherit; font-size: medium;">As
GRANDES MANOBRAS</span></div><div style="text-align: center;"><span style="color: #3d85c6; font-family: inherit; font-size: medium;">(Les
Grandes Manoeuvres, 1955)</span></div><div style="text-align: justify;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEitktSWRk4gJHG-z3cKri82wz0tiJJa6W5YmQovWryvaWhBJnJMPBBfZPatYI53aUjQHUKk8308oczKevZ6zBxY05XguuZiFbvrXaEJH2Uj3mJ8kZrCYt2MauQf-Hy3t3b8i6uTjOXt0RfQ34b_xKaVFfA1Fh2WCL1K19mvVP5xV1fGm_UdZ2irNagt/s1046/0007968-les-grandes-manoeuvres-1955-with-switchable-english-subtitles-.jpg" style="margin-left: 1em; margin-right: 1em;"><span style="font-family: inherit; font-size: medium;"><img border="0" data-original-height="1046" data-original-width="800" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEitktSWRk4gJHG-z3cKri82wz0tiJJa6W5YmQovWryvaWhBJnJMPBBfZPatYI53aUjQHUKk8308oczKevZ6zBxY05XguuZiFbvrXaEJH2Uj3mJ8kZrCYt2MauQf-Hy3t3b8i6uTjOXt0RfQ34b_xKaVFfA1Fh2WCL1K19mvVP5xV1fGm_UdZ2irNagt/w306-h400/0007968-les-grandes-manoeuvres-1955-with-switchable-english-subtitles-.jpg" width="306" /></span></a></div><span style="color: #3d85c6; font-family: inherit; font-size: medium;"><br /></span></div><div style="text-align: justify;"><span style="color: #3d85c6; font-family: inherit; font-size: medium;">Direção
de René Clair</span></div><div style="text-align: justify;"><span style="color: #3d85c6; font-family: inherit; font-size: medium;">Elenco:
Michèle Morgan, Jean Desailly, Brigitte Bardot, Lise Delamare e Magali Noel</span></div><div style="text-align: justify;"><span style="color: #3d85c6; font-family: inherit; font-size: medium;"> </span></div><div style="text-align: justify;"><span style="color: #3d85c6; font-family: inherit; font-size: medium;">08</span></div><div style="text-align: center;"><span style="background-color: #274e13; color: white; font-family: inherit; font-size: medium;">As
LIGAÇÕES AMOROSAS</span></div><div style="text-align: center;"><span style="color: #3d85c6; font-family: inherit; font-size: medium;">(Les
Liaisons Dangereuses, 1959)</span></div><div style="text-align: justify;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgovGEBREk2rxhLyJk3F74-QL8IXtMzL_dgQKwvVQ9DieL43V41NpokIh5oh70OhiDw0yOtRpvfFoGcE3xrLnjn0Dm998QqP99dgT80btX5kGApvIlrUY3iAZa5WbRI9yfPExXzPKs8XQMU39rC4rU-NyPmBTrzaBeZoWIZERezbDRaB2gm4CbvgLU5/s1333/MV5BZTVhZTI0ZmQtOWE1ZC00ZjFlLTkyMmItZmRkZGRmYmNmMmQ0XkEyXkFqcGdeQXVyMjQzMzQzODY@._V1_FMjpg_UX1000_.jpg" style="margin-left: 1em; margin-right: 1em;"><span style="font-family: inherit; font-size: medium;"><img border="0" data-original-height="1333" data-original-width="1000" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgovGEBREk2rxhLyJk3F74-QL8IXtMzL_dgQKwvVQ9DieL43V41NpokIh5oh70OhiDw0yOtRpvfFoGcE3xrLnjn0Dm998QqP99dgT80btX5kGApvIlrUY3iAZa5WbRI9yfPExXzPKs8XQMU39rC4rU-NyPmBTrzaBeZoWIZERezbDRaB2gm4CbvgLU5/w300-h400/MV5BZTVhZTI0ZmQtOWE1ZC00ZjFlLTkyMmItZmRkZGRmYmNmMmQ0XkEyXkFqcGdeQXVyMjQzMzQzODY@._V1_FMjpg_UX1000_.jpg" width="300" /></span></a></div><span style="color: #3d85c6; font-family: inherit; font-size: medium;"><br /></span></div><div style="text-align: justify;"><span style="color: #3d85c6; font-family: inherit; font-size: medium;">Direção
de Roger Vadim</span></div><div style="text-align: justify;"><span style="color: #3d85c6; font-family: inherit; font-size: medium;">Elenco:
Jeanne Moreau, Annette Stroyberg e Jean-Louis Trintignant</span></div><div style="text-align: justify;"><span style="color: #3d85c6; font-family: inherit; font-size: medium;"> </span></div><div style="text-align: justify;"><span style="color: #3d85c6; font-family: inherit; font-size: medium;">09</span></div><div style="text-align: center;"><span style="background-color: #274e13; color: white; font-family: inherit; font-size: medium;">ADÚLTERA</span></div><div style="text-align: center;"><span style="color: #3d85c6; font-family: inherit; font-size: medium;">(Le
Diable au Corps, 1947)</span></div><div style="text-align: justify;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiZjaLpXnbJ0SoknE-jdpxRZIrvFnUJq13V411Hy3CqH0DCkpLEuPkk8OIB6X4Uq69HS7Dkkr8Xtq14nUC8o_NzU2O9THlLWk_Vj6EVsQ734meIZx-cCyyM1CSX3N7YPrxtxnHLn5L_CvtxAsGTtgjRjz85GoTOAa3Aesk81hjkGn-FBvo_7IO22W0x/s1340/MV5BMTZmNjk5NmMtOTc0Ny00YzY5LWFjZjYtZjVkNjEyNTdlNThhXkEyXkFqcGdeQXVyMTAxMDQ0ODk@._V1_FMjpg_UX1000_.jpg" style="margin-left: 1em; margin-right: 1em;"><span style="font-family: inherit; font-size: medium;"><img border="0" data-original-height="1340" data-original-width="1000" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiZjaLpXnbJ0SoknE-jdpxRZIrvFnUJq13V411Hy3CqH0DCkpLEuPkk8OIB6X4Uq69HS7Dkkr8Xtq14nUC8o_NzU2O9THlLWk_Vj6EVsQ734meIZx-cCyyM1CSX3N7YPrxtxnHLn5L_CvtxAsGTtgjRjz85GoTOAa3Aesk81hjkGn-FBvo_7IO22W0x/w299-h400/MV5BMTZmNjk5NmMtOTc0Ny00YzY5LWFjZjYtZjVkNjEyNTdlNThhXkEyXkFqcGdeQXVyMTAxMDQ0ODk@._V1_FMjpg_UX1000_.jpg" width="299" /></span></a></div><span style="color: #3d85c6; font-family: inherit; font-size: medium;"><br /></span></div><div style="text-align: justify;"><span style="color: #3d85c6; font-family: inherit; font-size: medium;">Direção
de Claude Autant-Lara</span></div><div style="text-align: justify;"><span style="color: #3d85c6; font-family: inherit; font-size: medium;">Elenco:
Micheline Presle e Jacques Tati</span></div><div style="text-align: justify;"><span style="color: #3d85c6; font-family: inherit; font-size: medium;"> </span></div><div style="text-align: justify;"><span style="color: #3d85c6; font-family: inherit; font-size: medium;">10</span></div><div style="text-align: center;"><span style="background-color: #274e13; color: white; font-family: inherit; font-size: medium;">JULIETA
ou a CHAVE dos SONHOS</span></div><div style="text-align: center;"><span style="color: #3d85c6; font-family: inherit; font-size: medium;">(Juliette
ou La Clef des Songes, 1951)</span></div><div style="text-align: justify;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgM9fOh18a_xhDx8Oxnvn-4WR-4zkiY2rUnXGIach3HMX_oVuMl0qqx-yQRZW8xrP-CY5vk_llJuiecmYghlGsEW8J3ZgjDuLP9oUh097v2p9PC1dxPfE9JxoWfDl1TubY83icMh-rvYn4h65ORbpTgvnG1tA0V97p7-hkGj3DgIdSdIR2BLinBVxlY/s1286/MV5BN2VjZjU0ODYtMjM5OS00YjI0LTlhZDctZDRlYjZhNmI0ODdlXkEyXkFqcGdeQXVyNjUwMTQ4NjE@._V1_FMjpg_UX1000_.jpg" style="margin-left: 1em; margin-right: 1em;"><span style="font-family: inherit; font-size: medium;"><img border="0" data-original-height="1286" data-original-width="1000" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgM9fOh18a_xhDx8Oxnvn-4WR-4zkiY2rUnXGIach3HMX_oVuMl0qqx-yQRZW8xrP-CY5vk_llJuiecmYghlGsEW8J3ZgjDuLP9oUh097v2p9PC1dxPfE9JxoWfDl1TubY83icMh-rvYn4h65ORbpTgvnG1tA0V97p7-hkGj3DgIdSdIR2BLinBVxlY/w311-h400/MV5BN2VjZjU0ODYtMjM5OS00YjI0LTlhZDctZDRlYjZhNmI0ODdlXkEyXkFqcGdeQXVyNjUwMTQ4NjE@._V1_FMjpg_UX1000_.jpg" width="311" /></span></a></div><span style="color: #3d85c6; font-family: inherit; font-size: medium;"><br /></span></div><div style="text-align: justify;"><span style="color: #3d85c6; font-family: inherit; font-size: medium;">Direção
de Marcel Carné</span></div><div style="text-align: justify;"><span style="color: #3d85c6; font-family: inherit; font-size: medium;">Elenco:
Suzanne Clouthier</span></div><div style="font-size: x-large; text-align: justify;"><span style="color: #3d85c6;"><br /></span></div><div style="text-align: center;"><span style="background-color: #274e13; color: white; font-family: inherit; font-size: x-large;">GALERIA de FOTOS</span></div><div style="font-size: x-large; text-align: center;"><span style="color: #3d85c6;"><br /></span></div><div style="font-size: x-large; text-align: center;"><div class="separator" style="clear: both; text-align: center;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgISaZ4udm1dAORiWStafvnNkhX48q32GCYcQ5DKcgcFcfims0YFK6qVRO9UuC-vDX_RBVBawOhS_0AtLSpDaWqhQ1S6hrf-HZNa_x9PODdSjD-zAP_IWpV5DXVnDRmGvmnCKl9iVJWNoXBpmcRlSlHCU7ktnjJ0cSmH9LPcdkvYdL3MEhHFdK0-fNV/s1116/89ef3162f6bda64e05bf3b31ba74a01b.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1116" data-original-width="922" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgISaZ4udm1dAORiWStafvnNkhX48q32GCYcQ5DKcgcFcfims0YFK6qVRO9UuC-vDX_RBVBawOhS_0AtLSpDaWqhQ1S6hrf-HZNa_x9PODdSjD-zAP_IWpV5DXVnDRmGvmnCKl9iVJWNoXBpmcRlSlHCU7ktnjJ0cSmH9LPcdkvYdL3MEhHFdK0-fNV/w330-h400/89ef3162f6bda64e05bf3b31ba74a01b.jpg" width="330" /></a></div><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEinbWx6OVM20yrVc-jpKFbHyZEcB4dIM8rZIVHs0zieqZTYjMZcfRiC-sq3Yjr0JwA1bo4p9MVLNpAR5svGdR_1dpHgwUlFgs-FcMfIZ3x0hmjl2AmmX6fczFTRBpHaD6nfrFmZResrZI0L5LrLPuGPiP1BJlelKRx1PO5ETKpRrJfGIQaOD9xDNfG4/s1711/905d938e8a7826acaf8c944db6070922.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1711" data-original-width="1520" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEinbWx6OVM20yrVc-jpKFbHyZEcB4dIM8rZIVHs0zieqZTYjMZcfRiC-sq3Yjr0JwA1bo4p9MVLNpAR5svGdR_1dpHgwUlFgs-FcMfIZ3x0hmjl2AmmX6fczFTRBpHaD6nfrFmZResrZI0L5LrLPuGPiP1BJlelKRx1PO5ETKpRrJfGIQaOD9xDNfG4/w355-h400/905d938e8a7826acaf8c944db6070922.jpg" width="355" /></a></div></div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhbiQ20chGzMoOY5IL0tJKpgKYV3HRIQ0T8MoHC1sVkaC91OJ2OeJGdImYXxBiZdoiKsRGr95LJ4JjJuGgZc39tQ1lja4lkyuzRwJklfwicWzXJv1-DlnuQeij0LLQwJN7Vvq8lAfjcxC6WC0ccj60g6WkiZTgzw95OjnGRKBspsq1RCTRMzltWgY3E/s1159/9999.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="671" data-original-width="1159" height="231" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhbiQ20chGzMoOY5IL0tJKpgKYV3HRIQ0T8MoHC1sVkaC91OJ2OeJGdImYXxBiZdoiKsRGr95LJ4JjJuGgZc39tQ1lja4lkyuzRwJklfwicWzXJv1-DlnuQeij0LLQwJN7Vvq8lAfjcxC6WC0ccj60g6WkiZTgzw95OjnGRKBspsq1RCTRMzltWgY3E/w400-h231/9999.jpg" width="400" /></a></div></span><div class="separator" style="clear: both; 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margin-right: 1em;"><img border="0" data-original-height="900" data-original-width="1200" height="300" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiUcqdsPRfJ8kTxjw-ALGBZzGRfIeiy-yRyqwV5k37H0m0FXptxeLKJApzsEumnulyJa_Ti9Ck8Usklju6l_K9KNo88LuhCXczlrEugY7UOLwHRXW6bK5PVb11upbZB6097EZKSmbS5bfxpAnxGzZpw7HTlU9OyKV-YwgRIYLvXBlV8V34lFS0HCnx-/w400-h300/1200px-RueGerardPhillipe.jpg" width="400" /></a></div><br /><table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto;"><tbody><tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhFHi77g_5QDG76tcuM-Qeh7hZZMkGcxQQMwflvfnhcwdHOLRS_cUNk2wEAaWs41deLh60htc863afi9ZQmNFtCzus2dhJMQnyYfffunUvFa2rXERKQpmfhWK3Wxg1GqLIfaV148gybhnmHIonKjmjA9gD7A45z3XCzziFoohw0au3gq5gkuGR8Z1fm/s3664/Cergy_(95),_maison_de_G%C3%A9rard_Philippe,_Gency.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="2748" data-original-width="3664" height="300" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhFHi77g_5QDG76tcuM-Qeh7hZZMkGcxQQMwflvfnhcwdHOLRS_cUNk2wEAaWs41deLh60htc863afi9ZQmNFtCzus2dhJMQnyYfffunUvFa2rXERKQpmfhWK3Wxg1GqLIfaV148gybhnmHIonKjmjA9gD7A45z3XCzziFoohw0au3gq5gkuGR8Z1fm/w400-h300/Cergy_(95),_maison_de_G%C3%A9rard_Philippe,_Gency.jpg" width="400" /></a></td></tr><tr><td class="tr-caption" style="text-align: center;"><span style="background-color: black; color: #3d85c6; font-family: inherit; font-size: large;">a casa do ator</span></td></tr></tbody></table><br /><div class="separator" style="clear: both; text-align: center;"><br /></div><br />ANTONIO NAHUDhttp://www.blogger.com/profile/09829893001743081676noreply@blogger.com7tag:blogger.com,1999:blog-7997398743762234247.post-7020251002358639482022-03-31T23:24:00.051-03:002022-04-01T21:19:21.246-03:00***************** ANATOMIA do CINE JAPONÊS<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto;"><tbody><tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhOlmDrFN77yFO0Z5GK0E2Ok82-aWFMse6WPO1w6b5BX645uQ8j2mwu9usdYDU3_bMmsajhwfb8USDZF9AMCpzCTgEK5o9xmTcRSFHFBcYbYR_L3tYU5tfsQrjxqi5BRNZe47KUlk0yMt2tXXxT5qecgtysLffibQ1OZdIBP13AswLQjDsdfm3FEru5/s1280/a%20face%20do%20o.jpg" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="720" data-original-width="1280" height="360" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhOlmDrFN77yFO0Z5GK0E2Ok82-aWFMse6WPO1w6b5BX645uQ8j2mwu9usdYDU3_bMmsajhwfb8USDZF9AMCpzCTgEK5o9xmTcRSFHFBcYbYR_L3tYU5tfsQrjxqi5BRNZe47KUlk0yMt2tXXxT5qecgtysLffibQ1OZdIBP13AswLQjDsdfm3FEru5/w640-h360/a%20face%20do%20o.jpg" width="640" /></a></td></tr><tr><td class="tr-caption" style="text-align: center;"><span style="text-align: justify;"><span style="color: #3d85c6; font-family: inherit; font-size: large;"><span style="background-color: black;">“a face do outro”</span></span></span></td></tr></tbody></table><div class="separator" style="clear: both; text-align: center;"><br /></div><div class="separator" style="clear: both; text-align: center;"><br /></div>
<p class="MsoNormal" style="margin-bottom: 0cm; text-align: justify;"><span style="font-family: inherit;"><span style="font-size: 14pt;">No início
do século 20, o Japão fundou sua própria indústria cinematográfica retratando
aventuras de época sobre samurais injustiçados. Enquanto no mundo inteiro o
cinema ainda era mudo, os japoneses produziam filmes parcialmente sonorizados,
com a presença do benshi, um profissional que reproduzia os diálogos,
interpretando as vozes dos vários personagens (uma espécie de dublador ao
vivo).</span><br /><span style="font-size: 14pt;"> </span><br /><span style="font-size: 14pt;">A
primeira produção importante surgiu em 1913: <span style="color: #3d85c6;">“Os 47 Ronins / Chushingura”</span>. Com
o fim da Primeira Guerra Mundial, o Japão abriu-se ao Ocidente, sendo invadido
e influenciado por Hollywood. Nasce um cinema de clara inspiração ocidental,
que valoriza os filmes históricos. A partir de 1937, com o início da guerra
sino-japonesa, e em particular depois do bombardeamento de Pearl Harbor em 1941,
o <span style="background-color: #274e13; color: white;">CINEMA JAPONÊS</span> passa a estar a serviço da propaganda oficial.</span><span style="font-size: 14pt;"><br /></span></span></p><table cellpadding="0" cellspacing="0" class="tr-caption-container" style="float: left; margin-right: 1em; text-align: left;"><tbody><tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg1F8AJLJbIcH7CwmwhTpjVm-AiRikCIH7KTSEMFBUiaXnRSajel0XsYF4gSso_wzYt8RPGbIYQdGOhsZXv7TaY1gf5V1edGRlMzYDx89EkGiRgqQpZ_wX_7LR9b_z6GXmObXr2SfgpVUZ8kjWmOfIueBkLc_T1zMWNjyo-5GFnkzlmd7HPXTsYrB8h/s1122/Mizoguchi-3.jpg" style="clear: left; margin-bottom: 1em; margin-left: auto; margin-right: auto;"><img border="0" data-original-height="1044" data-original-width="1122" height="373" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg1F8AJLJbIcH7CwmwhTpjVm-AiRikCIH7KTSEMFBUiaXnRSajel0XsYF4gSso_wzYt8RPGbIYQdGOhsZXv7TaY1gf5V1edGRlMzYDx89EkGiRgqQpZ_wX_7LR9b_z6GXmObXr2SfgpVUZ8kjWmOfIueBkLc_T1zMWNjyo-5GFnkzlmd7HPXTsYrB8h/w400-h373/Mizoguchi-3.jpg" width="400" /></a></td></tr><tr><td class="tr-caption" style="text-align: center;"><span style="background-color: black; color: #3d85c6; font-family: inherit; font-size: large;">kenji mizoguchi</span></td></tr></tbody></table><span style="font-family: inherit;"><br /></span><p></p><div style="text-align: justify;"><span style="font-family: inherit;"><span style="font-family: inherit; font-size: 14pt;">Depois da Segunda Guerra Mundial, surgiriam diretores renovadores e uma cinematografia
de qualidade que não parou de espantar o mundo. Em 1949, o mercado
cinematográfico local tinha cerca de duas mil salas e quatro poderosos estúdios
que dividiam a produção e distribuição de filmes: Toho, Shochiku, Daiei e Shin
Toho (atual Toei). A Daiei especializou-se em dramas militares, de violência e
sexo. A Shochiku produzia comédias, populares filmes de yakuza (os gangsteres
japoneses) e musicais. A Toho fez história com filmes de época.</span></span></div><div style="text-align: justify;"><span style="font-family: inherit; font-size: 14pt; line-height: 107%;"><br /></span></div><div style="text-align: justify;"><span style="font-family: inherit; font-size: 14pt; line-height: 107%;">Em 1951, <span style="color: #3d85c6;">“Rashomon / Idem”</span>, de Akira Kurosawa,
levou </span><span style="font-family: inherit; font-size: 14pt; line-height: 107%;">o
Leão de Ouro no Festival de Veneza. Pela primeira vez a Europa consagrava a cinematografia do país do sol nascente. Dois anos
depois, <span style="color: #3d85c6;">“Portal do Inferno”</span> receberia dois Oscars. A
partir daí, obras de Kenji Mizoguchi <span style="color: #3d85c6;">(1898 – 1956. Hongo, Tóquio / Japão)</span>, Akira
Kurosawa <span style="color: #3d85c6;">(1910 – 1993. Shinagawa, Tóquio / Japão)</span> e Yasujirō Ozu <span style="color: #3d85c6;">(1903 - 1963. Fukagawa
district / Japão)</span>, entre outros, atingiram uma popularidade inédita no
estrangeiro.</span></div><span style="font-family: inherit;"><span style="font-size: 14pt;"> </span><br /><div style="text-align: justify;"><span style="font-family: inherit; font-size: 14pt;">O
magnífico Kenji Mizoguchi iniciou-se no cinema ainda no período mudo.
Inicialmente dedicado a filmes de samurais ou melodramas, tornou-se famoso pelo olhar
poético com que trata os seus heróis atormentados, com uma especial dedicação
às mulheres, figuras centrais na sua obra. Akira Kurosawa é sem dúvida o
mais conhecido dos realizadores orientais. Com inspiração que podia ir de
Shakespeare a John Ford, os seus personagens são dramáticos, cheios de falhas,
mas prontos a desafiar a ordem estabelecida além das consequências.</span></div><span style="font-size: 14pt;"><table cellpadding="0" cellspacing="0" class="tr-caption-container" style="float: right; margin-left: 1em; text-align: right;"><tbody><tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhh-FJ-pFSR_UkG7zQbVrVfgcSiMU_Jo17yZnlVV0o3ekQy09G0yIxPss2N75cxTfabNBQ8pCEmC3TbDM3yIPdDHhr7HwvFULSc57Br0eeXt3NGzkL_PvZ5RZ79qjZgHga0jQK9-eDMWzlXvsczbBAYb7EB6wkZwWCmbg5H1o0kHpJ63nvEFA8VmvOt/s551/Akira.jpg" style="clear: right; margin-bottom: 1em; margin-left: auto; margin-right: auto;"><img border="0" data-original-height="437" data-original-width="551" height="318" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhh-FJ-pFSR_UkG7zQbVrVfgcSiMU_Jo17yZnlVV0o3ekQy09G0yIxPss2N75cxTfabNBQ8pCEmC3TbDM3yIPdDHhr7HwvFULSc57Br0eeXt3NGzkL_PvZ5RZ79qjZgHga0jQK9-eDMWzlXvsczbBAYb7EB6wkZwWCmbg5H1o0kHpJ63nvEFA8VmvOt/w400-h318/Akira.jpg" width="400" /></a></td></tr><tr><td class="tr-caption" style="text-align: center;"><span style="background-color: black; color: #3d85c6; font-family: inherit; font-size: large;">akira kurosawa</span></td></tr></tbody></table></span><span style="font-size: 14pt;"><div style="text-align: justify;"><span style="font-family: inherit; font-size: 14pt;"><br /></span></div><div style="text-align: justify;"><span style="font-family: inherit; font-size: 14pt;">Outros
autores se destacaram nos anos </span><span style="font-family: inherit; font-size: 14pt;">1950, conhecido como Era Dourada do <span style="background-color: #274e13; color: white;">CINEMA
JAPONÊS</span>. É o caso de Kaneto Shindô <span style="color: #3d85c6;">(1912 – 2012. Saeki District, Hiroshima /
Japão)</span>, Kon
Ichikawa <span style="color: #3d85c6;">(1915 – 2008. Ise, Mie / Japão)</span>, Masaki Kobayashi <span style="color: #3d85c6;">(1916 – 1996. Otaru,
Hokkaido / Japão) e</span> Mikio Naruse <span style="color: #3d85c6;">(1905 – 1969. Yotsuya, Tóquio / Japão)</span>. A produção tornou-se mais provocadora, incluindo</span><span style="font-family: inherit; font-size: 14pt;"> filmes de tendência neo-</span><span style="font-family: inherit; font-size: 14pt;">realista.</span></div></span><span style="font-size: 14pt;"><div style="text-align: justify;"><span style="font-family: inherit; font-size: 14pt;"> </span></div></span><span style="font-size: 14pt;"><div style="text-align: justify;"><span style="font-family: inherit; font-size: 14pt;">Nos anos 1960
e 1970 assistiu-se ao advento de realizadores influenciados por novas
linguagens cinematográficas. Esta geração, conhecida como </span><span style="color: #3d85c6; font-family: inherit; font-size: 14pt;">“Nova Vaga”</span><span style="font-family: inherit; font-size: 14pt;">, inclui Nagisa Oshima </span><span style="color: #3d85c6; font-family: inherit; font-size: 14pt;">(1932 – 2013. Tamano, Okayama / Japão)</span><span style="font-family: inherit; font-size: 14pt;">, Shohei Imamura </span><span style="color: #3d85c6; font-family: inherit; font-size: 14pt;">(1926 –
2006. Cidade de Tóquio / Japão)</span><span style="font-family: inherit; font-size: 14pt;"> e Seijun Suzuki </span><span style="color: #3d85c6; font-family: inherit; font-size: 14pt;">(1923 – 2017. Nihonbashi /
Tóquio, Japão)</span><span style="font-family: inherit; font-size: 14pt;">. Os seus filmes quebram com a tradição e modernizam a temática,
com abordagens chocantes de sexo, criminalidade, minorias e anti-heróis,
utilizando o surrealismo e narrativas menos convencionais.</span></div></span><span style="font-size: 14pt;"> </span><br /><span style="font-size: 14pt;">Fã de
carteirinha desta cinematografia, selecionei dez títulos imperdíveis. Confira.</span><br /><span style="font-size: 14pt;"> </span><br /></span><p></p><div style="text-align: center;"><span style="font-family: inherit;"><span style="background-color: #274e13; font-family: inherit; font-size: 14pt;"><span style="color: white;">DEZ FILMES JAPONESES</span></span></span></div><span style="font-family: inherit;"><span style="font-size: 14pt;"><div style="text-align: center;"><span style="font-family: inherit; font-size: 14pt;"> </span></div></span><span style="font-size: 14pt;"><div style="text-align: justify;"><span style="font-family: inherit; font-size: 14pt;"><span style="color: #3d85c6;">01</span></span></div></span><span style="font-size: 14pt;"><div style="text-align: center;"><span style="background-color: #274e13; font-family: inherit; font-size: 14pt;"><span style="color: white;">CONTOS da LUA VAGA</span></span></div></span><span style="color: #3d85c6;"><span style="font-size: 14pt;"><div style="text-align: center;"><span style="font-family: inherit; font-size: 14pt;">(Ugetsu monogatari, 1953)</span></div><div style="text-align: center;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgEIJ67AdnbRTL8zGX_n4pImbKodwm9Iwk-Orx5RW6TIy5QVQW9r3jgqOyqCejIbw-M0OsbG4ilzbJMpKkD-IFj2OFxjSdNpTdsFIvyPLytP5BRAfAoqjN58ZAITJ3BBXeBsyxALj4kdtnw0UnJxIlluOs7b_lozhViGJcB95rsIPQ-hRAIpQOAxPv_/s266/contos.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="266" data-original-width="189" height="266" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgEIJ67AdnbRTL8zGX_n4pImbKodwm9Iwk-Orx5RW6TIy5QVQW9r3jgqOyqCejIbw-M0OsbG4ilzbJMpKkD-IFj2OFxjSdNpTdsFIvyPLytP5BRAfAoqjN58ZAITJ3BBXeBsyxALj4kdtnw0UnJxIlluOs7b_lozhViGJcB95rsIPQ-hRAIpQOAxPv_/s1600/contos.jpg" width="189" /></a></div></div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjgRU4BIpuWw1uRnXQMjuOr7CmY3WZCjMcI9iUq9MfykpMwWTVONQWZpzbVMoqOjLdxBGgo6hYZyZcvp5TMDXz_vhmUjhCZv15jZ2YoR8jfqitY82wg9CfyE2QeqHAlQtCjHUQ-pD5dKIUDk7SAXMZNM-uUS7BZwMPJQc6Aps_rOcHm_0m5Y6AoMjNT/s1170/ugetsu-contos-da-lua-vaga-pc.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="780" data-original-width="1170" height="266" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjgRU4BIpuWw1uRnXQMjuOr7CmY3WZCjMcI9iUq9MfykpMwWTVONQWZpzbVMoqOjLdxBGgo6hYZyZcvp5TMDXz_vhmUjhCZv15jZ2YoR8jfqitY82wg9CfyE2QeqHAlQtCjHUQ-pD5dKIUDk7SAXMZNM-uUS7BZwMPJQc6Aps_rOcHm_0m5Y6AoMjNT/w400-h266/ugetsu-contos-da-lua-vaga-pc.jpg" width="400" /></a></div><br /></span><span style="font-size: 14pt;">Direção de Kenji Mizoguchi</span><br /><span style="font-size: 14pt;">Elenco: Machiko Kyô, Mitsuko Mito, Kinuyo
Tanaka e Masayuki Mori</span><br /><span style="font-size: 14pt;"> </span></span><br /><div style="text-align: justify;"><span style="font-family: inherit; font-size: 14pt;">Nas margens de um lago, no século XVI assolada
pela guerra civil, vivem dois casais ambiciosos. Eles rumam à cidade para
vender seus produtos. Um dos maridos consegue dinheiro e parte em busca de
fama, deixando a esposa cair na prostituição. Quanto ao outro, fica na
cidade, enviando a mulher e o filho para casa. Mas esta é morta por
bandidos, enquanto ele se deixa seduzir por um fantasma. </span></div><div style="text-align: justify;"><span style="font-family: inherit; font-size: 14pt;"><br /></span></div><div style="text-align: justify;"><span style="font-family: inherit; font-size: 14pt;">Um jidai-geki (drama
histórico do tempo dos samurais) tendo por base contos fantásticos
de Akinari Ueda, de 1776. </span><span style="font-family: inherit; font-size: 14pt;">Entre o realismo histórico e a fantasia, o
resultado é uma história comovente. Por ela passa todo um universo onírico.
Fazendo uso de um tempo remoto, guerras, sentidos de
honra e hierarquia que nos parecem estranhos, funciona tanto como um conto de
fadas, como uma alegoria a algo tão próximo como a ambição desmedida, as
ilusões e valorização da aparência.</span></div><span style="font-size: 14pt;"> </span><br /><span style="font-size: 14pt;"><span style="color: #3d85c6;">02</span></span><br /><div style="text-align: center;"><span style="background-color: #274e13; font-family: inherit; font-size: 14pt;"><span style="color: white;">ERA UMA VEZ em TÓQUIO</span></span></div><span style="color: #3d85c6;"><span style="font-size: 14pt;"><div style="text-align: center;"><span style="font-family: inherit; font-size: 14pt;">(Tokyo Monogatari, 1953)</span></div><div style="text-align: center;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhQMJTdPIyHnXFzndE0Qs7OwrhqujQN9_3Z__yODwUoQ8GG7L5T2S8xJg7NIlDSHJ0vRrL5Xlgef71l13WP9ZbeFwIgtTyqbv2MYxaEE6DKio2gODicSFTKUm6WP6U_g7PSibDXY8Yo3jcr82t89H3C3HBBiaCWjgE7PXwdY_dqcEmRfjltUWF-AexF/s1200/Tokyo_Story-544291812-large.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1200" data-original-width="832" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhQMJTdPIyHnXFzndE0Qs7OwrhqujQN9_3Z__yODwUoQ8GG7L5T2S8xJg7NIlDSHJ0vRrL5Xlgef71l13WP9ZbeFwIgtTyqbv2MYxaEE6DKio2gODicSFTKUm6WP6U_g7PSibDXY8Yo3jcr82t89H3C3HBBiaCWjgE7PXwdY_dqcEmRfjltUWF-AexF/s320/Tokyo_Story-544291812-large.jpg" width="222" /></a></div></div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgQrJ1GWp_a7kLT8sktP5HYWcNxmTbLOAr4yuqH81PwNLCnIQ1puQQh33gaz2A-GS-i09pPlKIMYeVnFH3ehUPilLikiuJQlCt-y1a3mRNYha8vD3Dk4ubScZ9ufIiLUspsf61_nq5Vi9BO--BbxU0ZygP4ypCSNHKbL6jV1veEp7J3kHgwCZnzkXL4/s1063/tokyo-story-1953-movie-big-2-123movies.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="713" data-original-width="1063" height="269" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgQrJ1GWp_a7kLT8sktP5HYWcNxmTbLOAr4yuqH81PwNLCnIQ1puQQh33gaz2A-GS-i09pPlKIMYeVnFH3ehUPilLikiuJQlCt-y1a3mRNYha8vD3Dk4ubScZ9ufIiLUspsf61_nq5Vi9BO--BbxU0ZygP4ypCSNHKbL6jV1veEp7J3kHgwCZnzkXL4/w400-h269/tokyo-story-1953-movie-big-2-123movies.jpg" width="400" /></a></div><br /></span><span style="font-size: 14pt;">Direção de Yasujiro Ozu</span><br /><span style="font-size: 14pt;">Elenco: Chishu Ryu, Chieko Higashiyama e
Setsuko Hara</span></span><br /><span style="font-size: 14pt;"> </span><br /><div style="text-align: justify;"><span style="font-family: inherit; font-size: 14pt;">Um casal de idosos viaja para Tóquio para
visitar os filhos. Eles não são bem recebidos, em um misto de indiferença e
ingratidão. Obra-prima de grande sucesso, chamou a atenção no exterior para Ozu.</span><span style="font-family: inherit; font-size: 14pt;"> </span><span style="font-family: inherit; font-size: 14pt;">O estilo do diretor é
inconfundível e, de uma certa maneira, anti-hollywoodiano. Realista, ancorado no quotidiano, nos pequenos acontecimentos. Causa um estranhamento inicial, mas, uma vez que aderimos ao universo do cineasta,
dificilmente deixaremos de apreciar a beleza da sua arte.</span></div><span style="font-size: 14pt;"><div style="text-align: justify;"><span style="font-family: inherit; font-size: 14pt;"> </span></div></span><span style="font-size: 14pt;"><div style="text-align: justify;"><span style="font-family: inherit; font-size: 14pt;">Não há sentimentalismo, nada que seja excessivo.
Mesmo assim, toca profundamente. Esse é um dos trabalhos mais
sentimentais do diretor, um filme que permanece, mesmo quando acaba. Ele nos
habita por muito tempo, nos faz refletir sobre a efemeridade da vida, sobre os
relacionamentos, sobre o tempo que passa, sobre a morte. Clássico do
cinema mundial, é de fato universal e atemporal.</span></div></span><span style="font-size: 14pt;"> </span><br /><span style="font-size: 14pt;"><span style="color: #3d85c6;">03</span></span><br /><div style="text-align: center;"><span style="background-color: #274e13; font-family: inherit; font-size: 14pt;"><span style="color: white;">PORTAL do INFERNO</span></span></div><span style="color: #3d85c6;"><span style="font-size: 14pt;"><div style="text-align: center;"><span style="font-family: inherit; font-size: 14pt;">(Jigokumon, 1953)</span></div><div style="text-align: center;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhMaZ2zt-ZWJj5-joTaPdVQuKYwx1Vvpx7S-nxkTuBiLQMFYZho2nYBhMSpp-OxRel6tPA8deY8fqV5yU0F81RF0gQhH1BOI99DSmA3xs9XdZDpFWnzR1RTxWwiXkDrwcE2ifpabqvzrO68tRUg6vl9nEZLrUvoZlRBgQXyYa4O1gCa0wPXxN60J8zl/s1125/Jigokumon_poster.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1125" data-original-width="799" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhMaZ2zt-ZWJj5-joTaPdVQuKYwx1Vvpx7S-nxkTuBiLQMFYZho2nYBhMSpp-OxRel6tPA8deY8fqV5yU0F81RF0gQhH1BOI99DSmA3xs9XdZDpFWnzR1RTxWwiXkDrwcE2ifpabqvzrO68tRUg6vl9nEZLrUvoZlRBgQXyYa4O1gCa0wPXxN60J8zl/s320/Jigokumon_poster.jpg" width="227" /></a></div></div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhrLAEv_dsvHuZ4kqhocCDM_L3LyN6Ba6A3KW28si5d4ilzo-QAChC82-rblubJZVatA_bSjk68Yks3fA23WyK_KOMB1UWqeRXRrQuIJV8ctCE1VA1VHnSk2PLU0XxC7mBLZt6fhpKuuCBG559ugoy3MJkNT68hD2_uxUSaTc6h3J4S5-jrHvk8wNMx/s1600/puertainfierno53002.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1600" data-original-width="1221" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhrLAEv_dsvHuZ4kqhocCDM_L3LyN6Ba6A3KW28si5d4ilzo-QAChC82-rblubJZVatA_bSjk68Yks3fA23WyK_KOMB1UWqeRXRrQuIJV8ctCE1VA1VHnSk2PLU0XxC7mBLZt6fhpKuuCBG559ugoy3MJkNT68hD2_uxUSaTc6h3J4S5-jrHvk8wNMx/w305-h400/puertainfierno53002.jpg" width="305" /></a></div><br /></span><span style="font-size: 14pt;">Direção de Teinosuke Kinugasa</span><br /><span style="font-size: 14pt;">Elenco: Machiko Kyô, Kazuo Hasegawa e Isao
Yamagata</span></span><br /><span style="font-size: 14pt;"> </span><br /><div style="text-align: justify;"><span style="font-family: inherit; font-size: 14pt;">Após a reprimida revolta de 1159 no Japão,
samurai é chamado pelo imperador para ser recompensado. Ele pede como prêmio a mão da dama de companhia da irmã do imperador. Só que ela é casada com outro samurai. No entanto, o pretendente não desiste, usando todos
os expedientes ao seu dispor para procurá-la, afrontar seu marido ou até tentar
obter os seus fins através do crime. Um filme marcante pelo uso da cor, planos
de rara beleza e riqueza cromática.</span></div><span style="font-size: 14pt;"><div style="text-align: justify;"><span style="font-family: inherit; font-size: 14pt;"> </span></div></span><span style="font-size: 14pt;"><div style="text-align: justify;"><span style="font-family: inherit; font-size: 14pt;">Começando em cenário de guerra, com ação e
tensão, logo investe na lentidão, onde a guerra é simplesmente interior. As
vontades dos personagens são movidas por sentimentos de honra e dever. Tragédia
sem possibilidade de redenção, recebeu Palma de Ouro no Festival de Cannes de
1954, e ganhou dois Oscars: Melhor Filme Estrangeiro e Melhor Guarda-roupa de
Filme a Cores, bem como prêmio de Melhor Filme do Circículo dos Críticos de
Cinema de Nova York.</span></div></span><span style="font-size: 14pt;"> </span><br /><span style="font-size: 14pt;"><span style="color: #3d85c6;">04</span></span><br /><div style="text-align: center;"><span style="background-color: #274e13; font-family: inherit; font-size: 14pt;"><span style="color: white;">TRONO MANCHADO de SANGUE</span></span></div><span style="color: #3d85c6;"><span style="font-size: 14pt;"><div style="text-align: center;"><span style="font-family: inherit; font-size: 14pt;">(Kumonosu-jô, 1957)</span></div><div style="text-align: center;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjNUOAZr2LGMHmNNqkPHQZ_5LP2tSPXGkWSKlK1Y41bdJ8qIwWKE9PfN8680JHAOFwjzo5tKblkeM9XPQgfZjbekiUL9hCip4LlJpH_fdnkJTC_SAnn5RaQOa0cInv934BODRmSUK8s3nPr5gjMTABsx7CcrpGzTSPxeyoxckSAzQsJ6tdkqa9-M3_9/s1455/trono.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1455" data-original-width="1000" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjNUOAZr2LGMHmNNqkPHQZ_5LP2tSPXGkWSKlK1Y41bdJ8qIwWKE9PfN8680JHAOFwjzo5tKblkeM9XPQgfZjbekiUL9hCip4LlJpH_fdnkJTC_SAnn5RaQOa0cInv934BODRmSUK8s3nPr5gjMTABsx7CcrpGzTSPxeyoxckSAzQsJ6tdkqa9-M3_9/s320/trono.jpg" width="220" /></a></div></div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiCoYk_Xo1mlUX-Y9jbetl01NqV8ZA_q8182fS4ha7vlSSHeX_ZefVmSqeQbG7B5wJG_oInqeLCw9pF0YZU2NULHpIthJAi-PT5hBnYcXxXV7jhrmJ459BHPO_1C542tMcXXOORLoHKq8IAeCqZOUBURZmjXa-WGOFCmb_ExeJzUr4zizjOl_QHOxHs/s1200/trono-manchado-de-sangue-akira-kurosawa-1957.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="850" data-original-width="1200" height="284" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiCoYk_Xo1mlUX-Y9jbetl01NqV8ZA_q8182fS4ha7vlSSHeX_ZefVmSqeQbG7B5wJG_oInqeLCw9pF0YZU2NULHpIthJAi-PT5hBnYcXxXV7jhrmJ459BHPO_1C542tMcXXOORLoHKq8IAeCqZOUBURZmjXa-WGOFCmb_ExeJzUr4zizjOl_QHOxHs/w400-h284/trono-manchado-de-sangue-akira-kurosawa-1957.jpg" width="400" /></a></div><br /></span><a name="_Hlk98104486"><span style="font-size: 14pt; line-height: 107%;">Direção </span></a><span style="font-size: 14pt; line-height: 107%;">de Akira Kurosawa</span><br /><span style="font-size: 14pt;">Elenco: Toshirô Mifune, Minoru Chiaki, Isuzu
Yamada e Takashi Shimura</span></span><br /><span style="font-size: 14pt;"> </span><br /><div style="text-align: justify;"><span style="font-family: inherit; font-size: 14pt;">Instigado pela esposa e por ambição, samurai abre o caminho para o trono do castelo, inclusive matando aqueles que nele confiavam, e passando a viver atormentado
pelo fantasma da traição. Kurosawa usou como inspiração a tragédia de
Shakespeare, </span><span style="color: #3d85c6; font-family: inherit; font-size: 14pt;">“MacBeth”</span><span style="font-family: inherit; font-size: 14pt;">, para construir uma história de paranoia, numa metáfora
sobre o poder. Reina uma atmosfera irreal, de florestas encantadas,
nevoeiros fantasmagóricos, espíritos malignos, espaços fechados e
interpretações estilizadas.</span></div><span style="font-size: 14pt;"><div style="text-align: justify;"><span style="font-family: inherit; font-size: 14pt;"> </span></div></span><span style="font-size: 14pt;"><div style="text-align: justify;"><span style="font-family: inherit; font-size: 14pt;">Destaca-se o mais visceral dos atores
japoneses, Toshiro Mifune, que nos transmite, do seu modo único, toda a sua
convulsão interior. Esta é provocada por aparições, sonhos, medos e ambições
nascentes, em muito alimentadas pela esposa, uma interpretação inesquecível de
Isuzu Yamada. Sendo um filme intenso e austero, tem sido elogiado por críticos,
que o consideram uma das mais fortes adaptações da peça de Shakespeare, apesar
das suas evidentes liberdades.</span></div></span><span style="font-size: 14pt;"> </span><br /><span style="font-size: 14pt;"><span style="color: #3d85c6;">05</span></span><br /><div style="text-align: center;"><span style="background-color: #274e13; font-family: inherit; font-size: 14pt;"><span style="color: white;">FOGO na PLANÍCIE</span></span></div><span style="color: #3d85c6;"><span style="font-size: 14pt;"><div style="text-align: center;"><span style="font-family: inherit; font-size: 14pt;">(Nobi, 1959)</span></div><div style="text-align: center;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgvLHfy7uneL2NxAHDkReVvo_FswJy88o885KBwJtnmvry2VT3umvLkj0p8ZkZ8cBt95xdMCCihC4xeBwissEhtwVVH7lAnB6goI8_7GAwTwz0xD58pEEv7jHPo5zsFcc6C1V3Ct8Q0f6ySama5zMT4SF9oxPsRWesJWvcTP_76xHMiD0xWhnVq0VrJ/s1280/fogo%20na%20p.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1280" data-original-width="905" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgvLHfy7uneL2NxAHDkReVvo_FswJy88o885KBwJtnmvry2VT3umvLkj0p8ZkZ8cBt95xdMCCihC4xeBwissEhtwVVH7lAnB6goI8_7GAwTwz0xD58pEEv7jHPo5zsFcc6C1V3Ct8Q0f6ySama5zMT4SF9oxPsRWesJWvcTP_76xHMiD0xWhnVq0VrJ/s320/fogo%20na%20p.jpg" width="226" /></a></div></div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi5ODsOcj1gv5bPqNDXgYQOlDwuKTS3CC8S5voxLwVizHZE-t1sOfTwvExwfBdAqB42jBqjqV9X8SRFNAj4gJcGL4xokaP41r_NXh7uXwWtcpKD-51n5XaTYDYiaVYyKR74cEckEzWjmdd8HfWSo9qzIIOK8VEWAF3PICBAHm0gxpvAkGLmnm0YI8BU/s1772/fogo%20na.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1223" data-original-width="1772" height="276" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi5ODsOcj1gv5bPqNDXgYQOlDwuKTS3CC8S5voxLwVizHZE-t1sOfTwvExwfBdAqB42jBqjqV9X8SRFNAj4gJcGL4xokaP41r_NXh7uXwWtcpKD-51n5XaTYDYiaVYyKR74cEckEzWjmdd8HfWSo9qzIIOK8VEWAF3PICBAHm0gxpvAkGLmnm0YI8BU/w400-h276/fogo%20na.jpg" width="400" /></a></div><br /></span><a name="_Hlk98104597"><span style="font-size: 14pt; line-height: 107%;">Direção </span></a><span style="font-size: 14pt; line-height: 107%;">de Kon Ichikawa</span><br /><span style="font-size: 14pt;">Elenco: Eiji Funakoshi, Mantarô Ushio e
Yoshihiro Hamaguchi</span></span><br /><span style="font-size: 14pt;"> </span><br /><div style="text-align: justify;"><span style="font-family: inherit; font-size: 14pt;">Nas Filipinas, no início de 1945, a ofensiva norte-americana
obriga à retirada japonesa. Um soldado, entre tantos que estão sem rumo ou objetivo
perante a derrota das suas tropas, expulso do seu batalhão como doente, erra por uma ilha, encontrando companheiros, partilhando ou disputando
comida, e assistindo a modos ilícitos desta partilha, a medos e desesperos,
crime, loucura e até canibalismo. A sua trajetória é cheia de eventos
que o fazem perder a esperança no ser humano.</span></div><span style="font-size: 14pt;"><div style="text-align: justify;"><span style="font-family: inherit; font-size: 14pt;"> </span></div></span><span style="font-size: 14pt;"><div style="text-align: justify;"><span style="font-family: inherit; font-size: 14pt;">Viagem pela
loucura e pelo desespero da guerra. Filmado em cenários naturais e com fotografia que transmite extrema desolação, choca pelo realismo, pelo modo
como não esconde os efeitos da guerra: doença, morte, escassez, fome,
crime. Além disso, o desespero presente em cada rosto, em cada
palavra, em cada gesto. Considerado um dos mais realistas filmes de guerra já
filmados, recebeu vários prêmios internacionais, e ainda hoje choca pela força do seu discurso e das suas imagens.</span></div></span><span style="font-size: 14pt;"> </span><br /><span style="font-size: 14pt;"><span style="color: #3d85c6;">06</span></span><br /><div style="text-align: center;"><span style="background-color: #274e13; font-family: inherit; font-size: 14pt;"><span style="color: white;">KWAIDAN - As QUATRO FACES do MEDO</span></span></div><span style="color: #3d85c6;"><span style="font-size: 14pt;"><div style="text-align: center;"><span style="font-family: inherit; font-size: 14pt;">(Kwaidan, 1964)</span></div><div style="text-align: center;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg9Gg4s1MRWw5bRvXo1c-jiF2MifmxIQAORnq692zzPOiDaDdZQcwPxBI3szj1z6LzMm9kSc0ioHsbpQcGk4pYEGpz7mzw5HkO-9L6YJzBHxrLBVFw4o1C-M-T2l0v3mdiU5FaO_HCqaTxFy3TrdPjVUSRMEeTt7CvxCUOtlIaPc1WQDHraWsDC1EtN/s1440/Kwaidan.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1440" data-original-width="1022" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg9Gg4s1MRWw5bRvXo1c-jiF2MifmxIQAORnq692zzPOiDaDdZQcwPxBI3szj1z6LzMm9kSc0ioHsbpQcGk4pYEGpz7mzw5HkO-9L6YJzBHxrLBVFw4o1C-M-T2l0v3mdiU5FaO_HCqaTxFy3TrdPjVUSRMEeTt7CvxCUOtlIaPc1WQDHraWsDC1EtN/s320/Kwaidan.jpg" width="227" /></a></div></div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhHhW32S2kHob2h78cCm_yuKNgZ6BCOPxY7t9fhLXvSuRNzMAe3pPpnPizyv1gOW9f6lqd-EPbKr9r-WW8DbglszmW1EcXWDzTULYcQ9C-4kV-Lm7mQ1ubZqWs55YBFgpTb9GeLKwQuR4Hp37KgJmpqVM0uA18mkWf3bqbB3ipbV4nIeD1Z1O4PtSwY/s1977/kwaidan1.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1665" data-original-width="1977" height="336" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhHhW32S2kHob2h78cCm_yuKNgZ6BCOPxY7t9fhLXvSuRNzMAe3pPpnPizyv1gOW9f6lqd-EPbKr9r-WW8DbglszmW1EcXWDzTULYcQ9C-4kV-Lm7mQ1ubZqWs55YBFgpTb9GeLKwQuR4Hp37KgJmpqVM0uA18mkWf3bqbB3ipbV4nIeD1Z1O4PtSwY/w400-h336/kwaidan1.jpg" width="400" /></a></div><br /></span><span style="font-size: 14pt;">Direção de Masaki Kobayashi</span><br /><span style="font-size: 14pt;">Elenco: Rentaro Mikuni, Michiyo Aratama e
Tatsuya Nakadai</span></span><br /><span style="font-size: 14pt;"> </span><br /><div style="text-align: justify;"><span style="font-family: inherit; font-size: 14pt;">Quatro contos adaptados de tradicionais
fábulas japonesas. Conquistou uma indicação ao Oscar de
Melhor Filme Estrangeiro – algo raro para uma obra de terror. Os contos são sustentados pelo talento estético de Kobayashi, a trilha
sonora, o design de produção e a montagem. Primeiro filme colorido da
carreira do diretor, em m</span><span style="font-family: inherit; font-size: 14pt;">omentos
pontuais ele e seu fotógrafo aplicam filtros azulados na iluminação para
representar a chegada de espíritos, alterando a intensidade dos focos de
iluminação.</span></div><span style="font-size: 14pt;"><div style="text-align: justify;"><span style="font-family: inherit; font-size: 14pt;"> </span></div></span><span style="font-size: 14pt;"><div style="text-align: justify;"><span style="font-family: inherit; font-size: 14pt;">Nesse cenário sobrenatural, de morte e
fantasmas, três horas são investidas para apresentar o folclore
japonês. Kobayashi é um artista ímpar e todos os segmentos são visualmente cativantes e inovadores, até mesmo flertando com temas ligados às quatro
estações do ano, partindo do outono até o verão, mas também é realmente
interessante como fenômeno cinematográfico.</span></div></span><span style="font-size: 14pt;"> </span><br /><span style="font-size: 14pt;"><span style="color: #3d85c6;">07</span></span><br /><div style="text-align: center;"><span style="background-color: #274e13; font-family: inherit; font-size: 14pt;"><span style="color: white;">A FACE do OUTRO</span></span></div><span style="color: #3d85c6;"><span style="font-size: 14pt;"><div style="text-align: center;"><span style="font-family: inherit; font-size: 14pt;">(Tanin no Kao, 1966)</span></div><div style="text-align: center;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiwJSi2Kl7rJZPqoAvgM2Nx1vE4EVL2KymaUSLP9lzHMiJDzVvRA_PP-wTMoxuPybxmAXEjovQgwD-XVAuffg8TLSmAL83VrGrKPR8MCfwTDuSY1sAOFZZzpcODZCDT58dHbp4trBLqqd1FVTQmsqVmySMay_u-PfVCVqB0yqPpvH_q9pkLQURQbs2-/s1414/a%20face%20do%20ou.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1414" data-original-width="1000" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiwJSi2Kl7rJZPqoAvgM2Nx1vE4EVL2KymaUSLP9lzHMiJDzVvRA_PP-wTMoxuPybxmAXEjovQgwD-XVAuffg8TLSmAL83VrGrKPR8MCfwTDuSY1sAOFZZzpcODZCDT58dHbp4trBLqqd1FVTQmsqVmySMay_u-PfVCVqB0yqPpvH_q9pkLQURQbs2-/s320/a%20face%20do%20ou.jpg" width="226" /></a></div></div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiwk9bUPYNlOMQ7JOQjy_j6Ym5FkWSTdtRhH7ZLvKR0iMiy-QabaduTDvZIeK1KMF7xfLNVC8WksfDMjRTu4DjkS5Jg1rDH5tHjq3QfHskA3wyff6-e8apX_2DQDbLjjGLyD9ZXvnoQ7iEF5XbFEXwi3w0XtH47no-oUaQNyr4euEP3Wg71X6BA5Hr3/s988/a%20face.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="811" data-original-width="988" height="329" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiwk9bUPYNlOMQ7JOQjy_j6Ym5FkWSTdtRhH7ZLvKR0iMiy-QabaduTDvZIeK1KMF7xfLNVC8WksfDMjRTu4DjkS5Jg1rDH5tHjq3QfHskA3wyff6-e8apX_2DQDbLjjGLyD9ZXvnoQ7iEF5XbFEXwi3w0XtH47no-oUaQNyr4euEP3Wg71X6BA5Hr3/w400-h329/a%20face.jpg" width="400" /></a></div><br /></span><span style="font-size: 14pt;">Direção de Hiroshi Teshigahara</span><br /><span style="font-size: 14pt;">Elenco: Tatsuya Nakadai, Machiko Kyô e
Mikijirô Hira</span></span><br /><span style="font-size: 14pt;"> </span><br /><div style="text-align: justify;"><span style="font-family: inherit; font-size: 14pt;">Com uma riqueza estilística magistral, transpõe
para a tela simbolismos que permitem várias interpretações. No enredo, um homem
fica com o rosto desfigurado e sente desmoronar seu relacionamento com a esposa.
Por isso, aceita experimentar a invenção de um cientista: uma máscara que se
molda ao rosto. Então, com a cara nova, decide testar a fidelidade da
esposa, e bola um plano para seduzi-la.</span></div><span style="font-size: 14pt;"><div style="text-align: justify;"><span style="font-family: inherit; font-size: 14pt;"> </span></div></span><span style="font-size: 14pt;"><div style="text-align: justify;"><span style="font-family: inherit; font-size: 14pt;">Há uma trama paralela que se centra numa garota também com uma deformação no rosto. Solitária, ela tem uma transa
incestuosa com seu irmão e a seguir se arrepende, tomando uma decisão radical. O filme
questiona o quanto as pessoas colocam importância na aparência, quando o que
mais importa é o que está no interior delas. As duas histórias defendem esse
ponto. </span></div></span><span style="font-size: 14pt;"> </span><br /><span style="font-size: 14pt;"><span style="color: #3d85c6;">08</span></span><br /><div style="text-align: center;"><span style="background-color: #274e13; font-family: inherit; font-size: 14pt;"><span style="color: white;">O GATO PRETO</span></span></div><span style="color: #3d85c6;"><span style="font-size: 14pt;"><div style="text-align: center;"><span style="font-family: inherit; font-size: 14pt;">(Yabu no Naka no Kuroneko, 1968)</span></div><div style="text-align: center;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEioXLm-8qYcGDDCp0zipZO2QFWgVuMq04wxWwThsE06tBw0_T-iNqIEMpTPOHrz3V55ktmzBmwXx6NIyaK5sPWXgxvGs4X5afkbeHXSy7kx-vQOQDpblSIeh2U7Fzpv1l9htmPo99FhHLR7hZPkTInTD2QZwVy6TRGV-gPC8aOtN-3AS6PwXiI0Bh2u/s1103/o%20gato%20preto_Edited.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1103" data-original-width="783" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEioXLm-8qYcGDDCp0zipZO2QFWgVuMq04wxWwThsE06tBw0_T-iNqIEMpTPOHrz3V55ktmzBmwXx6NIyaK5sPWXgxvGs4X5afkbeHXSy7kx-vQOQDpblSIeh2U7Fzpv1l9htmPo99FhHLR7hZPkTInTD2QZwVy6TRGV-gPC8aOtN-3AS6PwXiI0Bh2u/s320/o%20gato%20preto_Edited.jpg" width="227" /></a></div></div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj0N3u15nuqNpoj8pKL99Jyo89acSl1h5j5a_EaNZAQnDiyWQ7F6PSdNRMx915w3zyHdvi9WfWx6qk-DTcgpNygQzslY1p87KBJ9hcnDWHyEwJgUxFMtU-KizmvvolB1DXwLcHwwFMwTs3duSfbkN1Scn62svhE1IopExjTFIv-zhGZ0boiAdynmGRH/s1819/o%20gato%20pre.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1293" data-original-width="1819" height="284" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj0N3u15nuqNpoj8pKL99Jyo89acSl1h5j5a_EaNZAQnDiyWQ7F6PSdNRMx915w3zyHdvi9WfWx6qk-DTcgpNygQzslY1p87KBJ9hcnDWHyEwJgUxFMtU-KizmvvolB1DXwLcHwwFMwTs3duSfbkN1Scn62svhE1IopExjTFIv-zhGZ0boiAdynmGRH/w400-h284/o%20gato%20pre.jpg" width="400" /></a></div><br /></span><span style="font-size: 14pt;">Direção de Kaneto Shindô</span><br /><span style="font-size: 14pt;">Elenco: Kichiemon Nakamura, Nobuko Otowa e
Kiwako Taichi</span></span><br /><span style="font-size: 14pt;"> </span><br /><div style="text-align: justify;"><span style="font-family: inherit; font-size: 14pt;">Duas mulheres são estupradas e assassinadas
por um grupo de samurais em um local isolado. Retornando como espíritos, elas
se vingam de toda a classe. Um jovem samurai, depois de violenta batalha, é
convocado a exterminar a maldição. O texto é inspirado em contos de Rynosuke
Akutagawa. Ao mesmo tempo que funciona como uma história de samurais é também
uma aterradora narrativa de fantasmas.</span></div><span style="font-size: 14pt;"><div style="text-align: justify;"><span style="font-family: inherit; font-size: 14pt;"> </span></div></span><span style="font-size: 14pt;"><div style="text-align: justify;"><span style="font-family: inherit; font-size: 14pt;">Tambores e música do Teatro Bunraku criam a
atmosfera macabra para nos preparar para o
local mágico onde os espíritos vivem. A construção da obra é cuidadosa e pautada pelo silêncio. O misticismo não é óbvio. Como é comum no cinema japonês, é tratado como uma das camadas da existência. Entrelaçando o
espiritualismo shintô e um quê de demoníaco, alcançou sucesso nas terras
nipônicas.</span></div></span><span style="font-size: 14pt;"> </span><br /><span style="font-size: 14pt;"><span style="color: #3d85c6;">09</span></span><br /><div style="text-align: center;"><span style="background-color: #274e13; font-family: inherit; font-size: 14pt;"><span style="color: white;">A BALADA de NARAYAMA</span></span></div><span style="color: #3d85c6;"><span style="font-size: 14pt;"><div style="text-align: center;"><span style="font-family: inherit; font-size: 14pt;">(Narayama Bushiko, 1983)</span></div><div style="text-align: center;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjvcEhlqDHA-t5HIGZggUrQvwhwoGgzpJSthTrhfnr1NU4X4oz5-Bi3DnAM4y-m1ILU0xthqzQdvDLZO2xQQJfoH7tE0MIu0dJwCPezBG3UVkXIIKWuHlf5WjD-IgRc7XmvRGFkDgSeUXgbOeJ4mMUHJo_CuKR_GSjx_504c1_lWySGGbeMSFIVW1tQ/s1430/A%20balada.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1430" data-original-width="1000" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjvcEhlqDHA-t5HIGZggUrQvwhwoGgzpJSthTrhfnr1NU4X4oz5-Bi3DnAM4y-m1ILU0xthqzQdvDLZO2xQQJfoH7tE0MIu0dJwCPezBG3UVkXIIKWuHlf5WjD-IgRc7XmvRGFkDgSeUXgbOeJ4mMUHJo_CuKR_GSjx_504c1_lWySGGbeMSFIVW1tQ/s320/A%20balada.jpg" width="224" /></a></div></div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj9kiKKG5XZ47tu8DHzHvBHl23qL_R1PIiPgVArkXB39ug1Q5fX0pagYrB7vdkj66GjT1GMnDXPND7dVX1US9x8Gs_SczuQcqyTQUVpw271kkIK4F5JHs8BXE7wbnqjAfTaSLjA0vL5_iHwNni259KeEusS4PWm1nLA_kuRcMi3WPFp0vXYrS8FmJd6/s1600/A%20balada%20de%20N_Edited.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="900" data-original-width="1600" height="225" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj9kiKKG5XZ47tu8DHzHvBHl23qL_R1PIiPgVArkXB39ug1Q5fX0pagYrB7vdkj66GjT1GMnDXPND7dVX1US9x8Gs_SczuQcqyTQUVpw271kkIK4F5JHs8BXE7wbnqjAfTaSLjA0vL5_iHwNni259KeEusS4PWm1nLA_kuRcMi3WPFp0vXYrS8FmJd6/w400-h225/A%20balada%20de%20N_Edited.jpg" width="400" /></a></div><br /></span><span style="font-size: 14pt;">Direção de Shohei Imamura</span><br /><span style="font-size: 14pt;">Elenco: Mitsuko Baisho, Nijiko Kiyokawa e Ken
Ogata</span></span><br /><span style="font-size: 14pt;"> </span><br /><div style="text-align: justify;"><span style="font-family: inherit; font-size: 14pt;">No fim do século XIX, em um vilarejo, o morador que completa 70 anos de idade deve subir ao topo de uma
sagrada montanha e aguardar a morte. Aquele que se recusa a cumprir a
tradição traz a desonra para sua família. Tal medida garantia que os mais novos se dedicassem aos seus afazeres diários ao invés de cuidar de seus idosos e também atenuar a escassez de alimentos
durante o inverno. No entanto, senhora de 69 anos só aceita morrer quando o
seu filho mais velho estiver casado.</span></div><span style="font-size: 14pt;"><div style="text-align: justify;"><span style="font-family: inherit; font-size: 14pt;"> </span></div></span><span style="font-size: 14pt;"><div style="text-align: justify;"><span style="font-family: inherit; font-size: 14pt;">Duro e belo, nos reserva momentos
brutais. Carregado de metáforas, aborda de forma sensível, mas também mordaz, a dualidade entre os sentimentos e o dever, a vida e a morte. Baseado
no romance de Fukazawa Shichirō, ganhou a Palma de
Ouro no Festival de Cannes. Esta é a segunda adaptação do livro levada ao
cinema, sendo a primeira dirigida por Kinoshita Keisuke em 1958.</span></div></span><span style="font-size: 14pt;"> </span><br /><span style="font-size: 14pt;"><span style="color: #3d85c6;">10</span></span><br /><div style="text-align: center;"><span style="background-color: #274e13; font-family: inherit; font-size: 14pt;"><span style="color: white;">TABU</span></span></div><span style="color: #3d85c6;"><span style="font-size: 14pt;"><div style="text-align: center;"><span style="font-family: inherit; font-size: 14pt;">(Gohatto, 1999)</span></div><div style="text-align: center;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEil1ZiJdl3568FJiCW3H5B1lHWVjStGqOz835gRuRFYcK_3VMPydn79Yx6GchK8ieE-dnMw_G944FHtgjzUGqsOnbL15DciIlq31NJxZbEfRRIPrK_2wYxqsKPAZOzCdoMacsR-W1YAfAPSTrVNN-ZQ_RDwfcFODI3ni9vu1n5V-vvXt2-SJawM75Vi/s1312/H2180-L285991397.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1312" data-original-width="931" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEil1ZiJdl3568FJiCW3H5B1lHWVjStGqOz835gRuRFYcK_3VMPydn79Yx6GchK8ieE-dnMw_G944FHtgjzUGqsOnbL15DciIlq31NJxZbEfRRIPrK_2wYxqsKPAZOzCdoMacsR-W1YAfAPSTrVNN-ZQ_RDwfcFODI3ni9vu1n5V-vvXt2-SJawM75Vi/s320/H2180-L285991397.jpg" width="227" /></a></div></div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj6wgILo_pTjuGNNL3E6cKIa4be2xPS2MmofRK3osaZ6g3Z08c8AqOgNKvdwnWXwQnbC_7vha_FIyvvILIB5xKbPhhcod7oJDrSSDcQQJVrYfwSXw8mEuOtHM-BIt_9oZ2XRS6JVCkWsq95y5-42KVN7xyyaElgXXc7NT28TnKrxWkr3vfEwwNlnEGy/s1399/TABU1.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="988" data-original-width="1399" height="283" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj6wgILo_pTjuGNNL3E6cKIa4be2xPS2MmofRK3osaZ6g3Z08c8AqOgNKvdwnWXwQnbC_7vha_FIyvvILIB5xKbPhhcod7oJDrSSDcQQJVrYfwSXw8mEuOtHM-BIt_9oZ2XRS6JVCkWsq95y5-42KVN7xyyaElgXXc7NT28TnKrxWkr3vfEwwNlnEGy/w400-h283/TABU1.jpg" width="400" /></a></div><br /></span><span style="font-size: 14pt;">Direção de Nagisa Oshima</span><br /><span style="font-size: 14pt;">Elenco: Takeshi Kitano, Ryûhei Matsuda e
Shinji Takeda</span></span><br /><span style="font-size: 14pt;"> </span><br /><div style="text-align: justify;"><span style="font-family: inherit; font-size: 14pt;">O novo membro de uma unidade de milícia
samurai causa distúrbios quando vários de seus colegas se apaixonam por ele,
ameaçando perturbar o código rígido de seu esquadrão. Explorando a
prática comum de wakashudo, em que um oficial samurai costumava levar seu jovem
aprendiz como amante, Oshima
descreve as emoções profundamente escondidas que surgem em um grupo de guerreiros,
separados do resto do mundo, condenados apenas à sua própria companhia.</span></div><span style="font-size: 14pt;"><div style="text-align: justify;"><span style="font-family: inherit; font-size: 14pt;"> </span></div></span><span style="font-size: 14pt;"><div style="text-align: justify;"><span style="font-family: inherit; font-size: 14pt;">O diretor trata de tabus morais relacionados à homossexualidade, traição e prostituição no passado. Mostra as consequências de quebrar
certas regras ou proibições na esfera erótica. Diferente e bonito, com
uma trilha sonora impressionante e uma fotografia maravilhosa, a maior parte do drama se passa em ambientes fechados, em interiores sem excessos e
escassamente mobiliados. O resultado é uma estética austera, mas estranhamente
bela - e também muito masculina.</span></div></span><span style="font-size: 14pt;"> </span><br /></span><p></p>
ANTONIO NAHUDhttp://www.blogger.com/profile/09829893001743081676noreply@blogger.com1